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risuola · 23 days

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ENTRY #8 ♡ F. READER X GOJO SATORU // You said you love me, I heard it between the lines.

contents: arranged marriage!au, it gets a little steamy, reader discretion is advised — wc. 2556

a/n: longer part, little steam, some more confused fools in love, what else can we want ♡ i kinda enjoy writing the story a little more from satoru's pov, i hope you don't mind! also, the wedding picture that my friend draw for me is here for anyone interested!

series masterlist

You love him.

Well, technically, you didn’t say you love him. You were tidying just next to him, wiping the dust off the shelves and he was on the couch, doing paperwork that might’ve been — and most likely were — partially responsible for his poor mood. He hated paperwork and ironically, Yaga loved giving him a fair share of it — it was fair, he knew that. His missions, his forms to fill but couldn’t Ijichi take care of it–

“We should retake that picture one day,” he heard you muse and he didn’t need to look up to know what picture you had in mind. You had, after all, just one picture together and it was taken forcefully as a proof of your marriage, right after the ceremony. He was in a suit, black and crisp, looking good as always with his glasses — that he didn’t bother taking off for the photo — resting on the bridge of his nose, low enough to show a little bit of his eyes and high enough to hide the lack of amusement he felt that day. You were in front of him, partially exposing your bare back to the camera and holding a bouquet of flowers that someone got you — not him, that’s for sure. As he thought of it, you were looking stunning. Breathtaking, to say the least, in the long white dress, not too plain but definitely not overly embellished. You didn’t need to be dressed in layers of princess-worthy fabrics to look like one. The picture though — it lacked emotion. You were there with him and he was there with you, but you weren’t together on it. You were just both in the frame.

“Why would we?” He asked dryly, growing more and more irritated by the bureaucracy at hand. He was stuck on one of the points, the one he disliked the most because it required him to elaborate on something that didn’t need to be elaborated on. Why would he describe the curses he saw, evaluate their strengths and consider their techniques, when he turned them to dust before they even realized he was there?

“It would be nice to have a wedding picture with some actual love in it, not just a dry, forced pose and stone faces,” you reasoned and your voice was light, it was innocent almost as if you were speaking of something so obviously natural. As if you were not considering exchanging the picture-proof of your arranged marriage into one of real marriage.

“We’re not married for love, do I need to remind you?” Satoru scoffed. He was annoyed. At you, because you were able to make his heart beat in ways he never knew are possible and at himself — for letting that happen. Or for saying what he just said because of course you knew the marriage wasn’t based on love and it didn’t change the fact you just allowed your mouth to slip away words that shouldn’t be slipped. He was annoyed because you shouldn’t feel that way, because he wasn’t ready to hear it, because he’s a coward.

But, instead of getting annoyed, he heard you chuckling. It was an odd point in your marriage. You were closer, the closest you’ve been until now, but the feelings that were undeniably blooming underneath the surface had to force their way through the layer of sarcasm he and you spread out thickly over the course of past weeks. You were still foreign to affection but curiously exploring the topic with each other and Satoru was suffering severe heart palpitations because of it. You seemed to enjoy it though — your smiles and very purposeful touches were enough of a proof of it.

Satoru sometimes wished he could fluster you just as you fluster him and he would give the world to see your face tinted with deep, red blush because of him. He will see you like this one day, but for now, you were still learning to express civil behaviors in the confines of your shared house. You called it a success that fights were much rarer now than at the beginning; perhaps you grew accustomed to the amount of snarkiness and irony or maybe it mellowed down. Maybe the fact that you were spending more and more time together, now working at school side by side, had something to do with the much warmer relation shyly building itself up between you, or maybe it’s because of the long, late night talks you share every night when he’s laying in bed with you.

“Oh, you really should shut up sometimes,” you said and he felt you approaching.

“I should, huh?” He rolled his eyes and smirked, eager to put down the papers and pay his attention to you. His eyes, that first landed on your legs, moved up following the shape of your body until he met your gaze. “And who are you to order me such things?”

“Your wife, Satoru, we’re married, as you probably noticed,” you snapped back, but something in the tone of your voice told him, you’re not as bothered as the bite of your words suggested.

“Married,” he said, humming. His smirk faltered just slightly and for a second, he was silenced by your presence. He couldn’t bring himself to fight against it. “And hating every second of it.” But he’d still reached forward to take your hand.

This time, it's you who rolled eyes but you allowed your fingers to intertwine with his. You sat down next to him, dropping your weight onto the soft, bouncy cushions and positioning yourself in a way to be able to face him. The top of your knee met the side of his thigh and Gojo put the pile of formalities to the side. “You are annoying, you know that, right?”

“I’ve been told,” Satoru said, his mouth twitching into a small smile. “Several times. By you, actually.” He chuckled and shifted a little on the couch. His free arm was rested along the backrest and he leaned his head back, giving you a sideways look. “But I know I am,” he teased with a smirk now fully bloomed on his features. “I’m glad you’re at least acknowledging it.”

“Kinda hard to miss when it’s written all over your face,” you teased him back and he laughed, running his thumb along the side of your hand. Then, he was rubbing small circles onto your skin, grazing over the delicate spots of your wrist.

“Oh? You’ve been paying more attention to me than I thought.”

“You really need to shut up,” you sighed, exhaling slowly in feigned annoyance, but you were clearly amused by his antics and he was growing amused too. Gojo was testing you, seeing how far you were willing to push him. He had every intention of testing your boundaries, pushing your buttons. He was curious, excited even, to see where it could go. You were incredible, Satoru thought, because weeks before he was sure he was going to break you, get you to back off, but you just kept coming at him. He wasn’t complaining.

“But I don’t want to,” he said, his tone teasing as he leaned towards you, bringing his face inches from yours. Your eyes met and the air got a little thicker, a little more warm. “What are you gonna do about it?” His voice was quiet, murmur-like, challenging. He didn’t let go of your wrist or stop the soft circles of his thumb.

“Easy,” you scoffed, but a smile tugged on the corners of your mouth when you leaned in as well. Your head tilted and then, your lips were just breath away from his own. “I’ll shut you myself,” you whispered, right against his face.

