#roxy richer

[tampire]

We love to see evilbosses winning

[mttonex]

Scott & Ramona & their (Evil) Exes ★

also happy new year loll 😜🎉 (first post of 2024 😈)

[mac-the-mac-and-cheese]

*ੈ✩‧₊˚༺☆༻*ੈ✩‧₊˚

Haii im mac^^

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13 - loser - she/they - sapphic - music addict

⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘

I mostly just post random shit here..

⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘

INTRESTS- I really like a lot of stuff!! My biggest intrests atm are music (lots of artists, such as heavenly, tv girl, radiohead, fall out boy, ptv, kimya dawson...and more), Scott pilgrim, art, dystopian fiction, tbbt, south park, and youtubers such as dollface3, vlogbrothers, Danny Gonzalez, and wendigoon!!

⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘⫘

DNI- people who encourage/permote sh/eds, proshippers, tcc, over 18, just generally problematic. (Copied from my strawpage!!)

[thewertsearch]

GG: Sometimes your sense of humor seems more impenetrably advanced than your robotics. I'll never understand this tapestry of irony you weave. GG: Maybe I'm just stuck in the dark ages of pranksterism with my funny mustaches corny old joke book. […] TT: We come from different traditions. Someone needs to keep that racist southern asshole's legacy alive. TT: There's dignity in taking up the work of our familial predecessors, even if what they did was insanely fucking stupid. GG: Is that a note of bitterness directed at your superstar brother I am detecting?

Lest we forget, Dave managed to turn Sweet Bro and Hella Jeff into a movie, this time around.

...hey, wait a second. In the original timeline, Dave Prime was inspired to make SBaHJ after a conversation with Terezi - one that can't possibly have happened on this iteration of Earth. Is Guardian Dave's knowledge of the comic another example of inter-self memory bleed?

TT: I've also told you he isn't my real bro even though I call him that. We're related through an esoteric process of genetic reamalgamation.

Lil' Bro knows about the Veil, a piece of Sburb lore that even Jake - who truly believes Jade is his grandmother - isn't privy to. I suspect he's getting some of his intel from Roxy, who has access to a copious amount of lore via her Seer mother.

The Sufferer, as far as I can tell, was capable of directly accessing the memories of his pre-Scratch self. If Guardian Rose's Seer abilities are analogous to his, then she theoretically has access to all the information that our protagonists do, via Rose Prime's perspective.

...come to think of it, there's no reason why she wouldn't be able to read the memories of an older Rose Prime, from later sections of the comic. Guardian Rose might just be one of the most clued-in characters in the entire setting.

GG: I dunno. Call me a simpleton, but I just like funny jokes. TT: Can't fool me. You take your shit as serious as I do. TT: And if I wasn't serious about it, I wouldn't have made you that rabbit. Then where the hell would you be? GG: Well, aside from thousands of dollars in corpse-repair richer, I can't say. TT: Has he been sleeping in the old man hollow again? Shit, that's adorable. GG: I can think of cuter places for him to sleep, frankly! TT: Yeah, bullshit. TT: He's just being instinctive. In the wild, he would gut a carcass and sleep inside for warmth, as well as to secure tactical advantage for ambushing would-be scavengers. GG: Oh, please.

I actually really like the dynamic between these two; they play off each other excellently, and it's the most comfortable conversation we've seen between any of the B2 kids thus far.

Their relationship has a lot in common with the John/Rose friendship - but Bro's noticeably less serious than Rose, and Jane's just a little bit spikier than John. There's synergy here.

GG: Anyway, property damage and desecration to cherished elders aside, Mr. Bear has been a lovely addition to the family. TT: You haven't renamed him yet? […] TT: You've got to fucking rename him. Or change him to a girl if you want. That was important.

That's extremely important. Take it from me.

[twiixr4kidz]

HELLO!!!

could I please have Roxie Richer hcs? But the reader is like a biiig introvert and lives alone and is EXTREMELY anxiety ridden.

Ty! You inspire my work so much!

