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cherrynojutsu · 3 years

Text

Title: Like Gold

Summary: Sasuke grapples with love and intimacy regarding his developing relationship with Sakura after returning to the village from his journey of redemption. Kind of a character study on Sasuke handling an intimate relationship after dealing with PTSD and survivor’s guilt in solitude for so long. Blank period, canon-compliant, Sasuke-centric, lots of fluff and pining, slowly becomes a smut fest with feelings.

Disclaimer: I did not write Naruto. This is a fan-made piece solely created for entertainment purposes.

Rating: M (eventual nsfw-ness)

AO3 Link - FF.net Link - includes beginning/ending author's notes

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Chapter 3/?: Focalize

It is a tranquil spring evening by the time Sakura appears within view behind the hospital's glass entryway, a blur of carnation and sage and ivory. It is just a few minutes past seven; it seems she is waving goodbye to what he assumes is the receptionist further into the building, out of sight. Then she’s pushing one of the doors open with her shoulder and coming into focus, pastel colors subdued in dusk.

Sasuke notices she’s carrying a plain tote bag, and that there are also two large books and what looks like something reminiscent of a magazine in her hands, neatly stacked and held to her chest. She is wearing a sweater that is slightly oversized, a desaturated green.

Her face lights up when she sees him standing there, leaning against one of the blue columns situated a few steps away, closer to the road; her expression belays something like a mixture of ardor and avidity, and as she approaches, he also observes her cheeks match her hair.

His heart swells pleasantly in his chest; any shred of loneliness he felt in the past few hours dissolves.

“Sasuke-kun,” she chimes in affectionate greeting as she ambles over to him, all lenity and upturned lips.

“Sakura.” Her eyes flash lighter, more vibrant, as she gets closer; they are reflecting glow from a nearby streetlight that flipped on promptly at seven, an electrified yellow-green.

There is a short moment in time where they just gaze at each other, scant amount of steps between them, an oblivion of chartreuse and charcoal in spring twilight.

“How was your first day back?” She finally asks, smiling up at him.

He thinks it over for a second as he studies her, a gentle breeze of springtide. “...Fine. I saw Kakashi and the dobe.”

Her smile shifts into a knowing one. “I’m going to guess paperwork and Ichiraku’s.”

He pulls the health screening forms out of his pocket in answer, and her dimple makes an appearance.

“You can come by tomorrow just after eight in the morning, if that works for you; I’ll be here.” Different hours than today, then, he presumes.

He feels he should clarify that she’s not coming in early just for his sake. “...Shouldn’t I make an appointment?”

Sakura shakes her head. “Thursdays and Fridays I don’t have appointments or surgeries until a little later in the day. The majority of those mornings are set aside for medical research and correspondence with some of the clinics. As long as it’s before eleven, I can step away from things for a bit.”

Research. Interesting. She hadn't mentioned much about that in her letters; he hadn't realized it was something she did regularly. “What kind of research?”

She blinks in surprise, and he thinks she looks a little sheepish. “...It depends. Right now we’re doing some longitudinal studies on mice; behavioral assessment in accordance with certain stimuli, neurobiological response, brain scans, that sort of thing... I’ve also got some poisons I’m looking at for antidote development, but they’re pretty rare, so it’s not super pressing.”

His eyes flick to the books in her arms, a silent question. Her lips quirk upwards even more, then; he tries not to focus on them for too long, because she’s shifting the texts so he can read the titles. The thin magazine-like one is labeled Progress in Neuro-Psychopharmacology and Biological Psychiatry; it must be a research journal. The top book reads Neuroanatomy Through Clinical Cases, and the other reads Molecular Mechanisms of Neurotransmitter Release.

“...Some light reading,” he comments dryly, his version of a joke, and he revels in her soft exhale of breath, a shy version of a laugh. He has missed it.

“I suppose. I actually need to return these; they’re almost due. I meant to do it yesterday, but...” She’s blushing again. Vivid eyes meet his hesitantly before sweeping away. “...I forgot.”

Heat edges up his neck.

“I… wasn’t sure what you wanted to do this evening,” she continues, pursing her lips a little as her fingers clutch the books closer to her again. “I thought maybe we could swing by the library? I’d like to take a quick look to see if they have some new things in yet; it shouldn’t take very long.”

Sasuke muses that Sakura absolutely is the type to visit the library regularly. He used to go often, when he was younger. He wasn’t checking out books of that caliber, though; he wonders how long she’s had them. He also ponders momentarily if rogue ninja status is enough for the powers that be to revoke your library card from the system. Probably.

He hasn’t been able to read regularly for awhile, being away; books have been unnecessary weight, something extra to carry, and also a distraction from what he was trying to accomplish. Though he would accompany her wherever regardless, he realizes he would like to start reading again. It would be something to occupy his free time, when she is busy.

He nods his assent.

“Okay,” she breathes, looking a little relieved and meeting his eyes again, luminescent jade. "They close at eight today, so we should probably get going."

He nods again, glancing down at the books still in her arms. He considers for a second, then holds his hand out. Sakura blinks in confusion, long lashes skimming her cheekbones.

“...I’ll carry them,” he offers, neck heating up again as she stares. “...If you’d like.”

Her skin blooms with color, darker than earlier. “Oh. Thank you.” She hands them to him carefully, soft fingers brushing his. Her touch is delicate, incredibly distracting; her glowing cheeks, even moreso.

She adjusts her bag over her shoulder and then turns; he falls into step next to her as if it's the most natural thing in the world.

They walk just east of the hospital, which tells him the library is likely still in the same location, despite Konoha’s changing landscape. Some of the buildings they pass along the way are under construction. That seems to be a recurring theme in the village right now; much of what he saw earlier today passing through with Naruto was the same. Sasuke wonders if the library will have expanded, too. He doesn’t think he’s passed by it, yet.

There are a few people milling about, but not nearly as many as earlier. He supposes the majority of residents must be retired for the evening, inside their homes with family. There are a few restaurants they pass that smell fairly appetizing, but Sakura doesn’t say anything, so he concludes he was right in thinking that she has eaten already.

“So, how were things with Kakashi-sensei and Naruto?” Sakura asks conversationally, peering up at him from his right. “Anything other than paperwork?”

Sasuke contemplates before responding. “...Naruto and I went apartment hunting.”

Pink brows furrow a little bit as she grins. “Did you invite him?” She asks, though he suspects by her expression she already knows the answer.

He shakes his head. “Kakashi mentioned it as I was leaving and he invited himself.”

She laughs, then, glancing in the direction of the mountain of faces at their old sensei. “Yeah, that sounds like him. He probably appreciated a morning with Naruto out of his hair. He’s been helping there a lot, when he’s not on missions.” She pauses, then adds, “I imagine apartment hunting with Naruto would be pretty draining, though. He’s gotten a little better at cooling it with the nonstop chatter since Hinata, but not by a ton.” She stops again, thinking, before inquiring, “Did you end up finding a place?”

Sasuke nods. “It’s north of here.”

She smiles again, then purses her lips as if she’s considering whether to say something more or not. Finally she adds, green eyes darting to his and then looking away shyly, “...Not too far away, then.”

His gaze softens. “...Not too far.”

They amble by a few street vendors selling gardening supplies, closing up carts for the evening; they must be doing fairly well, as all that’s left over from the day's plantable wares are saplings here and there, and a few starters, small labels detailing their required care poking up from the dirt containers they’re sitting in. There are several taller displays interspersed between carts, stocked with watering cans, spades, gloves, and the like. Sasuke thinks it is quite trusting of the merchants to leave their goods out overnight, evidently without fear that they will be stolen or damaged; many of them are walking away holding only money boxes. It speaks to the relative security of Konoha, in comparison to most of the places he's been.

“Did you get everything you needed for your apartment today?” Sakura asks him after they meander a few more steps.

He blinks. “...Mostly."

“Was there something in particular you wanted to do, after the library? We could stop by a store, if they’re open, and get what you're missing.”

He shakes his head, then admits, “I… didn’t have anything planned.” He worries, then, that maybe he was supposed to plan something. They’re together now, or at least he hopes they are; he'd kissed her, and he would like to, again, if they're alone. Maybe this should have been more formal. He then thinks he should answer the second part of her inquiry: a box and a drying rack would probably be easy to find at a general store, but the majority of places in Konoha that are open past seven only sell food. “...I think the store I went to closed at seven,” he adds.