Satoru nearly lost it when he felt your breath on his lips. His heart seemed to skip a beat, this wasn’t how he thought this conversation would go, but he wasn’t exactly complaining. He wasn’t supposed to get jealous, to want you, to need you, but now that you were this close, there was no way he was going to let it end here.

He leaned a little closer as well, closing the distance just a bit more. He was practically asking for your lips to meet and the way your voice teased him when you whispered– oh, the man was getting weak. For the first time, he was speechless. His eyes drifted shut, the feel of your lips so close being enough to set him on fire. The silence hung in the air for only a moment before he pulled you to him, his mouth crashing into yours. He wanted to feel you against him as much as he could. One of his hands went to the back of your head and he began to pull you even tighter.

And you purred. Climbing on top of him, straddling his lap and the moment your legs gripped onto his, every thought was lost, every desire was awakened. One of his arms naturally shifted to pull you against his body and the other was in your hair, tangled within the strands. He felt the heat of you on his chest, he felt you on top of him and in his mind, there was no place he wanted you more. Satoru couldn't get enough of you, of being close.

His back was against the couch, he was kissing you roughly, almost desperately as if there was no air on the planet anymore and you were the only saving grace. He had waited so long to do this, wished for it. Every morning he spent looking at your calm, sleeping face he wondered what would you do if he made a move, if he kissed you softly, if he woke you up with his touch.

And now that it was happening.

He didn’t want to waste a single second. Your hands run over his shoulders and brushed through his hair, pulling and tugging them ever so slightly and he shivered from how close to the edge it brought him. Your touch was electric, sending tendrils of pleasure right through his system, filling his veins with something warm and unknown, making him lose himself into the feeling.

Your tongues met, exploring each other and he was focused on the taste of your lips, the sharpness of your teeth closing teasingly on his lower lip from time to time, the sound of your breathing and how soft and smooth your skin was against his own. Your nose was brushing against his every time you shifted your head and each movement made him want more. He felt like he could spend the rest of his life kissing you.

Satoru’s hands wrapped around your waist, pulling you closer and he leaned forward, pressing himself against you. He had a good bit more muscle than you and he wasn’t afraid to use it if it meant pulling you even closer, leaving no space between. Your body fit with his, the two of you like puzzle pieces fitting together in the perfect spot.

His hands were moving, following the shapes of you, learning them as his fingers were brushing your sides, his thumb sliding along your back. He gripped your waist a little harder and then, his mouth fell to your neck. You whimpered and a small groan escaped his lips as he kissed you there, his lips and tongue making their way to the soft, delicate skin behind your ear and you gasped on air when his teeth grazed the shell of your lobe.

Your fingers tightened on the muscles of his shoulders, searching for a way to ground yourself and you struggled to stay present, when he made it so easy to get lost.

A smile tugged on Gojo’s lips, he felt how hot your cheek was against the side of his head when he peppered tender kisses along the side of your neck. Then, he pulled away from you for a moment, breathing heavily. His eyes flickered over your face, taking in the sight of you before they dropped to your mouth once more. You were so pretty like this, panting and with your lips parted and swollen, red and glistening with saliva. You were so gorgeous with blush spilled over your complexion, with your half-lidded eyes and your arms around him.

His hands were still on your waist, and his lips found yours again — just as hungry and desperate as it was before.

“God,” he breathed, between one kiss and another. His voice was rough and gruff, carried by the heavy breaths and want. “I can’t believe I’m married to you,” he said, his tone full of awe. “Positive.”

He felt your lips curve upwards and your body squirm against him, and that was enough to make him almost lose control over himself. His hand moved from your waist to the hem of your shirt, moving it just enough to get access to the skin beneath it. He kept kissing you and his fingers were shifting from the hem back to your waist, then back again. You were so soft, and his entire body was filled with the urge to explore it. To taste it. To learn it.

He leaned back just slightly, breaking the kiss and you let out a soft sigh. Your cheek was now pressed against his shoulder, your face exposed. He rested his head against yours, his eyes fluttered shut and all he could hear was a mixture of breaths and his own heart.

“We should stop,” he whispered, sighing and you hummed, nuzzling your nose into his neck, kissing him there.

And like that, Satoru melted.

His body relaxed against yours once more. The breath he took was long and shaky, the sensation of your lips on his neck making his brain short circuit. Any thought he’d had of actually stopping threatened to fell to the wayside.

“We should really stop,” he repeated, louder this time, but he wasn’t making any attempts to move you off his lap. His hands gripped you a little more instead. “You’re gonna make me lose control.”

“Isn’t that a tempting thought,” you teased, the softest mischief lining your tone and you gave the side of his neck a little kitten-lick. Satoru groaned when your tongue touched his neck. His hold tightened on you, his fingers digging into your waist.

“Oh god, don’t do that,” he whispered, sounding desperate. His arm came up to brush your hair out of your face and he leaned his head to the side, giving you better access to his neck, despite all of his instincts telling him to not do that.

“Don’t do what?” Your voice rumbled against his flesh, the sensitive area leading from his ear to his shoulder vulnerable and exposed to your whims.

"That."

"That?"

Gojo jolted the moment your teeth sunk into his skin, just barely hard enough to leave a mark and it made him lose it. With a deep groan, his head shot upwards. The hand that had been running through your hair now gripped your hip, and in an instant, he had you flipped so you were flat on your back, him on top and the papers he’s got from Yaga long forgotten and spread all over the floor.

He’ll worry about them later.

