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sedge-yells-at-comics · 3 years

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Reprinted below, in case the link implodes.

Flash #27 Reveals Why Reverse Flash Is a Truly Unique Villain

The finale of "Running Scared" provides a gut-wrenching Rebirth update to one of DC's most complicated villains: Eobard Thawne, the Reverse Flash.

By Meg Downey Published Jul 27, 2017

If you’re a fan of the Flash, you’re probably pretty familiar with the concept of the Reverse Flash, a man named Eobard Thawne who, like Barry, has super speed and wears a flashy costume. Of course, the “Reverse” might sound like he’s the literal opposite of the Flash -- maybe someone who slows things down instead of speeding himself up? Or maybe someone who runs backwards?

There are a lot of obvious and incorrect guesses pretty readily available for casual or newer fans to throw darts at. The reality of the Reverse Flash is, however, pretty complicated. Mostly because his “reverse” status is actually ideological at its core. Flash media, be it print, animated or live action, has traditionally made this apparent by painting Eobard as someone who is essentially pure evil -- a sort of manic, time traveling serial killer who is motivated solely by his endless need to destroy Barry Allen from the ground up.

At that point, the problem then becomes finding a way to make Thawne’s homicidal drive, well… unique in the scope of the DC Universe, a place that just so happens to be populated by enough over-the-top villains to populate a decent sized Midwestern town. Why is Reverse Flash someone that’s specific to The Flash? What differentiates him from any of DC’s other iconic arch rivals, like Lex Luthor or The Joker?

Well, The Flash #27 has the answer, and it's probably not the one you expected.

Running Scared

The rebirth of the “classic” Eobard Thawne (as opposed to his New 52 revamp) began in the Flash/Batman crossover mini-event “The Button” back in April, a four-part storyline which connected the original Thawne to the events of last year’s DC Universe: Rebirth one-shot.

Since, then, Thawne’s taken up residence as a perpetual thorn in Barry’s side in the hero's own ongoing series, stepping directly into the spotlight for the three-part “Running Scared” arc which served to highlight Thawne’s Rebirth status quo. For the most part, it’s a story that fans will be pretty familiar with, borrowing heavily from elements of stories like The Flash: Rebirth and Flashpoint. Thawne’s from the future, he time traveled to kill Barry’s parents, he’s connected to a negative form of the Speed-Force, and so on -- But that’s where things start to get their Rebirth-specific legs.

It’s not that creators Josh Williamson, Howard Porter and Paul Pelletier are trying to reinvent the proverbial wheel with “Running Scared” -- just unlock a different side of it by shining a light on one of the most unique aspect of Eobard and Barry’s relationship.

Reverse Flash doesn’t hate Flash the way Lex Luthor hates Superman, or Bane hates Batman. It’s actually (appropriately) quite the opposite. It’s the reverse. Eobard Thawne loves Barry Allen, obsessively and vengefully, which is where his endless, destructive need to ruin Barry’s life comes into play.

“Running Scared” highlights the fact that a young Eobard grew up alone (though Williamson was quick to confirm that that particular story element came out of an earlier Geoff Johns Flash issue) with only his idealized and imaginary version of Barry -- a character from his history books -- to keep him company. Barry was, for all intents and purposes, Thawne’s only friend, confidant, and emotional anchor, despite the fact that the two of them wouldn’t actually meet for years and years.

It was plenty of time for a very troubled and very lonely Thawne to fall in love with a version of The Scarlet Speedster that existed only in his imagination...and, well, it’s pretty obvious how that particular emotional endeavor actually went down. Actually meeting Barry and subsequently being forced to deal with the fact that he was just a guy and not the cartoon character Thawne had built in his head for years, proved to be too hard a stress test for Thawne’s fragile psyche.

Fatal Attraction

Meeting and being disappointed by a personal hero is a rough experience for just about anyone, but rather than allowing himself to move on -- or even allowing himself to simply decide to hate Barry instead, Thawne’s obsession only doubled down.

As issue #27 hurtles to its conclusion, Thawne’s real motivations become abundantly apparent. As Barry, infected with Thawne’s own inverted Negative Speed Force thrashes Thawne within an inch of his life, he presses him with a question - Why, if Thawne has always been so inspired by him, has he gone out of his way to ruin Barry’s life at every turn? Why has he done all of these terrible things, from killing Barry’s parents to beating Wally within an inch of his life, to kidnapping he and Iris and hauling them to the future?

Thawne’s answer is as unexpected as it is heartrendingly honest: because these horrible things are the only way Thawne understands how to make Barry spend time with him.

It’s that simple.

Thawne’s love for, and obsession with Barry Allen has permeated his life so deeply and completely that he is even willing to count his time spent being pummeled half to death by Flash as a win. He’s completely unable or unwilling to differentiate between Barry’s affection and Barry’s hatred, and he’s ready to do whatever it might take to put himself at the center of either emotion in Barry’s mind.

“A few years ago, it would have really hurt my feelings to hear you say that,” Thawne taunts after Barry threatens him, “but now to think that I caused you that anger? That I could get under your skin like this? It warms my heart.”

It’s deeply troubling, of course, and horrifyingly uncomfortable to get a look into the head of a villain who is, essentially, the personification of a fan gone terribly, terribly awry -- a theme that only gets more difficult to swallow when you begin to think about the increasingly complicated relationship between fans and their idols in actual, genuine, non-super heroic world around us.

This subtle reworking of the Reverse Flash has made him one of comic’s most poignant ruminations of the idea of toxicity in fan communities, idolization of strangers, and self destructive obsession, and it did so in a way that boldly allowed Thawne to win at the end of the day.

The issue closes, and the arc completes, with Barry exactly in the position Thawne wanted him in: completely alone, just like Thawne was as he built Barry into a hero of mythological perfection in his head. Now, where Barry will end up, and whether he’ll be forgiven by Iris, Wally and the roster of people he’s been manipulating as he leads his vigilante double life, is still largely a mystery.

It’s clear that Thawne didn’t expect, or even really want, Barry to come running into his arms to start their life together the second he succeeded in isolating him -- he makes that abundantly clear as he warns that he’ll just return again and again and again, de-powered, killed or otherwise hindered. Iris may have added an exclamation point to the end of the story arc by “vaporizing” Thawne with a Black Hole gun, but it hardly matters.

Reverse Flash will be back, somehow, at some point, and it’s doubtful that his love and obsession for Barry will have wavered in the slightest. We know now that’s just now how his mind is capable of working. It’s unlikely that Thawne will ever feel anything for Barry beyond his own supremely twisted adoration, no matter how many times the Flash pummels him into the ground. It’s just not the way Thawne’s brain is able to process information anymore.

It’s complicated, messy, and uncomfortable, but it’s also one of the clearest articulations of exactly what makes Reverse Flash such an interesting villain in the scope of not just the Flash family of books, but the DCU as a whole.

#the flash #eobard thawne #barry allen #eobarry

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brynnmck · 4 years

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J/B Exchange Recs Round 1!

I have not been around Tumblr much lately because I was so preoccupied with stuff for @jaime-brienne-fic-exchange, but I am trying to get back into the swing of things, and I figured what better place to start than with some recs?

These are currently skewed a bit toward my amaaaazing gift fic and the amaaaaazing ones I beta-ed, since I am way behind on my reading, but there will be more to come!

Backpfeifengesicht by @samirant - I am so unbelievably grateful that I had both amazing prompts/amazing recipient for the fic I wrote, and such a fabulous gift fic too. I was still working on my own fic and very sleep-deprived and flagging when I read this for the first time and I think I may have actually left my body on a wave of sheer euphoria. IT IS ALL THE GOOD THINGS. So many of my favorite vacation/road trip tropes--drunken shenanigans! Intimate late-night conversations while everyone else is sleeping/elsewhere! Friends being too involved in your relationship! Unexpected forced proximity! And the banter is glorious, and the secondary characters are so well thought out and add such depth and vibrance to the story, and the Sansa/Margaery subplot was DELIGHTFUL, and I love the way this structured Brienne's relationship to Tyrion and then to Jaime as an extension of that, and the resolution was handled with an absolutely perfect balance of hilarity and heat. (There was also the stuff throughout that was very targeted to me specifically WHICH I APPRECIATED, so thanks to both Sami and @forbiddenfantasies1 for that). About 20% of the way into the story, I was deeply convinced it was Sami, and in the best possible way--it had the hallmarks I love about her writing: her sense of humor, her gift for banter, her clear affection for the characters, the richness of all the relationships. It was like showing up to a party and unexpectedly finding a friend there, and it was the loveliest feeling. I am thrilled that so many people have read and loved this story but I want everyone in the world to read and love it, so. Please check it out if you haven't! And also check out Sami's hilarious tale of woe regarding her writing process, which is amazing. THANK YOU AGAIN FOR SUCH A PHENOMENAL GIFT SAMI. ❤️ ❤️ ❤️ ❤️

A favorite line: On any other day, Brienne would have left him - a relative stranger - to his wallowing, but an untold amount of imbibed Pentoshi Slammers stirred up a noble benevolence within her, a little voice that said they had something in common and what good were her broad shoulders if they weren’t offered as a place to rest a weary, heartbroken brow? SO GOOD.

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Lay Your Heartbreak and the sequel You could make me feel so good by @ajoblotofjunk / sdwolfpup - LISTEN. SDW sent me an early chunk of this and I was immediately OBSESSED and I have not stopped being obsessed since. Obviously worldbuilding is a huge strength of SDW's and her creativity with that is a constant astonishment to me. But pop culture is full of examples of people who can create amazing worlds and then utterly fail to populate them with interesting or dynamic characters, whereas SDW's ability to fill in those wonderfully creative spaces with her love for the characters and their love for each other that is just magic. And these fics are the perfect examples of that. The setup is not only fascinating but makes for such fantastically INTENSE feelings, omg, everything just feels like it's crackling off the page; even before Jaime and Brienne and Addam are admitting anything to each other, it's not so much simmering under the surface as boiling. The balance between the three of them is gorgeous, there are two incredibly hot fencing scenes as well as a very hot swimming scene (in addition to the sequel being just one big tangle of brain-scorching hotness), there's a perfect amount of sweetness and softness to play off all the blazing heat, and overall this is one that's going to stick with me for a long time. I know J/A/B isn't everyone's cup of tea, but if you aren't actively opposed to the idea of them, then I highly highly encourage you to check this out.

