#sky violation

[highriseinvasion]

Draft illustration for the DVD

From Oba's instagram

[amplexadversary]

Murderbot saying "my humans" whenever it's describing people it's actively protecting is something I find so endearing.

there's a vibe to it that's something but not entirely like a herding dog and its animals and something like a bodyguard and client and something like a brooding hen and something like a possessive and something like a bond or camaraderie and a bunch of other things at once.

there's an element of the dynamic there too, where it will refer to its "clients" while speaking aloud, but mentally defaults to a term that sounds less like a relationship and more of a possessive. it strikes me as a wry turning of Murderbot's reality of being treated like a thing that's possessed onto the collective entity that treatment comes from.

[hellcheercaine]

Aloy (whispering in her head): I love you too.

[holopossums]

Actually, nah. I've recently changed my mind. Blacklisting tcest is clearly not enough in this fandom. I have to do HARD BLOCKING to get those repulsive, violating dipshits off my blog.

[turtleations]

Pink Cloudy Sky, P.S. To the Beginning of the End (Summarized)

Chapter 00 - 01 Chapter 02 Chapter 03 Chapter 04 Part 1, Part 2 Chapter 05 Chapter 06 Part 1, Part 2 Chapter 07 Part 1 Part 2 Final Chapter

From the cloudy sky, as REM sometimes remembered, the warm rays of the spring sun came down.

A somewhat lazy afternoon in late spring. REM was leaning against the wall of the clinic’s waiting room, feeling the weight of the guitar in his knees as he went through the setlist of tomorrow’s live. During practice that night, he would do the final checks. He’d have to plan the timing of the MCs, the finale, the arrangement of the new songs…

Suddenly, his eyes fell on the list of that afternoon’s appointments. There were a few more patients than usual for a Saturday. Maybe he could take a nap first…

No, before those appointments, he had to practice scales.

What was to become of him and SAVER TIGER from now on, no one could say.

He was nervous about it, and impatient. Claiming anything else would have been a lie. The one thing he could say was that leading SAVER TIGER now was the most fulfilling period of his life so far. The one year in which he had put everything into fulfilling hide’s dying wish.

He could not even dream of paying back all he owed him.

But maybe this was enough?

Everything after this, he should do for himself, REM thought.

The SAVER TIGER of those days was over. This was the SAVER TIGER he had breathed new life into.

There was no point in dragging the past forward.

The end of the century, rock music, and SAVER TIGER. Those were the only things that mattered to him in this moment.

Just that, and keeping up the creation of good music, continuing to perform.

He could play the guitar like this. He could feel the strings under his fingers, feel the melody in his ears, feel the music with his whole being.

There was no greater happiness than that.

-

In the afternoon sunlight filtering through the trees, the pick REM was holding in his right hand fell to the floor with a small noise. In his dream, his soul kept sliding over the fingerboard.

-

From autumn 1998 onwards, the new SAVER TIGER continued to go on tour: Starting on the 1st of November 1998 in Yokohama, they had six performances in Yokohama, Yokosuka, Meguro, and Takadanobaba until the 15th of April 1999. Then, in May, they performed in three locations in Yokohama and Takadanobaba.

The second part of their tour started in early August and took them to Osaka, Tokushima, Yokosuka, Yokohama, Chiba, Machida, Meguro, and Kumagaya in 11 shows. The final one was planned for 13th December 1999 in BAYHALL in Yokohama.

REM expresses how ecstatic he would be if those who read this book would listen to SAVER TIGER’s music. And while they are at it, they should check out their official website.

Speaking of which, it was hide who first got into the internet, and used it to communicate with the fans in a meaningful way.

And with this feeling carved into REM’s chest, he wants to put down the pen.

Appendix

Study of the dental pattern of patient Matsumoto Hideto.

At this point, REM want to attempt an examination of patient Matsumoto Hideto as a dentist. The following is based on a dental model he made, as well as things hide told him.

It was a model made for the purpose of examination. That day, it became a special thing for REM: The only memento he had of hide’s physical form. Every time REM sees the model in the waiting room or touches the examination table where hide had been sitting, he wants to talk to that white, inorganic thing.

That is why he is sharing the report on that medical examination now, resigning himself to the criticism of the other people from his field.

It would probably be terribly unreasonable to reach conclusions about hide’s entire body just from that model, the state of his oral cavity, and what he told REM. Moreover, it would be rude to hide, one might think. Others would be of the opinion that it is okay to do it, of course. REM thinks it’s reasonable enough.

But REM’s honest feelings are these: It is not a bad thing to disclose a little bit of hide’s personal matters to the public. In this moment, as his friend and as his fellow guitarist from a band called SAVER TIGER, REM wishes to do all he can for hide, utilizing his means as a dentist.

Therefore, REM informs that the following is not a true patient’s chart nor an actual medical report. It reflects only the personal opinion of one single dentist.

[Patient Matsumoto Hideto] 1) Main complaint (the patient’s acutely perceived subjective symptoms for discomfort) .. Sometimes his jaw joints are hurting. It also happens that he cannot open his jaw. Also, severely stiff shoulders. 2) Medical history (past illnesses and current systemic ailments) .. Arrythmia 3) History of present illness .. Observations of grating sounds and irregularities of temporomandibular joint at times are ambiguous

Psychologically, systemic problems are ambiguous. 4) Current symptoms .. Abnormally stiff shoulders

Since long ago, many cases of clenched jaw, jaw muscles are stressed.

Palpation of temporomandibular joint not particularly abnormal, movement of lower jaw is not irregular or restricted. No palpation of muscle occurred. 5) Symptoms concluded from model of the mouth cavity .. Extensive wear of all teeth, corresponding low occlusion.

This is what REM got from what he heard from hide and the examination of the dental model.

One week after his visit at REM’s clinic, hide went to L.A. again, with no follow-up appointment planned, no clarity on when he would be back in Japan, and with the symptoms of his jaw not being acute, REM did not interview him too extensively. He also notes that there was no time for photographs of the oral cavity or X-rays.

At this point, REM talks a little about temporomandibular joint and how it works. Compared to other parts of the body, it is extremely complex in its movements. With its position between the upper and lower jaw and before the ears, it executes a lot of movements when speaking, eating, or even during sleep for some people.

Very roughly said, there is complex movement when chewing or opening and closing the mouth: Up, down, left, right. In contrast, the abnormal occlusion comes from a way of chewing that differs from the ordinary. Damage to the teeth can also be caused by accidents and violent fights. In any case, if the teeth are worn down by chewing or grinding, the height doesn’t match anymore, which leads to irregular chewing patterns.

If that irregularity is particularly bad, it leads to pain of the temporomandibular joints and overall discomfort. This, caused by emotional stress in the first place, can lead to muscle pain, which in turn leads to more tension.

Opening and closing the mouth can create various problems. This is called temporomandibular joint disorder. Of course, when it comes to hide, REM can’t diagnose that for the aforementioned lack of examinations and tests. But between what patient Matsumoto Hideto told him and the information provided by the study model, it’s a conclusion he finds definitely possible.

The model shows that from the front to the back teeth, all the pointy bits had been worn away so that the teeth were essentially flat. This must have been caused by the teeth grinding hide had told REM about. But for the wear to be so extensive all over, the grinding and gritting must have been extremely strong and have gone on for a very long time.

Teeth grinding is a phenomenon that happens unconsciously in times of required self-control or nervousness and stress. If the grinding goes on for a long time, it often happens that normal chewing is no longer possible. This disturbs the entire system of the jaw muscles and joints and causes pain. If it gets worse, the pain can spread to the surrounding muscles, then the shoulders and fingers and even the back and legs. Also, this affecting the muscles is often the cause for stiffness of the shoulders.

According to the model, the size of hide’s jaw (the gap between the upper and the lower jaw) when chewing was a lot lower than it used to be due to the wear, and the bones inside the joint no longer fit the normal position. The wear is so extensive that REM assumes the pain spread past the environment of the jaw to parts of the body far away from it.

And thus he concludes this meagre investigation.

Finally, there is one more episode REM wants to add in line with this report.

This is how he remembers it:

That day, hide asked him, “How do I get my teeth back to their original shape?” after he came to REM’s office for consultation.

After the examination, they had, of course, gone for drinks, and this is when hide brought it up. REM said, “For that, I would have to fix all your teeth, I think. There is no time for that now, and there is a risk that the shape of your face is going to change. One day, when we are both old men, and there is time to spare, and visuals no longer matter, I can fix them for you.”

Hide said, “Since my teeth are one source for my stiff shoulders, I want to have them fixed. Just, right now, there really is no time for it, but please do it one day. After all, you are to be my attending physician for the rest of my life.”

As attending physician, REM could have been of some help. Even now, that thought sometimes shoots through his mind.

Afterword (1)

With the irresponsible reports and information going around after that certain day, REM wants to detail his days with hide as precisely as possible. And he wants to let as many people as possible know the truth.

That kind of thought is always with him.

“Hey, REM! Please.”

Every day they have this conversation inside REM’s mind, when he listens carefully for hide’s words from beyond the sky and replies, “Hey, hide. How can I help you, so you can rest easy?”

This is a book that has been created as a joint project by REM and Nakamoto-san of Yokosuka, who goes by the name of BENZO, over the course of half a year.

The aim was to write as accurately, truthfully, and diligently as possible about REM’s life as a musician, the historic band SAVER TIGER as made by hide, as well as REM’s irreplaceable days with his sword friend hide, and the enthusiastic rock scene of Yokosuka.

He was aiming to be accurate, but there are probably points where his memory is off, or his perception differs from others. In that case, he is sincerely sorry.

In the light of the close bond he shared with him who has gone beyond the sky, he hopes it can be forgiven.

Finally, he thanks a great many people, starting with hide’s parents, his younger brother, the people from his office, the former members of X JAPAN, the past members and staff of SAVER TIGER, the members of UNITED, AMIT, Doppel Ganger, LAFERIA, and 4th Dimension, Kuriji-san, and then the people of Zushi Dental Clinic, Takeshi-san, Arakawa-sensei, Nakano-san, Someya-san, and many others. Above all, BENZO, who has become a drinking buddy for life and without whom this book would not exist in this form. All these people have helped him greatly, and he takes this opportunity to express his deepest gratitude.

He dedicates this book to his mother, who went to heaven first and may have met hide there, his father, who is still practicing as a doctor on Shikoku, his older sister and his younger brother, his wife Miwa, and their son.

And of course, he wants to dedicate this book, and the next words that come from his heart, to him, who has gone beyond the sky.

“hide, thank you.”

-

1999-05-02   His first birthday above the sky.

-

Afterword (2)

28 October 1999, Thursday, cloudy sky, 10:30 AM.

The night before, REM drank with his bandmates in their usual place, “99”, but their condition wasn’t bad. The window was wide open. Feeling the comforting wind and the morning’s aroma from his fingertips to his hair that once again reached his shoulders, REM went down the national highway No. 134 southwards, towards the coast of Miura. There, on a small hill, different from the rest and seemingly removed from the reality everyone else is living in, is hide’s resting place.

REM wondered if he was plotting new ideas in this place of rest, and if those were now flying around freely through the air…

As always, REM reported about live performances and new songs, and the state of the band, and then made his way back home along the coastal road. There was one tiny thing he noticed:

As REM was talking to hide, a feathered life-form about the size of his little finger’s nail (some kind of insect) was flying through the air around him and the others. At that time, they didn’t particularly care… And now, that life-form was inside the car.

There was no telling if it was the same creature from before, but form and size were identical.

REM calmly closed the window and, without thinking anything, he turned on the car stereo and stepped on the accelerator.

When he got home and left the car, the line between the ordinary and the extraordinary was crossed again.

Several days had passed since then.

It’s the 6th of November now, and with the image of this feathered little life-form flying freely around in his home, REM decides to let the story come to an end.

[tommyssupercoolblog]

It's so interesting knowing how common it is to jokingly flirt or to platonically kiss or say "I love you" to someone when I can't relate at all. I am in full support of it!! Be friends with benefits!! Be in queerplatonic relationships!! Express affection in the ways that feel natural to you!!! Hit on someone as silly banter that doesn't mean anything!!! I'm 100% serious about that, it's wonderful and beautiful and valid.

But If anyone hits on me who isn't Seán I'll literally die

[skyllion-uwu]

OCD is wild I will be going through my day and suddenly my brain starts insisting I've been abusing everyone in my life forever and they don't realize it either because I'm a master manipulator and asking them to make sure I'm not is manipulative too because again they're not aware of it and I also want them to say yes which is a sign I'm aware of what I'm doing and saying anything at all about it is inherently manipulative for the same reasons- like dude we are eating lunch where did this come from

[chicago-geniza]

Me 🤝 S. An-sky

Writing explicitly about sex is too obvious and vulgar, then there is no mystery left. You know what IS erotic? Dybbuk possession 😈

[highriseinvasion]

Draft illustration for the DVD.

via Oba's Instagram

[it-may-be-dull-but-im-determined]

You know what else happened last week though, just before this wretched FIA announcement?