Now: you.

taglist: @kinny-away @anan-baban @lotomber @netflix-imagines @kawliflo @nishloves @ghostfacefricker6969 @thejujvtsupost @yozora7154 @cherrycolabarbedwirebedpost @stuckinmoilalaland @ae-mius @ropickle @chokesonspit @lansy-4 @mo0sin @just-pure-trash @foliea @bakarinnie

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ln444 · 8 months

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dating lando. . .

cw: mentions of sex, f!reader, fluff, slight smut.

notes: my first post 😭 i'm not very confident abt it but i hope you guys will like it! my requests are open so don't hesitate if you have any suggestions or just want to talk ! enjoy<3

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physical touch; i feel like lando would be incredibly touchy, even if it's just his hand on your thigh or sitting beside you with your shoulders touching. he simply needs to feel close to you every chance he gets. in public, he might dial back his affection slightly because he treasures those private moments, but that won't stop him from stealing sweet, discreet kisses when no one is watching or quietly holding your hand because he just can't keep his hands off you. in crowded places, he's the kind of person who instinctively puts his arm around your waist to ensure your safety. when it's just the two of you, lando can't help but be hands-on. he'll find any excuse to touch you, whether it's running his fingers through your hair or playing with your hands while you're chilling. he'll pull you closer every time you're beside him, or even have you on his lap while he's engrossed in some random pc game. kissing you is practically an obsession for him, and it's not limited to your lips. he adores exploring every inch of your skin, planting kisses on your neck, nose, cheeks, hands, and thighs. however, his absolute favorite place to kiss is still your lips. every kiss from lando feels as passionate and full of adoration as the first time, and he can never get enough of it.

quality time; he would definitely message you whenever he's available to spend time with you and invite you to hang out. he absolutely loves your company, even if it's just the two of you relaxing on the bed, watching entertaining videos and tiktoks, or having silly conversations. however, his favorite moments are when you embark on fun dates, like going to the arcade or go karting. his heart is full of joy from seeing you happy during these moments and he wants to tattoo every second of them into his memory. lando likes all types of dates because his primary desire is to share time with you. it might depend on his mood; sometimes he just wants to chill with you all day, staying in bed or playing games together. other times; he wants to venture out and go dance with you all night or go for a midnight swim. in the end, what really matters is that you are together.

words; in the early days of your relationship it was kinda hard for lando to express his feelings, he felt a bit uneasy because he was not used to vocalizing his feelings, he's more the type to keep everything for himself. but, with you, he learns surprisingly fast to talk about how he feels, both negative or positive emotions. you became his safe place. he would always praise you when he has the chance to even if it's for small random things, he would always remind you how much he's proud of you (and you do the same too ofc). even if this man loves teasing you, he also knows when to be serious and how to make you feel valued and loved. he uses a lot of nicknames like "angel", "love" or "sweetheart" because he knows how much you love them and how special it makes you feel. you were definitely the first one to say i love you, not that lando didn't want to say it but he was just too nervous to do it but since you did, he can't help but say it everyday.

sex; lando always makes sure you feel safe and comfortable when you're having sex. it doesn't mean that he doesn't like it rough tho, he absolutely loves having rough sex with you, even more when he's stressed or frustrated because of a race; hair pulling, spanking, face fucking, dirty talk... but always while making sure that you're okay. when it comes to vanilla sex, lando can become the softest man ever, he would whisper sweet things to you like; "that's my pretty girl", "i'm so lucky to have such a beautiful girl just for me", "you're doing so good angel", accompanied by gentle touches and kisses all over your body or when he's softly making love to you. his favorite thing is eating you out, he's literally obsessed with your pussy and will find any excuses to get a taste, even more when you ride his face while your eyes are locked with his.

#f1 x reader #f1 #lando norris #lando norris x reader #lando norris fluff #lando norris smut #lando norris imagine #lando norris drabble #lando norris fanfic #lando norris f1 #lando norris smau

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proxima-writes · 7 months

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pairing: cult leader!joel miller x virgin!female reader

rating: explicit (18+ MDNI)

word count: 8.6k

summary:

You think you’re as good as dead when a band of raiders find you. In what you think are your final moments, an angel appears.

His name is Joel Miller, and he is here to deliver you from evil.

author's note: a huge thank you to my fellow cultist @atinylittlepain for listening to me scream about this. without them, we'd probably be on version 5 of this story. and to everyone who has been excited about this, i hope you enjoy!

warnings: DARK CONTENT - DEAD DOVE DO NOT EAT, dub-con: power dynamics, dub-con: cult mentality, age difference - 60M and 27F, explicit sexual content (18+ minors do not interact), no use of y/n, dual POV, post-outbreak, canon divergence, canon typical violence (knife wounds, gun shot wounds, numerous mentions of blood), minor character death(s), blood cult ceremonies, religious themes, possessive behavior, emotional manipulation, loss of virginity, oral sex - f receiving, vaginal fingering, unprotected p in v, cum play, dirty talk, pet names, praise, joel really has a loose screw ok? if there are any tags missing, please let me know!

“I don’t think you should go out there by yourself,” you say, watching as your dad inspects his gun. He looks up at you with a pained expression.

“I gotta see where we should head next. I don’t want to lead you out in the wrong direction, accidentally get you in a bad spot,” he says. “I’ll be fine, buttercup.”

There’s a heaviness that settles in your stomach at his words. He sounds confident enough, but his eyes tell a different story, expose his fear. He stands with a sigh, a wince of pain washing over his face.

“Maybe I should—“

“No,” he interrupts. “I’m going. I won’t be gone long, okay? We can’t stay here forever. Who knows what’s out there in the forest.”

That’s exactly what you’re afraid of. At least inside the rotted cabin you stumbled across you could pretend you were safe. The forest is alive in a way you’ve never experienced growing up in a QZ surrounded with barbed wire and steel. You hear the snap of twigs and the howl of wolves, or the flutter of wings and the call of birds, and sometimes you think you feel the weight of eyes watching you if you venture out too far in your exploration.

“We’ve made it this far. We got out of Denver and that was half the battle,” your dad says. “You got your knife, right? And enough rations.”

You nod, swallowing around the lump in your throat. He kisses your forehead, dry lips lingering on your skin. You have an aching feeling this is a goodbye, some sinking intuition that he’s making a mistake that you can’t correct.

“Be back soon. I love you.”

Joel’s been keeping an eye on the people in the woods for the last three days. There was chatter on one of the radio stations that the Denver QZ was facing an uprising and he knows that once those walls come down, the survivors that venture out are bound to stumble across his town.

The cabin door opens and the man steps out, venturing into the forest. Joel waits to see if his female companion follows, but the door remains shut. He longs to see you, the girl who’s image has been burned into his brain since his first glimpse, but he has a duty to fulfill first.

