Joan Bennett et Edward G. Robinson dans “La Rue Rouge (Scarlet Street)” de Fritz Lang (1945) - adapté du roman “La Chienne” de Georges de La Fouchardière (1930) et remake du film éponyme de Jean Renoir (1931) - avril 2024.
We have sold ourselves into a fast food model of education, and it's impoverishing our spirit and our energies as much as fast food is depleting our physical bodies.
So I never thought I'd get a chance to shout accolades at you given that this is the first time we've met but I just have to say that I am an absolute fan of your work. I don't think there's a film of yours that I haven't truly loved and I just wanted you to know I'm a fan. Are you coming to Ireland with the rest of us? @robinsonjnicks
This is the new frontier of fetishistic desire around transition — mixed up with genuine emotion, hatred of being a woman, desire to be a dominant man, sexualizing the pain, fear and confusion around a desire to stop transition. In some ways, this is the natural path of sexually confused teens and young adults growing up in a porn culture, consuming violent sexual messages since childhood. It is a queer kink subculture ripe for grooming, abuse, and sexual harm.
If history is an indicator, the presence of this subculture on Tumblr is an indication of its eventual spread.
Edward G. Robinson et Joan Bennett dans “La Rue Rouge (Scarlet Street)” de Fritz Lang (1945) - adapté du roman “La Chienne” de Georges de La Fouchardière (1930) et remake du film éponyme de Jean Renoir (1931) - avril 2024.