#show: elite: season 6

[smuganya]

PATRICK BLANCO & IVÁN CARVALHO Élite | 6.03

[saintlopezlov3r]

Sara📱

Elite

Mood board

[yllwcrtns]

this season of élite had an incredible lack of gay sex. i am very disappointed

[anauro]

what the fuck is going on in Elite

[understandableparadox]

a comprehensive list of everything wrong with hazbin hotel.

quick note before i lose myself in madness, my standards for helluvaboss are non existent because its a free show on youtube. also i kinda like helluvaboss and i will indulge in any bias i damn well please.

oh and spoilers. i guess.

the greater narrative of the entire season is "White lady civilize inner city hoodlum". ex: The blind side. rich girl, affluent family yadda yadda.

the story is set up to be like amphibia, owl house, svtfoe, steven universe, that being starting as something episodic then transforming into story driven narrative. why? because we know the benefits and drawbacks, episodic starts allows us to wander the world, it allows us to understand the dynamics, we are not forced to reckon with anything because there is no deadline. characters are allowed to bloom and shine and the audience can actually get attached.

the source material is Vary Clearly formed from remnants of something out of a middle school edgelord narrative. the usage of transformation, the big spooky grins, the "and then i smile as my eyes glow and-"-isms which in most cases i don't mind because in some instances but in a vary Particular case its astoundingly annoying and that annoyance is like a mold, shit spreads quick.

the color Red. as a lover of homestuck cherubs and karkat and aradia, as someone who fucking loves the color red, it is so painful to say but holy shit tone it the fuck down, i know its hell but their are so many other colors that you can use, its everywhere, the streets, the air, the windows, the screens, the characters, i know the pride ring is represented with red but change up the palates every so often for backgrounds

the rush, this ties into the second point made but i think the story itself is rushed. we know everything way to early. i know way to much and it makes it hard to care about anything because im still trying to digest the last chunk of info. "oh ok, so they clear out hell once a year. oh hell has a heaven embassy? ok. oh that adam the angel, i though he wou- oh its every 6 months now. wait the exterminators die a lot? then why is everyone sca- people in hell already have weapons that can kill angels? w- oh we are in heaven now, ok ma- no one in heaven except for the elites know the exterminations occur? how do-" and its that, just this incessant rush to explain everything to you. notably that's just the god damn spark notes, we need to know everything about the characters now, every single bit of their story, their insecurities, what charlie needs to fix, how she can fix them, the major bad guys, everything. you are never allowed to dwell on a character because we need to rush towards something else. it almost feels like this should have been like... season three, it would have been a fantastic season three if you dropped the introductions honestly.

the concept of redemption. for a story of redemption to work you need to look at three things. What is there crime, Do they want to change, What is preventing them from changeing? there is only one single character that has a notable path of redemption, angel dust, but if you look through their story it feels off. What Exactly is he guilty of? he has sex, does drugs and drinks. his apparent nymphomania is tied to his sad backstory as someone forced into the sex industry so how is that their fault? then if you think about it you start to spiral and notice "hey why are most of these people in hell?" like sure some of them may deserve punishment but then you see the fucking dichotomy and its like "I was a inventor in england and died of the fucking plague, i may have made evil little contraption hoohoohoo" vs "I was a cannibal, a full on cannibal, i fucking killed people and ate them and then someone shot me". ONE OF THESE THINGS ARE A LITTLE MORE FUCKING EXTREME. i'm going to go fucking nuts, the thing they went to heaven with when presenting a case to angels on the idea that redemption and becoming a better person is actually real was angel dust not drinking at a party and not having sex with consenting adults and i want to go fucking insane. WHAT IS THE CRIME, WHO IS THROWING THE BOOK, WHAT DOES THE BOOK INTEL, ARE WE ON GOOD PLACE RULES?! half the cast dont Need redemption they need fucking help, and the other half of the cast do need redemption but they do not seek it making the point moot. sir pentious acts like he has the brain of a hyper intelligent toddler tossing about toys, its almost like he did his one bad thing of spying and then got caught, sank his little diddy about forgiveness and second chances and become a null point through out the rest of the series, sure their was Some weight to him sacrificing himself, he was a decently funny character and he had good moments but him popping up in heaven felt like a fore gone conclusion, he didn't deserve to be in hell so why do i care that he is suddenly in heaven? because its working on the concept the good place already made. no one actually deserves eternal punishment they just need help processing what makes them a dick, but instead of looking at all the parts of the afterlife that make it bad, inefficient and then creating and trying ideas to see if it work instead over a few seasons, we crash dick first into all the major plot points in regards to that and say "tada, we fixed it.".

having a sub-plot about sexual assault and its victims then having multiple sexual assault related gag ruins your point.

don't make a bunch of stereotypically jewish characters into cannibals, that was a big thing, really shouldn't have to say it.

if you are going to make a character black, make them black, you can say alastor was black but sweet seren-fucking-dippity that's not a black man.

pot meet kettle but yeah the cursing could be a little less liberal. maybe just blue hair or the pronouns, not both.

there is a very distinctive art deco/jazz aesthetic which normally i love but i feel as though it is not used to its full extent and in some cases really hurts the character design in and of itself.

this is a vary obvious bit but the story is a million times more interested in gay men then it is of lesbians, which culminates in this insane thing where the writers clearly have more talent or perhaps it would be more abt to say practice writing male gay pining then they are with lesbian pining. which i personally think is hilarious because i did not know you could min max fujoshi-ism that hard.

this next section is more to do with each character on a fundamental level, for the sake of brevity whatever there is left, i'm just doing ones with speaking roles.

13. Charlie:

(see what i mean about that red thing?)

as originally stated charlie fits rather comfortably into every white saviour narrative, though that seems to be part of her joke. though i'm not entirely sure how much of a joke it can be when its rewarded and expected to advance the plot.

her character design says nothing, it has the motif of old puppets or dolls, she wears something vaguely similar to service suits, her demonic form is just some extra horns.not to say every character needs to have their life on a clothes rack but some more snake and goat imagery would be nice

its not the chol design of charlie with snake hair, not an actual problem but its a problem to me, damn you @cholvoq for ruining my ability to look at any of the characters without wishing i was seeing your designs instead.

character wise aside from the white savoir bit, i'm having a bit of trouble understanding what the arc of the character is. she is shown to be naive, someone who doesn't understand how the world works but everytime she says something its something astoundingly clear like "people can actually get better". and its treated like someone demanded faygo in every water fountain. is the joke that the world around her to cynical or is so to naive? please pick one or the other.

now if you know me, you know i fucking hate overpowered characters with a blinding passion, one that would set alit the god damn abyss but in this one special instance, i feel like its warranted, she's the direct descendant of fucking God, she can swing her weight around a little, i mean god damn. she in so many instances looks like shes cowering so often, why would the daughter of lucifer get backed down by some rando pimp? why wasn't she the one to fight adam? sure you can say she is young but how young? her parents were there since pre-abrahamic times, most of the characters showed up in hell in the 1900s, some of them showed up in the 1600s, how old is charlie??? how long does it take for her to learn how to be strong? The story does not suffer if charlie is strong and knows she is strong. it can easily be a case of "i don't believe in violence to a weird degree". fit it into her apparent naivety about the world to believe that violence is never the answer even when dealing with a being that is unilaterally horrible and abusive and monstrous.

she ga- no im kidding, i do think her romance was waysided a bit, it would have been fine to have more scenes of them togather and in love you know?

14. Vaggie

why did you name the lesbian vaggie...? Don't do that maybe?

I like how her design is almost moth like but again i feel as though you could have amped that up.

she feels as though someone tried to combine undyne and pearl from steven universe, same story beats and design elements. it makes it hard to really distinguish her as a character.

i honestly dont have much to say about her. she is fine.

christ kill me, lets just get the big one out of the way

15. Alastor.

God Damn

where to start.

