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edisonblog · 4 months

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Artist's Sketch of a Sparrow. Depicts a delicate sparrow perched on a slender branch.

The artist has captured the bird's essence with swift, flowing lines, showcasing its small, rounded body and distinctive beak.

The sparrow's feathers are suggested through light, feathery strokes, giving the impression of softness and movement in the breeze.

Its wings are subtly hinted at, slightly folded against its body, conveying a sense of calm and tranquility.

The eye, though simple in its design, exudes a sense of curiosity and liveliness, adding a spark to the otherwise understated sketch.

Overall, the artist has captured the essence of this small bird, portraying its beauty and grace through minimalist yet expressive lines.

Museum excavations, 1922-1923. Acquired in the division of finds, 1923.

Title: Artist's Sketch of a Sparrow Period: New Kingdom Dynasty: Dynasty 18 Reign: Joint reign of Hatshepsut and Thutmose III Date: ca. 1479–1458 B.C. Geography: From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Hatshepsut Hole, MMA excavations, 1922–23 Medium: Limestone, paint Dimensions: H. 6.6 cm (2 5/8 in.); W. 10.6 cm (4 3/16 in.); Th. 2.4 cm (15/16 in.) Credit Line: Rogers Fund, 1923 Accession Number: 23.3.7 Winlock, Herbert E. 1923. "The Egyptian Expedition 1922–1923." In The Metropolitan Museum of Art Bulletin, vol. 18, no. 12, part 2 (December), p. 35, fig. 29.

Oppenheim, Adela 2010. "Sperling." In Falken, Katzen, Krokodile: Tiere im Alten Ägypten: Aus den Sammlungen des Metropolitan Museum of Art, New York, und des Ägyptischen Museums Kairo, edited by Dorothea Arnold. Zurich: Museum Rietberg, p. 82, no. 79.

#edisonmariotti @edisonblog

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Esboço artístico de um pardal. Retrata um delicado pardal empoleirado num galho delgado.

O artista capturou a essência do pássaro com linhas rápidas e fluidas, mostrando seu corpo pequeno e arredondado e seu bico distinto.

As penas do pardal são sugeridas através de pinceladas leves e plumadas, dando a impressão de suavidade e movimento na brisa.

Suas asas são sutilmente insinuadas, levemente dobradas contra o corpo, transmitindo uma sensação de calma e tranquilidade.

O olho, embora simples em seu design, exala uma sensação de curiosidade e vivacidade, adicionando uma faísca ao esboço discreto.

No geral, o artista capturou a essência deste pequeno pássaro, retratando a sua beleza e graça através de linhas minimalistas mas expressivas.

Escavações do museu, 1922-1923. Adquirida na divisão de achados, 1923.

Título: Esboço artístico de um pardal Período: Novo Reino Dinastia: Dinastia 18 Reinado: Reinado conjunto de Hatshepsut e Tutmés III Data: ca. 1479–1458 a.C. Geografia: Do Egito, Alto Egito, Tebas, Deir el-Bahri, Hatshepsut Hole, escavações MMA, 1922–23 Médio: calcário, tinta Dimensões: H. 6,6 cm (2 5/8 pol.); L. 10,6 cm (4 3/16 pol.); º. 2,4 cm (15/16 pol.) Linha de crédito: Fundo Rogers, 1923 Número de Acesso: 23.3.7 Winlock, Herbert E. 1923. "A Expedição Egípcia 1922–1923." No Boletim do Museu Metropolitano de Arte, vol. 18, não. 12, parte 2 (dezembro), p. 35, fig. 29.

Oppenheim, Adela 2010. "Sperling". Em Falken, Katzen, Krokodile: Tiere im Alten Ägypten: Aus den Sammlungen des Metropolitan Museum of Art, Nova York, und des Ägyptischen Museums Kairo, editado por Dorothea Arnold. Zurique: Museu Rietberg, p. 82, não. 79.

