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tomreview · 2 years ago

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nouveauweird · 6 years ago

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do you have any recs for learning about screenwriting / how to screenwrite? i'm one of those writers who kind of sees things like a movie and i'm wondering if things would work out better for me with a new medium. thanks in advance!

I hope you’ve got some time to read all of this because it got really frickin’ long.

I was introduced to screenwriting in a Writing Lab in college and followed suit into a Screenwriting IA (Integrative Activity, where students demonstrate what they’ve learned over the course of their studies in the Cinema and Communications program).

So admittedly, most of what I learned was from two teachers who already knew their stuff and worked in the industry. However, I was so interested in pursuing screenwriting once I’d fallen in love with it, that I bought all the “optional” resource books my Screenwriting teacher had recommended.

The Screenwriter’s Manual: A Complete Reference of Format and Style by Stephen E. Bowles, Ronald Mangravite, and Peter A. Zorn Jr. really has the basics for what you need to learn how to get into screenwriting. It is available on Amazon for a range of prices.

I also read significantly through The Screenwriter’s Problem Solver: How to recognize, identify, and define screenwriting problems by Syd Field and to be honest it can actually be useful for any kind of story writer, as I perused it and applied some of its content to a few films I found were really poorly executed.

I own, but have not significantly perused:

Story: Substance, Structure, Style and The Principles of Screenwriting by Robert McKee

My uncle who is a screenwriter recommended highly, I personally haven’t dived in yet because the McKee has a stupid disclaimer about why he chose to use He pronouns to refer to the writer throughout the book which was a bit irritating so I just covered it with a sticky note and let it sit for a while.

Writing Short Films: Structure and Content for Screenwriters by Linda J. Cowgill

*Writing Tools: 55 Essential Strategies for Every Writer by Roy Peter Clark.

*Showing & Telling by Laurie Alberts

*Writing Down the Bones: Freeing the Writer Within by Natalie Goldberg (currently reading)

*Take Off Your Pants! : Outline Your Books for Faster, Better Writing by Libbie Hawker.

* = not screenwriting specific, general writing.

Two other books that come highly recommended by both of my uncles who work in the industry are: Save the Cat by Blake Snyder, and Screenplay: The Foundations of Screenwriting by Syd Field.

Since I didn’t learn this completely on my own, I don’t have many online resources, but a quick google search of “Basic Screenwriting Format” should yield you some decent results. HERE is one I found, which has a few book recommendations in it as well. Airtable has resources for screenwriting as well but I am not as familiar with it, search “screenwriting” in the template section.

Here’s what I can recommend right off the bat, sign up for Celtx. It has free and paid subscription services, and you can keep 3 projects on your account at a time, but you can also just download them as PDF’s to free up space and reupload them later and the format will be in tact. Scrivener also has a screenwriting word processor, but it’s a (one time) paid program.

There are many other word processors for screenwriting, but the best for beginners is Celtx. Most processors these days do the formatting for you, unlike 10-20+ years ago when you had to figure that shit out yourself. All you have to do is get familiar with where everything goes.

Which brings me to the next part of my answer…

A Screenwriting Crash Course

For a whole fucking load more of information, look under the cut.

First and foremost, I think it’s important to understand that the narrative description / action / description (all terms used interchangeably) is written in present tense 3rd person, and that you should focus on describing exclusively on what can be SEEN and HEARD. You should also try to be as concise and brief as possible. I found this was quite freeing because while I do love the metaphorical descriptions in prose, screenwriting is a very snappy and visual medium to write in.

Another thing to understand is that beyond learning the basic formatting rules of screenwriting, you can pretty much bullshit formatting you’re not sure about. I’ve read many screenplays where certain elements were not consistent, such as whether or not the writer chooses to put their characters’ names in CAPS every single time (you should at least do so when the character is first introduced).

It’s actually really easy to find scripts of your favourite films online with a quick google search, it might take practice but I’ve managed to build a decent collection of screenplays that I like to read and get an eye for certain formatting tricks that won’t be in a “how to” book. Screenplays also read very quickly. There’s a general rule of 1:1 for page:minute, meaning 1 page is usually equal to one minute of screen time, and if not, it usually averages out.

I’m going to pull some quotes from The Screenwriter’s Manual to give you a bit of an idea of where you can start: pg 25 - 44, 49 - 63

You can find photos of the table of contents HERE if you’d like to message me directly with specific questions, I’d be happy to send you photos of the section you want.

The Staging

The first component in the scene line [or slug line] provides the most basic information about the set-up for the scene.

The staging is ALWAYS abbreviated and followed by a period. There are only two choices for a scene:

INT. for an interior set, informing the reader that the scene takes place in an inside environment

EXT. for an exterior set, specifying an outside environment.

1. The Location

The second component in the scene line is the location in which the scene takes place.

The location follows the INT. or EXT. designation and is separated from it by two character spaces [most screenwriting processors will do this automatically].

Do not abbreviate any words in the location component of the scene line. For example,

INT. APARTMENT is correct, and INT. APT. is incorrect.

VERY IMPORTANT

It is absolutely essential that every specific location be distinguished from every other location.

If Joe lives in an apartment, then you can call that location INT. APARTMENT But if, in the same screenplay, Bob also has an apartment you can no longer use INT. APARTMENT as a location for Bob’s apartment.

To eliminate confusion, one solution is to call each apartment location by the resident’s name: INT. JOE’S APARTMENT and INT. BOB’S APARTMENT

Once a specific location has been identified in the scene line, all subsequent scenes taking place in that location MUST be identified in exactly the same way.

FIRST NOTE:

The location identifies where the activity and dialogue take place…

… if John lives in a multi-room apartment and John is currently in his bedroom (so that other rooms are concealed from view), then the scene line must read, INT. JOHN’S BEDROOM or INT. JOHN’S APARTMENT, BEDROOM

[If the action moves from one location to another there are different ways to indicate it; one would be to created a new scene line to indicate the new location, or to indicate the new location in the description like “John walks out of his bedroom and into the LIVING ROOM”. ]

…

FOURTH NOTE

A scene line can take either of two common variations:

Most often, the scene line will define a specific location, such as INT. JOHN’S LIVING ROOM which limits the field of view to the area where the “camera” is placed.

