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iwritenarrativesandstuff · 28 days

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Killua and the Power of Wishes

Okay going to try and make this coherent because the amount of wish association all through Killua's character development makes me want to chew plaster.

As a fair warning, this analysis ended up being long as hell, and I didn't even include everything I could've said. This is also just one lens to analyze Killua's story arc with, and I feel there are other valid interpretations of some of these moments. This is just one of mine, so keep that in mind please.

One last warning that this analysis does discuss emotional manipulation and abuse, as is par for Killua's background.

Let's set the stage with one important piece of info: Killua's birthday.

Killua's birthday is July 7th, the same day as Tanabata. Tanabata is a folklore-rich festival where according to legend, the two lovers, weaver Orihime and cowherd Hikoboshi, represented by the two stars, Vega and Altair, are allowed to reunite once a year after separation. A popular custom of Tanabata is to make wishes by writing them down on tanzaku, then hang it on a bamboo tree so that the wish might one day come true.

Tanabata is also known as the Star Festival. Please keep this in mind, because I'm going to come back to it.

To finish setting up the lens for this analysis, I'm going to need to dig into the game-changer scene for Killua's early characterization - his confrontation with Illumi at the end of the Hunter Exam, and specifically, the exact nature of Illumi's manipulation of him.

I say "game-changer" because it really is - up until this point, it's kind of fair to not fully know what to think about Killua. Certainly, he seems excited to hang out with Gon (he approached him first, after all) and he's friendly enough, but he's also arrogant and claims to be motivated mainly by boredom. For all intents and purposes, Killua seems set up to be Gon's dangerous yet charismatic rival... but then this scene happens and it completely turns it all on its head.

Because Killua may have mentioned his family was controlling before, but he seriously downplayed the severity of it - likely because he has no point of reference for how awful his situation actually is other than it makes him feel bad and trapped. Illumi's appearance immediately shifts our understanding of Killua from runaway murder kid with annoying murder family to straight-up victim of emotional abuse, and dissolves his cockiness instantly to terror.

What does all this have to do with wishes? Glad you asked. Let's look at some of Illumi's dialogue.

[ID: A screenshot from HxH episode 20 of the 2011 anime. Killua looks up, sweating and conflicted, as Illumi tells him "You don't want anything or wish for anything." End ID.]

This is the crux of Illumi's (and the family's) control. Killua's desires do not align with the family trade. They must be excised from him.

When Killua insists that he does have something that he really wants, Illumi says "Tell me what it is you want", in a mockery of a certain other sibling who would have helped fulfill this wish - Illumi asks only so he can completely dismantle it. And Killua isn't even really surprised at Illumi's words, just heartbroken. You can tell this isn't the first time this sort of thing has happened.

Killua states his wish quite fervently; he really means it. But his words are not rebellious, nor cathartic. Instead, he answers Illumi quietly, as if fearful or ashamed, almost reminiscent of a sinner's confession.

[ID: Two screenshots from HxH episode 20 of the 2011 anime. In the first Killua looks down with a troubled expression, saying "I want to become friends with Gon...". In the second, his face is hidden as he stands with hands clenched at his sides with a spotlight on him. He says "I'm sick of killing people..." End ID.]

It's such an innocent, simple want.

And Illumi proceeds to make him feel like even something so simple is harmful and selfish of him... not to the family, but to Gon.

In a matter of a few minutes, Illumi breaks down Killua's wish by:

Acknowledging this desire, but twisting it into something that will inevitably fade over time, thereby causing Killua to doubt his own conviction and feelings -> "Gon is a novelty, a radiant presence who has piqued your curiosity. No more than that."

Acknowledging that Gon is someone important to Killua, and undermining this by telling him that by his very nature, he will eventually bring harm to Gon, which makes him feel as though Killua cannot trust himself to be a good friend -> "If you try to be friends with him, you will one day want to kill him... because you are, by nature, a murderer." (As a... delightful... bonus, this is also apparently how Silva and Illumi justify their treatment of Killua to him - "This is the essence of your existence and we taught you accordingly." Like they adapted to Killua's nature, instead of them molding Killua into who they wanted him to be.)

Delivering an ultimatum - to fight Illumi and win, or else Gon will die - that Killua is doomed to fail due to his upbringing and the needle in his head. Since Killua doesn't know about the needle, he assumes this is his own personal failure, something Illumi feeds into -> "You're just not qualified to make friends."

And it's the last point that breaks him. The first two shoot down Killua's present wish, but the last proceeds to shatter any hope he might've had of wishing for anything similar in the future - he has told him that his desires are weak, temporary, inherently dangerous to those around him, and worst of all, aren't enough on their own for him to deserve friendship and love from others. And the clincher: Killua feels like all of this is his own fault, that there is something inherently dangerous and wrong with him!

So, it doesn't even matter to Killua anymore if he fails the Hunter Exam. To him, he just failed the only test that mattered.

10/10 manipulation, Illumi. Fuck you, seriously.

Killua's character arc is mainly his quest and struggle to refute Illumi's arguments and to shake off the manipulation and the ways in which his family have molded and controlled him. And by far, the most difficult part of his conditioning to shake off is this idea that he is undeserving of anything more than what he is already given.

It's almost like the family has drilled it into him that wishes are dangerous. How interesting.

Thankfully, however, there are two parties to Killua's wish here - Gon, too, is a part of it, and it is not simply his reciprocated desire to be Killua's friend that saves him, but also his recognition of Killua's situation for what it is (notably, when no one else correctly identified the true issue).

"You know it wasn't his choice. You manipulated him, kidnapping his spirit!"

The ensuing Zoldyck family arc emphasizes that Gon is 100% correct: the main hold Killua's family has on him isn't physical - it's all emotional.

Killua breaks one of his shackles when Milluki threatens to have his new friends killed, but he only breaks the rest when Zeno tells him he's free to go. So, if Killua could break loose at any point, was this still a rescue like Gon said?

Well, yes - just because he absolutely could've broken out physically at any time, that does not mean he could just leave. That's the nature of situations such as this - it's not as simple as "just leaving". Support is necessary, as is actually having something tangible outside the situation to go to - otherwise there is little point to leaving at all. Gon (and Kurapika and Leorio) showing up to free Killua showed him that his wish was reciprocated and allowed him to break one cuff - this is the start of his journey, but he still has a long ways to go. Notably, he again hesitates and closes off when Silva asks what he wants.

[ID: Three panels from HxH chapter 42. In the first, Silva asks Killua "...would you like to see [Gon]?" Killua's expression is complicated in the next panel - he's closed off and uncertain. Silva continues "Be honest, Kil... what do you want?" End ID.]

Killua will backtalk and casually break his shackles and death glare his family... but he's too fearful to voice his wants aloud.

And once again, asked by his father what he wants, he is subtly set up to fail. His wish is granted, but made conditional - "Do not betray your friends", something Killua is regrettably set up to do by virtue of the needle in his head that he, again, doesn't know about. Silva fully expects him to fail and come back home, disillusioned, believing it's his own fault due to his "nature", and trusting in Silva still as a "reasonable" figure in his life.

This condition placed on his friendship is what drives much of Killua's fear and insecurity with regards to Gon for much of the series - the idea that Killua has to earn his right to friendship, and that if he doesn't, he will lose it, one way or another.