A favorite line: That night she dreams of golden skin, hot and soft against her palm – yes, someone moans, yes – the rough scrape of callouses over the arch of her ribs, the scratch of red stubble between her thighs – like this? Yes, more, please more – legs sliding together and between each other, and two mouths touching her all over. Hnnnnngh.

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The Limit Does Not Exist by @agirlnamedkeith / sameboots - Fics with a power imbalance are something I approach with a lot of caution but I LOVED the way that sameboots handled it here. The fact that this fic includes her signature extremely hot feelings-forward porn as well as a thoughtful exploration of what it can mean to be a woman in STEM is like a beautiful multi-course meal; I cared a LOT about whether they were gonna do it and I was also equally invested in how Brienne’s thesis was going to turn out and where she would go from there. I love Brienne’s stubbornness and determination and even though she’s finding her way here (as you would be, as a grad student), those elements are VERY much on display and they spark fantastically against an initially guarded and caustic but eventually deeply admiring Jaime. And while I don’t want to spoil anything, I will say that I feel like the end is a perfect illustration of one of the major themes of the fic, and I love it so much for that. Watching this one take shape and watching sameboots geek out over her math research was a delight, and the result is excellent (and did I mention, extremely hot). Definitely worth all her work!

A favorite line: “Has anyone ever told you that you’re the worst liar?” (KIDDING HANNAH ILU HERE’S THE REAL ONE:) The problem with smoothies was that it was hard to make them aggressively., Angrily pushing a button didn’t have the same release as whaling on a punching bag. Brienne didn’t have a punching bag, though, and she desperately needed to do something, and she was hungry. ANGRY SMOOTHING-MAKING. I LOVE IT.

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Right Off the Bat by @hillaryschu - A You’ve Got Mail AU where Jaime and Brienne are rival Little League coaches who unknowingly bond over Twitter is SUCH a great idea, and Hillary committed to it right down to the delightful rom-com-trailer summary. She also put an enormous amount of care into the details of the story--she had references for outfits, buildings, even Jaime’s cologne--and it shows in all the lush descriptions throughout. The banter is sparky, watching their two relationships gradually unfold is a lot of fun, there’s a particular tipsy (on Brienne’s part) Twitter DM exchange that I still get flustered thinking about, and there’s a batting cage scene that will be haunting my brain for a while. Especially given that Hillary had never written a story anywhere near this long before, I’m so impressed that she pulled it off (and fixed some of the most problematic elements of the movie, too). Congratulations to her on rising to the challenge!

A favorite line: But as they part from each other, Brienne lifts the hem of her tee to wipe the dirt and sweat from her face. Her exposed stomach is pale and toned, with softly defined muscles that gleam with perspiration. Jaime trips over home plate. SAME JAIME. SAME.

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X Marks the Spot (where I’ll find you again) by @pretty--thief - PIRATES. I WAS SO EXCITED WHEN I HEARD ABOUT THE PIRATES. And this fic is such a fantastic blend of snappy, exciting swashbuckling (and hilarious use of parrots) and a very poignant backstory that underlays the adventure with all this yeeeeeearning and it’s SO GOOD. The action scenes are thrilling, the descriptions are gorgeous, there is STARGAZING and BATTLE COUPLE, the Jaime snark is chefkiss, Brienne is so brave and committed and quietly full of feelings, there’s a really lovely discussion of the ethics of being in the military, and also Pod and Addam and Arya and PIRATES FOR JUSTICE. SO HERE FOR THAT. And did I mention the yeeeeeearning (which is paid off wonderfully--the penultimate chapter lived rent-free in my mind for about a week after I first read it)? Ugh SO GOOD.

A favorite line: When he had exited his quarters, Brienne had looked at him with so much concern in her eyes it threatened to swallow Jaime whole. He’d felt something similar when he was around Cersei, when they were fucking or fighting; a fire he had once thought he could never tire of, would never want to put out. But Brienne had reached out her hand, as if on reflex, and smoothed her thumb across his tired brow. The ship had continued to sway beneath them, and Jaime didn’t feel fire. He didn’t feel like he would be turned to ash at any moment. He felt a breeze, the wind in his hair and salty air in his lungs. as;lfkja;sldjgas;lfjas;lf

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Federation Fliers by @elizadunc /Ladybugbear2 - A short and very sweet one! I adore the world that Megs created in this and would happily read many many more words in it, but this is a lovely glimpse in and of itself, and made me so happy. Established relationship (which I love), one of my favorite Jaime nicknames for Brienne, a wonderfully badass Brienne and a wonderfully besotted Jaime, all against a fascinating backdrop. So good!

A favorite line: She belonged in the sky. She had a grace to her movements on the ground, but in the sky she was ethereal. HEART-EYES

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And now for a few that I just read after they were posted like a normal person:

Wine Down by @slipsthrufingers - SOME MILD SPOILERS HEREIN FYI. Okay first of all, the summary of this fic is deliciously evil and I think we all need to appreciate that. Also, it starts out with Jaime and Brienne having lunch together and these glorious descriptions of food and he has taken note of the specific food she likes and is making sure it’s provided for her and that is SO VERY MUCH MY LOVE LANGUAGE YOU DON’T EVEN KNOW. I FLAILED. And then things go, shall we say, a bit downhill, but in the most achingly beautiful way--Jaime sacrificing himself for Brienne and Brienne determined to tether him to life through sheer force of will and steadfast devotion. Slips puts us right into Brienne’s headspace/heartspace while she’s worrying for Jaime and trying to negotiate the fucked-up Lannister family dynamics (and the observations on said dynamics are wonderful too), and this hits such an excellent balance of Brienne’s rigidly controlled surface and everything that’s roiling away underneath. I’m always fascinated by the idea of what could have happened during the time that Brienne was in King’s Landing and this is such a brilliant exploration of how things could have gone, and Brienne’s interactions with the rest of the Lannisters (and Sansa) give the world that much more depth as well. The descriptions throughout are beautiful, there are so many lovely turns of phrase, the intimacy between Jaime and Brienne is just devastating, and it all comes back around to an immensely satisfying conclusion. SO GOOD.

A favorite line: The gods had seen fit to give her an unwomanly body, so she had taken up the sword. They had given her an ugly face, so she had perfected her manners and courtesies so they could never be frowned upon. But they had given her a maiden’s heart, and try as she might she had never found the right weapon to protect it. MY PRECIOUS GIRL.

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A Matter of Honor by @nire-the-mithridatist - I shrieked at nire in DMs basically the whole time I was reading this story, it made me experience like 90% of the range of human emotions in one night and I’m still mad about it. This features a fascinatingly flipped script where Brienne is the wealthy one and Jaime the supplicant, and an arrogant-ass supplicant he is. Brienne is an angy baby nineteen-year-old who is furious at the entire world and I fucking adore her for it, and watching all the events unfold through the lens of her (generally well-founded) suspicions was a delicious sort of torture where I trusted NO ONE and genuinely did not know exactly what was going to happen next. Nire turns a lot of marriage fic tropes on their head in this and it’s all done brilliantly, and there is EXTREMELY SEXY SWORD-FIGHTING (and as a sexy bonus, Brienne’s perspective on it feels so perfect for someone who is truly an accomplished swordswoman), and nire uses some common elements throughout to just pack in these layers and layers of meaning and significance, and there are many turns of phrase so perfect that they hurt, and then she’s like “hey would you like to re-feel all the feelings in this story again in a very concentrated burst” and it’s SO MUCH, and the conclusion pays everything off amazingly. And even though it’s very swoony and romantic (and HOT. I SHOULD MENTION VERY HOT), there’s a hint of melancholy to it too, reckoning with what it means to be a woman--even a wealthy one--in Brienne’s world, and it’s just the perfect crunch of salt on top of all the sweetness. LOVE.

A favorite line: He brought her knuckles to his lips. As sweet as honeyed nettles, he declared, “Lady Brienne. You have made me the happiest of men.” As the crowd roared in approval, she felt the sting of his kiss. STING OF HIS KISS ARE YOU KIDDING ME. Also I’m including this for purely thirsty reasons but NO SHAME: He stood from the sofa and went to help his wife undress, and if she noticed his averted eyes and his trembling hands—oh gods, the laces went on endlessly down her back, and with each pull, a little more of her figure was revealed, barely veiled by her gauzy shift—she said nothing. I DIED. I ALSO SAID NOTHING BECAUSE I WAS DEAD. Fuck, man.

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The Riverlands Gang Go to the Zoo by @naomignome - Another shorter and very delightful one with Naomi’s typical brand of chaotic humor that I adore. It’s Hyle POV, for one thing, which is good times, and the structure of this is so clever--the way each section of the zoo is used to progress the story is so seamless and happy-making, and there are tons of little jokes and Easter eggs packed in along with a very sweet, snarky emotional storyline wherein Hyle is definitely doomed. Plus another EXCELLENT Brienne nickname in here. LOVELY.

A favorite line: “Pixel!” he said laughingly, “You know if you fell in the bear pit, I would jump after you without a second thought.” “You need to have a first thought in order to have a second one.” Brienne said dryly. SUCH A GOOD BURN.

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all these people think love’s for show (but i would die for you in secret) by @naomignome - This is SUCH A FLEX because not only did Naomi write TWO fics for her recipient but they are WILDLY DIFFERENT and I’m so impressed with her for doing it! This one is SPIEEEEESSSS and Naomi packs so much tension into 5K, I was on the edge of my seat through the whole thing. Canon events are woven in astonishingly well, and it’s a delicious enemies-to-partners-to-lovers situation that involves some excellent hurt/comfort and excellent use of RAIN to moody/sexy effect and it’s just all very thrilling. YUM.

A favorite line: He lets off a single bullet and it grazes the inside of her thigh, enough to make her wince and draw blood, but not enough to stop her from tackling him to the ground and wrestling him into submission. She’s got both of his wrists pinned above his head and her knee is drawn up and pressed against his torso. Jaime’s chest is heaving under her knee. Her chest is heaving in tandem. From above him, Brienne can see the green of his eyes darken, and even in submission, he’s annoyingly beautiful. Her blood is rushing, and it’s not all adrenaline. WHEW. SAME.

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as stars once a year brush the earth by @ylizam / mazily - Another wonderfully bite-sized one (good job actually taking the minimum word count as a guideline, people who did that, unlike the rest of us dumbasses!) that packs a lot into a small space. A canon-ish soulmates AU that’s so understated and dreamy, but with the echo of all the turmoil they’ve gone through to get to this place that brings everything in sharp relief. It’s also funny and sexy and romantic as fuck, and there are gorgeous poetic descriptions, and they spar by a WATERFALL, and just. So much happens in just over 1600 words! IMPRESSIVE.