If the scene takes place in a more generalized location, you can write it as an open scene, such as EXT. COLLEGE CAMPUS … By identifying the scene in a generalized way, you are indicating that it is not important to your narrative to identify precisely where on the campus this scene takes place.

THE TIME

The third component of the scene line indicates the general time at which the scene begins.

The time follows the location and is separated from it by a character space, then a dash, and then another character space.

[ example: INT. JOHN’S HOUSE, ATTIC - DAY ]

The time component of the scene line is most typically specified as a simple DAY or NIGHT. However, the time component can define a more precise period of the day or night. For example, DAWN, MORNING, AFTERNOON, RUSH HOUR, etc.

… You CANNOT specify an exact time, such as 3:30 PM, in the scene line. If such a specific time is required, you need to [include it in your description]…

When there is no lapse of time from one scene to the next, the time element in the scene line could simply be, CONTINUOUS. … if the time lapse is very brief, then you could use something like, MOMENTS LATER, A FEW MINUTES LAYER

AN EXEMPTION:

If a scene takes place in a location in which there is no way to gauge the visible time (DAY or NIGHT), then that element is omitted from the scene line.

ADDING SPECIFICS TO THE SCENE LINE

IDENTIFYING HISTORICAL PERIOD

[example EXT. PARIS, FRANCE - DAY (1946)

EXT. CHICAGO, ILLINOIS - DAY (1920′s)]

INDICATING A MOBILE SITUATION

If a scene opens with a moving vehicle within the location, then that can be indicated in the scene line. For example… INT. JOHN’S CAR - DAY (MOVING)

2. ACTION or [DESCRIPTION]

Description imparts the necessary detail to the essentials of the scene, describing such features as the characters, sets, props, and any necessary action and sound cues.

It is generally best to keep the level of detail focused on the actions and dialogue that comprise the narrative. That is where your attention and the reader’s interest should be directed.

By describing the particular props and decor in a scene and how each character dresses or grooms, you can suggest such character information as personality type, emotional condition, religious affiliation, economic level, artistic taste, and for forth.

First, establish the scene, describing only what is visually apparent in the location and giving only as much detail as necessary.

You cannot describe anything that cannot be seen… until they have been revealed.

You do not need to itemize things that are generic and would ordinarily be present, such as furnishings, colours, arrangements, [etc]…

However you MUST specify anything that is unusual or essential to the scene.

[ My uncle imparted me with a great tip; screenwriting doesn’t maintain traditional prose rules about paragraphs. You should try to keep your descriptions a maximum of four lines, and feel free to break them up into one-line or even one-word for emphasis.]

…

VERY IMPORTANT:

You can only convey what is happening at the moment… [No what has happened or what will happen].

You CANNOT provide any biographical, psychological, or situational information [about your characters] unless you can find visual means to do so (such as a newspaper article, a television program, [etc.])…

INTRODUCING CHARACTERS

Each character must be introduced in the description the first time [they] physically appear in the screenplay. This includes not only major characters, but also supporting characters and even minor characters and groups that function as characters.

NAMING CHARACTERS

When a character is introduced, [their] name is ALWAYS typed in ALL CAPS regardless of whether the character is identified by a proper name, a profession, or an appearance… EVANS, AGENT ONE, DERELICT…

Once a character has been introduced, all subsequent references to that character’s name in the description should be written in a normal manner with initial caps… Evans, Agent One, Derelict…

DESCRIBING CHARACTERS

As the screenwriter, you know who is a major character and who is a supporting or minor character because you have the entire story in your mind. The reader, however, is in a different situation.

… The amount of detail you provide about a character’s appearance and demeanor will give the reader a key to that character’s important in the script.

As a guide, when characters are introduced, you need to make clear how important each is going to be by tailoring the description and context accordingly.

[ You should describe their appearance and what they are doing when you introduce your characters. There are many different formats to describe a character when you are introducing them, and none of them are the hard and fast rule, you will probably end up settling for your own preferred method].

WARREN EVANS, late twenties, intense, handsome with closely cropped hair and a neatly trimmed moustache, is working with cool precision at one of the hundreds of banks of wiring terminals. he is dressed in coveralls and wearing thin latex gloves.

A VARIATION:

A character’s age can also be assigned a numerical designation, such as…

WARREN EVANS (late 20s), ruggedly handsome, dressed in…

Seated at the table is CINDY LEWIS, late 20s and very attractive…

[ Generally you should only mention eye colour, skin colour, height, weight, hair style/colour if it is relevant to the narrative. ]

WORDS THAT GET CAPPED

In addition to using CAPS to introduce characters in the description, there are established conventions for other elements that need to be typed in CAPS but only if they affect the narrative…

Those elements include:

all essential costumes, props and decorany important action, effects, or emphasisany required music or sounds

Although some of the following instances require CAPPING, many will be judgement decisions.

FIRST NOTE:

You CANNOT identify every costume, prop, or decor on the set. Ordinary objects that have no special significance to the narrative should be left [ in normal text].

SECOND NOTE:

… if a certain prop is important to the story, you should CAP it when it first appears, regardless of whether it is important to that particular scene.

WHEN TO CAP AND WHEN NOT TO CAP

CAPPED words can be effective only if they are used sparingly and appropriately, if CAPPED words are used too frequently, their significance will be lost.

3. THE DIALOGUE-BLOCK

The dialogue element, [also] called the dialogue-block, of the screenplay format consists of three components:

the character-name specifies which character is speaking…the dialogue reveals what is being said by that charactera parenthetical, when necessary, instructs [or indicated an element of] how or to whom the character [is speaking]. EVANS (to the group) Sorry I’m late. This round’s on me.

