#she was like talking to a wall

[azfellschild]

Good and Evil wrestling, with Evil triumphing

bit different from my latest work but something in me told me i needed to draw this

[chrollohearttags]

meg baby, I promise we’ll all look the other way if you decide to strangle that chimera ant built bitch. I promise we won’t say nothing.

[alizalayne]

i was at an author event recently and a mom came up to me and was like “you should make sure in your books that you have a page where it’s a whole house but cutaway and you can see into all the different rooms like a dollhouse and there’s different things going on in the different rooms. little girls love stuff like that” and i was like that is so true and i bet you also love it. i love it too. don’t worry

[ithacanradio]

why does it always gotta be "oh im a communist but not like those marxists leninists-" we had this debate. in the 1800s. in fact marx AND lenin wrote about it: you are either for some nebulous idea of communal living that gets you nowhere OR you realize that you have to start from the current material conditions, and organize, and the organization has to be centralized for it to work and you have to study a lot and also act in group because going to protests on your own is just perpetuating an individualist ideology. they were saying marx was outdated in 1915!! guess what happened two years later. like you can incorporate all you want from feminism and queer theory and even anarchy but at the end of it all. only one line of action can bring about revolution, has revolution as its objective and has in fact done so before. it's marxism leninism. you have just been conditioned to think it's outdated so you wouldn't use the only weapon that actually works! people cant afford to eat and the west's quest to maintain economic hegemony is pushing us into ww3 and you will not use the concepts of plusvalue, imperialism, and political party, why? because the ruling class told you identity politics are more modern?

[a-dauntless-daffodil]

Charlie: “So this is what a full hotel looks like…”

Vaggie: “Think it’ll survive until Extermination day?”

Charlie: “I don’t know if I’LL survive to Extermination day.”

Vaggie: “Aww, babe.”

Charlie: “Seriously, who keeps ordering pizza??? We all already KNOW the cannibals will just skip it and try chewing on the poor delivery person!”

Vaggie: “My bet’s on Angel Dust. He’s not exactly thrilled the place got filled up with ‘shit smiling judgmental prudes.’”

Charlie: “Whyyy didn’t I remember the cannibals have a whole dress-code thingy?”

Vaggie: “They are being polite about it though.”

Charlie: “They keep eyeing Angel Dust’s exposed thighs like they’re chicken wings.”

Vaggie: “And if they wanted to eat him up in any other way, he’d be thrilled.”

Charlie: (growling) “Some of them keep looking at YOUR thighs as if they were-”

Vaggie: “Anything other than property of Charlie Morningstar?”

Charlie: “-Vaggie they want to TEAR YOU APART!”

Vaggie: “And they’re not actually trying it, which is polite, even if they’re still talking about how angels might taste whenever I’m in the room.”

Charlie: (pout) “You taste good.”

Vaggie: “Not like that, babe.”

Charlie: “How could the rest of you not taste good too??”

Vaggie: “Ask the cannibals. Meat flavors based on where the meat thing lived and what it ate, something something- What if angel steaks taste like artificial food coloring?”

Charlie: “I like those-!”

Vaggie: "I know." (laughing) “Maybe that’s another reason why you’re the woman of my dreams.”

Charlie: “Am I?”

Vaggie: “The one and only.”

Charlie: “You’d never… think about leaving me for someone else?”

Vaggie: “NO?”

Charlie: “Someone a little more badass maybe?”

Vaggie: “Not possible. You called heaven out for being total bullshit. In a song.”

Charlie: “Maybe someone you had an instant and deep connection with?”

Vaggie: “Like the woman that bandaged my eye socket and took me home with her and nursed me through physical and emotional hell all because she also thought sinners might be people worth caring about?”

Charlie: “Well what about someone who… is just better? At the whole. Everything.”

Vaggie: “Literally who. Who the fuck-”

Charlie: “Carmilla?”

Vaggie: “Car-hhhhHHH." (chokes)

Vaggie: "AHAHAHAHAH! Charlie! WHAT!?”

Charlie: “She’s cool. She’s one of those, those muffin things right? Angel Dust said-”

Vaggie: “A milf, sweetie. It’s milf and PLEASE also listen to Husk’s reality checks whenever Angel Dust opens his well meaning but dumb as shit whore mouth.”

