#s1 done baby

[theinfinitedivides]

can't believe i'm saying this but i may have just tracked down the possible location of the Eliot flashback in The Miracle Job by the split second frame of the f*cking currency on the table. what can i say it's a very distinctive banknote

[upperranktwo]

♡Happy Birthday Shinazugawa Genya♡

7th January

[spicyicymeloncat]

Idk if this is a hot take but why is it always “Kai slaved away and worked his ass off to raise his sister” and never the other way round or them working hard together?

Like, I know he’s older but in the show, does he really… act older? Like if you think about Kai and Nya’s dynamic yknow? Because from my understanding:

When Kai and Nya are introduced we see Kai fail at making a sword and Nya being the one to chide him for it. Kai makes an overconfident statement about wanting to be a better blacksmith than his father. This suggests that one, Kai is rather rash as well as inexperienced (something that lines up with the rest of his character arc in the pots and also generally), with Nya being the more mature figure in contrast

Also just a note but in the shorts: “I can handle it!” “No you can’t, stupid”

Kai frequently being very good at neglecting people or things: leaving Lloyd at an arcade whilst being focused on finding samurai x, not even knowing samurai x was Nya or that she only did it because she felt left out by him, completely abandoning both Nya and Lloyd in s3 (and Ik he was going through it at the time, but in line with the fandom’s characterisation of him)

Kai in season 5: “After I lost my dad, I lost my way. But I was lucky to have my sister watch over me”

Generally, their dynamic isn’t one where Kai really provides for Nya at all. In fact, judging by the fact that Nya can make entire mechs and Kai struggled to make a sword, Nya was probably busting her ass to provide for Kai. And judging by the s5 quote, that’s probably true. I’m not saying Nya raised Kai, it just rubs me the wrong way when she’s treated like a decorative flourish to a narrative that paints Kai as a burnt out child who was forced to grow up too soon especially since that is such a mischaracterisation of him in the first place.

[goginaporter]

one thing I’ve seen a lot of portwells/ej stans mention is that the wildcats were “bad friends” for not helping ej with his stress/pinning more specific blame on gina for not helping her boyfriend when he was stressed. for one, this is kinda blatantly not true. besides the fact that ej refused to ask them for help (and understandably so) by not revealing that he was director at the beginning of 302 or inviting miss jenn to outsource help, for example, most of them helped him/offered to help in one way or another. gina constantly shared her faith in his abilities and even offered to step back on their relationship while at camp to allow him more free time. val appeared to fulfill a lot of the directing role with casting and helping to organize the readthrough. maddox helped with organizing auditions. carlos (along with val) organized rcosl to help get more drama. I could share more examples but they serve to highlight that when ej was drowning, he was not left at sea. a lot of his stress was intrinsic, and even all the help in the world was going to prevent it because of pressure he imposed on himself. to blame his friends, who were there to have fun, with the only responsibility on their plate being to learn their lines, is a misunderstanding of why he was stressed and how he could be helped. the best thing they could do for him was learn their roles for opening night. in fact, miss jenn literally tells him “if they know their lines, they’ll be fine.” i also wanna mention that ej didn’t really seem to be failing at directing. it was more of a combination of personal doubt and the introduction of the production being filmed. the latter likely placed stress on all of them and there was nothing that they could really do to change that for themselves, let alone ej. anyways, all this is leading up to my main question: what did you guys want the wildcats to do for ej? take on directing parts of the show while also learning their lines in under two weeks? magically find him a way to please his father? the stress that ej was under sucked. but it wasn’t the fault of his friends, nor could it disappear in the presence of sweet words. I just wanted to pose this inquiry to his stans and open it up for respectful debate!

[dbphantom]

Hate having adhd went to go work on my fallout modpack, got distracted while going to disable the steam overlay, ended up in the points shop, went to go edit my profile, decided to change my pfp, found a buried folder I forgot existed, found some old Veneer art I forgot existed, spent 45 minutes looking at all the old photos, STILL HAVE NOT TOGGLED ONE SIMPLE OPTION THAT SHOULD'VE TAKEN 30 SECONDS AT MOST

[the-p-in-lgbtqa]

How I know stranger things' shipping fandom share 1 brain cell:

I watched st1, started writing a Babygirl Steve Harrington smut before watching the rest of the show or interacting with other fans or reading a fanfic.