He walks quickly and quietly through the forest, sure feet catching up with the man less than a mile from where he’d started. Joel clears his throat.

The man turns, fumbling with a gun that he clearly has no experience using, pointing it at Joel with shaking hands and shouting, “Move and I’ll shoot!”

“You lost?” Joel asks, holding his hands up and keeping his face trained in a mask of concern. “Lookin’ for somethin’?”

After a pause, the man seeming to have concluded that Joel isn't a threat, he says, “My daughter and I…we escaped the Denver QZ."

"That must've been difficult."

"We....we're running out of food," he continues, dropping his arms, limbs hanging heavy at his sides. "I-I don't know what else to do, man."

Gun no longer pointed at his face, Joel approaches the man, stopping when he's within arms reach. Up close, he can see the dismal state the guy is in -- sunken cheeks and bloodshot eyes, tattered clothing hanging on a thin frame. Joel places a hand on his bony shoulder.

"I can help you," he says. The man looks up, a brief glimmer of hope flashing in his eyes. Joel watches the slow realization, the way his brain catches up to what's just happened, a choked noise spilling from his dry lips.

Joel tugs his knife from the man's gut and steps back, watching as he collapses to the ground. Desperate hands smear the blooming red stain across his abdomen. Joel circles the man, positioning himself at his back, and pulls him close with a hand slapped over his mouth.

"I'll take good care of her," he whispers before dragging his knife across his neck in one clean slice. The man twitches once before growing limp and Joel releases him, body hitting the forest floor with a dull thud. Not one to waste, Joel gathers anything of use from his person.

Something catches the light against his neck. Curious, Joel tugs the bloodstained neck of his t-shirt to the side, finding a silver chain. He pulls, revealing the length of it.

A cross.

The clasp snaps with a sharp tug and Joel stuffs it in his pocket. Standing and shouldering his bag once more, he begins his walk back towards the cabin.

You're running as fast as your legs will carry you, lungs and limbs burning with the effort. You made the mistake of not listening to your dad when he'd told you stay where you were, to stay hidden, that he'd come back. Your nerves had gotten the best of you and you decided that you would catch up with him, but you didn't know which direction he'd gone. You figured you would travel a little ways and see if you could find him and if you didn't do so quickly, you'd rush back to the cabin and wait, just as he told you.

That's when the men saw you, two large figures with rifles that reminded you of FEDRA soldiers slung across their backs.

You duck behind a thick tree to catch your breath. You can hear voices calling out through the forest above the rush of blood in your ears, taunting tones carrying through the air.

"C'mon out, pretty girl!"

You chance a peek out from your hiding spot, only catching a brief glimpse of one man through the trees.

"Where ya hidin', sweet thing?"

His voice sounds far away and that gives you the courage to move forward, a tentative dash for another tree.

“I might be nicer to ya if you just come on out, but if I have to hunt ya down…well…you know what a hunter does to its prey, don’tcha?”

You press your hand over your mouth, muffling the cry that claws its way up your throat. You start to run again, faster, not caring if he can hear you so long as you're able to maintain that distance, hoping that if you can outrun them for long enough, he'll just give up and then maybe you can find your--

You crash into something, the world sliding out from under you and the breath rushing from your lungs as you land on your back with a pained shout. A hand wraps around your ankle, pulling you across the rough ground before you have the chance to recover.

"Gotcha," a man says, the voice different from the one that had been taunting you before. A figure stands over you, a foot on either side of your hips, looking down at you with a sinister smile. "Pretty little prize, huh?"

You twist your body, scrambling away from him. He laughs, following after you with unhurried strides.

“Now, don’t play hard to get,” he admonishes. A hand wraps around your ankle and he drags you toward him, kicking and screaming. Your foot connects with some fleshy part of him and he curses.

“You little fuckin’ cunt,” he hisses, dropping your foot. He kicks you, heavy boot colliding with soft flesh and bone, a sharp pain blossoming in your side, shooting down to your very marrow. You curl in on yourself, wounded prey trying to protect its most vulnerable parts.

A shot rings out, the sound startling in the relative quiet of the forest. You sit up, sudden movement making you light headed, and it takes you a long moment to register the scene before you.

The man that had been chasing you, the one that had caught you, the one that had hurt you on the surface but planned to do far worse, lies on the ground, eyes wide open but unseeing. Above him stands your savior, an older man with gray streaked dark curls and tan skin, broad shoulders and hard brown eyes. He reminds you of a painting you saw once in a book your dad owned, long before the outbreak.

“Death On A Pale Horse,” he explained when you showed him the painting that caught your eye. “Based on the Book of Revelations. You remember that one, right?”

“Yeah.”

“This one,” — he pointed to the central figure, a dark creature on a white horse — “is Death. And this one” — he pointed to a figure on the right that rides a dark brown horse, the dark colors making him blend among the horrors breaking from the sky behind him — “would be famine. You can see the emaciated man below him.”

“What about the other two?” You asked.

“The one of the red horse would be war.”

You pointed to the remaining figure, a man with dark curls and a determined expression. “And the white horse?”

Your dad paused. “Conquest. Pestilence. The Antichrist. The first horseman of the apocalypse.”

The man before you today looks like that figure on the white horse and despite his choice to rescue you from one horror, you fear he may be something far worse.

The man kneels and you flinch away from him. He sighs and says, “I ain’t goin’ to hurt you.”

“Who are you?” You ask, voice weak, throat on fire.

“My name is Joel,” he says. “I want to help you.”

“How do I know you weren’t with those other guys?” Your eyes grow wide and you rush to stand on shaky legs. “Wait, there’s another—“

“He won’t be an issue,” Joel assures you, wrapping a steadying arm around your waist. “C’mon.”

“I can’t—“

“Men like those two ain’t the only things in the forest to worry about, and I’m afraid we can’t sit around and find out. That gun shot could send a horde runnin’.”