GENERAL RULES

ALWAYS contains the character-name and dialogue, and it MAY, if helpful, also contain parentheticals.is ALWAYS single spaced with no blank lines that internally separate the individual componentsis ALWAYS preceded and followed by a single blank line

[ Parentheticals should not be used too often, you should be attempting to provide context for how the character is delivering their line in the description by providing adequate mood/intensity/emotion.]

CHARACTER NAMES

A character-name is the designation used for the speaker…

… Once a character-name has been established, you MUST consistently use that name from that character.

For example, if you’ve introduced the character as COLIN PRYCE in the description, then you will probably want to use the designation COLIN or PRYCE in the dialogue-block.

DIALOGUE

Everything that the actor speaks that is heard by the audience is dialogue.

[Dialogue] is ALWAYS written in basic prose with initial caps and proper punctuation.

EMPHASIS IN DIALOGUE

To emphasize a particular word or phrase you should underline it.

OFF-SCREEN or VOICE-OVER CUES

[ Off-screen: when a character is not physically present in the scene peaks from a nearby location, close enough that they could enter the scene. Such a character might be speaking from a room out of view or from behind a concealed area.

Voice-over: (1) a voice heard from a mechanical device such as a telephone, radio, intercom, tape recorder, answering machine, walkie-talkie, etc. (2) The voice of a narrator, which is required when the dialogue is spoken by an unseen narrator. (3) The thoughts of a character, applied when a character is visually present and what is heard are their thoughts.

Usually, a character who is speaking dialogue is visually present within the scene. However, there are two important exceptions: off-screen and voice-over.

The off-screen (O.S.) and voice-over (V.O.) cues

- ALWAYS follow the character-name on the same line- are ALWAYS enclosed in parentheses- are ALWAYS abbreviated in upper case.

PARENTHETICALS

Parentheticals are a convenient device to convey specific information about how the dialogue is being said…

[Parentheticals] are ALWAYS enclosed by parentheses… are restricted to words, phrases, and fragments… ALWAYS apply to the dialogue that immediately follows it.

Parentheticals need to be concise and direct, indicating such brief information such as:

- to whom the character is speaking (to John), (into phone), (to himself)- a particular gesture or mannerism(raising his glass), (looking at her watch)- how the dialogue is being spoken(angrily), (coughing), (softly), (thick ____ accent)

WRITING PARENTHETICALS

Because parentheticals are limited to words and phrases, they [should always be written in lowercase and with no punctuation, for example:

(loudly)

No more than two directions should be included in any parenthetical. If two directions appear they should be separated by a semi-colon:

(to the class; loudly)

THREE SPECIAL CASES

- a (beat)- a (pause)- an (interrupting)

[A (beat) indicates a change of thought, suggests a moment of indecision, or conveys a dramatic effect.

A (pause) signifies that a break in the dialogue occurs. This is most often used in phone conversations.

An (interruption) indicates that the dialogue begun be the previous speaker is being interrupted by the current character (there are a few different ways you can format this). ]

I won’t go any further than this because this is already extremely long, but ultimately I invite you to take a look at some of the scripts (here and here) I’ve written and doctored as an amateur screenwriter as well as digging up your own favourite movie scripts which will give you a good idea of how to implements what formatting.

#anon asks.#answered asks.#writeblr #am writing #screenwriting #resources.#writing advice.#on screenwriting.#long post.#my resources.

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odinai · 2 years ago

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tittagrace · 3 years ago

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casualtrust · 3 years ago

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foxadvanced104 · 4 years ago

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Stencil Font Free Download Mac

Disclaimer : 'Free Fonts Pro dot COM' is a large font archive offering 45,989 free ttf(otf) fonts for direct download, including all kinds of truetype/opentype font styles in 103 font categories. 'Successful design starts from choosing a right font!' The Font is playing a significant role in your graphic designs. You may for sure find a collection of your favorite fonts for your designs or ppt tutorials by using the search box on top of the site; and you can easily make your favorites list in the member's area. A font is usually a .ttf file(truetype, or opentype .otf), can be used both for Windows and Mac. You may also simply make your pc more customized or make your ppt presentations more impressive by changing the font face or text style. Any one can download the fonts listed here. You can download as many fonts as you like. All fonts are free for personal usage and some are free for commercial use. You must check the font license first before using a specific font for commercial purpose. Font license detail and the designer's contact info can be found onthe font's detail page. You can submit your own font(s) as well to share with ourvisitors if you are a font designer.

Microsoft Stencil Font

Stencil Font Free Download Mac

October 2, 2021 Live Statistics: 45,989 Total Fonts in Archive | 3,379,842,774 Total Downloads | 7 New Fonts in last 7 Days

how to install a font 1#, the font file you download here is usually in a '*.zip' format, simply extract it using a unzip tool, then you will get a '*.ttf/*.otf' font file 2#: windows 10/8/7/vista: right-click on the font file > 'install' | windows xp: put the font file into 'c:windowsfonts' folder | mac: double-click the font file > 'install font'

Stencil Fonts 174; Stylish Fonts 7. FFonts.net On this website you will find free fonts for windows, free fonts for mac, truetype fonts free download, free. We have 208 free Stenciled Fonts to offer for direct downloading 1001 Fonts is your favorite site for free fonts since 2001. 214 Stencil Fonts. 1001 Free Fonts offers the best selection of Stencil Fonts for Windows and Macintosh.

Microsoft Stencil Font

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Stencil Font Free Download Mac

Sans Serif Stencil Font Style 10 - Duase

Style #10 Sans Serif Font. Preview these Sans Serif Stencil letters. Download any of these individual Style #10 San Serif letter templates below which come in PDF format. Additionally you can download all 26 Style #10 stencils in PDF format. Created with the Duase typeface.

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Welcome to Stencil Font. Preview a collection of awesome printable font stencils and information on where you can download ttf ( true type ) fonts.