It really makes me wish that Killua had actually gotten to hear Gon's views on friendship from the beginning of the Zoldyck Family arc, because it entirely refutes this entire philosophy. He even outright refuses to go through the Testing Gates at first, purely because he thinks the sentiment of needing to prove yourself just to be friends is completely outrageous - he only relents because there is no other way.

[ID: Two screenshots from episodes 21 and 22 of the 2011 HxH anime adaptation. Gon looks up at Illumi and firmly states "[Killua] doesn't need to earn the right to be my friend!" In the second, Gon's face is seen in profile and close up as he asks "Why would you test your friends?" End ID.]

I doubt it would've truly prevented Killua's insecurity from manifesting even if he had heard this, to be honest - his issues with usefulness are very deep-rooted in his upbringing - but still, it would've been nice for him to hear, I think.

However, that's not to say that this exact sentiment doesn't come through in their interactions.

Gon, as Killua's friend, cares about what Killua actually wants and wants to make sure Killua knows that - and that's part of what makes the Whale Island conversation between them really important.

[ID: Two images, both of the same scene from HxH chapter 64, and episode 37 of the 2011 anime. In the manga panel, Gon has turned his head to look at Killua directly, who looks shocked and taken aback, to say "I like hanging out with you." In the anime screenshot, Gon has turned his whole body to face Killua, and says "I think it's fun to be with you." End ID.]

I see a lot of people chalk this up to just Gon being Gon, but it reads to me as much more deliberate than even his usual honesty. He's turned so he's looking directly at Killua, which is a sure way to make his words come across clearly. The lead up to this is Killua, again, not knowing or being able to vocalize what he wants. He doesn't have a goal to work towards like Gon, he only knows what he doesn't want - he's a mix of envious and admiring towards Gon, who knows what he wants and simply goes for it.

But this conversation makes it clear that they have a shared wish - they both want to be friends, and they'd both like to stay together. It's not about earning, to Gon, it's only about if they both want the same thing - mutual, not conditional. There's a nice almost call-and-response type dialogue here, where Gon asserts that he likes spending time with Killua (very directly lol), then shares that Killua is the first friend his age he's had. This prompts Killua to say that Gon is his first friend ever, and that he does have fun with him. And just like that, Gon replies "Then let's stay together!" and pointedly includes Killua's desire to find a goal in their, now shared, upcoming journey.

Overhead, a shooting star appears in the sky. A mutual wish is granted.

[ID: A panel from HxH chapter 64. The night sky is full of stars. In the centre is a shooting star. End ID.]

Hm. Stars. Remember how I told you to keep that in mind, all the way back at the beginning? Their association with Tanabata, making a wish on a shooting star, etc. etc.?

Well, buckle up because this star is going to make you experience so much sadness now.

[ID: Panels from HxH chapter 286. The first is a conversation between Killua and Meleoron where Killua asserts he intends to "go down in flames with [Gon]". When Meleoron looks concerned, Killua brushes off the declaration as a joke. In the second image, Killua is turned away, his outline pale, as Meleoron thinks "Why... did you looks so sad... back there?" The last image is a cloudy night sky filled with stars. At the centre of the panel is a shooting star. End ID.]

Yeah, it makes its reappearance directly after Killua has "jokingly" resolved to die with Gon if it comes down to it, after "since it means nothing to you".

I am assured, in Japanese, the word choice here is 心中 (shinjuu), the word for double suicide, where the intent is to die at the same time in the same manner in order to be reunited in the afterlife. The implication here is that Killua, having increasingly grown insecure in his place by Gon's side but unable to voice this, knowing that Gon is hurtling down the path of no return, thinks back to their conversation under the stars where they both mutually wished to stay together and, because he believes that it is no longer possible for him to help Gon, has resolved to stay by his side in death, and after it.

...holy shit, kid.

[ID: Two screenshots from the 4th ending of the 2011 anime. In the first, Gon and Killua stand back to back as meteors fall around them. In the second, they stand facing away from the audience towards a body of water under a night sky filled with stars - Gon throws a stone, which flashes in the air like a shooting star. End ID.]

And of course, here's the shooting star again in the 2011 anime's Nagareboshi Kirari ending, as well as it being the subject of the song itself and rather explicitly referencing that wish to go on a journey together, to stay together, because... Madhouse hates us. I guess. :'(

What started off as a simple wish for a friend deepened into a wish to always stay by Gon's side. This is largely good at first! Killua is able to explore and experience genuine friendship, to get a taste for freedom, and use the power of his fervent wish to protect his dear friend in order to rid himself of Illumi's needle. However, the more Killua wants, the more he traps these wishes in monologues within his own head and does not voice them aloud. Part of it is that he already feels he's been given much more than he deserves - seeing himself as a creature of darkness and Gon as light - but a greater part of the issue here is not that Killua is afraid to wish for things, but that he is afraid wishing without "compensation" will inevitably lead to horrible repercussions - namely, losing who he loves.

In order to feel worthy of staying with Gon, of earning his friendship, Killua works hard to help Gon achieve his goals, taking on the role of wish grantor, growing to do practically anything needed to support him for seemingly nothing in return - but that's not 100% true. Killua wants at least some appreciation, whether he admits it or not - it's a security thing, and it also clearly makes him happy, even if he's not great at accepting it. He insists in Chimera Ant arc that friends don't need to thank friends, but this declaration always read as very sudden to me or like a rationalization, and it's relevant to remember that this is at the peak of Gon isolating himself and self-destructing before his eyes, and Killua's own insecurity regarding his importance to him.

Killua might not mind doing things without thanks, but that doesn't mean he doesn't like to hear that Gon appreciates him. He clearly does appreciate verbal confirmation of their bond! We know this.

[ID: Two screenshots from the 2011 anime. The first is from episode 61. Killua smiles down at the ground with his hands in his pockets, the colours having gone soft and bright. The second is from episode 70 during the dodgeball match. Gon smiles determinedly in the foreground as Killua looks shocked next to him. End ID.]

Keeping all this in mind, Killua's story, or at least this part of it, couldn't have concluded in a better way than his rescue of Alluka, the wish grantor.

Now, I could probably write an entire other analysis on Alluka and Nanika alone, but for the sake of not making this any longer than I already have, I'm going to go through only a few points. Alluka is incomprehensible to her family because they make no attempt to understand her, with the exception of Killua. The only thing they do seem to understand, when explained to them, is the demands made after Nanika grants a wish - this, of course, fits neatly into their own predetermined views on "earning" and "punishment". However, beyond this, they make no attempt to understand her, and since her power is deemed dangerous and uncontrollable, she is locked away.

They are worried, first and foremost, that Alluka will bring harm to the family, and there's two ways in which this could be true:

As a function of failing to fulfill her requests, of course

Because she, just by existing, threatens the family's status quo

I stated at the beginning that Killua's desires do not align with those of the family business, and he's always apparently been more open to understanding others - he asks Alluka and Nanika questions to understand them, and treats them with respect, while his family are more so focused on subjugating anything that might be a threat. This is what Illumi tried to drill into Killua after all; never fight a superior opponent - everything is about assessments of relative strength, which leaves no room for open-mindedness or getting to know people.

