#so I'm showing only the frames I like the most

[ms-demeanor]

So I have vision insurance again which means I was able to go to the optometrist and get glasses through insurance for the first time in 11 years (instead of paying out of pocket and getting glasses from zenni) and here are my notes:

It's *NOT GREAT* that Luxotica is mentioned by name on the insurance card printout

I know everything got more expensive in the last ten years, but frames also got a lot more expensive and for some reason there was a huge gap in prices - my insurance covered $130 for frames and the office had a bunch of frames for $70 and a bunch of frames for $150 but basically no frames between those two price points.

When you say "I can't afford to go over the allowance" on XYZ thing they are not even *considering* the cost of progressive bifocals. So I was like "no coating, cheap frames, no extras" and then they were like "okay so the progressive bifocal is going to be over a hundred dollars more" and I was like "how much is the bifocal with a line" and they were like "oh that's only $15 but we don't consider that appropriate for your age, we recommend this other kind of lens" and it doesn't matter what you consider age appropriate for me, I can't afford that so we're not doing that.

The seventy dollar frames are all kind of trash. Super thin, super bendy, and not in a good "flexible fit" way but more in a "if you fall asleep in these you will wake up with broken glasses" way.

They wrote down my reading prescription wrong? For the last ten years I've been slowly creeping up from +.25 to my current +2.50; they told me it had increased but the printout said +.75 so either my prescription has been wrong for a while or they missed the 2 at the front of that number and my glasses are going to show up with a low magnification. (I noticed after I'd left the office but before the glasses arrived).

Given all of that, with insurance: $25 for a pair of glasses, which included the office copay.

So then of course I went to zenni and ordered glasses anyway because I've been wearing the same frame design for seven years and want another pair that look exactly like that.

Progressive bifocals WERE the most expensive part of the order, and because my prescription is stronger they are getting progressively more expensive - initially the upgrade to bifocal cost something like $30 for a lower magnification, now they're $85 for the stronger prescription.

And that's it, that's the expensive part. Fifteen dollar frames, five dollar anti-reflective coating, total for bifocals was around a hundred dollars; I got a pair of single-vision sunglasses for under $20.

Part of the reason I decided to spend more at zenni than at my optometrist's office was because I was able to get good, sturdy frames that I know fit my face and will survive mosh pits and me falling asleep on them without cracking. In order to get the same thing at the optometrist's office I would have had to pay thirty dollars more for lenses as well as forty more for frames so I would have walked out of there paying more for a pair of glasses with frames that I wasn't super excited about (there was a pair that was *okay* but not great that were similar in construction to my current frames but more bulky and square) than I did for glasses that I know I like and a pair of sunglasses.

I did end up paying less out of pocket for the visit than I would have without the insurance, and $15 for a pair of back-up glasses isn't bad. But it was all-in-all a frustrating experience.

However: I've been wearing the same pair of glasses for three years and the anti-reflective coating is worn away in some places and they're so scratched that they're impossible to actually clean in some places and large bastard looked through them last week and was like "OH! No wonder you can't tell when you need to clean your windshield! You don't get to drive at night until those are replaced" so no matter what glasses I'm wearing next week they're going to be an improvement.

[justmymindandstuff]

Can you do Aemond x f!reader? And the reader being a lot like Helaena (I'm projecting lol, I want an autistic reader basically). Just fluff between them, maybe newlywed?

Learn to Love you - Aemond Targaryen x WifeReader

summary: Aemond tries to understand his new wife, but you are too much like his sister. He can't get through to you. One evening he tries it with direct confrontation and is rewarded with a glimpse of you and hope for the future. After this evening his wife is not a complete stranger anymore.

words: 2.818

warnings: softAemond, a bit angst

a/n: based on the request above. Unfortunately it didn't turn out quite as fluffy as it should. I hope you like it anyway :) I'm not autistic myself and don't want to hurt any feelings with the portrayl of the Reader. I based her on Helaena in the show.

Gif not mine// English is not my first language// no use of Y/N // AO3 // not proofread// requests are open

Aemond moves quietly through the halls of his home. The Red Keep slowly goes calm. The sun has already set, and most have retreated to their private chambers. Aemond is tired and longs for his own chambers and his bed. He had spent the evening a little longer than usual talking with Ser Criston. The sworn shield of his mother and he had trained together in the courtyard in the morning. Criston had discussed a few improvements with him. If his sore muscles would allow it, Aemond would try out the improvements tomorrow. But before he can retreat for the evening, he still has a task to complete. He still has his evening visit with his wife to attend to.

His marriage is not really how he imagine it would be. It's been almost a week since you two got married. You've known each other for 10 days. When you arrived at the Red Keep and he saw you for the first time, he had been relieved. A pretty face and a friendly smile had greeted him. Aemond tried to get to know you and realized that you are more than just a pretty face. You are nice, polite, smart, well-read, but strange. Often you drift off into your own world. Captured by your thoughts. You will be in a place where Aemond cannot follow you. And he quickly realized that you can't stand it when he touches you.