"alastor is mixed race" mixed with fucking what? concrete? there is not a single black feature on that creature, now im not saying you have to make him a png of louie armstrong but it wouldn't hurt to add a curl to the hair maybe? make it a tiny bit more wavy? Something? a crumb i beg of thee?

his symbolism is all over the god damn place, native american monsters (you know the one), voodoo, radio, puppets, stitches, circuses??? and Tentacles i guess. two of those are from closed religions so if you dumped those you would actually get a more concise character focused on the concept of vox populi as a means of societal control and influence as we see in his first song. but again that gets drowned out repeatedly by all the other random toy box bits shoved into him.

tumblr sexy man bait

he serves no purpose in the story. he does spooky stuff, pretends to do things and then goes back to sitting around looking spooky. i understand that his motif is supposed to be aloof mastermind but maybe have him do more mastermindy things? if you remove most of alastors scenes, bar the songs, it doesn't change all to much. husk and nifity can still be at the hotel, they could be looking for outs in their contracts the same as angel dust. hell it even helps with the one scene where he dose some spooky shit, asking charlie for a favor in exchange for his help in the fight with the angels instead of asking him about angel weapons which should have remained a strictly vaggie scene.

his presence in a way delegitimize the story, as I noted in in the section regarding redemption, the three parts are "what is the crime, do they want to change, what is stopping them?" and alastor kinda just spits in the face of that. he is a serial killer cannibal that has no qualms about how evil he is and apparently must continue being evil due to being under the control under someone legitimately called the Root Of All Evil. show him take a slight interest in the idea that maybe shit for him could be better, make him Want Change at the bare fucking minimum or dont have him at the hotel.

his stupid little fucking horns, big shot the troll liker wants characters to have big fucking horns, make them noticeable or dont have them.

he looks more like a dog boy, which could have been an interesting thing with the collar motif but fuck me i guess.

personal pet peeve but i fucking hate characters that have a million plus powers, stick to a set number, be creative.

im getting more petty as i go on so last point: he could have been in less episodes, he didn't need to be in dad beat dad, that should have been just a lucifer and charlie episode. inverse the red and black and i think he would be fucking great color wise, his body type is the same as ten different characters, he isnt radio enough, aside from the voice and and staff if you told me he was the fucking Cat Demon i would have been just as convinced.

16. Angel Dust

what the fuck, gay spider? its hard to actully articulate all the thoughts i have on angel dust, not in the sense that he is a deeply thought provoking character but in the fact that there is not much meat on the bones.

all around i think angel dust is kinda middling. he has a decent enough romance with husk, he has a decent enough story line that revolves around battling addiction and removing yourself from an abuser (which the story tries to brand as "Redemption???")

I dont like that most of his jokes would qualify as sexual harassment, i don't mind him being sexual as a character but continuing on when clearly someone doesn't like the jokes hurts the character.

not a critique but he is pink, which honestly ill fucking take at point, as long as its not more fucking red.

i think his design is an improvement over some of the old vivzie designs but it feels like it could have done with going a few more rounds of design changes.

same thing with alastor, charlie and vaggie, there is not enough of the animal that they are supposed to be. You could have told me angel dust was a fucking bee or something and i would have had to believe you. nothing about angel dust initially says spider, hell he dosent even have enough limps to be a fucking spider.

17. Carmilla carmine

are... are you supposed to be a rabbit...?

Big Yoai Hands

ballet fighting style, could have been cool, wish she fought more like sanji or chun li.

A single mom that works to hard, who loves her kids and never stops-

her song was decent, not great, decent. it feels as though the actress has experience singing but not in the way they tried to make her sing during her two songs. they have a obvious mexican influence, honestly just let her sing in spanish in the english dub. go listen to the spanish dub, "out for love" sounds great in spanish.

i wish i had more thoughts on them, fucking rip.

18. cherri bomb

that's not a punk aesthetic that's 2010s alt

decent character, they showed up once or twice i guess, no real thoughts.

19. egg boiz

absolutely perfect, i have not notes on them, these are perfect creatures.

20. Emily

im so fucking happy to see a singular blue character

does the naive dreamer bit better then charlie

We really shouldnt have seen her until the end of season two or middle of three.

good contrast with the other angels on screen.

Wait she is supposed to be black??? Where???

21. Husk

keith david you absolute delight, Why on gods green earth did they only give you one singing part?

one of the few charecters where its clear husk is a cat, i do like the kinda... marquee design, he is a magic cat, thats neat. i still think you can toss the wings and eyebrows and still have just as good of a charecter.

has a deeply intresting story of someone who died as a nobody, became the fat cat of hell and then was forced back to the bottom by their own vices, not used at fucking all.

huge potential, little pay off.

22. lillith

I know nothing about her except she ditched her kid and husband to vacation in heaven and i think thats kinda funny.

alot of werid things floating around her, again she shouldnt have been shown in the show at all until next season.

23. lucifer morningstar

no notes, funniest charecter, did a song based on friend like me.

few notes: i do like the idea that the immortal symbol of pride is a constant emotional wreckage constantly seeking approval through grand showmanship and manic energy that threatens to take over anything they touch.

would have liked more snake stuff on him, maybe some more goat things like horns.

that is such a stupid fucking staff lmao.

24. Adam.

alex brightman you absolute fucking delight, you should have had more songs.

I wish his design was more focused on the idea of him being a glam rock wash up

I fucking hate his mask

We shouldn't have met him until the end of the season.

25. Niffty

again she is supposed to be a bug or cockroach but nothing about her points to that.

token straight

keeps rocketing back and fourth between sexulization and infantilization

you had kimiko glenn but didnt give her a single fucking song?

26. Sir Pentious

the secret season one redeemed.

the pilot version of him felt more like someone that could do a season one redemption arc, a megalomaniac constantly attempting territory grabs, there is something you can work with, actual character flaws to work through.

essentially a child after the first episode.

actually a snake which i appreciate.

no where near steampunky enough.

27. the villians of the show dont make much sense, each one feels like they should be season long deals on their own instead of a bunch of team rocket esque idiots that show up on occasion, do a bad thing and then leave.

28. Valentino

gOD THERE IS SO MUCH RED

only a moth some of the time.

sucks as a villain, maybe they need more screen time to show why they suck in a more substantial way aside from being told that he sucks.

it is interesting that angel dust is only under his magical control when in the studio, it shows that angel dust has to make a conscious choice to return, which in turn can be made to show how abusers can draw back their victims. I do not think it was done well in this circumstance as it shows him to be cartoonishly evil, constantly flying back and fourth between sweet and utter psycho, there is no actual reason for angel dust to ever actually go back to the studio, he just does so every so often.

29. Vox

legit who cares? the only thing about him that is in any way substantial is all the dope ass fan art we get.

propaganda machine angle that is not explored at all, just hinted at. no actual barring on the story whatsoever.

why didn't he try to do the same shit as alastor by the way? he knows its bad if alastor gets in good with charlie so shouldn't it be a ass kissing race?

same body shape as literally every other male character.

tumblr sexy man version of pyrocynicals fursona.

30. Valvette

the actual poster child of the shows huge problem of "Show me, don't tell me".

apparently the glue that holds the villains together. never shown.

apparently the one that makes the love potions that valentino is famous for. had to learn about that in the fuckin wiki trivias

we know so much about her from things outside of the show.

was there to call carmilla a coward, that's her plot contribution. she shows up every now and again but its never anything substantial and serves to more around take up run time for people We Don't Need To Know Yet.

im not trying to be mean, animation is animation, we need smaller studios to have success in the industry so that other indie studios can have that success, felling a tree makes it easier for others to follow. showing that its possible to number brain rot exacs helps all animators.

but this show has so much bullshit attached to it, it has so much fucking potential that it fries my brain with unyielding frustration.

this took a bit to write, im tired, thanks for reading.

[skamenglishsubs]

Subtext and Culture, Young Royals, Season 3, Episode 6

Out here in the real world it's been a week since the cliffhanger ending of episode 5 where Simon broke up with Wilhelm, but in-universe it's just the next day, and Wilhelm is being comforted by Felice.

Subtext: This entire episode is incredibly meta, there are so many times characters say things that reference earlier seasons or episodes, or the entire series as a whole. This is the first time, and Felice is saying what we're all thinking. IS IT REALLY OVER?!? 😱

Blink and you miss it: Felice gives Wilhelm her sunglasses and dries his tears so he can hide the fact that he's been crying. Also, look at that gorgeous Swedish summer. It is so pretty.

Culture: The third-years are painting the banners that go on the trucks on graduation day.

Culture: They're also signing each others' student hats, which is a common tradition. You can just sign your name or write something funny or do whatever.

Culture: This car is what we in Sweden call a sossecontainer. It's an old 90's Volvo, it's square, it's ugly, and it was pretty cheap and reliable, so it was very common and popular among working class and the lower middle classes. It was never a high-status car, so it perfectly illustrates the Eriksson family.

Subtext: Oh look, another throwback to season 1 when Sara argued with Simon about their dad, and said that he should stop giving people second chances.

Culture: Oh look, another poem by Karin Boye. This time it's Eternity, a poem about cherishing your time with your loved one, and the text is about how good times feel like an endless summer, which is what it certainly looks like for the kids and their teacher in the lush landscape. But just like in the poem, their endless summer is about to end.

Culture: This is pretty much exactly the reason used when real-world Lundsberg was temporarily closed.

Culture: And Wilhelm isn't wrong, the shitty traditions are in the walls of the place, it's always been like that, and it's always been upheld by everyone involved with the school, parents, teachers, staff, and students.

Subtext: Since this is the last episode, let's prepare the viewers to say good bye to the show, and let's do it with a little montage of students crying and taking their stuff down and emptying their rooms.

