It's kinda shocking to me how few people seem to know how prevalent the 'my great grandmother was cherokee' myth is and how it's almost never actually true, especially when it comes with things like 'never signed up' or 'fell off the trail' or 'courthouse burned down destorying the documentation' etc etc.
People just don't even seem to know the history like.. when the Trail happened. My great great great grandfather was 2 years old during Removal in 1838, so peoples 'my great grandmother hid in the mountains!' is so clearly wrong. And we have rolls. From before and after removal, rolls done by cherokee nation and others by the government, rolls that were not stored in one random flammable courthouse. It's not difficult to find the actual evidence of ancestry.
And just.. there are lots of ways those family stories get started. It was a practice during the confederacy to claim cherokee ancestry to show one's family had 'deep roots in the south' that they were there before the cherokee were removed. Many people pretended to be cherokee and applied for the Guion-Miller payout just to try to steal money meant for cherokees - 2/3rds of the applicants were denied for having 0 proof of actual cherokee ancestry. [We even see lawyers advertising signing up for the Miller roll just to try to get free money.] And the myth even started in some families in the cherokee land lotteries, where the land stolen from us was raffled off, including the house and everything that was left behind when the cherokees were removed. We have seen people whose families just take these things stolen from the cherokee family and adopt them into their own family story, saying that they were cherokee themselves.
If you had some family story about being cherokee and you wanna have proof one way or the other, check out this Facebook group run by expert cherokee genealogists that do research for free. Just please read the rules fully and respect the researchers. They run thousands of people's ancestries a year and their average is only around 0.7% of lines they run actually end up having true cherokee ancestry.
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Absolutely love your writing for all the AU/5 headcanons asks. Can I ask: AU where Rei cheats on Endeavor with All Might? It happens after AM's injury, so she doesn't recognize him, and he ofc doesn't know that she's married in the first place, much less to whom
you make this very difficult for me by giving me a window of 6 and half years for them to have an affair and for every single moment of that window, Rei is institutionalized. how am i supposed to get them to meet, much less take their clothes off. ok. think. there are other fic writers who specialize in this kind of thing, surely. what would they do....
1- ok so. The fire alarm at the hospital goes off. Rei doesn't know if it's a drill or not, but she's been there for seven years and generally does not need a lot of support during something like this like other patients do, so the nurses wave her out and she stands around outside a bit waiting for the fire alarm to stop and them to go back in. (It isn't a drill, they wouldn't have evacuated everyone if it was, but Rei is on the other side of the building and facing away from seeing any smoke) (This smoke is from a villain attack that All Might is taking care of, though he's only got seconds left of his power to use that day. he quickly rushes off, deflating and stumbling out on the other side of the hospital. Where Rei is.)
2- Rei is like "huh that guy doesnt seem to be in good shape" and kinda waves attention at him, and a nurse who's passing out water to patients and keeping an eye on the road gives Toshinori some too, getting more concerned when he dazedly answers that he's All Might and coughs up blood, but the nurse figures he's concussed since he smells of smoke and must have been closer to the fight, and is just reeling from being able to see the number one hero in person. Then they get distracted and wave Toshi to wait nearby, where Rei offers to chill his water and asks if he's alright, if he breathed in any smoke.
3- They chat and then go back into the hospital as it's un-evacuated together, Rei hanging out in the lobby where he sits as the hospital staff focus on getting everyone else back to their rooms. It pays to be low priority sometimes. Eventually she tells him her name is Rei and that she's in room K18, if he ever wants to visit or call. She doesn't get to talk to anyone except doctors, family visitors, or other paitients, and most of them don't stay nearly as long as she does. It's been seven years, and she's very lonely. Toshinori is lonely too, and when he's out of time for a day and feeling useless with nothing to do, he likes to talk to a friend.
4- Rei has been in the hospital for eight years when it gets physical. At that point, Toshinori knows a bit about her family. She has kids, mentions visits from a son and daughter, and then quietly mentioned when her son turned seventeen- her daughter's already twenty. She's been there for so much of their lives. He asks if she's married, and she admits she isn't sure how to file for divorce in a hospital like she is, if she even can, if she wants to because she'd lose custody, if it matters when she's not raising them anyway. He doesn't ask much more, knows there is a dead child and a baby she says isn't safe with her there. Toshinori never called Nana 'mom' to her face while she was alive, and had a reason for it, and has a similar reason for not asking more, not asking for the other names when he gets Fuyumi and Natsuo's. Yes, the doctors and nurses all know Rei has a boyfriend who visits. they don't say anything. who would they even tell, anyway. I debated the humor of reusing the bit from candlelight shoto that Toshi and Rei could have a kid with a fire quirk, but yeah here? Rei ain't getting pregnant, absolutely not.