During your wedding ceremony, you didn't touch him more than necessary. The touch of your lips almost triggered a panic attack for you. You tore your hand away from his. Aemond would have liked to hold your hand a little longer. On this night, he did not dare to lay with you. This didn´t change over the last week, so you are still a maiden. Not that Aemond has told anyone, and as far as he knows, you haven't said a word either.

Maybe it's because he is a stranger to you? Aemond doesn't really know what to do. He doesn't like the situation. But he also doesn't know how he should change it. His usual solution, Vhagar, will definitely not work here.

He tried to seek advice from his brother. I don't know. With Helaena, it was different. I knew her well before we got married. For your wife, you are just a stranger. Aegon is right but Aemond didn't know how to change that.

So he went to his mother. Give her time to get to know you.

Both pieces of advice only led him to visit you every evening and try to get to know you. However, you mostly sit there in awkward silence and do not look at each other. You still feel uncomfortable in his presence he knows this.

Arriving at your chambers, he takes a deep breath once more and steps inside. The room is still lit by a few candles. He closes the door and watches as you pace restlessly in front of the fireplace.

"You are later than usual." you say, stopping in your movement. Now that Aemond is here, the unrest fades a little. Still, it bothers you that he doesn't come to visit you during his usual time frame. It's actually almost time for you to call your maids so they can help you change and you can go to sleep.

“I apologize for being late.” Aemond says even though he doesn't understand why it bothers you. Have you already gotten your hopes up that he won't come today? You look at him for a moment and then nod.

Without saying a word, you sit down in the armchair by the fireplace where you sit every evening. Aemond takes off his sword belt and places his weapon next to the door. He had considered that it might make you nervous that he carries a sword with him. So he puts down his weapon every evening before he sits down with you. Fortunately, you know nothing about the dagger in his boot.

Aemond even had a dagger made for you as a wedding gift. A beautiful weapon, with a gracefully curved handle and on the blade, just before the hilt begins, is a small dragon embossed that is inspired by Vhagar. Aemond hasn't had the chance to give you this gift yet. He knows that you need to get to know him better in order to understand the thought behind it. You should always be able to protect yourself, in case he might not be able to someday.

He shakes off the thought and sits down in the other armchair next to the fireplace. You don't look at him, but into the flames. Just like every evening. When you start to speak in a quiet voice he almost flinches.

"Why are you later than usual?" your hands are playing with the fabric of your skirt. You haven't changed for the night yet. You´re never when Aemond comes into your chambers. Even your hair is still braided into tight braids. Aemond feels like a visitor in his wife's chambers.

"I discussed my training with Ser Criston. There were a few problems this morning," he replies honestly.

Your face shows no reaction as you respond. “Are you hurt?”

Are you worried about him? No. Why should you? He is a stranger to you. But he still worries about you even though you are a stranger to him. After all, you are married. He wished he could read your thoughts.

"No, I am not hurt. Even though I don't really want it, Ser Criston is always a bit cautious during training with me." he is trying to ease your worries. If you are worried. Again, he tries to read your expression, but your face remains still. Your only reaction is that you turn your head to look at him. The fire in the fireplace casts warm light on your profile and your skin shimmers almost like gold. Once again, Aemond notices how beautiful you are. You look at him, and your gaze prompts Aemond to continue speaking. "I don't want him to hold back because, in a serious situation, my opponent won't hold back either."

"Which serious situation?" you still ask in a quiet voice.

"I don't know. If my family is in danger." and then he adds quietly. "If you are in danger."

The corner of your mouth twitch slightly and you almost smile. Then you turn your gaze away again and look into the fireplace. Aemond suppresses the urge to reach for your hand in your lap. Silence spreads again between you. The uncomfortable silence causes a hot burning sensation in Aemond's gut. Still, he can't take his eyes off you. You seem a bit sad. He decides that it can't go on like this. Aemond has to swallow and gathers all his courage to speak again.

"You are not happy."

This time you turn not just your head towards him but your whole body. He is surprised when your gaze meets him and you look directly into his eyes. Rarely can you hold his gaze. Your eyebrows furrow slightly as you think. It takes a moment before you respond.

"No. No, it's just that it's hard for me. My father brought me here, and this is a strange place for me. All the people around me are strangers. I miss my family and my home. Everything I knew was taken away from me. I was used to everything at home. I had my routines and everything. It's hard for me to adjust to all these new things around me. But it doesn't have anything to do with you."

Aemond is surprised by your words and needs a moment to truly understand what you have said. Guilt overwhelms him. It is his fault that you were kidnapped from your home. Because you had to marry him.

"I'm sorry," he says. Now it is him who cannot withstand your gaze and he looks at his hands.