Have a nice day! -🍌

this is so sweet tysm!!!!!!

roxie richter x introvert!reader

roxie is the complete opposite of you

that's what really drew her towards you

to see someone who was clearly uncomfortable being in public and looked terrified for their life, her immediate reaction was "Hm. It appears I am needed her."

she'll swoop in at any opportune time when you need saving from an interaction

she knows you prefer being alone at home but roxie makes sure you get out enough

it's not healthy to spend all of your time at home alone

if you're having a really bad day with your anxiety, she will be there immediately

she'll order whatever you want for food and she'll comfort you, insisting that you tell her what's ailing you

when you're in public together, she makes sure to do her best keeping you feeling comfortable

pull on her shirt or do something to let her know you're not feeling good and roxie will make a bullshit excuse before escorting the two of you away from the problem

[unroxyfication]

Spam tapping the like button to farm Roxy cum

*I* get to keep that. you're just making me richer. my roxycum fortunes

[grembox]

from a textual standpoint and also a personal experience standpoint i feel like the strilondes narratives and their struggles with being neglected (and subsequently extremely self destructive behaviors) would be so much richer when you factor in how some norms in the black community (especially the west indian + african american diaspora ) encourage the specific dynamics of abuse that rose and dave have going on with their parents + how dirk and roxy approach neglect. itd just make so much more sense. also explains why so many black people resonate w/ the strilondes.

[the-meat-machine]

is stridercest canon-compliant

Hi. I'm not sure how to answer this question, but like hell am I going to let that stop me from rambling on about it for far longer than anyone would consider reasonable.

What does it mean for a ship to be canon-compliant?

My first difficulty is this: what does it mean for a ship to be "canon-compliant"?

I tend to be of the opinion that you can come up with a justification for nearly any ship that, at the very least, doesn't contradict canon. Whether that ship is probable or not is a different story.

To give an example of a ship that's technically possible but canonically unlikely… let's say I were to posit that Nepeta had red feelings for Aradia. Well, we get fairly direct evidence of Nepeta's romantic interests throughout the comic, and Aradia never features in her self-pairing fantasies. Not to mention that if she had such feelings, you'd think it would cause conflict in her relationship with Equius, who does canonically have feelings for Aradia. But Nepeta never says she doesn't like Aradia that way, so for all we know they could have had a torrid romance offscreen that is never once hinted at in the comic. Highly improbable within canon, but not strictly impossible.

A level above that, there are ships where there's basically nothing to go on. Nothing to contradict it, but nothing to really support it either. For example, how would Dirk and John get along? Well, they only ever meet once in the comic and it's when Game Over!Dirk is giving himself over to the glitchy void, so who fuckin' knows. You'll have to base their interactions on a general knowledge of their characters. And hey, you can probably come up with a pretty convincing argument that they'd be great for each other! You can equally come up with an argument that they couldn't stand one another. There's really no canon basis to say either way.

That said, I think Stridercest is on a rung above that. These characters have had significant canonical interactions that revolve around one another, giving a richer basis to draw from. Or at least… Dave and Dirk have. Which leads me to my second difficulty.

What is Stridercest?

"Stridercest" can refer to quite a few possible ships.

For example, Guardiancest. Do I think Guardiancest has a basis in canon? No. Alpha Dave and Beta Dirk lived in different versions of the universe and both died well before the end of the game. They almost certainly never even knew that each other existed.

That said, Homestuck is a pretty wild canon as far as possible character interactions go, what with all the various ways characters can hop between universes, time travel, get resurrected, meet up in dream bubbles, etc. Trans-universal communication is canonically possible (see for example Jade and Jake's letters to each other), so who knows -- maybe Alpha Dave and Beta Dirk could have met each other somehow. Does it seem likely? Absolutely not. But it's not impossible.

Now, if you were asking about the original Stridercest, Bro/Dave, that's a ship that clearly is logistically possible, at least. They spent 13 years in the same apartment. Something could have happened. Did it? I don't know. I don't consider myself a Bro/Dave scholar, so I'll leave that as a question for the reader.

But one pairing I have significantly more to say about is Dave/Dirk.

Here are some things that are canon:

Dave has had, at the very least, passing attractions to a minimum of two of his ectobiological relatives -- namely, Rose and Roxy

Dave has evinced attraction to both men and women

Dave used to idolize his bro, but later came to have more complicated feelings about him

Dirk has had a lifelong obsession with his own long-dead bro. He studied all the minutiae of Alpha Dave's life and patterned his own life after what he's gleaned from that

Dirk is definitely attracted to men

Dave and Dirk had a long heart-to-heart during which they hugged each other

Here are some questions that cannot be directly answered by canon:

Do Dave's incestuous inclinations extend to Dirk and/or Bro?

Is there a homoerotic dimension to Dirk's obsession with Dave?

Now, you could plausibly answer these questions with "no". Maybe Dave's upbringing with Bro made it impossible for him to see Dirk in a romantic light. Or hell, maybe he only likes blond hair on chicks, not on dudes. And for all we know, maybe Dirk's interest in Alpha Dave is strictly platonic. (…ha, that one's hard to type with a straight face. But it's possible.)