A favorite line: Her right hand goes numb, unfeeling; back in their rooms Jaime is waking up, and she knows the phantom ache of his missing hand is bothering him. Jaime is waking, and yawning, the bed linens pooling around his waist and highlighting his summer tanned skin. She misses him, suddenly, as wide as the endless sea in front of her. BEAUTIFUL.

OKAY THIS WAS A LONG POST. That’s all I’ve got for now--more to come as I continue my reading!!

#jaime x brienne #jaime x brienne fic rec #jaime brienne fic exchange #braime #so many feelings in this post!!#so many talented writers in this fandom!!

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tcheschirewrites · 4 years

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Happy New Year!

Part of me wanted to do a Year In Review post, like I’ve seen a few other creators do, but instead of talking about myself (which I do for the entire rest of the year anyway lmao), I’m gonna do a reclist instead, of the best fics I’ve read this year. A lot of it is BNHA, because that’s been my main fandom for 2020, but I did spend a decent amount of time in other spaces. If you see a **, that means there’s boning at some point – if the fic is in bold, then there’s a lot of boning. I @ed their Tumblr if I knew it off the top of my head, but I may have missed some.

BNHA

Don't Yuck Her Yum by rumblefish ( @rumbllefish) (League of Villains Gen)

Complete – A quick disclaimer, pia is a mutual and a friend. That being said, this is such a cute little snapshot into the LOV with everyone’s favorite Found Family trope. Now, I’ll admit to being additionally biased because pia gave me that sweet sweet Dadpress food, but her Spinner is also on point. Short and sweet.

the Issue of the Jeanist Corpse (the Jorpse) by Princeliest (Hawks & Jeanist Gen)

Complete – Witty and hilarious, a deleted scene when Hawks went to visit Best Jeanist before War Arc. I love how antsy Hawks is, and how fussy Jeanist. Also, I’m a sucker for putting a j at the beginning of everything for Jeaninst.

Queer Eye: We're In Japan! And There Are Pro Heroes Everywhere!! by night_of_the_living_trashcan (Background Erasermic Family)

Complete – I love a good Queer Eye fic, and this one is so spot on. The Fab Five couldn’t get a better candidate than Aizawa (well, almost; see below). And I’m a sucker for Erasermic family.

**Yesterday's Gods by Karzai (All Might/Reader)

WIP - Reader character is an ex-military doctor who comes to work at UA. If you’re a fan of very well-developed backstories, and reader characters that are their own people, then this is the fic for you. This fic gives me huge Newsroom vibes - we’ve got a past romance, and the tension after years apart. We get present day when they are older and more jaded, and we get the backstory of the reader character and All Might when they were young and spry.

**surrender (whenever you're ready) by OfMermaids ( @ofmermaidstories) (Bakugou/Reader)

WIP - Bakugou accidentally destroys a florist’s shop. Bar none the best Bakugou fic out there - his characterization is so on point. He is grouchy but so vulnerable, he’s coarse and soft and insecure and such a perfectionist. The relationship with the reader character develops very naturally, and the chapters are long. Bonus, we get some bangin’ Kiri as well.

**if i could keep cool by andypantsx3 ( @andypantsx3) (Todoroki/Reader)

Complete – I’m in love with the premise of the fic: a hired cleaner gets kidnapped due to a misunderstanding of the romantic variety. Andie’s Todo is well written, and the pacing of the story is nice and tight. An easy read.

**Subject: RAPTOR by Tainted_Wine ( @tainted-wine)(Hawks/Reader)

Complete – The villains have turned Hawks into a Nomu, and reader works collecting semen for the facility for breeding purposes. Bigtime monster-fucking, but it’s very poignant and well-done. Very long, but well worth the time.

**My Hero by HeroAssociation(Aizawa/Reader)

WIP – Reader character is a milf whose son enters a contest to meet his favorite hero and wins. The author’s Aizawa is really good, and the scenes with the reader’s son are very realistic for maternal love. And, I cannot emphasize this enough, reader character is a milf. It’s incomplete, and hasn’t updated in a while, but the premise is so cute I can’t not include it.

suffer the signs by advantagetexas(Aizawa/Reader)

Complete – Baby’s first hanahaki. Honestly a very cute little hanahaki – no angst or sads, just two idiots in love. A nice quick read.

But they're soft... by coffee_dessert (Aizawa/Reader)

Complete – Aizawa gets turned into a cat by a villain’s quirk, and the reader character takes care of him until it wears off. I’ve heard this premise is popular? But I haven’t seen too too many, and this one is very well executed. Aizawa’s characterization is solid, and the pacing is very good. A very sweet read.

**no grave to hold my body down by Hawnks (supermintfluff) ( @hawnks)(Shinsou/Reader)

Complete – Pro Hero Shinsou saves the reader character, and they keep running into each other. This one is a good character study on adult Shinsou, and Hawnks’ writing is always very clean and lovely. I recommend going through their entire selection.

Love Like You by Queen_Kai (Shinsou/Reader)

Complete – Color Soulmate AU with a villain reader. Very cute, and I adore Shinsou’s characterization in this one. I honestly wish there was more, but it stands on its own very well.

Naruto

**Maid with Benefits by awolangel (Akatsuki/Reader)

WIP – Reader is hired to be a live-in maid to the Akatsuki, and also have lots of sex. This fic is hilarious, and so well characterized. The pacing is actually really good, as well as the development of all of the relationships. There are some characters that get more attention than others, but we do get a nice spread. Very fun escapism fic.

Moonshine by Victopteryx ( @ancharan) (HashiMada)

Complete – Prohibition Era Bootlegging AU. Author’s handle on both Madara and Hashirama is incredible (and they draw their own fanart, and it’s also incredible). A whole-ass meal.

Tobirama Kicks Some Sense Into Konoha by allseer15 (Tobirama&Naruto Gen)

Complete – Tobirama gets sent back in time due to an accidental jutsu, and is horrified at the way Konoha is run, and promptly Rampages over it. Wonderful catharsis for anyone who wondered why it was okay for a rich-ass old man to just leave an infant a welfare check and a shitty apartment and dip out on his development even though he has the equivalent of a nuclear warhead in his upper intestine.

Misc

**Clouds by moriamithril (Star Wars Rogue One, Cassian Andor/Reader)

Complete – Reader character is a handler/assistant type figure to Cassian over a series of missions. We get a lot of emotions in this one – we get the tenderness of caring for someone who is ill, we get devotion, we get yearning, we get delicious jealousy. Well written and lovely.

Fresh Coat by scrapmetal (The Mandalorian, Boba & Din Gen)

Complete – Fantastic Boba and Din, the Mando culture representation we deserve. I’m love.

**A Far Greater Sin (Reader version) by Yavannie (The Mandalorian, Din Djarin/Reader)

Complete – Reader is a healer, and builds a relationship with Mando over the course of a couple decades. Great pacing, great RC development, and the author’s Mando is quite good. The premise/setting gives me wicked fantasy vibes, even though it’s obviously In Space, but that’s definitely a draw.

who's gonna save us now (when the ashes hit the ground) by chancellor_valdez (Ready or Not, Grace/Daniel)

Complete – My favorite of the “Grace and Daniel Survive Together” subgenere, this one is very raw with its emotions. There’s a lot of hurt, and there’s a lot of self-harming coping mechanisms. Recovery is ugly, and the author did a very good job showing us that. And their ending was lovely.

not your garden variety demon lord by rizahawkaye (Inuyasha, SanSessh)

Complete – Sango takes care of Rin sometimes, and gets confused when Sesshoumaru brings her gifts. The author’s Sessh is so good, and it’s a great exploration of a relationship we don’t see much of.

Mine Enemy by Ayrith (Inuyasha, InuSan)

Complete – I love this fic, okay. Fantastic character study in Sango and a lot of the rougher parts of her that canon shied away from, and the author’s Inuyasha characterization is fucking great. Just go read this, yes.

Frozen Plus One by Meowzy (Frozen, HansAnna)

WIP – Troll AU, ie the trolls cursed Hans and that’s why he is That Way. Look, this author has done such a good job with all of the characters. Their voices are very distinct, and it’s not a reach at all to see how it could have gone differently. And we get some sweet HansAnnaKris action, and it is just as we deserve. Honestly, this fic is so well written, it deserves the world.

Knives In by anomalation (Knives Out, Marta/Ransom)

Complete – My favorite of the Pen Pals subgenre, this one is a fantastic slow burn. Ransom is really forced to face himself, and Marta is such a babe. Meg makes a few appearances, and her confusion over her place in the world is really well done. A great enemies-to-lovers.

It's Not Anxiety, It's a Parasite by squadrickchestopher (Venom, Queer Eye)

Complete – Look, I’ve mentioned before, but I love a good Queer Eye fic. Eddie gets what he deserves, and the symbiote couldn’t be more happy. So funny and clever.

You Find Yourself in a Maze by FloaromaMeadow ( @zombiekaiba) (S0 Atem Gen)

Complete – Very short and very poignant, the style is modeled after text-based command games. It fits super well with the Season 0 aesthetic, and there’s so much punch in each command.

Gaud's Grinch x Tony Fix-it Fic by gaudy_writes ( @biggest-gaudiest-patronuses)

WIP – Look, I know, all right. Just read it.

#fic recs #i'm sorry but i don't feel like tagging alla that #maybe i will later idk lmao #in case anyone wonders what kind of fics i read in my spare time

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mihrunnisasultans · 4 years

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It really says something when fans want to see more of King James IV of Scotland & Queen Margaret Tudor. Their marriage was arranged, but I think the way TSP depicts it is how most royal marriages were back in the day—built on love, friendship, and mutual respect rather than passion. I would love to see a prequel series devoted to these two! Ray Stevenson & Georgie Henley are fantastic together!

Couples with a significant age difference between them usually bother me, and King James IV of Scotland was about 16 years older than Margaret Tudor IRL. However, Ray Stevenson & Georgie Henley brought something to James & Meg that made me root for them. Their characters’ age difference wasn’t disheartening at all. James loved and demanded respect for his Queen, always. He showered her with gifts and trusted her enough to make Margaret regent in their baby son’s name.