Download free font packages that come in many great design typefaces. Stencil characters have a long history and we try to add many great stencil themed fonts. Our gallery contains printable uppercase samples. You can actually download any of the stencil letter templates which are available in pdf format. It's free and you can use it for your project. Stencil fonts usually carry similar characteristics in design depending on the theme such as Sans Serif, Military, etc, but they can simply be an outline of a particular font or dingbat.

Some of the themed fonts we've added to our gallery are Army, Art Deco, Bold, Broken, Brushes, Distorted, Distressed, Elegant, Old English Letters, Eroded, Gothic, Graffiti, Greek, Grunge, Handwriting, Italic, Messy, Military, Narrow, Navy, Negative, Roman Numerals, Rough, Rounded, Rugged, Sans Serif, Script, Spray Paint, Normal, Sans Regular, Stencil Usa Styles, Tattoo, Thin, Typewriter, Urban, Us Army/Usmc Related, Vintage.

We try to showcase stencil fonts that are classed as free download ( open license ) as much as possible. Font TTF packages are compatible with all Microsoft computer versions, and you can download fonts that will install on Windows 2003, 2007, Windows XP, Windows 7, Vista and other versions. Font TTF packages can also be installed on Macs and open source Linux computers such as Ubuntu very easily. Learn how to make stencil letters and numbers from your own personal computer by installing free ttf stencil fonts.

If you are a creator or graphic designer, you can install and use these font stencil packages with 3d design software, Adobe Illustrator, AutoCAD, CorelDRAW, Gimp and Paint and other softwares on your PC that accept TTF font packages. You can save or export your design to suitable templates and publishing formats such as Vector or Photoshop PSD formats. Some fonts may also be suitable for laser cutter machines. Create great works of Art, Logos, Banners, Signs and much more.

If you are using Windows and MS Word Office software, Open Office, PowerPoint amongst many other programs, you can easily install and start typing your stencil alphabets and numbers on word documents, open office, etc.

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Sans Serif Stencil Font Style 9 - Bebas Neue

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Sans Serif Stencil Font Style 8 - Aubrey

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Sans Serif Stencil Font Style 7 - Sansation

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Sans Serif Stencil Font Style 6 - Walkway Black

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Sans Serif Stencil Font Style 5 - Origin

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Sans Serif Stencil Font Style 4 - Coolvetica

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Sans Serif Stencil Font Style 3 - Caviar Dreams

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Sans Serif Stencil Font Style 2 - Blue Highway

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Sans Serif Stencil Font Style 1 - Alte Haas Grotesk

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Looking for Mac fonts? Click to find the best 66 free fonts in the Mac style. Every font is free to download!

Feb 07, 2017 In this edition of Free Tech Tutors, I am going to teach you how to add fonts in Microsoft word. Follow this tutorial and add any online font to MS word. For text version of this tutorial, follow.

Install fonts

Users may see issues with fonts when using version 16.9 of Microsoft Word, Excel, Outlook, OneNote and Microsoft PowerPoint on macOS. Symptoms: Text appears garbled or in a different font. Some fonts including Times New Roman are missing or unavailable in the font picker. Some fonts are being substituted with other fonts. 46379 fonts in 23224 families. Download fonts for Windows and Mac. New fonts added daily.

Double-click the font in the Finder, then click Install Font in the font preview window that opens. After your Mac validates the font and opens the Font Book app, the font is installed and available for use.

Download Font For Mac Microsoft Word

You can use Font Book preferences to set the default install location, which determines whether the fonts you add are available to other user accounts on your Mac.

Fonts that appear dimmed in Font Book are either disabled ('Off'), or are additional fonts available for download from Apple. To download the font, select it and choose Edit > Download.

Disable fonts

You can disable any font that isn't required by your Mac. Select the font in Font Book, then choose Edit > Disable. The font remains installed, but no longer appears in the font menus of your apps. Fonts that are disabled show ”Off” next to the font name in Font Book.

Download Microsoft Fonts For Mac Download

Remove fonts

You can remove any font that isn't required by your Mac. Select the font in Font Book, then choose File > Remove. Font Book moves the font to the Trash.

Learn more

macOS supports TrueType (.ttf), Variable TrueType (.ttf), TrueType Collection (.ttc), OpenType (.otf), and OpenType Collection (.ttc) fonts. macOS Mojave adds support for OpenType-SVG fonts.

Download Font Word Mac

Adobe flash cs3 free download mac. Legacy suitcase TrueType fonts and PostScript Type 1 LWFN fonts might work but aren't recommended.

Select version:

Modifying this control will update this page automatically

Font Book User Guide

Windows Fonts Download

To use fonts in your apps, you need to install the fonts using Font Book. When you’re installing fonts, Font Book lists any problems it finds for you to review. You can also validate fonts later.

Install fonts

You can install fonts from a location on your Mac (or a network you’re connected to), or download additional system fonts right in the Font Book window. Fonts that you can download are dimmed in the font list.

Free Fonts Download For Mac

In the Font Book app on your Mac, do any of the following:

Install fonts from your Mac or network: Click the Add button in the Font Book toolbar, locate and select the font, then click Open.

Tip: To quickly install a font, you can also drag the font file to the Font Book app icon, or double-click the font file in the Finder, then click Install Font in the dialog that appears.

Download additional system fonts: Click All Fonts in the sidebar on the left, then select a dimmed font family or one or more styles. Click Download in the preview pane, then click Download in the dialog that appears.

If the preview pane isn’t shown, choose View > Show Preview. If you don’t see a Download button, switch to another preview type (the Download button isn’t available in the Information preview). For more about the preview pane, see View and print fonts.

All fonts you install or download appear in Font Book, and are available to use in your apps.

The fonts you install are available just to you, or to anyone who uses your computer, depending on what you set as the default location for installed fonts. For more information about setting the default location, see Change Font Book preferences.

Validate fonts

When you install a font, it’s automatically validated or checked for errors. You can also validate fonts after installation if the font isn’t displayed correctly or if a document won’t open because of a corrupt font.

In the Font Book app on your Mac, select a font, then choose File > Validate Font.