“Wait!” You snap, pulling out of his grasp. He holds his hands up, as if in surrender, or maybe like he’s approaching a wounded animal. You’re not sure which. “My dad is out there. H-he went to figure out where to go from here. We were in a cabin…” Your voice trails off. “I told him I would wait for him.”

Joel’s eyes are soft as he says, “We need to get ourselves to safety. I can send someone out to look for your dad first thing in the mornin’.”

“Send someone?”

“There’s a group of us, down in the valley. Survivors, like you.”

“Really?” Relief washes over you, eclipsing even the ache in your belly and the burn in your throat and the pain in your muscles. “How far?”

“With the state you’re in, probably about a two hour hike.”

You don’t have much choice but to go with him, do you?

“Okay.”

“Where’re you comin’ from?” Joel asks, glancing over his shoulder at you. You’ve been following quietly behind him, head down and eyes fixed on the ground.

“Denver,” is all you offer in response. He knew that much already. He wants to know more.

Maybe he has to give more first.

“‘M from Texas, originally. Was in a QZ in Boston for a while before makin’ my way out here.”

“Why’d you come out here?” You ask.

“Had a friend once tell me, ‘Save who you can save’,” he says.

“What does that mean?” You ask.

“You’ll see.”

Joel had mentioned survivors, but you're shocked to discover that just past a wooden sign proclaiming WELCOME TO CRESTONE in chipped yellow paint, a whole town is tucked away, surrounded by a wooden gate that opens for you as you approach. You feel the weight of curious eyes as you walk through a town square, Joel's palm between your shoulder blades steering you towards a more residential area until you reach a two story adobe home.

Once inside, you’re led upstairs to a sparsely decorated bedroom, a large bed in the center with a faded quilt tucked around the mattress with precision and a dresser against one wall covered in yellowed wallpaper. Joel gestures for you to sit, kneeling on the wood floor in front of you to work on the laces of your sneakers.

“What—“

“You need rest,” he says, removing your shoes. He looks up at you, brown eyes full of concern. Your stomach flips.

“But—“

“No,” he says sternly. He stands and walks to the side of the bed, tugging the quilt free and folding it down. “I have duties to return to, but you’ll be safe here.”

You don’t have it in you to continue arguing. You haven’t seen a comfortable bed in more than two days and the exhaustion catches up to you in one fell swoop, eyes halfway to shut as you crawl into the space Joel’s made for you between the sheets. He pulls the covers over you, the warmth of a hand smoothing across your cheek the last thing you feel before falling asleep.

You wake to the sun high in the sky, streaming through the open window of a room that you don't recognize. You push yourself to sitting, your ribs protesting the movement and your head pulsing just behind your eyes. Your mouth is unbearably dry, so much so that you start coughing, further aggravating your bruised ribs.

"There's water on the nightstand," a voice says, startling you.

You look to your left, finding a young girl sitting in a wooden chair by your bed. Her dark hair is pulled back from her face, wayward pieces falling across pale skin. Her sharp brown eyes watch you with an intensity that makes your skin crawl.

“I’m Ellie,” she says. You mumble your own name.

“Did Joel save you?” Ellie asks.

“Uh—“

“He must have. That’s what he does,” she continues, cutting you off.

“Ellie!” A familiar deep voice calls out. Her eyes go wide and she scrambles from her seat, rushing for the door. Heavy footsteps climb the stairs, Joel appearing in the open doorway. He looks at her with a stern expression, mouth pressed in a thin line. “Thought I told you not to come up here.”

The look on her face isn’t fear, like her reaction would have led you to believe. No, she looks up at Joel with reverence as she says, “Sorry. Wanted to see her.”

Joel nods. “Head to the mess hall. I’ll bring her down shortly.”

Ellie casts a lingering look in your direction before disappearing through the doorway.

“Sorry about her,” Joel says. He takes a seat on the edge of the mattress. “How’re you feelin’?”

“Could be better,” you say honestly. “How long was I asleep for?”

“A little more than a day.”

Your eyes go wide. “My dad—“

“We’ve sent out a search party. No luck yet, I’m afraid,” he says. You curl into yourself a bit at the news, shoulders tight with worry. He reaches forward and places a hand on top of your own where it rests on the sheets. “You should get some food. I brought you some new clothes, too. I’ll let you get dressed and we can go down to the mess hall.“

He leaves the room before you respond and you drag the pile of clothes closer to you, finding a neatly folded t-shirt, jeans, underwear, and socks. It takes you a long moment to work your way out of your dirty clothes, your movements slow to not aggravate your injuries. You keep your bra on, pulling the clean shirt over your head, followed by the jeans. You're thrilled to be wearing something that's not caked with dirt and sweat.

You're working on putting your socks on when there's a knock at the door, Joel entering when you call out for him to come in. He smiles at you.

"There, that's better," he says. "C'mon. Let's get down to dinner."

You follow him out of the room and down the stairs. The first floor of the home has a kitchen that opens up to a living and dining area, the space filled with worn mismatched furniture. The walls are wood paneled and there's a massive stone fireplace with elk antlers mounted above it.

The sun is setting as you step outside and get your first real look at the town as its bathed in gold. Narrow residential streets give way to wider roads once you reach the town center, where commercial buildings are pressed together advertising long forgotten businesses, their windows dark.

"That's the butcher up there," Joel says, pointing to one of the wooden buildings. "He gets the meat from the traps prepped for us." He points to another building with a sign that says RESTAURANT. "That's the bakery."

"A butcher and a bakery?" You ask. "Do you have electricity here?"

"Sure do. Solar panels, just outside the gate."

You continue walking through the town until you come up on a large white building, people entering and exiting through a set of thick double doors. The shadow of a cross remains above the door, perhaps scorched by the sun where a crucifix once sat. People welcome Joel as he enters, heads turning in their curiosity. You press a little closer to Joel's side.

The large room is bursting with noise and activity -- a flurry of conversations, the clink of cutlery, and laughter. You've not seen anything like it before, the mentality in the QZ not conducive to camaraderie. You can count on one hand the number of people you would have considered friends within those walls, and even that was a stretch. You and Joel join a line of people retrieving plates of food from a single window.

"How long has all of this been here?" You ask, gesturing to the room. He looks around proudly.