Yes, there was something charming about their characters and their relationship, which IMO cannot be said about Katherine and Henry, both as a couple and individual characters. You see how Emma Frost tries sooo hard to paint them at that great romance (later going wrong of course), practically couple goals and KoA as a perfect woman and queen... but she overdoes it all so much, it comes off artificial in the end. Henry so far has been portrayed as a bit of clown and truly just a brat king, but as husband atm he is supposed to be the great, supportive one, who keeps his queen next to him during all council meetings and practically worships the ground she walks on.

IDK but for me both characters are just empty vessels than flesh and blood human beings, KoA is there to practically all the time deliver “badass quotes” and show how awesome she is, while being almost solely focused on her gIrL pOwAh, and Henry is most often just a target of a joke. For me they don’t exist as multi-faceted characters, especially since their relationships to characters other than their spouse are truly given little attention. They barely have inner life for me, any doubts etc.

And again, we are beaten to death with people stating how awesome couple they are. Mary Tudor tells Charles V she wants to rule with her hubby like KoA does with Henry, Meg Tudor also says that to her husband.

Frost tries to sell awesomeness of these characters so much that it does the opposite and makes people tired with this duo that is practically forced down their throats.

Meg and James on the other hand were simply... natural. We’ve never seen a romantic kiss between them, but considering age difference it’s absolutely a good decision? Because precisely it’s what you said, Anon - most arranged royal marriages back then had precisely this sort of dynamic - they weren’t so much IN LOVE, but came to develop more friendly affection and working partnerships. It’s truly very poignant how Meg says James was her “best friend”. Maybe it was arranged, maybe it was impossible for a young girl to develop romantic feelings for this man, but they nonetheless made it work, so that she didn’t feel so alone in Scotland and got so attached she felt comfortable with him and didn’t want him out of her life. There are different sort of couples, not all must be based on romantic love and passion, it’s truly precious to see those well-known arranged royal marriages being potrayed also in this way instead of creators trying to sell us epic love stories for all of them in any historical fiction show/movie/book.

It felt kinda endearing how Meg could literally enter council meetings when she wanted, even punch or scold her husband in presence of his courtiers and get away with it LOL. He actually looked like he enjoyed it 🤣. Again, it felt more natural than Henry’s flowery speeches about his wife (but then such is Frost’s writing, I really dislike her dialogues and can barely provide examples of good ones). Plus, Meg always said what she wanted to say with him - she could roast his ass standing face to face with him or tell him that things weren’t going on smoothly. She wasn’t afraid of him disagreeing with her either. Meanwhile, KoA already is very careful with Henry, trying to sell that “we are perfect, everything goes splendidly, we will manage everything even despite difficulties, it will all pass very soon” message so hard,which maybe at the moment stems more from her trying to be such a perfectionist (ironically, a trait of real life KoA) than because Henry is too demanding. This faux positivity again becomes tiresome after some time.

And yes both actors did great job and had nice chemistry, with Meg mourning James we finally got some truly moving scene acting-wise.I will miss this duo NGL :) I admit I don’t know much about them historically, but I’ve been always under impression it was a working partnership, so I’m glad Frost didn’t turn it into abuse or hatred. And yes I’m now interested in doing some reading about them and the Stuart dynasty..

At the moment I’d love to watch anything other than KoA-Henry drama, I’m far more hyped for Tudor sisters’ storylines and I never expected that, since Katherine of Aragon is my favourite wife of Henry. But I cannot get attached to Charlotte!KoA at all. I love this spin-off idea, Frost made Scots to be mostly uncouth and shit, but I watch Scotland scenes more eagerly than anything happening in England NGL.

Thank you so much for such great messages Anon 💗

#Anonymous #Joanna asnwers #the spanish princess #tsp #tsp spoilers #meg tudor #james IV #georgie henley #ray stevenson #emma frost

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ladyherenya · 4 years

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Books read in April

I probably spent more time reading but I also read a handful of novellas and a couple of children’s novels, which means I read more books than usual.

Many of these were, if not outright retellings, than heading close to that sort of territory: faeries and fairytales, Sherlock Holmes, Jane Austen, and Norse gods...

Favourite cover: Masque, maybe.

Reread: Nothing, too busy reading new things...

Still reading: Cinder by Marissa Meyer.

Next up: There’s a new Murderbot novel out in early May!!!

(Longer reviews and ratings are on LibraryThing and Dreamwidth.)

The Long Dark Tea-Time of the Soul by Douglas Adams (narrated by the author): Adams’ descriptions are clever and unexpected, and he strings together a series of events even more bizarre and unexpected than his descriptions. Sometimes I felt exhausted on behalf of his poor protagonists, bounced from one mishap to another, but I was impressed by Adams’ ability to turn this madness into such a coherent story.

Flamebringer by Elle Katharine White: A solid, tense conclusion to Heartstone and Dragonshadow. However, I suspect it would have made more of an impact had I read the first two books recently. It assumes that the reader remembers more worldbuilding details -- about history and family connections and magical folk -- than I did. And because I found such details confusing, I didn’t pay close attention to some of the history and politics revealed in this book, and those things turned out to be unexpectedly important. A trilogy in much need of a glossary.

Hamster Princess: Harriet the Invincible by Ursula Vernon (aka T. Kingfisher): A very amusing take on ‘Sleeping Beauty’. Upon learning of her curse, Harriet accurately concludes that she must be invincible until it strikes -- and when the time arrives, she’s determined to avoid falling into an enchanted sleep. This is heavily-illustrated. The pictures are great, but were often awkwardly displayed in the Libby e-book.

The Art of Theft by Sherry Thomas: More of a heist story than a murder mystery, which may explain why I found it less compelling than The Hollow of Fear, although admittedly, it has its suspenseful sequences. Thomas does some interesting things in expanding her portrayal of the era as well as Mrs Watson’s story, taking Charlotte Holmes and her trusted associates to France on a mission along with someone from Mrs Watson’s past. I liked that Livia gets to play a more active role in those adventures. But I expected to like this more.

Love Lettering by Kate Clayborn: Meg is desperate for inspiration and company. She comes up with a project, looking for hand-lettered signs around New York, and invites along a former client -- who has turned up to question Meg about the hidden message in the wedding program she designed for him and his ex. A story about signs, secrets and the importance of having difficult conversations. I liked how those themes are explored in different areas of Meg’s life: making an effort to get to know Reid, setting boundaries with a new client, and trying to stop her best friend from drifting away.

Once Upon a Marigold by Jean Ferris (narrated by Carrington MacDuffie): Christian was brought up in a cave by Edric the troll, who discovered Chris hiding in the forest. Now Chris is in love with the princess Marigold, with whom he has exchanged letters carried by pigeon but has never met. If I had discovered this in 2002 when it was first published, I suspect I’d have been delighted by its gentle, whimsical, almost-fairytale-ness. These days I tend to want more complexity and more emotion and, often, more critical engagement with the genre’s tropes. But this was still pleasant company while I did a few hours of housework.

The Shards of a Broken Sword novella trilogy by W.R. Gingell:

Twelve Days of Faery: King Markon’s son appears to be afflicted by a strange curse, because accidents and misadventure befalls any girl the prince flirts with. When an enchantress offers to deal with the curse in exchange for the expected reward of the prince’s hand in marriage, Markon gets swept up in her investigation. This is so much fun. I liked the way it focuses on a middle-aged father, rather than any of the more usual candidates for this sort of story, like his son or any of the young women affected by the curse. And I enjoyed Althea’s confidence and practical competence.

Fire in the Blood: Another story interested in twisting fairytale tropes. A prince sets out to rescue a princess from a tower, but neither of them are the protagonist -- that’s Rafiq, the prince’s enslaved dragon, forced into human-form. Rafiq has been dragged along on this quest and quietly hopes that his vicious master will fail to unravel the tower keep’s protections. I enjoyed this. The tower keep, with its magical puzzles, was an intriguing setting, and it was rather satisfying to see Rafiq and the princess’s serving girl subtly undermine the prince’s efforts without drawing his ire.

The First Chill of Autumn: The first two standalone and take place over a few days. This does not. It begins with Princess Dion’s childhood. At seventeen, Dion is sent on a tour of her country and discovers the truth about the Fae’s influence. She ends up joining forces with characters from the previous books. I liked each of these sections. However, this could easily have been expanded into something novel-length and been stronger for it. If more time had been given to Dion’s relationships -- with her sister, Barric and Padraig, and maybe her parents -- the ending would have made more of an emotional impact.

“A Tale of Carmine and Fancy”: This short story takes place during The First Chill of Autumn. I didn’t care about Carmine one way or another when he turned up in the trilogy, so I was surprised by how much I enjoyed this.

A Posse of Princesses by Sherwood Smith (narrated by Emma Galvin): Sixteen year old Rhis is one of many princesses invited to attend festivities held in honour of a crown prince. My first impression -- a nice-but-unremarkable story with an irritating audiobook narrator -- quickly changed. I got used to the narrator’s voice. I really appreciate Smith’s portrayal of social interactions and of group dynamics from the perspective of someone who is trying to understand why others are competing for attention. And once the plot took off, I was hooked. I have mixed feelings about the very end but that didn’t change how much I liked the rest of the story.

The Two Monarchies sequence by W.R. Gingell:

Clockwork Magician: Several years after Blackfoot, Peter starts at university. Because Peter ends up messing around with time-travel, there are scenes from his future in the previous books. It’s interesting getting those moments from Peter’s perspective and fitting the puzzle pieces of his story together. I also felt invested in Peter’s journey even though he spends a lot of time being arrogant and oblivious, because I knew that there must be a significant change up ahead. The way his dawning realisation is handled was unexpectedly satisfying. I also enjoyed seeing more of Poly and Luck, and getting to know Glenna.

Masque: A murder mystery which turns into a Beauty and the Beast retelling. Lady Isabella Farrah is determined to investigate after a friend is killed at the Ambassador’s Grand Ball, even if doing so annoys the official investigator, the masked Lord Pecus. Isabella is excellent company. She’s quick-witted, resourceful and uncowed. I really enjoyed watching her banter and meddle. The Beauty and the Beast elements are cleverly woven into the story, and even without the murder investigation, there’s enough to make it a unique take on an old tale. A delightful standalone companion to this series.

Frankly in Love by David Yoon: Frank Li has watched his parents react to his older sister’s choices and he knows they will never accept him dating anyone who isn’t Korean. So he and a family friend, Joy Song, pretend to date. Fake-dating is one of my most favourite romance tropes but I’m not a fan when it’s a cover for actually dating someone else -- I don’t like others getting hurt by the deception. Despite that, I found this YA novel engaging and unexpectedly moving. And an absolutely fascinating look at being the child of immigrants.