Faced with a daughter who is clearly incomprehensibly powerful, and a son, the would-be inheritor of the family trade, who is showing a disturbing amount of willingness to befriend instead of retreat from her, the family made the decision to excise Alluka not just from where she could "harm" the family power-wise, but also likely to secure their control over Killua, who they then set about practically programming to not have any more wishes for himself, or at least to not be able to vocalize them without fear of loss or retribution.

The family's nickname for Killua is "Kil" or "Killu", which is deeply fascinating to me as a reader - nicknames are expressions of endearment, typically, and I actually don't doubt that here. Killua's family does love him, but their love comes with conditions. He must be molded into the perfect son, and every part of him that doesn't fit must be excised.

So: Killua's memories of Alluka are suppressed with the needle, and she is further cut from his life by dropping the "a" from his name (the Zoldyck children are named like a game of shiratori - Illumi -> Milluki -> Killua -> Alluka -> Kalluto). The nickname is also like a command or order "to kill", which is of course what they want him to do.

Saving Gon through saving Alluka and Nanika forces Killua to have to face down the last and hardest of Illumi's manipulations to shake, and that's the notion that a wish, that kindness and friendship and love, cannot be unconditional without severe repercussions - where the people he cares about get hurt because of him, something he cannot envision being forgiven for.

It's a little sad to me that after spending most of the series struggling against his family's teachings that they didn't lead to Killua betraying Gon at all, as he'd feared... but to him betraying Nanika, by sending her away.

Here is this little girl with a bloodstained past, incredibly powerful and dangerous and capable of amazing feats, treated as some evil thing by those who fear her. But she is kind at heart. Her true strength lies in healing, not killing. And she only takes commands from Killua.

Illumi thinks this is because Killua is the only one with control over her. Killua believes this is because she wants praise. They're both partially correct, but this is not the full reason Nanika does what Killua asks of her.

[ID: Two screenshots from episode 146 of the 2011 anime. In the first, Nanika smiles and says "I love Killua." In the second, Killua looks at her, stricken. End ID.]

Nanika loves him. Everyone has been trying to figure out all these complicated rules and conditions on her wish granting and why Killua is the one exception, but the answer is exceedingly simple. She loves him, and wants to do nice things for him so he can have his wishes granted. It's the only way she knows to get the love that she wants in turn.

Just like her brother, Nanika makes herself useful to earn love and appreciation from someone who accepted her when no one else did.

Even though he knows Nanika just wants to help, he still sees her presence as a danger to the person he sees as pure and innocent who must be protected. He sends her away because her "nature" is to be a threat to Alluka's safety, even if she doesn't intend to be. Killua's fear of Illumi and repercussions causes him to make a horrible mistake.

And Alluka tears into him for it.

[ID: A set of panels from HxH chapter 336. A furious Alluka glares and asks Killua if he made Nanika cry. When Killua stutters, she demands he apologize to her. End ID.]

You tell him, girl.

Oh hey, this looks a little familiar, huh?

"Apologize to Killua!" says Gon to Illumi after Illumi sends Killua away.

Nanika should not be the one punished for the actions of those trying to control her. She certainly shouldn't be forced to leave those she loves, or have to earn love from them.

And neither should Killua.

[ID: Three panels from HxH chapter 336. Alluka yells, tears in her eyes, "If you're going to protect me... you have to protect Nanika too!!" Killua looks shocked, then his eyes widen. End ID.]

It's interesting to me that this is the line that snaps Killua out of his fear enough for him to properly speak with Nanika and apologize. One party cannot receive all the protection, nor can the other only give and give limitlessly.

Killua makes it clear to Nanika when speaking with her that he will protect her, and that she doesn't need to earn affection from people by granting their wishes. He promises they will both be there for each other - Killua will praise her whenever she wants, and not just when she does something for him, but he also doesn't refuse Nanika's desire to grant his wishes. It's mutual, not conditional.

And on the heels of this "betrayal", Killua asks for what he never thought he could receive - forgiveness. And even though Nanika is clearly still very upset...

[ID: Two screenshots from episode 146. In the first, Nanika and Killua face each other, both of them teary. Nanika says "Kay." In the second, he has pulled her into a hug. Nanika is teary, her fingers gripping Killua's back tightly. End ID.]

...she doesn't even have to think about it.

I do think Killua still has a ways to go, but he is in a position right now to learn from his relationship with his sisters about balance - that love is not just selfless devotion, but also allowing those who love you to help you and make you happy too. I think that's what unconditional love is, in a way - supporting and working together with the people you love to make each other's wishes come true.

#oh my god this was supposed to be a brief write-up what happened 😭#ugh i feel like this is a bit of a mess and there's infinite other little points i could've made or elaborated on or interpreted differentl #but i'm so tired lmao #anyways tldr fuck you illumi you suck #killua is a snarky little shit but he also has so much love in his tiny body and i think we should appreciate him forever and ever #this also accidentally turned into alluka and nanika appreciation. i love them #nanika sweet angel i love you so much i hope you get all the head pats in the world #ghhh i'm so scared this doesn't make sense anymore i've been working on it for almost a week #hunter x hunter #hxh #hxh meta #killua zoldyck #call me ace detective the way i am ace. and also a detective.#storyrambles #also that one scene where gon turns to look directly at killua and tells him he has fun being with him makes me jdfhbvsdjfbvh #he's so intense about it i start laughing. no wonder killua basically just went ??!?!?!?! and like. leaned back because i think i would've #done the same lmaoooo #it's very sweet though :')#argh. gotta post. i need to stop hesitating. let's go.

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yesokayiknow · 5 months

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okay so you know how it goes: fourteen comes to life in thirteen's clothes. and they're both too short and too loose and entirely too bright for his frame of mind. they worked with a doctor who hid everything behind a too wide smile; not so much with a doctor whose pain and tiredness is written across his face

he needs to change. obviously

and then the star beast starts, and fourteen leaves the tardis, and he's still in thirteen's clothes

he just. he doesn't know. how does he choose new clothes? he feels wrong. how will wearing something else change that?

(donna tells him that it's christmas, mate; it's bloody freezing. maybe wear longer trousers, yeah? also he's both too young and too old to wear braces. just a friendly note)

he doesn't have to explain who he is to the unit scientist, not with those clothes. instead he talks about how he doesn't understand why he looks like this. why he is this. why this face? why isn't he someone new?

actually. maybe he is someone new. was he ever this open before? hm

why do you look like that, sylvia hisses, trying to hide him from the daughter he destroyed ruined left

it's a lottery, he replies, purposely ignorant

he still has his thirteenth self's screwdriver. it's too small in his hands

(the whole time they were her, her hands were too small. she didn't like touching anyway, but whenever someone took her hand, it felt wrong. they were too small. sometimes it felt like if she worked fast enough, tinkered about without stopping, she wouldn't have to look at them)

everything goes wrong. his fault, like always

(blimey. of all the things to carry over from the first time he had this face, it had to be the guilt, didn't it?)

you shouldn't look like that, the doctordonna says, and he runs a hand down his face with a tired laugh

no, the doctordonna says, not the face. a hand reaches out to grasp at the collar of his shirt, at the dangling earring chain. this isn't you. who are you, doctor?

like he knows. like they've ever-

she dies.