Angel Dust: (distantly) “My HOT and SEXY whore mouth heard that, toots!”

Vaggie: (yelling back) “Then go stick a dick in it!”

Angel Dust: “I’m tryin’~”

Charlie: (used to this) (ignoring them) “So the whole private training battle song thing was, not a turn on for you? At all?”

Vaggie: “If I ever call Carmilla Carmine ‘mommy’ it’ll be because she just signed my adoption papers.”

Charlie: “Oh! Okay! Juuuust wanted to check.”

Charlie: “…..”

Charlie: “Are you gonna ask about me and the head-to-heart I had with-”

Vaggie: “No.”

Charlie: “-because I was literally thinking about you the whole time-“

Vaggie: (smile) “That just took a perfectly non-worrying thing and made it sound bad.”

Charlie: “Is there a thing like a- an elf??”

Vaggie: “Aunt you’d like to fuck?”

Charlie: “Well not ME personally. But Rosie is very impressive.”

Vaggie: “You looked more impressed up in heaven.”

Charlie: “Huh? Heaven??”

Vaggie: “Nothing- never mind. I do actually have a lady-related question for you though.”

Charlie: “What does heaven have to do with- what?”

Vaggie: “I think I’m in love.”

Charlie: “WHAT!?”

Vaggie: “She’s ripped out my heart and I want to thank her for it.”

Charlie: “Th-thh that’s wait how when-?”

Vaggie: “Charlie.”

Charlie: “-y, yes?”

Vaggie: “Can we keep inviting Susan over, even after Extermination day?”

Charlie: “…”

Charlie: “Susan.”

Vaggie: “Charlie please? Please? She's the granny I don't deserve and desperately need in my life. Please please please please-”

Charlie: “But, Vaggie- She HATES everyone!”

Vaggie: “I know!”

Charlie: “And she SAYS it!?”

Vaggie: “And it’s so fucking cool.”

Charlie: “She said you dress like a hooker!”

Vaggie: “Angel Dust was furious. I think he would’ve thrown a punch at her, in defense of hookers everywhere, if Husk hasn’t grabbed him.”

Charlie: “A LAZY hooker!”

Vaggie: “That one hit home and I’ll cherish it’s sting forever.”

Charlie: “She’s not NICE. She doesn’t even PRETEND to be nice like the other cannibals do!”

Vaggie: “Isn’t that great?” (grinning) “She’s like, the anti-Alastor….”

Charlie: (sigh)

Charlie: “I guess… being brutally, painfully, rudely honestly about your feelings is… not the worst thing someone can be.”

Vaggie: “YES! Can we adopt the creepy old mean lady?”

Charlie: “She can visit. We are NOT inviting her to LIVE here.”

Vaggie: (smiling)

Charlie: “….”

Charlie: (drooping) “…not unless she wants to.”

Vaggie: “Thanks, sweetie.” (kiss) “She never would. She hates us all and especially the hotel. Ask her and she’ll tell you, in detail, how all our decorating ideas are terrible and she’s only here to grab the free snacks, shove some angel leftovers in her basket, and then fuck off to her own perfect home back in Cannibal Town.”

Charlie: “So why scare me like that by asking? SUSAN in the attic! Ughghgh…”

Vaggie: “’cause it’s nice hearing you’d be open to it anyway.”

Charlie: “Mmrmph.”

Vaggie: “I like remembering that you’re like this.”

Charlie: “Whipped marshmallow.”   

Vaggie: "That Angel Dust again?"

Charlie: "Maybe."

Vaggie: "I've got a better word for you."

Charlie: "Like 'girlfriend?"

Vaggie: “Like amazing.”

Charlie: (snorts) (smiles) "Heh. Alright, flattery accepted."

Vaggie: "My wonderfully, adorably dramatic, heart stopping and breathtakingly passionate girlfriend, the most incredible person I've ever met, who-"

Charlie: (laughing) “Now who’s being a sweetie?”

Vaggie: “Charlie, I’m seri- whoah!”

Niffty: (lifting up floor board vaggie was standing on and peeking up at them) “Hey guys!”

Charlie: “Niffty!” (hug lifting vaggie to safety) “W- hi! Um! What is it?”

Niffty: “A bad day not to wear underwear!”