Sakura looks as if she’s deliberating again. “What are you missing, still?” He notices she doesn’t seem upset that he didn’t plan anything; maybe it’s okay.

It takes him a moment to respond, carefully. “...A small storage box, and a laundry rack.”

She brightens. “I actually have a spare drying rack that I'm not using, if you want it. The washing machine in my unit broke in February, and when my landlady replaced it, she got a washer/dryer combo.” She thinks, then adds, “...And I think I have an empty shoebox in my closet; would that be big enough?”

Something like serendipity unfolds in Sasuke’s chest and begins to vine between his ribs. He thinks unbidden of the blooming cherry blossom tree he can see from his window, just within reach, if he only goes beyond the glass.

He nods. “...Thank you.”

Multifaceted eyes peer up at him warmly. “No problem.” Her cheeks darken again. “We could… walk for a while, and then swing by there at the end. If you want.” Her fingers are gripping the strap of her bag a little tighter. “I wouldn’t mind walking by your building at some point before that, so I… so I know where it is.”

Sasuke nods again, heart skipping a little. He had hoped she would show him where her apartment is tonight, too; he would like to walk her home. He also hopes ‘walk for a while’ means he gets to spend more time with her between the library and going by his building, before they go to hers.

He thinks maybe he should voice that. It comes out as a question. “...We could walk around a bit after the library?”

She’s gazing up at him with red cheeks and smiling with a gentle light in her eyes. “...I’d like that,” she murmurs.

His ears feel warm again.

They turn a corner, and then they are at the library. There is a small expanded portion of the building on the south side now, and it is painted a slightly different mauve-leaning gray than it used to be, but otherwise it appears the same. When they near the entrance, Sakura pulls open the door for him, since his hand is occupied.

“Thank you,” he says quietly, before they head inside, bell on the door jingling.

The librarian working at the front desk nods at Sakura in recognition as they enter, a fairly young woman with chestnut hair. The librarian Sasuke remembers was quite a bit older, elderly now that he’s thinking about it. He briefly wonders if she passed away in his absence. The thought makes him morose; he hopes she just retired. She had always been kind to him.

“Finished with those already, Sakura?” The woman asks, friendly and motioning to the books in Sasuke’s arm as he makes his way to the desk to set them down, Sakura beside him. She must know her well.

“Yes; the journal was interesting, this time. Very relevant to the experiments we're running, and much more substantial than the last edition.” There is something somewhat critical in her voice regarding the referenced last edition, as if something in it wasn’t up to her academic standards. She’s well within reason to be captious; she has become an expert in her field in a rapid amount of time, and if she’s doing research regularly, he’s sure she has the data to back up her assessment. He wonders just what kind of experiments she’s running that have to do with neuro-psychopharmacology; whatever they are, he imagines they must be complex.

The woman is wearing a name tag that reads Ichika, Sasuke can see now that they’re closer. Sakura pulls out what must be her library card from her tote bag; it’s connected to a lanyard with several keys and what he presumes is an ID badge for the hospital.

“Thank you," the librarian says as Sakura hands her card over. As she does so, the woman glances at Sasuke with brown eyes, and then back to Sakura, as if waiting for an introduction. “And this is?”

“This is Sasuke,” she answers, smiling, then adds, “Uchiha.”

“Welcome,” the woman named Ichika greets him, without any malice. Sasuke wonders if she just doesn’t know who he is, or if she’s being friendly because of Sakura’s presence. Maybe it’s because she’s a civilian.

“...Thank you,” he offers sincerely after a moment.

“It was nice of you to carry those books. I know from experience they’re quite heavy. My name’s Ichika.” She gestures to her name tag. “I don’t suppose you like to read as much as Sakura does?” Ichika laughs as she hands Sakura’s card back and starts scanning the books as returned. “I think by now there are more books in the library that she’s read than ones she hasn’t.”

Sasuke glances at Sakura knowingly, and she looks downwards bashfully for a second.

“...I like to, but I don't think I’d understand half of what’s in these,” Sasuke answers honestly, turning his gaze back to the librarian. He sees Sakura flush out of the corner of his eye.

Ichika laughs. Sasuke thinks then that she really must not know of his prior rogue ninja status. “I usually have her write down the titles of the books she’d like us to add, because I don’t know that I can even spell some of the words.” She squints at the last book. “ Molecular Mechanisms of Neurotransmitter Release. I haven’t the faintest idea what a neurotransmitter is, or what it would be releasing.”

Sakura smiles. “Neurotransmitters are the body’s chemical messengers. A release is when the neurotransmitter causes a response in the receiving neuron; they can be disrupted in diseases and biological toxins. Tetanus is a good example; it goes up synaptic terminals of interneurons where it blocks the release of inhibitory neurotransmitters. The result of the block is that motorneurons become overactive, and then cause muscle contractions and spastic paralysis, like lockjaw.”

Ichika blinks blankly. “I don’t know where you keep that information in your head, Sakura, because it certainly wouldn’t fit in mine. Guess I’ll try not to step on any nails in the meantime.” She’s shaking her head, but her tone is amicable. “Well, they’re all checked in, with a few days to spare. I left out the new journals and that other book you asked about in the usual spot, back in the Medicine section.”

Sakura nods, and the librarian’s gaze turns back to him.

"Would you like a library card?”

Sasuke is glad he won’t have to ask. “...I used to have one. I’m not sure if it’s still on file.”

“I can check our records, if you want to browse in the meantime. If it’s not still on file, we can set you up with a new one; you can take books today either way, if you find some you’re interested in.”

Sasuke nods; that was easier than he thought it would be. “...Thank you.” Ichika turns to approach a row of filing cabinets a bit further back behind the main desk area, he assumes to check for his name in their database; he turns to Sakura.

She’s smiling at him as if she wants to ask him a question, but she doesn’t say anything. When she turns to journey further back into the library, he follows. They pass through two interior rooms, organized by genre and alphabet just the same as they had been years ago. The shelves are a little fuller than they used to be; with the population expanding, it makes sense that they now have a wider selection available.

They turn a corner to another interior room, and suddenly he sees a familiar face. His replacement is hunched over in a corner, nose buried in a book that appears from its cover to be about painting. When Sasuke inspects the rest of the room, he sees that the majority of the books in this section have titles related to art.

“Oh, hey, Sai,” Sakura greets casually, heading over to him. Dark eyes glance up at her from his book. Seeing him here must be a regular occurrence, given her lack of surprise.

"Hello, Ugly,” he responds, somehow both cheerful and monotone all at once. Sasuke frowns. He’d been around Sai a few times following the war, before he left for his travels. He never liked his nickname for Sakura.

Sai then looks to him, still standing at the threshold of the room, keeping his distance. He knows him, but not well.

“Welcome back, Traitor," he adds, tone friendly enough. Sasuke supposes that one’s fair. He inclines his head minutely, hand in his pocket.

Sai twists his gaze back to Sakura. "Have you recovered from your birthday extravaganza?"

Sakura blanches and stiffens a little in surprise as Sasuke eyes her with great interest; clearly this was not something she’d expected to be asked about. "Uh… Yeah. It doesn't take long; I eat during and can heal my headache the morning after."

Sai nods. “Yes, Beautiful said you didn’t get nearly as plastered as she wanted you to.” The way he says it is with way too positive of an inflection, as if he’s talking about it being great weather outside instead of crude wording for getting drunk.

Sakura rolls her eyes, then. “She would think that.” She pauses, then looks at Sai carefully. "Ino should be back tonight, right?"

"Yes. I am excited. I'm feeling quite amorous."

Sasuke twitches and his frown sinks deeper, but Sakura rolls her eyes as if she is used to this lack of filter, and gently pushes his book into his face, firmly but carefully so as not to damage it.

"Too much information. Just say you miss her."

Sai smiles as he moves the book away. "It is less information than Beautiful gives."

"That's because she's not normal," Sakura replies, sighing. Sai nods almost mechanically, as if he is cataloging this tidbit on human social interaction away in a filing cabinet for future reference.

There is a pause that is just a bit too long, before Sai offers, “I am researching for an upcoming painting.” Sasuke doesn’t know Sai well enough to understand, but Sakura does; apparently this is his way of telling her that he is busy with his book.

"I won’t keep you, then. Don't let her forget about our plans, though, and tell her I missed our spar this week."

Sai smiles. "She was preparing a new playlist prior to her mission." This also interests Sasuke, but not as much as Ino trying to get her ‘plastered’. He is for some reason having great difficulty imagining Sakura even a little drunk.