she lives. he doesn't deserve it. it isn't about him. he still doesn't deserve it

we're letting it go, donna says, and he looks down at himself, at another him's clothes, another him's screwdriver

well, she never was subtle, his donna

the tardis is gorgeous, though when isn't she. he tries to show off his new console to donna, and she rolls her eyes, and drags him off to the wardrobe

unlike normally, where all the clothes are scattered about, the new tardis wardrobe now also has a line of wardrobes stood against the wall. fifteen of them, to be exact

the last wardrobe is open. and empty

he goes to the second to last, and opens it to reveal a wide array of rainbow patterned shirts. she probably would've hated for her things to be organised like this. always creating mess so she wouldn't have to think about anything important. he laughs. and he takes off the sky coloured coat and the worn boots and the earrings and gently places them inside. tag, he thinks, as he closes the doors

and then he moves down to the eleventh wardrobe, full of brown coats and blue suits and neatly pressed shirts and pairs of converse. and he stands in front of it. and he wonders

after a moment, donna's like wait do you want me to leave?? you never cared about nudity before, did you? and he's like oh actually i do feel more self conscious. huh. weird.

he doesn't have to say, i think i'm a different person. not to donna. she just gives him a smile, and a shoulder nudge, and tells him she'll see him in the console room

the last wardrobe is empty

he takes a breath, and then goes to rummage about in the rest of the clothes

#13 🤝 14 (🤝 12) -> dysphoria 😔#doctor who #the doctor #fourteen #my fanfic #i mean ig #the tardis is including war. and so am i #the fugitive doctor's clothes are around somewhere also #then he leaves the wardrobe and donna's like literally all you've done is change your colour palette #and he's like oi i've only been me for a few hours! give me time to get a fashion sense!#and she's like well how long were you your last face #and he's like idk. bout a century?#and she's like i saw your clothes before this. that one had decades & never found a sense of fashion so i'm not holding my breath with you.#it's the new year i've decided to write about things only i still care abt probably dsakjlaskjl #why isn't this a proper fic. because i can't be bothered. hope that helps #bye im gonna go make brownies

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butterflysonnets · 4 months

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yes i'm rooting for m*leven breakup because byler is neat but mostly? i'm rooting for m*leven breakup for the sake of el and mike.

to me, their romance was always a puppy love born out of a combination of social pressures, naïve curiosity, and a lack of true understanding regarding intimacy and romantic love and what it really is. it was real in that they do truly, deeply care about each other and they are close friends, maybe even shared an attraction, but a maturing romance is so much more than that. they've grown up and out of being boyfriend/girlfriend, and that's okay! i think television/film needs to show more often that most of us don't have definite "soulmates" or first childhood loves that we spend our whole lives with. it doesn't mean these relationships meant nothing and didn't impact us, it just means they've run their course and that something else is in the cards, and this is part of life!

i've always felt el was at her best and most confident self when broken up with mike, discovering who she was and what she liked alongside another girl her age instead of just relying on mike for mentorship on how to live in the real world. she deserves more of an opportunity to find herself, her autonomy, and her independence, and to love who she is, and she's made it clear she's felt insecure in the relationship with mike because she isn't being loved and understood the way she wants, needs, and deserves from someone who is her partner.

also, it's okay if mike doesn't love her in "the way he should". he is not obligated to love her romantically and stay in a relationship with her just because she's a girl, because she "needed someone", or because he cares about her a lot. he shouldn't be pressured into a romance if it's not truly coming from his heart. he deserves freedom to find out and honour who he is, too, instead of just staying in his non-functional first relationship — one he got into as a child, essentially — and defining himself that way because it's what's expected when a boy and a girl are close. he loves her in some way, yes, but it's okay if he doesn't feel comfortable or secure being her boyfriend anymore, for whatever reason that is. he's felt insecure too, and that's valid and it matters.

they are their own people and are steadily growing and changing every day. they need time to figure out who those people are, and it's become clear (at least in my opinion) that those people aren't meant to be a couple at this stage.

they deserve freedom. they deserve to grow up and be authentic to themselves and not feel like they need to lie for the sake of a relationship. they deserve to move on from this version of their relationship that isn't making them happy and rekindle the best part of their bond: their strong, beautiful friendship. they don't have to be a couple if it doesn't make them stronger and better and happier people.

i think it would be healthy and wonderful for a show, especially one consumed frequently by young adults, to show a relationship starting, progressing, and ending on good terms in this way. sometimes things don't work out, and that is okay.

#eve text #elmike #stranger things #byler #only tagging byler because i feel like yall will like this take lol #tagging tagging tagging WHAT ARE EVERYONE ELSE'S THOUGHTS #god i can't believe i'm making a post about stranger things. this feels like poking a bear #i'm not particularly anti m*leven but like... they'd have to do something pretty special at this point for me to feel like it's viable #i'm seeing the bts of s5 and it's got me Having Thoughts #elmike friendship is something i am so passionate about #even before i ever liked byler (didn't ship at all until s4 even though i knew it was a thing before) i've felt this way about elmike #i always believed they were close friends at heart and needed to break up #the romance part of them felt very distinctly young and very much “he was a boy she was a girl” to me #and it hasn't deepened into anything more mature and i don't see how it could based on the current state of the writing...#the fact that lumax exists — a young relationship that is actively maturing and is healthy — makes that clear to me #and the “love confession” in s4 and how disingenuous and miserable it felt was just the nail in the coffin #also the fact that will (who is IN LOVE with mike) was instrumental in making it happen? ... uh... okay... interesting choice…#fucked up and reductive if they make it another queer unrequited love sacrifice for the sake of pushing the heterosexual agenda YUCK #so i really hope the speculation about a m*leven breakup is real!! i think it just makes sense for their characters but who knows #i don't believe in the notion of love at first sight or one true love and i think the writers don't too???#love to me is an accumulation of experiences and we inevitably choose it at some point rather than fall into it... but idk #tv is so fixated on keeping couples together... sometimes it's just not reality guys especially with young people... LET IT GO...#like i said though i'm not 100% sold that they're going to give up their “golden couple” LMAO #stranger things hasn't historically subverted too many tropes if i'm being honest #anyway i seriously need this season to come out quickly... i'm so bored and getting my master's is crushing my soul #i need frivolity #ALSO btw i won't respond to hateful messages about this so please don't bother. it's not that serious. this is a netflix show

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datshitrandom · 25 days

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How was to be in a gay relationship (klaine) on screen?