There finally was some justice for Breonna Taylor, all those years after Lewis protested her killing.

The hypocrisy and double standards are absolutely astounding.

Drivers trying to use their voice and platform to make a genuine difference in the lives of marginalised peoples and communities and for the greater good of society and humanity?? Not allowed

FIA president making an overtly political statement by congratulating a corrupt, racist, sexist, convicted sexual abuser and felon on his electoral victory?? Sure go right ahead

[spider-stark]

SAME SIN

pairing | frank castle x reader

summary | in your darkest hour, matt doesn't answer the phone. but frank does.

warnings | blood, death, violence, attempted robbery, religious trauma, possible infidelity, matt's lowkey kind of a bitch in this but that's ok, probably deviates from canon at times but fuck it we ball, MDNI 18+

word count | 3.5k

// masterlist // send me your thoughts // comments & reblogs appreciated! //

Blood wept from your fingertips, dripping onto the asphalt.

It had soaked through the man’s shirt. Oozed from the scattered holes in his chest, pooling around his torso. His lungs breathed no air. His eyes didn’t blink, gazing sightless up towards the Heavens. 

Sickness hit in a crushing wave. 

You doubled over, clutching your stomach as bile surged up your throat, burning over your tongue. The gagging continued long after there was nothing left, saliva dribbling from your bottom lip. 

Then there was stillness. 

Not the stillness of calm, or peace. But punishment. Sentencing. The solemn gaze of an all-forgiving Father as he stands before you, stone in-hand.

[To kill is a violation of Faith—] 

{—You or them?} 

The gun had still been smoking when it’d clattered at your feet. 

Regret felt like a wet blanket on your shoulders, suffocating in its weight. You couldn’t stand it.

Couldn’t stand.

Asphalt dug into your knees, crumpling at the man's side. Your hands had been shaking as you grabbed his wrist, searching for a pulse, praying for it in the way a sinner prays for absolution.

You found none. 

No pulse. No absolution. 

Still, you tried. Locked your fingers over his chest—pressing and pressing, trying and trying. Until thick ribs cracked and caved, until your palms were drenched in warmth and death and–

Rain. 

It was raining. 

Little drops, softly pattering all throughout the alleyway. You watched, dazed, as they slid down the lit-up screen in your hands. 

You didn’t remember pulling out your phone, but you remembered making the call. 

Calls. 

In the Bible, the number seven is considered sacred. Symbolic of divine oaths and promises, of perfection in the purest, most angelic sense. 

Seven times you called the Devil. 

Seven times he didn’t answer. 

You tilted your head back. The rain fell faster, cool drops steady rolling down your cheeks. The sky was a yawning, starless expanse. In the past, you’d always said that’s why you hated the city. The lack of stars—veiled by pollution and human selfishness, replaced by a twinkling skyline made of artificial hope. 

But tonight was different. Tonight, you were glad for their absence. 

At least the stars hadn’t seen what you’d done. 

Blood smeared across the phone screen as you dialed your eighth call. A different tone than before; a number not saved but remembered. 

A number you’d promised Matt you’d never call again. 

{In case you ever need it—} 

[—I don’t trust him.] 

What is trust? 

Once, it felt like the comfort of sunlight pouring through stained glass windows. Sitting amidst the oaken pews with a man at your side—a soft man dressed in a sharp suit, his glasses tinted red and his heart pure gold. 

Now, trust felt like the relief of a call that rang only once. Of cold fear melting into the gruff warmth of another’s voice, heavy with concern as they answered: “You alright?” 

You almost laughed. 

No. Of course not—because why would you call Frank Castle if you were anything other than desperate? 

“Are you busy?” you asked, awkward and hesitant. 

In hindsight, the question felt stupid. There was a body lying in front of you, and certainly no amount of busyness took precedence over that. But then, Matt must’ve been busy. Playing dutiful layer or God’s lone soldier. That’s why he hadn’t answered. 

Unless… 

[Elektra’s just a friend—] 

{—That what we are?} 

On the other end of the line, Frank urged, “C’mon now, doll, you gotta answer me, alright?” Had he asked something? You hadn’t noticed. “Where’re you at?” 

“An alley.” 

A rough, humorless chuckle. “Little more specific, sweetheart.” 

Five blocks from Matt’s apartment, you thought. 

“Off West 51st,” you said. 

“Don’t move.” There was the sound of a door slamming, of boots pounding down a flight of stairs. “I’m on my way.” 

Panic thrashed in your veins, anticipating the sharp click of a call gone dead. “Wait!” A cry, a plea—but for what? You had no clue what to say next. 

You hadn’t told him about the man, or the gun, or the sin. 

And Frank hadn’t asked. You knew this was because the Why? for your call hadn’t mattered to him. 

Only that you had. 

{You call, I come—} 

[—Frank Castle is a murderer.] 

Your eyes squeezed shut. You went to rub them, then remembered the blood dripping from your hands. 

So am I, you thought. So am I. 

Frank said your name. Once, twice. 

Quietly, you asked, “Will you stay on the phone?” 

The sound of another door pushing open, a great whoosh! of air as the city unfolded around him: sirens screaming, traffic blaring. With your eyes closed, you could almost see—shoving from his apartment building, marching down darkened sidewalks with a determined clench in his jaw. 

It wasn’t a man coming to save you, nor a vigilante. 

It was a soldier. 

After drawing in a breath, Frank uttered, “‘Course.” 

Time dragged. 

Hell’s Kitchen droned around you. Occasionally, Frank would ask: You good? to which you replied: How far are you? At some point, you drifted further from the man’s body. Ended up sitting on the ground, your back pressed to a brick wall. 

Your emotions were still fuzzy, as dull as the blunt edge of a knife. But your nerves… those were razor sharp. 

You watched both ends of the alleyway. Vigilant, afraid. Your muscles tensed whenever a car door shut too loud, whenever a stranger passed beneath the distant, buzzing streetlights. 

What if someone noticed? 

Gunshots weren’t such a strange thing in the Kitchen. The Devil couldn’t be everywhere at once, and the cops were either too busy or too lazy to investigate every bang! in the night. 

But if someone noticed you like this—curled on the ground, a dead man at your feet and violent red on your skin… 

He started it, you reminded yourself. Self-defense is absolvable. 

[To a judge? Or to God?—] 

God doesn’t matter. 

[—Why didn’t you call 9-1-1?] 

Why didn’t you answer? 

Your grip tightened around the phone. “How far now?” 

“Check your nine.” In the second it took for you to envision a clock, Frank had already amended, “Left, sweetheart.” There was the barest hint of a smile in his voice. “Look left.” 

You did. 

Frank was little more than a formless figure approaching. He was dressed in all black, his hood up against the rain. You couldn’t see his face, but you didn’t need to. His presence was enough to ease the frantic beat of your pulse. 

When he was close enough to hear, you hung up the phone. Wiped your nose on your sleeve and sniffed, “Took you long enough.” 

Cool and calculating—two descriptors that fit Frank best as he scanned the scene. He took note of the discarded gun, the puddle of watered down blood, the man with three bullets in his chest. 

You were the last thing he noted, and the only one to put a crack in his stern exterior. 

“Smart enough to practice law,” Frank lightly joked, “but not to read a goddamn clock, huh?” 

A laugh sputtered past your lips, melding into a broken sob. 

“Paralegals don’t practice,” you argued, ignoring the tears wetting your cheeks. “And I can read a clock just fine, asshole.” 

There was a softness to his face, one brow raising. “Yeah?” 

“Yeah.” So long as it’s in front of you, and you’re telling time and not direction. 

Frank hummed, his knees popping as he crouched down beside you. “Well I ain’t got a watch,” he said, “so I guess I’ll have to take your word for it.” 

Another weak laugh faded into quiet. 

Then, more hesitant than you’d ever heard him before, Frank asked, “You wanna tell me what happened?” 

Something about the way he said it struck you as odd. Like it was a choice—that you didn’t have to explain. If you wanted, the secrets of tonight could remain just that: Secrets, known only by you and a man who had no voice to share them. 

[Do you remember Psalm 80:9?—] 

Even secret sins are exposed in His light. 

{—How do you deal with it? All Red’s Catholic bullshit?} 

By believing in it. 

Frank took your silence for an answer. Shifted as if he might reach out, offer comfort. Instead, his fingers curled into loose fists. 

“How ‘bout you go wait around the corner,” he offered, “and let me take care of all this?” 

You weren’t sure what Frank’s version of ‘taking care of this’ entailed, but you knew you were comfortable with never finding out. 

Frank followed suit as you pushed off the ground. His movements were precise and easy, while yours were graceless and weighted. Standing, the world seemed to shift beneath your feet. Your mind was still hazy, your bones tired. 

Existence had become an arduous task. 

“When you’re… done,” you managed, your arms curled tight around your waist, “what then?” 

You didn’t want to go home—or to Matt’s. 

You didn’t want to feel alone. 

As if he understood this, Frank simply answered, “I’ll take you back to my place. Get you cleaned up, let you rest awhile.” His head tilted slightly. “You like pizza?” 

The world was ending. 

And yet here stood Frank—no Bible quotes or Hail Mary’s, no judgement for the sin you’d committed or the mess he had to clean. He offered only calm, only patience—and pizza of all things. 

[What do you see in him?—] 

{—Let me take care of all this.} 

You nodded. 

Frank’s apartment was bleak. 

One room total—unless you counted the cramped shoebox of a bathroom, which you did not. The front door opened into a shoddy kitchenette, connected to a living room that clearly doubled as his bedroom. 

He owned minimal furnishings. There was a lumpy couch, a small table with one chair, an old doormat that read Stay Awhile! except the Awhile had been all but completely rubbed off. You assumed that’s why it was inside instead of out—because even indirectly, Frank Castle wasn’t the type to ask anyone to Stay. 

Behind you, Frank grunted as he kicked his boots off onto the mat. You wondered if you should do the same, but didn’t. 

It felt strange to be in Frank’s apartment. Not because it made you uncomfortable, but because it didn’t. You felt fine. Still shaken, still a little sick—but safe. 

Would Matt be able to tell? Would he smell the gunpowder and Old Spice clinging to your skin and know that you’d been with Frank? 

That’s how you knew when he’d been with Elektra. You didn’t need super senses to smell her perfume—a heady mix of cloves and something citrus, lingering on his shirts as plain as if it were lipstick on the collar. 

Unthinking, you said, “You should get a bird.” 

Frank chuckled. “Yeah? And why’s that?” 

You weren’t sure. It was just the first thing that had come to mind, a means of evicting Elektra from your thoughts. 

“It could liven the place up,” you suggested. Though, after taking another glance around, you realized that might be asking too much of one little bird. 

He’d need a flock. 

Frank slipped past you, warmth crawling up your spine at the slight brush of his hand against your back. You told yourself it was unintentional—no more intimate than someone scooting past you in a crowded bar or a grocery store aisle. 

Still, the warmth lingered. 

“Don’t think I’m much of a bird guy,” Frank admitted from the kitchenette. Then, nodding towards the couch, he added, “Sit.” 

You drifted that way and sank into the cushions. The springs were practically nonexistent, and the brown leather peeled like a bad sunburn—impossible not to pick at. 

“What kind of guy are you, then?” you asked, more interested in a distraction than his answer. 

Frank dug around in the cabinets, grabbed a plastic mixing bowl, and went to the sink. “I like dogs,” he told you, loud enough to be heard over the running water filling the bowl. 

You pretended not to hear him anyway. 

After starting at Nelson & Murdock, you’d planned to get a dog. It seemed like the right time. You had your own place, your own income—and you knew Foggy would love having something cute and furry around the office. But then you got closer to Matt, and the dream died before it ever began. 

Dogs were too much for Matt. Too many smells, too many sounds, too many textures. Back then, you’d thought it was a reasonable sacrifice. No dog in exchange for an incredible boyfriend. 

You knew better now. 

You should’ve picked the dog. 

Dragging the lone chair from the table, Frank settled in front of you with the bowl of steaming water and a thin cloth. His eyes went straight to your hand. You assumed it was because of the dried blood until he said, “You’re fucking up my couch.” 

You stopped picking, dusting the flakes of leather onto the floor. “It was already fucked,” you defended. 

“So you gotta make it worse?” 

You fixed him with a blank stare. “Nothing could make this couch worse.” Short of setting it on fire, that is. 

“That how we’re gonna play this?” Frank looked like he was holding in a laugh. “I let you in, offer you food—and you pay me back by talkin’ shit about my couch?” 

“It’s not just the couch,” you stated plainly. “It’s the whole apartment.” 

It reminded you of prison—a place that you, Foggy, and Matt had worked hard to keep Frank out of. Even if the trial hadn’t gone as expected, you hated the idea that all that fight had been for this: A peeling couch, a faded doormat, a lonely little chair. 

Frank deserved better than that. 

[Have you forgotten?—] 

[Castle was charged with 37 counts of murder] 

[—Why are you so attached to this case?] 