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group4gettingoutofapool · 5 months

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Bibliography

Knight, C. (2006) ART REVIEW; Getting to the heart of Hockney: HOME EDITION, The Los Angeles times [online], 12th June 2006

Available at:

https://www.proquest.com/newspapers/art-review-getting-heart-hockney/docview/422060466/se-2?accountid=12118

[Accessed: 18th November 2023]

Matthew Sperling, Apollo Magazine (2017) The pull of Hockney’s pool paintings

[online]

Available at: https://www.apollo-magazine.com/david-hockney-pool-paintings/ [accessed 21/11/2023]

Melia, Paul (2007) David Hockney, Manchester University Press, Manchester

MyArtBroker, David Hockney's Splash: The Californian Pool Paintings [online]

Available at: https://www.myartbroker.com/artist-david-hockney/articles/david-hockney-splash-the-california-pool-paintings [accessed 19/11/2023]

National Gallery of Australia, (2018) The Subversive Iconography of David Hockney, A Young Artists Dangerous Journey Towards Self Expression, Available at: https://medium.com/national-gallery-of-australia/the-subversive-iconography-of-david-hockney-81eb21c9545d

[Accessed: 9Th November 2023]

Roger Jones, British Journal of General Practice (2017), Exhibition: David Hockney and the BJGP [Online]

Available at: https://bjgp.org/content/67/660/316.full [accessed 17/11/2023]

Siegel, J. (1978). [Review of David Hockney by David Hockney, by N. Stangos & D. Hockney]. Art Journal, 38, 66–72.

Wilkinson, Isabel (2012). "Peter Schlesinger, David Hockney's Muse, Shows New Works in L.A." The Daily Beast.

Available at: https://www.thedailybeast.com/peter-schlesinger-david-hockneys-muse-shows-new-works-in-la [Accessed 17/11/2023]

#art #david hockney #liverpool #museum #swimming pool #walker art gallery

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mirandamckenni1 · 9 months

Video

youtube

Liked on YouTube: Kylie Minogue - Padam Padam (Official Video) || https://www.youtube.com/watch?v=p6Cnazi_Fi0 || The official video for Padam Padam by Kylie Minogue. Listen/save Padam Padam here: https://ift.tt/I0hUcGa The new album Tension is available to pre-save/add now: https://ift.tt/sE7jyJT Watch Official Kylie Minogue videos: https://ift.tt/qa1yPw0 Subscribe Now! ✨: https://www.youtube.com/user/kylieminogue/?sub_confirmation=1 CREDITS Director - Sophie Muller DP - Steven Chivers 1st A.D - Andrew Coffing 2nd A.D - Jimmy Brayl 1st AC - Alli Gooch 2nd AC - Joseph Hartzler Steadicam - Koji Kojima DIT - Andy Cordos Gaffer - Julian Tuzzeo Key Grip - Josh Linkey Line Producer - Hope Farley Prod. Supervisor - Joshua Hummel Commercial Coord -Taylor Gilroy BB Electric - Michael Proa Electric / Driver - Hassan Jabbar BB Grip - Ronnie Gotch Grip / Driver - Enrique Arriaga Production Designer - Annie Sperling Art Coordinator - Michele Moore Set Decorator - Craig Roose Prop Master - Roger Deering Leadman - Steve Rawlings Set Dresser - Danny Padilla VTR / Playback - Adam Delgado Stylist - Bradley Kenneth Wardrobe Assistant - Alyx Cohen Wardrobe (Dancers) - Natalie Berwanger Artist Hair - Danillo Dixon Hair Assist (Dancers) - Jaylin Seng & Esther Vasquez Craft Service - Brooke Lohr Artist Makeup - Anthony Nguyen Makeup (Dancers) - Sameerah Hoddison Choreographer - Jose ‘Hollywood’ Ramos Choreographer Assist - Erika Naranjo Dancers: Jordan Ledora Gaskin Shyvon Campell James Ryan Mertz Paula Ayotte Morgan Marie Wright Chris Munar Michael Ramos Dylon Cedillo Creative Manager - Faye Purcell BTS Stills - Erik Melvin BTS Video - Trent Barboza LYRICS You look like fun to me You look a little like somebody I know And I can tell you how this ends I’ll be in your head all weekend Shivers and butterflies I get the shivers when I look into your eyes And I can tell that you’re all in ‘Cause I can hear your heart beating Padam Padam Padam Padam I hear it and I know Padam Padam I know you wanna take me home Padam And get to know me close Padam Padam When your heart goes Padam Padam I hear it and I know Padam Padam I know you wanna take me home Padam And take off all my clothes Padam Padam When your heart goes Padam This place is crowding up I think it’s time for you to take me out this club And we don’t need to use our words Wanna see what’s underneath that t-shirt Shivers and cold champagne I get the shivers every time you say my name And I can tell that you’re all in ‘Cause I can hear your heart beating Padam Padam I hear it and I know Padam Padam I know you wanna take me home Padam And get to know me close Padam Padam When your heart goes Padam Padam I hear it and I know Padam Padam I know you wanna take me home Padam And take off all my clothes Padam Padam When your heart goes Padam #KylieMinogue #PadamPadam #Tension

