Post-canon Lemon [part II/?]
a continuation of this post
Dedicated to @books-are-my-life-stuff and inspired by your gifset!
After high school, Mash goes to patisserie school, Lemon goes to uni for a degree in care of magical creatures, Dot & Finn & Lance become divine visionary apprentices and are on the fast track to join the bureau of magic.
Lemon is admitted into a world-renowned university with top notch research, facilities and faculty.
To stay in touch, the gang tries to meet up weekly to do fun activities (aquarium, farmer's marker, game arcade etc), the way they did back at Easton Academy.
Lemon misses may of them because she's on overseas trips to study rare creatures. So the gang tries to tag along as often as they can <33
Lemon is still Mash's self-proclaimed wife but she has mellowed down a lot, no longer pouring all her energy and time into loving Mash, instead focusing more on herself and excelling at her studies.
Lemon knows she got this far thanks to the help and support of others: Headmaster Wahlberg, Easton teachers, her friends especially Mash. She never forget her roots and is always volunteering at Easton as a mentor and teaching assistant. She's super popular with students and even has a fanclub!
She's such a good teacher that in her final year of uni, Wahlberg offers her a teaching position at Easton. Lemon declines, wanting to gain experience on the field first and help difficult creatures.
Mash and Lemon develop and easy friendship. underneath all the crazy, she's a sweet thoughtful girl with high emotional intelligence, often the first to pick up when something's up.
Mash often tests out new recipes and designs with her and Lemon provides honest feedback on what works and what doesn't.
They often share comfortable silences, Lemon absorbed in her studies and sneaking glances at Mash baking. Mash catches himself looking back, flustering Lemon which makes her punch him.
Mash has never had an affinity with written exams (as seen in ep 24) but is better at prepping for them now yet Lemon sees how stressed he really was. Being a patissier has been his dream forever so the stakes are high.
Lemon takes him to see the animals at her university to relax, a bit like how students have play sessions with puppies. Except Mash sees some disturbing creatures but pretends to be fine.
Mash falls asleep mid-way through an explanation on owls' diet, resting his head on Lemon's shoulder. She quietly takes out her sketchbook to draw him. Lemon's a great artist and has drawn many Mash(es?) in high school, including the ones on Mash merchandise (that Mash and Finn found disturbing in the epilogue). But there were also drawings she hasn't shown anyone, that are soft and vulnerable, that show unbridled longing and love.
Lemon assumed Mash fell asleep because he was tired and bored but he actually found her voice soothing and comforting, like home. no one has had that effect on him.
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Hi! Can I ask how you did the double exposure gifs for your merlin set? They're beautiful btw!
heyy, thank you!! of course!
it's actually not very hard, the trick is to find the right shots for this. here's how i did it (reference gifset), under the cut.
for this tutorial i will be:
— using photoshop cs5 on windows
— assuming you know how to make gifs using the timeline
— have basic coloring, sharpening, groups, and layer masks knowledge
I. CHOOSING THE RIGHT SHOTS
the ultimate trick to pull this off is to choose the right image. in order to do the double exposure, you need a silhouette shot that has these:
a defined and dark silhouette with a background that is not too busy
enough contrast between the silhouette and the background
the silhouette should take at least 50% of the space
not too much movement
here are a few examples of why they work and why they won't:
gwen: perfect example since this shot is already quite contrasted with a defined silhouette. there won't be a lot of work needed to make this one work.
merlin: not a great example because even tho there's a somewhat good contrast between him and the background, the silhouette is just too bright, not dark enough.
arthur: another good example, even if there are some bright spots on his face and armor. since he's not moving too much, you can definitely brush some black over him to make his silhouette darker (i'll explain/show later)
morgana: this one could work because the contrast is great, but of course her skintone is very bright against the black clothing. that being said, since the movement is not too bad, it could be possible to brush some black over her and move these layers with keyframes (as mentioned for arthur's example). i haven't tried it tho, but i think it would work well enough.
once you have your silhouette shot, you need another gif for the double exposure. what works best, in my opinion, are:
wide, large shots
shots with no to little camera movement (no pan, zoom, etc), but the subjects in the shot can have little movement of course
pretty cinematography/scenery shots
i find these are easier to find and make it work, it's not as "precise" as with silhouette shots. it's mostly just trial and error to see what works best with the silhouettes.