Sakura sighs deeply through her nose this time, and says flatly, with no enthusiasm, "Great.” After a beat, she adds, “Well anyways, tell her I say hi. See you. Good luck with your painting.”

Sai nods, and Sakura then turns to go a different direction, Sasuke following close behind. They pass through four more interior rooms before they finally make it to the Medicine section towards the back of the building, where one book and two more medical journals are sectioned neatly away in an empty portion of shelf. The book is just as thick as the one she’d just returned.

“I didn’t know you liked to read, still,” Sakura mentions as she carefully picks up the stack. She’s smiling at him again; that must be what she wanted to say earlier. Maybe she’d expected Sai would be there, that they would pass through the room he was sitting in, and that’s why she’d held off.

Sasuke nods. “...I haven’t read much in a while.”

Jade eyes are soft on his. “Well, if you want to look for a bit, I could look, too.”

He nods again.

XXX

Roughly twenty minutes later, Sasuke leaves the library with Sakura, comparing what they’ve checked out underneath the streetlight just outside; the light has faded enough that it is a bit difficult to read without it.

They still had his information on file after all, though the woman, Ichika, had him fill out a renewal slip and updated his contact information to his new address before giving him a new card. It is a strangely comforting and nostalgic feeling, to know that he was still present in the archives of Konoha in ways he had been unaware of.

He had picked out two books: one about the history of kenjutsu in Fire Country, and another historical text documenting the overthrow of the daimyo in the Land of Silence. He has never been there, given it is beyond the reach of Shinobi authority; he figured it would be interesting to read about. With it being a samurai-led country, it made sense to read at the same time as the book on kenjutsu.

“These sound like you,” Sakura says after scanning the titles of what he’s picked, glancing up at him kindly as she rotates so he can read the information of her own. Cradled in her arms are the Journal of Cognitive Neuroscience, the other scholarly journal, Human Brain Mapping, the book from the Medicine section titled Translational Research in Traumatic Brain Injury, and what appears to be a fiction book, an addition to the others, titled Spoiled Suitopi.

“You read fiction, too,” he observes as he reads the title of the last one, and she takes this as her cue to shift them back together neatly into one stack, largest to smallest.

She laughs a little. “I try to. It’s a good mental reset after reading medical texts; everything starts to blur together after a while. This was actually a recommendation from Ino; she’s into the dramatic stuff, clearly. Sometimes they’re decent.”

Curiosity gets the better of him, and he decides to ask. “...A birthday extravaganza?”

She smiles timidly, expression shifting to something a little embarrassed. “I wouldn’t call it that; she showed up at my apartment last weekend with ingredients for drinks, and then we watched terrible movies in my living room.”

Sasuke is learning all kinds of things about Sakura this evening. “No Sai?”

She shakes her head. “No, that’s a me and Ino thing; he doesn’t really pick up on the nuance of them being terrible, and we figure we don’t want to give him poor examples to follow… he’s got enough of those already, dating her.” She grins a little, then. “Also, he can’t really handle his liquor.”

Sasuke thinks Sakura must be able to hold hers fairly well; she had seemed pretty confident earlier, regarding the morning after. He knows her mentor Tsunade has quite a reputation. He himself has never drank much.

“He’s... interesting.”

Sakura shrugs nonchalantly. "He's better than he used to be, regarding the oversharing. Ino is worse, honestly.”

He considers her words, then decides to drop the subject, because he doesn’t want to think about that. Sakura had said in her letters that Ino and Sai were together; he can only imagine what she knows about them, likely most of it against her will and learned in the manner he's just witnessed.

He shifts his attention upwards; a few stars are starting to peek their way into the night sky. He follows their path north, to the barest hints of lavender sinking below the horizon. It has become even more silent outside, fewer people and slightly cooler temperatures. There is still a breeze. They spent longer in the library than he'd anticipated.

He’s not sure what time she usually goes to sleep; if she works at eight, it’s probably early. He wonders if he should ask.

“Thank you for going with me. I’m sorry it took a little longer than I thought,” she says, before the question comes to him. He shifts his eyes back towards her; he’s about to tell her not to apologize because he clearly spent time browsing, too, but she’s already speaking again. “You said your apartment is on the north side, right?”

He inclines his head in an affirmative.

“We could walk that direction, if you want; there are a few newer things on that side of town I could point out that are kind of interesting. If…” She pauses, as if considering her wording. “If you haven’t seen them already, I mean.” She gestures to his selection from the library, gripped in his hand. “We could drop off your books, too. Not as much to carry back, then, with the box and the laundry rack.”

“...I’d like that.”

She smiles up at him again, tender effervescence. He realizes as they start making their way north that they both have been talking in more hushed voices, as if the blanket of nighttime shifting atop the village has quieted them in addition to their surroundings.

There is something soothing about treading around at nightfall with her. The village is well-lit enough that it’s fairly easy wandering, and lights emanating from windows cast everything softer, more inviting phosphorescence sifting onto the pathway beneath their feet. Earlier today, trekking back and forth between businesses and his apartment, it had felt more unfamiliar, like there was a disconnect and he was just passing through, despite the knowledge that he was transporting things to a permanent living space. It feels decidedly less transient next to Sakura, a hint of sweetness in tart recollections. He watches their shadows for a fleeting moment, cast close together to the right of them, near touching, and occasionally faded by windowpane glow.

There is a casino she points out a few blocks down where Tsunade apparently used to lose money fairly regularly. She explains it was her mentor’s favorite because it was somewhat close to the residence typically taken up by the Hokage; she used to call it lucky, even though she never won. Sasuke finds out through this story that the Hokage residence is still sitting empty; Kakashi has apparently still not moved there, preferring instead to stay where he has been residing for years. Sakura mentions in a softer tone that she thinks it’s because of his apartment’s proximity to the graveyard where his old teammate, the Nohara girl, is buried.

There is a long stretch of silence in which Sasuke considers just how Kakashi has always seemed able to see straight through him. He’s fairly certain the girl had been a medic, too.

“...Naruto’s house isn’t far from the Hokage’s office, either,” Sasuke observes finally, changing the subject. He’s with her right now; he doesn’t want to ruminate too long. He thinks that's improvement.

Jade eyes sparkle up at him. “No, it’s not. I’m pretty sure that was on purpose; I don’t think they intend to move again. I’m sure he’ll give you the tour eventually - he’s pretty proud of their place; Hinata keeps it pretty nice - but it has some extra rooms.”

He tries not to think about the implications of that for too long. Naruto being in charge of a tiny human is not a very reassuring thought, even with his apparent strides in social awareness.

They pass a yakitori place she mentions is good, a few more blocks down. It seems pretty calm for such a restaurant, not as busy as Ichiraku’s usually is, though it’s later now and they’re likely getting ready to close. “I’ve been there with Naruto and Hinata a few times,” she tells him. “At least, when we can convince him to go eat something other than ramen.”

Sasuke hadn’t realized Sakura was that close with Naruto’s wife, though it makes sense instantaneously; she has known her for years. He thinks for a second before questioning, “Is she still as quiet?”

Sakura purses her lips in thought. “She talks more, now, for sure, but she’s still pretty shy around people she doesn’t know well.” She smiles, then. “I think Naruto has been really good for her, actually. Her for him, too; they balance each other out well.”

He supposes that’s true; perhaps Hinata is the reason for Naruto’s continued emotional growth. He ponders momentarily whether he and Sakura will balance each other out well.

She’s looking at him as if he should say something, so he does. “...He had vegetables in his ramen today.”

Sakura laughs. “Yes, she does force vegetables into his food every once in a while, now, so he's more used to them. I think she might have slipped Teuchi some money to start throwing them in his orders, to be honest."

Sasuke snorts, because of course that would be how that came about.

"It’s for the best," Sakura continues, lips quirking upwards still. He tears his eyes away from her mouth after a second. "He was eating pretty much all noodles and junk for so long. Hopefully it’ll start to cancel out with a few more years.”

As they walk farther, he starts to recognize things from earlier today; a bed of alabaster azaleas surrounding a residential building painted green, and a rather large street sign on a corner, right next to an ornate bench. They are getting fairly close to his apartment building. He holds off on saying something for a little longer, though, because he wants to spend more time with her. He hopes that's not too selfish; he has missed her. A lot.

“There’s an interesting place over there,” Sakura notes, pointing out a clearly aged building that he thinks he walked by on his return trip from the market earlier in the afternoon. “They’re only open two or three days a week, but it’s antiques now. I don’t usually buy anything other than books, but it’s fun to look through; they get rare ones in, from time to time. The owner is really nice.”

