#seriously i'm so happy he's back

[eggplantgifs]

Yuma Kagiyama: Believer » 2023 NHK Trophy

[sskk-manifesto]

Scrolling through the dash when 75% of the people I follow have changed their profile picture to last episode Akutagawa is so funny

[beanghostprincess]

A very interesting AU concept would be swapping Sanji and Pudding, hear me out:

It starts with 9 year old Sanji at G€rma. In one way or another, his modifications partially activate. He is still weaker than his siblings, but its enough for J@dge to not imprison him even after Sora's death. (He still gets berated tho) Living like this slowly makes Sanji lose his emotions. He doesn't have a will to to live, yet he can't die.

Meanwhile, at Tottoland Big Mom is furios at a 6 year old Pudding because she just can't awaje her 3rd eye. She calls her a failure, punishes her for nothing, and tells her that she isn't her favourite daughter anymore. Hearthbroken, Pudding decides to run away like her big sister Lola did by hiding in the hold of a ship. She ends up in the east blue and after the ship wrecks, she meets Zeff. They are both stuck on an island fir 80 days, but he sacrifised his leg because he could never let a lady go hungry, its just wrong. Later they are saved and end up opening the Baratie.

Zeff raises Pudding as his precious daughter. She is already great at baking, but he teacges her how to make other dishes and cuisine. Everybody loves her, and anyone who even lays a finger on her will die.

Then Luffy arrives. While Pudding's real dream is to learn about the 3 eye tribe, she tells everybody that is to find the All Blue for her old man (she still covers her eye, Zeff is the only person who has seen it). After the events of the Baratie arc, she joins the crew as the cook.

The rest of the story would be similar. Pudding is now a pirate who uses her leg fighting skills and smarts to get by. (As well as an idden power thats connected to her 3rd eye) The marines gave her the epithet "chocolate leg Pudding". Im not sure if she already has the memo-memo no mi... I'm gonna assume she does and its very useful for her.

The first change in the plot is at Thriller Brak. Pudding notices her sister, but she is scared to face her at first, since that woukd mean telling her friends about her true lineage. For most if the arc, she deribetaly tries to hide herself and even wears a disguise. In a final moment in the arc, she asks Lola to talk to her privately. We don't see what happens yet, but we will one day.

The rest of the story is the same, until Whole Cake Island. When she is kidnapped by the Big Mom pirates. When her bounty poster is changed to "only alive". When the invitation to the wedfing of the 3rd son of the V!nsm@ke family and the 35th daughter of the Charlotte family are handed out. When Big Mom decides to claim her disowned child to give her up in an arranged marriage as part of a coup. Threattening to hurt Zeff and her friends if she doesn't comply.

I love this so damn much you don't even know-- I've always been saying that Pudding's story is basically Sanji's but like, with the bad ending because she never got to escape when she was little but Sanji did. And now that you mention this AU, it's just perfect to show their similarities but also to turn the stories around and,,, It's amazing.

Starting with Sanji, I adore that the approach here is that he's emotionless. I don't think he'd be like his brothers in a narcissistic, egocentric way. I think that after being abused constantly he just loses all will to leave and shuts down completely even if there is still empathy within him. The whole thing with the Vinsmokes is that they were all raised to be powerful killing machines and that's why they act like this, not because they actually are emotionless. And Sanji in this context isn't either, he just seems like he is because he just... Gives up. So I imagine a black-haired Sanji with some blond, completely shut down and just taking the abuse and living with it and serving the family without anything else.

But there is still some type of connection in him to like, animals and women, I think. It's small but it's there. He's not our sweetest boy but he won't harm women the way Niji does and he will help and feed animals because he is strangely attached to them and cooking. But Judge doesn't really say anything about it anymore because at least the kid gets the job done and doesn't seem like he's going to rebel or anything. He's kind of like in a Reiju position? Where he understands their situation and has his own emotions but just shuts down? Except that he's well, extremely depressed and mean and she's concerned for him. I think she still protects him though, she's the only one Sanji doesn't push away. Typical "they sit in silence and she hugs him and even though he stays expressionless it's obvious that he likes it with her".

And Pudding... I love that she gets her happy ending here. I've been saying Zeff has girldad energy and it just makes sense that he'd be extremely protective of her while teaching her to cook and fight on her own!! He raised the most gorgeous, sweetest, and yet ruthless cook of all seas! I think he'd be such a great dad for her because he would help her stand up for herself and also take care of her in their early years together when she is still having trouble adapting to a new, healthy environment. Of course, she still has nightmares and trauma responses when she grows up, and he helps her anyway, but she gets better at some point.