In the Font Validation window, click the disclosure triangle next to a font to review it.

A green icon indicates the font passed, a yellow icon indicates a warning, and a red icon indicates it failed.

To resolve font warnings or errors, select the checkbox next to a font, then click Install Checked or Remove Checked.

Tip: To find warnings or errors in a long list of fonts, click the pop-up menu at the top-left corner of the Font Validation window, then choose Warnings and Errors.

Resolve duplicate fonts

If a font has a duplicate, it has a yellow warning symbol next to it in the list of fonts.

In the Font Book app on your Mac, choose Edit > Look for Enabled Duplicates.

Click an option:

Resolve Automatically: Font Book disables or moves duplicates to the Trash, as set in Font Book preferences.

Resolve Manually: Continue to the next step to review and handle duplicates yourself.

Examine the duplicates and their copies, then select a copy to keep.

The copy that Font Book recommends keeping is labeled “Active copy” and is selected. To review other copies, select one.

Resolve the current duplicate or, if there is more than one, all duplicates.

If you want the inactive copies to go in the Trash, select “Resolve duplicates by moving duplicate font files to the Trash.”

Download Microsoft Yahei Font For Mac

If you can’t resolve font problems, go to the Apple Support website.

Download Font For Microsoft Word Mac Free Download Torrent

See alsoRemove or disable fonts in Font Book on MacRestore fonts that came with your Mac using Font BookExport fonts in Font Book on MacApple Support article: Fonts included with macOS Catalina

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izzyanimates · 5 years ago

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Skills Showcase Notes (CG)

A key element of the project is developing multiple ‘sequences’ within the outcome. These can be used in your BA3b showreel, alongside design work that can be used in your BA3b portfolio.

The results of the project will demonstrate your use of:

Visual Design;

Animation / Posing

Sound Design.

Different approaches for creating your Personal Showcase. ‘Narrative piece’ - A focus on storytelling and character-driven work. ‘Skills showcase’ - Work that builds upon your abilities.

ANIMATIC / BLOCKING

For Skills Showcase non-narrative projects, an animatic or blocking (e.g. CG models) are appropriate to clearly outline the intentions for BA3b development.

Both formats require title and credits

DESIGN DOCUMENT

Using a provided template you will create a Design Document, a PDF containing images and written text that outlines your iterative process towards refined and resolved outcomes.

Pages can include:

Research / reference materials

Primary observation

Thumbnail designs (character, layouts)

Storyboards

Colour script

Model sheets

Photography of models (e.g. clay models appropriate to any technique);

‘Making of’ promotional work.

EXPERIMENTATION REEL

This can be a collection of animatic iterations and rough animation tests. Character work must include a turntable.

Suggested sequences include:

● Turnarounds

● Animation experiments

● Animatic / Blocking iterations

UPDATED SHOWREEL

Include placeholders in your showreel where your finished Personal Showcase pieces will be included in the final reel.

#Personal Showcase

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ruthann-animation · 5 years ago

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Personal Showcase Briefing.

8 week project. Deadline: 13.11.20 Lead tutor: Helen

Developing multiple sequences (can be used in BA3b) to demonstrate specialist skills. Animated showcase (narrative or skills). Show a use of: visual design; animation/posing; sound design.

Narrative piece - Focus on storytelling and character driven work. Skills showcase - Work that builds on abilities.

The brief is open to interpretation. Decide how you want to approach this. Motion graphics, music videos, abstract moving image, title sequences... Must allow for research, development and showcasing generalist and specialist skills.

RESEARCH Pre-production process Scriptwriting, character design, style frames and colour script. Essential to evolve project. Career Explore and develop awareness of industry practices, methodologies and experimentation in software. Inssues Sustainability, inclusivity and diversity. How these can be addressed in your practice and work.

ANIMATIC/Blocking Presentation level. Black, white, grey where necessary. Rougher drawings. Narrative, character-driven. Dynamic posing to communicate intentions of final film. 30 seconds. Story art (boarding, animatic, colour script.) Design (character, set, layout). Skills showcase (non-narrative). Animatic or blocking (CG, Stop motion models). required to clearly outline intentions of BA3b development. Both need title and credits.

SOUND DESIGN Developed Soundtrack Inc. intended voice artist work. Essential for all projects. Temporary sound can be used for BA3a submission with acknowledgement that a final soundtrack will need to be created, collaborated or purchased without copyright issues.

DESIGN DOCUMENT PDF Sketchbook. Using a provided template. Images and text outlining iterative process towards refined and resolved outcomes. Exact content is up to you. As many pages as you want.

Research/reference material.

Primary observation.

Thumbnail designs (character and layout)

Storyboards

Colour script

Model sheets

Photographed models. (CG/Clay)

‘making of’ promotional work.

EXPERIMENTATION REEL Sequences into reels. Collection of animatic iterations and rough animation tests. Character work but include turnaround. Include place holders in your showreel for finished content.

FINAL PROJECT PROPOSAL Further briefing later. Detailed proposal for the next unit. Help to identify/solidify potential areas of specialism within chosen animated technique. This will inform roles in BA3b collaboration. These roles/skills must be stated.

REFLECTIVE JOURNAL PDF sketchbook. Written and visual documented summaries. Key aspects. Research and development on the project.

#BA3a #personal showcase

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writinganargumentative235 · 5 years ago

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ledblog582 · 4 years ago

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Word For Mac 2010

Adding and Resizing Images in Word 2008 for Mac. How to Create Word Templates on Your Mac. How to Change Your Font in Word 2008 for Mac. How to Lay Out a Word Document on the iPad. How to Make a Macro in Word 2010. A macro is a teensy program you can write in Word 2010 that automates things, such as repetitive keystrokes. For a roundup of other options, check out our Best Mac word processor roundup. Remember that the iPad version of Microsoft Word is free It's worth considering that you can get MS Word for free on.