"I don't blame you." once again, you surprise him your voice is now a bit firmer. "It wasn't your decision to marry me. Just as it was not my decision to marry you. That was agreed upon by our parents." you sigh. "You are not happy either. And that is my fault. I know that I'm weird."

"No! I don't find you weird."

You laugh softly and at the sound Aemond's heart skips a beat. He is looking at you again, he wants to hear you laugh once more.

"You don't have to lie."

"I am not lying. I don't find you weird. You remind me of my sister."

Your eyes start to shine. "Hel. I like her a lot."

He feels a slight tug at his heart. Aemond knows that you usually spend your days in the company of his sister Helaena. He has seen both of you walking in the garden a few times or engrossed in conversation while eating. He would be lying if he said he wasn't jealous of Helaena.

"Yes, I know. Do you spend a lot of time with her?“

You nod. "Yes. I enjoy being with her." "What are you doing all day?"“ Aemond is clinging to every strand. Everything is better than this uncomfortable silence between you.

"Oh, very different things. Sometimes we read together, or she explains something to me about insects. Sometimes I read one of my poems to her. Or I’ll give her one to read."

Aemond is captivated by the sparkle in your eyes.

"You write poetry?" he asks, annoyed with himself for not knowing this about you, but Hel did. Your cheeks are slightly turning red, and for the first time, Aemond feels like he can read your emotions from your face.

"Yes, among with other things. I also enjoy reading poetry. My favorite poet is Marcus Hill. He writes incredibly well. My poems are not even close to being that good. But I don't just write poems, I also write short stories. This helps me organize my thoughts better. But I like most writing poems.“ you speak a little faster than usual, which reveals your excitement to Aemond. He can't help but smile at the sight. Now that you are passionately talking about your interests, you are even more beautiful.

Suddenly you jump up from your chair. Aemond's hand instinctively goes to where his sword's hilt usually is. In the next second, it becomes clear to him that there is no danger, and he relaxes again. You didn't notice anything because you turned away immediately and took a few uncertain steps through your chamber before turning back to him. Uncertain, your hands begin to play with the fabric of your skirt. You take a deep breath and then search for his gaze for a second before looking away again. Aemond leans forward a bit, tense with anticipation. Finally you start to speak. "Would you like to… I mean just if you want? You don't have to." You stop yourself, take a deep breath and gathering your thoughts. "Would you like to read one of my poems?" you ask softly.

Aemonds heart skips a beat and a pleasant warmth spreads within him. "Yes. Very gladly."

You nod, turn back around, and walk to your nightstand. You pick up a book with a leather cover and open it. Aemond notices from his seat that it is stuffed with written pages, and almost every book page is filled with your neat handwriting. You rummage through the loose papers and then pull out a page before you close the book again and carefully place it back in its spot. You are coming back to him.

"I wrote this on the day of our wedding," you say, handing him the sheet of paper. In that moment, your fingertips brush against his. The touch is so fleeting that Aemond is not sure if he might have just imagined it.

He turns his gaze away from you and directs it to the folded paper between his fingers. He wants to open it to read your poem, but before he has really moved his fingers, your hand shoots forward and holds his hand firmly. Aemond skin tingles and he lightly closes his hands around yours.

"No. Please don't read it here. That would be too embarrassing for me. Please read it later and tell me tomorrow what you thought," you say quickly. Aemond looks up again and directly into your eyes. He saw you that close for the last time on your wedding day in the sept. A shiver runs through his body and he can only nod. You also nod and allow him to briefly squeeze your hand before you pull back and sit down again in your chair opposite to him. He already misses the feeling of your soft skin under his fingers.

Aemond folds the paper with your face completely again and then puts it in the pocket of his shirt. Suddenly, this piece of paper is his most precious possession.

"Now you know something about me." you notice. Aemond can't gauge whether the fact bothers you or not. He hopes it  doesn´t. Before he can ask, you are already speaking again. "You like sword training. I could watch your training?” you suggest.

Aemond thinks about the training courtyard. About the loud clashing of the swords striking against each other, the sreams of the knights, the swearing and the rough manner of speaking among men. And then he thinks of you, his gentle, fragile wife. Sometimes the gentle background music that plays during dinner is too loud for you. You would hate it.

"No, this is not a suitable environment for you, my Lady. The men do not know how to behave in the presence of a princess." he explains.

"Oh."

Aemond sees how you stiffen a little again and turn your gaze back towards the fireplace. The fire is almost out. Aemond is afraid that the closeness he has found today will slip away from him again, and as a result, he starts to speak a bit too quickly.

"But if you want, I can join you on your walk tomorrow?" he is momentarily afraid that this will disrupt your routine, but you look at him again.

"Yes, that would be nice. I always take a stroll through Queen Alyssa's garden after afternoon tea."