I love that he's the only one who sees her third eye!!! That'd be like, such a good plot point too for her to join the strawhats... Also, her dynamic with Luffy would be hilarious because despite being sweet, I wanna desperately keep her mean personality and she would be SOOO done with Luffy. Their relationship would kind of resemble Lusan's a lot, imo. And Nami would be sooo happy to have another girl in the crew so early!!! I also think she'd hate Zoro but not because of like, parallels with Zosan or anything, I just think their personalities clash too much-- And she'd have a soft spot for Usopp but that's because, you know, everyone does. Also, I like having a girl in the crew that isn't part of the coward trio. She actively fights and I love it. Then Vivi and Robin join them and y'know, I am starting to think another girl in the crew would be literally amazing hahahaha (I've been saying this for so long). So I am guessing everything stays the same except that during Thriller Bark she reunites with Lola but yeah, she doesn't tell the others about it. Because that's what WCI is for!

Then WCI happens... And I am losing it because I really, really, really want her to have the biggest breakdown about it and sacrifice herself Sanji-style (don't you just love how you don't even have to change the plot because they're literally parallels??? I will never understand how some people can hate Pudding lmfao she's literally Sanji). So she's forced to do the exact same thing she does in canon if she wants to save the ones she loves, but she doesn't want to kill Sanji?? Like at all?? And then you have Sanji who literally gives zero fucks about what's going on. I think he'd be forced to act politely and like a gentleman when he literally doesn't care about all of this-- And probably Pudding finds out and he's mean to her, yadda yadda yadda.

And y'know I would absolutely love if Sanji knew they're going to kill him but couldn't care less about it because perhaps dying is better than whatever life he's living, and when Pudding realizes what's going on she makes him want to live just... A little bit. Something awakens inside Sanji and suddenly he's scared and he doesn't want to do this. Sanji sees Pudding's third eye... Pudding finds out about Sanji's mother... They actually won't stop arguing at first, Pride & Prejudice style, and then Sanji sees her with a different perspective and all of a sudden he starts acting more protectively and sweet to her? So she's confused as hell and still tries to argue but uhhhh complicated relationship they've got there, but at least they help each other out.

And idk perhaps we have the Viinsmoke sibs having the same scene they have in canon and helping Sanji out but the crucial part is Reiju paralleling the original scene in which she helps Sanji escape. And he finally does and he leaves with the strawhats because I need them to have a happy ending. So he's still dealing with, you know, trying to express his emotions and wanting to live but he'll get there someday because at least now he's safe. Nobody kisses and forgets anybody because I will not allow a sad ending here, thank you.

[no-brain-just-akutagawa]

Was anyone going to tell me that fyolai made it to top100 ships of the year on ao3 or was I just supposed to find out through a youtube video

[seonghwasblr]

SVT coming to Europe for the first time ever in 9 years (not counting Gastonbury, cause that was sold out a year before they were announced, so carats didn't get a chance to go) and it's not even going to be ot13 should be a crime.. AND IT'S BECAUSE OF A SCHEDULE?!

[drop-the-curtain-123]

ok very specific gripe about assassination classroom

But how comes the series is all "be yourself, use your hobbies, despite everyone judgement, for good" then just... Never questions the roasting of Mimura air guitaring?

Look at my boy! He's so unwell afterwards

Ik now there are more scenes later in the manga that again use it as a Punchline. It just encapsulates that weird gap of "things that are just never Not the Joke/Mocked" which kind of defeats the show messaging 😭

t's not even used in a "do it anyway, grow strong and proud" like some others, it's just. There.

(hi rinka btw happy belated birthday to you)

Anyway unconsequential nitpicking rant over, have a good day.

[ereborne]

✨⚡️ Seven(ish) Sentence Sunday ⚡️✨

Tagged by @acountrygirlsfun (a couple times by now, though not actually this most recent time, but I figure it still counts!) Thank you, Caitlin <3 <3 <3

Helix took a deep breath in, counted four flashes of the desperate direct-@ lights coming in from his side chat panels, and breathed out.  His voice came out steady, and miraculously casual.  "We understand why you did it. You were trying to keep our brothers safe." He watched Harp's eyes go wide at the 'our' brothers. Like he hadn't expected the rest of them to claim the Corries. Because he'd been hiding from them just like from the longnecks, he had falsified his— Deep breath in. Two flashes, no time for longer, leave no silence for Harp to panic in.  Breathe out. Keep going. 

This is not seven sentences, but it's also largely not complete sentences anyway, and it is literally what I just seconds ago finished writing. Still counts!