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What does Microsoft Word do? A qualifying Office 365 subscription is required for Word, Excel, PowerPoint and Outlook. The trusted Word app lets you create, edit, view, and share your files with others quickly and easily. It also lets you view and edit Office docs attached to emails. With Word, your Office moves with you. Whether you are a blogger, writer, journalist, columnist, student, or a project manager working on documentation, it’s as handy as you want it to be. Unmistakably Office, designed for Mac MacBook Pro Touch Bar is fully supported by Microsoft Word. Get the most relevant Word features right at your fingertips. Need to focus on your writing and help eliminate distractions? Microsoft Word also supports macOS Mojave Dark Mode. Create with confidence Jump-start your project, assignments, letter, blog, script, notes, write-ups, or resume with beautifully designed modern templates. Use rich formatting and layout options to note down your ideas and express them in writing. Document format and layout stays pristine and looks great — no matter what device you use. Put your best words forward Write with confidence, knowing intelligent technology can help with spelling, grammar and even stylistic writing suggestions. With tools at your fingertips, easily go from pen and paper to digital inking and edit intuitively. Stay in the flow Get all the information you need as you write without leaving Word, whether it’s cited research or information from LinkedIn to help you craft a compelling resume. Work better together Wherever you are, collaborate in real time. Share your documents with the click of a button to invite others to edit in real-time or add comments. Plus, no matter your preferred full language or accessibility options, everyone can work together to do more. Sharing is simplified Share your files with a few taps to quickly invite others to edit or view your documents. Easily manage permissions and see who’s working in a document. Copy the content of your Word files directly into the body of an email message with its format intact or attach your docs to an email and make sharing easier. Learn more about Office 365 Office 365 is a cloud-based subscription service that brings together premium versions of Word, Excel, PowerPoint, Outlook and OneDrive, with the best tools for the way people work today. Please visit: http://go.microsoft.com/fwlink/?linkid=2015120 for information on Licensing Terms. Unlock the full Microsoft Office experience with a qualifying Office 365 subscription for your phone, tablet, PC, and Mac. Office 365 annual subscriptions purchased from the app will be charged to your App Store account and will automatically renew within 24 hours prior to the end of the current subscription period unless auto-renewal is disabled beforehand. You can manage your subscriptions in your App Store account settings. This app is provided by either Microsoft or a third-party app publisher and is subject to a separate privacy statement and terms and conditions. Data provided through the use of this store and this app may be accessible to Microsoft or the third-party app publisher, as applicable, and transferred to, stored, and processed in the United States or any other country where Microsoft or the app publisher and their affiliates or service providers maintain facilities. Please refer to the Microsoft Software License Terms for Microsoft Office. See “License Agreement” link under Information. By installing the app, you agree to these terms and conditions.

Download for MacOS - server 1 --> Free

Word on the Macintosh is basically Word for Windows re-compiled to run on the Mac. It's not just 'compatible'. It's not just 'like' Word for the PC. It is Microsoft Word, the same one Microsoft makes for every platform. However:

Not all of the modules of Word on the PC are included in Word for the Mac.

Word for the iPhone and Word for the iPad are quite different.

Word for the web browser (Office 365) is completely different: a very lite version.

The cost and number of person-hours spent developing Word is mind-boggling. It's well over a billion dollars, and there are well over ten thousand person-years of effort in it. Making a new one just for the Mac would have been so expensive that a copy of Word would cost several thousand dollars. You might buy two at that price, but the rest of us couldn't afford it!

Because it is the same software, and Microsoft has a policy of bringing the two versions closer together, the differences will become less over time. Essentially, each version on the PC is matched a year later by a version on the Mac (Microsoft is trying to reduce that gap, recently the Mac Business Unit became part of the main Office Business Unit that makes Office for every platform).

Macintosh

Equivalent PC Version

Word 2013

Word 2010

Word 2007

Word 2011

Word 2003

Word 2008

Word 2002

Word 2004

Word 2000

Word v.X

Word 2000

Word 2001

Word 2000

Word 98

Word 97

Word 6

Word 95

Word 5

Word 6

Same File Formats Used in Mac and PC

Mac Office MVP Jim Gordon writes: 'The Microsoft Office file format Open XML (OOXML) is for Word, Excel and PowerPoint files and used on both the Mac and the PC. The file format was accepted by an international standards body. Office 2010 for Windows with service pack 2 or later and Office 2011 for Mac comply strictly with the standard. Office 2008 for Mac and 2007 and 2010 for Windows prior to service pack 2 comply about 98% of the way to the standard (there's a very minor exception in Excel).

'Microsoft also ships a set of fonts with the same names on both Microsoft Office for Mac and PC. The fonts distributed with Mac Office have been very carefully adjusted ('hinted') so documents on the Mac will look and orint the same way as documents using the PC versions of those fonts on the PC. The differences are tiny, but they account for the differences in the way the Mac places pixels on the screen.

'As for having documents be identical when moving from one computer to another there are factors you must consider. This is true PC to PC, PC to Mac, Mac to Mac, and Mac to PC. Microsoft Word is a word processor that has text that flows, unlike a PDF or page layout program. Any difference in font or printer driver from one machine to another has the potential to affect spacing, breaks, window & orphans, paragraphs, etc. To repeat - these changes have nothing to do with Mac to PC, rather they are caused by computer to computer differences.

'Your documents should look the same on the Mac as long as ALL of these conditions are met:

The documents on the PC originated in Microsoft Word 2010 with service pack 2

The documents were saved in a current OOXML file format in Word 2010

The documents used only fonts supplied with Microsoft Office 2010

Old versions of the same fonts are not installed or active on either the Mac or the PC

The documents are opened on the Mac in Microsoft Word 2011

The current versions of the Microsoft Office fonts are active on the Mac

The printer driver on the Mac behaves identically to the printer driver that was being used on the PC where the documents were saved.

The behavior of Word is identical on the two platforms, provided the above conditions are met, if you want your documents to look alike when moving from one computer to another - regardless of platform. It's the fonts, file formats and printer drivers that are the sticky points when moving a document from one computer to another regardless of platform.'