Culture: This is a 100% factually true statement, Göteborg is the worst city in the world. Source: I'm a native Stockholmer, and you just have to trust me on this, ok? Look, it's just common sense, alright? Don't listen to people from Göteborg, they're just jealous they're not living in the glorious capital. Also, they talk funny. And they have no sense of humour! And everyone is named Glenn or something.

Culture: I don't think they're referencing an actual school here, and the current Norwegian royal children went to school in Norway, not Switzerland. But the current Danish crown prince went to some boarding school in Switzerland for a while, but then he went to the Danish elite boarding school Herlufsholm. However, it was rocked by a bullying scandal in 2022, so they had to pull him out of that one and deny all knowledge of the events. Feels familiar?

Culture: Solliden is the private summer palace of the real-world Swedish royal family located on Öland, an island off the south-east coast of Sweden. The show has consistently stayed away from every likeness with the real world, but I guess they couldn't be arsed making up a fictional summer palace for the YR royal family so they went with something familiar.

Subtext: Farima is talking about the problems of finding a new school for Wilhelm from an academic perspective, but he's just thinking about how this means he won't be close to Simon any longer.

Culture: Vincent and the boys are pouring one out for Hillerska. It's a way to toast a dead friend, or in this case, a place.

Blink and you miss it: August places a king chess piece on the table before telling his friends that he's Wilhelm's reserve and might be king someday.

Subtext: And he's still so blinded by the glamour of it, despite everything. Thankfully, his friends can bring him down a couple of pegs.

Blink and you miss it: While Wilhelm is returning Kris, the book from last season, the second book in the pile is a book by Kjell Westö, Den Svavelgula Himlen - Yellow Sulphur Sky. It's about a working class kid in Finland becoming friends with his upper-class neighbour family, and his struggle maintaining a relationship with the girl of the family because of their class differences. Slightly on the nose there, show.

Meta: Henry interrupting our boys at the worst possible time is just a running joke at this point. How many times has it happened now? Four times? Five? Read the fucking room, Henry!

Subtext: Last chance to have a party together, but also last chance to see Simon, "maybe ever". Oh no, we have to start preparing for a sad ending!

Culture: Red solo cups are not a thing anywhere outside the US really, but you can buy them as a gag gift in Sweden, because to us they're just a weird movie prop we've seen American movies. Every other party scene in the show has featured regular plastic cups.

Culture: Drinking with the teachers?!? Yeah, sure, why not, everyone is an adult.

Subtext: Emo outfit? ✅ Sitting on the floor? ✅ Full of self-pity? ✅ Exaggerating the catastrophic state of his world in the way only a 17yo disaster boy can do? ✅

Meta: Another throwback to how Wilhelm was referred to as the party prince back in season 1.

Blink and you miss it: Felice hides the wine bottle behind her back before Malin comes in. She knows, Felice. Malin knows everything.

Meta: Another throwback to when Wilhelm was eating the dirt at the very same football field that disaster emo boy Simon is now sitting at together with his friends, who are trying to convince him to go to the final party.

Subtext: This time, August isn't just sorry that he got caught, he is genuinely sorry for everything he did to Wilhelm. He in turn forgives August, and we're all getting closure for this plot point.

Meta: Hey, hey, hey guys, do you remember that scene in season 1 episode 1 when Sara helped hold Felice's hair while she was throwing up? We're doing a throwback here!

Meta: Hey, hey, hey guys, do you remember that scene in season 1 episode 3 when Felice told Sara that maybe you don't have to speak the truth all the time? Well, Sara still doesn't understand why you would lie, but this time she's right, Felice was right to tell the truth.

Blink and you miss it: Stella and Fredrika are making out at the party, Felice saw it, and is making a very funny face. This is also why Stella rudely rejects Rosh, because of course she's gonna choose Fredrika, Rosh was just a distraction to make her jealous.

Subtext: Vincent is talking about Nils, who just came out, but August just saw Sara, and that's the whoever he wants.

Subtext: But despite saying that he doesn't care about anyone else seeing them, he still ducked behind a stack of pallets for this conversation.

Meta: This is a brutal Fleabag reference.

Cinematography: This scene is overwhelmingly lit in that sickly greenish fluorescent hue, but there's golden light coming from somewhere, so Sara and August share one final kiss in that golden light. But there's not enough of it to go around, not enough for their love to last, so August is left standing there alone, and all the golden light is gone.

Cinematography: Wilhelm and Simon left the party sometime after midnight, this is supposed to be a very early morning summer sunrise, and our boys are just gonna be bathed in the golden light throughout the entire scene. Gods, it is pretty.

Meta: Hey, hey, remember that scene in season 1 when Simon was singing that song, and Wilhelm instantly fell for him?

Meta: Hey guys, remember that scene in season 1 when they were discussing welfare politics in class and Simon threw shade on Wilhelm? This is a throwback to that.

Cinematography: Just fucking look at this shit. What a nice view. The nature and the sunrise is pretty, too! Going naked into the water? Yeah, that's a rebirth metaphor as well. Lisa said so!

Subtext: This entire scene is basically Wilhelm trying one last time to get Simon back. They said they weren't gonna, but he's trying anyway. They're talking about that politics class where Wilhelm couldn't speak up because he was "not allowed". So he's still bound by his royal duties, which is why Simon broke up with him last episode.

Subtext: And since Wilhelm is still stuck, he's left on dry land, while Simon swims away from him, free. Guys, I'm thinking we're actually gonna get a sad ending! This does not look good! 😭

Blink and you miss it: Stella and Fredrika are sleeping in the same bed and making out the morning after, and millions of #Stedrika shippers are rejoicing! Yay, fanservice!

Blink and you miss it: Walter is helping Henry up after he passed out in the grass outside after the party, and millions of #Walty shippers are rejoicing! Yay, fanservice!

Subtext: The last photo Wilhelm takes down from his wall is the one with him and Simon, because that's the most important memory of this place.

Blink and you miss it: Wilhelm shuts off his red lightstrip in his room. Those lights have typically been a symbol of his love for Simon, but he's turning it off. Sad ending confirmed.

Meta: Listen, it's a lovely little song that Simon wrote for Wilhelm, but it's 100% fanservice, it's referencing events in the show that Simon actually didn't witness, and it's even referencing the soundtrack to the show itself! I mean, come on! And we're getting yet another sad boy Wilhelm montage of him moping around Hillerska with his earbuds.

Subtext: Remember how the frog snowglobe was a gift from Erik, who in turn got it from their grandpa, the king? It's so obviously a symbol of the monarchy, but Wilhelm is dumping it in the trash. Are we... Are we not getting a sad ending?

Cinematography: The shot of the flag being raised is cut off at half mast, which is a pretty universal symbol for mourning. Oh ok, we're back on track for a sad ending.

Subtext: This is the first time this season that Simon speaks Spanish with his mom, and the first time in the entire series that Sara does, which shows that they're fully themselves again, they've pulled themselves out of the Hillerska world.

Culture: The graduating students are having a champagne breakfast before the graduation ceremony, that's also very common in Sweden.

Subtext: Felice and the rest of the choir decided to have a little rebellion and not sing the boring old Hillerska song, and instead the new improved one that Simon made last season. No-one told him about the switch though, which is why he's so surprised.

Culture: After the ceremony, the graduating students will run out of the school to find their parents and family and friends, who are waiting for them, usually with a big sign with the most embarrassing baby picture they could find of them.

Blink and you miss it: August's mom and stepdad have also made a huge sign with an embarrassing picture of August Malte as a kid. Adorable.

Lost in translation: The queen is saying "lilla gubben", which literally means "little old man", a very common term of endearment in Swedish families. The show has been pretty consistent in that Wilhelm's family are all using normal words, just like any other family would. So it's pretty funny that despite everyone else using titles and styles all the time, to Wilhelm, his parents are simply "mamma" and "pappa", as if he was a regular kid.

Subtext: As a graduating student you get little gifts from your family, flowers, champagne, stuffed animals, all with a blue-and-yellow ribbon so you can hang them around your neck. August is family, so the Queen gives him one as well. Of a frog with a crown. Which is a symbol of the monarchy in the show. Wilhelm threw his frog in the trash, August is getting a frog from the Queen. I think there might be symbolism here! I think we're setting up August to become the next king! Do we dare hope for a happy ending?

Cinematography: Just fucking look at this shit. The composition, the contrast, the height difference, the distance between them. It's so pretty. And they're talking about how good it was while it lasted, just like how a TV show with a sad ending can still be an amazing experience. Hint hint.

Subtext: We're saying our goodbyes, Wilhelm and Simon are saying goodbye to each other, Wilhelm wishes Simon a nice summer, just like how Simon wished Wilhelm a good Christmas back in season 1, and just like back then, they both understand that they love each other, but can't be together.