Vaggie: “And a good day to Die.”

Niffty: "I WISH!" (GIGGLES) “News from the hotel gossip line! S.O.S from Husk- he says Angel Dust and some cannibals are fighting over who gets to put the new pizza delivery in their mouths while Cherri’s taking bets and also shots.”

Charlie: "Shots of alcohol?"

Niffty: "Laser gun!"

Charlie: "Nooooo I thought we'd cleaned up everything after Pen's last inventing spree!"

Niffty: "Missed one. She keeps missing too. She fried the pizza."

Vaggie: "Instead of?"

Niffty: (GRINS) "The pizza delivery person!"

Vaggie: “Ugh. We look away for Ten. Minutes.”

Charlie: “Well that’s not- that’s not TOO bad! At least Sir Pentious isn’t-”

Niffty: “His corpse is in the lobby.”

Charlie: “-right. Okay.”

Vaggie: “Why is he a corpse in the hotel lobby this time?”

Niffty: “The cannibals accidentally ate his tongue while he was trying to show Cherri how long it was and then he choked while proving he has no gag reflect and can unhinge his jaws.”

Charlie: “Oh.”

Niffty: “The cannibals want to snack on him again but Susan keeps yelling at them about ‘crumbling standards’ and ‘back in HER day-‘”

Vaggie: “I love her.”

Charlie: “I’m right here.”

Vaggie: “You kinda love her too right now.”

Charlie: (pulls face) “She can come to dinner every other week. If we live. For now though, let’s just, um.”

Vaggie: “Go save the snake man?”

Niffty: “That man is DEAD!”

Charlie: “Resuscitate. We should go resuscitate the snake m- Sir Pentious.”

Niffty: (giggles) “And I’m gonna go order another pizza boy~” (scurries back under floor board)

Vaggie: “Wait, Niffty-”

Charlie: “Niffty! Are YOU the one who’s been-? Vaggie NO-”

Vaggie: (spear out) (in pursuit) “GET OUT OF THE CRAWL SPACES RIGHT NOW AND COME BACK HERE, YOU LITTLE-”

[shiikiyun]

I think something i don't often see in discussions about Futa's character is how, if you really take a second, he's kind of a people pleaser

He isn't so in a way like what Mikoto got going on, he does want to be around people of the same interests as him, and you wouldn't think he'd care about anything but authenticity if you stayed with the way he behaves on milgram. It is only when you think about him -in- those social circles he manages to get into that you can see him tweaking lol

I think the closest to see this that we have in milgram itself is that one interaction with Kotoko in which she attempts to debate how prisons respect human rights. Any other time he expressed his opinion/stance on things he was aggressive and maybe condescending to the rest because they disagreed with him, but the second someone agreed? Whole demeanor changed. Suddenly he didn't have much to say anymore and he just parroted Kotoko's words back at her. Why. If he has such a strong personality and mindset, why was someone validating his point enough to shut down his otherwise very firm attitude?

Futa doesn't go as far as to manufacture his every word for it to cause a positive reaction on others from the get go, but he does seek validation all the same. He braces himself for rejection by being loud and obnoxious and harsh until he sees a positive reaction and then is when he does a complete 180 to keep the other person in that place of validation. He is simultaneously completely bad at it though, but I never said he was good at people pleasing. Which connects back to what i've said before about his inability to fit in. Even when he thinks he's doing it right and he sees himself getting validation by people he cares about (in the case of his crime, by mimicking his friendgroup's method of "bringing justice" by calling out someone online, that same friendgroup following along and reinforcing the idea that he was doing it right), he ultimately fails anyway and loses it all over again.

In the end, he's just extremely socially awkward and anxious. It isn't in his nature to reach anyone else's expectations even if he genuinely wants to, so he'll either do what he can within his parameters (mold himself for his friendgroup of people he deems similar to him) or he'll avoid trying altogether because he knows he'll fail (what we see in milgram!)

It also shows how his yearn for a support system (t2 qna + mu's birthday timeline convo) isn't particularly new from his current circumstances, or why the only person he could think of when asked who he would want to see right now was his mom (who left so long ago he barely remembers her). He has just never truly had people that genuinely cared for him no matter what he tried to do to make himself likeable.