Aemond must suppress a smile. He is, of course, well informed about your daily routine. Even though he hasn't really been able to talk to you until today, he has always kept a close eye on what you're doing. "I am happy to be allow to accompany you." his gaze falls on your hands folded in your lap, and once again, longing pulls at him to reach for your hand. "When we go for a walk. Would you allow me to hold your hand then? I know you don't like my touches. But...

"No. It's not your touches that I don't like.I don't like touches from anyone, regardless of who." you clarify things quickly. "But yes. I will allow it. I know about it know, so I can prepare myself for it. If I´m prepared I can hold your hand.”

This time Aemond cannot suppress his smile. A pleasant anticipation for tomorrow fills him and he feels as if he has made a significant step forward in his marriage today.

The ringing of the bell in the great sept makes you both flinch. Startled you look out the window, then you get up and walk through your rooms. "I have to call my maids and go to bed.It's already past my usual time."

Aemond quickly gets up as well and nods. Bad conscience about the fact that he disrupted your routine today weighs on him. He turns to the door and goes to his sword belt to put it back on. As he just fastens the buckle and turns to leave, you turn to him once more.

"Thank you, Aemond. Our conversation was good for me. I enjoyed it very much. I´m looking forward to our walk tomorrow and I'm curious to hear what you think of my poem."  and then you smile directly at him for the first time.

His heart starts to race immediately, and Aemond is sure that he has just fallen in love. Unconsciously, he places his hand on the pocket where he has put your poem. Then he returns your smile.

"Yes, I also enjoyed it very much. Good night, my Lady Wife. I will see you tomorrow."

"Good night, my Lord Husband.” you respond still with a smile on your face.  

Aemond nods briefly and then leaves your chambers. His steps are light, and he intends to speak with the steward first thing tomorrow morning so that he can arrange for the poet Marcus Hill to be invited to the Red Keep as soon as possible.

[respectthepetty]

Elyes is rich, toxic, and egotistical. He also crosses the line every chance he gets.

He is the title character of Bad Guy My Boss, but he isn't even bad. He just has one brain cell, and it's in the wrong head. *wink* PENDEJO!

He is a Black Brooder who wants his Happy Human secretary.

But he has no idea how to actually get a guy since most men just throw themselves at him, so all he really knows how to do is boss Pat around.

And now he is going into extreme boss mode by demanding the most outrageous stuff (because he is a pendejo!).

But he is failing to realize that his behavior is simply making Pat darker.

Although I fully believe Pat is wearing black here because he does love Elyes, the barrier between them is thick and heavily on Pat's side!

Even when Elyes tries to bring them closer in his little frame,

Pat pushes him away and the barrier comes back up on Pat's side.

Not only is Pat placing boundaries with Elyes, he is also reflecting on his position because even though Pat loves his boss, does he want to be another name on the roster like all these other men he is buying gifts for and scheduling appointments for booty calls with Elyes?

And even more, Elyes is in a relationship with his company, so does Elyes even really care about Pat or does he only care that Pat is good for the company?

Elyes is the bright light of Pat's life.

Pat's entire life revolves around him because Elyes is the center of his universe.

But it doesn't mean he wants to be in that world with him anymore.

So as much I love the shoe shots of Elyes stepping up,

The visuals are making it clear that Elyes is crossing Pat's boundaries in his attempt to get closer.

So even though the episode ended with what looked like Pat and his barrier dissolving under Elyes's kiss,

I don't think he was moving his hand on Elyes's arm because he was falling into the kiss, but so he could get a better grasp to push him away since the barrier quickly reappeared.

Because the director is Term, who also directed Chains of Heart, and that show, if anything, was a visual buffet of barriers, boundaries, and bars, so I feel confident that the barriers are intentional in this show as well.

So I'm here for the visuals.

And people crossing the line.

In more than one way.

[aihoshiino]

chapter 161 thoughts

Chapters Since The 143 Kiss Happened And Went Entirely Unacknowledged And Unaddressed Count: 18

Aqua Hoshigan Status: For the future

Never has an OnK chapter gone from It's Hoshinover to We Are Oshi no Back quite as hard and fast as this one. I have issues with this chapter in terms of what it implies about the story's overall structure and the fact that it sort of ruins 153-4 by association but this chapter's back half is so fucking good and the chapter itself works so well in isolation that much like 153-4, I kind of uhhh don't care about the structural issues because the story's heart is, for the most part, not just intact but beating harder and more passionately than it has in a long time.

To get what I don't like out of the way, the story seems to have settled on Super Evil Serial Killer Mastermind Kamiki as his final form characterization with some helpful Tsukuyomi exposition to just straightforwardly Tell Us things the manga probably should have spent some of the last 70something chapters Showing Us about Hikaru. The basic idea of Hikaru being some sort of serial killer so dedicated to upholding Ai's legacy that he kills women with the potential to surpass her was more or less always where I expected his character to land and this settling of his character does at least preserve what I think is the most important thing: that he genuinely loved Ai and his bent towards villainy only came after her death.