Of course, I'm asking these questions because I think you can easily answer them with "yes". There's significant canonical basis to suggest that these suppositions at least could be true. At the very least, conditions are ripe for these two to have some very weird, complicated feelings about each other that are laced with incestuous and homoerotic undertones.

So is Stridercest canon-compliant? For Dave/Dirk, at the very least, I'd argue that it is.

[blairefrances]

All of the Icey Dayz characters voice claims updated:

Vance Vanille: Kid: Young Blitzo (Helluva Boss)/Adult: Schezo Wegey (Puyo Puyo)

Coco Beany: Kid: Klee (Genshin Impact)/Adult: Joy (Inside Out)

Sarah Etroberi: Fluttershy (My Little Pony)/Adult: Blue Diamond (Steven Universe)

Sally Carma: Trixie Tang (Fairly Odd Parents)

Mia Spira: Milky Way Cookie (Cookie Run Kingdom)

Potchy Ghouchi: Kid: Klug (Puyo Puyo Tetris Version)/Adult: Larry the Lobster (SpongeBob SquarePants) or Plankton (SpongeBob SquarePants)

Rei Ore: Crona (Soul Eater)

Casper Doug: Grizz (We Baby Bears)

Chelsea Etroberi: Thrumble (My Singing Monsters)

Mei Gao: Denny (OK K.O! Let's Be Heroes) or Tricia Takanawa (Family Guy)

Milo Mumble: Bullwinkle (Rocky and Bullwinkle)

Brooke Pacheco: Brooklyn T Guy (SML)

Starla Pacheco: Mitsuri (Demon Slayer)

Rocky Rockwell: Rockstar Cookie (Cookie Run Kingdom) or Capsaicin Cookie (Cookie Run Kingdom)

Basia Boree: Amitie (Puyo Puyo)

Mangga Preserves: Space Outlaw (Bee and Puppycat)

Flo Fabbri: Mr. Smalls (The Amazing World of Gumball)

Candy Floss: Angie (Resident Evil)

Neri Nella: Ami (Gwain Saga)

Mrs. Tigre: Mrs. Accord (Puyo Pop Fever version)

Remy Raise: Rosalina/Rose (SML version)

Biff Bissy: Ben (Song of the Sea)

Feli Feline: Amy Rose (Sonic the Hedgehog)

Linda Lima: Roxie Richer (Scott Pilgrim vs The World)

Camilla Carven: Gloria Sato (Big City Greens)

Cherri Forrest: Elizabeth Afton (Five Nights at Freddy's)

Cora Cacioppo: Libby (Jimmy Neutron) or Pauline (Super Mario Odyssey)

Blackie Forrest: Kid: Sweetie Belle (My Little Pony)/ Adult: Angelo (Brawl Stars)

Slip Maja: Toph Beifong (Avatar the Last Airbender)

Moses Maja: Petey (Upcoming Dog Man Movie) or Thrax (Osmosis Jones)

[taintedpompom]

Come to Mommy

The pink energies swirl inside Rose's womb, both the one without and within. The Womb pulsed, its jade portrait transfixed in rapture as the critical mass of feminity reached critical mass, energies swirled and build. Bigger and BIGGER AND BIGGER AND BIGGER~

Rose didnt even exist yet and still she climaxed. A wave of saccrine pink billowing through the room.

The governess felt strands of her hair distrubed by the explosion, but little else, well besides a twinge of satisfaction as the pink ripened, darkening like wine into a richer color. The shape within curled in pleasure, growing longer, wiser and older.

"Is mommy going to be okay?" A small voice squeaked next to the Governess.

The demon looked down at the woman suddenly nexed to her. Rose had become a mother, so a daughter was needed... and who better then her own former mom.

Roxy quivered beneath the gaze, though thst was the default state for the jiggly junior. Her hips streaching and spilling out of a uniform that was shamelessly plastic. As nervous as the Governess's suddenly existing student was, she didnt even gpance at her demon master, or her teacher. Instead she stared at the womb her mother was in. Roxys lips parted, bright bimbo pillows that gasps breathlessly as she stared at the decadent dripping... fertile altar her mother became... no was becoming.

The dress squeked as fat blubbery thighs clenched together, the rubber dress tented by Roxy's rock hard nipples. "She's... really in there?"

The Governess ignored her. She wasn't listening anyway.

