rowanisawriter · 4 months ago
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Thanatos’s sprite being so intimidating with his scythe and his scowl and his pale eyes is actually so funny since it turns out he’s the most ridiculous character in the game and says shit like “what are we” and “i miss not feeling anything” and he gives you his little toy mouse that he’s just had in his pocket since he was a kid and his own mother confirms that he’s a category 1 yearner
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lucabyte · 3 months ago
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On autonomy, and what it means to be Obliged to Help.
Bonus:
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#a homestuck walks into an antechamber and asks#hey is anybody going to make this dynamic wholly deterministic and thus dubiously consensual by its very nature#ANYWAY bigger ramble below. scroll down like usual#isat spoilers#isat#isat fanart#isat siffrin#isat loop#sifloop#THATS RIGHT WE'RE STILL SHIP TAGGING IT BABYYYY#in stars and time#in stars and time fanart#lucabyteart#RAMBLE START: anyway i think loop is wrong here. they have it backwards. as-- in my opinion--#the main reason they could be called back into existence postcanon is because *their* wish for help is still not complete#they still need help. siffrin still needs help. neither of them will ever stop needing help.#they will thus uphold the wish until the end of siffrin's natural lifespan.#that said. what does it mean that loop can be so wholly forced to abide by siffrin's wants?#(assuming the dagger cutscene posession is them being forced to uphold the 'help siffrin' wish via harsh universe logic)#[as opposed to something capricious and cruel the change god did. which feels out of character for the change god to me?]#much like how the island wish and duplicate objects are neutered by simply sliding off people's brains...#is loop subtly ushered toward their wish? obviously it's not a full override (see: the bossfight). but is there any interference?#and if so. so what? does it matter? if they don't notice? is it even real if they don't notice?#and even if they do notice. the universe leads we follow. how much do either of them value their free will in a belief system like that?#the whole game is dedicated to siffrin habitually NOT excersizing his free will. doing things the same Every Time.#Loop ESPECIALLY does this. predetermined predetermined predetermined even in the FACE OF CHANGE. REFUSING. ANY CHOICE.#Maybe they'd even be comforted by having a universe-ordained purpose even if it is subservient. even if its to Him.#(though. i can't see siffrin enjoying the idea that someone is subservient TO them... then all their suffering is his fault...)#loop got into this mess via WANTING too much. no more free will. can't be trusted with it. take it away from them.#but yeah. gets my greasy detective pony hands all over this. and everyone please do remember i like to make characters Outright Wrong A Lot
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hinamie · 3 months ago
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domain expansion
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medicalunprofessional · 6 months ago
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sorry guys they finally showed me peak fiction . Its called “phantom of the paradise”
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kimtaegis · 2 months ago
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Destination: your heart Estimated Time of Arrival: whenever you need him ➤ for @jung-koook ♡
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edwinisms · 4 months ago
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george rexstrew deserves awards for many things but i have to say. edwin’s bloodcurdling scream as niko gets killed deserves a whole award unto itself. like. that scream did not feel at all like a tv show scream. to a somewhat jarring degree. and i can’t express how much I respect that
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dykedvonte · 15 days ago
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I think depictions of Anya being cruel to Curly or drawing out his suffering are artful and chilling but completely miss the point of the story and her character.
I'm not saying she doesn't deserve to have that "I told you so" moment with him but not in something callous or cold. Even if that is how it happened, she'd immediately feel guilty cause at that point she's not tormenting her tormenter or even the person truly at fault. She's doing something cathartic, similar to how Jimmy likely hits Curly to release rage he can't against the rest of the crew. She'd see herself as no different when she'd come back from the moment and see Curly cowering at her. She wants someone to take responsibility but how does being cruel to the defenseless help? Why would she want the power Jimmy has over her over Curly?
The idea of her extending someone else's pain is just so against the struggles she already faces and how she can't even bring herself to cause someone pain even to help them. Her very desire is to release herself from her own suffering and I doubt she'd even fine some sort of guilty release in being cruel to another.