"Ellie and I came across this town on accident after we went through hell leavin' Boston. The folks here set up their own quarantine zone and with bigger fish to fry, FEDRA sort of left ‘em alone. They were kind enough to take us in," he says. "After that, more people started showin' up lookin' for safety. Lots of people who escaped the QZs or had been on their own for a while and were tired of runnin'."

"Ellie says you save people," you comment, taking a step forward as the line moves. "What's that mean?"

"Every flock needs a shepherd."

You’re at the front of the line now, standing in front of the window. A woman appears, her face lighting up when she sees Joel.

“Joel! How are you?” She asks, leaning onto the ledge. Behind her you can see people moving quickly and efficiently around a stainless steel kitchen, large pots of food simmering on the stovetop.

“Well enough,” he says. He places a hand on your shoulder. “We have a new guest. Make her plate nice and full for me?”

“Of course.”

She gathers a plate from a precarious stack, loading it with a heaping pile of food ranging from mashed potatoes and stew to colorful vegetables that you haven’t seen in ages, not since before the outbreak when you were seven and your dad would make dinner rather than pass you a ration package. You’re speechless as she hands you the plate with a kind smile, a mumbled thank you the best you can manage to show your gratitude.

Joel is handed a plate as well and you follow him to a table where Ellie sits next to a man with white hair, her plate already empty in front of her. The man looks up at Joel as you approach, his expression closed off and wary.

“Michael,” Joel says in greeting, jaw ticking. You take a seat beside Ellie, who to your surprise moves closer to you, arm brushing yours. “You botherin’ Ellie?”

The man, Michael, shakes his head. “No, sir. We were just having a little talk.”

“What about?” Joel sits on the opposite side of the table. He rips his bread roll in half.

“Just some concerns I was having.”

“You bring your concerns to me. Not to her.”

The two men stare at each other, the tension thick and impossible to ignore. Finally, Michael gets up, leaving the table without another word. Ellie’s shoulder’s lose their tension and Joel catches her eye, the two of them seeming to have an entire conversation in just a look.

The moment passes and Joel’s features relax, a smile tilting the corners of his lips as he returns his attention to you and gestures to your plate.

“Dig in,” he says.

Joel walks you back to his home after dinner, the sky now dark. Ellie’s already closed herself in her room by the time the two of you return, having left the mess hall before you had finished eating.

“Tired again?” Joel asks when you yawn, mouth open wide as you stretch your arms above your head.

Your expression is sheepish as you say, “A little bit.”

“That’s to be expected,” he assures you. “You fought a hard fight. It’s okay to relax now. I’ve got you.”

“Thank you.” Your fingers tangle in the hem of the t-shirt he’d given you earlier. “I don’t know if I’ve said that already.”

“You’re welcome. Come on, let’s get you back upstairs. You can use the shower and get to bed.”

“Oh my god, a shower sounds amazing.”

He shows you the bathroom and helps you get the water running. Once he shows you where to find a towel, you smile gratefully before shutting the door on him.

Dismissed, Joel makes his way to Ellie’s room, knocking on the door. She answers quickly, opening up only enough for him to see her face.

“Yeah?” She asks.

“Can I come in?”

She rolls her eyes but opens the door further, allowing him inside. Her room is smaller than his but far more decorated, pages ripped out of old magazines and comic books tacked to the wall. She takes a seat on her single bed, folding her legs beneath her.

“What did Michael talk to you about?” He asks. She shrugs her shoulders. Joel bites back a sigh. Sometimes he forgets what it was like to reason with a teenage girl. “Ellie.”

“He said” — she pauses, scratching at her wrist in the way that she will when she’s anxious — “he said that you were full of shit. That your fucked up ceremony isn’t helping any of them.”

Joel’s teeth grind together. “That all?”

“Called me a stupid kid for following what you say,” she mumbles. “Said everyone in town was stupid for believing you.”

“Thank you for tellin’ me,” he says. Rage burns in his veins as he turns to leave.

“What are you gonna do?” Ellie asks as he reaches the door.

“I’m goin’ to teach him a lesson.”

He pulls the door shut behind him, tilting his head against the wood with a sigh. The click of a latch down the hall precedes your quiet, “Joel?”

Joel turns to face you, surprised to find you standing just outside the bathroom door with a towel tucked around your body. Water glistens on your skin in the low light, drawing his eyes down your neck and across your chest. He clears his throat.

“Everythin’ alright?” He asks.

“Yeah, everything is fine,” you murmur. “I…could I get some new clothes?”

“Of course, should’a given you some before you showered. Sorry about that.”

Joel walks past you, entering his bedroom and approaching the dresser. He tugs the top drawer open, full of clothing he’d gathered while you’d been asleep for more than a day. He piles together another t-shirt, sleep pants, and underwear, setting them on the bed for you.

You’re standing in the doorway when he finishes and he fights the urge to go to you, to pull you close, to run his wretched hands over your body like he’s wanted to since he first saw you in the forest.

He doesn’t, though. Not yet. You still have much to learn.

“Here you go,” he says. “Some more stuff in the drawers for you if you need it.”

Joel leaves you to get ready for bed, shutting the door behind him. He heads downstairs to grab what he’ll need, essentials shoved in a bag thrown over his shoulder before venturing off into the night.

Only a few lights continue to illuminate windows as Joel walks through the residential area. The house he approaches at the end of a street is already dark, quiet beyond the wood door that he knocks on three times. The door opens slowly, Michael appearing in the small space.

“What?” He grunts.

“Come take a walk,” Joel says. Michael rolls his eyes, moving to shut the door but Joel’s boot blocks his effort. “I ain’t askin’, Michael.”

“Oh, yeah? What are you going to do?” He challenges. Joel throws his weight against the door, catching Michael by surprise enough for him to step into the house.

Joel throws an elbow into the man’s gut, making him double over with a groan. He circles behind him, kicking the back of his knee to send him to the ground. He pulls a length of chain from his pocket, looping it around Michael’s neck and pulling the ends.

Michael struggles, clawing at the garotte and thrashing wildly, but Joel holds strong. He tightens his grip further until Michael’s fight becomes sluggish, lack of oxygen finally causing him to go limp.