#IFTTT #YouTube

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whorrorfix · 5 hours

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i swear to god matthew lillard was an awakening for my love with older men

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jesse-eisenberg-interview · 13 years

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Cover Story: Friending Jesse Eisenberg

The 'Social Network' star loves to meet people. And he talks about what he learned by networking with David Fincher and Aaron Sorkin.

December 16, 2010 | By Nicole Sperling, Los Angeles Times

Jesse Eisenberg is a seeker. Whether it's the reporter interviewing him, the photographer shooting him or the local fan who stops him in a coffee shop, Eisenberg spends a good deal of his time probing others for answers.

The 27-year-old's star wattage has increased exponentially since his star turn in "The Social Network," a best picture Oscar nomination contender, and while the greater notoriety doesn't necessarily fit with his low-key personality, Eisenberg is appreciative of the access his increased drawing power has provided him. But rather than covet a newfound access to Hollywood heavyweights, as many budding young stars might, Eisenberg is delighted to meet anyone who may have an interesting story to tell.

"Getting recognized allows you to talk to people," he says. "I'm not interested in talking to a stranger about what it's like to act in a movie, but if I can take control of the conversation, it provides something really great."

One conversation that he hasn't been able to control is one being had by film critics across the country. With top awards handed out from the New York, Boston and Los Angeles critics groups, "The Social Network" has gained a lot of momentum in the Oscar race in just the last week. Not only did all three groups reward the film with best picture, they all got behind David Fincher as best director, with Boston rewarding Eisenberg with a best actor nod, and Boston and Los Angeles tipping their hats in favor of Aaron Sorkin's script.

And though the Oscar nominations are still more than a month away, "The Social Network" is on such a streak that its stiffest (and arguably only key) competitor for the best picture trophy is likely to be "The King's Speech."

For Eisenberg though, it's all about working with the A-team of Fincher and Sorkin on the drama about the founding of Facebook, by two college undergrads, an exhilarating ride, even if it meant signing on with two notorious perfectionists. "I care what I do and I work hard," Eisenberg says. "With someone like David leading the way, it's relaxing because the burden of trying to get others on board to work the way you work is not on you."

Eisenberg has been a film actor since he was 18, when he had his debut opposite Campbell Scott in 2002's "Roger Dodger," but it might be the last seven years that he has spent studying anthropology at a university in New York (which he declines to identify) that have provided him with the best tools to transform himself from indie wunderkind to leading man. "The classes I've taken in anthropology have been far more helpful for acting than the acting classes I've taken. The way other cultures think, people's emotional inner lives, [studying anthropology] has informed far more what I do in a way that is more interesting to me."