#anya is not a character i see taking agency or indulging in cathartic behaviors#not knowingly like i see her as a character trapped in her head and maybe in the scenario she's cruel to Curly she is envisioning Jimmy#in his place but its not a story about justice or those deserving of punishment and those not like its the opposite of people projecting#their issues on the wrong people and saying things to the wrong people and doing things they shouldn't but anya uniquely falls out of it as#she is subjected to a lot of it but it is also not something she wants to subject another person to like you are doing what Jimmy does and#placing ur rage into another persons and viewing their actions through your eyes like she'd more likely yell at him than do harm or#cause him more pain like at least make it in character#but also she clearly doesn't want to see jimmy or curly in the same light and doesnt because she still repeatedly goes to Curly for comfort#and protection and god there's like concepts that need to be applied to characters individually and then the story as a whole#we can not view the game through only one themed lens less we forget to inspect the compounding factor of Anya is so much more than girl#that needs to be allowed to go off but a woman that simply wants right to be done by her and no more harm like she doesn't want to be aroun#the suffering like idk but some of yall would just benefit from like understanding that people are inherently grey with the capabilities of#black n white thinking or actions#mouthwashing#mouthwashing game#anya mouthwashing#i like her the most but then again i am defensive of all women in media and hate when people change the way the character would take agency#for themselves like yes I want her to tweak out but she just wouldn't and I like seeing realistic depictions of a woman suffering the way#she is like shes not the type at the end of the movie to have a one liner but feel a shallow freedom cause she needs to realistically heal#idk but its just like there is an obbsession forming with making her character her pain and not how she handles and navigates the issue
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vaguely-concerned · 3 months ago
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the fact that irving canonically survives through the end of asunder to be at wynne's funeral is so fucking funny to me. nothing but love and respect for MY unstoppable cockroach morally grey machiavellian mage dad!!! he's survived in his position through multiple attempted rites of annulment and blood mage plots popping up left right and center around him. the chantry keeps trying to stamp him out but his dodge game is simply out of this world, divine. civil wars, political machinations and minefields, chantry atrocities, this wily old motherfucker is dodging and weaving his way through it all, not-quite-no-hits-taken-running-it-but-honestly-close-enough-under-the-circumstances style. if solas does succeed in tearing down the veil I would fully believe that one of the like three people still alive at the end of it all would be a very weary 90 year old first enchanter irving going 'oh this shit again huh'. the maker has cursed him for his hubris and his paperwork is never finished (affectionate, it's fine he canonically loves paperwork)
#we should have had the option to leave him in the fade instead of hawke or a warden#he would've just annoyedly shuffled his way back out of there a week later#dragon age#dragon age origins#first enchanter irving#he must be SO annoying to the chantry because it's heavily implied he's made his playground#out of tirelessly finding technicalities and loopholes to exploit that they can't *quite* call him on without domino effects going off#I think first enchanter in the circle system at origins times is a position that invariably and inevitably leaves you morally compromised#but I feel he really does his best within the rules he's given to play with and personally i love him a bit for that. and also#for being an unkillable lil shit. insufferable. inconquerable in his 'I'm about to be such an annoyance to you' impish spirit.#the I'm going to suffer but guess what. so are you of it all. traumatize the chantry back#I just imagine sophia sending letters home right before the vote for independence like '...dad I am hearing some INSANE rumours out here#what the actual fuck is going on back home???'#and he's like 'nothing that you need to worry about sweetie just keep living your best life and have fun killing darkspawn <3'#(there's something that makes me feel So much about how consistently his stance is like... 'you'll always be welcome here#but the circle doesn't *need* you; go be a warden and live your life'. he managed to fineagle freedom for you somehow and won't let you#turn and glance back. not even once. I feel somehow both so abandoned and so incredibly loved it's wild)#oc: sophia amell