Rules of Thumb

Having said all this:

It’s a totally moving target. Every patch Tuesday, something changes.

Network Templates 'Don’t' work in Mac Word. Due to multiple bugs in the file path resolving and handling mechanism, templates in network directories should not be shared between PC Word and Mac Word. For a long and happy life, copy the templates locally to the user's My Templates folder on the Mac.

Ribbon Customizations are not available in Mac Word. They will be silently ignored, unless done in code, where they will blow up.

Mac Word can use ONLY TrueType fonts and OpenType fonts with TrueType outlines. Other fonts will not appear/work or occasionally, crash.

The color table is markedly different between Mac and PC (and even between PowerPoint and Word/Excel on the Mac). Generally Mac Office has a wider gamut, but Mac monitors have a very different gamma. Unless you are prepared to create color profiles and carefully color-match every device in the chain on both the PC and the Mac, just accept that colors are going to look quite different. It is expensive and time-consuming to fix this, and you will never get it perfect.

Various commands in Mac Word exist only in the menu bar, which Mac Word still has, or on the toolbars that Mac Word still has. Toolbars remain customizable in Mac Word.

The same physical printer will often produce different results from the same document depending on whether the printer driver is on a Mac or a PC. If the printer driver is running on a Print Server, results will be closer (but remember: the fonts are different!).

Design for the Difference, Design for Re-Flow. Do not use hard page breaks anywhere. Minimize section breaks. Use paragraph properties to manage pagination. Assume your user is going to throw an A4 document onto a US Letter paperstock, or vice versa. Assume that a Mac will reflow text by about half a per cent. The people who have real trouble are the ones that have used floating text boxes and spaces to try to line things up: that will produce word-salad. Tossed word-salad…

Jim says 'The text-flow problem is the same as you will find moving from one PC to another where font versions and default printer driver are different. The fonts provided by Microsoft should provide smooth cross-platform sailing provided the same version of each is the active version on all machines involved.'

Differences in Appearance

On each platform, Word adopts the default appearance of the Operating System. There is almost nothing that you see on the screen that is drawn by Word: on the Mac, the display is created by Mac OS; on the PC, by Windows. It saves money and it saves vast amounts of disk space and processor power.

The only difference you are likely to notice is that if you are in OS X, the window controls are on the opposite side to Windows.

Different Keystrokes

Free vpn for mac betternet chrome. On the Mac the Command (Apple) key is the Control Key in Windows, whereas the Control Key from the Mac is the Right-Click in Windows.

On a Windows keyboard, the Control key is always labeled Ctrl. On a Mac keyboard, expect to find the ⌘ or ? symbol on the Command key. (These characters will not display on the PC; they should look like this:.) This paragraph is a classic example of the cross-platform font difficulties you will experience. There is no default font common to the PC and the Mac that contains both of those characters (in case you are interested, that's 'Lucida Grande', the most wide-ranging of the Mac OS X Unicode fonts). Loops for mac.

Word is very right-click-centric. If you do not have a two-button mouse, you will find it is a very worthwhile investment if you are going to spend much time in Word.

Windows

Macintosh

Control KeyCommand (Apple) Key Right-Click Control-Clickctrl+c Command+cctrl+v Command+vctrl+s Command+s File>Close Command+wctrl keyOption Keyctrl+q Command+Option+q ctrl+space Ctrl+space Tools>Options Word>Preferences File>New Task PaneProject GalleryMail Merge Task PaneData Merge Palette

The Control-Click (or Right-Click) brings up the 'context menu' wherever you happen to be. In Word almost everything you want to do, or everything you want to know, will appear on the right-click. The menus that appear vary dramatically depending on where your mouse-pointer is.

Word also responds to the scroll-wheel if you have one. (Not all windows; for example preferences and options dialogs do not..). Mouse scroll wheel support in Word pre-X depends totally on the mouse drivers. Microsoft drivers for the Microsoft Mouse generally work (and will often drive other companies' mice!).

In Windows, the keyboard shortcuts are listed in the Help, in a topic surprisingly enough called 'keyword shortcuts'. On the Mac, only some of the keystrokes are listed, in various topics such as 'About using shortcut keys' and 'Select text and graphics'. To find the list on either platform, use Search from the Microsoft Office Help to look for the word 'keyboard'.

You can look at the Key Assignments by using Tools>Customize>Keyboard on either platform. If you select a command, and it has a key assignment, the Customize dialog will tell you what it is. This is a better place to look than the Help, because users can (and should) change their keystrokes to suit themselves on either platform. The Customize dialog also includes a handy Reset button if you decide you do not like the keystrokes you inherited from the previous user on that computer.

Finally, each version of Word enables you to print a list of the currently-assigned keystrokes so you can stick them on the wall. To print them on the Mac:

Go to Tools>Macro>Macros

In the Macros In pop-up menu, click Word Commands

In the Macro name box click ListCommands

Click Run

In the List Commands dialog, click Current Menu and Keyboard settings and OK

On the File menu, click Print.

You do it exactly the same way in Windows, or see here for a more extensive pre-built list.

One keystroke that will catch you out a few times is Command + h. Ctrl + h in Windows is the shortcut for the Replace dialog. On Mac OS X, Command + h hides the application! Use Command + Shift + H for the Replace dialog on OS X.

With OS X, Apple changed some of the keystrokes reserved for the operating system and added some new ones. On each version of Mac OS, Word follows system convention.

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Some Mac keyboards do not have a Forward Delete key. Word needs one: there is a difference in Word between Forward Delete and Back Delete. You will strike it most often in tables: in a Table, Delete becomes 'Clear' which removes the cell contents without removing the cells. Use Cut to delete the cells themselves. Back Delete will remove text within a cell but has no effect if more than one cell is selected. If you are on a Mac laptop, the Forward Delete key is probably Function + Delete.

The Mac has an Option Key, Windows does not have an equivalent. Generally what you expect from the Option key will be on the Control Key in Windows.