Rose is now a MILF. Roses 10 pink reward has been unlocked. At 10 Pink Rose will get to pick a Child.

[dustedmagazine]

Chris Forsyth — Solar Motel (Expanded) (Algorithm Free)

Chris Forsyth marks the ten-year anniversary of his turn from towards rock with this expanded edition of Solar Motel, augmented with two previously unreleased studio tracks and a side-long live WFMU recording of “Paranoid Cat.” The two newly released tracks are a revelation, solidifying and reaffirming Forsyth’s connection to Television (he studied with Richard Lloyd) with cartwheeling guitar riffs and roiling, surging percussion in the epic vein of Marquee Moon.  

Forsyth was just off his 2011 release of Paranoid Cat when he made Solar Motel, stillstruggling for a way to incorporate a palette of influences—Television, Takoma-style fingerpicking, psych and drone—into a coherent aesthetic. Our own Bill Meyer saw him as only partly successful at this on the previous album, calling Paranoid Cat, “an album that is full of good ideas lifted from other people’s work, but he makes such good use of them that it’s easy not to care.”

Solar Motel, Forsyth’s first full-band album, was a big step towards the driving, boogie-ing, rock-leaning long grooves that we have since come to associate with the guitarist. In the notes, he says, “Solar Motel is the first record on which I overtly took rock tropes and twisted them into new shapes, incorporating so many of my interests and influences - the twin-guitar elegance of Television, the sprawl of West Coast psych, the boiled down Rock Minimalism of Rhys Chatham, the abstract tangles of free improv, an undercurrent of ecstatic jazz energy, and the studio textures of Eno/Cale/Roxy ‘70s art rock.… Solar Motel basically set the template for much of what I did for the remainder of that decade.”

The band for Solar Motel included Forsyth, drummer Mike Pride, bassist Peter Kerlin and keyboard player Shawn Edward Hansen, all musicians that Forsyth had worked with previously in various roles and configurations. It was recorded mostly live, though Forsyth put in additional guitar after the fact to build up Television-like layers of interplay. The music took shape in four numbered tracks Solar Motel I through IV.  “Part I” opens with tense, staccato guitar, at first alone, then joined by a second guitar and bass. The groove is insistent, cleanly minimal, and over it, Forsyth improvises warm, fluid arcs of solo guitar, and as it goes, the texture becomes less of a drone and more of a warm, living jam. This becomes a pattern over the next three track, as taut, disciplined motifs blossom into full-band free play. Repetition becomes a launching pad for the wildest swirls of improvisatory ornament, with sweet lyrical mid-range guitar vaulting over motorik grooves.

All that is still there, still striking in the way it marries austere experiment to lighter flaring guitar solo. If you haven’t heard it—or haven’t heard it in a while—all four original tracks remain very much worth a listen. However, it’s the new stuff that you’ll want to spin right away, because these two unreleased tracks take the basic experiment and launch them into richer, more exciting directions.

“Harmonious Dance,” at just under nine minutes, is the expanded release’s best tune. A slow chime of guitar notes hitting turbulence early on in Pride’s swelling drum roll. The notes get bigger, more resonant, more sustained as they go, taking on the burnished glow of Lloyd and Verlaine in tandem (though without the trebly yelp of vocals). “Long Warm Afternoon” starts out with warmth and sustained tones, building shimmering textures of guitar over a steady thump and roll. Both cuts feel less restrained, less tightly disciplined than the original Solar Motel cuts. It’s as if Forsyth had a concept for setting down guardrails and eventually swamping them with sensory data, and it took him a while to implement it fully.

The WFMU recording is fine, too, letting the twitchy glamor of “Paranoid Cat” stretch out, catch fire in a truly insane instrumental freakout and somehow stuff all that back into the bottle for a reprise of the original melody. But if you need a reason to check out this ten years after reissue, I’d look at the two unreleased tracks, where Forsyth and his band hit a groove they’ve been riding ever since.