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seventh-district · 6 months ago
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Making Incorrect H:SR Quotes Until I Run Out of (hopefully) Original Ideas - Pt. 4 - Nuthin' but Boothill Edition
[Pt. 1] [Pt. 2] [Pt. 3] [Pt. 5] [Pt. 6]
#boothill#honkai star rail#hsr#hsr incorrect quotes#hsr memes#honkai star rail memes#hsr meme#honkai star rail meme#hsr textpost#hsr boothill#boothill hsr#hsr spoilers#hsr 2.2 spoilers#hmmm... don't think it's worth tagging the others in the 9th image. this ain't about them#still unsure abt how to do the alt text for these kinda posts properly but hopefully i'm improving#anyways. don't think i've ever seen heard and typed "cowboy' so many times in one day as i have while making this good lord#i did a bit of digging around and haven't Seen any of these done yet so. here's hoping that's the case!#i'm only ~3/4 of the way through the 2.2 main quest but the need to make these compelled me to put these out Now#i can already tell u that there Will be more of these for Boothill tho bc i'm crazy abt him. probably enough to make another dedicated post#but i'm gonna wait until i'm fully caught up on the plot (and will probably spoil myself for more of his character lore after that as well)#speaking of. i'm gonna go eat mac n' cheese and stay up too late playing through the rest of the main quest#i'm loving it so far. many thoughts head full abt it all but in a good way. hoping for more Boothill moments as we approach the end#he's def not the main character here but he is to Me okay. he is to me. i'm scarfing down every crumb he drops#i'm also suffering from Aventurine withdrawals out here. Argenti mentioning him was Interesting but i need More. Where Is He.#also. was Argenti intentionally not voiced or was it a game issue?? the hell was that. threw me off so hard when i couldn't hear him speak#anyways i'm getting off topic and wasting precious gaming time so i'll be takin' my leave now
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total-drama-brainrot · 8 months ago
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been thinking about assistant!noah using malicious compliance to get out of singing.
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turtleblogatlast · 4 months ago
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[ cw: death mention / strangulation mention / stabbing mention / blood mention / self-sacrifice / codependency mention in tags / ]
I think a lot about how common it is for Raph to be the one to have direct focus put on him when Leo gets into all his near death experiences.
Like, when Leo is thrown off a building, it’s Raph who’s right there jumping after him, not even thinking about the consequences to himself when he does. When Leo almost gets skewered by the Krang, Raph’s right there to take the blow and send Leo to safety without a second thought. When Leo’s being strangled to near death, it’s a Krangified Raph doing the job, doing exactly what Raph would never, ever want to do. When Leo is telling Casey Jr to close the portal, it’s Raph who tries desperately to convince Leo otherwise.
Likewise, Leo is consistently very single minded when Raph gets forcibly separated from them. Both when in the sewers and by the Krang, Leo is dead set on finding Raph first and foremost.
I also think it’s interesting that during each of Leo’s near death experiences, the lightheartedness of his words during them goes directly hand in hand with both how close Raph is to him physically and how much danger Raph is also in in that moment. From a literal “I told you so” as Leo’s falling away from Raph to a soft joke about how “hero moves” are Raph’s style - both of these are on the more morbidly carefree side and both of these notably take Leo farther away from Raph and, in turn, have Raph not in immediate danger.
On the other side of things is the apology from Leo, heedless of the danger he himself is in as he seriously and genuinely speaks to a Krangified Raph face to face. Then there’s Leo’s freezing and desperation as Raph takes a hit meant for him and sends just Leo to safety, leaving Raph himself behind. Both of these involve much closer proximity and Raph being directly harmed - these together make Leo much more vulnerable in his words and actions, something not even the threat of death can make him.
These two care about each other so much, and they’re way too much alike for their own good.