The Night Country by Melissa Albert: The Hazel Wood was excellent, sharp and compelling, but I didn’t enjoy the sequel much at all. In the first book there’s a much stronger thread of hope running through the darkness.

This Is How You Lose the Time War by Amal El-Mohtar and Max Gladstone: The letters exchanged between Red and Blue, two agents on opposing sides of a time war, are vibrant and memorable, playful and poignant. I particularly enjoyed their different names for each other. (“Dearest Blue-da-ba-dee”, “My Dear Mood Indigo”, “Dearest 0000FF” -- that one made me laugh, “Dear Red Sky at Morning”...) The scenes in between leave many questions unanswered about the war being fought. I couldn’t shake the uncomfortable feeling that if I actually understood what was going on, I wouldn’t like the characters. Nevertheless the letters are brilliant, and I can deal with uncertainty for the space of a novella.

A Dead Djinn in Cairo by P. Djèlí Clark (narrated by Suehyla El-Attar): This novelette is too brief to involve what I enjoy most about murder mysteries, like carefully prying into people’s motives or characters forming supportive relationships in the face of an atmosphere of suspicion and unease. It is possible I’d like this worldbuilding in a different story, and that I would care more about Special Investigator Fatma el-Sha'arawi if I spent more time with her.

The Jane Austen Project by Kathleen A. Flynn: Rachel and Liam, a doctor and an actor-turned-academic, are sent back to 1815 to befriend Jane Austen and uncover an unpublished novel. Time travel allows for portraying Austen’s world with historical accuracy from the perspective of a woman with contemporary attitudes, and creates interesting challenges and anxieties. There’s a high degree of wish fulfilment in meeting Austen, but also realistic complications and consequences. This book impressed me even though -- or perhaps because -- it wasn’t always comfortable or to my taste. I’d have adored it, had things been slightly different, yet it’s nevertheless gripping and thought-provoking storytelling. I respect that.

#Herenya reviews books #W.R. Gingell #Ursula Vernon #Sherwood Smith #Kate Clayborn #Elle Katharine White #Sherry Thomas #Douglas Adams #Jean Ferris #David Yoon #Melissa Albert #Amal El Mohtar #Max Gladstone #P. Djèlí Clark #Kathleen A. Flynn

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phoenix43song · 5 years

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Little Women [2019] Film Review and Analysis

I have been reading the Little Women series since I was a child and I grew up on the 1994 film version that stars Winona Ryder. I have also watched the 1933, 1949, 2017 (mini series), and the 2018 modern film adaptation. I have watched and enjoyed the web series The March Family Letters on youTube, which is another modern adaptation take on the story, though unfinished. I have a graphic novel and a novel called Meg and Jo that are also modern adaptations. I love the songs from the musical, and I wish to play Jo one day (after I get my singing voice back). You can say I am a bit obsessed, though it has been quite awhile since I last read Little Women and did research on Louisa May Alcott. When I heard Greta Gerwig was going to be making another adapation I reread the whole series. The research I have done on Louisa, and the research that I have read from other fans and scholars has made reading Little Women all the more interesting. I try to be a writer, though I've only ever written novella's and short stories and short films. I love the theatre, acting, and now I am directing for the first time. I have so many story ideas for novels, series, and for feature films (maybe even TV). I've also always loved art, though without praticing much since adulthood my skills have dwindled. I identify with Jo and with Amy and I am really glad that this version of the book did these character justice...well Greta went wayland on Jo a bit.

The character of Jo in this adaptation is fully realized, three dimentional, however she is made to be have way more of a temper when she's an adult, unlike the book. Jo has this Peter Pan mentality where she wants to keep living in childhood and never grow up. She is in denial of her feelings, and she doesn't understand romantic love fully until the end. Greta decided to really incorporate Louisa herself into Jo. Louisa wrote the book loosely based on herself and her sisters growing up because she was pressured in writing a children's novel. She didn't want Jo to get married: she wanted Jo to remain a spinster like herself. Louisa was pressured to marry Jo off so she did. And then she continued to write two more novels after Little Women (technically Good Wives): Little Men and Jo's Boys. She created Friedrich Bhaer for Jo, who was the perfect choice for her...and most readers can't seem to see why Jo fell in love with him when, based on the research that I did and others did, Louisa created him off of men she had crushes on. Yes Louisa had crushes; she most likely had a few short lived romances, but we'll never know because if she wrote any of this down in her diary or in letters they have been destroyed.

Friedrich Bhaer in Greta's Little Women is not Friedrich Bhaer. He shares but a few qualities. Louis Garrel did an amazing job with what material he was given and he understands his characters and Frieidrich's relationship with Jo far better than Greta does. Based off of interviews and other comments that Greta has mentioned Greta hates Friedrich and can't stand that Jo married in the end. She doesn't understand him nor their relationship. She took away everything that Friedrich is, how Jo became friends with him, the courting he does, and one of the most romantic proposals in classic literature. Greta decided on an ambiguous ending for her movie and I absolutely hate it. The umbrella scene is rushed, hurried, and not romantic at all and it's edited in a way that this only happens in the novel that Jo writes because she is pressured, or somewhat forced, to marry off her heroine. Then there are cuts where we see Jo at her school for boys and girls, where her family presents a cake for Marmee's 60thbirthday and we see that Friedrich is there. This is cut where Jo is watching her book being made and she hugs it to herself: I really enjoyed this part of the ending, but the ending could have still followed the book more and not edited and written in a way where Jo's love for Friedrich and marriage isn't fiction. I mean Greta even had Amy and Meg drag Jo to go after him when Friedrich leaves and claim that Jo loves him. This is a change that...it destroys the characters in a huge way.

Friedrich isn't German in this film, though we do see him go into a German Beer Hall with his friends. I did love the dance scene in the Beer Hall and him dancing with Jo. He's French because Louis is French. Part of me wishes Greta would've gotten a German actor because Germany in it's people and culture was a huge part of Louisa's life and German is scattered all over the book. But I love Louis Garrel so this aspect of Friedrich didn't bother me that much. However...we don't get to know him and we don't get his backstory in this film. He doesn't play with the children, his immigration and carring for his orphaned nephews isn't mentioned, and him bringing Jo to intelletual gatherings isn't seen. Him giving Jo Shakespeare is in the film, but it's not done in person. He helps Jo with giving honest feedback on her stories and Jo doesn't take constructive critism well at all and yells at him. Friedrich likes Jo and you can tell. It's even shown that Jo likes him as well, but we sadly don't get to see their friendship: hell they don't really have much of a relationship in this movie. When Friedrich comes to visit Jo at the March house, we can see that Jo is surprised but pleased. I really do love how the family really likes him and gets to know him, and that they can see that the two love each other but that Jo is in denial. Except...Jo isn't really in denial in the book. She blushes when she realizes that Friedrich has come to court her. Jo in the book feels more mature by this point then she does in the movie.

Jo also tries to make herself love Laurie by writing him a letter because she's lonely. She never does this in the book. She does have one mention of a what if scenario but she stands by what she always thought: that she only loved Laurie like a brother. I really loved the scene where Jo rejects Laurie when he proposes because she's telling the truth and we even see in the movie that that have this special commarderie that's close but platonic, and not romantic. I do love how Greta explains and shows different kinds of love and growth in the sisters. But this seemed to degrade Jo a bit when it comes to actual full realized growth. I just don't understand where Greta was going with this and why she doesn't seem to understand Jo and Jo and Friedrich together. She put way too much of Louisa into Jo when Jo is a fictional character and not 100% Louisa. It's made to look like the umbrella propsal is fiction and that Jo did end a spinster. I am so upset right now at this that I will talk about what I did love and more of my analysis from a filmmaking aspect. (I doubled majored in theatre and in film in college and I do know that there will be changes in adaptations. However this doesn't mean that you can change characters and relationships to fit your own idea of how they should act and how they should end up. When you adapt a story you have to keep who the characters are and Greta doesn't do this with Friedrich nor with Jo in the end with her as a character and the relationship between the two).

So. This film is gorgeous. Beautiful cinematography, direction, costumes, acting, score, and editing. The only thing that I didn't like was how the characters read their letters to the camera. It took me out of the story and didn't fit in at all. The editing of present to past was well done, and I loved how it went with parallel themes. Each sister is three dimentional and real, and the different takes on money and love was really interesting. Beth's sickness and death was well done and so heartbreaking poignant. I loved how she got Jo to write again, and I loved the montage of Jo writing her novel. Mr. Dashwood was hilarious, and Meryl Streep had a blast playing Aunt March. Laura Dern made a capible Marmee but she didn't feel like Marmee to me sadly. Mr. March was barely in the film, but he's barely in the book so that was ok. The scenes between Mr. Lawerence and Beth were beautiful, and the scenes between Mr. Lawernce and Jo were good as well. I liked seeing Meg wanting riches, her feelings about being poor, but her love for John was a lot stronger and she made sacrifices. Amy was great, espeacially as an adult in Paris.

Laurie...I have a lot of thoughts on how Laurie was protrayed. I liked how his Italian ancestry was mentioned a lot and that Laurie could never sit still. I liked how he was represented as a drunk and ladies man until Amy talked sense into him. I like how we got to see how Amy and Laurie fell in love, and how Laurie realized that his love for Jo wasn't of the romantic nature either. He does love Jo and you can diffinitely see that, but at the same time they're best friends. Yes it's good to want to marry your best friend but at the same time you need more than just physical attraction ( and that's where Friedrich comes into the pitcuture). But there was something off about how he was represented. I honestly think it's because that Tim looks way too young for the adult version (even though he is an adult in real life), and that he's too skinny. Sorry I said it: Tim needs to put some meat on his bones.

This film does deserve awards and it bothers me that the film wasn't nominated for a Golden Globe (though Saoirse being nominated for Best Actress was a choice well deserved) or for an SAG awards. I hope the film is nominated a lot at the Oscar's at least. I would give this film somewhere between a 2.5 to a 3 out of 4 stars. This would've been a perfect 4/4...I know a lot of critics and fans love the ending, and that's there's only a minority of us that understand and love Friedrich, and Jo/Fritz together. At least we have other film adaptations and the musical – love the musical! - and I am really tempted to write my own version of a Little Women feature or mini series. I want to do more research on Louisa and write a biopic. I even have my own modern adapation ideas. This is a beloved book and I wish more people will read it, along with the rest of the series. To understand Jo/Fritz you have to read the last two books. This isn't really an essay or full on anaylsis, but more of me rambling, but let me know your thoughts in the comments. I would love to discuss Little Women and hear your thoughts and opinions. (Also sorry for spelling and grammar errors: I wrote this up really fast and didn’t bother to edit as I’m rather busy).

