Assigning songs to TADC characters cuz i can
Pomni:
Nothing’s working out - meiyo
Creature Comfort - Arcade Fire
Human - Christina Perri
Nobody - Mitski
My Time - Bo En
I can’t handle change - ROAR
Hand me my shovel, I’m going in! - Will Wood
Be nice to me - The Front Bottoms
The Stand - Mother Mother
Ordinary-ish People - AJR
Ragatha:
Me and my husband - Mitski
I bet on losing dogs - Mitski
Washing Machine Heart - Mitski
Goodbye, my danish sweetheart. - Mitski
I will - Mitski
Vampire Empire - Big Thief
Step On Me - The Cardigans
Jax:
Wrecking Ball - Mother Mother
Verbatim - Mother Mother
Burning Pile - Mother Mother
Happy Pills - Weathers
Parents - Yungblud
Alien Blues - Vundabar
Boys will be bugs - Cavetown
Icarus - Bastille
I Am Shit - Crywank
Backstabber - Ke$ha
Friend - FRND
Memento Mori - Fish in a birdcage
Gallery Piece - Of Montreal
When you die - MGMT
Gangle:
Coma Baby - Nicole Dollanganger
Oh Klahoma - Jack Stauber
Thurs 6-25 - Sales
Better than me - The Brobecks
Juliet - Cavetown
Treehouse - Alex G
Kinger:
SAD - Lemon Demon
Infinitesimal - Mother Mother
The Moss - Cosmo Sheldrake
Lemon Boy - Cavetown
Critters have feelings - Todd Edwards
Carpet Crawlers - Genesis
Freaks - Surf Curse
Little Lion Man - Mumford And Sons
Walk With Me - Taba Chake
them changes - thundercat
Fish in a birdcage - Fish in a birdcage
Heart - Pet Shop Boys
Same man I was before - Oingo Boingo
Amnesia was her name - Lemon Demon
Zooble:
Body - Mother Mother
Rät - Penelope Scott
Blow my brains out - Tikkle Me
Jealous - Eyedress
Are you satisfied? - Marina and the diamonds
my body’s made of crushed little stars - Mitski
Let’s go to bed - The Cure
gender is boring - she/her/hers
Caine:
Cabinet Man - Lemon Demon
Eight Wonder - Lemon Demon
Fine - Lemon Demon
The Machine - Lemon Demon
The Greatest Show Unearthed - Creature Feature
Turn the lights off - Tally Hall
I am not a robot - Marina and the diamonds
Entropy - Awkward Marina
Things she said - Chris Garneau
Digital Silence - Peter McPoland
Hullabaloo - Rare Americans
2econd 2ight 2eer - Will Wood
Puppet Boy - Devo
Bubble:
Kids - MGMT
Superfast Jellyfish - Gorillaz
Doom Crossing: Eternal Horizons - Chalkeaters
Kaufmo:
Touch-Tone Telephone - Lemon Demon
Everybody likes you - Lemon Demon
Baby Hotline - Jack Stauber
Fighter - Jack Stauber
Dr. Sunshine is dead - Will Wood
Your Clown - Eiffel 65
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Coming back to those ear pieces again, I wonder if it also translates the languages from each respective player to the stream as well.
Because we *know* that BllkTV is streaming their interactions Big Brother style, and that is one of the more “exclusive perks” that the streaming service has to offer (other than the matches itself and Ego’s promise about the creating a) newest U20 Japan team and b) the world’s best striker).
But considering the panels and shots of the audience also watching the stream being implied to be all over the globe, not just Japanese audiences, I can’t help but also wonder when will that shoe drop on the BlueLockers. Like they already have the pressure to perform because all of the largest soccer clubs are watching and bidding on them, and after the U20 arc we’ve seen how they were experiencing the “mild” amount of fame they gained from the experience (not enough to get in their heads but juuuuust enough to get enjoyment from it)… so when what will happen to them after NEL? After their every waking moment aside from using the washrooms has been streamed to the globe?
More importantly, DOES THE MIKAGE TRANSLATORS ALLOW FOR SIMULTANEOUS STREAMS???
DOES THIS MEAN THAT IF SOMEONE STUDYING ITALIAN AND IS A SOCCER NERD BASED IN JAPAN WANTS TO WATCH THIS, THEY JUST GET THE ITALIAN DUB INSTEAD OF JAPANESE??
**DO VPNS OFFER REGION-BASED DUBS WHEN IT COMES TO BLUELOCK TV????**
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Finally! Someone else who at least recognizes Wiggins!
I also understand the Ratcliffe obsession. His voice is perfection. I personally do not obsess (I go for Wiggins tbh), but he’s an underrated villain who terrifies me because he’s so realistic at times.
YEEAAASSSS!!!!!
I understand why you would obsess over Wiggins. Mans is absolutely adorable! Prancing and skipping around like a pretty pony!
If I had a more sound mind, I would go for Wiggins too, but I'm begrudgingly all too drawn in by the allure and charisma of Governor Ratcliffe.
It might have something to do with the fact that I have a personal preference for big, long-haired evil men.
And he just so happens to fit the bill almost to a tee. Just close enough to get me going 👀
...
Man, I have shitty taste. XD
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Finding "the meaning" to a show that could have had up to five or seven seasons but was cancelled after the second is somewhat like trying to understand a novel composed of seventy chapters by having read only twenty — there is a whole wealth of information which we do not possess that could alter our reading of any given element or of the entire thing in itself.
Still, there are always patterns that weave a story into a cohesive unit and they can help us to better grope in darkness towards comprehension. One such pattern in Warrior Nun appears to be how the consequences to mistakes, "sins" or evil deeds committed by characters manifest.