Fincher may just be one of the most interesting people Eisenberg has encountered. His relentless work ethic, his all-consuming dedication to every aspect of the film, the incredible forethought with which scenes are constructed are all aspects of Fincher that Eisenberg admires. And, in fact, it fits right in with Eisenberg's preparation for a role, which in the case of "The Social Network" involved fencing lessons (to help adopt Facebook founder Mark Zuckerberg's posture and gait) and a close study of Zuckerberg's mannerisms, even though he was fictionalizing the young man.

He plays Zuckerberg, "Social Network's" quirky antihero, whose affect can range from socially acceptable to disengaged and aloof depending on what the rest of his brain is busy doing. Eisenberg is much more personable, though his brain does seem to operate at a similar speedy pace as that of the fictionalized Zuckerberg.

"The most interesting people I've worked with are the ones who are so interested in what they are doing that they are willing to do things that may not seem to have a direct impact on their work but in some ways inform the process."

So, it's with enthusiasm that Eisenberg approaches Fincher's meticulous method of work, which began before Eisenberg even landed the role. The actor, like his costars, first auditioned on tape. Then, according to Sorkin, read scenes from Sorkin's other scripts opposite the screenwriter before moving forward to the next round that found the actor in a 60- to 90-minute session with Fincher. A session, according to Sorkin, that was intended to see "How directable were you? How far could he take you?"

Eisenberg also points to one particular scene that perfectly described his director's obsessive nature. Fincher decided to shoot the opening sequence in which Eisenberg's character is running back to his dorm room from left to right, rather than the more standard right to left, a decision — which Fincher decided on a month before shooting — that forced the costume designers to reverse the letters on Eisenberg's Gap sweatshirt, so the frame could be flipped in post-production.

"That may sound to an outsider, of which I consider myself, to be indulgent or excessive, but when you're there you realize it's not that, but it's in fact necessary to create the full picture, a consistent picture with what is in his head. That's a remarkable accomplishment," the actor says.

What happens to Eisenberg now that he's completed his highest profile role yet? He plans to return to school in January to finish his final three classes. He still auditions for roles, even for directors with whom he has already worked. "As popular as I am, which is not that popular, there are other talented people who want to be in the movies," he quips. Little else in his life has changed because of "The Social Network."

"The biggest change for me was being in "Roger Dodger," he says. "It's the same with how Sorkin describes writing. The difference between page 0 and page 1 is life and death, but the difference between 1 and 100 is easy. As an actor creating a career, the difference between being in one good movie is life and death but being in 20 good movies is easy."

Yet Eisenberg, who now has a dozen movies under his belt, many of them plenty good, is still the same determined-yet-insecure actor who really dislikes watching himself on screen, a trait he doesn't mind in the least. In fact, he's studied this phenomenon among his peers and finds it quite common.

"I think there's a misconception that all people who have chosen to act in movies are eager to see themselves in the thing," he says. "You're eager for the experience, you don't necessarily mind that it comes out, and it provides you with the opportunity to do it again, especially if it's successful like 'The Social Network.' But the end goal is not the reason to do it. The end goal often brings a lot of discomfort."

SOURCE

#jesse eisenberg #2010 #the social network

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chunkecheeks · 4 years

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Mungojerrie and Rumpleteazer performed by Roger Kachel and Kristi Sperling - Broadway, October 1994

#cats

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savannahr11 · 3 years

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Savannah Rogers

English 102, Section 6

Professor Sumstad

Commentary Essay

11/15/2020

The Impact Social Media has on Mental Health

(Call to Action)