#little women #friedrich bhaer #jo x friedrich #little women 2019 #movie review #book to movie adaptation

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catloud · 5 years

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Greta Gerwig is The Best One

I grew up loving, living and breathing two films: Little Women, with a wild and passionate Winona Ryder, and Emma Thompson’s Sense and Sensibility. The middle of three sisters, I saw our dynamic as a trio in both of them. We cast ourselves as these women, making our own Pickwick Papers and putting on plays in the garden, just like our beloved March sisters. My own teenage solitude revolved around moody walks in the hills near my house on a Scottish island, calling Willoughby’s name in the rain, usually to the soundtrack of Greenday or Alanis Morisette or Damien Rice. These were the raw materials I had to craft my identity with. Sisters. Sisterhood. Love. Passion. Power. Freedom.

And, just as I was conditioned to pick a favourite Spice Girl or colour of Starburst, I immediately made Jo and Marianne my respective LW and S&S favourites. But Jo is something special. She is, after all, the patron saint of all aspiring writers and country bumpkins who move to the city for adventure. I feel that.

I know there’s something about Jo. Why did I make her The Best One?

What about Meg? Lovely Meg! Naturally maternal and equal parts severe, sensible and sweet, she gracefully bears the burdens of societal pressure and familial responsibility as the pioneering eldest child, while also taking responsibility for wrangling her more wayward sisters. She is a Mini Marmee, and lord knows we all love Marmee.

Or gentle Beth, wistful and musical, always striving to keep the peace between more the more overwhelming personalities within the household, and trying to make the world a better place for those less fortunate in times of extreme uncertainty. She loves everyone and everyone loves her.

Or Amy? Artistic and refined Amy, who matches Jo in talent and strength of will but is a thousand times more socially savvy. She makes the rules of the world (for women like her) work as she intuitively knows how to wield and tame them, while Jo fights them kicking and screaming all the way.

The March sisters are timeless because they pose a question that has refused to leave me alone – what am I supposed to want? Jo is our natural Girl Power era heroine. She is all of the great feminist moments in one person. She’s Jane Fonda getting arrested at a protest. She’s telling a mansplainer to shut the fuck up. She’s not taking “because you’re a woman” for an answer, ever.

She’s wild and proud, recklessly emotional and deeply ambitious. And there it is. Ambition. The most masculine of fatal flaws that is at first admirable before it devours everything in its path, stopping at nothing till the whole world has been swallowed and spat out again.

We can’t all be Jos. Stoking and sustaining that level of craving and chasing is absolutely exhausting. And when what you want comes to you, and comes crashing down again because nothing is forever, then you’ll see the holes left behind. Creative projects and the pursuit of the next thing can be Polyfilla for the gaping, untreated hole left by perpetual loneliness. No one wants to look into its mouth for long, and so the great cycle begins again.

And I think about this now, because Hollywood’s Remake Olympics feels necessary this time. I need to see Jo again.

I find myself thirty, solo and skint. I have yet to find a like-minded soul who is more Alcott’s Laurie and less Austen’s Willoughby, and I’ve spent most of my twenties pursuing a career that I have loved but I’m convinced hasn’t loved me. I’ve hunted opportunities, scraped by when cash was tight with a knot in my stomach and instead of chasing something brilliant and wonderful, I have been obsessed with not failing. Failing isn’t an option. I don’t know what else to be instead.

Why was my hometown not enough?

Why did I have to want more?

These questions are Greta Gerwig’s territory, an artist who has made herself very much at home with stories about women at crossroads who sense good things on the horizon, but struggle to get their bearings. She is an artist I watch with so much strange pride, horrified that so few women are staking claims and taking names in a director’s chair and yet, there she is. There she has been, for years.

As a writer and as a performer, Gerwig understands how painful it is to be in a perpetual state of becoming. Frances Ha - the 2012 film she starred in and co-wrote with director Noah Baumbach - is a masterpiece. I resisted watching it for years, because I was scared of seeing myself in it. I was right, but I didn’t need to be scared. It’s filled with the same mundane intimacy in Little Women - girls sitting in bed together, making plans for a big, varied, wild life. Gerwig and Alcott write love stories about wanting to love life and have life love you back. Her eponymous character is the earnest, awkward and mis-stepping heart of a film that scrambles up the crushing economic realities of modern life with whimsical and chic French New Wave aesthetics, adding glimmers of Fame and Footloose for fun. “Scrambling” is the most appropriate adjective for her. A precariously-employed dancer, she tells successful and self-assured best friend Sophie in the film’s deeply intimate opening montage “I tried to make a frittata and it’s really more of a scramble”. And we all know you can’t make an omelette without cracking eggs. They feature again in her Oscar-nominated and Golden Globe-winning Lady Bird. Arguing with her mother, Saorise Ronan’s Christine/ Lady Bird asks why she can’t cook breakfast, to which the excellent Laurie Metcalf replies “Because you take too long and make a big mess and I have to clean the whole thing up.” Eggs. Metaphors for messy lives, and a nod to the mothers we came from. The mothers! They’re poets and they don’t even realise. I love Gerwig and Alcott’s big-hearted mothers, so afraid for wayward daughters who want more than they can provide and say things like “I didn’t raise you like this!” when they act up. When we act up. I know you didn’t, and I’m sorry.

At the helm of Lady Bird, Gerwig is even more masterful at painting sisterhood and choices with a bold intensity, coloured with vivid metaphorical visuals. Juxtaposing the joy of a first kiss with a hushed conversation about tight finances gives economic hardship and anxiety the same weight in the drama as romantic entanglements. Lady Bird’s mother is often visibly crushed by her daughter’s ungrateful and embarrassed recognition that they aren’t wealthy, and “wrong side of the tracks” cliches are shown to be careless, throw away words for painful and inescapable realities. Gerwig crafts anxious and relatable narratives around being economically downtrodden and feeling less sure-footed in the face of those who have hit certain milestones. Her work is peppered with the many little audacious deceptions we pull off that conceal deep-rooted despair; the greater truths can be reached when we take sex out of the equation, or throw it in; the sorrow of being left behind. But she always gives us joy, too. Writing the names of boys we love on the wall and painting over them when don’t anymore. Going to view houses, trying on other lives for fun, because it’s wonderful and poignant to deliberately get lost in the woods to simply feel every now and then.

She makes me nostalgic for that particular sweet spot in my adolescence. There is so much I hated about being a teenager, but I was restless and hungry and I miss that person. I still want to believe that the world is full and vibrant, and that I deserve a slice of it nut sometimes I fear that I will never feel brave or excited again. But Gerwig is familiar with this feeling and Little Women, in essence, explores all of these fears. Her films show women living their lives differently and overcoming the battles that ensue, and this makes her the perfect wrangler for the March sisters, each with their own diverging life paths but all of them equally valid.

Of course, to call it an exploration of modern feminism isn’t wholly true. Feminism that isn’t intersectional isn’t feminism and Little Women as a historical piece is incredibly white and heteronormative. But, there are lessons to be learned about what being a woman today looks like. It takes guts to be a mother and raise children, or to pursue the life you desire even if it takes you thousands of miles from what you know and who you love. She understands that choosing a creative career - and continuing to choose it in the face of all its difficulties – is to peer into the lion’s mouth. Her films have a simmering undercurrent that points a finger directly at the harsh reality and unspoken acceptance that art is for the rich, and the pursuit of culture indicates a sense of superiority or reaching above station. And it will always take courage to break free from expectations, even if those expectations come from the people you love most.

I refuse to pick a favourite this time.

Meg March is coming home.

Beth March is your favourite album on vinyl.

Amy March is playing poker, and winning.

And Jo? Jo March is every foolish text and all sparkling, heartfelt conversations.

If I have to pick My Best One, it’s Gerwig herself. She is a storyteller who handles life’s tiny disappointments and triumphs like precious ornaments. She is a master of making mountains out of moments, of carefully handling stories that give women space to live untidily and brilliantly, of big and small rituals we do to root the person we’re becoming to the person we used to be, and to the people, places and things we’ve loved, always.

I feel safe in her hands. I couldn’t trust my March sisters to anyone less worthy, and I can’t wait to see these women I love through her imaginative, sensitive and determined eyes.

#Greta Gerwig #Little Women #Jane Austen #Jo March #filmmaking #sisterhood #feminism #film #nostalgia

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emilyemcnabb · 6 years

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Jillian and Jonathan’s wedding at Saint-Gaudens

At Saint-Gaudens National Historic Site, in a pocket garden hidden amongst hedges, Jillian and Jonathan’s wedding stirred every feeling of wonder and magic of A Midsummer’s Night Dream. Planned by Scarlet Begonias Customized Events, the day was elegant and ethereal, yet pastoral and organic. Jillian’s bouquet by Spring Ledge Farm included florals native to the nearby fields and forest, a nod to the New England charm that exuded from every moment of the day. Even the greenery seemed to grow and intertwine through the reception tent creating an extension of the surrounding landscape. Lucky for us, the couple enlisted the skills of Ashley Helen Photography to capture the beauty of their day in these stunning images.

What made the wedding special and unique?

Because we had so many guests coming from out of town, we wanted to present the best of what rural New England has to offer. We chose outdoor venues with views of the mountains, at a sculpture garden and a private home designed by local artists Augustus Saint-Gaudens and Charles Platt, and held our rehearsal dinner at Simon Pearce, a local glass-blowing factory. My husband and I are United Methodists and we asked a pastor from a nearby church to perform the ceremony, so our faith was incorporated even though the wedding itself was held outside in a secular venue. In keeping with the theme of an evening wedding surrounded by forest, the motif was “Midsummer Night’s Dream,” with lots of trailing greenery, fairy lights, and long flowing bridesmaid gowns.

I wanted to bring the forest into the tent as much as possible, so for the centerpieces I chose tall branching greenery decorated with delicate fairy lights. Our outstanding wedding planner found more than a hundred dirty antique brass candlesticks for rent and polished them up to a soft gold that perfectly matched the flatware. They were all mismatched, which added a bit of whimsy.