Then I went to post it on ao3 just to see babygirl!Steve Harrington is already a tag :)

[chelseasdagger]

i miss him :(

[unheavenlybody]

gillian andersons evolution over the years is crazy to me like thats a whole new woman

[llatimeria]

wrt last reblog I agreed entirely with the message but I thought "Wait it does feel kinda weird to call out millie bobby brown specifically, isn't she like, fifteen?" as if time hadn't fucking passed since I watched stranger things for the first time

[scoobydoozies]

i do love mayor jones' messy gay ass tho ❤️

[floralovebot]

you can love a character and still acknowledge they aren’t a great person. i love riven and accept his flaws (none he’s perfect) and acknowledge that he’s messed up before (no he hasn’t) and that consequences in stories are a good thing (everyone else is wrong actually and he’s right)

[themthistles]

was s2 of sweet home sponsored by the korean army whats going on

[ghoul-haunted]

I'm going back to bed in about (checks watch) three minutes because I done with obligations for the day, but to loop you all into a thing I have not been liveblogging here, I cannot believe fucking knightfall managed to baby trap me into watching season 2

[spicyicymeloncat]

Btw shout out to s13 for giving wu character development like that, it did him good

[i-only-ever-asked-questions]

Updated! A few days ago the contract Crowley signs in S1 came up on discord. Being the crazy person that I am, I set on the quest of finding out what it actually says. I couldn't make out everything, especially at the end where Crowley's hand and the sparks obscure the lines but I made out most of it (transcript below the break).

One of the things I like the most is that the contract specifically says "Anthony Crowley of Mayfair, London." In the book, Hastur tells Crowley not to use that name: "No. Not A. J. Crowley. Your real name.” Crowley nodded mournfully, and drew a complex, wiggly sigil on the paper. It glowed redly in the gloom, just for a moment, and then faded."

Interesting things:

The contract is referred to as "the Agreement" - HA!

The contract is between Hastur and Ligur ("the Customer") and Crowley ("the Service Provider"). Not with Hell itself or with Satan.

The contract never actually says what "the Service" is nor does it say how much Crowley is supposed to be paid (so is it just delivering the baby to the convent, or all the upbringing too?)

There is a part that says Hastur and Ligur will pay the costs when the operation is done. But later on it also says that Crowley will not be reimbursed for his own expenses. Talk about being shortchanged!

Hastur and Ligur will NOT provide any help

Crowley must contribute to a retirement plan (Superannuation) for himself and his employees if he has any (how thoughtful)

And lastly, I learned the UK has Superannuations and it is not just an Australian thing! (go figure! the things GO teaches me)

So here you have it. A contract from Hell! literally If anyone can make out the words I couldn't or finds an error, please let me know and I'll update this one.

Full transcript:

[Line covered by clip and Ligur’s fingers] (the "Agreement")

BETWEEN

HASTUR AND LIGUR of HELL (the "Customer")

AND

ANTHONY J CROWLEY of MAYFAIR LONDON (the "Service Provider")

BACKGROUND a. The Costumer is of the opinion that the Service Provider has the necessary qualifications experience and abilities to provide services for the Customer. The Costumer will pay the Service Provider per project agreed. Each project has its own costs and the Service Provider agrees to inform the Customer what are the costs involved when setting the operation and the Costumer agrees to pay the total amount when the project is delivered. b. The Compensation will be payable upon completion of the Services. The Service Provider is responsible for paying any Superannuation Guarantee contributions that may be required in relation to the work performed by the Service Provider or by the employees of the Service Provider under this Agreement c. The above Compensation includes all applicable sales tax, and dues as required by law

Provision of Extras a. The Customer will not provide any resources, assistance or extra for use by the Service Provider in providing the Services Reimbursement of Expenses b. The Service Provider will not be reimbursed for expenses incurred by the Service Provider in connection with providing the Services of this Agreement. Independence of Services c. In providing the Sevices under the Agreement it is expressly agreed that the Service Provider is acting as an independent contractor and not as an employee. The Service Provider and the Customer acknowledge that the Agreement does not create a partnership or joint venture between them, and is exclusively a contract for service

Notes a. All suits, requests, demands or other communication required or permitted by the terms of this Agreement by will be given in writing and delivered to the Parties of the Agreement as follows

ANTHONY J CROWLEY of MAYFAIR LONDON

HASTUR AND LIGUR of HELL

and each [Illegible words due to Crowley’s hand] notify the other.