He nods. That would be a good way to spend an afternoon. He suspects she must have a collection of books at her apartment, then. He wonders how many.

She is mute for a moment, as if in thought, as they pass through another intersection. He wonders if he should be adding more to the conversation, but it doesn’t feel like an awkward silence; just an easy one.

He spies another familiar sign, this one advertising the market hours. “...My building is a few blocks this way,” he mentions quietly, loath as he is for this evening spent with her to come to an end. She looks up at him for a moment, then nods, and he subtly starts leading her in the general direction of his apartment complex.

His building comes into view a short time later. He points it out right before they pass beneath the cherry blossom tree, and Sakura nods in recognition. “Sai used to live somewhere over in this area, before he moved in with Ino. I’m not sure where, exactly. I know he liked how quiet it was, though.”

Sasuke nods as he pulls his key from his pocket, and they cross the street. He had been right about the light pollution; there is little enough of it that one can see the stars rather clearly, more so than one could from the library.

He wonders if he should perhaps invite her in. He thinks of the letters, still sitting on the small end table in the living room.

She saves him from making the decision. “I’ll wait here,” she tells him politely, leaning up against the old brick. He nods.

He goes up the stairway, down to the last door on the right. Once he unlocks his door, he places the two books on the kitchen table inside, and locks the door again behind him. It only takes him a minute before he is coming down the stairs again.

She smiles at him, then blinks when he holds out his hand. She colors, he thinks, when she realizes he’s offering to carry her books for her again; it’s harder to tell with the lack of light.

As she hands them to him carefully, she says, voice soft, “My place is a little south of the library; not by too much.” Her eyes flit to his, then dart away; there is a careful smile on her lips. “Maybe a little over ten minutes from here.”

They wander together in an easy silence, her leading the way more now. There are a few crickets chirping. It was fairly warm out today, so it makes sense that insects are starting to make their return. A gentle breeze continues to waft through from time to time.

He walks close enough to her that he can faintly smell raspberries, each time the wind blows just right. There are even fewer people out and about now, it being closer to nine in the evening; the road is fairly deserted. They go by the library again, lights turned off, and more closed businesses. It soon transitions into older construction that he assumes must be residential.

She was right; it doesn’t take long, around twelve minutes at a leisurely pace, before she points out a building further down the street. “That’s the one.”

As they get closer, he notes that hers is also an older building, built out of cream brick; there is something nice about that realization, that she also apparently chose something older with a bit of history over something brand new. There are few enough street lights that one can see the stars overhead well at night here, too.

“There’s a patio or balcony attached to each unit,” Sakura remarks once they’re closer, pointing at one on the northernmost part of the second story that is brimming with potted plants, much more than any of her neighbors’. “That one’s mine.”

As they round the corner of the building, he assumes to reach the front entrance, she tells him it was one of the reasons she selected this apartment, aside from its proximity to the hospital and her family's residence. "My parents' house has balconies for both bedrooms. It was strange to imagine not having one. This one’s attached to the bedroom, too; it’s nice to sit out there, if the weather’s not too extreme."

It’s a smaller complex, only two stories high. He thinks there must be six units, given its size and the trio of balconies they passed beneath, three small patios in their shadows on the ground level. It is somewhat close to the hospital, as she’d said, but far enough away that it's not necessarily an area that would bustle with activity, even during the day’s busiest hours; it is very still right now, peaceful. They pass through a glass door that is not locked, leading into a common area with six doors, three on the main level, and then three on the second level, with a metal stairway leading upwards. A huge, two-story high bay window sprawls by the main door, overlaid in a diamond pattern, which must allow light to stream in the majority of the day.

Each of the doors to individual units has at least one or two plants framing it, but he knows which one is hers right away. An array of thriving potted plants surround the upper northernmost side door, spilling out to surround the entire right side of the banister that frames the edges of the building. Hers is also the unit furthest on the upper right, like his; another nice realization. A few of her plants are flowering, but for the most part they are varying shades of green, with accents of paler colors. Desaturated and calming, just as he’d guessed she would like, rather than intensities of marigold and cobalt and fuchsia. It's hard to tell in the dim lighting, but as they get closer, he thinks that the few blooms are pistachio and lavender and blush in color, like her hair.

Or her cheeks. Jade eyes are on him again as he finishes walking up the stairway behind her.

He follows her to her door and leans a little against the railing behind him while she grabs her keys from her bag; he doesn’t think she’d mind if he came in for a few minutes, but she didn’t explicitly invite him, and he wants to be polite.

Once she’s unlocked it, she turns back to him to take her books. Her hand brushes his, and it’s incredibly distracting, again. “I’ll be right back.” She smiles at him before disappearing inside her apartment.

She leaves the door slightly ajar behind her, and he tries not to look. He busies himself with observing what appears by her neighbors’ doorways instead. No light emanates from beneath the doors of any of them; he wonders, this being older construction, if more of the tenants here are older, and are perhaps in bed already. The upper units probably aren’t occupied by extremely elderly people, given the stairs, but the ground level units’ decorations appear more classic and refined, less youthful. He notes the pots surrounding the other doors are very matchy, but Sakura’s are less so; hers are various shades of neutral terracotta colors, soft and inviting, some with unique shapes.

She’s back quickly, foldable drying rack and shoebox in tow, closing her door mostly behind her. She also must have set her tote bag aside; it's no longer situated on her shoulder.

He realizes all at once as she meets his eyes, handing him the items she’s gifting him, that he does not want this evening to end.

“Thank you,” he says, voice husky.

“You’re welcome,” she murmurs, just as hushed.

Sasuke studies her eyes for a long moment, trying to commit the life in them to memory, though he already has, he thinks.

“...May I see you tomorrow after you work?” He finally asks quietly, trying to keep the hope out of his tone. He knows he’ll see her for his medical clearance in the morning, but he would still like to spend time with her outside of that, if she doesn't have plans already.

She looks crestfallen, smile slipping a little before coming back. “I would love to see you, but I have dinner with my parents every other Thursday, since I get off at four. They stopped by for a visit on my actual birthday, but they wanted to do cake and a gift tomorrow night after our usual supper time.” She pauses, searches his expression for a moment. “Maybe the day after tomorrow, if you’re not busy? I get off around four on Fridays, too.”

He nods, committing this part of her schedule to memory. “...I’ll meet you at the hospital, then.”

Her smile gets wider. “Okay. I can show you around the other newer parts of the village, if you’d like. The southwest side has really expanded.”

He nods his head in agreement, thinking. He would like to ask for more time with her, before he starts taking mission assignments again, but he also doesn’t want to monopolize all of it; she has years worth of life here, roots other than him that need tending. He hopes she’s saying yes because she actually wants to, and not simply for his sake.

He takes a deep breath, forcing down nervous vulnerability at his next question. “...And Saturday?”

She blinks, then blushes darker, smile growing wider still. She casts her glance downwards to her feet out of shyness, shifting a bit. “Saturdays I work seven to three; I’m going to stop by the market after for some gardening supplies with Ino, but other than that, I didn’t have anything set in stone.” But then jade eyes flick back up at him, and they are slightly apologetic.

His heart sinks for a second, rejection stinging a little behind his eyes. She doesn’t want to see me that often. He’s been absent for too long. She's probably tired of him already, though she hasn’t said anything. He has enjoyed tonight, but he's aware he doesn't make the best company.

“Naruto sent a clone by this afternoon that was going on about an original Team Seven reunion dinner, though. He mentioned Saturday night as a possibility,” she reveals, and his world comes back into focus, heart reversing upwards back into his chest cavity.

Sasuke huffs amusedly, then, relieved. “...Of course he did.”

She sighs wistfully, shaking her head. “Ichiraku’s, I’m sure. I’m pretty sure I’ve tried everything on the menu in triplicate, at this point.”

He eyes her carefully, trying to dry swallow his fear of rejection like a pill. Corrosion, he thinks. “...After dinner?”

Shimmering seafoam again. Happy, transparently pleased, and he’s glad he asked, shoved away the nerves; he’d do it again in a heartbeat, if it’s going to make her eyes look like that. “Of course. We could… hang out here, if you want. Or was there something you had in mind?”