What I don't love as much is that this chapter seems to continue leaning into Uber God Manipulator Mastermind Kamiki like last chapter. I already talked at length about my issues with this framing in my previous chapter review so all I'll reiterate here is that the story's attempt to frame Hikaru as being equally or even more culpable for the actions of Nino and Ryosuke fall entirely flat to me, especially when the manga itself does such a pisspoor job of actually explaining how or why Kamiki was able to control and/or predict their actions to the extent that he supposedly did. And ESPECIALLY especially given that Nino and Ryosuke seem to have already been dangerously obsessed with Ai by the time they approached him.

In general, Hikaru's character is honestly just so inconsistent at this point that making any sense of his actions feels fruitless. If I really dig into what's going on, I can infer that maybe he fell into the same trap as Aqua by overcompensating for his trauma-induced helplessness by becoming overly controlling and guess that his fucked up trauma response to Ai's death combined with those terrible words Kindaichi gave him at Airi's funeral lead him down he road he's traveling now. I can even extrapolate that Aqua showing him the DVD message in 153-4 pushed Hikaru to this extreme and now that he has nothing to lose, he's lashing out at his children too - though, it should be noted, that the manga still hasn't actually established what Hikaru's culpability is in Nino's attempt on Ruby's life, outside of Aqua saying "well you didn't use your psychic powers to perfectly predict nino's actions so it's on you".

But like - this is all stuff I'm having to infer and extrapolate and guess, reverse engineering logic from our end point in an attempt to create a stable foundation for this characterization. The manga has done such a poor job of properly establishing Hikaru both as an antagonistic force and as a consistent character that I feel like I'm trying to assemble a coherent image from two different puzzle sets with all the fucking corner pieces missing and that's with Crow Girl looking into the camera and Explaining Him to me.

And listen, I am a bitch who LOVES to infer things. One of my absolute favourite pieces of fiction of all time ever is Umineko no Naku Koro Ni, a mystery story that literally does not contain any straightforwardly explicit, textual confirmation of the culprit's identity or motives because it believes so strongly that you, the reader, are smart enough and empathetic enough to put in the time and effort necessary to understand it regardless and it deeply, deeply values being able to give you that experience. But OnK feels less like it's intentionally encouraging me to think hard and enjoy the process of putting my head and my heart to work - it feels like it's leaving its homework unfinished and letting the reader do the actual hard work of sewing up the internal logic.

I probably won't talk much more about Kamiki this chapter cos I'd just be saying all this shit over and over but I really just am struggling to understand from a perspective of authorial intent what the vibe is even supposed to be. Like I mentioned in a previous ask, if this is where Kamiki's arc is reaching its conclusion then it means that the Movie Arc was essentially a whole-ass waste of time in and out of universe. Blech. Hate that.

Also, before I move on, I don't want to leave this just implied - making Kamiki explicitly a CSA victim and then ending his arc on Aqua (and implicitly the narrative) dismissing him as being too broken/corrupted to be saved is a really major misstep that I think represents a huge black mark on OnK's handling of CSA as a topic. The idea of an eternal defilement or an unfixable core wrongness in the self is already something real life CSA victims struggle with in the process of unpacking their trauma and having our likable and supposedly morally superior protagonist espouse this unchallenged in a work as prominent and relevant as Oshi no Ko is irresponsible bordering on dangerous. It's incredibly disappointing that after all the care Aka and Mengo seemingly took in handling this topic that it was whiffed so badly at the last second.

ANYWAY!!! Now all the beef's been dealt with, we can cleanse our palettes and move onto everything else I liked which was… basically everything else in this chapter!

Admittedly, Aqua's overall arc is still suffering from us being kicked out of his head from like 123 onwards for no real apparent reason and while 150 was a welcome refresher on where he's at in this part of the story, it still feels a bit like the story is prioritizing preserving the surprise factor of its twists over making these surprises feel earned. Compare it to volume 1 - you are basically told exactly what is going to happen to Ai, especially in the manga when Saitou and Gotanda outright say as much - but her death is still incredibly impactful and upsetting. I think this chapter is very effective, but could've been a lot moreso if we'd spent more time in Aqua's head leading up to it.

THAT SAID… If the intention of keeping us out of his head was to recontextualize Aqua's behaviour across the past ten or so chapters in this new light, I don't hate it as much as I might have. I initially took issue with what felt like the story off-screening and not addressing the resolution to Aqua's suicidal ideation so whipping back around to prove that it was still very much present puts some particular Aqua moments over this past volume into a very different light. As some people pointed out, Aqua missing Kana's pitch - literally dropping the ball in responding to her feelings - and his wide-eyed look of alarm in 151 seemed very ominous omens for the success of her confession and that beat of him covering his face when Kana approves of his dream… very incheresting knowing Aqua was still struggling with 'love or revenge' at this point.

