(BOOK OF BILL SPOILERS)
I just finished reading The Book of Bill and I am kindof losing my mind over some of this stuff.
I had wondered if Alex Hirsch might make Bill sympathetic in some way and oh boy I was not expecting him to do it so successfully (and without cheapening Bill's character).
So, we learn that Bill was born into a 2D world... as a mutant who can see into the third dimension. He claims he was absolutely loved by all, but when talking about his powers, he mentions under Pyrokinesis:
"Cipher, Cipher, he's insane / Starting fires with his brain." The kids in grade school could be so cruel. But where are they now, huh? WHERE ARE THEY NOW?
So probably not quite as liked as he was letting on. To add to that, there's the silly straw page, which looks like silly nonsense until you decipher some of the codes:
"EYE DOCTOR OF A DIFFERENT KIND / WHO WANTS TO MAKE HIS PATIENTS BLIND"
"THE DOCTOR SAYS / THREE SIPS A DAY / WILL MAKE THE VISIONS / GO AWAY"
I wasn't sure what this meant until I saw someone point out... he was seeing a third dimension that no one else could see. His parents probably took him to the eye doctor to try to "fix" him. Which, speaking of his eye doctor, the coded message in the section about human eyeballs says something interesting:
"MY OPTOMETRIST NEVER SAW IT COMING"
It could be a joke given beforehand he's talking about dissecting a human eye, but given the previous hints of medical abuse, I wouldn't put it past him that he tried to get revenge on his eye doctor.
Oh yeah and the whole thing about him setting his entire dimension on fire? Yeah it turns out it was entirely a mistake (he just wanted everyone to understand the third dimension he was seeing so they could be free of only two dimensions), he was so traumatized by it he blacks out when trying to recall it. He deeply, deeply regrets it, and...
"What? Your ENTIRE home dimension? destroyed? How? By what?"
Bill looked distant, more distant than I'd ever seen him.
"By a monster."
He sees himself as a monster.
And yet, he's not some innocent, misunderstood being. He still revels in causing pain and chaos. He's terrible in general, but becomes incredibly abusive toward Ford.
"YOU'RE MY PROPERTY. DON'T FORGET IT. The hillbilly abandoned you, your father won't want you returning without millions, you have no friends, and if you died out here in the snow, who would even miss you?"
Which... speaking of him and Ford...
Yes, yes, I know people ship them. But like, whether you see their relationship as romantic or platonic (I see it as the latter), there's some interesting parallels to be made here.
Both Bill and Ford are mutants who were mocked for their being different. (Bill was not physically a mutant, as far as we know, but more in the sense of him having vision stronger than that of everyone else in his dimension, and also having special powers. And he does describe himself as a mutant.) Both became social outcasts, separated from their families but still haunted by them (Ford seeing commercials of Stan on TV and running across old photos of him and his brother, Bill being haunted by his family in some form). Neither could return home for one reason or another. Both more powerful than their peers (Ford intellectually, Bill in terms of actual powers). Both of them isolated and alone. (Yes, Bill does have the Henchmaniacs, but they seem like shallow friends, and only really seem to follow him out of a desire to have a place to party.)
Ford was not aware of most of this, aside from knowing that Bill could not go home because his dimension was destroyed. But Bill absolutely saw himself in Ford. There was no other person he tried to use whom he felt a stronger connection to.
And he actually seems to care about Ford--he actually gave him a birthday present, and when Ford didn't like it, he decided to get drunk and party with him instead to make up for it.
And then when Ford realizes what Bill's plan actually is and refuses to go along with it, and fights back no matter what Bill does, Bill completely breaks down.
After living for trillions of years, he met someone who was like him, and that person rejected him.
He goes berserk, wreaking havoc, being caught by the dimensional authority that he's been taunting for most of his life.
And then after dying and being cast out of hell for being too annoying, he winds up faced with the Axolotl, who sends him to therapy, where he continues to break down further, sending out the book in a desperate attempt to find someone, anyone who will help him break loose and wreak havoc once again.
"You have no friends, and if you died ... who would even miss you?"
I don't know, Bill. Who would even miss you?
In short,
[ID: The front and back of one of Bill's Valentines cards. On the front is a black void with Bill Cipher lying down without his hat, gazing blankly upwards, with the text "I DON'T WANT TO DIE ALONE" above him. On the back is a simple white "TO/FROM" in red, with a red outline illustration of Bill spontaneously growing a mouth and eating a realistic, bloody heart. /end ID]
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*I worship you Tumblr please don’t remove it
Kabru is a freak and Laios should suffer
Ship or not, it’s so hilarious that Kabru is no less crazy than Laios. His passion is digging down everyone’s darkest secrets and family drama, his relaxing activities are flirting and gossiping with every homosapien with eligible language.