II. PREPPING THE SILHOUETTE
for the effect to work, we want a silhouette that's dark as possible. i'm gonna use the gwen and arthur shots as examples.
for the gwen gif, i started by sharpening, and then upped the contrast by quite a lot so her silhouette is mostly black, while retaining some nice details. i've used only 3 layers here:
selective color layer: in the blacks tab, playing with the black slider (value: +10)
brightness/contrast layer: added a lot of contrast (+61) and a bit of brightness (+10)
black and white layer: on top, its blending mode set to soft light and at 20% opacity. gives a bit more depth and contrast
then for the arthur example, i've also sharpened it first, and added contrast layers in this order (the skintone looks horrible, but it won't matter soon lol):
levels layer: black slider at 0, grey slider at 0.76, white slider at 104
selective color layer: in the blacks tab, black slider at +10
brightness/contrast layer: brightness at +1-, contrast at +47
black and white layer: on top, its blending mode set to soft light and at 20% opacity. gives a bit more depth and contrast
as you can see, half of his face is still quite bright. to correct that, create a new empty layer and put it between the gif and the coloring layers.
using a really soft brush and the black color, brush some black over his face and body on that new empty layer. you can edit the layer's opacity if you want, i've set mine to 71%. since arthur doesn't move much here, there's no need to keyframe this layer's position. for the morgana example, this is where you'd need to play with keyframes to make it work. here's where i'm at now after this:
you can always edit this layer later if you need, after doing the double exposure blending.
once the silhouette is all ready, you can put all layers in a group and rename it (i've renamed mine silhouette).
III. BLENDING
now the fun part! import the wide/scenery shot in photoshop, then resize it to the same height of your silhouette gif. make sure the gif is a smart object layer, and sharpen it. finally, bring this gif onto the silhouette canvas (by right clicking the smart object > duplicate layer). once you have both gifs onto your canvas, put the wide shot gif layer in a group, and set this group's blending option to screen.
you can then position the wide/scenery gif the way you like it in the canvas. this is how it looks for both examples after i've done that:
if the blending mode screen doesn't give you the best result, so you can play around with other blending modes (such as lighten and linear dodge in these particular cases), but generally speaking, screen is the real mvp here haha.
IV. COLORING
now that the double exposure effect is done, we need to color the gifs to bring them together. i went with simple coloring here, simply enhancing the colors that were already there. just make sure that the coloring layers for each gif are in their respective groups. here's how i've colored both examples:
gwen silhouette group: i added a gradient map layer on top of the contrast layers in black to green and set the blending mode to color
scenery shot group: multiple coloring layers, with a green color fill layer (blending mode set to color), with a layer mask so it only affects the top half of the gif
for the arthur gif, i did something very similar but with warmer colors. i didn't use a gradient map for arthur though:
arthur silhouette group: i made the yellow warmer, closer to orange/red, with a hue/saturation layer, and added more vibrance. didn't feel like it needed a gradient map layer here though.
wide shot group: basic coloring layers to enhance colors from the merlin & daegal shot, and an orange color fill layer set to the color blending mode.
at this point you're pretty much done. just need to add some final touches and typography (if you want).
V. FINAL TOUCHES
a small and completely optional detail, but i wanted to soften the edges of the wide gifs. to do so i've duplicated the smart object gif layer and removed the sharpening filters (right click on smart filter > clear smart filters). put this layer on top of the other smart object layers (but still below the coloring).
then with this same layer still selected, go to filter > blur > gaussian blur... > 10px. this will give you a very blurry gif, but we only want the edges of the canvas to be softer. so add a layer mask to this layer. with a very large and soft brush (mine was at 0% hardness and about 800px size), brush some black onto the layer mask to remove the blur in the middle of the gif.
you can play with this layer's opacity or gaussian blur amount if you want (by double clicking on the gaussian blur smart layer filter). here how both examples look with this gaussian blur layer:
you can also mask some of wide/scenery gifs if you'd prefer, so it shows less outside of the silhouette. just put a layer mask on that whole wide shot group and brush some black or grey on the layer mask. it's what i did for the gwen gif, with a very soft brush and i set the mask density to 72% (i kept the arthur one as is tho):
and that's how i did it! hopefully that was clear enough :)
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Santiago and his relationship with Armand
OK so I actually wrote most of this as tags to a post that compared Santiago mocking Louis in the restaurant with Louis mocking Santiago after he set the theatre on fire, but I realized I wanted to expand on the idea.