Jennifer Kelly

[n0ncooll2]

Best Scott pilgrim takes off characters

1. Young Neil best character of the show hilarious always making funny face amazing

2. Wallace wells so many amazing funny things I wish I could put him in first but young Neil is too good

3. Scott pilgrim must I say anything more

4. Roxie Richer really chill the episode with her in it was my favorite one

5. Knives cute and naive

[lightbluesleeper]

*crawls towards u soaked in blood hanging onto ur ankle* YOU DONT UNDERSTAND I NEED ROXIE RICHER SO BADDDD

[artcalledtattoo]

Resistance All live for the glory a substance of some kind Breathing making due in the meantime a such happenstance Resistance I was talking to God when I was I was talking to myself Breathing making due in the meantime a such happenstance Resistance I’ll never fall into the devil and be the slave for him Breathing making due in the meantime a such happenstance Resistance Could’ve been richer, I don’t know In with theatrics Hallways in fallings Resistance Hated sands foot pad concrete walls Plastered & painted not in focus Resistant Botox Roxy from the depths of folds Kick the legs up Resist Forward March Impact And today Love! Whoah Red Resistor

[popentertainmentconcertreviews]

10,000 Maniacs with Leigh Nash – Ardmore Music Hall – Ardmore, PA – November 12, 2023

10,000 Maniacs was briefly – during the mid-late 1980s and early 1990s – one of the biggest bands in the alt-rock world. Formed in Johnstown, New York in the early 80s and fronted by singer/songwriter Natalie Merchant, with keyboardist Dennis Drew, bassist Steve Gustafson, drummer Jerry Augustyniak and guitarist Robert Buck, they broke out with their 1986 album In My Tribe, which spawned three minor hits – “Like the Weather,” “What’s the Matter Here” and a cover of Cat Stevens’ “Peace Train,” but eventually sold over 2,000,000 copies.

In 1989 their follow-up Blind Man’s Zoo opened up their recognition even more, becoming a platinum record (1,000,000 units sold) and they just missed the top 40 with their single “Trouble Me.” Their 1992 album Our Time In Eden also became a hit, spawning the minor hits “These Are Days” and “Candy Everybody Wants.” However, they had their first top 10 single with a live cover of Patti Smith’s “Because the Night,” which was recorded for MTV Unplugged, back in the days where nearly every band released an Unplugged album.

Right at the height of their fame, Merchant decided to leave the band to go solo, a sporadically successful venture which led to a couple of big hit albums and has continued to this day. The band’s label Elektra decided to stick with Merchant and drop the rest of the band. Therefore, in regrouping, the Maniacs brought on board John Lombardo (who had been an early member of the group but left the album before they broke out) and his musical partner Mary Ramsay, who had a folk band called John and Mary which had opened for the Maniacs. (Both had performed as part of the Maniacs at the MTV Unplugged session.)

Over the years since, the band had a series of lineup changes – the most important one coming when guitarist and songwriter Robert Buck died way too young of liver disease at age 42 in 2000 – but basically the band continued on with a base of Drew, Gustafson, Augustyniak and Lombardo. Ramsay ended up having a much longer run with 10,000 Maniacs than Merchant ever did – recording four albums (10 if you count EPs and live albums), and even having a fluke top 40 hit with a cover of Roxy Music’s “More Than This” on her first album with the band, and touring with the band for nearly 30 years before leaving the group last year.

Without a singer for the first time in decades – I don’t know if they reached out to Merchant, but she is still working on her solo career and has shown little interest in looking backwards over the years – the band had an interesting thought. Over the years they had toured periodically with the group Sixpence None the Richer – which was big in the late 90s and early 00s and had hits with “Kiss Me,” “Breath My Name” and covers of the La’s “There She Goes” and Crowded House’s “Don’t Dream It’s Over.” The members of 10,000 Maniacs became friends with the band, particularly singer Leigh Nash and lead guitarist and songwriter Matt Slocum. Why not bring them onboard, and the tour can be a mixture of both groups’ hits? (The group’s official bio promoting this tour is a bit vague as to whether Nash and Slocum have joined 10,000 Maniacs full time or if this is just a one-tour thing…)

It turns out to be a pretty good fit. Nash’s vocals are similar enough to Merchant and Ramsay’s so as to not be distracting, and yet different enough to add a bit of interest and excitement to songs that have been around for decades.

This gig was the second of two shows on the tour in the Philadelphia area. The night before the new Maniacs played at the more traditional Colonial Theater in nearby Phoenixville, about a half-hour drive away. The Ardmore Music Hall is more of a large club, standing-room-only atmosphere.

The band opened with a slightly more obscure tune, “City of Angels,” but after that there was a run of hits that lasted most of the first set. (The show was broken into two nine-song sets plus a three-song encore.) “Trouble Me” started things off with a sweet hopefulness before the set took a slightly darker turn... at least lyrically. “What’s the Matter Here?” and “Like the Weather” (undoubtedly two of the most upbeat and catchy songs ever written about the serious subjects of child abuse and manic depression) from In My Tribe still feel new, immediate and wonderful all these years after their release.