“It was fucking awesome man. I mean the main thing here, like not because I’m trying to be blasé about the obvious thing in this question because we are saying that this is a gay relationship, nowadays, we just call it a relationship on tv, but to contextualize it, a gay relationship on mainstream Fox Network, that’s a pretty cool thing to be a part of. I often equate my relationship to that whole experience to Slumdog Millionaire which is, if you are familiar with Slumdog Millionaire is a kid that gets ask a bunch of questions and he just so happens to have the experience to answer this very specific things, now being cisgender straight kid you go 'oh oh what? are you going to allow this guy to talk gay shit?', I’ve been so culturally queer my whole life, not because I’m trying you know, actually, I was gonna say not because I’m trying to be cool but I’m gonna erase that, is because I am trying to be cool. All the sh— in my life that I have tried to emulate, learn from and be inspired by are one hundred percent queer as f—. It was in queer communities that I’ve found people that I idolize, that I want to be, to learn something from. And I’d say that’s a gross generalization, that’s a lot of things and a lot of people. But I grew up in San Francisco in the ’90s. I watched men die. There was an awareness of the gay experience that was not a foreign concept to me. So, it was a narrative that I cared deeply about. I wasn’t like a f— saint or like 'I’m the man for the job', they hired me and they said, 'You’re the guy,' and I said, 'Okay, I’m the guy I will do my best, I will do my best to talk about it in the way I believe and a way that I’m passionate about'. So in many ways I’m glad that it was me because it was a thing that I really like showing up for and it meant a great deal to me that it meant a great deal to other people. Because when people say they were affected by that show or that relationship, it’s not because of me, it’s because of that relationship on a TV and the risks that people took to put that on TV and most important of all it took the people watching it to have the "aptitude" for seeing beyond what was maybe given to them in other avenues of culture. People of all ages, all spectrums of awareness say, 'I didn’t grow up with a show like that and it was a really meaningful thing for me to see,’ and I go ‘I didn’t grow up with a show like that’ and that would’ve been very meaningful for me too, you know?, regardless of the fact that I’m a straight kid. That has value. For anyone who’s been an underdog, we all know, in any shape or form — sexual, religious, biological, whatever — it has value because there’s going to be a lot of people who see that and go, 'Okay, I can now understand this in a context that maybe I wasn’t able to before'. So short story long, what was it like? It was a fucking privilege and I love talking about it and I’m so grateful I got to do it." - Darren Criss at the Chicago Comic & Entertainment Expo Q&A | April 27th, 2024

#i'm in a fucking rage rn #a transcript of what darren said at the c2e2 #because y’all fucking suck for being stupid and only reading all those clickbait headlines with words out of context #and jumping to conclusions #instead of listening to what he ACTUALLY SAID #stop twisting his words #stop blowing things out of context #all that makes perfect sense #his whole worldview has been shaped by queer culture #so yes he IS culturally queer #and he fucking embraces it #he is grateful for that #and shows himself as an ally #what’s wrong with that?!?!?#he isn't taking advantage of the community #and he didn't make claims about his sexuality #so back off #and as a member of the community i'll tell u #that if something as simple as him painting his nails with bright colors #or him being comfortable surrounding himself of queer culture offends you #thats a fucking you problem #hope that one day we will stop going after the only few cis straight guys that are actually really trying to be good allies #and embrace our community and culture like this man does #⋯⋯⋯⋯#chicago comic & entertainment expo #c2e2 #darren criss

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flowercrowngods · 10 months

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written for @steddieas-shegoes as a follow-up to this "can you read the letter for me" post-breakup scene (@artaxlivs wrote a wonderful version over here for you to read!) cw: drug mention, OD mention

Steve's body doesn't quite feel like his own as he walks to the playground with his breath lodged firmly in his throat and his heart trying out an old beat that used to be familiar. It's struggling, though, and Steve tries not to think about it. The cold breeze of the night hits his face, making him shiver for more reasons than one.

He hasn't been to the playground for years now. It used to be their spot when they couldn't sleep, kept awake by nightmares and memories and the worst of scenarios. They would come here and sit on the swings, steal glances at each other and talk into the night air, pretending like the other wouldn't hear, and hoping that he would.

He first took Eddie's hand here, swinging as they were, and Eddie had chuckled through his tears, and then his smile hadn't left all night – nor did his hand.

Maybe it's a bad idea, meeting him here. After everything. But some part of him thinks that it might be what they need. If Eddie really is doing as badly as he said, if he really does need a break of several weeks, a tiny part in Steve (the part that would always put himself last as long as it means that the other person gets the tiniest bit of comfort) wants Eddie to have this.

Their little bubble. Or the memory of it at least.

Steve is shaking as he sits down on one of the swings, one of his hands wrapped around the cold chain, the other balled to a fist in the pocket of his jacket. He feels oddly tethered even as the world begins to sway this way and that, even as the breath lodged in his throat solidifies into a lump and he feels as though he's about to cry.

Maybe that, too, comes with the muscle memory of swinging.

He spends an odd second envisioning himself from twenty years ago, laughing and squealing with his friends as they tried to do a looping, and then jump right up into the sky above, see who got farthest.

It brings a smile to his face and a nostalgia to his heart that he hasn't felt in a while.

He feels like he hasn't felt anything in a while. And that he won't until Eddie will apologise. Until he will explain.

The steady squeak–squeak–squeak of the swing is almost eerie in the quiet of the night, but to Steve it brings a certain calm; a safety that he knows is treacherous, but he feels it tingling in his arms, because–

Eddie is there. Slow steps approaching, the gravel crunching underneath his feet that makes Steve want to look up, but, tightening his grip around the chain, he refuses.

I’m sorry for being too much and not enough at the same time.

He knows the letter by heart now, and he wants to see. He wants to see how much space Eddie will be ready to take now, how much he'll let himself be this time. It's unfair, he knows; Eddie's not fine, he should take a step towards him. And he is. He's here. He has agreed to meet with Eddie and hear him out. He has agreed to allow himself a chance at mending his own heart.

Steve feels so torn inside, in more ways than one, that he feels paralysed and petrified and frozen. Part of him wants nothing more than to leap up and take Eddie in his arms, tell him that they'll figure it out, that they can do it, that they can make it work. That second chances are just a thing that happen in life. That it doesn't have to be one and done.

That's another reason he won't look up. There are so many reasons.

"Hey," Eddie's voice cuts through his racing thoughts, though it sounds so gentle and fragile that Steve wonders if it's not Eddie who's been cut.

The steps have stopped, the gravel no longer crunching, and Steve can see a worn pair of Chuck Taylor's in his vision. Not Eddie's usual armour. It throws him off, makes him want to cry, makes him shiver in a way he can't blame on the breeze anymore.

"Thank you," he continues, sounding even more gentle, and Steve squeezes his eyes shut, no longer wanting to hear that voice, not when it sounds like that. So bare. So raw. So vulnerable. "Can I sit with you?"

Steve swallows hard, and doesn't have to consider at all. He nods. Gravel crunches again, then twin chains squeak, the old wood creaking and groaning a little above them, but Steve knows it'll hold. It always does. While Steve is gently swaying, one foot anchored to the ground, Eddie remains impossibly still.

Maybe they're both about to break.

After a while, Eddie speaks up again with the words that Steve has been longing to hear for four years. "I'm sorry."

They're not nearly as satisfying as he always hoped. The world is still broken.

"Okay," he rasps, not really knowing what he's supposed to say. What Eddie wants from this. What he wants from this. If either of them still have the right to want things.

"I had this speech prepared," Eddie continues, still entirely still aside from the way his voice wavers, his laugh a bit breathless and bitter at himself. "But... I didn't... I didn't think you'd come, to be honest."

"Funny," Steve says before he can stop himself, cutting off the rest before it can leave his mouth and make it worse than it is. Coming from the one who left.

"I'm sorry," Eddie says again, and Steve is already tired of it.

So he says nothing, and his silence seems to mute Eddie.

"What does it mean?" he asks eventually, still not daring to look over at the man who used to hold his heart in his hands and then threw it down the quarry before leaving town without another word for four years. But he can feel Eddie's eyes on him. "That you're sorry, what– what does that mean."

"It means that I..." Eddie starts and trails off, considering his words in a way that makes Steve wish he wouldn't.

Just tell me. Take up space. Be enough. Be too much. Just tell me.