His gaze softens. “Here is fine,” he answers. It is more than fine, actually. He’d go anywhere, if it meant he could soak in her presence longer, but he’s more than a little curious about what her apartment looks like on the inside. His own is pretty sterile, even now mostly put together after the afternoon, devoid of most anything other than necessities. He has an inkling that Sakura is the type to truly make wherever she's living feel like a home, though, given the pleasant spread of life he’s seen spilling out here on her doorstep.

“Okay,” she confirms, dimple reappearing. “I’ll look forward to it.”

There is something in her eyes after a second, gears turning, a question she must want to ask him.

"Would you…" She's talking even more softly, now, hushed as if she's going to scare him away. Her eyes meet his apprehensively as she shifts her weight from one side to the other. "Would you want to maybe... have tea tomorrow morning? I'm… not sure if you have plans or not, but I have a little time, before I work. There's a good place near the hospital, and then after we could get your exam done at eight like we planned."

The vines between his ribs twist pleasurably. She does want to see him, after all. She's not too busy. She's looking at him nervously, as if he would say no, as if he hasn’t spent the last twenty-four hours longing for her company again.

"...I'll look forward to it," he answers quietly, because he will; he likes tea, occasionally. He thinks he will like it better with her.

Her entire countenance brightens somehow, even as she flushes darker. "Oh. Good." She sounds relieved.

"...I can meet you here," he finds himself saying, and her eyes are sparkling at him, now, at what's implied - longer with her, another walk together. "What time?"

She purses her lips now, apparently still nervous. "Would… seven be too early?" Her voice trails off a little, as if in hesitance, as she finishes the question.

He chooses his next words carefully, meaningfully, so there is no uncertainty. "Not at all."

She regards him then like he has done something wholly wonderful, cheeks a rich red in dim light and expression heart-wrenchingly elated.

There is an expectant pause as the oblivion happens again, dimmer now but just as powerful. He really wants to kiss her; he’s been thinking about it the entire evening. He wonders if she has, too, and if maybe she wants him to. There’s no one around, in this little entry area of her small complex, in front of her door and her plants in faded hues.

He decides to go with his gut.

It’s somehow even better, this time, anticipation and lips meeting and a barely audible exhale of breath through the nose on her part, almost like she’s suddenly at ease; he thinks, pleased, that she must have wanted him to. Her hands gently meet his chest, tentatively pressing against him. He would like to do something with his, but it's still occupied, holding what she's supplied him with. He settles for pressing his lips to hers with a little more confidence than yesterday. It’s tender and over much too quickly, much like the evening they have spent together; all soft light settling, lambent and beguiling.

She is crimson when they part for a breath, before shyly directing her gaze away and shifting back down; he realizes that she must have been standing on the tips of her toes to reach him.

Her hands linger on his chest, and then her gaze comes back up to his, almost determinedly.

“I’m… really happy you’re back.” Her face is still flushed, but she doesn’t look away. Her pupils are dilated, bottomless black dwarfing green.

Heat creeps up his neck. His pulse pounds just below her fingertips, as if she’s tugging at his heartstrings with them.

“...I am, too,” he whispers, before he leans down again.

He thinks that he could stay here forever, clutching all that she’s given him, enveloped in a sweet ambrosia of tart berry and newly unfurling plants and soft lips that he’s thought of all day, now against his again.

She gently drops her hands from his chest when they finally part. She’s smiling; she is so pretty.

“Good night, Sasuke-kun.” Her voice is near a whisper. “I’ll see you in the morning.”

“...Good night, Sakura,” he murmurs in response.

XXX

The journey from her place to his really is quite quick; he doesn’t see anyone on his way back. Stars are visible almost the entire way, Leo and Ursa Major and Cassiopeia. The moon is a thin sliver amongst them, raised high in the sky.

Once he's inside, he carefully folds out the drying rack she’s given him in the small laundry closet and lays out damp clothes to allow the air to finish the job. He's glad he didn't need to make another trip to the store. A trip with her was better, and she somehow had just what he needed. He thinks perhaps she always has, and his vision has simply been too blurry, obscured by smudged glass, to see it.

Sasuke retrieves the stack of her letters and places them in the box gingerly so as not to further bend them. He stares at the picture for a long time before also stowing it away, sliding the container onto the shelf in the closet for safekeeping.

He doesn’t feel tired yet, and it's not too cold, so he goes to visit the memorial stone, after, as he’d planned. He feels it is the right thing to do, after having been gone so long.

He confronts many things as he sits there, the bevy of crickets and soft swishing of grass the only sounds on this quiet spring evening, a long list of engravings barely legible in the shadows.

Melancholy is one of them, seeping in slowly, as he’d known it would. Grief and acrimony and betrayal, too. A little bit of anger, still. He also experiences sillage, the aroma of his mother’s flower garden and the scent of his aunt and uncle’s baked goods and the smell of an empty house, all blending together in his olfactory senses like it was yesterday, a bitter incense of nostalgia that is hard on the inhale.

This time, though, semisweet berry and antiseptic are also among them, memory fresh in his nostrils, and he experiences a little bit of comfort, too.

Sasuke doesn’t sleep well, after, but when the nightmare comes, gruesome, and he’s awake for the remainder of the night, he has some books to help steady him until seven comes.

#naruto #sasusaku #ssfanfiction #cherry writes #slow burn indeed we doing a snail's pace out here #like gold #fanfiction

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fasterthanmydemons · 4 years

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How would Alive!Pietro react to losing Wanda in the Snap? I mean, I don't think the two of them would die simply because they're twins. The Snap wouldn't care, it would just tear families apart. And Clint, who is like a father figure to Pietro, would be too busy angsting over his own family in Japan to be there for him. Feel free to go on a long rant if you need to! Your blog does justice to Pietro.

{out of breath} So this is an interesting question, and I’ll warn you right off the bat that the answer is going to be very depressing. Trigger warnings ahead for mention of suicidal tendencies and self-destructive behavior.

If you’re the same person who already asked me about what would happen if Pietro lost Wanda after Ultron instead of the other way around, you can ignore what I’m gonna say next because you’ve already probably read all this, haha, but I’ll draw your attention to these three posts. Two of them are starters and one is an answer to an anon who asked me to elaborate on one of them. Pietro would have one of two reactions to losing Wanda in pretty much every scenario you can imagine, regardless of when it is in his timeline: 1) anger, 2) despair. The two starters deal with each of those overwhelming emotions. So even though it’s not the exact scenario you are asking about, you might find them interesting to read:

“Nothing Left” Starter

Ask Answer About “Nothing Left” Pietro

“Carrying On” Starter

With regard to what you asked about specifically... I feel like his reaction would be the same, but by that point, he’d probably have a lot more support than he would after Ultron, for example. He will have been with the Avengers for... what 2 years? 3 years? I see him staying close to Clint as well as making friends with Natasha. That doesn’t mean his reaction to Wanda dying is going to be any less intense, but it might mean that either Clint or Natasha (more likely Nat given how Clint reacted to his own family being snapped) might try to actively keep Pietro from hurting himself, whether in the literal suicide sense or just by getting into fights and reckless behavior.

Anytime Pietro loses Wanda, no matter the circumstances, he’s going to blame himself. He’s the big brother, he’s supposed to protect her. If she’s dead, then he failed her. That failure would be compounded even more by losing her in the snap, because like all the other Avengers, he’d feel like he failed the world, didn’t try hard enough, didn’t do enough, could have done more, etc. So... huge let down ego-wise and morale-wise, and he’s losing the most important person in his life. It’s all downhill from here.

Anger is a natural thing for Pietro to express at this time, because in a lot of ways it’s easier for him to be angry, explosive, and self-destructive than it is for him to cry and be sad. For someone who grew up with a somewhat antiquated notion of men, Pietro feels like there’s more strength in anger than sadness. So covering up his grief with explosive temper is a natural path for him to go down. Combine that with guilt and him feeling like he deserves to be punished for failing her, and you have a Pietro who is starting fights with everyone hoping to be hurt, doing dangerous parkour to burn off energy and oh, maybe he’ll fall and die. Just very reckless behavior in which he doesn’t care and almost would prefer if he got seriously injured. Because what’s the point? Wanda’s gone, and she was his life.

It’s a very sad outlook, but as I've said many times in the past on this blog, I have always headcanoned that Wanda is stronger than Pietro emotionally. He’s stronger physically... and he appears to be stronger emotionally, but we all know Wanda can survive without Pietro. I headcanon that there is a good chance Pietro would not survive losing Wanda. Suicide is a real thing he would consider, unfortunately, and it would take very persistent and patient intervention from someone he trusts (Clint, Nat, maybe Sam or Steve if he got close with them) to help him through his grief in a more constructive manner.