The reason why Laios was chill around him is because they were never close enough! Kabru is charming and cool if you only meet him twice a week at a bar, but look at how cautious and unnerved his close friends get when he starts blasting information nonstop.
“Can you see how scandalous that sleeve is?” “I heard she granted her the first name base!” “Laios look at the embroidery on that shirt, his business is definitely running as smoothly as I predicted!”
I want to see this Kabru around Laios, I want to see him decipher so many tiny body languages and unspoken rules of humans so happily that Laios can’t decide if he wants to chop his ears off or smack Kabru with a brick, I want to see Laios being forced into balls after balls and feeling the urge to drown himself in a barrel of wine just to end the conversations.
“But Laios gets anxious around people.” So does Kabru with monsters!??
Kabru’s freakiness deserves to be recognized, too! Let him be the insufferable bastard he’s born to be! Let him and Laios traumatize each other!
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Something that I think Warhammer 40,000 storytellers miss sometimes is the sheer scale of their setting. I mean, don't get me wrong - I love the big, dramatic clashes, the characters you can buy in mini form and their convoluted, interwoven lore, the dramatic combats against unstoppable foes across a thousand ruined worlds. But that's the top of the setting, as it were - the most powerful beings in the universe, all fighting for supremacy. And at ground level, the level of the ordinary person, are so many other stories.
Did you know that a Lunar-class void cruiser has a crew of 95,000? Nearly a hundred thousand people, aboard a spaceship five kilometers long. A city, flying through outer space to wage war. Many of those people are proper trained soldiers, fresh from some academy or veterans of long, grueling campaigns, and many more are pressed into service, begrudgingly laying their lives at their Emperor's feet. But, unless the ship is currently actively involved in a really bloody campaign, most of those people were born aboard that ship. Most of their parents were born aboard it. And their grandparents. And their great-grandparents. Lineages stretching back centuries, so far that the original soldier who came aboard has been forgotten. A lot of those people probably know, on some level, that they're aboard a ship flying through space - but a lot of them probably don't, and I guarantee you almost none of them understand what that means. This ship is their world. To look out the window means madness so often that they avoid it - not that windows are readily available anyway. Most of them probably barely even understand that they're fighting. All they know is that when the readouts on their analog instruments display like so, when they hurry to obey the blared orders through the klaxon, the Emperor is pleased with them. They were born into that world. When they were children they did smaller tasks the adults couldn't. Their entire existence was winding metal corridors, laid out according to some archaic design, any logic that might dictate their layout long since degraded after millennia of ignorant maintenance, lit only by emergency lights that have long since become the default. They learned how to read an angle readout or how to relay an order perfectly the way another child might learn history or math. When they grew up, their service was flawless, born of pride and ignorance, and when they grew old and died, their legacy was remembered until it was forgotten. Many were killed in battle, but who cares? They gave their lives to the Emperor - a name whose meaning they don't understand, but whose importance they believe in wholeheartedly, all but synonymous with the commanding officers up above.
Sometimes, the klaxons sound a specific command, and every person on board who understands what it means feels a deep, awful dread as they run to their battle stations. They don't know what a warp jump is. They don't understand they're going from one place to another by the fastest way available. All they know is that, for a time, the ship dips into hell. The corridors go wrong. Things and people might not be where or what they were before. Daemons stalk the halls, and must be killed by any who can hold a lasgun. The overcrowded berths, the little nooks that families find for themselves - they are not private anymore. They are not safe. Things drift through the shift that do not care about the laws of physics, but that delight in killing and torturing human beings. Vast energies shake the ship and tear parts of it away - their home, their world, their existence, the biggest thing they can imagine, assaulted by something bigger. Is it the Emperor's punishment for failure? Is this what battle is? What's going on? They don't know, and no one who does can be bothered to tell them. The dread of those who have seen this before is even worse, because they don't know how long it will be. It might be just a few hours. It might be days, or weeks, or months, or years, or decades. It might be centuries, as the captain of the ship goes hunting daemons deep in the warp - the officers live that long, after all, and have little care for those who don't. There will be people born in hell, who spend their entire lives fighting from the day they can stand, and who die in hell, as old age and need catch up to them and they curl up in a corner to perish. To them, it isn't even hell. It's just the world. The world is death and pain and cruelty, an infinite metal box through which monsters stalk, and sometimes you must run to a battle station and do as you're ordered to do. And sometimes, as they reach forty or fifty or even a ripe old sixty, the ship drops out of the Warp, and, for the final years of their life, they are granted a life of relatively safe service better than anything they ever hoped to dream of.
Those are the kinds of stories I want to see more of. Super-soldiers fighting each other is cool, yes, but I want to see this universe explored. I want stories from the perspective of those that keep the Imperium going, or the aeldar, or the tyranids, or anyone, really. There's just so much potential in this setting. It deserves it.
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