[youssefguedira]

V, JoeNicky & Nile

V. An abandoned or empty place.

When Joe pulls the sheet off the couch it kicks up enough dust that it makes Nile sneeze. The couch underneath is old, wooden frame rotting, fabric stained and full of holes where moths have eaten away at it. 

“Sorry,” Joe says to Nile when she finally manages to get the sneezing under control. “Didn’t realise it was that bad.” He puts his hands on his hips and looks down at the couch. Nile looks it over.

“There’s no saving that,” she says, wiping at her eyes. She can heal from falling over ten stories, but she can’t get away from allergies.

Joe frowns. “I liked that couch.”

The house is older than anywhere else they’ve brought her, and has been abandoned for long enough that it’s falling apart. But through some trick of posing as their own sons, or something, Joe and Nicky still own it, even if there’s a giant hole in the roof and all the windows are broken. Why they’d decided to come back here, Nile doesn’t know, but it’s a nice enough area, and a good distraction from, well. Everything. Growing back a leg, she’s discovered, is not fun. 

From one of the other rooms – she thinks it’s the kitchen, she’s not actually sure where Nicky had wandered to – there’s the sound of something breaking and crashing to the ground, and a muffled curse. 

Joe makes a questioning noise in the vague direction of the kitchen. A few moments later, Nicky appears in the doorway, covered in dust. “I am okay,” he says. “But I think we will need to go out to eat tonight.”

“Nothing?” 

Nicky shakes his head. “Unless you want to start a fire and go hunt some rabbits.”

Joe grins. “Just like old times, right?”

Nile shakes her head firmly, which makes Nicky smile. She loves them, but there’s no way they’re doing that. 

“We can probably clear out enough space in here,” Joe says, gesturing to the floor. “Get the sleeping bags out of the car. Probably have to start a fire anyway, but…”

Nile looks around again while Joe says something to Nicky in Arabic that makes him laugh. The house is falling apart, sure, but it’s structurally stable, and the bones are all there. It could be something. They’ve got time to make it something. 

Nicky is the one who goes for pizza in the end – he doesn’t trust Nile and Joe to order it if left to their own devices – while they try to clear out a space in the living room. Eventually, though, after Nile has another sneezing fit, Joe suggests they just take the sleeping bags outside instead, which works out a lot better. He sets about starting a fire with practiced ease while Nile sets out the sleeping bags around it. They’re far enough away from civilisation that she can’t hear cars passing by, which is kind of surreal, and the stars are brighter than she’s ever seen them. 

When Nicky gets back, two boxes balanced on one arm and a bottle of wine in the other, he looks over their makeshift camp and laughs. “Just like old times, then?” he asks.

Joe grins. “Except we have pizza.”

“And actual sleeping bags,” Nile says.

“Ah, these modern inventions could never quite match the comfort of a pile of furs,” Joe says wistfully. Nile gives him a look. She’s ninety percent sure that one’s bullshit, but she can never quite tell with him. 

Nicky sets down the pizza boxes, and jogs back to the car to grab the pack of plastic wine glasses they’d bought before they got here. 

“We should’ve bought marshmallows,” Nile says. “Could have made s’mores.”

“Well, we’ll have to go to the hardware store tomorrow anyway,” Joe points out. “And I think it’ll be a little while before we can actually sleep in there.”

“Tomorrow, then?”

“Tomorrow,” Nicky agrees.

[evermoredeluxe]

.

[sourscratched]

the hand that feeds

[spop-romanticizes-abuse]

i love how spop has this underlying message of “see, our princesses aren't your typical princesses. they're unique and different”. and then they turned all of the princesses (with the exception of glimmer, scorpia and entrapta) into 2d stereotypical characters who aren't even good role models.

some of the disney princesses may not have been good fighters or physically strong, but they were still good role models. strength isn't just physical, it comes in many forms.

cinderella was an abuse victim who managed to be kind and open-minded, after everything she's been through.

belle teaches kids to focus on inner beauty and not judge a person by their appearance.

jasmine teaches kids to value their own freewill and choose their path for themselves.

ariel teaches kids to be curious about the world around them and pursue their dreams.

tiana teaches kids to be strong-willed and independent, but also to learn how to take things easy every once in a while.

what do the princesses of spop teach kids? to be ableist and uhh.. to constantly complain about their duties and responsibilities.