The covers also started to pop up soon afterwords, with gorgeous takes on “Don’t Dream It’s Over” and “More Than This” going down smoothly. Back to the originals, the political treatise “You Happy Puppet” still stings in its immediacy – in fact it’s perhaps even more trenchant today than it was when originally recorded. The first set finished off on the gorgeously somber “Stockton Gala Days.”

The mix of the groups was even more evident in the second act, when 10,000 Maniacs’ desperate “Don’t Talk” was followed up by Sixpence’s wonderfully catchy “Breath My Name.” (That song should have been a much bigger hit than it became.) Of course, each of the bands’ biggest hits were represented: from 10,000 Maniacs’ propulsive cover of Patti Smith and Bruce Springsteen’s biting romantic discourse “Because the Night” to the sweetly naïve and lovesick catchiness of Sixpence’s near-perfect hit single “Kiss Me.”

That romanticism was also touched on in a couple of favorite In My Tribe album tracks, the sweetly charming marriage song “My Sister Rose” and the beat-generation mythologizing of “Hey Jack Kerouac,” which led into the encore. The group sent the night out with the perfect power pop of The La’s “There She Goes” and then closed things out with an uplifting version of “These Are Days.”

Turns out that the merging of two separate popular bands from two different eras worked out pretty well in this case. I’m looking forward to seeing if this collaboration goes further.

Jay S. Jacobs

Copyright ©2023 PopEntertainment.com. All rights reserved. Posted: November 14, 2023.

Photos by Jim Rinaldi © 2023. All rights reserved.

[stitched-mouth]

Scott Pilgrim vs The World Masterlist

Notes: Any characters you see missing here are characters I don’t write for. Please note I no longer write for Wallace Wells and Matthew Patel.

Codes

🦋 = Headcannons

💄 = Fem Reader

☘️ = GN Reader

🌷 = Fic

🖤 = Angst

🏳️‍🌈 = Gay

✨ = Fluff

🌚 = NSFW

Scott Pilgrim

A S/O In A Huge Successful Indie Rock Band 🦋💄

Ramona Flowers

Making Out 🦋☘️🌚

Cuddling 🦋☘️✨

Dating Ramona Flowers 🦋☘️

Caught In The Act 🦋☘️🌚

Being Friends With Ramona Flowers Would Include... 🦋✨

With A Mute S/O 🦋☘️

Marrying Ramona Flowers 🦋☘️✨

What Turns Them On 🦋💄🌚🏳️‍🌈

Dating A Author 🦋☘️✨

Dating A Movie Director 🦋☘️ ✨

With A Socially Awkward S/O 🦋☘️✨

Smoking Weed With Ramona Flowers 🦋☘️🌚

Knives Chau

Making Out 🦋☘️🌚

Cuddling 🦋☘️✨

Caught In The Act 🦋☘️🌚

With A Mute S/O 🦋☘️

With A Socially Awkward S/O 🦋☘️✨

Wallace Wells

Cuddling 🦋☘️✨

What Turns Them On 🦋💄🌚

Kim Pines

A S/O In A Huge Successful Indie Rock Band 🦋💄🏳️‍🌈

Making Out 🦋☘️🌚

Cuddling 🦋☘️✨

Caught In The Act 🦋☘️🌚

With A Mute S/O 🦋☘️✨

Dating A Author 🦋☘️✨

Dating A Movie Director 🦋☘️✨

With A Socially Awkward S/O 🦋☘️✨

Smoking Weed With Kim Pines 🦋☘️✨

Stephen Stills

What Turns Them On 🦋💄🌚

Gideon Graves

With A S/O Who Works In A Coffee Shop 🦋☘️

Dom Daddy Gideon Graves ☘️🌚🌷

What Turns Them On 🦋💄🌚

Envy Adams

A S/O In A Huge Successful Indie Rock Band 🦋💄🖤🏳️‍🌈

Cuddling 🦋☘️✨

Dating A Author 🦋☘️✨

Dating A Movie Director 🦋☘️✨

Jealous 🦋 ☘️

Lynette Guycott

A S/O In A Huge Successful Indie Rock Band 🦋💄🏳️‍🌈

Making Out 🦋☘️🌚

Roxie Richter

To Be Continued...

Matthew Patel

Fluffy Matthew Patel HCs 🦋✨ ☘️

Julie Powers

A S/O In A Huge Successful Indie Rock Band 🦋💄🏳️‍🌈

Making Out 🦋☘️🌚