Joel releases the chain and Michael’s body slumps to the ground. He removes his backpack, digging through the contents until he finds a rusted pair of handcuffs that he uses to bind Michael’s arms behind his back. Next, he places a strip of duct tape over his mouth.

When he wakes, Joel will lead him out past the gate. He will find an unassuming home that rests outside the boundary of Crestone. He will open the hidden doors of the cellar, the ones covered in a layer of leaves and grass. From the darkness he will hear the echo of desperate groans and the rattle of chains and the angry attempts to break free from bindings. He will lead Michael down the dirt steps, the smell of rot and fear and death clawing at his olfactory nerves.

He will place a burlap bag over a struggling Michael’s head and the man will beg and plead in words muffled by tape. Then, Joel will offer him for judgment.

A hand on you shoulder shakes you awake, the room still mostly dark when you manage to open your eyes. You groan, pulling the quilt up over your head.

“C’mon, we gotta get to breakfast,” Ellie says. The cover gets yanked down and she gives you a mischievous grin.

“Where’s Joel?” You ask, sitting up slowly. She shrugs.

“Probably there already.”

You swing your legs over the side of the bed and stand, stretching your arms up. You grab the same jeans and socks from the day before, changing into them quickly and sitting down on the floor to pull your sneakers on. Ellie watches you, her foot tapping impatiently.

“You can go without me if you’re in a rush,” you offer. She shakes her head.

“I’m fine,” she says quickly. “You ready?”

“Sure.”

You follow her out of the house, her clipped pace difficult to keep up with due to your lingering pain. As the sun starts to rise and you pass by more of the houses, you notice something peculiar about some of them.

“What’s that?” You ask, pausing in front of one the houses. There’s a streak of what looks like dark red paint across the top of the door. Ellie doubles back and stands beside you.

“Protection,” she says.

“From what?”

She shifts her weight from foot to foot, uncomfortable with your line of questioning. Rather than answer, she walks away, leaving you to catch up to her or be left behind.

As the two of you start to walk through the square, there’s a rush of people around you. Shouting can be heard up ahead as a crowd comes into view, gathered around the front of the mess hall building. People press in close together, craning their necks to see over each other and catch a glimpse of whatever spectacle has their attention.

Ellie pushes through the crowd and you follow close on her heels until she manages to break through the other side of the wall of people. You catch glimpses of something writhing on the ground, something animal but not quite, something failed and fetid and foul. Another peek affords you a view of an arm littered with bite marks shaped by blunt teeth, deep gouges into their skin that shine red with blood and fester with disease.

Joel appears, stepping around the side of the building. The whispers cease, the crunch of Joel’s boots and pained groans the only noise to be heard in the stale air.

His dark eyes scan the crowd. People shrink back from his gaze, pressing closer to each other for relief. He reaches down, curling his fingers into the burlap material and yanking it off to reveal a man, familiar and yet not recognizable. Unseeing eyes, ashen skin, and dark red veins now the hallmark characteristics of the man you now remember as the one who had been talking to Ellie in the dining hall.

Joel draws a gun from his back, aiming it at Michael’s head. “Let this be a lesson,” he says, pulling the trigger.

The shot rings out, making you jump. The agonized sounds come to abrupt halt and his body goes limp, eyes still open as blood blooms on the ground around him.

“No blood spilled. No blood saved,” Joel says. You look up from the horrible scene and meet his hard gaze. You step back, turning and shoving your way through the crowd.

Then, you run.

You’re frantically shoving clothing into your bag when a door slams downstairs and heavy footsteps climb the stairs at a quick pace. You can feel the burn of Joel's eyes on your back, his presence in the room thick and cloying as you refuse to turn around, even when he murmurs your name.

He moves closer, a hand on your shoulder prompting you to turn to break the connection. He holds his hands up in surrender, taking a step back as he says, "Let me explain."

"Explain? Explain?! How the fuck do you explain that?!" You snap.

"If you'll just listen--"

"There's nothing you could possibly say that will--"

"Ellie is immune!" He shouts. Your words die on the tip of your tongue, lost to ether as you stare at Joel.

"W-what do you mean? Immune?" You ask.

He takes a deep breath. "I told you what my friend said. 'Save who you can save'. The first person I saved was Ellie."

"I helped her out of Boston, kept her safe, nearly lost my life if it meant keepin' her alive," He continues. "That's what I offer here."

"So you think you're....what? Some kind of god? That you can grant immunity?"

He huffs a laugh, the noise devoid of any humor. "God abandoned his worst experiment in their time of need. There is no god anymore, just the poor creatures he left behind. Someone had to take up the mantle."

"But how?"

"The ceremony," he says.

"That’s not a fucking answer, Joel!” You shout. “What fucking ceremony?!”

“Blood spilled for blood saved. You can’t make it in this world without givin’ your everythin’ first.” He lifts the bottom of his shirt, just enough to reveal a jagged scar to the right of his belly button, shiny scar tissue disrupting smooth tan skin. “I did this for Ellie. Now everyone else has to do it for themselves.”

“I don’t…I don’t understand.” You take a small step closer to inspect the wound, raising your hand and reaching out with a tentative touch. Joel inhales sharply as you run your fingers across the puckered flesh.

His hand wraps around your wrist, pulling your hand up and holding it against his chest. “It’ll be easier to show you, okay? There’s a ceremony in a couple days.”

“I don’t—“

“You’re just afraid because this is somethin’ new, but I promise you that you got nothin’ to be scared of. I’ll take care of you.” He lifts a hand to your face, tilting your chin with his thumb. “I just need you to trust me.”

His eyes are honest, earnest, pleading with you to believe him and the longer you search them, the more truth you seem to find. He will take care of you. You just know it.

“Okay.”

Dinner is served early on the day of the ceremony, the room buzzing with excited conversation. You haven’t seen Joel much the last few days, just passing glimpses, and Ellie says it’s because he has a lot to prepare for. Tonight there’s a woman at his side wearing a white dress that flows to the floor, black hair braided down her back. She smiles at Joel, hanging on every word you can’t hear. It makes your stomach clench in a weird way when her hand curls around his bicep and her head leans against his shoulder.