Cinematography: And then Simon exits the scene, again, leaving Wilhelm standing there alone, again, having seemingly chosen his family and royal duty.

Culture: It's common to either rent a truck as a large group of students, or to be driven in a flashy car alone or with a friend. The two girls in the centre are sitting in a very nice Aston Martin, while a bunch of their classmates are on a truck. I can't make out the full text on the banner, but I think it says something like "Lock up your sons because tonight we become like animals".

Culture: Svensson is a very common Swedish last name, so to "be a Svensson" basically means that you're super average and mediocre, you're like everyone else. Whereas these elite kids are used to having everyone else bow and scrape for them, so that message is on brand.

Cinematography: We're in the car, it looks like the ending of season 1, and we're doing a close-up of Wilhelm's face. We're ready for the fourth-wall-break of him staring sadly into the camera, having been once again broken down by the system and not getting the boy. We've said goodbye to everyone, roll the credits, start your crying...

Cinematography: ...except the show isn't ending here. We're having an honest conversation between Wilhelm and his parents for the first time. Because every other time he's said that he doesn't want to be crown prince of the next king, he's been angry or upset, he's been threatening, and definitely impulsive. But he's never wanted any of it.

Cinematography: His parents let him go, they open the door to their van, Wilhelm exits, and the show turns up the volume of the soundtrack. "Energetic music" my ass, it's the Harmony theme! It's the main theme of the entire show playing as Wilhelm runs away.

Subtext: Oh, yeah, August sees him run away, and understands that he's next in line now. Sorry buddy, sucks to be you, but never mind that now. RUN, WILHELM, RUN!!! GET YOUR MAN!

Cinematography: The shows turns into the most perfect rom-com, with Wilhelm chasing down Simon's car through the incredibly lush and green Swedish summer. He catches up to them, tells Simon that he ditched the crown for his own sake, and asks if it's really over between them.

VAD FAN TROR DU?

As if the soundtrack wasn't triumphant enough, it now starts playing As Long As you Are Here as they throw themselves in each other's arms. Happy ending! They're crying, I'm crying, we're all crying! 😭

Cinematography: A montage? With all the best scenes between our boys from the entire show? With the text of the soundtrack perfectly matching the montage? I should be outraged at how cheesy this is, but it is perfect. Perfect. I love it. I swear, this fucking show.

Subtext: Finally we are at the true ending of the show. Wilhelm has managed to escape Hillerska, him and Simon and Sara and Felice have all escaped the hierarchies, the expectations, the duties, and the toxic environment of the school. He arrived in a Ferrari, and is now running away with his boyfriend and friends in a crappy Volvo station-wagon. The stiff suit jackets are gone, they're all in white, his hair is ruffled in the wind, and for the last time ever Wilhelm looks into the camera. And he smiles.

He is finally free.

[fannyyann]

Tkachuk tells NHL.com how change in approach lifted game for Panthers

Forward no longer playing it safe, becomes ultimate clutch player in Florida

FORT LAUDERDALE, Fla. – There was a time in Matthew Tkachuk’s life when he played it safe. It’s hard to remember now, hard to get that image out of your head, the one where he is crushing opponents and taking over Stanley Cup Playoff games and literally walking off the ice after scoring a game-winning goal in the fourth overtime of Game 1 of the 2023 Eastern Conference Final. 

It’s hard to remember there was a before. 

But there was.

Once upon a time, like most mortals, Tkachuk didn’t want to make a mistake. He didn’t want to be blamed. He didn’t want to err, to let down his teammates, the fans, himself. It was a time when he wasn’t quite as confident, wasn’t quite as assured -- if that can be believed -- when he didn’t know that, for him, safe was the riskiest play of all. 

“I think maybe earlier in my career, being a young player, not wanting to be the guy that made the mistake, [I] maybe played a little bit safe in the high-pressure situations,” Tkachuk said. “Just trying to play it smart and, honestly, safe’s a perfect word for it. 

“And then a couple years ago, I was like, why not make the play when nobody else wants to try to attempt it because they’re too nervous [about] what bad’s gonna happen? And I’ve seemed to go the other way, in the extreme other way, and that’s seemed to work the last few years.”

Tkachuk pinpoints it exactly, to 2021-22, his final season with the Calgary Flames, before the trade, before he landed in South Florida and became a genre-crossing star, before he helped propel the Panthers to the Stanley Cup Final last season. 

“I was like, ‘Why not?’” Tkachuk said. “Why wouldn’t you want to be the guy that can make that right play at the last minute of the game or whatever? … I’m like, I’m capable, I feel like I’m a good enough player where I can be confident in myself no matter what the situation is. And that’s just kind of kept going.”

The Panthers and Tkachuk will need it to keep going, as they head to the playoffs having hit a tough skid of late. The Panthers, who are set to face the Boston Bruins at TD Garden on Saturday (3:30 p.m. ET; ABC, ESPN+, SN, TVAS), are 3-6-1 in their past 10 games, including a 6-0 win against the Ottawa Senators on Thursday. 

They are second in the Atlantic Division, four points behind the Bruins, having clinched a playoff spot on March 28, a far cry from last season when the Panthers clinched with a single game remaining on their schedule. They then fell behind 3-1 in the best-of-7 first-round series against the Bruins. That was when they -- and Tkachuk -- came roaring back to force a Game 7. To win that Game 7. 

“I knew what he could bring on a stage like that, but I don’t think the whole rest of the world knew what he could do,” brother and Senators captain Brady Tkachuk said. “So for him to show what he was all about is pretty cool. And I think he’s got another level to his game.”

Paul Maurice thinks he knows why. 

The Panthers coach has seen a handful of players in his career who are elite, who might even rise to the level of potential Hockey Hall of Fame players. And when he’s viewing them, he notes something, something that seems to be common to all of them.

“I watch them and they have a higher expectation of the result,” Maurice said. “And the analogy I used [was] when that guy goes in and buys a suit, he expects it to fit right and it’s going to look good. He has an expectation of the result. 

“With Matthew, it seems to me, it’s tied, there’s four minutes [left], he’s excited about that situation because he has a really high expectation that something good’s going to happen because over the course of his life, that’s exactly what’s happened. It wasn’t a lottery. It’s just he’s gone out and made it happen, so he wants to and believes it can. 

“I never sensed any arrogance on him. I truly have not. It’s not like, hey, give me the puck, I’m the shooter. He just thinks when he hits the ice, it could happen, and his life has told him that it could happen. So why wouldn’t you enjoy the hell out of that?”

Oh, and he is. 

Not only has South Florida been a revelation for Tkachuk, so too has the team, which has entered into the top echelon of the NHL. He has figured out himself and his game, not only that he can -- and will -- come up big in the biggest of moments, but that he can also adjust to fit what the team requires, mold his game to the situation. 

Asked if he is a chameleon, he readily agrees. 

Especially in the playoffs. 

“I look at those types of playoff games differently,” Tkachuk said. “Like some people if they’re not producing, they’re not doing too much to help their team, whereas one of the good things that I’m able to do is recognize what my team needs out of me on that particular night or that particular shift. 

“There are some nights when offense comes second and all I’m trying to do is run around, be physical, try to forecheck and try to gain my team momentum like that. Even if teams are keying in on me or really focusing on me, there’s ways to make an impact.”

No one can argue with that. The Bruins still bear the scars -- some literal, some figurative -- of what Tkachuk did to them in the playoffs last spring. 

In the final four games of the first-round series, Tkachuk had eight points (four goals, four assists) to help them win the best-of-7 series. 

Boston forward Trent Frederic, who traces his understanding of Tkachuk back to basement games as kids in St. Louis, said that he thinks that, likely, had Tkachuk not been on the Panthers, the Bruins would have advanced. 

But he was. They didn’t. And now it’s not hard to believe that many teams are uninterested in seeing the Panthers on the opposing bench in the playoffs, in seeing Tkachuk on the opposing bench. 

Before a cracked sternum forced him to miss the fifth and final game of the last season’s Cup Final, Tkachuk had 24 points (11 goals, 13 assists), including four game-winning goals, in 20 playoff games. 

“So the playoffs, I think the one quote, he’s a [expletive] gamer, that’s how I feel about him in the playoffs last year. And I know it’s profane, but it’s also very specific words, it’s exactly the way I feel about him,” Maurice said. “Sometimes the words just fit. Sometimes they’re casual and you swear too much. Sometimes I do. But that is how I -- a [expletive] gamer. He comes up with the biggest plays time and time again. And his energy level to be able to play at that level, that was specific to the hockey. 

“This year, I’ve gotten to watch what an incredible leader he is.”