[ILLEGIBLE WORD]

ANTHONY J CROWLEY

[grandlinedreams]

|| i regret nothing I need Cooper Howard viscerally both pre and post Ghoulification

|| notes: semi Canon compliant, spoiler-ish for end of s1, semi-shifting pov, Lucy is adorable but baby girl you will be chewed up and spat out pls grow more spine, Dogmeat has never done anything wrong ever, godbless Cooper having a southern accent bc that's my accent, yeah, gonna do a sequel to this and a prequel on Coop and reader's first meeting, ok bye

|| warnings: weapons supplier!reader, couple of allusions to cannibalism, reader is not specifically gendered, NSFW ㅡ fingering/touching

“Where are we going?”

Not for the first time today, or even the last week, Cooper questions why he's letting the Vaultie (“Lucy,” she informs him primly, “my name is Lucy.”) tag along. The dog, at least, is a good, reliable companion. Dogmeat trots dutifully at his side, her tail wagging as he stops to glare at Lucy.

“Supplies, Vaultie,” he tells her, relishes the flicker of annoyance in her eyes. “Need supplies or we'll both be knee deep in shit.” He pauses. “More than we already are.” 

She mumbles something he doesn't care to catch as he resumes walking, rolling his eyes as he adjusts his hat. He knows he could stand to be a little more sympathetic with the bombshell she's still dealing with, but he can't bring himself to ㅡ not when his daughter might still be alive out there, somewhere. (And his ex-wife, who he's pointedly trying to not think about too much.) 

Lucy is blessedly quiet for a good while, all the way until they get closer to where they're going. Cooper doesn't need that piece of shit vault-tec device on her arm to know where he is, but Lucy says it anyways.

“It's a town,” she mumbles at the cluster of ramshackle buildings, surrounded by the clustering of trees so much like Filly ㅡ but isn't. “Is thisㅡ”

“Yes,” he answers, “now shut it and walk.”

Lucy huffs. “I don't know if you've realized neither of us have means to pay for anything,” she protests, “but the general rule ofㅡ” 

“Vaultie.” If looks could kill, she'd be six feet under. He's never had much patience, but she’s already reached the bottom of it and keeps digging. “Shut the fuck up about your goddamn rules. If you haven't noticed, nobody up here gives a damn about playing by what's wrong and what's right.” He gives her a meaningful look. “Now if you don't want me to leave your ass to whatever comes along next, you'll be quiet and let me handle it.” 

Lucy's mouth shuts with an audible click, and Cooper turns on his heel to resume walking, Dogmeat at his heels. 

Like Filly, the center of buildings bustle with the day to day of so many others, the cacophony of animal sounds along with chatter ㅡ Cooper spares Lucy a brief glance to watch her struggle to keep up and scoffs to himself, shaking his head as he continues.

He knows where he's going, a little shop shoved between two others, narrow but deeper than the other two, because he's been here before. Several times, actually. Which accounts for the familiarity with which he strolls over the threshold and leaves Lucy and Dogmeat to follow. 

There's the jingle of what might be a bell over Lucy's head when she follows, blinking at the interior. Neat and tidy, or at least as much as can pass for such things on the surface ㅡ rows of weapons and other assorted things on shelves and stands. 

Lucy watches The Ghoul rap his fist on the counter. “I know you're here,” he calls, “you never leave this damn place!”

She expects whoever it is to come scuttling out with the tone of voice he uses and being as accustomed to his rougher attitude, and she listens to the clatter of something further in the shop.

“If that's your greeting nowadays,” comes the answer, “you can fuck off.” 

To Lucy’s surprise, The Ghoul husks a laugh instead of offering another threat. Footsteps approach, and Lucy blinks at the person who rounds the corner. 

“You,” you accuse, finger almost into his chest, “thought I told you I was done dealing with you if you couldn't work on your manners.” 

Lucy stares, and watches as you turn towards her and raise an eyebrow, eyeing her with unrestrained curiosity, then at Dogmeat. “A vaultie and a dog,” you say, then glance back at The Ghoul. “So, taking in strays, huh?”

The Ghoul grimaces. “Guess so.” He clears his throat. “Need supplies again, sweetheart.”

“Figured as much,” you say, arms folding across your chest. Lucy decides she likes you, because you're standing up to him ㅡ and he's letting you. “Take it you have no way of paying, again.”

Lucy wants to tell The Ghoul I told you so, because he can shit on all her little rules all he likes but the surface still deals in keeping the scales balanced. You have to eat too, so it's fair that you're expecting payment in the nonexistent caps they have. The Ghoul, on the other hand, tries a different route. 

“Oh come on now sugar,” The Ghoul wheedles, tone almost what could be considered as sweet. Playing at a gentleman for the way he leans against the cobbled together counter, even goes as far as to take his hat off and place it down. “Don't be like that.”