While many of us enjoy connecting with people through social media, we often fail to notice the impacts it has on our mental health. In the past decade, we have seen many social networking sites have come and gone such as Facebook, Myspace, Instagram, etc. We see these sites as a way to share ideas and connect with friends. Researchers have recently said that these networking sites lead to several mental disorders including low self-esteem, anxiety, and depression. Because social media is newer, many questions people have about future impacts are left unanswered. The World Economic Forum explains that studies show people between the ages 14-24 are the most vulnerable to mental health disorders. Social media and the Internet are only getting stronger and more addicting to people in today’s society. Many teens can’t even imagine a world without technology, and it is only deteriorating their minds more and more. Social media is deteriorating mental health in people of all ages because of reoccurrences of cyberbullying, self-image issues, and the ideas of online vs reality. Furthermore, society needs to find alternatives to social networking sites, self-monitor the use of technology, and connect with people through social media that bring you positivity.

Cyberbullying is when the use of electronic communication is used to bully a person, usually by sending intimidating or hurtful messages. In an article titled, “51 Critical Cyberbullying Statistics in 2020” by Broadband Search, 73% of teens said they have been cyberbullied before and 44% of them said they were cyberbullied in the last 30 days. Bullying through a screen has become a world problem in more recent years. Social media allows kids to say what they want to people without getting the repercussions as if they were in person. The US Library of Medicine stated that “In general, researchers have examined the relationship between involvement with cyberbullying and adolescents’ tendency to internalize issues. For example, the development of negative affective disorders, loneliness, anxiety, depression, suicidal ideation, and somatic symptoms. Many victims described themselves as feeling powerless, sad, and hopeless.” The few ways we can help stop cyberbullying are to take action if we see it happening, save the evidence, and use the app’s tools such as blocking the user. By not attempting to put a stop to cyberbullying, we are setting a failed example for future generations.

As the want for social media increases so does the ideas of self-body images. Today, we see celebrities and models setting a certain “body type” for social media users to look at. With the direction the media is heading in, body types are getting talked about in songs, television shows, and especially on social media. There is a stigma around what the “ideal” body is whether it be comparing yourself to a Victoria Secret model or one of the Kardashians. According to Boston College Professor Amanda Doria, “Approximately 40% of 9- and 10-year-old girls are already trying to lose weight. This is largely a consequence of how the media, in general, has painted a picture of the “ideal” body type: tall, stick-thin women who have very few curves.” Setting an ideal body shape in your mind can lead to lower self-esteem, depression, and even eating disorders. Furthermore, the Agency for Healthcare Research and Quality states that “Hospital stays due to eating disorders in the United States increased 18% from 2000-2006, with 28,155 patients being treated. This increase coincides with the initial emergence of social media in the early 2000s.” There are several solutions to stop the thought of a negative body image. The most important solutions to follow are to stop judging other people’s bodies on social media, cleanse your feed from any accounts that are creating these thoughts, and follow accounts that show a body image like yours. We are starting to see more “body positive” and “love your self-image" posts across social media which is spreading awareness to men and women that suffer from the negativity of self-image issues due to social media.

The social media persona we present is often different from who we are in real life. The unclear difference between online vs reality harms our mental health. We often see posts on numerous social networking sites of people living happy and getting out and doing things but what we don’t see are their hard and low moments of life. Chicago’s School of Psychology, Dr. Ali Jazayeri states, “Social media is showing the dangers of slipping too far into a virtual world and losing a sense of real life, the real self, and real priorities.” This results in social media users finding themselves comparing their lives to a “fantasy” life they are seeing on a screen. Jazayeri also wrote, “Some people use this social media to create something that they are not,” he says, explaining that the virtual world can distract people so much from their real lives that they either forget who they are or become so involved in the reality they’ve created that they don’t want to work on their own issues.” It is noted by The School of Chicago, that comparing your daily experiences and life to someone else’s what is shown to be “happy” life can lead to anxiety and depression. To avoid mental health issues due to the idea of online vs reality, you simply should limit your time on social media and avoid certain accounts that create the negative feeling. It is important that we stop comparing our lives to other people’s to try and find happiness amongst ourselves.