He sees it on the bench, in the exhortation of his teammates, in his calming of them, in his barking at them. He sees it when he brought a friend and his two kids into the dressing room after a game in Detroit, when Tkachuk paused in his postgame showering routine to sign a jersey, to take a picture, to get Carter Verhaeghe out of the shower to sign the other jersey. 

“I don’t even blame players who don’t sign,” Maurice said. “But he doesn’t have to do that, and he does that consistently. … It’s not fake. It’s not showy. I think he understands the responsibility that he has and he takes care of it.”

There are so many responsibilities heaped on Tkachuk now. 

He is a leader on the ice and off it. He is the second-leading scorer, with 83 points (24 goals, 59 assists), the top chirper and certainly the most talked about player on the Panthers. And he is ready, once again, to receive that pressure. He is ready for the playoffs. He is ready for the eyes and the lights and all that comes with it.

“I enjoy it,” Tkachuk said. “I think that the high intense games and the rivalry games and the, just like the intense part of the games that some guys might not feel too confident or comfortable, I seem to thrive in them and I love those moments.”

There will be no shortage of those moments in the waning days of the season, in the start of the playoffs, as the Panthers attempt to replicate their Cinderella run to the Final last season -- without the Cinderella part. 

Because much like the Panthers, who have been at or near the top of the NHL all season, there will be no surprises when it comes to Tkachuk. He is known, now. Known for stealing games, for coming up big in the biggest moments, for never, ever playing it safe. 

And when the pressure comes, as it will, he will be right there. 

“Knowing him, that’s going to make him go to another level,” Brady Tkachuk said. “And I think for him, he’s going to love, not the spotlight, but the opportunity that comes from that and what he’s going to be able to do with that. He gets better when the pressure is higher.”

[danaredbeard]

Perfect ending to a perfect season 10/10

This was not “rushed” they just did not lionize and platform yet another sociopathic looser nitwit with fascist intentions.

Just imagine, he gave that same pathetic speech to over 2000 people and without hesitation they kissed the sword. Although, he says he never gave it to someone like Rick, an “A”.

The difference is that others saw themselves becoming elite and Rick saw that killing others for them to survive was unsustainable.

So here is how I am understanding the situation, it isn’t Beale the person who is the Big Baddie Villain but the “Left behinds” and there are plenty. This will have to be a personal choice not blamed on an institution.

I have been squealing about these shadows since season 6. My recent post a few days ago on Reddit got flagged and shadow banned. I swear Reddit single handedly dumb downs this fandom because the mods aren’t too bright. It’s been years since I’ve been on Tumblr but it allows independent thought ans there are no tthought police like on Reddit. This is why they are all so shocked that the “allowed” theory on Reddit didn’t happen. I would love to make videos but I am afraid that is not in my ministry… so Tumblr and Canva will have to do.

I can tell you with 98.96% accuracy who is CRM more detailed posts coming… if there is season 2, otherwise I won’t waste my time):

Negan - The entire setup of the Sanctuary was a mini version of CR Philly. There was even a nod to the Sanctuary in this episode, Jadis room number 613 or season 6 episode 13 “Same Boat” the one where Maggie and Carol are captured by the Saviors and shows the inner workings of the Sanctuary and Negan. He also saw the helicopter with Jadis and said nothing.

Deanna and Aaron - Rick was right about Aaron, he was up to no good but changed his mind when the family saved his boyfriend. He talked Deanna into keeping them all in return for teaching them how to survive.

Jesus - He was on his way to recover the CRM truck of supplies but Rick and Daryl got to it first. But I think he was already hesitating when attacking the satellite station he made sure not to be seen. I thought it was because he did not want Hilltop implicated by now I think it was CRM. Also interesting that he was the first to be killed by the Whisperers.

Tara - she never explained Heath’s disappearance

Enid - evacuated herself before the herd was set on Alexandria always going off by herself

Jesse and her whole family. Her son stamped a letter A on Rick

Can’t say about the Commonwealth cuz I haven’t watched it. Stopped after they branded a pregnant Michonne.

The Whisperers I mean “A”lpha and “B”eta also Beale mentions fighting using the hordes must be an alliance

In TOWL that woman who was chatty to “Dana” and gave her full government name.

There’s more I’ll keep adding to this list.

Way forward I see skirmishes and people taking sides, What I would love to see is that Rick Grimes name gets to be known because (and Michonne) saved Portland.

I would also like to see Michonne reunite with Elle of the Caravan and finally settle their people.

Beale showed Rick Walker hordes of 1 million they will have to eliminate those and not wait 14 years for them to decompose.

Personally, I would love for Michonne to have another child so that she and Rick can enjoy bringing in new life.

What I think Rick and Michonne aka George and Martha bring to the table is piecing together the puzzle of humanity. Some groups are good in growing crops and other like episode 4 were excellent at appropriate technology and innovation (obs not good at food production)

So we will see how this goes. The the time constraints and the ENORMOUS amount of content they had to cover (Rick's missing 8 years and Michonne's missing 2) , plus CRM, plus love story I give this 5STARS and 10/10

[butterflydm]

wot rewatch (book spoilers edition): 2x5

Not only is this one going to have spoilers for all the aired episodes plus any teasers (including the trailer for episode 6), it will also have book spoilers through book 14: A Memory of Light.

An interesting change from the books is Suroth calling Loial a slave -- in the books, the Ogier of the elite guard are very specifically not enslaved (I wonder if they got as badly jacked up by the Longing as the ones in the Westlands but their 'solution' ended up involving the Empress and the Crystal Throne somehow?). Since this exception is never explained in the books, I don't have any issue with it being changed.

2. I also think we are getting some really good set-up here for a potential fracture in the Seanchan once we get deeper into the series -- a fulfillment of the narrative promise that Jordan set up in books 2-9 but then backed away from once we hit Crossroads of Twilight & Knife of Dreams. I'm hopeful that we're actually going to get the Seanchan civil war that the books never gave us but that they desperately needed in order for Mat's characterization to make any damn sense in CoT & KoD.

3. The idea that Ishamael is being something akin to Suroth's Truthspeaker makes a lot of sense (I think only the Imperial family has Truthspeakers in the books? but it makes sense to expand them outward).

4. That Fain plays the game so well with Turak here can serve as a hint that he's playing the subservience game with Ishamael as well (who killed the Fade? in other words).

5. The saa in Lanfear's eyes! I love that we're getting a super-charged look at the True Power this early on. I definitely approve of the change of the Forsaken getting brought back with the True Power rather than being put in new bodies -- that can work in a book, but in a show, you want to keep your actors. Especially when they're so good!

6. The Elyas scene does feel like Elyas is essentially doing triple-duty this season: he's himself (Wolfbrother lore dump); he's Hurin (sniffer who leads them after Fain); he's Noam (completely detached from his previous human life).

7. I do like how Elyas feels... somewhat amoral (not immoral!) -- he cares about his fellow wolves (including Perrin) and only his fellow wolves. Obviously, part of the reason that's there is so that viewers will wonder if Ishamael (the Father of Lies) was telling the truth about Perrin becoming closer to the Shadow the closer he gets to the wolves but that's... a good thing, I think, for Perrin's narrative arc. It gives him a grounded reason to try to avoid embracing the wolves. The show has done a really good job in giving characters believable motivations for their behavior.

Show: has Elyas diss every human that Perrin cares about because he's trying to tell Perrin that he belongs with the wolves and not the humans.

Some Book Readers: Ah-ha! Laila wasn't his pack? Darkfriend!

It was just so clear to me, in watching the episode, that Elyas mentioning Perrin's wife was the last straw that made Perrin push him away. It was not meant as a Darkfriend hint of any kind! Elyas did not know Laila as a person! He does not care about Laila as a person! It's pretty clear that he only cares about Perrin (because he's a fellow Wolfbrother). That's why he only saved Perrin from the caravan; that's why he led Perrin eastward instead of west. He has zero interest in putting himself in danger to help humans; he does not identity with humans.

8. Ooo, I wonder if we're going to see Perrin's wolf name visualized at some point by the wolves -- Young Bull with his axe that is also his horns, strong and protective. Again, the show has done such a good job in showing us the Perrin that I think Jordan wanted us to see but that he didn't quite manage -- pretty much every show-only reactor sees Perrin as genuinely considerate and empathetic and believes that he has a good heart and wouldn't leave people to suffer.

9. Brilliant choice to have Aviendha introduced here and be part of Perrin's storyline. I do really like how Elayne, Aviendha, and Min have all been part of another main character's plotline before anything implied romantic between them and Rand happens. Hopefully, the show does the same thing with Tuon in the season when she gets introduced. I'm going to guess that (rather than going along with Perrin because of Faile) Bain and Chiad are going to help Aviendha meet her toh towards Perrin once she's told that she needs to become a Wise One apprentice and Bain and Chiad will travel with him to the Two Rivers. I suspect that Gaul will be introduced next season as well.