No-pressure tagging uhhh @ialpiriel, @goingsparebutwithprecision, @anaclastic-azurite, anybody else who might want to play?

[selfinflictedgunshotwound]

imo everyone on earth should be talking about Him (don't want this showing up in the tag even though it's not a diss) but everytime i go to the tag and there's only like 3 new posts i'm like. oh yeah almost no one cares except me and like 5 other ppl on here

i ran out of tags KFHSJENNXN i don't think that's literally ever happened to me before anyways don't read them because it's just me being insane as per usual

[forcedhesitation]

oh the teaser. it has to be chucky, right?

[ialwaysknewyouwerepunk]

.

[mishkakagehishka]

Talking to my brother ab our tragic love lives is so fun but also so interesting to see how different we are

[puzzledemigod]

Ok I did the whole Barbenheimer thing and let me tell you, Barbie wasn't revolutionary or anything, but it did come up ahead. It did what it was supposed to do and, since I managed my expectations before going in, did it in a fun silly way that still left a bunch of possible deeper readings, even if they were sadly left unexplored (and were maybe unintended). Oppenheimer on the other hand left me very angry and disappointed, even if I went there knowing it was an usamerican warfilm so I wasn't expecting much.

I think Barbie and Oppenheimer were equally superficial and obvious with their intended messages presentations, themes and characters, and equally inconsistent with their story threads. But Barbie was about Barbies, was intentionally silly, and had more going for it than the story itself... and Oppenheimer was about one of the real life creators of the atonic bomb, about the ones responsible for the Hiroshima and Nagasaki bombings, and about the subsequent cold war and the mess it left us today in regards to the existence and threat of atomic and H bombs.

I think I can safely say one had the responsibility to be a bit more nuanced and careful than the other, and that just did not happen. And no, i do not think there was any actual anti USA sentiment in Oppenheimer, as someone who lives in a Developing Country (TM)and is used to seeing usamerican propaganda all the time there was barely even a scratch of criticism buried in there; our knowledge of history and our own modern sensibilities and morality did all the heavy lifting in that front without the movie having to risk saying anything. Oh did he feel bad while the bombs were being dropped? Did they villanize a guy who went after him for uhh being better than him at public speaking? Did they say he was against the H bomb and was a pacifist now, actually (without showing it much but who cares, tell not show right)? He was still the hero. Not one Japanese person was shown. Not one civilian protest, not one appearance of the communists they were talking so much about after the scenes in the past, doing anything but talking the whole time. He still ended up with a "I love my country" tirade, there was still a haha nod to fucking Kennedy being the one to be on our hero's side. They still showed more scenes of women naked, drunk, cheating on their husbands and being negligent towards their kids than of them doing literally anything else.

The "nuance" and "anti-usa messages" was just a bunch of misplaced and inconsequential internal conflict that did not feel earned in any way, misogyny and random, boring and inconsistent jury scenes (sorry, "hearing" scenes or whatever they called so there wouldn't have to be consistent rules to follow). And the main character was so damn boring. And they didn't even represent the actual science parts well. And the editing was so weird and the flashing scenes didn't fit and were repetitive. And there was a happy ending for some reason?? It was a whole bunch of nothing with music building momentum that never went anywhere in the background of every scene for 3 hours and I wanted to leave the room for how angry it made me that this subject was treated that way and would probably get praised for it.

[statementlou]

.

[a-story-teller]

Had another dream story idea and it's BAD out here y'all. My subconscious said "you don't go for sad old white men yaoi? Well here's one and you have to care about it so much. Good luck"

[franeridan]

the good news is that if i give up on literally everyone else i can get both ave and boothill

the bad news is that I'd been waiting for both luocha and jl so ig I'll just !!! :) :) :) 🔪🔪🔪

[desertdragon]

T/////Eight story amounted to basically nothing so I guess I'm back here to the other stupid as shit game I give too many chances on a more full time basis again (minus still writing my As///u/////Lil////i fic I love that thing too much and people in my DMs are counting on me for more)

At least I'll always have my friend and her best ending

And her faggot

EDIT: Ok it was nonsensical and full of holes like swiss cheese but now that i've calmed down this was always a goofy silly dumb game that cares less about taking itself seriously as it does being cool and fun, so while im disappointed and im allowed to be disappointed, im not running away with my expectations on this like others have. Tekken is still fun and will always have a place in my heart. And I do appreciate receiving some things I've always wanted regardless of my upsets with their execution flaws. They were finally able to make me feel like my favorite characters have closure on some level regardless, and that has to be commended.