“Don't you sugar me,” you counter with an attitude that honestly startles Lucy for both the lack of genuine bite or answering hostility from The Ghoul. This isn't the first time you've met, she realizes, and is also quietly a little horrified to register that this almost sounds like flirting. “You're a pain in the ass, you know that?”

The Ghoul almost grins. “At least I'm consistent. Besides, you know you miss me when I'm gone.” 

You snort, pressing your lips together to hide a smile. Lucy feels a tiny bit uncomfortable with the atmosphere, like she's watching something she shouldn't be privy to. 

“Yeah, yeah,” you answer, bustling around to shove several fabric wrapped packs into his chest and giving him a meaningful look. “You owe me.” 

It's definitely flirting now, Lucy notes as The Ghoul's face lights up in a way that's still entirely human, tracking your movements with something far softer than anything she's ever seen from him. 

The turn towards her and head jerk to her and Dogmeat is as clear as dismissal as she's ever seen, to make herself scarce ㅡ so she does, but not before she catches the peripheral glimpse of the way you let him reach for you, almost melting into him for the way he moves to undoubtedly murmur something. 

That something is not the sweet words of a long time lover, but it's probably about as close as you're going to get with things the way they are.

 

“Anyone causin’ you trouble lately?” 

You roll your eyes. “Besides you?” He gives you a look, and you shake your head. “No, and even if there was, you know I can handle myself.” You turn to throw him a teasing look over your shoulder. “Don't tell me you're getting soft on me, old man.” 

It's Cooper's turn to snort, even as he moves to follow you. There's a sort of peace to watching you sort through boxes of shell casings and bottles of powder, letting his gaze drift over your body. 

When you turn, he doesn't even bother to hide the way he's watching you, and you arch an eyebrow. “What?”

“Nothin’,” he returns. “Can't I admire you?”

You roll your eyes. “I'm too expensive for you, Cooper.” It's a playful taunt, one that incites a little flare of something in his eyes as he approaches, the jingle of his spurs as he comes to loom over you, cages you in against the shelves of “inventory”. 

“Really now,” he drawls, leans in, eyes predatory dark. A lifetime ago, you might have been scared. But the wastelands made no qualms about beating fear out of people just as quick as it snuffed out life all together. “Here I was thinkin’ I might get a discount.” He reaches, thumbs at your bottom lip with his gloved digit. “What's the askin’ price, sweetheart?” 

This close, he smells like the wastelands and sunbaked leather, with a little bit of blood ㅡ but you don't mind. Never have, not sure you ever will. Not when it comes to him, anyways.

He's a dangerous man. A man with a reputation that's well-earned, spoken in hushed whispers and anything but nice. But you let him slot a leg between yours, lean in, press his lips to your hair. You smell like gunpowder and hot metal, grease stained fingertips and more than a couple bruises and scars for your efforts. 

Sometimes Cooper contends with the idea he might need you just as much as he needs that chem that keeps him sane. Admits it here and there, quietly to himself when he wanders in, squashes it down that he makes the trips sometimes just to make sure you're still alive. Not like he'd know if you were, till he sees you. Not sure what he'd do if he someday came up and found you gone. No note, no goodbye ㅡ quick and quiet, the cruelty of the wastelands.  

“Didn't answer my question, darlin’.” He mumbles, lips to your cheeks now. Soft skin, kept carefully with rationed doses of radaway and a healthy heap of keeping your cute little self out of business that doesn't involve you. “Come on, I asked you real nicely.” 

You hook your fingers in the loops of his belt, pull him closer. He can feel the jump of your heartbeat under his lips, now at your jawline. A soft, shaky inhale. Selfishly, he wants to keep you. Steal you away, greedy to keep you for himself. Hates the idea of whatever scum that rolls in that you have to deal with on your own. You can handle yourself, he knows that. 

Doesn't stop that little piece of him that's still truly Cooper Howard from worrying. But he knows better than to think he can protect you, because he can't. So he does what he can.

Your skin is soft under his teeth, forgiving to the nip of them, the blooming blossom of pink that reminds him of strawberries. The noise you make is just as sweet, and he wonders if you'd taste like that, too. 

“I'm waiting,” he prompts between little nips, mouth curving against your flesh when you grip at him tighter. There's a lot he could do to you, and not a lot you wouldn't let him. “Don't tell me this big ol’ cat’s got your tongue, little songbird.” 