All of our florals were grown and arranged by Spring Ledge Farm. I chose a cascading bridal bouquet with white flowers and smaller pink-blossomed bouquets for the bridesmaids. My father and fiancé wore white flowers in their boutonnieres, to match me, whereas my father-in-law and the groomsmen had pink rosebuds. One of my favorite decor items was the pre-planted decorative pots; Spring Ledge designed and grew the pots for us, then delivered them to rent out the weekend of the wedding. We used them to cover up the tent pegs. They were all different; my favorite was the one with a tiny Japanese maple growing in it.

Tell us about the gown and where/how you found it!

I knew from the outset I wanted a gown with simple lines and fabric. When you walk into a bridal store and say you want no lace, tulle, rhinestones, or ruffles, that really narrows your choices down! However, I fell in love with the illusion back on my Justin Alexander gown, so I had to backtrack on my opinions about sparkly embroidery. Because the cathedral-length-plus train of the gown made such a statement, the rest of the dress’s simple lines didn’t seem too plain, and the deep v neckline and exposed back added an air of sophistication and subtle sexiness. Between the sparkly back and the length of the train, I didn’t want to overdo my accessories, so I wore only a pair of silver crystal drop earrings from BHLDN and a sapphire bracelet my sister had designed for me – four stones to represent the members of our family as my “something blue.” Badgley Mischka heels with a spangle of rhinestones on the back (and heel protectors to keep me from sinking in the grass) completed the look. We wanted to preserve the formality of the occasion despite the outdoor setting, which is why we chose a black tie dress code. My husband wore a tailored tuxedo from Jos A Bank and subtly textured shirt from Bonobos. He and all his groomsmen kept to the traditional black bow ties for the event.

What were some touches added to make the wedding personal?

Aside from having the wedding in my (the bride’s) hometown, my favorite and most personal touches were sleeping in my childhood bed and getting ready in the same house I grew up in. It made the moment when we all bundled into the shuttle to go to the wedding all the more poignant. We brought in my husband’s family tradition of using his grandfather’s Naval Academy saber to cut our wedding cake. It’s been used to cut three generations of Shonerd wedding cakes, and even though his grandfather passed away several years previously, I was glad to be part of his legacy in that way on the day I married into the family.

What was the most memorable part of the day?

My sister gave me the excellent idea of doing “first looks” with my bridesmaids and my dad before driving to the ceremony. She and my mom ushered the bridesmaids and Dad out of the house, got me into my dress, and then I walked around the house for the surprise. Only one of the bridesmaids had seen pictures of my final dress choice, and their reactions to the final effect made for great pictures! The reveal moment with my dad was very sweet. I pinned on his boutonniere and I’ve never seen him look so proud.

My husband and I agree on our favorite “wedding day hack” – after we were done with bride and groom portraits after the ceremony, when everyone else was at cocktail hour, we sneaked into the tent to share a drink and some appetizers together in a quiet moment as newlyweds. It gave us a chance to see all the decor in its pristine glory and try the delicious southwest egg rolls and coconut shrimp from chef Doug Langevin that we’d carefully picked out months before!

Tell us how you met and became engaged.

We met via Match.com just after New Years in 2015. I immediately liked his smile and the fact that he’d visit his grandma after work to help fix her computer. He (apparently) liked the fact that my profile specified that any interested parties would have to know the difference between “their, they’re, and there.” We met for coffee and had so much to talk about that we stayed until the shop closed. Two and a half years later, Jon proposed while we were staying at Ballyseede Castle in Ireland. After a day of travel and last-minute sightseeing (I had insisted on an impromptu day trip to the Cliffs of Moher that threatened to ruin his plans!), he suggested we take a picture in the castle garden before going in to dinner. As soon as we reached the gazebo, he went down on one knee, and the photographers that he’d booked got every stage of my total shock on camera! My favorite line from his memorized proposal speech was “you are the one I’ve prayed for my whole life.” I couldn’t have designed a more personal, romantic proposal if I’d done it myself.

Photographer: Ashley Helen Photography // Wedding Planner: Scarlet Begonias Customized Events; Owner Meg Tenney // Florist: Spring Ledge Farm // Ceremony Venue: Saint-Gaudens National Historic Site // Reception Venue: Private Estate // Gown Designer: Justin Alexander // Bridal Shop: Vivid Bridal Boutique // Cake: MC Confections // Live Band: Wellfeet // Makeup Artist: Candace Kennedy // Hair Stylist: Vanessa’s Salon; Jaclyn Fortin // Tuxes: Jos. A Bank

The post Jillian and Jonathan’s wedding at Saint-Gaudens appeared first on Grey Likes Weddings | Wedding Fashion & Inspiration | Best Wedding Blog.

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sarakwasna · 6 years

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A couple of years ago, I decided to keep a list of all the books I read in a year. After recording the twenty-somewhat books of that year, my competitive nature showed itself and I decided I would read more the following year. I set a goal to read at least 25 books in 2018. I ended up reading 38. In addition to those titles I completed, I also abandoned a few. When I was younger, I wouldn’t have dared to not finish something I’d started, but I’ve come to that place in life where I no longer feel I’ve got something to prove. Life’s too short and there are far too many books out there to waste time on the ones that don’t thrill me.

This year, unlike last with My 18 Resolutions for 2018, I haven’t been able to decide what my goals for the new year will be yet. Sure, I want to get more fit and eat healthier, but that’s nothing new. I’d like to replace screen-time with face-time or even just me-time, but as for the big goals, this year I am going to have to wait to see what life unfolds. Whatever my intentions end up being, I know reading will be a part of it, so for those of you who also enjoy curling up with a good book, here (in no particular order) are the top 10 books from my year of reading.

The Untethered Soul by Michael A. Singer (Non-fiction/Self-Help)

“You are capable of ceasing the absurdity of listening to the perpetual problems of your psyche. You can put an end to it. You can wake up in the morning, look forward to the day, and not worry about what will happen. Your daily life can be like a vacation. Work can be fun; family can be fun; you can just enjoy all of it.”

I’d first heard about this book when I listened to an episode of Oprah’s SuperSoul Conversations; I’d written about that experience in To Forgive, Divine, but at that time, I hadn’t read the book yet. Well, as the second book read last year, this one deserves a place on the list; it’s actually a great choice for starting a new year. This is the type of book you will want to read with a pen in hand. You’ll underline a phrase here and a quote there, and then eventually half of the page will be highlighted. You’ll write “WOW” in the margin or you’ll bracket off whole paragraphs that speak to you. There’s a reason it is a #1 New York Times Bestseller with more than one million copies sold.

The Serpent King by Jeff Zentner (YA Fiction)

“If you’re going to live, you might as well do painful, brave, and beautiful things.”

I’d had students who had read this book in the past and really enjoyed it, but I hadn’t read it myself until I planned to include it as a book club choice for my students last year. The story centers around three teens who are unlikely friends in a small, southern town, but it’s more than just a book about friendship. The protagonist’s father is a religious man who is in prison, but the story behind his imprisonment is disturbing, to say the least.

At one point, I had to put the book down, then pick it up and reread, then put it down again. “Did that just happen?” I asked my husband who wasn’t reading the book and therefore had no idea what I was talking about. “I can’t believe that just happened.” Later, when my students were reading it, they’d come into my classroom at lunch or in the morning to ask me, “Did that really happen?” While it is a YA book, it certainly doesn’t read like one.

Educated by Tara Westover (Memoir)

“I was an incurious student that semester. Curiosity is a luxury reserved for the financially secure; my mind was absorbed with more immediate concerns, such as the exact balance of my bank account, who I owed how much, and whether there was anything in my room I could sell for ten or twenty dollars.”

Every now and again, I read a memoir that depicts a life that is so incredibly different from my own and from anyone else’s with whom I am acquainted that I have to keep reminding myself that it isn’t a work of fiction. Running with Scissors by Augusten Burroughs was one, The Glass Castle by Jeannette Walls was another, and Tara Westover’s Educated was a third. Westover beautifully tells the story of her childhood growing up in the mountains of Idaho with a father who did not believe in public education. She was seventeen when she first entered a traditional classroom yet ends up with a PhD from Cambridge University– although it came a a cost.

The quote above is a great example of Maslow’s Hierarchy of Needs and a good reminder that not all students have the “luxury” of being engaged in school. This book has garnered a lot of praise and publicity this year, and it is definitely one that is worth the read.

The Book of the Unnamed Midwife by Meg Elison (Sci-Fi)

“It does no good to tell a beautiful woman how beautiful she is. If she already knows, it gives her power over the fool who tells her. If she does not, there is nothing that can be said to make her believe it.”

Sci-Fi is not usually my genre of choice, but a girl who I went to high school with (who is now a librarian) posted about this book on social media and I thought, if a librarian is posting about a book, then it’s worth a shot. It was. This was one of those picked-it-up-and-read-it-in-a-day kind of books. It’s a post-apocalyptic world where any woman who attempts to bear a child dies, as does that child. The protagonist, the midwife, is a fiercely independent woman determined to help save humanity.

This is Book 1 in The Road to Nowhere series, but despite liking this one a lot, I haven’t checked out any of the others.

Girls Burn Brighter by Shobha Rao (Fiction)

“We girls. Afraid of the wrong things, at the wrong times. Afraid of a burned face, when outside, outside waiting for you are fires you cannot imagine. Men, holding matches up to your gasoline eyes. Flames, flames all around you, licking at your just-born breasts, your just-bled body. And infernos. Infernos as wide as the world. Waiting to impoverish you, make you ash, and even the wind, even the wind. Even the wind, my dear, she thought, watching you burn, willing it, passing over you, and through you. Scattering you, because you are a girl, and because you are ash.”

If I had to pick ONE book that was my favorite read of the entire year, this would be it.

Girls Burn Brighter was not only beautifully written, but also told a story of friendship, love, and female empowerment unlike any other I’ve read. It was disturbing and heart-breaking, powerful and poignant. Every woman should add this book their list, then read it, then cry about it, then get together with friends and drink wine and talk about it together.

There There by Tommy Orange (Fiction)

“This is the thing: If you have the option to not think about or even consider history, whether you learned it right or not, or whether it even deserves consideration, that’s how you know you’re on board the ship that serves hors d’oeuvres and fluffs your pillows, while others are out at sea, swimming or drowning, or clinging to little inflatable rafts that they have to take turns keeping inflated, people short of breath, who’ve never even heard of the words hors d’oeuvres or fluff.”