Basically, I had always interpreted Santiago's hatred of Louis as jealousy over him 'stealing' Armand (both in the book and in the show). An interview with Ben Daniels confirmed that while Santiago was initially written as straight, Ben felt the only way Santiago would so viciously hate Louis was if he was in love with Armand. However, in the same interview he also said that Santiago had been in love with his maker, and his jealousy of Louis and conflict over Armand killing his maker made him want to destroy Louis.
After reading this, I was more than a little confused: if Santiago loved his maker, how could he fall in love with Armand?
Then I saw the gifset and was reminded of this moment-
Louis mocks Santiago about his maker's disdain for him, and how his maker abandoned him shortly after he turned him. Santiago loved his maker, but his maker did not love him back.
Now, we aren't given any timeline of events in terms of when Santiago is made, when he joins the Coven and when Armand kills his maker, but I think it's safe to assume it all happens not long after he was turned. So we have fledgling Santiago, bitterly in love with a maker who disdains him, meeting the beautiful and powerful Armand. Armand welcomes him into the Coven, gives him the opportunity to return to his theatrical career, and kills the maker that wounded Santiago's pride and heart. From that perspective, Armand must have seemed like an avenging angel to Santiago- of course he'd fall in love.
For years, Santiago forges his way up the ranks of the Coven, serving Armand and becoming his right hand man and star of the show. The other vampires of the coven practically throw themselves at him, some of the women literally fighting each other over him...but his heart belongs to Armand.
Then Louis and Claudia come into town, and Armand's attention leaves him for this beautiful man that Santiago can't help feeling attracted to too. And Armand lets this newcomer do pretty much whatever he wants, making the execution of Santiago's maker suddenly seem a lot less fair... yet Armand is still the one responsible for pretty much all the opportunities and good things in Santiago's life, and he's still the one Santiago loves and wants above all others.
Just look at his reaction to seeing Armand's photo in Louis' apartment-
There's no anger there, no hate. He's in love. And he wants Armand back.
Santiago must've been thrilled when Armand seemingly changed his mind about Louis and Claudia and agreed to punish them for their "crimes". I suspect, though this is only hinted at in the show, that after the trial, Armand regrets choosing the coven and allows himself to be overthrown by Santiago (Celeste is overheard by Louis saying that Armand was overthrown and there's no reason to doubt her at this point). Now Santiago has (he thinks) everything he wants: leadership of the coven, his rival dead, and Armand seemingly broken and at his mercy. When we see him watching Armand bow his head to him and slip into his coffin, Santiago stares at him with naked hunger, completely ignoring Celeste hanging off his arm.
He thinks it's only a matter of time before Armand will become his lover once more. Instead, Armand frees Louis and allows him to destroy Santiago's world.
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Any personal headcanons on Rick and Michonne as a couple? Like their favorite things about the other, what they argue about, love languages ect. lol they’ve set up camp in my brain and I just want more of them 🙇🏻♀️
this is so funny because i've been thinking about their love languages ever since danai did that interview with YNB after 1x04! yvette said rick's is words of affirmation and michonne's is acts of services, and I definitely agree but I also think they display pretty much all of them, and quite a bit? rick is obviously into giving gifts and loves quality time (family fun day, begging her to spend just a few more days on the road in 7x12) and to say they both love physical touch is an understatement. this gorgeous gifset highlights it all beautifully.