"It means that I wish I hadn't left, but that I know I had to in order to find out that living without you is not living at all. It means that I know that I broke your heart and your soul and your future, maybe, for this need of mine to just... find out. To run away. To be someone I could choose to be. And, God, it wasn't worth it. None of it. And still it happened, still I did it, still I know that I just... I had to do it. Being the person I was then, it... I just. I'm sorry. You didn't deserve this. None of it. And if I could, I would turn back time and just tell you. Or sleep it off. Get help, talk with Wayne, anything. Anything that wouldn't lose me the... That wouldn't lose me you. And I'm sorry."

When Eddie finishes, his voice is hoarse, and Steve can't look away any longer. He opens his eyes and prepares to meet Eddie's beside him even in the dark of night, but he finds that Eddie is looking up instead, towards the sky where the moon is busy painting a cloud in silver light as it moves to cover it incrementally, and Steve takes a second to look back down at Eddie and watch him for a second.

His hands are clenched around the swing's chain, and they're shaking a little – so minutely that Steve's not sure if he's imagining it at all, but he feels like he knows Eddie enough to know that he's shaking, too. That they're in this together still. His thick leather boots are replaced with the worn, dark red Chuck Taylor's, and he's wearing a pair of jeans that aren't ripped at the knees. His black denim jacket is plain, no pins, no patches, no rips or tears or any sign of Eddie.

It leaves Steve feeling bereft, untethered once more; and isn't that unfair. It's not fair for Eddie to come here looking like this, looking so open and plain and vulnerable – how is Steve supposed to talk to him now. To talk at him, knowing his words will only meet armour. Armour that will make Eddie leave again.

How is he supposed to say anything when Eddie might not leave again. Or when he never came back in the first place?

"What happened to you?" he asks, the apology forgotten at this need to know. This need to protect, even after all these years. This need to be Steve and Eddie. If only just for the duration of a question.

Beide him, Eddie huffs and looks away from the now covered moon, meeting Steve's gaze with those big brown eyes that look so much bigger now. So much... sadder.

"I've spent all my life knowing who I didn't want to be. Knowing what to be against. Knowing what to hate. And then I– Then I met you. And I got to be someone for myself, you know? You let me be that. And I didn't see, I never... I never quite saw that, Stevie. Because that sad, scared, angry teenager part of me still wanted to hate and rebel and to leave and to be someone. And it didn't matter who, what kinda person, just... Just someone. So I left, and I– God, I lost myself. That self that you brought out. That self that wanted a life full of, like, love, y'know? Not hate. Not anger. Not... Not battle vest, leather armour, sticking it to the Man. But when I realised, it was too late."

"When did you?"

Eddie breathes out heavily. "Last year? Friend of mine OD-ed. Lou. Found her in the hotel, just..."

He breaks off, and Steve can see him blinking away tears just as he blinks away tears of his own.

"I called the band in this, like, full-on panic attack. Told them it was over. Told them I didn't want this anymore. They– They talked me down, because they're great guys. Helped me through it. All of it. Jeff told me to send the letter. Said, 'If you wanna find yourself again, Ed, you gotta start where you last had it, and you gotta start sending the letters.' Best fucking guy I know."

Eddie is smiling through the tears, telling all of this like it's not worth telling at all – like they're not both crying silent tears at it.

Like Steve's not understanding what he's saying. You made me into someone I liked being. and I did write to you, I just never sent them.

"You wrote me letters?"

Eddie nods. "All the fucking time. Wanted you there with me. Stayed sober for you until I... Until I couldn't anymore, because I'd left you, and I left this fucking swing set, and I... God, I'm so sorry, Steve." Eddie is really crying now, hands covering his face, and it's not really a decision at all when Steve gets up to stand between his legs, wrapping his arms around Eddie's shoulders and letting him cry into his chest.

Eddie wraps around him almost instantly, and Steve holds him, running his hands through his hair, shushing him gently, just allowing Eddie to cry for as long as he needs.

And I got to be someone for myself, you know? You let me be that.

You let me be that.

"I'm sorry," Eddie repeats, over and over, and Steve finds himself saying, "It's okay, Eddie, it's okay. I forgive you."

They stay like that for a while. Until Eddie calms down enough to breathe normally again, and even longer still before Steve slowly, gently pulls away – ready to move back in and hold him some more. Even though he shouldn't. Maybe.

"I'm sorry that happened to you," he says at last. "And I'm glad you're taking a break. Glad you sent that letter, too."

"Mm-hmm, me too."

Silence settles between them once more as Steve finds his way back to his swing; and that's when he starts thinking again.

"When you left, I was devastated. And I couldn't even tell anyone, not even Robin. It's like... It's like when you left, you took away that part of me, y'know? I didn't know how to talk about you. The words were gone, or something. And then you... You wrote your songs. And it was double unfair, because not only you get to leave, you also got to talk about it? To, like, thousands of people? I never... I still– it's.... It's like I still don't know how to talk about it. About you. Or to you. There are things I wanna say, but... You said them all, I guess. You got to say them."

"Steve," Eddie breathes, and he sounds just as devastated as Steve feels. "I never meant to– I'm sorry. You didn't deserve that."

"No?"

"No! No, you... No."

Their eyes meet again, and Steve swallows hard again. "Tell me."

"What?"

"What you were gonna say. What you want to say."

Eddie breathes deeply and lets it all out in one long breath. "You didn't deserve that," he says at last. "You deserve someone who treats you right. Someone who lets you be who you want to be, too, and who will bring you flowers, and who will buy you an Winnebago and get you everything you could ever wish for. You deserve someone who's not broken, someone who'll do anything for you because they realise that you're everything they could ever dream of and more."

Steve sighs and feels frustrated again, because Eddie still doesn't get it, Eddie still puts him on that pedestal and made him out of reach for himself to the point where he had to leave because Steve was already gone for him.

"Eddie," he says, and his heart breaks a little when the other man flinches a little at his sharp tone. "I don't ask for that, I would never ask for that, God. I just... I just want a simple, sometimes complicated, sometimes dramatic but ultimately worth it life. I want a– a boyfriend who will say weird shit sometimes because he's a fucking nerd, and who will discover things about himself when he's with me, and go to bed with that smile that tells me he's safe with me. And happy. I don't want anyone throwing away anything, I don't need anyone giving me everything, I just..." I just want you.

But the words don't quite make it past his lips, too much history forcing them shut. It's been four years.

"I don't want to make you into someone. I don't want the weight of that, the responsibility that one wrong look could make someone's entire life fall in on itself. I just..." I just want you.

And that's when he realises what he's always sort of known. That Eddie doesn't even need to ask for a second chance for Steve to hand it to him on a silver platter.

He stands again and comes between Eddie's legs again.

"I forgive you. But I want to talk. About all of this. Not just tonight, but every night. I want to know how I can help you, I want to start over, I want it to be right this time. I don't want you to ever run away again. I want you to talk to me, Eddie. And to take me with you next time you need to run. Because you don't get to run from me, okay? You don't– You don't get to do that, Eddie Munson."

Eddie looks up at him, the moonlight catching on the tears in his eyes, making them look even bigger, and Steve wishes he wouldn't look so small.

"You– But... But I'm so... broken." His hands flail a little, an aborted motion that shows nothing of his usual energy.