With the bowl balanced on top of his legs, Frank dipped the cloth in and wrung it out as he joked, “Guess I need that bird.” 

Your lips twitched. Not quite a smile, but close. 

“Guess so.” 

Frank held out an open palm. Without thinking, you laid your hand against his. 

The water was too hot. Not quite burning, but still uncomfortable as he pressed the cloth to your wrist. But you didn’t flinch, utterly motionless as he wiped in slow, circular motions. 

His touch was far lighter than you’d imagined. 

Not that you ever had imagined it. 

As the cloth moved down to your fingers, Frank’s focus grew more intent. He was meticulous in cleaning every line of your knuckles, the dried blood caked under your nails. 

Only when the water in the bowl had turned the color of rust, the cloth stained and your skin spotless, did Frank trade one of your hands for the other. 

Only then did you confess. 

“He had a knife.” 

Half a second—that’s how long Frank’s movements faltered before he kept on cleaning. You were thankful he didn’t try to look you in the eye. That he didn’t have to for you to know he was listening. 

“Foggy has a deposition in the morning,” you continued shakily. “He always forgets to print his motion, so I stopped by the office to do it for him and… I don’t know. On the way back home, I could just feel it, you know? That someone was there. That they were following me.” 

An understanding nod as Frank moved the cloth to your index finger. 

“I know it’s stupid,” you told him. “But I thought if I cut through the alley, got closer to Matt’s, then–” 

He’d hear it, if the worst happened. The Devil would come. Your boyfriend—if you could even still call him that—would save you. 

But that had been a stupid, childish thought. 

“I figured I could lose him,” you said instead. “That I could turn the corner and just run in circles until he gave up. But he was fast. I wasn’t even halfway down the alley when he ran up behind me, when grabbed my shoulder and–” 

Your breath caught. Frank’s touch moved slower, gentler—a feat you wouldn’t have thought possible. His eyes caught yours in a concerned glance. Only then did you remember how to breathe. 

“It was just a knife, Frank. A knife—and I pulled out a gun!” A short, hollow laugh. “I should have let him rob me,” you rationalized. “At least a wallet can be replaced. But him, his life–” 

Frank cut you off. “How do you know?” 

Your brows furrowed in answer. 

His hand went still against yours, holding the cloth wrapped around your ring finger. “That that’s all he wanted,” Frank gruffly clarified. “To rob you.” 

“I don’t, but–” 

“You remember what I told you? When I taught you how to shoot?” 

{You or them?—}

Frustrated, you insisted, “It’s not that easy, Frank. It’s not my choice!” 

[—It’s up to God, who lives and who dies.] 

Frank shook his head. “That’s the Catholic in you,” he argued. 

“I’m not Catholic,” you snapped, low but harsh. Frank looked confused, and you fought to keep the shame from your voice as you muttered, “Not anymore.” 

Religion, you’ve learned, is a funny sort of thing. Even when you stop believing, it never truly goes away. God becomes a ghost under your skin, a divine haunting that borders on insanity. You will always think in terms of Sinners and Saints. You will always know that no amount of repentance will ever mold your soul into something more like the latter. 

Frank wasn’t the type to pry any further. 

Instead, he adjusted your hand. Carefully dragged the cloth along the curve of your fingernail. The water had cooled, now too cold where it was once too hot. 

“It doesn’t matter what he was going to do,” you decided. “It only matters that I killed him.” 

This time, it was Frank’s breath that hitched. 

“No you didn’t,” he said, and you had never heard someone tell a lie so matter-of-fact. 

“I did–” 

He looked up. A muscle feathered in his jaw, and when he spoke, it was with the steely resolve of a Marine.  

“No. I did.” 

You blinked at him. 

“I gave you that gun,” he continued. “Gave you that goddamn advice, too. That no matter what, you always gotta pick you. And see, I don’t regret that shit either because all that? It kept you alive. Kept you breathing. And if some no-good prick’s gotta so you get to live? Fine. Good.” 

You couldn’t speak. Couldn’t do anything but stare at him. 

“But if someone’s gotta bear the weight of that guy’s miserable life,” Frank told you, “then let it be me, alright?” His gaze fell, lingering on your lips a moment too long before he uttered, “‘Cause I ain’t gonna let it be you.” 

[You care about him—]

[—Don’t you?] 

Do you care about her? 

[Elektra’s just a friend—] 

… 

[—Can you say the same about Frank?] 

You studied the man before you. 

Frank Castle. The Punisher. 

The one you shouldn’t call, shouldn’t trust. A murderer and a felon, a crack in your already crumbling relationship. Someone you tried to stay away from, tried to forget. 

A number not saved, but remembered. 

No, you thought, and wondered if Matt already knew. I can’t. 

Swallowing, you looked down at your joined hands. The blood was almost all gone now, washed away by someone far more damned than you. 

“Okay,” you said. There was no need to say anything else, no need to keep bearing the crushing weight of your newly acquired sin—not when God was a ghost and the Devil had abandoned you, not when a Soldier was so willing to bear it for you. 

“You know,” you said, deftly changing the subject, “my brain’s a little hazy, but I’m pretty sure you promised me pizza.” 

Frank fought the subtle curve of his lips. “Did I?” 

You nodded, and he chuckled. 

“Fine–” he refocused, back to cleaning off the last of the blood–“but you’re placin’ the order.” 

You mocked him, Fine!, while sliding your phone from your pocket. The screen lit up with two missed calls and one text. 

Matthew: Sorry, got caught up with something. Everything OK? 

Your thumb hovered over the message. 

In the Bible, the number eight is symbolic of many things. Resurrection is one of them; something dead brought back into eternal life. Once, you would’ve seen Matt’s text—a string of eight words—and wondered if that meant something. If maybe there was something left of your love to be resurrected. 

Now, you stole a glance at Frank—your eighth call—and thought of new beginnings. Of choosing your own path. 

You cleared Matt’s message. 

Tapped on the Safari icon and asked, “Do you want somewhere specific?” 

“Ever been to Lombardi’s?” suggested Frank. 

You shook your head. “Is it good?” 

Frank cut you a look. “‘Course it’s good. But knowin’ you, you’ll probably shit talk it the same way you did my couch.” 

A smile tugged at your lips. “Keep it up,” you teased, already typing the restaurant into the search, “and your only company’s gonna be the couch and the bird.” 

He chuckled. “I ain’t gettin’ a bird.” 

You'd just pressed the phone to your ear, already listening to it ring when you built up the nerve to ask, "What about a dog?"

Frank set the cloth in the bowl. Gave your hand a gentle squeeze. 

“Maybe a dog.”

a/n - this has been sitting in my drafts literally since january. i can't decide if i like it or hate it, but i've gotten into too much of a habit of writing, overthinking, and then never posting---so, here it is! thank you to anyone who takes the time to read it <3

[hellcheercaine]

Seyka + 5 love languages

[gallusrostromegalus]

I was raised agnostic and tend to remain ambiguous on theological matters.

-but my house has a porch on the second story that affords me a terrific view of my neighborhood and the Colorado Front Range and I was partaking of some peace before the 4th Of July Finger-Loss Festivities begin, and I have had a

~*Spiritual Experience*~

I just watched my neighbor try to unload an actual wooden pallet that had to have been forklifted into the back of his insecurity pickup worth of fireworks.

Except that he does not have a forklift in his garage.

He does have so much sports memorabilia and cardboard boxes of unsold MLM Merchandise and patriotically themed camping gear and posters of women in bikinis and flags of suspect political organizations in his garage that there is only BARELY enough space for the fireworks and certainly none for his truck.

So he had to unload the individual boxes of recreational explosives from the back of his truck and stack them in the minimal space he had cleared by hand. This is a tedious and time-consuming process as this neighbor has purchased a wide variety of recreational and locally illegal explosives instead of many of just a few types, so the individual boxes are rather small.

He begins, and this is crucial to what happens next, by cutting apart the industrial-grade saran wrap his explosives dealer had so carefully wrapped his merchandise in, and discarded it unsecured on his lawn.

Where Outdoor Conditions sometimes happen.

His process for unloading the fireworks is to 1. Climb up through the gate into the bed of his pickup truck (a feat made unusually difficult due to the slope of his driveway, and this man's fascinating decision to wear the world's Siffest and least Flexible Denim Overalls. 2. Once in the pickup bed, he selects ONE (1) box from the pile He is apparently from a niche religious institution that doesn't believe in stacking things. 3. Carries it awkwardly around the palette that barely fits in the truck bed 4. His wife yells "Be careful!" when he nearly falls out of the pickup. 5. He Yells "SHADDUP!" back at her. 6. The Large German Shepherd barks from inside the house. 7. He yells "SHADDUP!" back at her too. 8. He sets the (1) box down on the gate 9. Slowly and awkwardly climbs out of the pickup bed 10. picks the box back up, and carries it into the garage.

Question: Aren't you going to help this poor man? Answer: Absolutely Not.

There's four military veterans, MANY dogs, and several people with dementia in this neighborhood, all of whom are terrified by this chicanery every year and many neighbors have repeatedly asked him to maybe do the fireworks somewhere else. (This is the Eighth Year Running he's held a major demolition event in his driveway, and for those of you who can do math, you may be able to guess the precipitating incident to this little ritual) Additionally, I live in Colorado, a state marginally less prone to spontaneous and catastrophic conflagrations than a rotting grain silo, but only marginally. Our recreational explosives laws are written accordingly.

I am in fact calling the Non Emergency line to report Fireworks violations, and reading off the brand labels to someone named Dorothy, who is gleefully totaling up a SPECTACULAR fine for my oblivious neighbor.

However, while I'm on the phone with Dorothy, I notice the wind begin to pick up. and by "Notice" I mean "The Industrial Saran Wrap he left on his Lawn earlier is suddenly swept up about 100 feet into the air by an updraft intense enough to make my ears pop" And by "Pick Up" I mean "I look up to see the sky has turned a fun and exciting shade of glass green, and the bottoms of the clouds are bumpy and rounded, and the overall effect is not unlike looking up through the bottom of the cup at God's Matcha Boba Tea."

For those of you who do not live in places with Inclement Weather, these conditions mean "You have about 30 seconds before a Major Meteorological Event Occurs."

I move under the eaves. "Hang on Dorothy." I say, nose filling with Petrichor. "The show is about to be cancelled." "Oh, that doesn't matter!" Dorothy cheerfully informs me. "It's illegal for him just to possess those, no matter if he actually gets to set them off or not." "Terrific, because he's gotten maybe five boxes out of a hundred inside."

Sometimes, the weather gods are Merciful and give you a verbal warning, typically in the kind of thunderclap that makes your ears ring.

The Gods were not merciful today.

It's not often that I am in the time, place, correct angle or in a properly observational frame of mind to see this, But I got to see it today. Huh. I thought. I've never seen a cloud just DIVE for the ground before. Oh. I realized as it got closer. That's RAIN.

Sometimes, a thunderstorm will form in such a way that the rain that would normally be distributed over an area of say, five to tent square miles, is instead concentrated into an area of say, my neighborhood exactly.

So today, I was granted the rare privilege of being able to actually see the literal wall of water descend from On High and DIRECTLY onto my porch, my street, and my neighbor's truck, and his pile of unwrapped fireworks.

The sheer impact force of the downpour immediately scatters the teetering pile of fireworks boxes in the back of the truck, like the wrath of God striking down the tower of Babel. Boxes tumble, then are washed out of the bed of the truck by the deluge. Smaller Boxes are carried down the road in a little line by the stream forming in the gutter, like little impotent explosive ducklings.

My neighbor was definitely yelling something, but I could not hear what over the DEAFENING noise several million gallons of water makes upon high-speed contact with the earth's surface, but there was a lot of arm-waving and faces turning red as he went looking for the saran wrap that had probably blown to Nebraska by now, while his wife started disassembling the complex three-dimensional puzzle of interlocking material goods in search of a tarp. They do not have a tarp. They have one of those wretched Thin Blue Line flags though, and my neighbor jogs out in a futile effort to cover what's left in the truck.

Which is when the hail begins.

"HELLO?" Yelled Dorothy. "HI!" I shouted. "WE'RE HAVING SOME WEATHER!" "OH GOOD!" she shouts back. "WE NEED THE MOISTURE!"

I watch for a minute longer, but the loss was immediate and catastrophic- the hail is the size of marbles and dense and cares not for your pitiful cardboard and cellophane, ripping the boxes asunder and punching holes in the few things covered in plastic. The colors on the Thin Blue Line Flag are seeping all over the remains of that it was supposed to protect in a particularly apt visual metaphor. Not even the few boxes that made it into the garage are spared, as the German Shepherd escapes from indoors, and in an attempt to assist her humans, jumps directly into the small stack of not-yet-ruined boxes, scattering them into the driveway and deluge. She even picks one up so her humans will chase her around the yard, before dropping it in the gutter to be swept away.

So. I was raised Agnostic -but even I can recognize when God slaps someone upside the head and shouts "NO!" at them.