Basic storytelling usually requires characters to act on something so that complications or resolutions may arise from their choices and move the plot forwards. In Warrior Nun, many of these actions are quite tragic in nature: Suzanne's arrogance and pride lead to the death of her Mother Superion; Vincent's allegiance to the higher power he believed Adriel to be inspired him to kill Shannon; Ava's flight from the Cat's Cradle ends up damning Lilith as she is mortally wounded and taken away by a tarask... All of these events have negative outcomes and heavy repercussions on all characters directly or indirectly involved. Something changes permanently because of them, be it in the world around them or within the characters themselves.
And yet, it would seem that all of these dark deeds not only move the story forwards but might also have overall positive results. We would have had no protagonist without Ava — and she would arguably never have received the halo to begin with had she not been murdered. What's more, on a personal scale, the horrifying crime she suffers is, in the end, the very thing that allows her a second chance in life, a new life.
An act of outside evil permits Ava to grow and develop, shows her a path she would not otherwise have found. Without her own season in some sort of hell, Lilith would not have been able to advance towards other ways of being and understanding beyond her very strict limitations. Vincent and Suzanne would not have embarked on their own journeys of enlightenment without having caused the pain they are responsible for.
Beatrice might have been paying for someone else's mistakes, but she, too, is given the chance to grow into herself through it. The afflictions that torment these characters advance the overall plot, but they also advance them, as individuals, as long as they are willing to learn and keep going despite the calamities large and small that they are faced with. Beatrice keeps going after parental rejection, Mary keeps going after losing Shannon, Jillian keeps going after losing her son (in part through her own actions, adding insult to injury)... Trouble and the adaptation that follows it, if one is open enough to learn from the experience, motivates the characters, propels them forward, teaches them.
The problem of evil has occupied the minds of many a thinker throughout the ages, given how the very existence of it, evil, might call into question that of God (a good, omniscient, omnipotent one, anyway). A common way of justifying suffering (and also God), then, is by claiming, as Saint Augustine, that "God judged it better to bring good out of evil than not to permit any evil to exist".
Now, it would be rather ridiculous to say of Warrior Nun that it follows in Leibniz's footsteps, also because this philosopher, expanding on the augustinian concept, attempted to defend the goodness of a real God with his "best of all possible worlds" while all we have is... Well, whatever/whoever Reya is.
But there seems to be an inclination towards some sort of optimism as a worldview nonetheless.
Betrayals reveal truth and grant knowledge (Vincent's culminates with the coming of Adriel, which allows us to know of the threat of a "Holy War" and thus prepare for it; Kristian's gives Jillian much needed insight, William's lights up the fuse for the fight to be taken more seriously...), crimes committed willingly or not open the way for Ava (Suzanne's killing of her Mother Superion causes the loss of the halo, which is transferred to Shannon, whose death opens the gates for Ava to walk through after being herself murdered by sister Frances)... The magnitude of these positive outcomes is perhaps not "balanced" when compared to the evil that brings them about, but there is still something to take out of the catastrophe.
However tragic the tones of a given event, the show itself appears to shun the predetermination that makes tragedy as a genre; if everything is connected, here it at least appears to not necessarily drag everyone into their horrible dooms.
What's more is that this lurking "optimism" matches really well with our own protagonist's personality.
And it makes perfect sense that Ava would do the best she could with whatever she is given.
Life for her, in the conditions she experienced after the accident, would have been unbearable without some sort of positive outlook on life. However deadpan, the joking and the "obscene gestures" and whatever other forms of goofing around beside Diego are a way of turning a portion of the situation in her own favour. Proverbial eggs have, after all, already been broken right and left — might as well make an omelette of whatever remains.
Humour is just another way of looking at the bright side of something, or, at the every least, of mitigating the utter horror it might bring. If the show allows for moments of lightness, if it lets us laugh, if it takes us through a perilous voyage which still bears ripe, succulent fruit instead of the rot of pessimism and its necessary contempt for humanity, it is because Ava herself sees things in this way. It isn't gratuitous or naïve in this case, but a true survival strategy, especially as it is confronted with the morbidity of Catholicism.
Here is a religion that soothes its faithful with the promise of reward in the afterlife — how else does one charge into battle against the unknown, risking one's own death along with that of one's sisters, without the balm of believing that we shall all meet again eventually, "in this life or the next"? How else does one come to terms with the ugliness and the pain of this existence if not by looking forward to a paradise perfect enough to make all trials and tribulations here worth it?
True nihilism would have annihilated Ava. Her present perspective is what avoided the abyss.
And there is nothing Panglossian to her attitude or what the show might imply by giving us her view on things. This isn't about "the best of all possible worlds", but of making the best of whatever situation we're in, of taking what we have and doing something with it, something good, something of ourselves. It isn't God making good out of evil, but our choices.
Killing innocent people and feeling no remorse will never be the best someone can aspire to do. Sister Frances, cardinal William, Adriel all learn this the hard way.
Those who do their best find that, somehow, they can move on from whatever it was that paralysed them. Ava, most of all, knows what it is to be stuck, frozen in place; she can never be the character who refuses to grow, even through pain, lest she condemns her spirit to the same fate her body is all too familiarised with. Those around her wise enough to let themselves be touched by her, by the dynamic power she carries, walk forth with her and live.
It says very little about "God" that Warrior Nun should adopt its heroine's views and seem "optimistic" as it progresses — but it speaks volumes about the values it presents for pondering, of the inspiration its protagonists provide, and of the multiple reasons why this is a story unlike most others.
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