Most interesting of all to reconsider is Aqua breaking down in tears in Miyako's arms in 155 when she addresses him as her son for the first time. At the time it read like catharsis but now I can't help but wonder if this was Aqua grieving for something he desperately wants but thinks is out of his reach.

i do have to say though. i get the general vibe of this plan and think it works fine as the apex of aqua's self-sacrificial protectiveness for the people he loves but how is being the daughter of a serial killer somehow any less scandalous for her career than being the sister of someone who killed one dude. does aqua think they just won't notice that kamiki happens to be their biodad or something. wasn't that the whole point of the movie. goofy ass plan.

What really saves this whole scenario is the emotions at play, though. This really does feel like Aqua at his most Aqua in a really long while and this chapter has so much love and respect for his life as Aqua and the bonds he has formed as a result. The dreams Aqua lays out are so agonizingly simple, too - he wants to pursue the career he finds rewarding. He wants to date the girl he likes. He wants to accept Miyako as his mom and Himekawa as his brother and to make things right with Akane after hurting and using her. He wants to see Ruby achieve her dream and be there to support her when she does.

But Aqua's always considered his dreams impossible, hasn't he?

I fully admit; I got spoiled with the full page spread of Aqua stabbing himself way in advance of the chapter and initially hated it as a twist. But with the full chapter as context and the sheer weight of Aqua's longing to just fucking live and find joy, it's not just effective but absolutely gutwrenching. It is the synthesis of Aqua's series-long battle to choose love or revenge and it resonates perfectly because it has never been one or the other for him - Aqua's revenge has always been rooted in the fact that he loves others so wholly and completely and hates himself so utterly that he thinks sacrificing himself to preserve their futures is the only path for him to take. It's the culmination and final release of the suicidal ideation Aqua has been dealing with since he was four years old and like Ai's tragedy before him, there's a horrible sense that maybe there really was no other way this could've gone.

Aqua being the character who actually takes the knife also firmly cements him as Ai's narrative echo in the text which has me barkin and howlin because it's what I've been saying all this time. Not just that, but so many of Aqua's expressions in this chapter pointedly and deliberately echo Ai's after she was stabbed. Not just that, but Aqua's achingly simple dreams echo Ai's own heartrendingly simple regrets - all the two of them ever wanted was to be happy with the people they love.

This also reframes the story's prior establishment of Ruby as paralleling Ai and seems to place the twins in the position of echoing not Ai in her entirety but Ruby as 'Ai of B-Komachi' and Aqua as 'Ai Hoshino'. This was actually something I outlined in one of my very first meta posts on the series, but I think making it more specific to 'Ruby as Ai the idol' and 'Aqua as Ai the human', this actually gives Ruby's arc in relation to Ai a bit of breathing room. Don't get me wrong, everything I've said about her post-BH writing being underbaked and inconsistent is still the case, especially when it comes to how confused the story is on whether Ruby is her own idol or New And Improved Ai 2.0 but giving it less ground to cover helps in terms of her writing no longer being spread quite as thin.

Speaking of Ruby, that beat of her seeming to react or sense something is up the moment Aqua takes the stab. 'Something happened to my loved one far away and I just Feel It' is a trope I'm always a sucker for and I really dig it here.

"The public don't care about the truth, so let's tell them a lie" is such a crazy hard sentiment to go out on too. Holy fuck.

There go our boys…!!! Quite a few people predicted they might go over the edge when Aqua showed up in his Mephisto fit (Mefitsto) and I'm interested to see if we get any parallels to the ED's imagery in the next few chapters. Overall, though, I'm really excited for where things are going - I don't think Aqua will die, but I do have some theories about what might happen. I can't think of a more traditional misogi purification experience than the middle of the ocean in late December, after all…

No break next week! Woohoo! While the delay of episode 12 means we won't be getting them on the same day, that is the same week S2 of the anime will be concluding and Aka does like lining up his bombshells with the anime. So who knows what we'll see.

seriously tho aqua. everyone already knows kamiki is you and ruby's biodad. HOW IS THIS ANY BETTER THAN HER BEING THE DAUGHTER OF A SERIAL KILLER AS IT ALREADY STANDS

[pipsqueakparker]

Blitz's Horse Ranch - Sims 4

I did it, I made a lovely little ranch for Blitz, Stolas, Via, & Loona. Here's some pics. (Horse count is around 30 last I checked, btw)

Exterior Shots: Front, Front Porch, Back - I'm not a great builder, it looks big but all of the rooms are somehow so small? IDK, but we ran with what we built. (also most intricate roofing job of my life i swear) Landscaping was done with Stolas in mind, I think he'd keep it all looking very pretty... I'll do the back at some point, plus probably put a little garden out there. We also have a telescope on the second story deck and a nectar making station for Blitz on the back porch lmao

Interior:

Foyer/Kitchen/Dining Room - I tried to pull in little pieces where I could, apart from all the horses, but also the polaroids & photos on the wall. (I intend to play with them, so all the blank frames are there to fill during gameplay.)