10. I also really like the way they set up Dain and Perrin's future dynamic here as well -- Dain realizes that Perrin is from the Two Rivers, so that gives him a reason to go there after he (mistakenly?) thinks that Perrin has killed his father. I do wonder whether or not Fain will go to the Two Rivers at all. It's kinda... crowded over there, since we know that Slayer was cast (I think). There isn't, imo, any real need for Fain to corrupt the Whitecloaks in the show -- I feel like they can corrupt themselves just fine. (I kinda feel that way about Elaida too) -- and it might be good to tie Fain back into Rand and/or Mat's plotlines.

11. The Seanchan and the Whitecloaks both have a 'evil but not the evil of the Dark One' situation going on, and we kinda get that here, with the (new) innkeeper being even more unhappy with being occupied by Whitecloaks than by the Seanchan. I actually like that they have the new innkeeper here selfishly being okay with the Seanchan -- the issue that I had with various plotlines in CoT & KoD wasn't "it's unrealistic for anyone to be collaborators with the slavers", of course some/many people are selfish enough that it doesn't matter to them that some people get enslaved as long as it isn't them; it was an issue with specific characters turning collaborator without there being anywhere near enough work in the characterization or narrative to justify it. That was the issue that I had.

Especially since this same conversation does illustrate how selfish this man's PoV is, if you pay attention to the dialogue. The old innkeeper's granddaughter was kidnapped by the Seanchan -- SHE would not agree with him that they're totally chill if you only just swear the oaths.

12. Seeing Lady Suroth like this, 'dressed down', as it were, gave me quite a start. She looks almost naked without the super-long nails and the helmet and with me being able to see that she has no eyebrows. Like, it gives her a big 'pathetic and vulnerable' vibe even though she's been just as awful as she was in her introduction.

And it makes me wonder... are people who are sympathetic to Tuon in Crossroads of Twilight and Knife of Dreams also more likely to be good at visualization when they read? Because, personally, I don't see pictures in my head when I read books. I think it's part of the reason why I can so easily accept adaptations in the first place -- there's no prior image that I need to override. I had no firm mental image of how 'Rand' or 'Nynaeve' or anyone looked in the books, so the actors can easily become that person for me. It's all just... words in my head for me. The most that I ever visualize is something akin to black and white abstract sketches.

How this relates to Tuon: one of the deeply frustrating things about CoT+ Mat to me is how he behaves like Tuon is 'not like the other Seanchan' even though her behavior on the page is just as rancid and terrible as any other Blood. But, in her descriptions in CoT & KoD, she doesn't visually resemble other Seanchan anymore -- her hair is growing out, she's in Westlands clothing instead of Seanchan High Blood clothing. But as someone who doesn't visualize characters and scenes when I'm reading a book, the clothes that a character is wearing has little to no impact on my perception of them as a character.

Is it different if you do/can visualize how differently Tuon looks when she's traveling with Mat vs how she looked when she was embedded in the Seanchan power structure? Because it really does genuinely confuse me when I see people repeat what Mat says about her being different from the other Seanchan because her behavior is just... identical to all the other Seanchan Blood from what I've seen in the books -- intensely political and manipulative; firmly supports and believes in slavery; gets off on torture and abuses her slaves even while believing that she's the bestest and kindest slave owner in the world; thinks of herself as inherently better because she's Of The Blood, etc. I remember when Mat places her in the same 'better than other nobles' category as Talmanes in KoD, my brain just bluescreened because he's consistently been shown on the page that she's still just as awful as the others (the chapter where she literally collars and tortures three of his allies is certainly never anything I'm forgetting, even if Mat 'goldfish' Cauthon forgot about it five minutes after it happened). But, yeah, if you visualize characters and scenes when reading books, do those visuals have an impact on how you think of the characters?

(on a character level, I understand why Mat would lie to himself about Tuon if he genuinely believes himself to be trapped in a marriage with her -- the issue with that is two-fold though: a. with Mat's other lies to himself, we are given outside context with other PoVs and behavior from other characters to see that he's lying while in CoT and KoD, we're pretty firmly locked into Mat's warped perspective, and b. Jordan did a shit job of showing why Mat gave up so quickly and just believed that he's doomed to be married to Tuon without him making ANY attempts at fighting the prophecy)

13. Looking forward to the future... I do suspect that we'll still get Semirhage trying to shape and mold Tuon (unless we don't get enough seasons), but I think in the end (exploring @sixth-light's idea about having a split Seanchan Empire instead of having the Sharans), we may end up with Suroth in charge of one half of the Seanchan (who will fight for the Shadow) and one half led by Tuon (who will fight for the Light) and that we will, hopefully, be getting a Tuon who actually has to confront what being a sul'dam means and that the Seanchan will fracture on the issue of slavery (which would make their American accents even more apt) instead of the Westlands characters becoming friends and lovers with gleefully cruel slavers. Having Tuon's 'stubbornness' and pushback against Semirhage actually lead to her questioning the established order would be so much more powerful than her stubbornness being used as an excuse for her dodging and avoiding any character growth for the entire time that she hangs around.

14. I hope that Aviendha's amusement here over Perrin's protectiveness is perhaps going to be more of the vibe we get with Rand & the Maidens once that relationship gets going. Rand really doesn't have the same reasons (so far) to be as unreasoningly overprotective of them as he is in the books, since the Two Rivers in the show aren't Weird about women in danger the way that the books are. It's very much a Perrin hangup because of his wife and we've seen it develop over time. And if Rand feels some protectiveness, I'd like it to be tied more towards him feeling like he doesn't want to lose any of his newfound family.

15. It feels clear that Moiraine is absolutely still bound by the Three Oaths. She obviously WANTS to lie in the scene where she's introducing Rand to Anvaere and Barthanes, but she isn't able to. It's played very much the same way as when she was caught in the Oath last season (one of the funniest moments in S1 is when she wants to tell the Two Rivers' kids that she trusts them now but she absolutely doesn't trust them and can't say the words).

16. So, who in this scene is a Darkfriend. I suspect that Barthanes is and I suspect that Anvaere is not. Anvaere's information session with Moiraine last episode completely destroyed the Shadow's plans for Rand -- it could be the Shadow tripping over itself but I suspect it's just that Anvaere is what she seems to be -- a very political but non-Shadow-aligned person.

17. I wonder if the end of the next episode is going to timeskip us the few weeks to the wedding (thus making it so that Egwene spends several weeks in 'training') -- or maybe we'll timeskip between episodes 6&7. From the preview, it looks like we're going to spend some serious time showing how horrible and dehumanizing the damane 'training' is. What they might do is show us the initial beginning of it -- and then we jump forward and see how things are after several weeks? The mention of the wedding just feels... potentially significant, since it's not from the books. This would give Perrin time to travel to Falme with Aviendha; Mat and Min would have time to get to Cairhien; Elayne and Nynaeve would have time to bond; and Siuan would also have time to get to Cairhien, since we know she goes there at some point. And it might mean that, along with Egwene getting her 'training' from Renna, we might also get Rand getting some training from Logain and potentially Lan as well.

18. I love Verin kickstarting the Black Ajah Hunt so much. I already talked about this a lot in my earlier post about Darkfriends, so I won't get into it here but: fantastic choice. It does imply to me that we don't really need the Wondergirls to go back to the Tower next season to get their Black Ajah Hunting instructions, since there's already a Hunt started by full Sisters. Which I would be fine with -- they literally spend less than a week in the White Tower in book 3. They dip in for Egwene & Elayne's tests, to get more instructions from Siuan, and then dip out again. I feel like the show could easily have them decide to hunt the Black Ajah of their own accord (Nynaeve in particular has a reason to want to go after Liandrin).

19. I do not think that Sheriam knows that Verin is 'Black Ajah' or that Liandrin is (more genuinely) Black Ajah. She and Liandrin were at odds too much earlier in the season over Nynaeve imo. Joiya, otoh, I think might know that Liandrin is also Black Ajah, because she immediately backed Liandrin up in the big group discussion.

20. "We respect the One Power so much that we don't believe that anyone should wield it by accident of birth". I've seen other people (reactors on youtube) wondering if this conversation means that the Seanchan already know that sul'dam are learners, since they talk about training the sul'dam for years and them earning the right to use the One Power, but this line in particular makes me feel like they don't know. Because sul'dam are only sul'dam because of an 'accident of birth' as well. I'm sure that we'll find out, because the realization of the sul'dam secret was a pretty huge moment with Egwene in the books (even if Min & Nynaeve appeared to have completely forgotten the information when they were spending time with Rand later in the series) so it will definitely stand out if it gets played differently and Renna doesn't get that horror of realizing that she, too, is marath'damane.