5- When Natsuo turns eighteen, Rei does actually file for divorce, or at least tries to get the ball rolling on that. Toshinori's trusted her that her marriage is over in all but name, but he's more at ease with it ended fully. Fuyumi is crushed but burying it all deep inside. Natsuo is like 'what are you talking about. divorce is the most normal possible outcome here.' But anyway, Rei also begins to bring up being discharged- something she never bothered with earlier, when it seemed like she'd never be able to go home while Shoto was there, and never would want to go back anyway. (Her parents are absolutely not an option either so where would she go once discharged? the hospital was her only security.) Toshinori then tells her at this point about his diagnosis, that he's supposed to be terminal, in a way. He doesn't have a lot of time he can give her. Rei says that's ok, she'll take what she can get. She moves in. Fuyumi still goes out to eat with her once a week, though Rei doesn't say she's moved in with a boyfriend, just says she's in a safe place and it's not Fuyumi's job to worry about it, please, let her do that, relax, be her daughter instead of a mother. Natsuo adds her to his cellphone plan and gets her one. Rei doesn't tell Toshinori her ex's identity. Toshinori doesn't tell her about OfA, though she does know he's mentoring a student for heroics and is very proud of him. (Toshinori is a secretary at Might Tower, he's a great mentor. Oh huh, he got a job position at UA at the same time as All Might, she wonders if they carpool.)
+1- OK THE REVEAL so the reveal is. Toshinori gets home from the SF. And Rei almost knocks him out by the door, eyes wide and panicked, asking if he's ok, if Shoto's ok. Toshinori is like "... young todoroki? yeah he's alright? i know his fight with young bakugo looked bad but- Rei???" And that's when it all clicks for him, he's having dozens of horrible realizations at once, all while Rei weeps over her youngest. Toshinori's been a hero for a very, very long time. He's felt hopeless, before. But even then, he's known what needs to be done, he just isn't able to do it. But now? he's at a complete loss with no idea what he should do.
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I've kinda seen some pushback to the idea of representation in media and I don't necessarily think it's bad to point out actual rights are more important than Disney's thousandth first gay character that's fine, but I've had a LOT of people comment on my works about asexual characters and tell me what I wrote changed their life-and it's always that phrase- because they now have the language to describe what they feel. I've had people who ARENT ace or aro comment that what I wrote finally made a concept they didn't understand make sense, or that the way I explained things was interesting and enlightening and I'm kind of a mediocre writer who hasn't written anything in ages.
Like idk, if reading something from a writer who is fucking around and only somewhat talented can genuinely impact someone because they've not seen anything like them reflected back at them in life or media I don't think pushing for representation in media is as "needless" as some people seem to think and caring about that doesn't mean you don't care about more "important" (although if you think seeing people like you in media ISNT important it's because you already have that representation or are privileged enough to not care if you do, in which case maybe pipe down) stuff. Hell, I even got a Facebook message ages ago from someone who found a comment I left in an ace group about QPR's and what they meant to me and how I perceived them and the person no joke said what I wrote two years before they even found it changed their life forever because they finally knew what kind of relationship they actually wanted.
So like sure, of course there's always bigger fish to fry them diversity in media (you know, like diversity in real life lol) but I don't think it's as frivolous as some people are beginning to act like it is. At least not if you're an aspec person it's not, I STILL don't see ace characters almost ever and I'll bet my whole everything if I asked a writer of a show why they'd tell me that EVERYONE has to be in a sexual relationship and characters that aren't won't sell and are boring- I say this because in film school I had a teacher TELL ME every character needed to basically be sex obsessed and when I pointed out a GREAT MANY CHARACTERS are not revolved around sex (Supernatural stars two brothers, I pointed out) and when she asked if I had love interests I was like ??? That doesn't matter- using my aforementioned supernatural example almost all their love interests die or get mind wiped because at the end of the day that's not what the story was about. So actually I think writers who act like that teacher need like 50 reality checks, and representation in stories isn't unimportant and also support indie writers you'll probably find more funky shit there then Disney anyway lmao.
And also even the asexual characters I DO see in media don't remind me at all of myself even if I appreciate the effort, but they never feel real or genuine and their sexuality doesn't get a lot of exploration so 🤷🏻♀️ I actually could use more media focused on characters that I can genuinely see my sexuality reflected in in a meaningful and narratively impactful way because I've got nothing.
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