Three very commonly-used shortcuts are Command + c (Copy), Command + v (Paste), and Command + s (Save). On Windows these are Ctrl + v, Ctrl + c, and Ctrl + s.

A keystroke that may catch you out a few times is Clear Formatting: on the PC it's Ctrl + q to restore paragraph formatting to that of the underlying style, and Ctrl + Space Bar to restore character (font) formatting. On Mac OS 9, they are the same. On Mac OS X, these are Command + Option + q and Ctrl + Space Bar.

Later versions of Word have an Edit>Clear>Formats command on the Menu bar, which will save you trying to remember the other two. However, note that Clear>Formats resets the formatting back to the formatting of Normal Style (it applies Normal Style) whereas the individual commands simply reset a paragraph to the formatting of the current style.

Different Menus

One thing that will catch you out all the time is that on the Mac, Word adopts the Mac convention of having a Preferences command. In OS X it's on the Application (Word) menu, in OS 9 it's on the Edit menu, again, following the OS convention. On the PC, this is Tools>Options on the Tools menu. It's the same thing, the tabs are exactly the same inside.

Word on the Mac still has a Work menu you can put on your menu bar; this has been replaced by the Task Pane (which is nowhere near as convenient) in later versions of PC Word.

Mac Word also has a Font menu which the PC lacks.

Different Print Mechanism

In order to display a document in WYSIWYG mode, Word needs to know a lot about the capabilities of the printer the document will eventually be sent to.

In Windows this is very simple: Word reads all the information it needs from the printer driver for the printer set as the Windows default. On the Mac, it attempts to do the same thing, but the mechanism is vastly more complex. Look here for more detail.

Some Features Didn't Make it

Making software is a depressingly manual activity. Every line of code has to be planned, typed, and checked. There are more than 30 million of them in Microsoft Office. There simply was not enough time and money to bring all the features of PC Word across to the Mac. And some of them we wouldn't want, anyway! Most of the omissions are of interest only to solution developers:

Font embedding is not supported on the Mac.

Customized toolbar buttons are supported on the Mac, but the Icon Editor is missing.

Speech recognition is not available.

HTML support in Word for the Mac is not at the same level as it is in Word on the PC: many web pages load as a shattered mess. The code stripping utility HTMLFilter2 available for the PC is not available for the Mac.

Word on the PC has a menu item enabling you to Export to Compact HTML. On the Mac, this is an option on the File>Save As Web Page menu option named Save only display information into HTML. The other option, Save entire file into HTML is the equivalent of the Word PC's Save As Web Page; it saves a Word document expressed in XML. Note: if you 'Save only display information', the file looks the same, but the structural information and content that enable Word to reconstruct a Word document from the XML file has been removed.

Fonts Can be a Problem

On the PC, you can use characters with impunity: if the PC does not have the font, it will find the closest font that contains the character. On the Mac, in Word 2004 and above, you can use the exact same range of characters because Word 2004 is running in Unicode; however, because you cannot embed the font in the document, you need to make sure that each character that you use exists in one or more of the Unicode fonts your recipient has. If in doubt, for PC compatibility, use only the fonts that Microsoft supplies.

Microsoft includes a pack of fonts with Mac Office that have been very carefully hinted to display and print the same on the Mac as the same-named fonts do on the PC. Although the Mac can happily use PC fonts, the rendering of those may be subtly different, particularly on the high-res Mac displays.

Jim Gordon reports that he has no problems at all with the following list of fonts:

Arial

Calibri

New Microsoft Word 2010

Cambria

Candara

Consolas

Constantia

Word For Mac 2010

Corbel

Times New Roman

Verdana

Meiryo

Jim says 'Office for Mac has a very nice feature to make font compatibility a cinch. When you choose a font using the Home tab of the Ribbon, the first item in the list is Font Collections. The easy way to ensure compatibility is to choose fonts from the Windows Office Compatible font collection submenu.

'If you have company specific fonts they must be installed onto each Mac in order for Mac Word to use them. There is no work-around to the restrictions John mentioned. Fonts embedded by Windows Word are ignored.

'I haven't had problems with cross-platform differences with our HP, Epson, and Lanier printer drivers, but we do test for differences before purchasing so that we don't run into such problems.

While there's no interface on Mac Word to make Font Themes and Color Themes (you can do it in PowerPoint, or with VBA), Themes made on PCs will work on a Mac.

Word 2010 Microsoft

The Advanced Typography settings you can apply in Mac Word will display in Windows Word, but there's no Advanced Typography interface in Word for Windows, so you have to use Mac Word for this feature.

VBA a Level Behind

The VBA level in Mac Word is markedly less capable than in PC Word: around the level of Word 2003 but with missing bits.

Visual Basic for Applications on the Mac is at version 6 (on the PC, this is Word 2000 level of VBA); Word 2013 on the PC is at version 7. Code you write on the Mac will run on the PC if you are careful. Expect code you write on the PC in Word 2000 or above to generate compile- or run-time errors on the Mac.

Active-X controls will not work on Macs. 'Legacy' controls will work. Some of the latest controls from 2103 won't work on a Mac.

Developers should read George Clark's article for more detail.

ActiveX is not supported on the Mac at all. If you create userforms, use only the controls provided in the Forms Toolbar on the Mac, anything else you bring from the PC will generate an error when the user opens the document.

Digital Signatures are not supported on the Mac, and neither is code signing. You will not be able to open a signed project in Mac Word. If the signature prevents you from changing a macro, the code will be execute-only on the Mac.

Free Office 2010 For Mac

AppleScript is not available on the PC. VBA is very powerful: investigate scripting your application from AppleScript with VBA, using the 'Do Visual Basic' command.

Word For Mac 2010

The VBA Integrated Development Environment is severely cut back on the Mac. If you plan to develop much VBA, invest in a copy of Virtual PC: the productivity you gain is enormous. Hint: Use Windows 7 and NTFS disk format.

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