Social media has both benefits and detriments when it comes to our mental health. In the last 10 years, the way we communicate has changed significantly because of social media. However, it is still unclear how this different form of communication affects normal human behavior and mental health. It is important to remember that these apps can’t replace our human-to-human connection. By finding alternatives to social networking sites, self-monitoring the use of technology, and connecting with people through social media that bring you positivity, we can lessen the number of people that are victims of the mental health problems social media brings.

Annotated Bibliography

“51 Critical Cyberbullying Statistics in 2020.” Mar. 2020. The article explains how bullying has been around since the start of mankind but in more recent years we have seen a shift in the way bullying is occurring because of technology. The authors of the blog go in depth with facts and statistics on how cyberbullying is affecting young adults and adolescent’s mental health. The statistics in the article are all pulled from researchers from universities and mental health research centers. The authors educate the readers on several different aspects that revolve around cyberbullying and mental health such as, the impacts cyberbullying has, what victims should do, and how it is a persistent problem here in the United States.

Doria, Amanda. “The Effects Social Media on Body Image and Mental Health.” Nov. 2019. In the article, Doria explains how in the last decade scientists and parents are worrying more about the repercussions social media has on the mental health of future generations. The author states, “Many studies have shown that this accessibility can have serious effects on the mental health of children, and body image in young girls especially. When scrolling through various social media platforms such as Instagram, young girls and teens are subconsciously comparing themselves to the seemingly perfect bodies and lives of influencers and other celebrities.” With photoshop and filters becoming a new normal across all social media, not only depression and anxiety but eating disorder cases are getting worse. Amanda Doria concludes her article saying that society should start disconnecting themselves from their phones and social media to have a better quality of life.

Hutchinson, Andrew. “Who Are You IRL? Social Media vs Reality.” Aug. 2020. Hutchinson explains how people make their lives look “perfect” through a social media profile, but in reality, it is the opposite. The author tells how 87.73% of women compare their own body to images they see online. People disregard whether Kylie Jenner or Kim Kardashian’s body is photoshopped in their pictures and compare themselves to the pictures. He wraps up the article with a small conclusion saying how comparing our realistic and everyday lives to someone who only shows off only their happy moments is worsening our mental health and increasing anxiety and depression.

Mir, Elina. “Social Media and Adolescents’ and Young Adults’ Mental Health. Jan. 2020. In the article, Mir explains both the negative and positives that social media has on young adults’ and adolescents’ mental health. She notes that a positive to social media is that kids can stay connected with friends while a negative is that it can cause severe anxiety. The author states, “32% of 12-17 year old's report having anxiety and the percentage is only increasing.” Mir goes on to say that the increasing numbers are due to the constant need for social media and idea known as “FOMO.” Parents also get informed on what they can do to help if their child is experiencing one of the numbers of mental illnesses caused by social media.

Sperling, Jacqueline. “Like It or Not, Social Media Is Affecting Your Mental Health.” Feb. 2020. A psychologist specializing in anxiety at McLean Hospital goes in depth about social media feedback and what it does to your mental health. The big debate she addresses is if social media should take away “likes” or reactions. For example, Instagram was said to take away the “likes” feature on the app. Sperling states, “Even if you remove the likes, there continue to be opportunities for comparisons and feedback. People still can compare themselves to others, and people still can post comments.” The author concludes her article explaining that social media is here to stay but society and the social media apps have to work together to find a middle ground to keep the platforms safe for the future.

#social networking #mentalheathawareness

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metmuseum · 6 months

Photo

Saint Jerome (recto); Soldier with a Spear (verso). 1460–1525. Credit line: Purchase, Harry G. Sperling Fund, Joseph Pulitzer Bequest, and Fletcher and Rogers Funds, 1998 https://www.metmuseum.org/art/collection/search/334692

#aesthetic #art #abstract art #art museum #art history #The Metropolitan Museum of Art #museum #museum photography #museum aesthetic #dark academia

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jornal-do-reboucas · 5 years

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Cinema e Literatura estão entre os destaques da Flibi 2019

Dez eventos marcam a programação da Flibi, a Festa Literária da Biblioteca Pública do Paraná, nesta quarta-feira (23). A maratona cultural começa às 9h e continua durante todo o dia, com debates, performances, exibições de filmes e oficinas para adultos e crianças.