Let’s say he is helped by Nat or Steve or a similar friend in the Avengers. Fights will probably happen, both shouting matches and physical ones. They might have to kick his ass a few times or at least tire him out to get him to calm down and listen to them. It sounds cruel, but this actually isn’t a bad way to get Pietro to listen, as long as he isn’t seriously injured in the fights. It tires him out, expends a lot of that rage he’s using as a coping mechanism, and gets past it. He’s more likely to break down and cry once he’s tired/spent enough, but that’s actually a good thing because he’s not suppressing his sadness anymore. At that point, he’d be more conducive to listening to them. What would they say? It’s not his fault. That they’re all in the same boat, they all lost someone they cared about. Maybe that they’ll work to find a way to reverse it. That Wanda wouldn’t want him to hurt himself or to just self-destruct because of her. Things like that. It would take several times of getting him down to a more open and vulnerable state enough to learn that they’re not going to judge him, take advantage of him, or mock him in that condition. That’s when the healing begins.

But before we get too optimistic, I will say that even if Pietro is able to be saved from himself after losing Wanda, he will never be the same. Ever. A light, a happiness, a spark he had inside him will be gone forever, and even if Wanda is brought back to him after the events of Endgame, something will still be broken in him. He might be able to get back to 95% of who he was before, but the scarring and traumatic experience of losing his sister is something that will permanently effect him, even if he gets her back.

Now... there is one more way he could be saved from his rage benders and other destructive behaviors. Well, sort of. He does trust and respect Clint as a father figure by this time (I headcanon anyway, that their relationship would only deepen the longer Pietro is with the Avengers), so he might follow suit when Clint decides to go rogue and become Ronin. I could easily see them bonding over their grief by basically adopting a “screw everything” kind of attitude. Like, they’ve lost their families and there’s a feeling of well... we don’t care what happens to us, we may as well make various assholes pay. I can see Pietro jumping on that bandwagon real fast and helping Clint take down various mafia, Yakuza, crime syndicates. They’d become a duo, taking matters into their own hands and staying off the grid.

That would be a satisfying outlet for his anger, however, not a healthy outlet for his grief overall. Like Clint, he would be suppressing things like grief, sadness, and guilt in favor of anger, self-righteousness, and a misguided sense of vigilante justice. It might serve to keep Pietro from becoming completely suicidal, but it also will do next to nothing to help him process his grief and begin to move on in a healthy fashion.

Okay, so I think I’ve dished out most of my headcanons on this topic, but if there’s anything else you want to ask or if I raised more questions in your mind, please feel free to send in more. I love asks like this because they really help me to flesh him out if I don’t have headcanons on the subject, or to get them all written out “on paper” so to speak so that I don’t forget them. Thanks for sending this in! =) Also thank you do much for saying I do justice to Pietro! That’s the best compliment the mun of a canon character can get. <3

#about the muse #pietro maximoff #tw: suicidal thoughts #tw: self-destructive behavior

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rednether · 6 years

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Superman - My Starter Pack

Inspired by @davidmann95‘s own post, where he does basically the same thing. recommending people where to start in regards to reading Superman.

I do think that to begin with, this is still what I’d read in general about Superman. and what appeals to me in terms of being about the character.

1. All-Star Superman

Whats It’s About: Superman saves the first-manned mission to the sun, led by Dr. Leo Quintum of P.R.O.J.E.C.T., which has been sabotaged by Lex Luthor via him sending a genetically modified suicide bomb in human. Superman manages to save the ship and it’s crew, but ends up powered beyond the norm to fatal levels. as a result, he’s now dying due to solar overexposure. leaving Superman with only a year to live. this is his last deeds.

Why You Should Read It: It’s Superman at his greatest and finest, written and drawn by what could be debated is the greatest writer and artist duo in all of history. it’s not just the best Superman story of all time, it is factually and objectively the best superhero story period (to quote Davidman). on one hand, I’d recommend reading this last because it does kinda read better the more you know and like Superman. on the other, I recommend to just drop in blind because it’s an out of continuity book that doesn’t require you to have read the mainstream comics.

2. Grant Morrison’s Action Comics

What’s It’s About: The debut of a depowered Golden Age-esque social crusader Superman clad in a T-shirt and Jeans in the modern day, fighting corrupt politicians and rich people suppressing the weak and the oppressed. before basically moving to the Silver Age by fighting the very alien Brainiac after spending his career so far as a Bully Hunter. signified by him starting to work at the Daily Planet and moving from the Daily Star. as the forgotten first Superman, Adam Blake returns to Earth to take away Lois’ niece, Susan Tompkins before the planet is destroyed. Superman decides to kill off Clark Kent because he feels he outgrew him, while ultimately coming to blows with Captain Comet and convincing the latter to turn over a new page at the end of their fight. Vyndktvx finally enacts his plan, attacking the Man of Steel at all points of his life alongside the Anti-Superman Squad and their wild card, Super-Doomsday. though Superman ultimately wins through tricking him to say his name backward by having the entire Earth including himself say their names backwards thus banishing Vyndktvx back to the Fifth Dimension.

Why You Should Read It: It’s the definitive Superman blueprint, merging the character’s Pre-Crisis life from the three eras he was in: Golden, Silver and Bronze ages with some small aspects of his Post-Crisis history (Super-Doomsday for example), creating a definitive Superman who spans all of his life in a consistent manner.

3. Greg Pak’s Action Comics

What’s It’s About: Superman reunites with childhood friend as well as one-and--off love interest Lana Lang years later, after her departure from Smallville when they were teenagers.as they investigate an ancient civilization that lives deep beneath the earth that is full of bizarre and appears dangerous while attempting to decide which race needs their protection the most, humanity or the underworlders? two months later, after the conflict with Doomsday that resulted in Superman almost turning completely into the beast itself as well as Brainiac’s latest attack. Lana and her lover John Henry Irons travel to Smallville for a vacation, only to discover that the graves of her parents have been mysteriously dug up and the corpses gone.Lana’s parents seemingly back from the dead as zombies, meanwhile. Clark Kent has started placing more importance on his secret identity, helping rebuild Metropolis even while he has a feeling that something appears off. so he flies to Smallville to check on it, only to discover a mysterious fog surrounding it and that he can’t initially get through, getting teleported miles away when he tries to get in.ultimately Superman does make it through, discovering that the dead are seemingly walking amongst the living, not just the Langs. to his horror, he now discovers he can’t make it out. all the while, something is wrong with Smallville’s denizens who appear to have developed psychic ablities as a monster from the Phantom Zone called the Ultra Humanite has made it through to Earth, feeding off the fear, terror and darkness found in everyone. including Superman himself.

Why You Should Read It: One is an Science Fantasy story starring Superman and Lana Lang also taking inspiration from sources like Indiana Jones, which is awesome. As they investigate an ancient civilization that has secretly existed beneath the Earth all this time, the other is what a sci-fi horror starring Superman as the main protagonist look. being bone-chilling enough while still being more than inspiring enough, Greg Pak also is the only writer who truly expanded on in some fashion what Morrison set up in his own run. allowing Superman to save the day while also giving him pyrrhic victories.

4. Batman/Superman

What’s It’s About: A still young Superman and Batman have their first initially forgotten meeting, where they initially fight against each other. before being transported into another parallel world by a rogue goddess, while some things appear the same, others appear distinctly different. The two rookie heroes end up meeting and teaming up with older more experienced versions of themselves to get home. Years later, the World’s Finest remember said alternate earth with the alternate versions of themselves. They’re given a second chance to save Earth 2 and it’s version of the the Trinity, though they ultimately choose not to intervene too much. Angering Kaiyo, who teleports the three of them back to Prime Earth while also erasing the memories of Superman and Batman. leaving them completely different people than they normally are. And it’s up to Lois Lane to convince the amnesiac Batman as well as a Superman who’s lacking his moral compass to remember who they truly are. After that, a mysterious foe obsessed with Superman who knows all of his secrets begins killing all those who ever stood by him just to thoroughly his true target. Superman now has a Joker of his own, It falls to the Caped Crusader and the Man of Steel to track the murderous madman and stop him, but with no real clues and leads to follow will they ultimately be outsmarted?

Why You Should Read It: Greg Pak begins his winning streak, developing Superman and Batman into the heroes they’re meant to be as they become the best friends they normally are. from a rough-and-tumble social crusader Idealist Superman and a Batman who has no interest in running his company, preferring to spend his time being in disguise as he watches kids beating each other up in the streets.