---

(If you laughed, please consider supporting my Ko-fi or preordering my book of Strange Stories on Patreon)

[hananfamily]

A Voice from Beneath the Rubble: We Do Not Want to Die of Hunger

The war has returned to us in a criminal and inhumane way, without any rules or restraint. Camps and hospitals are being bombed, children and medics are being killed in cold blood, and all international prohibitions have been violated.

Death rains down from the sky, and hunger consumes us from the ground.

We are trapped between two fires, there is no escape from the bombing, and no salvation from starvation.

My little child cries out from unbearable hunger, and I am powerless to comfort him, We have nothing left to eat except some green herbs I boil, hoping they will ease our hunger. 💔

In the past five days, we have received only 5 dollars, not even enough to buy bread for my child for a single day, Donations have tragically declined, and we can no longer afford even the bare minimum of necessities. 😥

Entire families have been forced to flee their homes under the relentless bombardment. Even the area they push us to, claiming it is "safe" (Al-Mawasi), is bombed daily without mercy.

The crossings are closed, aid is blocked, and escaping to a safe country is impossible.

It is a systematic plan of slow genocide, by missiles and by hunger.

From the heart of the siege, from amidst the destruction, from beneath the rubble…

I plead with you through the tears of a mother fighting to protect her child, with a body weakened by pregnancy and hunger, with a soul that holds on only to the hope in your compassionate hearts. 🥹

Please, help us. Save my child, my unborn baby, and my family from this hell.

Every donation—even the smallest—is a lifeline in a sea of fire.

Or via PayPal

Vetted by @gazavetters, my number verified on the list is ( #152 ) ✅

This campaign has also been verified by @90_ghost ✅

[yinyuedijun]

When the Cult of Nikador conquers your city and sacks your temple, you are captured by the Crown Prince of Kremnos and taken as his war prize. (Or: The fall of Castrum Kremnos, as seen through the eyes of an oracle held captive by Prince Mydeimos.)

12.8k words of romance, enemies to lovers, and slow burn. Canon-adjacent (multiple timelines theory) with ancient Greek historical and mythological influences. Warnings for themes of war, slavery, and threats of sexual violence (none from Mydei). Mydei also seems quite terrible to you at first, but this is all unreliable narration; he is actually very kind to you for the entirety of the story. MDNI.

Author's note including discussion of themes, ancient Greek influences, canon lore (including the multiple timelines), and a list of characters and terminology for my non-hsr readers lol. dividers by @/strangergraphics!

They find you at the altar.

The Sons of Gorgo are a cruel people. Their hands are smeared with the blood of your fallen temple, staining the ivory silk of your chiton as they drag you outside. Chaos roars around you: the streets are strewn with corpses, the olive trees are devoured by flames, the sky is filled with ash. The city is screaming in its death throes. The Kremnoans jeer at you, at your humiliation. High priestess of a weak god, they say. Prophetess turned slave. They’ve heard that the hiereia of your temple are required to be virgins. You won't be a holy maiden anymore, after they're done with you.

They argue over who gets to rape you.

You do not cower. You are sitting on the temple steps, surrounded by the corpses of acolytes and worshippers alike, but you remain impassive. You refuse to give the invaders the satisfaction of seeing your tears, and anyway, they are much too small to intimidate someone who speaks to the Titans. They bicker over who is more deserving of the valuable plunder of your body—who has killed more people, who has captured more slaves, who has burned down more homes—and you feel disgust, rather than fear. They're closer to animals than men.

The hoplites fall silent when their leader comes. His hair is fire and gold; his eyes gleam like the sun. He cuts a terrible figure—the shape of a man who feasts on strife and fear. Just like the rest of his army.

Just like Nikador himself.

“What’s happening here?” he says, harsh and oppressive. His gaze is sharp on you, but you do not tremble. “Who is this?”

A soldier speaks proudly: “She was the high priestess of this temple,” he says. “But now she’ll be a slave.”

The men laugh.

“We were fighting over who should get to keep her,” another says. “But I think it's clear as day who's most deserving, eh?”

“The fiercest among us should get the greatest prize,” someone else says. They cheer and bark like hyenas. Their general does not smile. He only looks at you, eyes burning. Outraged. How much the Kremnoans must hate your people, you think, for their leader to glare at you like this.

“Fine,” he says. “I'll take her, then.”

They grab you with their red hands. Push you toward an encampment, a tent. Laugh in delight and bloodthirst. About time our Crown Prince shows interest in a woman, they say. We were starting to think you were a eunuch, Your Highness! It wouldn't do if he were. In the wake of victory, Kremnoans are meant to take all the glories and treasures they can. That includes all the peoples they've conquered. Our mighty general needs to enjoy his spoils of war!

When they finally reach his tent, they throw you onto the ground, and the pain slams through your bones. You are left alone with the Kremnoan general, glaring up at him from your place on the floor. His eyes are less sharp now; rather than burning on you, they merely seem cold. He will kill me, you think, he will kill me like he has killed my city, but then he kneels down. A hand extends toward you, reaching, pilfering, violating—

You spit in his face.

“Don't fucking touch me,” you snarl, and the general jerks back, surprised. Your hand darts out as he falters, grabbing a dagger from his hip, swift and deadly.

The sharp metal of his gauntlet snaps around your wrist before you can slash open your throat.

“What are you doing?” he snaps. Your brow arches.

“Shouldn’t it be obvious?” you ask, scathing. “I'd rather die than let a Kremnoan touch me.”

His mouth twists. “I have no intention to do such a thing,” he says, and the bark of laughter you let out is so cruel that you hear in it the echo of the soldiers who dragged you to your doom.

“Do you take me for an idiot?” you hiss. “That’s what your people do when they win wars. What the Cult of Nikador does to the women they enslave.” The blade is pressed against your jugular, and you feel its edge when you swallow. “Or will you instead bleed me dry and drink my blood from your chalice? That's what your god demands of you, isn't it?”

His eyes narrow. “Foolish. I was going to help you up, but I suppose you prefer being on the ground.”

You watch him, wary, unconvinced, but he turns away. As if utterly disinterested in you, he crosses the threshold to rummage through his personal effects. You spot a golden winecup in his hands when he turns, and he snorts when he catches you looking at it suspiciously. “You have no need to worry,” he says dryly. “Kremnoans prefer pomegranate juice to blood.”

“If only they preferred to be humans rather than beasts,” you retort, and the general’s eyes harden as he pours himself a drink. You wonder, for a moment, if he will strike you, but he seems to temper himself as he takes his draught.

“I hope you prefer living to dying. If you should, then you won't leave this tent tonight. Doing so would mean throwing yourself to those beasts.”

“I'm already in the presence of one.”

His nostrils flare. You can sense his fury, but his voice is taut and restrained when he says, “Better to contend with one beast than twenty, don't you think?”

Your captor walks over, his boots heavy against the ground as he kneels before you. You expect to feel his hands on your neck, or the weight of his body crushing yours into the earth, but instead you are presented with his winecup, half empty.

“Take it,” he says. When you don't move, merely glaring at him, he frowns and sets the drink next to you before rising again. You're left staring at the nectar, and—unbidden—you see the rivers of blood on the temple steps, lacerations in your holy ground. Smell the copper stench of slain men, hear the sorrowful cries of your goddess through the Evernight Veil. Your captor misinterprets your grimace: “You just saw me drink from that yourself. It isn't poisoned.”

You glance at him, uncomprehending.

“...you mean for me to drink this?”

“Yes. Pour some on the sheets, then drink the rest.”

He turns away, as if to leave. You swallow, disbelieving.

“And then?”

“And then you may do whatever you wish, so long as you don't leave my tent. I have a war to wage, so you'll need to entertain yourself for the rest of the night.”

Entertain yourself. Your city is aflame, your temple is desecrated, and he wishes for you to drink pomegranate juice and amuse yourself until he has the time to rape you. As if you can't hear the screams and cries of your city. As if you can't smell the charcoal and death through the fabric of the tent. As if you will be content to lie back and wait for him to cleave you open once he returns.

How much the Kremnoans must hate your people, you think, for their prince to be so cruel to you.

You imagine rushing toward him. You envision grabbing his knife, lodging it into his back, in the soft space between his vertebrae, a path into his heart—but you hold yourself back, because you have no doubt he’ll easily overpower you now. No—if you wish to kill him, you will need to do it while he's unguarded. Likely when he's asleep, or perhaps even inside you, depending on how stupid or drunk he’ll be when he rapes you.

You will need to humour his whims until then.

“How much?” you ask when he is about to leave the tent. When he glances back at you, you add, uncomprehending, “How much do you want me to pour out?” And why?

He shrugs. “However much makes sense to you.” The general glances back, thoughtful, and says, “I’ll see to it that someone else cleans up in here tomorrow,” and then you understand.

You drink half of what remains in his cup, and then you pour out the rest.

Your goddess sends you visions that night, dreams of the past, present, future. You peer upon a child drowning in the sea, a poisoned woman with a golden dagger, a mad king cleaving a statue into fifths. You dream of burning villages, fallen idols, a father slain by his son. Aquila closes his eyes; Georios drowns in shadow; monsters roam the earth. A great fortress looms before you, dark and decrepit, and the young king seated upon its throne is covered in blood. He reeks of the corpses of a thousand temples, of your temple. You cannot see his face, but you recognise the shape of him, mighty and terrible—a man who feasts upon strife and fear. You are lying at his feet, wounded. Your chest is heavy, aching, and your heart bleeds in the hand of Nikador, scarlet dripping through his fingers.

You are crying when you wake up.

You do not need to look outside the tent to know that your city is gone. Aurelia is silent, bereft of life—its buildings gutted, its people slain, its treasures stolen. Death has settled over your home, and in its wake, the Kremnoan legion prepares to leave.

The soldiers sent to disassemble your captor’s tent all bear white caps. They must be helots, the children of slaves; you have met a few of them during your time as an acolyte, watching them trailing after the rare Kremnoan master who would sometimes seek supplication at your temple.

You used to pity them for their station; now, they pity you.

The helots give you sorrowful looks as they strip the bed of its red-stained sheets. They speak gently to you when they give you water to wash your face and thighs. They try to counsel you, tell you that Prince Mydeimos is the best person who could have stolen you. He is just for a Kremnoan warrior, they whisper, show the soldiers grace and you'll see, and then they put you in chains.

You do not show the Kremnoan army any grace. You glare at every hoplite who lays eyes on you, and you refuse to bow your head for any of them. On the long march back to Castrum Kremnos, they study you like you are an animal. Some of them look at you with wonder—for you are a divine oracle in the flesh—some with shameless curiosity—for it has spread like wildfire that you have been defiled by the Crown Prince Mydeimos, who has never taken a woman as his plunder—and some with unadulterated glee. They pester you and the other prisoners-of-war, and you recognize them as the animals who sacked your temple and burned your olive groves.

“Has Prince Mydeimos given you a Kremnoan welcome?” they ask in their dialect, mocking. Has he told you what your life will become? Do the men behind you know that their priestess has been ruined, or are they too stupid to understand the Kremnoan tongue?

“HKS,” you retort, and their faces fall. They look at one another, aghast.

“What did you say?” one grits out the Aurelian dialect, and you cast him a cool glance.

“HKS. I called you a hyena—or are you too stupid to understand the Kremnoan tongue?”

You do not expect to be struck. A hand cracks across your cheek; the pain is blinding. You are on the ground, knees in the dirt, reeling. The prisoners behind you are crying for their priestess; the memory-ghosts of the acolytes behind you are screaming for help; the olive trees behind you are turning to charcoal and dust; the city behind you is burning, burning, burning. Oronyx will never let you forget this, nor any other memory.

“What is this?” a voice snarls, and time freezes.

The procession has come to a halt. The hoplites are suddenly children, caught red-handed with a broken toy. The offending soldier swallows, and you feel some semblance of glee. The Cult of Nikador is famed for their obsession with order and with glory. It is taboo among their people to touch another’s spoils, and suicide to try it with one’s superiors. Killing the slave of the Crown Prince would be the same thing as stealing his belongings or breaking his sword—acts of impudence punishable by death.

He stutters: “She—the priestess… she was out of line, Your Highness, mocking us—”

“And you were not out of line for touching her?”

The offending soldier looks at the ground beneath him. Sweat beads his temple. “I… forgot myself. I apologize, Your Highness.”

Your captor is not placated. His gaze roams the bystanders, scalding. “Should any other man be foolish enough to strike the priestess,” he booms, “I will cut off his hand myself. I have claimed her as my war prize, and no one else shall touch her. Do you understand?”

The yessirs are immediate. Unanimous. The general is restless still. He turns to you, the edge of his voice now muted, but still present. “Can you stand?”

I will slit your throat someday, you think as you look up at him. “Yes, my lord,” you reply demurely. “He merely struck my face. The rest of my body is untouched.”

“Then you will ride upfront with me,” he declares. “I will not have my spoils within the reach of anyone else.”

You end up next to him in his chariot, which makes you want to claw off your skin—to be so far from your worshippers, and so close to your captor. You turn your cheek to him, throbbing and bruised, but he deigns to speak with you anyway.