#rottmnt#rise of the teenage mutant ninja turtles#rottmnt raph#rise raph#rottmnt leo#rise leo#honorable mention to the time Leo desperately tried throwing himself into harm’s way to get to Karai#and Raph is the one who has to pull him back#I also think that it’s interesting how both of them go about self sacrifice#because wow they both have problems with it#Raph’s tends to be immediate reactions not even thinking as he throws himself over his bros#Leo’s are often shown to be ‘for the greater good’ (said greater good often being his family)#once again I am saying that post movie these two would likely have codependency issues#considering Raph’s already present acute seperation anxiety and Leo’s immediate memory of Raph standing over him bleeding#another thing to mention is how Future Leo’s actual death still falls into the whole ‘morbidly lighthearted words’ category#I also wanna point out that in Many Unhappy Returns the trust that Leo wants so much does NOT come from Splinter but from RAPH#side note but in regard to the fighting that Raph and Leo were up to during the time between the shredder and the krang#I think it’s interesting that it’s NOT depicted as screaming matches - very blatantly not this actually#also also! I totally love how the movie parallels Oroku Saki and Karai with Raph and Leo respectively#there are so many parallels in general in this show+movie it makes me froth at the mouth#and because it breaks my heart - the beginning of the movie had Raph getting angry at Leo and lashing out at him#the end of the movie has the Krang very very angry at Leo and lashing out at him#both of these times has Leo ‘ruining’ a mission so…bad parallels#in the movie as well there’s a Krangified Raph who beats Leo senseless#so I have to wonder if Raph and Leo just…can’t roughhouse anymore#else Leo would flinch or Raph would be so scared to accidentally hurt Leo like he was already used to do before#then suddenly their usual dynamic of Raph never having to be softer with Leo is thrown on its head#worse is if they’re so terrified of this dynamic leaving that they power through their own sufferings to maintain it
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lbhslefttiddie · 2 months ago
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"Shen Jiu, you really are a demon!"
in which yue qi saves an injured fox kit, which turns out to be an young fox demon. once he's recovered enough strength, he adopts a human form so that he can talk to yue qi properly, but ends up being caught by the slave traders as well. Since he can change form, it would be pretty easy for him to escape, but if he's discovered as a demon he'll never be able to return, and he has no home or family anyways, so he decides he would rather stay and help qi-ge, who will probably get himself killed without someone to stop him from doing stupid shit.
when shen jiu saves yue qi from death by horse carriage, and subsequently is bought by qiu jianluo, fairly quickly qjl realizes he is not human, and delightedly gifts him with a enchanted collar, which renders him unable to chnage forms, stuck in him demonic form and unable to change to full fox or full human shape. like this, he cannot leave the qiu manor at all without immediately giving himself away, even if qjl hadnt also locked him up. like this, he has no choice but to wait until yq makes his way back to the qiu manor at last, but when he's finally freed, he's initially almost feral from how he's been treated, and very nearly kills yqy...
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bonefall · 21 days ago
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Hey, what makes a character a 'plot device but not a character'? And how do you not do that? I'm trying to do it on purpose but also I need to still make them interesting because it's on purpose, yknow?
A good skill to pick up is to learn to criticise criticism itself. A "plot device" is simply a thing that moves the plot along, it's a neutral literary analysis term! Usually, when people are angry that "a character has been used as a plot device," it doesn't mean they hate plot devices. It means they're gesturing at something deeper.
Runningwind and Bumble are equally plot devices in their deaths. They are both killed by the antagonist to escalate political tension. Runningwind is rarely "accused" of just being a plot device, and yet, we're talking about Bumble for the same thing.
So, why?
Well, Runningwind is just a background character, but in life, he was a part of the community. He was characterized as impatient but responsible. Yet, he wasn't SO important that he died with a bunch of unresolved plot threads.
He is mostly an extension of the entity of ThunderClan. His killing by Tigerstar, and the fear and paranoia that settles on the group after this, feel like a progression of the story insteas of something forced.
Bumble, on the other hand...
Is hated immediately by Gray Wing, when she's established as Turtle Tail's friend. Bumble's abuse at Tom the Wifebeater's hands invites even MORE investment. The rejection is shocking and upsetting. There's a story there about our main characters being imperfect; jealous, bigoted, and judgemental.
But, she is simply killed off. Everything they set up for this character is gone with little personalized fanfare. It's not a tragedy with a lesson about cruelty, or something anyone regrets.
It's just... plot. Gray Wing whinging that no one will like his shitty brother now that his body count is 2.