Your lips part, and he expects either a sparky response or a soft plea for what this is tilting towards, partaking of something far softer than anything he's used to nowadays ㅡ  but you’ve always had a taste for throwing him for a loop, and you do it now. 

“Take me with you.” 

That snaps him out of his little hazy, touch-greedy daze, enough that he pulls away to look at you properly. “Repeat that?”

“You heard me.” You tug at the loops of his belt, eyes steely, expression firm. “Take me with you. Tired of this shitty little outpost. Figure it's time to move before I get myself into trouble I can't get out of.”

Cooper laughs. “Think you're runnin’ straight into that fire by askin’ what you're askin’, sweet thing.” A warning and a plea, mixed mish-mash in his words. Part of him wants you to stay here. Concrete, much as it can be, where he knows where you are. Other part says it'd be easier to watch your back if he saw it all the time. 

“That's not an answer, Cooper.” 

He snorts, softens at the edges again, a little sadder as he reaches to stroke your jawline, leans to bump his forehead to yours ㅡ radiation warm against radaway cold. “Wanna make sure you know what you're asking for, darlin’. I ain't your babysitter. Got my own shit to do.”

“I know.” There's that fire in your voice, the kind he loves and hates at the same time. “Wasn't asking for you to babysit me.” 

He swallows roughly. Lets his hands drift up your sides, tug at the tuck of your shirt, underneath to drag sun-worn leather against the soft skin of your abdomen. Relishes the way you shiver, leaning into his touch. “Can't promise nothin’, you know that.” 

Your smile promises the same kind of heartbreak his own words do, the kind rooted in the reality that the world doesn't deal in any absolute but death, and sure as shit won't give happy endings. Not anymore. “I know.” 

Cooper can't think of what to say to that, at least anything he's ready to, so he kisses you. Your lips are too soft against his, the warmth of your mouth reigniting that greedy, needy, human thing inside him. He pulls, digs his fingers into your soft, pliant skin, and he takes.

Takes what you willingly give him, hand over hand with nothing but that pretty little smile of yours. He muffles your gasp as he wedges his leg a little firmer, coaxes the part of your legs with a rough husk of, “just like that, dollface,” and delights too much in the sound of you moaning for him.

Hushed, quiet enough that there's no reason for Dogmeat or Lucy to come back yet (he doesn't know what they're up to nor does he really fuckin’ care at the moment), he lets himself indulge in the pleasure of your body against his. The sweet little sounds, half-gasped as he mouths at your neck, hitched to something almost like music as his hands wander. 

Pauses long enough to bite at the tip of his glove and tug, one then two, the bare, radiation scarred wander of his fingers over your body. It's selfish, the way he covets every little twitch and jump of your muscles, the choked gasp as he guides you into rocking against his leg. 

“You're so sweet for me, sugar,” he coos, syrupy as he picks you apart meticulously, piece by piece. Fingers still far too good at what they do when he replaces his leg with the press of them against you, remnants of a past life for how well he gets you to whimper his name. “Like ambrosia.” 

His fingers stroke, deceptively gentle, working over your slick, too-hot, achy skin until you’re panting and gripping at him, pleading for a relief only he can give you. And that’s exactly how he wants you, where all you can see and think of is him. 

The expression you make when he finally lets you come might truly be the most beautiful thing he’s seen in a very long time. Headier than the Jet, dizzying and making him swear as he jerks his clothed hips against yours, breath sharp in his chest. 

“Gonna be the death of me, I swear.” He bites at your neck, digs a little harder, scrapes his canines into your sweet, yielding flesh. He could devour you, take bite after sweet, sweet bite and actually test that theory about the strawberries. Crack the cage of your rib, feast on that beating yolk of heart that thumps so hard in your chest. 

“Gonna let me do it, sweet thing?” He rumbles against your ear. “Let me have it all?” 

Your eyes flash, lips pretty and swollen as they part to answer ㅡ and the bark of that damn mutt ruins it all. At least it's a warning for you both, because he's stepping back and letting you fix yourself with surprising speed as Lucy and Dogmeat return, an expectant look on the fuckin’ vaultie's face. 

“Well? Got what you need?"

Cooper snorts, tracks you instead of answering as you press your hand to his for a second, gone around the corner. Lucy frowns when you return, pistol strapped at your hip and a bandolier slung over your shoulder like his, broad pack strapped to your back. Like you planned for this.

And you did, he notes, but it hadn't been contingent on his agreement. Idly, he notes he never did answer you, not really. But he just hums, then turns towards Lucy, who looks between the two of you, confused. 

“Yeah,” he finally answers, “got what I need.”