“Tell me,” he asks brusquely, “do you have a death wish? Or are you just a fool? Though even fools usually know when to hold their tongue.”

“I know too many tongues to hold them all, I'm afraid,” you reply neatly in the Kremnoan dialect, and your captor gives you an incredulous stare. You pointedly look ahead, eyes unwavering on the winding road to the City of Strife. “I am the High Priestess of the Aurelian Cult of Oronyx. I will not be cowed by a gaggle of idiots.”

“You are very proud for someone currently wearing chains,” the general remarks.

“And you are very cruel for someone who will someday wear a crown.” You pause then, thinking of your dreams before gambling: “Though a man who plans to kill his father could only be cruel.”

Your captor falls silent. You glance at him, mouth curling in satisfaction as you catalogue his reaction. His features are stoic, and someone with a lesser eye for expressions—someone not practiced in the art of telling fortunes and giving counsel—might miss it, but it's clear as day to you: your captor is ungrounded.

Disturbed.

“I know not what you mean,” he says coolly, and you raise a brow.

“It’s no use lying to me, you know,” you bluff. “Have you somehow forgotten that your war prize is an oracle? That is why your men were so obsessed with staking their claim on me.”

The prince remains composed despite your goading. “...so the rumours of your visions are true.” He studies you. “There were almost children or elderly in your city when the walls fell. Nearly no women. And the Aurelian soldiers… it was as if they knew all our plans.” At your silence, he concludes, “It was you, wasn't it? You foretold our attack and warned them.”

“It seems that the future king of Kremnos is a clever one,” you say dryly.

“And the High Priestess in his hands is a fool.” His jaw clicks. “I am trying my best to keep the wolves away from you, but you seem determined to throw yourself at them.”

You bare your canines with a smile, and you try dangling your newfound leverage over his head. “If I were you,” you reply, “I would be more worried about the wolves who would hunt for you, Your Highness. I’ve heard that King Eurypon and his council threw you into the sea as a baby; I am quite sure they would do the same to you now—unless you kill them first, of course.”

A great deal of being an oracle is guesswork. Oronyx sends you dreams, visions, echoes; people give you hints, gossip, microexpressions. Together, you can get a fairly good grasp on a man’s circumstances. Your captor is no exception: from the way his brows knot, you know that you've guessed true.

His eyes narrow, and he glances back at the rest of the Kremnoan procession, who are too far behind to hear anything. “Keep quiet,” he commands. “Don't think I won't kill you if you are a liability. There are limits to my patience.”

You snort. “I won’t give you away”—not yet—“but it won't be out of fear of death. Kill me if you'd like; I will not cower.”

Your captor makes a noise of displeasure. “I have never met a person so eager to die.”

“Haven’t you?” You arch a brow at the perplexed look he gives you. “Valorous death before glorious return. That’s your way of life, isn't it? You’ve burned my city and destroyed my temple—I will never see a glorious return. By the laws of your own god, there is now only one path left for me.”

You turn your wrists, let the iron chains sing. It occurs to you that you had been dead in your visions—slain by King Mydeimos—but you had not been shackled.

Castrum Kremnos is a prison.

Never have you been anywhere so strange nor frightening. The walls of the fortress climb high enough to eclipse the sun; the streets are crawling with soldiers carrying spears and shields. Every man and woman carries a sword; every child play-fights with a wooden one. Each one of them cheers as their army returns from its campaign, and nearly all of them eye you curiously—the war prize chosen by their famed Crown Prince.

During your long procession into the inner city, all you can hear are the whispers and jeers of the crowd. It is the warriors who are the loudest—the ones who did not put Aurelia under siege and are disappointed to have missed out on the glory of its destruction. They speak about you, about what you must look like beneath your bloodied robes, about how they cannot blame General Mydeimos for capturing you. Any Kremnoan man would want to fuck the High Priestess of their long-time enemy, and that is only truer now that their leader has staked his claim on you. All of them want a turn with the war prize of the Crown Prince.

Your own face remains unmoving, but Prince Mydeimos’ eyes darken. “Hyenas,” he growls, and you have to stop yourself from snorting at the hypocrisy.

The king is said to be senile and half-mad, and his queen died some years back of illness, so the homecoming warriors are greeted by a high statesman, General Krateros. You have heard many tales of him: legendary strategos, shrewd politician, the right hand of King Eurypon. The Seaside States once launched an offensive on Castrum Kremnos and was met with Krateros’ Goldshield Brigade; every enemy soldier was either put to death or bound in chains.

Chains just like yours.

General Krateros gives you a thoughtful look when he meets you, eyes locked on your iron cuffs. “I had a great hand in raising you, Prince Mydeimos, so I know you well,” he says. You’ve heard tell that after Prince Mydeimos was thrown into the Sea of Souls, General Krateros spent years searching for him at the request of his mother, eventually finding him years later in some fishing village. Krateros has ever since served and counselled the Crown Prince—perhaps poorly, for he says, “I did not take you for the type of man to capture a woman as your bounty.”

“Nor did you raise me to be the type of man to throw an innocent to the wolves,” your captor replies evenly, and you stop yourself from rolling your eyes.

No, you think, you are only the type to put a holy maiden in chains.

Your face must give away your disdain, for General Krateros studies you carefully. “Innocent or not, you may do whatever you wish with her, Mydeimos,” the strategos says, his eyes keen on you. “A predator need not worry for his prey other than how to keep it for himself.”

The message is clearly for you—know your place—but your captor appears to take the words to heart. Keeping you for himself is exactly what he does: rather than sending you to the slave’s quarters or some courtesan house, Prince Mydeimos has you stay in his room and orders that no one—aside from his appointed servants—should be allowed an audience with you.

Thus begins your life as the war prize of the Crown Prince.

If you were a different sort of person, you might enjoy the position. The Aurelian soldiers who fought to protect you are likely chained in iron and performing hard labour; the older women who were accosted in your temple are likely being forced to do menial work; the younger ones may have been ushered into brothels. You are instead placed into a beautiful, private chamber, and you are given robes of silk. Your wrists are manacled like every other slave under Kremnoan law, but the chains are gold. You are told to bathe in fragrant water, and the scent of flowers is ever-present on your skin.

You don't mistake any of this as kindness toward you. It is clear that you are not meant to enjoy this opulence; you are part of the opulence. A thing for the Crown Prince to indulge in, a treasure stolen from Aurelia. The time will come when you are raped, and the time will come when he bores of you, and the time will come when you will be killed at the foot of his throne.

All you can do is face your fate with dignity.

An entire moon passes, and your fate does not befall you.

You are unsure why your captor does not hurt you. Perhaps he is busy with making war; the servants say that he stays at the barracks every night rather than coming home. He might be expected to fuck you anyway, but he visits you only once a day for half an hour, and he only ever stays long enough to ask you three questions: Are you eating? Are you sick? What did you do today, while you were alone?

For an entire month, your answers are single words: Yes. No. Nothing. You sit as far away as possible from him, though you do not give him the satisfaction of seeing your fear—you always meet his impassive gaze, your own hard-edged.

Sometimes he tries to speak with you: Are you comfortable? Are you bored? Do you want anything? But most days, he leaves as soon as he can, his jaw tight and his eyes filled with something that edges on discomfort. You start to wonder if he finds you too unattractive to touch, if he is debating whether he should kill you instead of fucking you. But regardless of his intentions toward you, it is clear that he does not care for you.

So it surprises you when your captor one day says, “You have not been eating.”

You give him a long look, wondering if you'd misheard.

“No,” you eventually reply. “I have not.”

“Why?”

Your brow arches. “Does it matter?”

“Of course it matters.”

“Why?” His expression becomes puzzled—and it aggravates you. You point out, “You are a Kremnoan prince. It should not matter to you if a slave is starving. Or are you worried that I'll waste away before you can fuck me?”

His eyes narrow, and you think you see that hint of discomfort again. “I am worried you will starve to death in my care.”

Your nostrils flare. “I am not in your care. I am your prisoner.”

“I see to it that you are fed and clothed and bathed. Is that not care?”

You snort. “A man who took my home away from me cannot care for me. He can only torture me.”

His jaw tightens. Your captor’s voice measured, but his frustration is palpable: “He can also keep you alive—even though you seem determined to die.”

“Death is a mercy. I would much prefer it to being raped.”

“I thought it would be clear by now that I do not wish to touch you,” your captor says, frowning, and the bark you let out is so loud that he startles.

“Do you think I'd be stupid enough to believe that lie?”

“I think you'd be smart enough to see reality for what it is.”

“Yes,” you reply, voice bitter, “I am smart enough to see the reality of what you have done to my city. And I am smart enough to know the reality of what happens to women after they are captured by the enemy.”

Prince Mydeimos inhales sharply. His eyes flicker with—with something. Something you don't care to identify. Something you quickly decide is disdain.

“Believe whatever you want. Either way, I want to keep you alive.” His eyes narrow in suspicion. “Is it that you want to die? Is that why you aren't eating?”

You give him that fanged smile again. “No, Your Highness, I do not wish to die. I wish to stay alive so that I may someday slit your throat.”

Prince Mydeimos disappoints you when he does not react in kind. “Fine,” he writes off. “You are free to kill me as many times as you want, so long as you eat.” You give him a strange look; he ignores it. “Now, why haven't you? Surely you must want to, if your goal is to live long enough to kill me. Is the food not to your liking?”

A frown. “I don't understand why you care.”

He nods. “So it isn't. Very well.”

You open your mouth, countless questions on your tongue. What do you mean? Why does this matter? Why aren't you using me? Why aren't you hurting me? But Prince Mydeimos leaves, and you are alone again in your prison—untouched, unnerved, unbalanced.

Your conversation with Prince Mydeimos leaves you feeling strange. Perplexed. Nervous. The longer you think of it, the more you wonder why he is taking so long to torture you. You'd been dragged into his tent, fully expecting to be either mauled or violated; over a month later, the worst that has happened is that you have been served unappetizing meals, and that you have spent your days so idly that you have grown bored.

But even if you are idle, you are not unharmed. You still dream of the night of your abduction. You dream of the cries of your worshippers, of the stench of burning flesh, of your olive groves turning to ash. You dream of being pushed to the floor of your captor’s tent, of golden gauntlets cleaving open your legs, of pomegranate-red stains on silk sheets. Sometimes the dreams are so vivid that you wonder if they are actually visions from Oronyx—echoes of a future yet to be played out, or a past that you’ve somehow forgotten.

Whenever you wake from these dreams, you crawl under the bed and spend the rest of the night there, and you spend your day afterward untouched, unnerved, unbalanced.

You are in one of these tense moods the next time you speak at length with Prince Mydeimos, after his usual questions: Are you eating? Are you sick? What did you do yesterday, while you were alone?

“I am trapped in your room, so I did nothing but read your books,” you reply bluntly, picking idly at the chicken on your dinner plate. “Don't you have anything other than war histories, by the way? I should like a romance novel or two. I'd even take a philosophical dialogue over this. Kremnos must surely have a few thinkers who do not write solely about war.”

Your captor stares—perhaps surprised at your sudden chatter, though not displeased by it. Though he does seem perplexed.

“You are not ‘trapped’ here,” he points out, frowning. “I gave you leave some time ago to wander the grounds, so long as you are accompanied by one of the guards I have assigned you.”

“So you say, but not a single one of your guards has thus far dared to let me out.”

Prince Mydeimos frowns. “Why?”

You give him a strange look. “Do you not know the rules of your own land, Prince Mydeimos? Helots are given free movement, and even trusted slaves have some autonomy, but prisoners-of-war are not allowed to wander anywhere except in service of their given task. And my given task is…”

You gesture to the bed, and the prince’s mouth tightens.

“I see.”

You note the displeasure on his face—genuine, a sign of true oversight. “Why would you expect that I'd ever be allowed to roam around as I please?” you ask. “You paraded me around on your chariot as you returned home from war, and you announced me as your plunder to the entire city. Everyone knows I am your prisoner, and everyone treats me accordingly.”

“I have never kept a personal slave, let alone taken one for my spoils,” he says evenly. “I did not think these laws would supersede the orders of a Crown Prince.”

You snort at the sheer absurdity of his answer.

“The Crown Prince of Kremnos has never kept a slave? Your esteemed father has at least half a hundred of them in his personal service, I'd wager.”

“And my late mother did not allow any of them to serve me. She disliked the practice.” His voice is terse, belying something that turns your stomach. You look away, not wishing to think of it.

“Does that matter?” you deflect. “Your Highness, if you wish to ascend the throne and follow in your father’s footsteps, then you'd better get used to keeping slaves. Castrum Kremnos is built on them.”

Prince Mydeimos gives you a hard look. “I will not be the kind of king that my father is,” he says bluntly.

His words carry weight. Suppressed anger. You watch him keenly, interested—suddenly wondering if there is more to Prince Mydeimos’ plans to commit patricide other than self-preservation.

“And why would that be?” you ask.