Steve's hands find his way to Eddie's cheeks if only to stop him from running away again.

"And I'm not gonna fix you. But I can hold you through it, and stay right where you need me to. That's what people do when–" He cuts himself off before he can say it.

But Eddie understands anyway if the way his eyes widen even more, welling up against the moonlight, is any indication at all.

"Still?"

Steve nods, his thumb stroking Eddie's cheek tenderly, wiping away the fresh tears. "Still. All you had to do was come back."

Eddie falls forward, then, and buries his face in Steve's stomach. It's not running away. It's quite the opposite, actually, and Steve holds him as long as he can.

The night is filled with many more tears as four years of anger and sadness and lostness finally find words to express them.

It's dawn when he says goodbye to Eddie at Wayne's new trailer, waving at the man drinking his coffee on the porch. Eddie holds Steve in a tight embrace for a whole minute before either of them are ready to let go, and only with the promise of Same place, same time tonight.

It's not a new beginning yet, but it's the closure they both need before the new beginning will happen in due time.

#hi if anyone else has written a part 2 for this (in a separate post or a reblog) pls tell me so i can link it too! <3 #dio words #steddie fic #steddie #i may have cried a little writing this whoops idk i hope the emotions are there i'm not sure my words are back but this is the best i have #(and i don't hate it!!!)#not sure this makes a whole lot of sense tho??#all you had to do was come back <- that's just the kinda person i am you know

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canisalbus · 6 months

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As someone whose entire extended family lives in Sicily irl and they're all super catholic i am delighted by Machete's place of origin??? I literally feel like that meme with the anime girl that's like "(Location) mentioned!!!" anytime it comes up lol

Anyways I love reading OC lore so your blog is always a treat 😎

#oh thank you! it's so good to hear you like him!#I hope I'm not doing a glaring disservice to Sicilians or Italians as a whole with my weird dog guy #to be honest I'm always worried about people taking him as serious representation of some trait they associate with and feel close to #and then potentially getting disappointed or upset when he's flawed and troubled and not always entirely likable #does that make sense? I'm an overthinking people-pleaser it's probably just all in my head #answered #anonymous #it's so funny that this [location mentioned] is a worldwide phenomenon #especially in non-anglosphere countries #because Finnish people always get hella excited whenever Finland is mentioned anywhere #it's became a well known inside joke (torille)#we're such a small quiet and remote nation it's always a pleasant surprise whenever one of the big guys remembers that we exist

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bookwyrminspiration · 22 days

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ok not to alvar post in your inbox again but liek.

“You want to talk about being left for dead?” Alvar lunged forward, but Sandor and Ro shifted their blades to block him. “ I was left in a pod of orange goo while my brother and sister stood by watching! The same brother who threatened to carve me up with a knife earlier that night! The brother who stopped pressing buttons to try to save me as the pod filled up—did he tell you that? He let the tank fill, waiting for me to drown” (632).

this excerpt makes me want to eat concrete in a good way. we love to talk about fitz stopping pressing buttons, but the way alvar is angry at fitz for stopping isn’t really talked about as much as it could be i think.

i always thought it was so funny because alvar was given the chance to change and come back from what he did throughout flashback. and when his memories came back, he made his choice to turn his back on his family, but he’s mad when said family turns their back on him in return. but i rlly wanted to hear your thoughts on this because you’re one of the most ardent buttonsposters on this site

this is FASCINATING. Okay, so. Looking at Alvar's familial feelings, a lot of his hatred is centered on his parents. He felt drowned in unrealistic expectations he could never live up to as the only Vacker kid, and saw Fitz as a replacement, his parents saying he'd never be good enough. Whether this is true isn't really relevant, as it's how he took it

Fitz ends up in a weird cross section here where he hasn't actually done anything to Alvar but exist. Alvar hates Fitz for replacing him, but it was their parents that chose to have him. Everything Alvar hates about Fitz is a manifestation of his resentment for Alden and Della.

Fitz is the perfect golden boy. A telepath like their father, the youngest to naturally manifest at that. Replaced Alvar in looking for Sophie--actually found her when Alvar passed her by. Fitz enrages Alvar for being everything he thinks their parents wanted that he wasn't

But Fitz doesn't have to be. I think that's key. Fitz could throw it all away, stop being perfect, drown under the pressure like Alvar did, and join him. And I think Alvar wants him to. Then he wouldn't be replaced, and instead Fitz could serve as evidence of how horrible their parents were. If Fitz breaks, too, then the problem wasn't with Alvar

And yet he isn't. FItz is choosing, again and again, his family. His parents. To be on the opposite side. Which means he's now making an active choice to become the replacement he inadvertently always was, proving the problem's with Alvar. Which means Alvar can hate him for being himself now. He's just like them, and he's turning their sister, too. The little sister who was the most likely to get him--so when she doesn't? They're blinded, representing everything wrong with their world. The expectations, the indoctrination of the next generations, everything

Alvar is desperate to be the one hurting. He grew up incredibly privileged and only talks of the burden it was. Keefe said Umber was left for dead and he immediately lashes back with this quote, talking about how he's been hurt just as much if not more because he got gooed. And not only that, his family gooed him.

Which reveals he does value family to an extent. If it's worse to be hurt by your siblings, it's because they matter more. Again, everything Alvar hates is centered on their parents. Fitz and Biana were supposed to choose him, to see his pain and understand him, leave their parents behind. They're siblings, even if they're bratty and naive.

We see that in the repetition of brother before each point; he's highlighting the connection they should've had--and blaming its dissolution on Fitz. A little on Biana, but mostly on Fitz, as Fitz was the replacement and the spark to the fuel of Alvar's suffering. The last straw. He's furious. And frames everything as if its unbelievable.

Which implies, potentially, that he wouldn't do the same. That he wouldn't take a knife to his sister, or watch his brother drown. That for all his talk, he sees them as different from their parents and that they matter, deep down.

I think Alvar is desperate to have his pain acknowledged, to be seen and understood, which is a valid desire. But he has blown it entirely out of proportion in his quest to be seen--and his siblings were his main hope. Who better to understand what being a Vacker kid did to him than the other Vacker kids? But because of that blowing it out of proportion, even though they're all Vacker kids, they can't understand. Because Alvar's reaction is illogical. He's in the wrong, and he refuses to understand or realize that because there's kernels of validity to his feelings.

so he's simultaneously furious at Fitz for replacing him, being everything he wasn't, and not choosing him, and desperate to be seen and acknowledged and understood by him and Biana.

basically Alvar's a clusterfuck of complications of a man

#kotlc #kotlc character analysis #alvar vacker #quil's queries #sillyguy-supreme #also! most ardent buttonsposter <3 #ty i'm very flattered #i hope this explanation makes sense. they're all very complicated so its hard to parse to the core of it at times you know?#and i'm certain I could go on and talk myself in circles

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dylanconrique · 3 months

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once tim meets lucy’s parents it's all gonna click for him why she got so defensive about his belief in her taking the detectives exam.