Informal Family Room - I spent like twenty minutes choosing a couch... this is about where I lost my commitment to using as much of the Horse Ranch pack as I could... I still think I used a whole lot, though.

Formal Living Room/Bar Room - IDK what this is, but I know Stolas got to design it (there's also a lovely bar back that for some reason just wasn't showing up while I was taking these screenshots?? It's not just that little bar on that side of the room I swear)

Guest Room (For when Millie & Moxxie come over) - Very simple, because for the most part this is just an extra room where I'll probably keep skill items.

Primary Bedroom & En Suite - Blitz & Stolas - I tried to really lean into a story here, I love coming up with a story as I'm building, and this story... well, I think it's clear to see that there were many battles when they were moving in together. Stolas won when it came to picking out furniture, but he obviously caved for some of Blitz's design choices... namely the monstrosity of a rug. He hates it because its' ugly, but he loves it because Blitz loved it enough to offer sexual favors for a month if they could buy it. (An empty bribe, it's not like that wasn't going to happen anyway.)

Loona's Room & En Suite - You can probably tell that I started getting bored once I got upstairs... I've been doing this for about eight hours, I'll definitely go back in and add more to the upstairs, but this is what we have for now for Loona. (Claw marks are there bc of nightmares, just so you have that angsty backstory I came up with.)

Via's Room - I feel bad because its so small, I'm already planning to renovate it, but this is what I got for now.

Stolas's Reading Room - This was the first room I decorated and it probably shows, but honestly I loved making him a little library/reading nook here. He also has a cow plant, and once it's seasonally appropriate in-game, he'll get a little garden out back.

I also made them and started playing (Blitz rescued his first horse, Sunbeam). This is the only screen shot I remembered to take, and Loona started walking away as I took it - rude - but they were all just sat together in the family room watching a movie it was so sweet!

I did make Stolas & Via spellcasters, and Loona a werewolf. (I'll have to throw my Angel & Molly into this save as their neighbors.)

[ratatosk777]

Pierce the Veil - A Match Into Water

[retributory]

gx is so crazy how do you explain to someone with a surface-level understanding of what yugioh is that the series after dm features a hermaphroditic dragon-demon card spirit fusing their soul with the main character, who also has apparently been continually reincarnating for 100s of years with the card spirit's primary goal being to protect him, and when they embrace to fuse he says they shall never part again because they will forever and always from that point on be one jointed soul and body, and also he commits a borderline genocide against the card spirit race (???) and straight up kills some of his friends (they get better), and also there's a character who got his leg broken during an archeological dig and they replaced the broken bone with a dinosaur bone (???) and now he's like part dino and has fucking dino dna (?????????) and they send him to space as his dinosona to destroy a satellite that is about to destroy the earth (????????????), and also one of the teachers in the school (seto kaiba's duel school for dueling) is a homunculus and when he dies his soul (???) gets eaten by his cat and for the rest of the series he is living (?) inside of the cat's body, and also on top of all that theres a cool rival character as expected of a show targeted towards young boys who looks cool but in actuality he's lame as hell like he canonically stinks like shit cause he doesn't wash his clothes and he joins a cult and they get him out of the cult by reminding him that his real personality is being a rancid little stinky smelly bastard loser and no one likes him and he spends the entire series getting completely dunked on and also his main archetype is these things:

and then you have to concede that at the end of the day it is still an anime for a children's card game designed to sell the cards so if you ever try to explain the impact this had on your developing mind at 7 years old you'll sound sick

[tragicotps]

Marisa Coulter + Stelmaria Bonus:

[moe-broey]

Fellas can you take this somewhere else. Maybe. Just not in the fucking halls. Thanks 🫡

I couldn't resist drawing out these tags I wrote on a dif post LMFAO

Moe just has...... SO many problems.......

Close-ups of my fave shots!

The elusive Líf...

[giantkillerjack]

How uniquely good is the expression work and animation in @worthikids (Ian Worthington's) Bigtop Burger??

So good that I have spent many hours combing through every single frame of animation in this series so far while taking well over 1,000 screenshots so that I can use them as reference for art practice.

Highly recommend for anyone who has like 20 minutes to watch everything that's out so far. So many of the quotes from this just live in my brain now

But I'm not done talking about the animation - I mean, it is absolute next-level delightful shit right down to the cinematography and it is so wild that most of the work on this is done by one guy.