He raises a brow. “You are an oracle. You haven't seen what he's done for yourself?”

“If I could see whatever I wanted at will, do you think I would be sitting here right now?” you ask dryly, and his brow twitches. His expression is otherwise impassive, but his eyes give away his alarm, and you exploit it immediately: “Worry not, Prince Mydeimos. Whatever secrets you've let slip are safe with me, so long as you do not touch me.”

“I thought it would be obvious by now that I have no wish to touch you.”

“And I thought it would be obvious by now that I am not stupid enough to trust you.” You laugh when he frowns. “No need to pout, Your Highness. You don't need my trust to keep me under control.” You shake your chains. "These are all you need."

He glances at your manacles, his eyes narrowing. “Controlling you is not my aim.”

“Then you are a fool and will make for an idiot king.”

“Surely no more of an idiot than the prisoner calling their captor a fool.” He contemplates you, his eyes suspicious. “...have you truly seen my future as a monarch?”

“No,” you lie. I hope you suffer every moment you sit on that throne, you think, remembering how Nikador will reach into your chest and close his hand around your heart, how you will bleed to death at the feet of King Mydeimos. You have no intention of giving him foreknowledge of his victory over you: you remain quiet, unyielding under his shrewd gaze.

The prince eventually relents, though clearly unconvinced. “I'll see to it that the guards and servants allow you some movement,” he says as he turns to leave. “I will… convince them to overlook the laws.”

His hand is on the door when he hesitates, glancing at the full dinner plate on the table.

“Do you still not like the food here? I had it changed after our conversation some time ago.”

You default to your usual answer: “Does it matter?”

He makes a noise—one that almost sounds displeased. “So it still isn’t to your taste.”

“No. I find the Kremnoan palate disagreeable.”

“Well, then, what should change to make you agree with it?”

You come very, very close to laughing in his face. “You could serve me a dish cooked by the Goddess of the Hearth herself, and it would taste like ash in my mouth because I am a prisoner.”

He sighs, closes his eyes, and you suspect he is silently counting to ten. “...I cannot blame you for your misery,” he finally says, “but you haven’t been eating, and I would prefer it if you didn't starve to death under my care.”

“Why?” Why does this matter? Why aren't you using me?

Why aren't you hurting me?

His voice grows quiet: “Because I do not wish to see any harm befall you.”

The words are so simple. So honest. There is no hint of deception in them, nor in his eyes—which flicker with something that looks so much like pain that even you, with your practised skill of reading expression, find yourself thinking that he feels sorrowful for you. That he feels guilty over you. That he wants to see you safe.

You marvel at what a good liar he is.

Because he must be lying. This must be some kind of manipulation. Perhaps he is afraid of your prescience, or perhaps he plans to use it for his own gain, and this is his way of appealing to you. Or perhaps he wants you to be willing when he fucks you. Some men do prefer that to outright rape; their egos demand it.

There is no other reason for him to come to your room every night and ask if you have been eating, ask if you are well, ask what have you been doing while alone. No other reason for him to say, “You barely touched your food yesterday, nor the day before that. Surely there is something that could be done to make you eat.”

You decide to play along for now. If you will die eventually, you may as well eat better in the meantime.

“More spices,” you say neatly, “and better olive oil. At minimum.”

“Of course,” he mutters. “The oil. I knew it.”

He leaves before you can ask him what he means.

The next day, you are served honey cakes with safflower, grilled fish salted to perfection, and wheat-bread with an olive oil so fresh and thick that you know it can only be an import from the south. The servants deliver to you five texts: three romance novels and two Socratic dialogues. Kremnos has no great storytellers nor philosophers, an unsigned note reads, so you will need to make do with these works from the Grove of Epiphany.

Prince Mydeimos does not visit you, and you find yourself in bed the whole night, three questions echoing in your head.

For whatever reason, Prince Mydeimos continues treating you well. The food is better—you’d even call it mouthwatering, at times—and new books are frequently delivered. He makes fewer stops by your room, possibly because he is busy or perhaps because he is growing disinterested with you. You don't care to ask why.

But as it turns out, he has been trying to find some way around the laws about your movements. He has been failing, too—quite miserably—and his way of compromise is driving you mad.

On the first day you are allowed outside your room, Prince Mydeimos is leading you, taking you for a walk on the palace roofs and parapets. For the first time since being abducted, you feel sunlight and wind on your skin—and you are too annoyed to enjoy it.

“This is your way of allowing me some freedom? Taking me out so you can walk me like a dog? I won't bark for you, you know.”

Prince Mydeimos clears his throat, pointedly avoiding your stare. If you didn't know better, you'd call him embarrassed.

“Because you are a prisoner,” he explains tersely, “I have been strongly advised against letting you wander the grounds unless it is to fulfill your assigned job as my companion.”

“You mean, as your whore?”

Prince Mydeimos looks so offended that you nearly laugh. “As a concubine.”

“Use whatever word you want—a slave you fuck can't be anything other than a whore,” you point out evenly. Your captor gives you a look of mild pain, but it is gone before you can unravel it.

“Well, then, it is a good thing that I will not be touching you,” he retorts. “Regardless, I cannot let you wander without drawing undue attention to myself”—a poor idea right before a regicide, you infer—“but I may eventually be able to let you move freely without me if we are able to convince people that you are serving me willingly. Not as my prisoner, but as my lover.” His mouth slants. “This would require you to give the impression of enjoying my company, however.”

“Then I suppose I will be trapped forever in your quarters,” you reply instantly. When his expression sours, you add, “Worry not, Your Highness. I do not much like the sights of Castrum Kremnos anyway.” Your eyes flick over the strange innards of the city—the high walls hiding open skies, the stone paths barren of any flowers or shrubs, the constant thunder of marching hoplites and proud salutes. The sword of Nikador hanging over the fortress gates, sharpened by the souls of countless slain Kremnoans.

This city runs on war. Hungers for it. It makes your heart pound, has you hearing the screams of your worshippers as the Kremnoans flood through the gates of Aurelia. Gone forever are the musicians who strung on their lyres every morning and night; gone are the streets of laughing children who would always ask you to fix their toys; gone are the olive groves full of birdsong and gossiping women.

Gone is everything that you love.

“You might like it better within the city,” your captor tries to reason, “or if I can someday take you beyond the walls and into the settlements—”

“—then it will still never be home.”

Prince Mydeimos has the grace to stay quiet, for which you are glad.

“...your home,” he says eventually, “what was it like?”

What was it like, before I took it away from you?

You shrug, feeling a dull ache in your chest that you'd rather die than show him.

“Peaceful. Kind. The people were nicer. The music was lovelier. The food was better.”

You remember the flavour of the dishes that the women in the neighbourhood always made for you, the figs and apples and olives that the farmers always brought to the temple, the simple but sweet breakfasts that you would have with the other acolytes—eat up, my love, the older ones would always laugh, eat your fill!—and then all you taste is ash in the sky and copper between your teeth and the acrid, nauseating stench of human flesh burning, burning, burning.

You close your eyes to the looming walls of Castrum Kremnos—a prison from which there is no escape.

“None of it should matter to you, of course,” you add lightly.

Because no matter how much Prince Mydeimos denies it and no matter how gently he treats you, you are just a bed-slave—and Castrum Kremnos does not care about its slaves. The burning of your home will become naught but ink in their war histories—a paragraph if you are lucky, a footnote if you are not. You are merely one massacre in a thousand years of them. Your death will be one casualty in hundreds of millions.

But you return to your quarters later that night, and you see another book delivered—an Aurelian play, wildly popular a few years back—and you notice a lyre on the nightstand, and your meal tastes just like the ones the grandmother next door always brought over to share. You realise that your captor must have sought out an Aurelian helot or slave to make it, that he must have gone out of his way for it. You ask silently: Why does this matter? Why aren't you using me? Why aren't you hurting me? And you answer for him: He is lying to me, he is manipulating me, he wants me willing when he rapes me.

But you eat your entire meal anyway, and then you crawl into bed and cry.

A fortnight later, Prince Mydeimos discovers that you sleep with a knife under your pillow.

It is a harmless thing, sharp only enough to cut the steak that you'd been fed. It brings you comfort nevertheless. After seven days of your mantra—he is lying to me, he is manipulating me, he wants me willing when he rapes me—you couldn't help but take it. If he is stupid enough to touch you, you will use it to make it as painful for him as possible.

The Crown Prince is sitting on a chair when you return from the bath. He is playing with your little knife, spinning it a hand. His expression betrays neither anger nor displeasure—though there might be a hint of disappointment. Why, you would not know.

“You are afraid of me,” he remarks.

“No,” you lie. “I do not fear you. I abhor you. All the books and Aurelian dishes in the world cannot change that.”

It is slight, but Prince Mydeimos nods. His shoulders bear a heavy weight suddenly, and you avert your gaze. You don't want to see him looking weak, looking human. He is your captor and nothing but your captor: the man who laid waste to your home. He is the heir to a millennia of Strife.

Fortunately for you, he soon returns to his usual, stoic countenance. “You really expect to hurt me with this?” he asks.

“I would try my best,” you say tersely, “if it came to it. I would hurt anyone who tried to touch me.”

You nearly shift under the weight of his gaze, but you manage to contain your discomfort. You return his stare coolly—you don't scare me, Son of Gorgo—until his hand drifts to his waist. He reaches for a sheathe dangling from his belt, and you recoil immediately, expecting the sharp kiss of his blade. But there is no blow, no knife across your neck nor lodged within your heart. He merely holds the weapon out to you, presenting its golden hilt.

“Take this,” he offers. At your hesitation, he adds, “This is not some trap. I am gifting this to you.”

Even as you snatch it, you ask, “Why?”

“Because I think it's wise for you to have some kind of weapon—a real one, not an eating utensil.” He glances at the door. “The palace is full of guards and soldiers, and now that I have begun taking you outside, some of them have seen you and grown… overly curious about the High Priestess of Aurelia.”

Anyone would want a turn with the war prize of the Crown Prince himself, you remember them saying.

“But I am yours,” you point out, and when Prince Mydeimos looks at you, startled—or disconcerted?—you add, “your slave, I mean. By law, I belong to you. They cannot touch me without facing the wrath of the crown.”

He scowls. “If only the men here were so easy for me to control. Then I would not need to keep you here and worry about…” The prince's brow knots as his voice drifts off, and then he shakes his head. “Nevermind.”

You don't want to know what he had been about to say. You don't want to hear him pretend to feel concern over you. You do not want to think that he may be keeping you here for any reason than to fuck you. He is lying to me, he is manipulating me, he wants me willing when he rapes me: this is your mantra as you study the blade. It gleams in the candlelight, gold like his hair in the fire of the invasion, and its weight is familiar—the weight of the dagger you tried to slit your own throat with, you realise.

It is light, you notice now. The blade sits easy in your fingers, moves for you too gracefully. You should not be able to hold the weapon of a grown man so easily. “This was made for a woman,” you realise. “And not a very strong one.”

“Not strong in terms of brute strength, no. But she was swift. Deadly.”

You are neither strong nor swift, but you can imagine waiting for the right moment to strike—when he's drunk or sleeping or inside you. You'd run this across his neck. Bleed him dry before he can bleed you.

“You're not worried about me attacking you with this?” you ask, and he snorts.

“Would I be afraid of a kitten with sharp claws?” At your sour look, he either mocks or consoles you—you cannot tell which—“Don’t feel too poorly. Most people in this world could not touch me; I am invulnerable.”

“Invulnerable?”

“Immortal,” he clarifies. “Any wound I take heals without a scar; any death I die reverses without fail.”

“Ah… because of the Sea of Souls, I presume.” You remember the child in the waters of the Styx, the way he cried and cried and cried—and you push away the memory. How many babies have wailed as the Kremnoans marched on their homes? Countless. Countless in Aurelia alone. Your goddess has shown you enough memories for you to know, and sometimes the images blend with the massacre of your worshippers.

A massacre that your captor led.

“So there is no way to kill you,” you remark, voice now subdued.

“You sound disappointed.”

“Why wouldn't I be?”

Something in your captor’s eyes flickers, something that makes you look away again. He is lying to me, he is manipulating me, he wants me willing when he rapes me. You cling onto all the visions that your goddess sent you: King Mydeimos is seated on his throne of blood; the claws of Nikador are cutting into your heart. Aurelia is still burning, burning, burning. As long as Oronyx is alive, it will never stop.

No olive oil, spice, nor book will ever change that.

Prince Mydeimos leaves for a time. Okhema—the greatest enemy of the Kremnos—has launched an assault on the city, and it is his duty to defend it. You can hear the distant cries of war from your room, the thunder of marching troops and the roar of terrible men. You hide in the sheets and try not to think of dying Aurelia. You pray for every Kremnoan soldier who invaded your home to perish, to receive the valorous death for which they long.

You play no songs. You receive no books. The food tastes like shit.