Um bate-papo com a escritora e pesquisadora Eliane Robert Moraes — especialista em literatura feminina e erótica — e uma sessão de curtas-metragens inspirados nos livros de Dalton Trevisan são alguns dos destaques da grade. Todas as atividades têm entrada gratuita, e a BPP emite certificado de participação. Veja a agenda completa no link https://drive.google.com/file/d/1BYxzYXD2534o3pgik-ipQv0ePbkRTOyM/view

Formada por crianças e adolescentes, a Trupe Periferia inicia uma série diária de leituras dramáticas, apresentadas na área externa da Biblioteca, sempre em dois horários: às 10h e 16h. Nesta quarta, Resistência Preta Nick e Serginho Smith declamam textos autorais, enquanto o ator Kenni Rogers interpreta contos de Dalton Trevisan.

Às 10h30, Constantino Viaro, fundador do Museu Guido Viaro, e o jornalista e escritor Luiz Claudio Oliveira participam da mesa Mistérios de Curitiba: o contista antes da estreia e do sucesso, com mediação de Katia Michelle.

Mais tarde, às 14h30, o professor da UFPR e colunista da Gazeta do Povo José Carlos Fernandes é o convidado do bate-papo Em Busca de Curitiba Perdida: qual é a cidade do escritor?, conduzido por Roberto Nicolato.

E às 16h40, os artistas gráficos Simon Taylor e Fabiano Vianna discutem o diálogo artístico entre Trevisan e Poty Lazzarotto em Ah, É?: Curitiba é um desenho do Poty? — Dary Jr. é o mediador. Os três encontros acontecem no hall térreo da BPP.

Na sala de cursos, às 14h, o escritor mineiro André Sant’Anna abre os trabalhos da oficina Conto Não Conto. Durante três tardes, ele aplica exercícios práticos e apresenta variações não convencionais do gênero conto, discutindo narrativas curtas de nomes como Nelson Rodrigues, Jorge Mautner, Sérgio Sant’Anna, Sebastião Nunes, Rafael Sperling e Isadora Krüger. As inscrições já estão encerradas.

Organizadora da Antologia da Poesia Erótica Brasileira e autora de livros como O Corpo Impossível e Lições de Sade, Eliane Robert Moraes conversa com o público no auditório, às 19h. Essas Malditas Mulheres: o feminino e o erotismo na ficção de Dalton Trevisan é o tema do encontro, mediado pela escritora, tradutora e professora da UFPR Luci Collin.

CINEMA - Parceiro da Biblioteca na Flibi 2019, o Museu da Imagem e do Som exibe, a partir das 19h, três curtas-metragens inspirados na obra de Trevisan, todos dirigidos por Estevan Silveira: Lulu, a Louca, O Escapulário e Que Fim Levou o Vampiro de Curitiba?. Após a sessão, o cineasta Fernando Severo participa de um bate-papo sobre os filmes. O evento é recomendado para maiores de 18 anos.

PARA CRIANÇAS - Às 9h, os ilustradores Fabiano Vianna e Simon Taylor levam o universo do artista Poty Lazzarotto ao público infantil por meio do curso de desenho Curitiba Poty. A oficina, com duração de duas horas, acontece novamente na quinta (24) e na sexta-feira (25), no mesmo horário. No sábado, os participantes expõem seus trabalhos na Seção Infantil, a partir das 9h.