21. I've also seen people wonder why the damane & sul'dam didn't catch on that Liandrin was channeling to wake the girls and free Nynaeve, but she was channeling that entire time (to hold open the Waygate) so her tiny weave would have been masked by the larger one.

22. Aviendha's attitude towards obligation and honor is going to be such an interesting contrast to how weighed down Rand is by his obligations. Looking forward to them getting some good scenes together in s3.

23. I hope Egwene gets to hit Renna over the head in this version too. And collar her to the wall. I can already tell that this is going to be painful and intense. I did notice that a lot of show-only reactors have NOT picked up on how terrifying and awful the damane slavery is yet, but I feel like the show is going to make it very clear in the next episode. (I don't know how you can look at Egwene in pain here and not already understand but... next week should make things crystal clear).

The preview did show us how... earnest (ugh) Renna is going to be in her 'training' of Egwene. The way she called the damane kennels "your new home" and the (horrifying) sincerity in her voice.

I'm actually wondering if Egwene is going to be freed in episode 7, before Rand gets to Falme, since Perrin and Aviendha are headed in the direction of Falme and it's Perrin who is attached to the Ingtar and Horn storylines and not Rand (who didn't even find out that the Horn is a thing that exists until 2x3). Because Rand isn't actually involved in her rescue in the books iirc -- that was Elayne and Egwene (with Min tagging along). He spots her and seeing her is why he refuses to leave, but since he's going there for his own purposes unrelated to the Horn in this version (I assume), then he doesn't need that extra push to stay. From the preview for episode 6, it kinda sounds like Loial & co are going to try to help her be freed but I'm not sure if it'll work that soon.

Expecting next episode to be extremely rough, emotionally.

Additional spoilers/speculation based on imdb listings (which may not be entirely accurate):

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The actress who played Maigan in S1 is listed as being in the next three episodes (6, 7, 8). She was planning to go west to investigate the rumors. She has not been seen in the White Tower this season. The actress who is playing Ryma is only listed for episodes 5 & 6. Renna is listed for all the remaining episodes; Seta is listed for the final two episodes. That just all seems like interesting information to me, though again, imdb.

Complete side note, episode 7 is the episode that Hayley Mills is listed for. I wonder if she's the Queen of Cairhien that Barthanes is marrying.

[aurillium]

guild wars 2; 30 day challenge

there’s been a couple of these done in the past already, but i fancied making a more up-to-date version. do feel free to take part and use #30daygw2challenge so i can see your entries!

1. which race was the first one you played with? 2. show us your favourite fashion look you’ve created 3. which core Tyria map is your favourite? 4. your favourite world boss? 5. an enemy you find really annoying 6. favourite elite spec 7. do you have a favourite place to afk/chill out? 8. favourite expansion 9. your favourite npc 10. an action screenshot! 11. which profession are you not good at? 12. any friends you play with? 13. favourite dungeon/fractal/raid/strike mission 14. favourite enemy faction (inquest, white mantle, etc.) 15. an underrated part of the game you love 16. favourite living world season 17. show us something you worked hard on! 18. favourite elder dragon 19. a place that reminds you of a fond memory 20. favourite jumping puzzle 21. favourite legendary weapon 22. what is the best thing about guild wars 2? 23. your favourite meta event 24. what’s something you hope ArenaNet will add someday? 25. favourite belief system (eternal alchemy, spirts of the wild, etc) 26. emote! 27. your favourite non-playable race 28. your favourite mount 29. which character is your main? 30. now show us your character roster!

[smuganya]

PATRICK BLANCO & IVÁN CARVALHO Élite | 6.04

[amarguerite]

i am so c o n f u s e d

ive been seeing u reblogging/talking abt the gilded age among a couple others of ppl I follow/talk abt JA and like............ITS LOOKS PRETTY. SEEEMS LIKE ITS A VICTORIAN ERA THING WHICH IS NICE. but but would it be as inapp as bridgerton?? I can just skip through fucking scenes so I can look at the prett dresses but if theres outright fucking itd be age inapp BUT I need smth to watch while crocheting and this seems like the perfect kinda trashy show to watch

so so as a person whos seen it like should i watch it or not? 😭😭

It’s set in 1882 in the first season and 1883 in the second! It’s very mild, in terms of sexual content. Clothed making out between George and Bertha Russell and then in the second season their son has an ill-advised fling with an older woman that results in them making out while fully clothed and a scene of them chatting in bed while under the covers. I think the most you see is Laura Benanti’s bare leg. ETA: there is a scene in the first season where one character tries to seduce another by being naked in his bed but he gets real mad and immediately makes her get dressed and leave.

It’s a lot of fun, but admittedly it’s fun for me for some very specific reasons. If any of these resonate with you, I’d give it a shot:

1) great costuming

2) nearly every contemporary Broadway star is there to chew on scenery, be witty, and wear hats

3) ridiculous gilded age nonsense where ultra-rich robber barons and “old money” New Yorkers fight over who gets invited to what party. The overarching plot of the second season is about the construction of the Metropolitan Opera House

4) neat subplots featuring genuinely cool female historical figures who accomplished an incredible amount given the societal constraints under which they existed. Last season there was a long subplot about Clara Barton founding the Red Cross and this season there’s a subplot about the female engineer who was actually responsible for constructing the Brooklyn Bridge instead of her husband

5) fantastic scenery

6) a look at the Black elite of New York at the time— a group I didn’t know much about until this show

7) Nathan Lane giving one of the strangest and funniest performances of his long and varied career.

8) on location shooting at big Gilded Age mansions in New York State and in Newport, Rhode Island. The house belonging to the character played by one of my fave Broadway prima donnas, Kelli O’Hara, is actually Lyndhurst House, the actual Gothic Revival mansion of actual Gilded Age robber baron Jay Gould.

9) an insanely high props budget that they use to buy such outlandishly delightful things as penny-farthing bicycles and magic lanterns

Is it a good show? Honestly, I don’t know if I can answer that question.

Is it great if you’re a musical theatre fan who enjoys being able to say, “oh my god that’s Douglas Sills from The Scarlet Pimpernel and Little Shop of Horrors playing the Russell’s chef!” Yes.

[narcobarbies]

8 shows to get to know me 💕

tagged by @valkilmerr thanks 😇😇♥️♥️

1. General Hospital

2. the fresh prince of bel-air

3. power

4. gossip girl (OG)

5. elite (first three seasons only)

6. star on fox

7. outer banks

8. high school musical: the musical: the series

tagging (no pressure): @carladuquette , @ivylise-blog , @sharonhawkins , @blackerthings , @disc0dracula @carlarosonn

[atdawnweryd]

S2E5/S2E6 confrontation parallels

(please ignore how freakin ugly and un-uniform these gifs are it was taking foreverrrrrr and I gave up *sob)

So, I feel like there are massive similarities between Simon and Wille's confrontation in the music room in episode 5 and Simon and Marcus' confrontation in episode 6, and I simply cannot continue to ignore them. They proceed like so:

Start off with an incredulous rhetorical question from party 1 followed by a lackluster attempt at defense by party 2. Sarcastic rebuttal from party 1 ensues (the eye before the storm), and then they go OFF, calling out party 2 on their (perceived) hypocrisy, essentially reaming them out for treating them poorly out of selfishness. Party 2 has no come back, party 1 drops mic and leaves.

The really interesting part here, is that Simon is the accuser in the first scene, but takes on the opposite role in the second scene. It's like the show is turning all the things he yelled at Wille in on their heads and giving him a taste of his own medicine. I don't know if this was intentional or I am off in delusional fan-land or what (come on in ya'll, the water's finee!!).

These two scenes together are (for me) a really effective way to emphasize the morally gray area all these characters are kind of residing in this season. It feels super harsh when Simon is yelling at Wille because he is not privy to everything that's been going on with Wille, he doesn't have all of the information. But at the same time, he's not totally wrong either. Wille did make an executive decision to keep Simon in the dark which was pretty shitty.

Likewise, although no one here is really sympathetic to Marcus, mans may have made a point or two. Does Marcus suck? Um, yes. But actually Simon doesn't think that Marcus sucks. Simon quite likes Marcus but is basically unable to get anywhere with him because of his feelings for Wille. Meanwhile though, he still allowed him to think that they were together, and then ditched him at the ball to makeout with his ex, which is kindaaa sketch (objectively. subjectively, it was awesome). However, Marcus also doesn't have all the information about Simon's motives. He doesn't understand how deep this thing between Simon and Wille runs, so from his perspective Simon is just messing him around with the prince of sweden, the elitest godamn elite of all the godamn elites at this goddamn elitist-ass boarding school. And, as a respectable flannel-gay, we all know how Marcus hates those elites.

So all of this really drives home the point that no one here is completely in the right or wrong. It's a messy situation all around, and everyone's suffering for it.