5. Superman: Birthright

What’s It’s About: Clark Kent is a man with no direction who is a freelance reporter, fighting for truth and justice. Traveling the world, he tries to get a handle on what it is that he wants to do. But with the tragic passing of the Ghuri political leader and human rights activists Kobe Asuru he decides to return home, having decided to learn more about his alien heritage. Opting to become Superman, he takes the cloth from his ship and turns it into a costume. transforming Clark Kent into a disguise alongside it. He moves to Metropolis, getting hired by the Daily Planet.

Why You Should Read It: It’s the best canon origin story for Superman, bringing back his teenage-hood friendship with Lex Luthor. Making Clark Kent accepting of his alien heritage once more after Byrne changed it so Superman completely disowned the fact he was from Krypton. it manages to humanize the character while not changing him to the point that he’s completely unrecognizable or that you forget that this is Superman.

6. Superman: American Alien

What’s It’s About: Superman as one of us, done correctly. Clark Kent here is the true identity, with Superman being a pair of tights and nothing more. seven important events from Clark’s life that shape the way he thinks without even realizing it sometime, such as realizing that it’s OK to be strange. realizing that only he can help in certain scenarios, learning to expand his horizons. deciding to finally use his powers actively to help people, his first encounter with a supervillain. the power going to his head, not thinking about the implication. becoming obsessed with Krypton which leads to him being called out on it, learning to move on and accept the fact that he’s been raised as a human, on Earth even if in his mental state.

Why You Should Read It: It’s seven disconnected tales from all through out Clark Kent’s life, from when he’s eight to when he’s around 25. Citing his development into Superman, that he is still just so damn nice that he just wants to help with no strings attached or have to be manipulated into. With no tragedy influencing him, that he can just no longer stand aside and watch as people die. so he stops doing so, beginning to actively help because he just wants to. Because that is his better nature.

7. Superman: Kryptonite Nevermore

What’s It’s About: An experiment turns all Kryptonite on Earth to iron, rendering Superman truly invulnerable,but a mysterious doppelganger of the Man of Steel with the ability to steal his powers and weaken him is born as a result, can Superman save his adopted home planet and defeat this devious clone of his without coming into direct contact with it so as to not destroy the Earth?

Why You Should Read It: Also more accurately known unofficially as The Sandman Saga, this is the story that kicked off the Bronze Age era of Superman. toning down Superman’s insane strength to more manageable levels, as he was no longer able to juggle planets and fly to the other end of the universe with ease. additionally making him somewhat wiser and a more human character.

8. Superman Smashes the Klan

What’s It’s About: The year is 1946. Teenagers Roberta and Tommy Lee just moved with their parents from Chinatown to the center of Metropolis, home to the famous hero, Superman. Tommy makes friends quickly, while Roberta pines for home. Then one night, the family awakens to find their house surrounded by the Klan of the Fiery Kross! Superman leaps into action, but his exposure to a mysterious green rock has left him weak. Can Roberta and Tommy help him smash the Klan?

Why You Should Read It: An important tale about the dangers of genuine racism that is especially relevant nowadays, what with Trump’s supporters running rampant and lashing out at black people due to their skin color & nothing more.

#superman #superman recommendations #superman starter pack #dc comics #comic book recommendations

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robedisimo · 7 years

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The Last Jedi: six observations and four questions [MAJOR SPOILERS]

[WARNING: the following contains HUGE PLOT SPOILERS for Star Wars: The Last Jedi. Please proceed at your own discretion.]

It has been a strange, busy year for franchise sequels. Between Alien: Covenant, Blade Runner 2049, Thor: Ragnarok and now The Last Jedi, a lot of what has graced our screens has been saddled with a lot of different expectations, and with more than a little anxiety concerning its relationship to vast pre-established canon. In my opinion, all four films handled that task well; however, each of them approached the matter in a very different way.

Denis Villeneuve’s Blade Runner sequel embraced and expanded its predecessor’s style and themes, for example, while Ragnarok upended pretty much everything in its franchise so far with maniacal glee and an irrevent attitude bordering on outright mockery. Covenant also played fast and loose with established lore, but unlike the third Thor it did so without acknowledging it, “pretending” – thanks to original creator Ridley Scott being at its helm – to perfectly fit into everything that preceded it.

At its heart, The Last Jedi has more than a little in common with the latter two. It – literally, in certain cases – sets fire to certain aspects of the Star Wars canon to make room for a newer iteration of the franchise, but it does so with respect and love, pruning selected parts of the property to allow it to flourish. Its mockery seems instead aimed at its direct predecessor, The Force Awakens, which director Rian Johnson appears to retroactively adjust in order to steer the saga towards his own vision.

That attitude is nowhere more apparent than in the outright derision of Kylo Ren’s mask, which “makes him look like an idiot”. The meta-textual jab at J.J. Abrams’s aesthetic sensibilities betrays a ballsiness bordering on arrogance, as does the U-turn on Snoke’s characterisation, going from grave, sombre Palpatine wannabe to sneering, opulent Bond villain.

Whatever the reasoning behind The Last Jedi’s changes to the franchise, in my eyes the overwhelming majority of them was for the best. But did Johnson’s film really change everything, or was it more of a balanced mix of old and new? Following is a brief list of things that didn’t go as we might have expected and things that most certainly did, as well as some that still may or may not in the near future.

1. Subverted expectations

Leia’s death Given historic Star Wars precedent, it was very reasonable to expect Leia to not survive Episode VIII’s events: Kylo Ren was on a stated mission to forcibly (har har) eradicate his family ties, “mentor”-like characters have a track record of not surviving long into a new trilogy and, well, Carrie Fisher won’t be around for Episode IX. And indeed, The Last Jedi does give Leia a swift and dramatic death scene... only to reverse it immediately by virtue of a plot twist hinging on the character’s previously-undisclosed Jedi training, in a textbook example of a trope which I’m sure must be already defined somewhere on the Internet but which I’m personally more than willing to dub “Secretly Jesus”. It’s a stunning sequence and one that’s proving quite controversial with fans, setting the scene for the no-holds-barred approach to storytelling showcased throughout the movie.

Finn’s sacrifice I’ve written at length about how Finn is the best candidate for Sequel-Trilogy replacement to Han Solo, and so there was good reason to believe that, as he threw himself into a First Order super-weapon, we were in for a rerun of Han’s heroic surrender to frozen doom – I don’t think anyone was expecting Finn to actually die, but by that point The Last Jedi had certainly demonstrated that it was down for pretty much anything – at the end of The Empire Strikes Back. Once again, that didn’t end up happening but the spirit was certainly there: just like Han, Finn had spent the whole film – and the whole franchise up to that point – torn between his own good heart and an individualistic penchant for self-preservation; by the end of their respective second chapters, both characters finally embrace their heroic streak. Ironically, whereas Han sacrificed himself to save Leia – culminating in the saga’s first explicitly-stated romance – here it’s the girl who ends up in suspended animation instead, after saving the day and declaring her love.

Rey’s parentage The most (apparently) outrage-introducing aspect of Johnson’s film is also the most interestingly handled. After two years of speculation regarding Rey’s true parents, and a number of increasingly far-fetched theories – Rey is Luke’s, Obi-Wan’s, Qui-Gon’s, Palpatine’s daughter – in The Last Jedi she was finally revealed to have been just a regular Jane Doe all along, an outsider to the Skywalker family saga. Some fans have met this with outcry, partly because they don’t seem to understand that the Sequel Trilogy is still part of the Skywalker arc through Kylo Ren, and partly because of precedent. The reveal of Luke’s parentage in The Empire Strikes Back is the single most iconic moment in the entire franchise, and quite a few people were expecting a direct retread of that. Except a direct retread is precisely what they got. Even without getting into the fact that Kylo could’ve simply been lying, the scene plays exactly how you’d expect: the bad guy extends his hand to the hero, offering a place beside them on the Galaxy’s throne after dropping the unexpected bombshell about their parents’ identity. The scene is almost exactly the same, but in reverse: for starters, the hero has just been in a fight involving the film’s villain; but unlike in Empire, Rey comes out of the fight victorious and having fought on the same side as the villain, not against him. Similarly, the biggest reversal comes in the fact that the bombshell shock doesn’t come in the shape of a twist reveal but rather in the absence of one. The Last Jedi – something it has in common with another piece of oft-maligned fiction that I happen to love, but that’s a story for another time – trades a twist for an anti-twist: “I am your father” becomes “Nobody is your father”. Which isn’t just poetic, it also works on a number of levels. Rey doesn’t have to be connected to everything else in the saga, just like Finn doesn’t have to be Lando’s or Mace Windu’s secret son. In The Last Jedi we finally get to know and love these characters for who they are, not for who they could be. This moment in which the saga is freed from the weight of its own legacy is as earth-shattering and franchise-changing as the ending to Empire was; if not more, because this time around we were prepared for it but were still surprised. We were prepared for anything, and they surprised us with nothing. You can call that cheating. I call that clever.