More than that, in the discussion of women in particular, "Fridging" was coined to give a name to the way women characters often don't get their stories told at all. There is a CULTURAL trend of female characters facing disproportionate violence, for the sake of advancing male plots.
Bumble has a lot going for her. Petal had a lot going for her. Turtle Tail had a lot going for her. Bright Stream had a lot going for her. When they died, they took their potential with them.
It's not always wrong to kill off a character of high potential, mind you. In Gurren Lagann, Kamina's death is sudden and shocking, leaving a massive hole in the hearts of the cast that never heals. Grappling with that loss, but also letting his memory fuel them, is a major theme of that story.
All that to say... there's no formula for avoiding it. You've gotta identify what the deeper issue is, in your specific narrative.
I can't say for certain what that will look like for your story, but here's some things I keep in mind;
When you make characters who exist to die, make sure they're people before you axe them.
Ask yourself; what about them does the cast miss?
If they just miss them because they were (pre-existing relationship), go back to the drawing board.
Fluttering Bird as an example. Who was she? Dead sister. Why do they miss her? Dead sister. No traits until after her death.
Runningwind was short-tempered and helpful. Kamina was a valuable leader who made people believe in a brighter future. Swiftpaw was fiesty and desperate to prove himself. The better characterized, the more profound the loss usually is.
If this is a female character who is dying just to serve the plot, be aware of cultural bias and tropes. How is the gender ratio looking in your cast? Is this happening disproportionately with your girls?
Note how Quiet Rain's litter had both a boy and a girl, but the girl was chosen to be "weaker" and wither away.
And how most of the time in DOTC, whenever a man had to be upset, a girl would get killed for it.
If you ever feel like the character on the chopping block is NOT a full character, ask yourself why it needs to be a character at all. You don't need to spend narrative time building out someone when a literal object of high value might suffice.
"My sister died when I swore to protect her and I can't face my family" = Old. Tired. Ive seen this.
"I lost my heirloom sword when I swore to protect it and I can't face my family." = Fascinating. Why was the sword so valuable? Will they really not take you back? How did you lose it?
When you do kill off "high value" characters, try to make sure you're not leaving too many plot threads hanging. Or at least make a point of how they will never get closure.
#Bones gives advice#These questions can be hard for me to advise on because making characters is one of the easy parts for me.#It's more the “working them into a story without overwhelming it” part#But making characters that are fun and interesting has always come naturally to me as a writer.#I just work out some fun dialogue and fill in what their wants and desires would be based on backstory#And the rest kinda fills itself out as the message and themes of my narrative forms.#In fact the thing that makes BB so easy for me to work on is having an existing “story template” in mind#I don't have to chart out the long term events in advance because I do have a full picture of what leads where#And what I want to say with each rework.#I've always been told I'm really good at killing off characters though#Especially in my RP days. I remember I singlehandedly turned a pretty standard 'escape from evil lab' plot into--#--a painful story about loyalty and suffering. I was the main villain and the escapees knew he would never give up.#Because he loved their master and believed fully in the idea of 'sacrifice for the greater good.'#Always friendly. Passionate. Would have been a dedicated leader in a slightly different setting.#They knew he would never want to actually hurt them so they had to trick him into trying to “coral” them with his fire powers on ice#He didn't know it was ice and melted through#I guess the thing I do is just... make them cool lmao. It's hard to give advice on this#''Draw the rest of the owl 4head''
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sevenines · 2 months ago
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i saw this tweet and found it interesting for two reasons. one is that some people base how good cartoon network would be to toh by how it treated su, and despite the fact that su’s treatment by the network was considered poor at the time, now its thought to be exceptionally good in comparison to modern shows.
two is how exactly su got impacted by a limited budget. a common criticism is how characters like connie, peridot, and lapis are left out of missions. but balancing a lot of characters is not only hard but also costly (extra animation, extra voices—it’s been revealed that the show is limited to a set number of characters per episode otherwise they’re over budget). animation mistakes are not uncommon since retakes cost extra. the entire reason the original show got cut short was due to loss of funding!
