crowley quietly and lovingly cleaned up the bookshop for him… without even needing to be ASKED he just did that of his own accord… and waited patiently for him to come back… he shooed everyone away just to be alone with him… he had a nightingale sings in berkeley square queued up in the bentley to play on their way to the ritz… they were supposed to have “us time” AT THE RITZ
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just started the X-Files after years of Pop Culture osmosis, parody, references and memes
But holy shit did none of you prepare me for the pathetic wet cat rizz of Fox Mulder. Puppy dog eyes every other scene. He loses every stand off with every other government agent, military op, co-worker he bumps into. Sassy little quips in between getting his ass kicked and the puppy dog eyes. he's deeply traumatized. he has no social life. he never knows whats going on. he's one of the smartest people in any room he's in and knows more than most what's going on.
This guy is just sopping wet vibes, desperate need to believe, and love for Scully. Character of all time.
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A little tired of people saying Moon can’t stand up for herself. Like yeah I think one of the flaws she has is she is too lenient and forgiving, but also in her situation it’s VERY HARD not to be. And it’s very situational, usually manifesting with Five Pebbles.
She stops talking to you if you annoy her enough, and only starts again if you win her back over. You have to put in the work. She isn’t “rolling over” and letting things happen to her, despite the fact that she is in absolutely no position to bargain. As stated by her, her kindness and her words are the ONLY thing she has. So her taking those away from you, the player, is absolutely her standing up for herself.
Everyone brings up how she handles Five Pebbles (esp the comms thing) and it is incredible to me just how many people lay this entirely at her feet when the game states over and over again that even despite Moon’s intentional feather-light influence over him, he still resents her for being his superior. He seeks out a mentor who is her opposite.
He wants to be something more than what he is, wants to be detached from her, and she can’t do anything about that but do the best she can to exert as little influence over him as possible.
She is stuck between a rock and a hard place here, and was betting on her kindness to have fostered enough mutual respect that she wouldn’t have to resort to forced communications. She was wrong. He was driven by fierce desperation, something that she wasn’t privy to. And she paid for it.
Yes, this is a flaw of hers. But it’s not a universal one. (the rest of the iterators look to her for help- she’s the group senior for gods sake- and people act like she can’t take a stand) I genuinely doubt Moon would’ve waited so long to used forced comms if it were happening to anyone else. If it were being committed by anyone else. And that just makes the tragedy even sweeter.
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Vi is possibly the most tragic character to me, if only in the sense that she always has the best intentions, and she always tries to do what she thinks is right, except for those few moments where she is clouded by grief.
She’s on the bridge with Powder, trying to keep her safe from this large man whose intentions they do not know, and then she sees her mother, and she just breaks down.
She tries to turn herself in, to right the wrongs that she has made, and then Benzo’s dead and Ekko is in her arms and she just grabs her siblings and goes after Vander without thinking it through, telling Powder you’re not ready because she’s just trying to hold onto the last good thing she has.
She’s standing over Vander’s corpse and she hears her little sister and she thinks you weren’t ready you weren’t ready you’re a jinx jinx jinx and then she looks down at her bleeding knuckles and she can’t do this she can’t be here so she walks away, and then she turns and she tries to go back. She tries to do the right thing and she’s taken away before she can take any action.
She tries to go back, to be the sisters they once were, she tries to keep things good between Powder and Caitlyn except too much has changed, she doesn’t know what’s going on, there’s people fighting them, and she just looks and she sees sweet innocent Powder mowing people down like it’s fun.
She’s tied to that chair with Silco’s body across from her and she’s grieving she’s mourning the loss of the little sister she knew and she’s trying to fix things with the little sister she has and all she can do is plead with Jinx that they can be ok, they can still fix this.
But Caitlyn is unconscious on the floor, and a rocket is fired across a blood red sky.
There is no fixing, only building anew
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Thinking about Hutchins and Harumi I'm so ill. Garmadon Rulez did something to me. He sang her to sleep every night. He took her to libraries so she could research despite her parents disapproving. He gave her that journal to help her cope with her trauma.
He didn't have to do any of this. None of these things were because of his obligation to the royal family really and in fact he sort of went behind their backs taking her to the library of domu (even if it took some convincing). He was the first to suspect her of her plans but didn't tell anyone, not even the ninja when he definitely had a proper chance to. I think he genuinely just cared about her. And that's making me so
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buffy knows spike loves her during season five. buffy knows spike loves her when she comes back and seeks comfort/silence in his presence. and as she comes back to herself and tries to make peace with the fact that she’s Here Again, she still knows he loves her. and i think part of the Big Bad Grabbing The Slayer For The Darkness routine they both cling to is that it allows them to pretend this huge thing isn’t between them so they can get what they both want (someone to stay).
and like obviously buffy cannot allow herself to believe that he loves her for many reasons, but she DOES believe it, she can’t make herself unknow it even though she tries so hard. which is partially where the breakdown with tara in 6.13 comes from because the cognitive dissonance of soulless spike loving her as if he has a soul while she is so lost within herself that the only way she can reach for him is to use him (which would be fine if he was the big bad grabbing the slayer for the darkness) which is hurting him! unfathomably! but he’s supposed to be the corruption! how can he??? any of it???
meanwhile spike has watched the woman he loves be brought back as a shell and he wants to see the light in her eyes and he can touch her now and sometimes that’s enough to make her laugh but he can’t linger in those moments or she’ll go away again! so he can play the role he needs to play so she’ll stay, as if he could keep her anywhere she didn’t want to be. as if he wants her to be in the dark instead of bringing him into the light. but how could he ask for anything more when he already got her back and he didn’t even need to kill her afterwards.
and so they hurt each other and he forgets himself and asks her if she even likes him and it’s too honest and he’s asking too much (he asks for nothing) so before she can throw her life away like it’s nothing, he puts the game face on, makes himself a target, and swallows it all. and she can’t unknow. and it would all be fine except he’s a vampire and she’s the slayer and how can he just say it like it’s nothing when she needs to beat his face in just to keep from screaming.
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we don’t acknowledge enough how dee used to be a pageant winner when she was a kid and how much damage it did to her. she worked her ass off and got recognition for being pretty and talented at a young age and it was the only source of self esteem she could garner in a family that constantly berated and talked down to her. she sought after that external approval because it was the only way she could prove everyone around her wrong. her dream of being a performer didn’t come from a self-aggrandizing delusion— she genuinely showed a lot of potential when she was younger. but she went through an unflattering puberty and her spinal condition got worse and that natural talent she had as a kid plateaued way too early. the “former gifted kid” dilemma. she slowly lost the thing that promised her that she was good, but she was so desperate to keep holding onto it that she tried anyway. again and again and again no matter how much people made fun of her because it was always about proving them wrong. but after a while she couldn’t jump anymore without anticipating the way it feels when she hits the ground face first. self-sabotage became her way out, choosing to rather live in the fantasy of her own unrealized potential and blaming those around her for her lack of success, than having tried and crashed again. she’d rather buy lottery tickets over and over and never scratch off the numbers than to see that she lost. that self-sabotaging behavior bled into other aspects of her life too, from friendships to relationships to therapy. her own short lived success is what made her grow into embodying the cycle of failure.
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