2. Confirmed tropes

Luke’s goodbye While Luke’s final act of heroism in The Last Jedi is breathtaking in its unexpectedness, his ultimate fate is as traditional as they come. Right after re-enacting Obi-Wan’s “strike me down” scene, Luke pulls a Yoda and peacefully joins the Force. It’s something that by all logic should’ve been reserved for the first half of Episode IX – just as Yoda’s death signalled the beginning of act 2 for Return of the Jedi –, but then again I did mention in my review that The Last Jedi is a bit of an episode-and-a-half kind of deal. Narratively speaking, the film could’ve ended on an Empire-like note right as Rey manages to escape after her lightsabre-breaking, parentage-revealing confrontation with Ben. Instead, Johnson took things one giant step beyond. And that’s a good thing, fortunately: had this movie closed on yet another cliffhanger, we wouldn’t have had the chance to conveniently explain away Leia’s departure from the franchise by means of a – all but inevitable, now – time skip between Episodes VIII and IX.

Snoke’s death Unexpected as it was in its timing, Snoke’s demise was anything but in terms of pure narrative structure: he was set up to be defeated, and he most certainly was. Not just that, but he was defeated in what’s arguably the most traditional way to be found in Star Wars canon: an apprentice turning on his own master when he’s instead supposed to finish an incapacitated opponent. It happened to Palpatine in the Original Trilogy, and it happened to Mace Windu – in a direct reversal of that same scene – in the Prequels. Snoke may not have been an actual member of the Sith order, but his fate certainly conformed to that of historic Dark Side practitioners. What’s more, his efforts to turn Ben Solo into a new Vader definitely paid off... perhaps even too much for his liking.

DJ’s betrayal Benicio Del Toro’s character is more a walking, talking plot device than anything, but he’s an undeniably charming addition to the franchise. Still, for anyone who thought he didn’t get enough development on his first time on the Star Wars scene, his return is pretty much a given. His potential for a face-turn in Episode IX, combined with his introduction as a shifty but useful ally to our heroes, only to grievously betray them while maintaining a measure of relatability, paints a very clear picture: DJ is, quite simply, the Sequel Trilogy’s Lando. There’s probably no easier cross-trilogy comparison in all of The Last Jedi, in my opinion. And to be frank, it’s a pretty entertaining one.

3. Still-dangling plot threads

What role do Luke’s relics play? The Last Jedi includes more than a few deep-lore easter eggs, many of them hidden on its characters. Snoke, for example, wears a golden ring whose stone – as one can read in the Visual Dictionary companion book – comes directly from the Dark Side pit originally lying beneath Vader’s fortress first glimpsed in Rogue One. Luke carries not one but two of these significant relics. The first is a Jedi compass, a MacGuffin introduced in the recently-released Battlefront II video game whose exact purpose wasn’t really disclosed, although one might speculate that it’s through it that Luke managed to find the ancient Jedi planet of Ahch-To. The second is Luke’s pendant, apparently housing a red crystal of unspecified origins. This particular object became the centrepiece of a fascinating fan theory in the months preceding the film’s release, and while that specific scenario didn’t pan out, the pendant itself did get a suspicious close-up shot which went entirely unexplained. The Visual Dictionary lists it as an ancient “Jedi Crusader” trophy, sparking rumours about the renewed canonicity of fan-favourite Knights of the Old Republic character Darth Revan. Could that be it, or is there more to Luke’s story between trilogies that we have yet to see? And if so, will that be addressed in Episode IX, or is it something that’s bound to be left to exploration in New Expanded Universe material?

Who was Snoke, exactly? Easily the second most controversial bit in the movie, Snoke’s sudden death left a lot of questions hanging. Who exactly was this guy? Where did he come from? Why was he so strong in the Force, and how did he know so much about everyone involved in the previous two thirds of the saga? The fans’ frustration about these unresolved plot points is understandable, and it’s undeniable that Johnson has left quite the hot potato in Abrams’s hands. Still, one must never forget that Emperor Palpatine was just as much of an unknown quantity in the Original Trilogy: character-wise, he was very little more than a cackling, mugging “evil incarnate” trope, blandly intimidating up to the point where his right-hand man killed him by essentially pushing him down a flight of stairs. It wasn’t until the oft-maligned Prequels that good ol’ Sheev took on a personality all his own. On the other hand, that sort of undefined mystery just isn’t viable in the franchise’s current state. After forty years of accumulated, obsessive exploration of the narrative universe’s every nook and cranny, fans are no longer willing to put up with not knowing. And, to be completely fair, relegating Snoke’s backstory to Expanded Universe novels or comic-book series would be a disservice to the portion of the audience that only watches the film instalments – whereas Phasma’s mostly-perfunctory role in the movies is more acceptable, vis-à-vis her much more in-depth characterisation in ancillary material – and a general faux pas from a narrative standpoint.

What about the Knights of Ren? Speaking of dubious narrative choices, another unexpected element in The Last Jedi’s standalone-but-not-standalone structure – the movie works extremely well in isolation, but it’s also perhaps the most interconnected to previous lore that Star Wars has ever been – was the total absence of Kylo Ren’s eponymous Knights, teased in Rey’s “Force Vision” sequence halfway through The Force Awakens. From a purely in-universe standpoint, their uninvolvement with the film’s proceedings makes sense: Episode VIII takes place over a short period of time immediately on VII’s heels, and as such it would’ve been strange for the Knights to come running as a sort of bad-guy cavalry, especially if it were for the sole purpose of being anticlimactically slaughtered barely halfway through the trilogy at the hands of a still-inexperienced Rey. Narratively speaking, however, what we got was a full movie – and two more years of endless wait – going by without the characters being addressed, which is pretty frustrating. So much so, in fact, that some fans have already begun speculating that the Knights actually were featured in The Last Jedi as none other than Snoke’s Praetorian Guards, a truly awful theory that presupposes a shockingly appalling grasp of storytelling on Rian Johnson’s part. One can only hope that with Kylo now positioned as the trilogy’s Big Bad, they’ll serve as the mid-boss-level characters our heroes will have to get through if they want to face the ultimate evil... potentially resulting in the most spectacular lightsabre battle ever witnessed in Star Wars canon.

Where are the other Force ghosts? The question of where Yoda’s Force ghost has been all these days as Luke – and the Galaxy – needed his guidance is easily answered by The Force Awakens, in both title and dialogues: there has been an “awakening” in the Force, at least the Cosmic side of it, with Rey’s and Kylo’s mounting powers. So it’s not hard to imagine that the world of spirits has been a lot less in touch with that of the living over the past thirty years. Nonetheless, that dry spell is now decidedly broken. Obi-Wan whispered in Rey’s ear at least once in Episode VII, and Yoda’s appearance in The Last Jedi showed us a Force ghost with more power and influence over the physical world than ever before – although that may have to do with the peculiar Force-attuned nature of the planet Ahch-To –, and that’s a pretty hard can of worms to re-seal. So the big, looming question right now is: where is Anakin Skywalker’s ghost, and why isn’t he giving his grandson a piece of his mind about his hare-brained scheme for galactic annihilation? Should we expect Hayden Christensen to make a Vader-y return in Episode IX, or will Abrams’s apparent loathing for the Prequels rob us of that long-delayed rehabilitation of his take on the character?

Other questions loom large over the next (and final) episode in the Skywalker saga, of course. Did Kylo lie about Rey’s parents? Will Snoke still exert some sort of influence on the Galaxy’s fate, even after death? How exactly will Leia die? How will the Resistance turn things around to win the day? Will Rey and Poe start a surprise romance? And how will Phasma have ludicrously survived this time?

We’ll just have to wait, I guess. In the meantime, I’m sure Solo: A Star Wars Story will give people a lot more to complain about.

#KenAtTheMovies #Star Wars #Star Wars: The Last Jedi #The Last Jedi #Star Wars Episode VIII

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