#i don’t know if pay rates differ per networks#but a.ivi and s.urrashu have said that they needed to work outside of su in order to make sufficient funds#it only makes me wonder what other ways su suffered from a lower budget#that we as the audience never got to see#in the vein of the too-little characters complaint#another part of that is that low-stakes episodes should’ve been abt the main cast instead of the townies#like last one out of beach city and too short to ride vs restaurant wars and kiki’s pizza delivery service#i definitely see that especially since that isn’t budget related#nor would it seem to be network related (even if cn had an ‘episodic episodes’ quota it could still be abt the gems#(another side note: /would/ cn even have a requirement that the show make episodes that can be watched standalone?#this is a question for the people who were around when su was airing#what episodes often got rerun?#was it the townie eps or the lore eps?#for example i heard that su once did a ‘peridot event’ where they just reran peridot episodes#which had eps that skip around in the show#did they even care about airing the story so that it made sense anyways?#id get it if the low stakes townie episodes were the ones getting rerun))#but i have such a boring view on that which is i think it’s simply because the creators like townie eps#like in interviews r.ebecca s.ugar has said she’s the type to be really invested in background characters#answers in interviews have been crafted in ways to hide what’s really going on though tbf#prime example of this is rebecca and ian saying the wedding being interrupted was meant to follow the common trope#when later in the art book they said that it was bc cn rejected the ep bc it ‘wasn’t interesting enough’#both could simultaneously be true! it’s a psychology thing though where people make up nice-sounding explanations behind what they create#in retrospect because they want it to be thought out in such a nice way they believe in it#the bigger problem is that not matter how many episodes there are of them#it can be hard for ppl to be invested in the townies the same way they are invested in the main cast#i’m sure that a million writers have made surefire advice on how to get an audience to care about characters#but off the top of my head i think it’s because 1. most don’t have strong motivations to get truly invested in#(exception is ronaldo but people find him too annoying to care about him)#okay i had more points and explanations but i hit the tag limit and idk if anyone is actually reading this so bye
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r-aindr0p · 3 months ago
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GLORIOUS MASQUERADE FOR THE MONTH OF MY BDAY ???!! And by extension living rug yuu’s bday as well !
Finally, after 6+months he will get back his stolen uniform and even a piece of cake
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keferon · 3 months ago
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Howdy!
I think your Monster Hunter AU is really cool and I wanted to know if you’d be cool if I tried to write something in the universe? (Specifically about Prowl haha, I saw him once and thought 👀 “man i wonder if tarantulas was in this au how spooky he’d be given he’s spooky enough in canon”)
Would also love to know your thoughts/if you had any of what Prowl could be up to, I know the au is Lost Light focused so I totally get it if you don’t have any/etc.
Hope you have a good day! Love your art!
Hoooo boy okay okay. Prowl.
He's a Golem created by Orion.
In mythology, Golems are essentially living statues made of clay mixed with blood and animated by magic. They are stupid and exist for primitive manual labor.
In my universe, a Golem is basically the same thing, but made of metal.
Orion assembled his golem from empty armor, parts stolen from the medbay, and his own energon. And then he went and got a Wisdom artifact and put it in the golem's head, because the rules strictly forbid giving golems internal organs like sparks or processors.
As a result, the golem was very light because it was essentially empty inside, so even when it moved it did so very quietly for a mech its size. Orion had been startled the first fifteen times the golem would appear completely silent beside him. On the sixteenth time, he called the golem Prowl.
Prowl is basically not a real mech. He has no spark, he has no need to eat or sleep. His only and primary task is to serve Orion. Thanks to the artifact, he is freakishly intelligent, not only compared to normal golems, but to normal mechs as well.
Orion keeps his origin a secret from everyone except Ratchet and Shockwave (because Shockwave was the one who taught him how to create golems), so all the mechs in the Order are convinced that Prowl is just Orion's very tedious assistant, not...you know...a walking puppet who has incredible intellectual abilities, but almost no emotions or conscience:)
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