For a single night, you think you have been granted your wish. There is a breach into the city, and the bells toll in emergency. The guards tell you to stay in your room no matter what—any Okheman soldiers would desire you, would defile you, and there will be no hope for you if they steal you away, the prized concubine of their greatest foe—and then they leave to join the fighting.

You hide under the bed. You clutch the golden dagger that Prince Mydeimos gave you and you hold it to your breast. You think of all the hands on you as you were dragged from your altar from the Kremnoans, the way they jeered at you and threatened to violate you. If the Okheman soldiers do the same, Prince Mydeimos will not be here to save you—

Save you?

No, he didn't save you. Your captor merely stole you for himself. He is slaughtering the enemy soldiers right now, massacring them the way he did your people. He is taking prisoners of war. He will feed them nicely and send them beautiful novels and texts. He will lie to them, manipulate them, and wait until they're willing.

Or he could be dead.

Of course he's not dead, you idiot, you tell yourself, as soon as you have the thought. He will live long enough to kill you like in the visions, and anyway, he is immortal.

There is no use hoping he is dead—for that is your hope. That he will someday be gone from this world, and that he can never again take away someone's home. That you will have the chance to slit to his throat at least once before he kills you. That you will have the satisfaction of seeing him die before Nikador takes your heart.

There is nothing else you are allowed to hope for.

The fighting ends a few nights later, and your captor returns soon after the bells of victory toll.

Prince Mydeimos is invulnerable, but he looks worse for wear. His armour is scuffed, shattered in a few places. His hair is a mess, sweat and dirt matting it, dulling the gold. The whole of his body—from his legs to the bare expanse of his chest—is covered in a thin layer of soot.

His shoulders relax when he sees you, and you try your best to ignore it.

“You won, then?” you ask. You are in bed, seated in the far corner. The sheets are pulled up to your neck, hiding away your chest and bare arms. The handle of your knife is warm in your palms, comforting.

Prince Mydeimos does not miss the way you clutch it.

“Yes,” he says, voice heavy. There's a tinge of fatigue marring his stoicism when he replies, “Are you disappointed?”

“No.” His eyes flick to yours, belying a surprise that you decide to kill: “I am an oracle. I knew you would not perish in this battle.”

“...of course.” He closes his eyes, counting to ten again. You study him as he tempers himself, wondering why he has returned to you when neither of you enjoy each other’s company.

“Why are you here?” you ask. “Shouldn't you be taking a bath? Enjoying libations with the other soldiers? Toasting the king?”

“I will join the others later,” he says. “I came here first for the same reasons as always.”

Are you eating? Are you sick? What did you do today, while you were alone? The prince stands at the threshold as he asks his three questions, watching you carefully. It occurs to you that he must have just come from battle, that his first desire afterwards was to check on you, and you drop the sheets but you also look away.

“I am not ill, and I reread some of the books you sent me,” you reply, because you would rather die than tell him that you hid under the bed. “And as for the food…”

Prince Mydeimos glances at the untouched slop on your plate, then frowns.

“My apologies,” he says. “Now that I've returned, I will be sure to make you proper meals. I know the servants here do not make food to your liking, so—”

“What do you mean, you'll make them?” you interrupt. At his blank stare, you say, “Isn’t it the helots who cook all the meals here?”

“They cook for most of the palace. But for your meals, it has nearly always been me—ever since I noticed you were not eating.”

You stare, wondering if you've somehow misheard him. “But…” You swallow, and it feels painful. You don't want to look at him. “That can't be true. There have been Aurelian dishes—it must have been an Aurelian who made them. A slave, or maybe a helot…”

“I learned the recipes myself,” he says simply, “though I did ask an Aurelian to sample it first, an old woman who sells spices in the city. She made sure the flavour was right.”

You want to laugh—or cry? The thought of the Crown Prince of Kremnos bent over a cookbook, sweating at a stove, is so absurd that you don't know what to make of it. “Why would a master cook for his slave?

He shrugs, though you don't miss the way he clears his throat. “I enjoy cooking, and I prefer to make my own meals. It is simple enough to cook for two instead of one.”

“You enjoy cooking,” you repeat flatly, staring.

“Is that so strange?”

“Yes.” He’s not meant to be human. He's an animal who feasts on strife and blood. He lies to you, manipulates you, waits until you're willing. But now you are imagining him going out of his way to find southern olive oil, or thinking on which cut of meat to buy from the butcher’s, or squinting at an Aurelian recipe and wondering where to get cassia, and he isn't supposed to be human but monsters don’t enjoy such quaint things.

“Why would you even know how to cook?” you ask—weakly. “You were raised to be a soldier, a king.”

“I learned as a child, before I returned from the sea,” he explains. “A fisherman’s wife taught me how after I saved her husband from the Sea of Souls. Though they banished me from their home after they learned I was Kremnoan.”

You can't look at him anymore, after that.

A few days later, you are served milopita after dinner.

It is well-made. Prince Mydeimos was generous with the cinnamon, and the apples are fresh. The yogurt is thick. The olive oil is that expensive, southern variety, the one that the old Aurelian woman in the city likely picked out for him. It comes with a cup of pomegranate juice and a bottle of goat’s milk, which you don't touch—paired with the cake, it is too sweet.

You catch yourself thinking that Prince Mydeimos must have a sweet tooth, and then you kill the thought.

The prince comes to visit, which he does not often do nowadays. The Chrysos War has entangled Kremnos into so many battlefronts that he is now always in demand as a general, and all the meals have gone back to being untouchable. But the books keep coming, and now there is sheet music as well. You are slow to read the music and your fingers are even slower on the lyre strings—you have not played much since you were a child, when you were taught as part of your training as a hiereia—but it is enough to occupy you.

You'd been wondering if you would be left alone forever when you received the cake.

He comes to you at night. Steps inside as always, closes the door to block out any listening ears. Leans against the wall, as if trying to take up as little space as possible. This is a constant habit of his; you briefly wonder if he does it so as not to make you feel threatened, and then you kill the thought.

You try not to look at him.

“You ate the cake,” he says, in a calm but distinctly satisfied way.

“Yes. It was quite good.” Sweet on your tongue, nothing like bitter copper between your teeth. You can't believe how sugary the apples are. You can't imagine this cold prison of a city, this home of warmongers, having anything like an orchard—yet they must exist here, for Prince Mydeimos to have gotten fruit so fresh and ripe.

Are the orchards here as peaceful as the olive groves back home? The cake was certainly as good as what you had in Aurelia—something close to what the grandmother next door would make for you. She would serve hers with tea, though, and you'd sit outside her quaint home and watch the children run by, playing. Be careful, my loves, she would say to them as they ran up and down the street. Take care not to fall.

Your heart aches as you think of her.

“I have not had any sweets in a very long time,” you say, trying not to let your voice sound tight.

“Nor have I. It has been too busy for me to bake, and I generally avoid desserts—they are unhealthy—but I made them today.”

“Why?”

“Well”—Prince Mydeimos looks away, clears his throat—“I have not been by in quite a while. I could hardly come empty-handed.”

He is mannered, you think. He wants to show you hospitality. He is treating you as if you are an esteemed guest, as if he enjoys your company, and perhaps that is why he didn’t make you into his personal attendant or a labourer; it is because guests aren’t meant to work in the palace, and—

—and now you're killing the thought.

You must kill these thoughts. You are not his guest; you are his slave. He is not a human; he is your captor. The only reason he hasn’t assigned you any menial tasks is because he wants to make it clear to others that you only have one purpose here: to be a hole for him to fuck, and no one else.

He conquered your city. Sacked your temple. Ruined your home. He will ruin your body too.

“I am a slave,” you murmur. “You do not need to come with anything for me.” You should not be giving me things. You should be taking everything from me. “There is no need to treat me so graciously.”

“What, would you prefer that I torment you?”

“I would prefer you to be honest about your intentions.”

He raises a brow. “And what are my intentions supposed to be?”

You finally take a sip of your pomegranate juice—red and tart and sweet, it tastes like the night you were stolen from your temple—and then you rise from your seat.

Prince Mydeimos is startled when you make your way to him, slow but sure. You have never gone to him willingly before, it occurs: you have always been taken to him by force, dragged by Kremnoan men or compelled by chains. Perhaps he is taken aback by it, or startled by the look you give him—the one you use on worshippers who have incurred the wrath of the Titans—for he presses himself even further against the wall.

There is little space between the two of you when you stop. His face is impassive as ever, but you can hear his breath hitch.

“You like your women willing, don't you?”

His face creases. “What?”

“You like your women willing. The freedmen and the slaves alike, I'm sure. You think that if you ply me with gifts and treats, you will also be able to ply open my legs.”

Your captor watches you in alarm, in discomfort. Probably startled at being found out. “...that's not—”

“It won't work, you know. No matter how kind you are to me, you will always be the man who burned my city and sacked my temple. You will always be the beast who dragged me from my altar and into your bed. If I ever spread my legs for you, it will only be because they are held open by chains.”

His jaw tightens. “You've misunderstood my intentions.”

You laugh, light but cruel. “What, are you waiting for a better time to kill me instead? I know you Kremnoans like to hunt people for sport. Are you toying with your prey right now?”

You see it in his eyes when he snaps.

“Is it so hard to believe that I simply wish to treat you well?” he grits out. “That there is at least one person in Kremnos who finds senseless violence disagreeable? That a Kremnoan man could see an innocent woman about to be torn apart by hyenas and wish to save her? Or do you see us all as mindless animals?”

“I am sure there are some of you who behave like humans, but I don't think they would include the Crown Prince of all people. You lead a nation of warmongering beasts—you ride into battle at their helm.”

His nostrils flare. “My people depend on me. It is my duty to protect them from all those who want Kremnos fall.”

“And protecting your city means massacring cities? Sacking temples? Dragging holy maidens out from their temples to be raped?” Your captor falters, but you are too angry to take any joy in it. Too angry at the hypocrisy, at the golden chains, at the city that is forever burning behind you. “If you were really so kind, why would you even have come back to Castrum Kremnos in the first place? Even if you were a child, surely you knew you were going to be joining an army of monsters.”

“Because I wanted a home,” he snaps, and his voice is so harsh that you flinch. He breathes sharply as you step back, and you watch as he struggles to control his—rage? It must be rage. It can't be hurt.

It can't be grief.

“...a home,” you repeat.

“Yes, even a monster like me would desire a home. I spent my first seven years drowning in the Sea of Souls and the next several being cast away by countless families simply because of my heritage—do you think that was an existence I enjoyed?”

You don't know how to reply. You wish to recall the memories of your burning city, your visions of being slain, but all you can remember now is the baby you saw in your dreams—the one who was tossed into the sea, drowning, drowning, drowning. Is Prince Mydeimos forever being dragged into the tides, just as how you are forever being dragged from your altar?

Does Oronyx force him to remember, too?

Prince Mydeimos does not wait for your response. He walks back to the door, terse. Cold.

“If you are so aggrieved by my presence,” he snaps, “then I won't torture you with it any longer.”

He slams the door on the way out.

You and Prince Mydeimos do not see each other for a fortnight after that.

The moons behave strangely while he is gone. Night is always odd in Castrum Kremnos—too long and too inconsistent, as if Oronyx is struggling against something volatile, a presence that is not Aquila. Still, you can usually see at least one of her two moons—one gold and one red, one always waxing while the other wanes. But for an hour, they blink out of existence entirely, and your blood chills at the sight. At the omen.

Prince Mydeimos, you think immediately, is he dead?

Of course he isn't dead. He will live long enough for you to slit his throat as many times as you wish. He will live long enough to kill you afterward, to give you your valorous death without chains. He will live long enough to offer your heart to Nikador, who will devour it and drink your blood.

But every time you imagine it, all you can hear is his voice in your head, irritating and persistent every night—

Are you eating?

Are you sick?

Your home, what was it like?

I wanted a home.

I worry for you.

You tell yourself to kill the thought. You must kill all these thoughts. You must not believe that he worries for you, even though you are practised in the art of reading faces and all you can ever see in his is plain honesty. You are not allowed to hope that you are right, let alone hope that he is alive.

The only thing you are allowed to hope for is to someday slit his throat before he kills you.

The morning after the moons disappear, Prince Mydeimos returns to you. You are surprised when he walks in—he has never visited you so early in the day—and immediately, you want to say something to him.

But you don’t know what.

The both of you stare at each other, and he seems to struggle equally with his words. All you can think about is your last encounter, and he is likely doing the same.

“Why are you here?” you finally ask—not unkindly. Prince Mydeimos startles at your voice.

“I…”

He hesitates. His eyes, gleaming in the morning sun, are underlined by darkness. They're bloodshot, too. He has not slept, you realise.

“Did something happen last night?” you guess, remembering the two moons and how they flickered out like dying flames.

“Perhaps.”

Prince Mydeimos’ expression falters. You want to look away, but you know now the movements of his face well enough to understand what you should not believe—

I worry for you.

You think of the bells of victory tolling, how soon he came to see you thereafter. “Did you come to check that I was alive?” you ask softly.

His voice is quiet, too: “Perhaps.”