#*carly catalogs #once they start berating her in his presence it'll all make sense cause how the hell can you belittle your only daughter that way??????#i can imagine them all sitting around a table at dinner and tim trying to take lucy's hand underneath but she pushes him away #keeping her own in her lap and anxiously fiddling them while she sits in silence and lets them continue to bully her while trying not to cr #i'm just thinking about the hoops lucy lept through all throughout her childhood just to please her parents and make them proud #but for some reason none of it has ever been enough #it's so hard to believe in yourself or believe anyone else could believe in you if your parents showed very little to no belief in you #i do hope we get a chenford meet the parents date and that tim will snap and defend THE HELL out of lucy to her ungrateful parents #i hope he tears them a new one fr #the rookie #the rookie s6 #tim bradford #lucy chen #chenford #otp: you know me so well

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somnimagus · 8 months

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My page for @kairizine. It was such a huge honor to be part of this wonderful book with everyone, I had so much fun!

[id in alt!]

#kingdom hearts #kh #kh kairi #kh xion #kh namine #i don't really feel proud of my own stuff usually but #i really think this is the drawing i'm most proud of from this past year!! it made me think 'oh maybe i can draw' haha #i'm still kinda bad with colors but something clicked with this one. and i feel like i got the sentimental feeling i wanted!#ooh but this project's about flower symbolism so ramble incoming:#protea symbolizes resilience transformation and diversity; hollyhock means 'please remember me.'#so my general theme was finding a sense of self.#these 3 have struggled with finding their own identity; they tend to get left behind both in-universe and in general plotwise #and naminé and xion both resemble kairi and were overshadowed by her memory. but i feel like all 3 have transformed into their own people #xion and naminé have their faces covered partially by hollyhock to show their wish to be remembered for who they are-#instead of the parts that they share with someone else #and the protea bouquets show how they each held on and resiliently grew into their own person despite it all #i put a little swervy path on the hill behind kairi to give that hopeful sense of growth and moving forward. it's a little hard to see #hopefully that makes sense! i really love symbolism but i think in visuals so i'm really bad with words #but gosh working with everyone on this project was so fun. it was like impossible not to get swept up by the team's hype for this zine #i need to hunt down everybody's work and rb it #ohh and everybody's flowers are so crisply drawn it's insane!! i think if i lined all these flowers and leaves i'd die haha #fan art #my art #project stuff

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anewp0tat0 · 1 year

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he's simply one hell of a nanny yes yes

#dude idk how this became an AU but somehow my senquence of day thoughts resulted in these images in my head #and so I rewatched 101 dalmations and eventually finished it #I remember loving the sketch yana had done(of him? that's how it was shared to me but idk could have been a tw character🙄)#but I never thought I would do anything in relation to it..... well I did! and actually I'm glad cause he looks like he's doing great.#fabulous #seba de ville lolollol #kuroshitsuji #black butler #kuroshitsuji fanart #fanart #sebastian michaelis #vincent phantomhive #rachel phantomhive #my au #this probably doesn't make a lot of sense cause after all I don't have a lot of clue or context other than amusing thoughts #so atleast I hope the pictures are eye pleasing!

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viperwhispered · 27 days

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I don't know about you, but I find shared baths deeply intimate. Mostly cause first you have to be very comfortable with the person you're bathing with and there's an intense feeling of safety that you boundaries will be respected.

Apply this to Jamil who is arguably the most paranoid man in all of TWST. Imagine he and his s/o are getting serious and Jamil is finally starting to really open up. It's also the stage where things are getting steamier, so to speak.

As both a sign of trust and a way to get used to each others naked bodies, the couple starts bathing together. The physical vulnerability of it since their both nude is further amplified since they have to wash/touch each other. That in itself requires a lot of trust.

Just imagine this: gently applying shampoo into Jamil's silky hair while he rants about his day, slowly revealing more about his past and insecurities. Then they switch and now the reader is the one opening up about their struggles while Jamil massages the soap onto their back. Kissing any scars they might have, talking about the most random things, playing with the water, and just enjoying this moment between Jamil and his beloved. Jamil is just so busy that he relishes being able to just enjoy their presence close to him.

There's also a strong desexualizing element. Jamil and the reader likely grew up with a notion that nudity is embarrassing and should only happen with a sexual partner. While this statement is technically true, they aren't in a sexual situation. They're trusting each other to respect their boundaries in such a way that the way they view each other goes from "potential sex object" to "a body that so happens to belong to my dearest".

Which further adds to my hot take of the "If evil why hot" route with OB!Jamil being pre-relationship.

Also, fun concept: washing away blot.

Imagine they're at the very end of the overblot Jamil boss fight. The phantom is defeated but there's still some blot left. So the reader pushes him into the river created by Kalim and holds him there as the water washes away the blot. When he starts calming down, they gently start rubing the blot off. Slowly trekking their fingers through his hair as the snakes dissappear. By the end they're left with an exhausted sulky wet Jamil. The reader then kisses his forehead as they wrap a towel around him.

Aww there definitely is a lot of potential for sweetness with stuff like this. I mean, having someone wash your hair, cleaning up together… It really can feel so intimate and vulnerable.

Now, I feel like I should add the caveat that I'm Finnish, so I'm fairly used to seeing other people's bodies in the sauna, for example, and the whole concept of nudity = sex is not quite so strong for me, personally. (Though personally I'm not likely to go to a mixed sauna, especially with strangers, but still.) So my perspective for the nudity aspect may be a little bit different, though I do definitely agree with these scenarios being intimate and potentially vulnerable. Like, you really do need to let your guard down to let someone see you bared like that, no hiding behind your clothes (or status) or anything else. Just, people, together.

Which definitely ties into that whole opening up for each other. We always tend to say that people are equal in the sauna, and it (perhaps surprisingly) is a good place for those deep, intimate conversations. So I can definitely see that same vibe for this bathing together, too.

Also just, the thought of squeezing into the tub together, trying to figure out how to adjust everyone's limbs and bodies so that you're both comfortable in there (and covered by water enough to actually get to enjoy it). One of you wrapping your arms around the other, holding them close, it's just… So sweet, and intimate, and also you kind of have to be “normal” about it to make it work (I don't really have the words for these vibes, just, yes it's intimate and vulnerable but at the same time you kinda just have to treat it as a normal thing if it's gonna work).

Just eugh I love this concept so much.

(Also now I'm definitely wondering how the twst guys would feel about sauna, perhaps even with the whole “run off naked to the lake to cool off a bit and then go enjoy some more heat” extra shebang.)

Oof that washing off blot, though… Oh it's going straight for my heart 😭 Just the whole I'm still here for you, I'm here taking care of you, let's wash away what happened (both literally and figuratively). Oh boy what a concept ripe for being picked apart.

(Also for some reason it's making me think of like washing off bodies for funerals, but in this particular case more in the sense of washing off the old self / what happened, something to allow rebirth or something. Or like, this could've destroyed him, but didn't. Idk, there's just so much one could do with this. Maybe it's just the talk of being washed in a river specifically that's making me think of like Lemminkäinen’s mother and all sorts of stuff.)

#twisted wonderland #jamil viper #twisted wonderland x reader #jamil viper x reader #ner talks #chatting with folks #lex752 #I hope I'm making sense my thoughts are kinda all over the place right now #these are such delicious thoughts to chew over tho #(also yes that squeezing into a bath together musing is definitely from experience)#funnily enough I'm so used to having a sauna (and just a shower) that baths always seem like the exotic option #(I mean I also fall asleep in a bath in about 3 seconds so it's not exactly something that'd work for me anyway)#(at least if I'm alone I'd be too concerned of just falling asleep and sinking under the surface)

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