The other thing that I reallllly love about these parallel compositions, is that the argument with Marcus places Simon in Wille's previous position, where he gets similarly hit with accusations that demonstrated a lack of understanding of the full picture. In my opinion, this allows Simon to view his and Wille's confrontation from a different perspective - maybe he was being a little unfair, a little harsh, because he was hurt. But maybe he wasn't seeing the full picture either.

Of course at this point, Wille and Simon have already come to understand one another much better (hey thanks Karen Boye!), and hooked up in the bedroom. But nothing about their situation has truly been resolved, and recall that Simon is still undecided about what to choose re Wille while he is talking to Ayub later in the episode. And when he finally tells Wille he wants to be with him, his condition is "no more secrets between us", referring back to their fight.

I like to think that this experience was just one of several moments that allowed Simon to empathize better with Wille, and to finally allow himself to be open to giving their relationship another chance :)))))

[valuzas]

now that Elite season 6 haves a official release date i need to know, how many of you watch the show? and for those who don’t then what are you waiting for? we are already on pre production for season 7 and that show pays for my mortage so you should totally check it out. also i know i’m under contract with Netflix so probably shouldn’t mention this but let’s keep it a secret.... puta mierda, who is watching House of Dragon? it haves me hooked. i wait every week until Sunday to know what happens with Rhaenyra even if i already know the ending. and just so uncle Netflix doesn’t get mad at me... who watched TUDUM? What are the shows or movies you are more excited for and why is it Elite? Joke, i can’t wait to watch The Witcher cause i love the plot... and i swear i mean it unlike my aunt and mom who watch it for Henry. @hfrpstarters​

[sevendeadlyyamis]

BFB Danganronpa AU idea (Part 1)

Season: I imagine this fanganronpa to be like a reality show, similar to Danganronpa V3. Unlike V3, the students will have legitimate talents and the show will take place in an elitist dystopia, where only true utlimates can succeed in life. The cast will also consist of 28 ultimates (half of the BfB cast) instead of the standard sixteen, given how this season is meant to be an anniversary of sorts. Likewise, some of the previous winners/survivors will abducted...I mean,brought back to participate. This au will also add some world building to the outside world that is watching Danganronpa unfold.

The Crew of Danganronpa:

There were some shady dealings going on to rig the show for particular contestants in the previous seasons, especially if they are the mastermind.

Some of the participants were thrown in due to how they were deemed as threats by the government

Hope's Peak Academy themselves (specifically, the Steering Commitee) are funding these killing games.

Some of the crewmembers working on Danganronpa are connected to the participants

Additionally, the Steering Commitee is a much more powerful force in this universe. Not only are they the ones running Hope's Peak Academy, they are also a multinational corporation (similar to Vought from The Boys) that has its hands in this country's way of life; Such as entertainment, manufacturing, banks, and even some parts of the Federal government.

Outside World:

This specifically killing game is taking place in North America (Canada and the US have formed as one massive nation)

BFDI, II, OSO, ABCDFG, and other object shows exist in this universe.

People deemed talentless are basically used as cattle, doomed to a miserable life(like that one Black Mirror episode)

Social media is accessible, but it's only used as a distraction.

Talents:

Some of the talents will be call-backs to previous games: both official and fan-made. It is a milestone in-universe after all.

They are (Guess which one is which): - Ultimate Conspiracist - Ultimate Surgeon - Ultimate Dollmaker - Ultimate Pacifist - Ultimate Psychologist - Ultimate Dictionary - Ultimate Food Critic - Ultimate Professor - Ultimate Kendoka - Ultimate Pastry Chef - Ultimate Ghost Writer - Ultimate Beautician - Ultimate Voice Actor - Ultimate Prankster - Ultimate Flutist - Ultimate Occultist - Ultimate Crime Journalist - Ultimate Children's Entertainer - Ultimate Robotocist - Ultimate Web Designer - Ultimate Herbalist - Ultimate Jeweler - Ultimate Horror Mangaka - Ultimate Reporter - Ultimate Ghost Whisperer - Ultimate Student Council President - Ultimate Bad Luck (Fake) : Ultimate Illusionist(Real) - Ultimate Paparazzi

Contestants:

-Some of these students have been basically conscripted into the killing game either by their parents or SC.

The way this works is that some of the students were already in the industry as children, starting out as either actors or some other public figure promoted by SC. If the child is suspected to have some sort of talent, once they reached the rightful age of 6, their parents are forced to give their child up to the corporation. Refusal to do so can result in prosecution under the government's order. The only exceptions to the rule are those who have ties to SC, Hope's Peak Academy, or those who are considered "elite". Focusing back on the participants: if they are deemed worthy enough to succeed later in life, they will be put under a lifetime contract that controls every aspect of their life, aside from their talent. More often than not, they will be forced to participate in the Danganronpa reality show, regardless of whether or not they wish to compete.

Likewise, these children will later be scouted into the academy, registered with their talent of choice.

However, there are some exceptions, as there are other ways for Hope's Peak students to be forced into playing the twisted game:

------------------------------------------------------------------

They're deemed a threat by the government

2. They have been charged with some sort of federal crime

3. They have tried to escape the talent system by fleeing the country

4. They willingly volunteered to participate (This more or so happens with "Masterminds")

------------------------------------------------------------------

Elaine Duong (Liy) : - Our Protagonist - Half-Slavic-Greek, Half Vietnamese - Was trained in self-defense - Her diet is the bare minimum - Changed her talent title halfway through - Decent piano player - Feels defined by her past actions - Carries around a personal first aid kit - Because of her talent, she frequently travels around the world along with her agent, especially when there are "special missions" according to the SC. - Detatchment issues - Can speak Vietnamese, Japanese, German, Slovak, Cree, and English - Strongly opposes unecessary violence - Survivor of a previous killing game - Does a lot of fundraiser work - Excellent critical thinking skills - Admires women who are naturally curious (Aka being a Lesbian) - Guilt is a strong motivator - Wants people to understand. - Volunteered for a very, personal reason Leah Rosario (Leafy) : - Pronouns:She/They - Half Filipino, Half Arabic - Fascinated with examining how the body can function along with how things can be taken apart and put back together - Due to the stressful nature of her talent, she has a messed up sleep schedule - Chi-Hao (Woody) is her half-brother, a brother she does deeply care about. - She was one of the children that were forced into the spotlight, this time by her mother. - Much like in canon, she is someone who is sensitive to criticism, particularly when it involves her talent - Picked up some narcissistic 'fleas' from her mother - Tolerant of gorey horror movies - Carries around a scalpel in case of emergencies. - Survivor of a previous killing game - Frequently drinks tea - Has a somewhat unhinged way of practicing medicine. - Secretly mistrustful of others - Oops, I think I made her the Kyoko. Hopefully she isn't too OOC Akechi Hariko (Foldy): - Pronouns: She/her - Polyromantic Asexual - Japanese - Fan is her step-sibling - Has a strong sense of honor and a strong belief in retribution. - Trained herself in Kendo - The cardigan she wears is a gift from Stapy - Owns a journal where she writes down whatever was on her mind - She was spared from the SC contract, since her mother was a celebrity endorsed by them. Thus, she was scouted "normally" by Hope's Peak - Massive fan of the pulp action movies - Currently searching for Stapy - Secretly has an inferiority complex - Owns a dog named Peko Madeline Bao (Puffball) : - She/They Biracial (Vietnamese, White) - Surprisingly useful in class trials - They created the dress they wear by hand - Absolutely a Melanie Martinez stan - Their favourite types of dolls are Ragdolls and Monster High Style dolls - Has a rather robotic voice (Referencing how Puffball's voice is autotune in the actual show) - Adores multicoloured pastels - Has a risk/reward mindset - Volunteered for the killing game - Massive sweet tooth - Favourite aesthetics are kawaiicore, japanese victorian, dreamcore, and dollcore - Deeply touch starved - Doesn't know who her parents are. ------------------------------------------------- SPOILERS (Quickly Scroll Ahead) : - Absolutely the mastermind - That being said, she doesn't do it for the sake of spreading despair, rather she does it to be seen as a"work of art". -She does have some respect for Liy and the others for their dedication to survival -Additionally, the executions can actually be survivable if the student is able to make smart sacrifices. If not, their death wish is signed. ------------------------------------------------ Brandon Owada (Blocky) : - Probably the first person to die (RIP) - Was taken away from his family and made into a child actor - Forced into the killing game because of his contract - He took his anger out during both his time as a child actor, and his time in Hope's Peak - Although, Blocky's Funny Doings International does exist as a web series in this universe, but it was taken down shortly after it apparently contained: "Material denouncing the Steering Commitee" ------------------------------------------------- So that's everything I have for this BFB Danganronpa Au (For this part). I'll do the remaining contestants in part 2.