You stare at the stack of books on the table, which has grown so high over the past two months that you always wonder if the whole thing will collapse. The war histories are at the bottom of the pile, read so long ago, but you remember them well—the facts alongside the propaganda. The Kremnoans like to perpetuate the myth that they are incapable of fear, but you think that Prince Mydeimos is failing to maintain this illusion.

“Was what you encountered as frightening as the Okhemans?” you ask.

Were you worried that it would harm me?

“...perhaps.”

Your brow arches. “Is that the only word you know now, Your Highness?”

His uncertainty disappears, replaced by a usual annoyance, and the tension finally breaks. “There is only so much information I can share with a prisoner of war.”

“You have already given away your plans to commit patricide—I do not think any information could be more sensitive than that,” you say flatly. He frowns.

“Oronyx told you what I will do, not me.”

“You could have lied or played dumb about it, at least.”

“Why would I try to lie to an oracle? You said yourself it would be meaningless.”

“Plausible deniability in case anyone overheard. You simply could have written me off as mad had I tried to reveal your plans, you know, it's happened before to oracles who foretell tragedies…” Your mouth slants. “You are not very skilled in the art of manipulation, Your Highness. You won't survive the court for very long after you ascend the throne, at this rate.”

“I can survive it well enough,” he says curtly. “I'm alive right now, aren't I? Though I'm sure that disappoints you constantly.”

“No, I'm glad for it.” He blinks. “If I am going to slit your throat, you will need to live long enough for it to happen.”

He snorts. “Of course. I look forward to the day.” Prince Mydeimos looks at you then—scrutinizing. “You will need to stay alive too. Have you been eating? Have you been healthy? What have you been up to while I was gone?”

“I have been eating, and I am not ill. Terribly bored, but not ill.”

He frowns. “Bored? What could you possibly want for, with all that I have given you?”

You give him a long look, sensing an opportunity. “Well…”

He scrutinizes you. “What is it? Better food? More books? Another instrument, or a sharper weapon? I have an entire library at my disposal, plus the royal armory. Name whatever it is you want.” His voice is impatient, but his shoulders are relaxed, weightless. You can't it in yourself to deny the truth: he is relieved that you wish to demand something from him.

It makes you want to crawl under the bed.

“No,” you say, subdued. “I don't want any of that.”

“Then?”

Why do I matter to you?

Why aren't you using me?

Why aren't you hurting me?

“I want answers.”

There are no temples dedicated to Oronyx within Castrum Kremnos.

It is unsurprising. All citizens in Castrum Kremnos worship Nikador, and they war with other gods as often as the Strife Titan himself does. Nevertheless, the main palace has a few shrines dedicated to Oronyx. As much as the Kremnoans like to wreak havoc in the cities of other gods, all deities have their uses, especially Oronyx. It makes you bitter; the Goddess of Time sends enough visions for you to know that the use of her powers is painful for her, and you are certain that Kremnoans do not recompense her with any blood sacrifices.

You do, though. The Aurelian Cult of Oronyx has always honoured its goddess well. If Prince Mydeimos had brought you to a temple, you'd have also asked for a goat and sacrificed it. But as it is instead only a shrine, the only thing you can offer is your own blood.

At night, while the torches are burning low and the windows let through the dim light of the red moon, Prince Mydeimos takes you to the largest shrine of Oronyx. Her altar there is waiting for you—an alcove of cobalt and gold holding within it an azure light, its glow otherworldly. The Crown Prince is startled when you pull out a dagger and steady the blade over your hand; he reaches out and grabs your wrist, stopping you before you can wound yourself.

“What are you doing?” he says tersely. At his alarmed stare, you give him a blank look.

“I am about to appeal to Oronyx for her wisdom,” you explain, “and I will offer my blood in return.”

He gives you a dubious look. “Oronyx demands blood sacrifices?”

“No, but my temple provided them to honour her.” Your brow arches. “Don't tell me that this disturbs you. Your god not only gains strength from every Kremnoan death, he also demands blood sacrifices from other people. Don't think that the world has forgotten your tradition of drinking the blood of your slain enemies."

“We no longer engage in that practice,” Prince Mydeimos retorts immediately. “And in any case, what the Cult of Nikador does is entirely different.”

You squint at him. “What, so blood sacrifices are only acceptable when you do them?”

He sighs. “I only mean… if the god you follow does not demand violence outright, then I would not wish to see you inflict it upon yourself needlessly.”

You look at him, flabbergasted. “You cannot expect me to believe that a Kremnoan would be so averse to a little blood.”

“It isn't the blood that's the problem.” He sounds irritated. “It’s that it's your blood.”

You stare, watching his eyes for some tell of a lie—but you can find none. “You’re being serious,” you realise.

“Yes.”

“You really don't want to see me hurt.”

“Truly.”

“Not even a little bit.”

“Not even by a single hair.”

Part of you is aggravated—this is shameless hypocrisy from a man who led an army into your city—but mostly you’re bewildered. You shake your head, turning away.

“I can't believe I ever thought you'd drink my blood,” you mutter, wresting yourself from his grip. “Your Royal Highness’ delicate sensibilities will need to tolerate this. Prophecy isn't cheap, you know.”

Prince Mydeimos finally relents; he crosses his arms as he watches your ritual. Your blade—his blade—presses into your palm, sinks into the flesh and glides along your heart line until scarlet is welling around it. You bear the pain silently; it is nothing compared to what Oronyx must feel whenever her powers are used by force.

Your blood drips onto the altar, and its cyan light flares violently. It is brighter than the golden moon, maybe even brighter than Aquila’s sun, when you begin your incantation. Titan language sounds strange, beautiful but unnerving to human ears; you are unsurprised when Prince Mydeimos shifts in the corner of your eye, uneasy as he listens to you.

O Titan of Time and Night, you say aloud, tell me what my path to freedom is, and show me the true nature of the man who has taken it away from me.

It takes a few moments for the visions to come, but they flash like lightning when they do. You are in the darkness of a decrepit shrine in Castrum Kremnos, standing next to your captor, then—

Daytime. You are somewhere beautiful, with a warm sun above your head and limpid pools everywhere, bathers laughing in the sun. There's a woman with golden hair and sea-glass eyes; she smiles at you, all-seeing even though she is blind, and then—

Nighttime. There are no moons in the sky, and the stars are faded. The city is dying, and you listen to the screams as you watch an unnatural darkness fall upon it. Something is encroaching the palace walls—a dark plague that corrupts all that it touches, a black tide that has been sweeping across the lands. You wish to stay, to lose yourself to it, but the Crown Prince grabs your hand. You can make out his words, just barely: ████ with me to ██████, he says. ███ ██ save you. And then—

Daytime. It is painfully bright where you are now, idyllic. You are watching Mydei. An amicable looking dromas has lowered its head to his palm to eat the feed in his hands. You made Mydei try this—giving the docile beast a treat. You're laughing as you watch him; he looks so startled, out of his depth for royalty. A group of children are spectating as well, giggling uncontrollably at their Crown Prince. You hear yourself: ██ ██ cute… then—

Nighttime. The golden moon is out tonight. You are tired, so tired; you have buried someone, you don’t know who. Mydeimos looks haunted. Your palm is pressed against his cheek, cradling his face in your hands. Your wrists are bare, you notice. His voice is quiet: █ ██ remember ██ ███ ███████ touched ██ ████ this… now, finally—

The end. You are bleeding out at the feet of King Mydeimos. You cannot see his face, but he is malevolent, terrible, and strife runs thick in his ichor veins. Your chest hurts even though your heart is no longer in it, and you are crying, crying, crying—I will ████ you soon, ██ ██, you weep, and now—

It is nighttime, and the torches are burning low in Castrum Kremnos. You are on the floor of a shrine, gasping, your cheeks wet with your grief. Your captor is crouched next to you, his hand on your back—touching you gently, too gently for the man who sacked your city, too gently for the king who will kill you and drink your blood. You pull away from him, terrified, and your captor backs off immediately.

“Forgive me,” he says. “You were—you collapsed, and I only wanted to check what was wrong.”

“I'm fine,” you gasp. “I'm fine. It's just—what I saw, through the Evernight Veil, it was—” Your eyes squeeze shut.

“What? What was it?”

“My future. Your future. I wanted”—you don’t know why you're telling him this, you don't know why you were standing next to him in a beautiful city with a group of joyous children, laughing as he fed a dromas—“I wanted to know if I could trust you.”

“And?”

Your captor stares intently. His eyes burn in the light of the palace torches, in the light of the blazing olive groves, in the light of the golden moon.

It is easy to lose sight of time after peering into the Evernight Veil, for the past, present, and future to blend together. Easy for you to reach out to your captor in Castrum Kremnos, easy to instead see Mydeimos grieving after a burial. He stares at you as you touch his cheek, cradling it. Something is flickering in his eyes, something so painfully human that you cannot bring yourself to ignore it. You can hear him talking to you in the future.

“You can't remember the last time someone touched you like this,” you repeat. At his startled look, you add, “That's what you're thinking, right?”

He jerks back, as if your fingers are scalding. “How did you—”

“That's what you'll say to me,” you say simply, “eventually.”

Prince Mydeimos swallows.

“Does that mean you'll come to trust me, then?”

Now you're at the foot of his throne again, bleeding dry for him—bleeding more than you ever have for your goddess or your city or your people. Your heart pulses in the hand of the Strife Titan, and you close your eyes forever.

“No.”

End Part I

notes: oh my god when I tell you all the suffering I went through trying to write this shitass chapter slfjslfksdfjalsk. between navigating the nightmare of canon lore and a trope that is absolutely out of my wheelhouse, I truly suffered for this story. and I don't think the end product was even that good. regardless, please let me know if you liked it. LOL

as an aside, I'm not sure how obvious it is to people who are reading this blind (as opposed to my followers who've been witnessing my shitposting lol), but mydei is absolutely not into the sexual slavery stuff. he sees you in those golden bdsm chains and feels so uncomfortable that he leaves the room asap. my man is taking immense psychic damage from this situation rip he just wants to make sure you're safe but his palace is forcing him into this wattpad fic situation (i am forcing him into this wattpad fic situation)

[soon-palestine]

In a statement that was shared with The Nation, a group of 25 HLR editors expressed their concerns about the decision. “At a time when the Law Review was facing a public intimidation and harassment campaign, the journal’s leadership intervened to stop publication,” they wrote. “The body of editors—none of whom are Palestinian—voted to sustain that decision. We are unaware of any other solicited piece that has been revoked by the Law Review in this way. “ When asked for comment, the leadership of the Harvard Law Review referred The Nation to a message posted on the journal’s website. “Like every academic journal, the Harvard Law Review has rigorous editorial processes governing how it solicits, evaluates, and determines when and whether to publish a piece…” the note began. ”Last week, the full body met and deliberated over whether to publish a particular Blog piece that had been solicited by two editors. A substantial majority voted not to proceed with publication.” Today, The Nation is sharing the piece that the Harvard Law Review refused to run. Some may claim that the invocation of genocide, especially in Gaza, is fraught. But does one have to wait for a genocide to be successfully completed to name it? This logic contributes to the politics of denial. When it comes to Gaza, there is a sense of moral hypocrisy that undergirds Western epistemological approaches, one which mutes the ability to name the violence inflicted upon Palestinians. But naming injustice is crucial to claiming justice. If the international community takes its crimes seriously, then the discussion about the unfolding genocide in Gaza is not a matter of mere semantics. The UN Genocide Convention defines the crime of genocide as certain acts “committed with the intent to destroy, in whole or in part, a national, ethnical, racial or religious group, as such.” These acts include “killing members of a protected group” or “causing serious bodily or mental harm” or “deliberately inflicting on the group conditions of life calculated to bring about its physical destruction in whole or in part.” Numerous statements made by top Israeli politicians affirm their intentions. There is a forming consensus among leading scholars in the field of genocide studies that “these statements could easily be construed as indicating a genocidal intent,” as Omer Bartov, an authority in the field, writes. More importantly, genocide is the material reality of Palestinians in Gaza: an entrapped, displaced, starved, water-deprived population of 2.3 million facing massive bombardments and a carnage in one of the most densely populated areas in the world. Over 11,000 people have already been killed. That is one person out of every 200 people in Gaza. Tens of thousands are injured, and over 45% of homes in Gaza have been destroyed. The United Nations Secretary General said that Gaza is becoming a “graveyard for children,” but a cessation of the carnage—a ceasefire—remains elusive. Israel continues to blatantly violate international law: dropping white phosphorus from the sky, dispersing death in all directions, shedding blood, shelling neighborhoods, striking schools, hospitals, and universities, bombing churches and mosques, wiping out families, and ethnically cleansing an entire region in both callous and systemic manner. What do you call this? The Center for Constitutional Rights issued a thorough, 44-page, factual and legal analysis, asserting that “there is a plausible and credible case that Israel is committing genocide against the Palestinian population in Gaza.” Raz Segal, a historian of the Holocaust and genocide studies, calls the situation in Gaza “a textbook case of Genocide unfolding in front of our eyes.”