[stafsar]

L. Lawliet is a gifted photographer who believes he has understood the light and its secrets. Light Yagami is a young, unstable and slightly crooked model. Together, they kill time.

I had a bookcover design assignment so obviously I chose @devilinthebox's literary masterpiece of a fanfic Our Bodies, Possessed by Light

[poorlittleyaoyao]

You're doomed--may you never fathom who you are!

Oedipus Tyrannus, lines 1167-1173 (tr. Robert Fagles)

[recurring-polynya]

what is the best attack in bleach and why is it la muerte

[hallwyeoo]

Ellie’s memory of the golfing scene and what it tells us about her.

🚨spoilers for tlou2🚨

I think Ellie’s flashback to Joel’s death is very telling of how she internalized the event and the meaning she applied to his death. It’s also a good demonstration of her relationship to autonomy. Let’s break down the elements that were inconsistent with the actual event:

The stairs/hallway are much longer than they were. This suggests a sense of helplessness, an inability to get there fast enough. Joel is constantly out of reach.

There is blood on the floor outside of the door. Not entirely certain on this one but my hunch is that she blames herself for not seeing more obvious signs of violence/not knowing something was wrong sooner.

The door is locked, another roadblock in her path to Joel. She can’t access him, she can’t help, he needs her and she isn’t there.

Most importantly. Joel yells “Ellie, help me” (which he didn’t in the actual scene, he just screams. He doesn’t say a word in the actual scene)

Ellie hearing Joel scream for her help, calling for her while being horribly beaten, and her being repeatedly impeded on her way to him suggests that what she took away from his death is that she wasn’t enough. They always helped each other, always had each others backs, always got up. Ellie views his death as a failure. She was too slow, too weak, not smart enough to save him. She failed him when he needed her most. She is absolutely helpless to save him, just like she was helpless to save Riley, Tess, Sam, and Jessie (and Marlene, and humanity, and and and-).

Once again, Ellie makes a decision (staying with Riley, going to the fireflies, staying with Joel, being the cure, trying to forgive Joel) and once again her autonomy and ability to find closure is ripped from her.

This is the inciting incident of tlou pt2, this is the moment where Ellie’s whole world shatters the same way Joel’s did at the start of pt1. Ellie enters into the same cycle (which I like to call the “Joel cycle” because… yeah.) that he did, and throughout pt2 she stays in the “20 years later” phase of the cycle. She is changed, she has lost her light, lost what she fought for. She lost her chance to genuinely forgive Joel and rebuild their relationship. She is stuck in a gruelling and violent world that she has no anchor in, at least not anymore. His death is so sudden and so incredibly violent that it practically gave her (and me as well, tbh) whiplash. She’s in a state of total shock.

On another devastating note, this is one of the three times in tlou that we see Ellie beg (that I remember). The first is begging Joel to get up at the university of Eastern Colorado, the second is begging him to get up and for Abby to stop, and the third is begging Abby to not kill Dina because she’s pregnant. (Two times she begs Joel to get up, one time he doesn’t. Two times she begs Abby to spare her family and one time she does. What a beautifully haunting contrast)

To wrap up, every person creates an internal narrative, a story of their life that is crafted from their context and lived experiences. The meaning we derive from those experiences doesn’t always reflect the truth, and that can sometimes bite us in the ass majorly when we experience a traumatic event. We tend to want to find someone or something to assign blame to, some reason or rationale to why it happened. We tell stories. We write them in our minds about ourselves and what happens to us and what that says about us.

But Ellie is wrong. Joel’s death happened in response to a conscious and willing choice he made. It is in no way her fault, and there was absolutely no way for her to know or to stop what was happening. I think Ellie knows that much on an intellectual level, It just doesn’t change how devastated she is over the whole event. It can’t change the fact that she FEELS as though this was all her fault, that Joel did what he did to save her, that she could have saved him. That she should have.

[oatbugs]

my research partner and i are huddled in a blanket in paddington waiting for a too-late train i already miss you and you and you

[plumbus-central]

Somehow managed a great "tails gets trolled" face for rick from this comic I made at work.

Minnie's trying to prove that rick was just as much of a 14yr old back then as morty is now