#she's the mean one

[bacchuschucklefuck]

typical tavern scene

[officialspec]

its definitely funny when marcille gets a little mean with it but its so important to me that they are also Best Friends

[chloesimaginationthings]

The FNAF Mikes talk about their extended family..

[bisexualpercyjacksons]

pjo tv show episode 5 alignment:

[thatdykepunkslut]

Taylors wift is just elon musk for horse girls and gays who are afraid of faggots

[stromblessed]

Mizu, femininity, and fallen sparrows

In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.

If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.

So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.

I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?

However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.

Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)

And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.

Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.

It does not mean she doesn't hurt for them.

Back to Mizu and collateral damage, remember that sparrow?

While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:

She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.

You see where I'm going with this.

When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:

And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD

When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.

MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS

No wonder Mizu is as stoic and cold as she is.

And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:

Speaking of Akemi - guess who else is compared to a bird!

The plumage is more colorful, a bit flashier. But a bird is a bird.

And, uh

Yeah.

I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.

But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.

Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:

But softness and mercy haven't gotten Mizu anywhere good, recently.

There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.

After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:

"LET" her die. Because as Ringo points out, she doesn't "know how" to die.

Kind of like another bird in this show:

[no1deahow]

The Revolutionary Army in a nutshell

[hansoeii]

stede bunnet

[blorbopolis]

starting to understand one another

[saltpepperbeard]

Edward Teach in the OFMD Season 2 Trailer [x]

[chappellrroan]

people who are complaining about chappell setting boundaries and asking for privacy with "she's not ready to be a pop girlie yet" make me so mad. why does she have to tolerate harrasment and stalking to be a pop girlie? why is your definition for a pop girlie of someone whose private life is all out in open for you to dissect? why should you have access to her family? why should she be someone who has to nod, smile and say yes to whatever you want fuck off maybe

[tooquirkytolose]

Everyone loves my moms mexican rice and proclaim it the best they've ever had and I see a lot of recipes out there that are either too fussy or too bland so I'll just list the things my mom does that she says make it good

-you really truly do not need chicken bouillon/chicken broth. Plain water is fine, my mom started omitting the bouillon when I became vegetarian so I could eat it and literally no one knows the difference its fine

- you don't need cumin or cilantro you just need onion, garlic, salt and tomato sauce (or jarred tomatoes)

-FRY YOUR RICE!!! in oil!!! Fry until golden brown and nutty, DO NOT SKIP THIS STEP it adds flavor and deepens the color of the end product if you don't fry your rice in oil it looks pale and unappetizing

-blend your water, chopped onion, garlic cloves, and tomato sauce (or jarred tomatoes) add this liquid to the fried rice after you've drained the excess oil, cook like regular rice

You will now be the envy of all mexican mothers and taquerias 👍

[chloesimaginationthings]

Vanny finally meets FNAF tape girl in person...

[tiny-crescent]

sorry Mochi ♡🙏 

this may be my favorite Misa moment in Death Note. listen, she gets shit done. not in a safe or sane way, but she gets it done... lol

[cosmosnout]

The real reason Oda had to get rid of her was not for plot convenience, but bc she would have kicked everyone’s ass. (Source: trust me bro)

[afterthelambs]

Ann's confidant wins the most sapphic confidant award in the game. Obviously there's rank 9 with Shiho saying "I love you" but there's also whatever the hell Ann has going on with Mika? Mika spends the entire confidant being rude and mean and underhanded, and Ann just goes "ugh she's amazing"

and in the end when you find out Mika has been sabotaging other people to get jobs this is Ann's response:

GIRL GET UP??? Beautiful girls make her weak asf. This is why Ann being supportive over Joker dating his assassin is in-character, she knows what it's like to fawn over a mean hottie