This book has harvested a lot of accolades this year. Told from the perspective of ten different characters whose stories come together in the end at the Big Oakland Powwow, Tommy Orange gives voice to the urban American Indian, a voice not heard nearly enough in modern literature. While I loved the Indian legends and lore peppered throughout this tale, it was quotes like the one above that made me stop and re-read entire passages and then just sit with it for a few minutes only to go back to the page and read it again.

An American Marriage by Tayari Jones (Literary Fiction)

“But home isn’t where you land; home is where you launch. You can’t pick your home any more than you can choose your family. In poker, you get five cards. Three of them you can swap out, but two are yours to keep: family and native land.”

Years ago, I read Silver Sparrow by this same author and I friggin’ loved it, so when I realized this was also by her, I knew it would be a great read. It’s a story about love and marriage and race and family and everything in between. Reading the letters sent between Roy and Celeste felt deeply intimate and immediately drew me into this story that satisfied me all the way to the very end.

What School Could Be by Ted Dintersmith (Non-fiction/Education)

“We treasure the occasional story about a child who climbs out of poverty, graduates from a prestigious university, and goes on to success. Since it’s possible for a handful, we cling to the view that nothing is broken in America. But it is. Education has become the modern American caste system. We fuzz up the issue in a sea of statistics about test-score-gaps, suggesting that social inequity is a classroom issue. We bemoan the achievement gap but dwell on the wrong ‘achievement’ and the wrong ‘gap.’ Achievement should be based on challenging real-world problems, not standardized tests that amount to little more than timed performance on crossword puzzles and Sudoku. The gap we need to face is how much more we spend to educate our rich children than our poor. We can test until the cows come home, and we won’t begin to bring meaningful equity to our youth. As an educator in the Midwest noted, ‘If a cow is starving, we don’t weigh it. We feed it.’”

I already raved about this book on social media and wrote about it in Dear Fifth-Grade Teacher, but I had to include it in my top ten list too. I found the book to be inspirational and thought-provoking for anyone who is involved in education or policy-reform. The quote above is my favorite from the book. I considered getting it as a tattoo, but it’s a tad long.

The Great Alone by Kristin Hannah (Fiction/Drama)

“In the silence, Leni wondered if one person could ever really save another, or if it was the kind of thing you had to do for yourself.”

I still think Firefly Lane is my favorite Kristin Hannah book, but it was the first of hers I’d ever read, and I have a habit of latching on to firsts (i.e. My Sister’s Keeper is still my favorite Jodi Picoult and Looking for Alaska is still my favorite John Green). For some reason, I refused to buy this book since it was still in hardcover, and I had to wait ages for it at the library, which may be why I didn’t love it as much as I should have.

My mom read it first, and once I finally got it she kept asking me what I thought. It really was a great read, but it was also over 400 pages, and I really hated the protagonist’s father, Ernt. Somewhere in the middle of the book, I got sick of his shit and kind of lost momentum as a result. Still, it deserves a place on the list. It may not have been worth waiting months for, but it’s worth the eighteen bucks to not be cheap and buy it.

The Light We Lost by Jill Santopolo (Fiction/Romance)

“What I wanted to tell you is that there are lots of ways to love people and I know that you’ll love someone else again. Even if it’s not the same, some of it might be better.”

Last, but not least. One of my favorite people told me about this book and I had the title written on a notes page in my phone for a few months, but then, I saw a former student post about it on social media and it reminded me to check it out from the library. It was another can’t-put-it-down book that I texted every reader in my life when I was done to tell them about. This is a book you can lose a day in, and even though I’m not a huge fan of romance novels, this book won my heart (and gave me a bit of a book-hangover too.)

Well, that’s it… for now. I’ve got The One Thing by Gary Keller and Michelle Obama’s Becoming to start off 2019.

What are you reading this year?

Note: ReadingWhileEating is not affiliated with Amazon.com. If you click on a link to purchase a book, I do not get anything, but you get a book, and books are awesome.

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My Top 10 Reads of 2018 A couple of years ago, I decided to keep a list of all the books I read in a year.

#an american marriage #becoming #best books #book list #book nerd #books #educated #girls burn brighter #reader #reading #the book of the unnamed midwife #the great alone #the light we lost #the one thing #the serpent king #The Untethered Soul #there there #top ten #What School Could Be

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ladyherenya · 5 years

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Books read in November and December

Between trying to write a novel for NaNoWriMo and discovering oh-so-addictive Korean contemporary romantic dramas on Netflix, I didn’t read as much in November. But after reading two months worth of books in October, that felt like the right decision.

And then December was busier than I anticipated.

Favourite cover: The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making.

Reread: The Girl in Times Square by Paullina Simons (November).

Next up: Miss Bunting by Angela Thirkell.

(Longer reviews and ratings are on LibraryThing. And also Dreamwidth.)

November

When We Were Warriors by Emma Carroll (narrated by Victoria Fox): A collection of three stories about children in England during WWII, loosely connected by an American soldier who turns up in each story. “The Night Visitors” is about a group of London children evacuated to Frost Hollow Hall and I would have appreciated it more if I’d read Carroll’s novel Frost Hollow Hall. I enjoyed revisiting the characters from Letters from the Lighthouse (which I have read and loved) in “Olive’s Army”, and “Operation Greyhound” is about an important issue that none of the other wartime fiction I’ve read has explored: finding safe shelter for pets during air raids.

The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making by Catherynne M. Valente (narrated by the author): Even though blogging acquaintances had reviewed this positively, I was still surprised by how delightful and meta it is. It felt, very intentionally and thoughtfully, written in the same vein as the first novels I ever read: Alice’s Adventures in Wonderland, The Wizard of Oz and The Magic Faraway Tree, with a dash of Narnia. Twelve year old September doesn’t have siblings or friends accompanying her into Fairytale and I wondered if that would limit how emotionally invested I became in her story, but I cared a lot about September and her relationships. And the prose is just lovely.

Three Little Truths by Eithne Shortall: This is about the different women living in a Dublin street. I liked the way their lives and stories fitted together. The conclusion has the potential to be bitter, setting women against each other, but is much more forgiving -- and manages that realistically. It makes for a quieter ending, but that isn’t a weakness. Not every story needs to be sharp and shocking. I think having so many characters meant enough time wasn’t given to Martha and her daughters and how they are dealing with the aftermath of trauma. The book could easily have just focused on them.

The Wedding Date by Jasmine Guillory: Alexa and Drew meet when a hotel elevator briefly breaks down. Afterwards Drew asks Alexa to be his date to a wedding, and a fake relationship quickly turns into a real one, complicated by them both living in different cities. This was okay, which is to say that I enjoyed reading it but don’t feel inclined to spend any more time reviewing it.

The Deathless Girls by Kiran Millwood Hargrave: This is darker than Hargrave’s middle-grade fantasy but otherwise it felt very much like the same sort of adventure and even in the final act, when it had clearly turned into a vampire story, I was still expecting that it would have the sort of bittersweet ending her other books have. It doesn’t. Intellectually I can recognise the merit in what Hargrave is doing here. But from an emotional perspective, I found the ending thoroughly disappointing. As a teenager, I would have hated it.

Reaper Man by Terry Pratchett (narrated by Nigel Planer): When Death is, well, fired (for want of a better word), he finds himself a different job. But his absence causes problems for those who die, particularly for Windle Poons, the oldest wizard at the Unseen University. It wasn’t a book where I felt like I really related to the characters. (It was published in between Moving Pictures and Witches Abroad, and I like those two a lot more.) But it was entertaining and had its moments when it was surprisingly funny or thoughtful. I like reading about the antics of the wizards more than I expected to.

Permanent Record by Mary H. K. Choi: Pablo is working nightshift when pop star Leanna Smart comes into the store. I read most of this, put the book down to do something else... and then never picked it up again. It was interesting, particularly for its portrayal of a teenager who has dropped out of college and is struggling to find direction -- something I think should be explored more in YA fiction -- but I think those qualities which made it interesting also made it a bit too real to be really enjoyable? I don’t even know.

December

The Girl Who Fell Beneath Fairyland and Led the Revels There by Catherynne M. Valente (narrated by S. J. Tucker): September returns to Fairyland, a year older, to discover that Fairyland has been changed by her previous adventures and that this sojourn is not going to unfold how she’d expected and hoped it would. As a story about changes, consequences, coming back to a place you love and entering adolescence, this is poignant and astute; it resonated with me so much. I also liked its many nods to the portal fantasy I grew up with. But I found some of the landscapes, and the people September meets, less appealing than those in the first book. I’m not sure why.

Notebooks of a Middle-School Princess: Royal Crown by Meg Cabot: I enjoyed this more than the previous two in the series. The focus is on Olivia’s family and friends in the days leading up to a coronation. Olivia’s family is Mia’s family -- after reading all The Princess Diaries books, I care about them, and I continue to think it’s interesting (but also very believable) that Olivia has such a different relationship with Grandmere than Mia does. And I like how Olivia navigates relationships with, and advice from, her peers. She’s got a lot to learn because she’s thirteen, an age where there are a lot of changes, but she’s realistically level-headed.

Warrior of the Altaii by Robert Jordan: Jordan’s first novel was written and sold in the late 70s, but never published until now. What I found most interesting were the differences and similarities between it and The Wheel of Time, one of my favourite series. In terms of the protagonist, prose and plot, it’s very different: its first-person narrator is a already a warrior and leader; the story revolves around why the nomadic Altaii try to take a city; and it’s all over by page 350. But many of the worldbuilding elements are variations on things which are also in WOT. If I hadn’t read WOT, I would have still found the worldbuilding interesting but probably not enough to make up for not really connecting with any of the characters.

Soul Music by Terry Pratchett (narrated by Nigel Planer): I knew about the Discworld series for years and years before I read any of the books and I’ve wondered when I was going to meet Susan. Sixteen year old Susan fills in for her grandfather, Death, after he disappears. Meanwhile Anhk-Morpork discovers “music with rocks in it” I enjoyed watching Susan learn about Death, Pratchett’s parody of rock music was a lot of fun, and the combination of those two storylines means this book isn’t a rehash of Moving Pictures-but-this-time-with-rock-music. However, I didn’t find the final act -- and its resolution -- quite as satisfying as Moving Pictures’.

#Herenya reviews books #Emma Carroll #Catherynne M. Valente #Eithne Shortall #Kiran Millwood Hargrave #Terry Pratchett #Discworld #Mary H.K. Choi #Meg Cabot #Robert Jordan

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