anyway, some headcanons~
I really don't think they argue about much? they are very in sync most of the time. historically their big arguments are about how to handle major threats (negan, the crm, rick's PTSD) and since nothing bad is ever happening to them ever again because I said so there's no need to fight about those things anymore
michonne's favorite things about rick are how affectionate he is with his family, his strength, his accent, and his hair
rick's favorite thing about michonne is everything
i actually think they talk about books a lot. they're both nerdy as hell in different ways and love that about each other
michonne likes to cook and is very experimental while rick likes to bake (mostly secret family pie recipes) and they love feeding each other and their kids
michonne absentmindedly sings and does little dances when she's doing things around the house and rick stops whatever he's doing to lean against the wall and watch her and smile
that scene we saw in 9x01 where they cuddle up in bed and unpack their day was a ritual they started way back at the prison, even though back then it was obviously platonic (we do actually see them talking when everyone else is asleep several times throughout twd). they would linger and chat before heading to their respective cells at night. in the six years michonne spent without rick, she continued the tradition herself, talking to him out loud alone in their bedroom
rick DEFINITELY teases michonne about being oblivious to his feelings for her before The Couch
michonne hits back by teasing him about Whatever the Fuck He Was Doing With Jessie 💀
you didn't ask for grimes family headcanons but:
after they got home, michonne has a moment like that scene at the end of kill bill vol 2 and has a near silent hysterical laugh-cry of relief by herself in the bathroom before calmly walking back out to join her family. only rick notices
rick on the other hand is afraid to let any of them out of his sight. he spends the first six months he's back home being a total insomniac watching the three of them sleep because he's afraid if he closes his eyes he'll wake up alone back at the CRM
antony azor who plays rj is apparently very shy and reserved but opened up unexpectedly with andrew lincoln and so obviously this is also exactly what happened with rick and rj. father and son bonded INSTANTLY
his first night back, judith asks rick to finish reading the wizard of oz to her because he never got a chance to. it takes a good five minutes for him to compose himself but she does finally get the full story from her dad
rick and michonne do have an actual wedding ceremony, but it's just for them, judith and rj.
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Propaganda
Madhabi Mukherjee (Charulata, The Big City, The Coward)—Madhabi Mukherjee is legendary for her nuanced and sensitive performances in some of the classics of Bengali cinema particularly her roles in Satyajit Ray's films
Angela Lansbury (The Harvey Girls, The Court Jester, The Manchurian Candidate)—The babe, the myth, the legend. In her own words her early hollywood roles were "a series of venal bitches" and they were all glorious. Half of them wanted to kill you and you probably would have thanked them. She even goes toe to toe with Judy Garland in The Harvey Girls! That said, she was chronically underused and misused during this era - she was just 36 when she was cast as Elvis Presley's mother in Blue Hawaii and a few years later commented that she'd played so many 'old hags' that most people thought she was in her 60s. She thought she was "all talent, no looks" but she was the full package! Post-1970 I hope we all know what an incredibly talented and compassionate badass she was, but I feel like not enough people know her early roles as a hot (often villainous) young thing.
This is round 3 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.
[additional propaganda submitted under the cut.]
Madhabi Mukherjee:
She played in some of the most critically acclaimed films in bengali cinema and she is an incredibly talented actress. Everybody should watch 'The Big City' she's so good in it!
Linked clip
Gifset 1
Gifset 2
Angela Lansbury:
"Angela Lansbury might not be where your mind goes first when you think of hot leading women, because she had a later career revival. But she began acting in the early 1940s after leaving London due to the Blitz. In the first couple decades of her film career she has an openness about her. She said she never really fit in with the Hollywood crowd and to me she gives off a friendly, untarnished vibe."
"Most of us know Angela Lansbury as old lady sleuth Jessica Fletcher, but it's important to know that she was smoking hot in her younger days as well as a damned fine actress. Although she didn't get lead roles until her early 40s, at 17 she was a supporting actress in films such as Gaslight (1944), National Velvet (1944), and The Picture of Dorian Grey, for which she won the Golden Globe for best supporting actress and was nominated for the Oscar. Even in her memorable performance as the manipulative mother in The Manchurian Candidate, she is listed as a supporting actress as she does not play the love interest. She was successful both on stage and screen, and won the Tony for her lead role in the musical Mame on Broadway in 1966. TL;DR While Angela Lansbury mostly played supporting roles in films before 1970, she had what it takes to be a leading actress, which we know from her success on stage and tv from the mid 60s onward"
"She looked like a princess but bit like a viper"
"Is there anything this woman couldn't do? Act in comedy and drama, sing, dance, be a wonderful human being - quite simply a true and wonderful lady."
"she is the fairytale princess of my dreams in court jester"
"god she had such an incredible career all throughout her life really but as a young lady she was just as incredible as she was in her later years. enchanting voice, amazing personality, and absolutely GORGEOUS. she lamented not having the looks to play leads in romance but that idea is so batshit because look at her??? she's one of the most terrific women of all time. also she's my grandmother's favorite actress and i truly get it"
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