Ainda nesta quarta, o projeto Cine Pipoca da BPP exibe Meu Amigo Vampiro (2017), animação baseada na série de livros da escritora alemã Angela Sommer-Bodenburg. A sessão começa às 14h30, com distribuição de pipoca para as crianças.

SOBRE A FLIBI - Realizada durante a Semana Nacional do Livro e da Biblioteca, a Flibi busca sintetizar, em cinco dias, a programação cultural ampla e diversificada que a Biblioteca Pública do Paraná oferece permanentemente. Neste ano, as ações também acontecem fora da BPP, em espaços culturais de Curitiba mantidos pelo Governo do Estado e outros cinco municípios do Paraná (Londrina, Maringá, Ponta Grossa, Cascavel e Foz do Iguaçu).

Serviço: 3ª Festa Literária da Biblioteca (Flibi).

Data: 22 a 26 (terça sábado).

Entrada franca.

Mais informações: (41) 3221-4911.

Veja a agenda completa no link https://drive.google.com/file/d/1BYxzYXD2534o3pgik-ipQv0ePbkRTOyM/view

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filmosfera · 5 years

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The 4th Annual Roger Neal Style Hollywood Oscar Viewing Dinner and After Party will once again honor stars with the ICON AWARD during the pre-show to the Academy awards. This year's honorees include: For Television, Bernie Kopell (Love Boat), Michael Learned (The Waltons), and Loretta Swit (M*A*S*H). The Music Icon Award: Frank Stallone (Stayin' Alive). Motion Pictures Icon Award: Robert Forster, Margaret Avery, Ernie Hudson, and Lainie Kazan. Woman in Philanthropy Icon award goes to actress / philanthropist Kira Reed Lorsch (The Bay). Celebrities expected: Ilya Salkind (Superman), Joe Cortese (The Green Book), BarBara Luna (Star Trek), Lou Ferrigno Jr. (SWAT), Cory Oliver, Lydia Cornell (Too Close for Comfort), Brigitte Nielsen (Red Sonja), Sofia Milos (CSI Miami), Dawn Wells (Gilligan's Island), Lorenzo Lamas (Falcon Crest/Renegade), Dee Wallace (ET), Mary Wilson (The Supremes), Cory Feldman (Stand By Me), Courtney Stodden (Celebrity Big Brother), Nic Novicki (Sopranos), Teale Sperling (Toy Box), Kate Linder (The Young & The Restless), Kami Kotler, Judy Tenuta (HBO Specials), Ieva Georges (No Way Out 15'), Kelly Lang (KNBC anchor), Katherine Pacino, James Jurdi (Reaper), Noreen Taylor (The Bay), Patrika Darbo (Days Our Lives), Meredith Thomas, Miles Tagtmeyer (Broken), Stanley Livingston (My Three Sons), Suzanne Marques (Enlightened, HBO), Donna Spangler (Beverly Hills Christmas), Patty McCormack(The Bad Seed Oscar nom), Gabrielle Stone(Speak No Evil), Tanya Banks(Little Women), Ivan Modei, Rebecca Holden (Knightrider), Joel Diamond (Grammy Record Producer, Engelbert Humperdinck), Robert Mack(Host Good Morning LaLa Land), Dr. Paul Nassif (E!'s Botched), Danny Arroyo (Sangre Negra), Clarence Gilyard (Walker Texas Ranger), Brenda Dickson (The Young and The Restless), Kathy Garver (Family Affair), Joann Worley (Laugh-In), Ava Cantrell (Haunted Hathaways, Nickelodeon), Melody Anderson (Flash Gordon, Firewalker), Carrie Schroder (I Am Frankie, Nickelodeon), Petri Byrd (What's Up Orange County), Renee Lawless (Tyler Perry's Have and Have Nots), Sonika Vaid, James Dumont (Law & Order: True Crime), Palliadium, Hollywood. By#filmosfera https://www.instagram.com/p/BuSHOZjnrw6/?utm_source=ig_tumblr_share&igshid=1qchp4eg77mqk

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