All the characters have great expressions, but ffs every second that Cesare is onscreen, Ian Worthington has animated Chris Fleming's voice-acting and improv SO GOOD that I basically had to watch every single one of those lines on 1/4 speed over and over to make sure I didn't miss anything.

[arcaneyouth]

i have more restraint than god when it comes to creating things and yet people still always seem convinced i need to be told to stop to keep myself safe. you don't even know what i'm like when i don't restrain myself. if i wasn't listening to my body i'd be pumping out anywhere from 3-15 pieces of art every day. you don't even fucking know the unimaginable tidal wave of work i would do if i didn't know burning out sucks and do my best to avoid it. "don't work too hard willow!" you don't even know what working too hard is for me. i could be the machine of a content creator if i tried at the cost of my entire well being but i'm not because i like being a functional person. this IS me at a healthy level of self restraint bitch

[phoebe-ofthe-cosmos]

instagram algorithm serving me so many reels lately of people reading sjm books and then complaining about the characters like "when you're trying to finish acosf but nesta keeps getting in the way" or "acotar5 is coming next 😁 but it's going to be about elain 😔" (side note NOT EVEN CONFIRMED!) why are you even reading the books if you hate the characters so much. do you guys know you don't have to read them?

[dontstandmedown]

Just started watching hannibal and i dont see what this guy is doing wrong. as far as i can tell he's just a gay man who loves to cook fancy meals for his friends

[dirkxcaliborn]

I'd have to say one of the cutest, novel moments in a romance manga I read recently was when one of the characters noticed the other's behavior and thought it seemed like the other character had feelings for him, but then he told himself off for making assumptions about other people's feelings lol

[nexus-nebulae]

thinking about how not only my brain problems but also the way i was taught history in school has just completely fucked up my sense of time

[zosanbrainrot]

PART 4!!

01 02 03 04 05 06

I stg I'm kicking yall in the shins one last time, we're ALMOST done with the angst!

Let me tell you I had this finished(!) twice(!), but no, I had to go back and change it lmao

In my first go the fight scene was much more rough, it was hard for me to draw from the beginning, I'm not really good at this sort of thing. So I took a little break from the comic and when I got back to drawing the last two panels (static ch close ups) they turned out so GOOD and CRISP! I just had to go back and redraw the previous ones. Didn't change the composition back then, just made the drawings less sketchy and fixed minor mistakes. This panel in particular went through bigger fixes, I couldn't get the pose right:

I emphasized the arch in Zoro's back so it's more clear he's hunched over, the head is lower, and the hand on his stomach wasn't looking good, so I switched its direction and I feel it looks more natural now. The whole pose is shifted to the side now, whereas in the previous ones it was more straight up, but I wasn't conveying perspective well.

So after that I had it all exported, loaded into drafts and as I scroll it on my phone I'm like... There should be one more panel where Zoro's getting kicked : | Imma need to change it AGAIN.......

It just didn't flow well. I work on the comic in chunks so I haven't put these panels together before, I always saw them side by side in my main file.

I just didn't like how you go from Zoro getting kicked to him being thrown, it just felt disjointed to me.

So first I looked through the three sole volumes of BNHA that I have at home to maybe understand drawing fight scenes just a little bit better. That's how I got to the new version of Zoro getting kicked so there's more lines showing movement etc. but most importantly you have the kick and Zoro's reaction separate. So now Zoro's face has a bigger closeup, you can see his open eye.

In the previous version it was more distant, the closeup wasn't as big and you couldn't see his expression well. With just the side view you could only see he's in pain but nothing more than that,whereas when you have a full view of his face you can get much more from that. You see where he's looking, you know he's looking at Sanji when he kicks him in the guts.

I guess that's why, in the first version, I was trying to still show his face where he's being thrown off of Sanji bcs I felt the side profile wasn't doing it's job, but at the same time it felt off, like there was less force in the kick bcs his head wasn't following the movement idk. Also he was def too big in the frame. So now Zoro's smaller to emphasize the perspective more, the head is down, the right arm is more to the side and there's more lines, the flame is more aggressive now and bursts into the sides when it comes in contact with Zoro's body to show the impact. I know they could be better still, but this is the best I can do right now and I'm happy with the result!! I'm glad I kept pushing it! These poses were VERY confusing to draw lol

Alsooo, it would make more sense if Sanji threw Zoro in the other direction, over his head like in karate/judo, but I wanted to keep my directions consistent. I had to have Sanji standing back to the carriage, so he doesn't notice the spear being thrown and Zoro facing the carriage so he can get hit from the front, right after he gets up. It's like..... did he not see it? Did he get hit on purpose? You decide lmao

Though I'm probably too rigid with my 'camera', in BNHA you see the action from any and every direction, i guess it adds to the dynamism of it all, also there's just many MANY more panels in manga lmao

Judge giving me major "isn't there somebody you forgot to ask" vibes at the end there lmao I hope you forgot he's even there and this comes as a surprise!