“That’s Marcy. She’s volunteered for the ceremony,” Ellie says. She’s sitting across from you, a smirk on her lips. “S’why she’s been hanging around Joel the last few days. Joel’s gotta prepare her.”

“Oh,” is all you manage to reply, picking at the vegetables on your plate. “What does…what does he do? To prepare her.”

She shrugs. “Dunno.”

You glance at the pair. Joel leans in close to the woman, whispering into her ear. Your fingernails dig into the meat of your palm, your hands curled into tight fists beneath the table. He stands, a hand on the woman’s shoulder as he calls the people to attention, voices fading until silence envelops the room.

“Tonight,” Joel says, “another is to be saved. And we will all bear witness to the gift of deliverance that only self-sacrifice can grant.”

It’s only a few words, but the power in them is palpable as you glance around the room at the entire town watching him with rapt attention. His eyes meet yours.

“Save who you can save,” he intones. A chill runs down your spine.

“Save who you can save,” the town echoes back.

The sun is already low on the horizon, twilight casting a soft glow on the scene. You stand at the back of the crowd, watching as Joel leads Marcy onto a raised wooden platform. Another man joins them, passing something wrapped in cloth into Joel’s outstretched hands.

“The thing about the world today,” Joel says, unwrapping the cloth to reveal a large knife, “is that there ain’t a single guarantee.” He looks out over the crowd. “Except here, within these walls. Why? Because here you’ll make the greatest sacrifice and earn the greatest reward.”

He begins to pace the length of the platform, knife in hand. “Givin’ your blood in exchange for your safety? That doesn’t sound so bad, right?” The people around you nod their heads in agreement. “You’ve seen what that sacrifice can do. I did it for Ellie. I did it for myself. And tonight—“ he places a hand on Marcy’s shoulder “—another has made the choice to earn that gift of protection.”

A cheer erupts, spreading through the crowd through shouts and applause. You find yourself joining them, clapping your hands together as you continue to watch Joel.

“Marcy,” Joel says. “What brings you here today?”

“No blood spilled, no blood saved,” she recites dutifully.

“Are you afraid?” He asks.

“No,” she says.

“Why?”

“Because I trust in your protection.”

Joel smiles at her, beaming with pride, and that knot in your stomach from earlier returns with a vengeance. You want him to look at you like that.

He stands in front of her, blocking her from view with his body. A hush falls over the crowd and from the silence erupts an anguished scream. You flinch, the sound piercing and painful and petrifying, though it seems to have taken nobody else by surprise.

Another scream as he jerks his arm back, the knife in his hand now stained with red that slides down the blade, dripping to the wood beneath his feet. He steps to the side and you can see the woman now, her hands pressed to her belly. Crimson blooms beneath her hands, marring her pretty white dress and leaching the color and vitality from her face. She drops to her knees and so does Joel, who wraps an arm around her shoulders and gently guides her until she’s lying on her back. He holds her hand and smooths her hair from her face as she just repeats, “Thank you.”

Slowly, the strength in her voice fades. Her arm goes limp in his grasp, dropping to the floor with a dull thud as her eyes flutter shut. Joel whistles sharply, three men rushing up the platform and lifting the girl into their arms, careful not to jostle her too much. Joel remains kneeling, his head turning to scan the crowd.

“We are born covered in blood,” he says. “It gives you protection from the outside world when you’re wrenched from the womb. And it will protect you now as it is wrenched from you.”

He steps off the platform and walks past the crowd, heading for the residential street. Everyone shuffles forward, moving en masse like sheep following their shepherd or cattle to the slaughter. You’re led to one of the smaller homes and you watch as Joel smooths the flat of the blade across his hand, gathering blood in his palm.

He places his palm on the door, smearing the blood across the faded blue paint. When he’s done, he turns to face the crowd.

“Marcy has earned her protection. Those of you among us that have not yet made your sacrifice, may you return home this evenin’ and realize that each passin’ day is a wasted opportunity for your salvation.” His serious expression softens as he smiles. “No blood spilled.”

“No blood saved,” the crowd says.

To your surprise, the words fall easily from your lips.

Joel shuts the door quietly behind him. He’s just finished checking on Marcy and was pleased to find that her wound has been dressed and she’s recovering well. At the kitchen sink he runs the water as hot as he can tolerate and scrubs his hands clean.

He can hear faint footsteps upstairs, the sound of your pacing back and forth in his bedroom. He’s pleased that you stayed through the entire ceremony, didn’t run away filled with fear or disgust like you had watching him make an example out of Michael.

There’s hope for you yet.

Joel dries his hands on a towel and heads upstairs. He glances at Ellie’s room out of habit, though he knows it’s empty. She likes to help out after the ceremony, usually sticking beside the town nurse, Shelly, as she monitors the person who participated in the ceremony over night.

The door to his bedroom is shut but he can see that the light is on, the glow of it seeping out from the gap beneath the door. He knocks, three sharp raps of his knuckles, and waits.

You pull the door open, and Joel is once again struck by how much he wants you, how much he’s craved you since the first time he saw you. You look up at him with wide eyes but he doesn’t sense any fear as you pull the door open further and step back to let him enter.

“You doin’ okay?” He asks, shutting the door quietly behind him. You’re standing with your arms wrapped around yourself, nodding quietly. Joel moves closer, tentatively reaching out to tilt your chin up so that he’s looking into your eyes. “Talk to me.”

“I….,” your voice trails off. You take a breath. “I want that protection.”

He was hoping you would say that. Relief floods through him.

“I can’t do that,” he says. Your brows pinch together, hurt flashing across your features. “I won’t have your blood on my hands.”

“But—“

“Listen to me—“ his hands frame your face, thumbs smoothing over the high points of your cheeks “—you’re meant for somethin’ different here.”

“Something different?” You repeat. You shake your head slightly. “I don’t understand.”

“From the moment I saw you, I knew I couldn’t let you lose a drop,” he whispers. “You don’t need to bleed, sweetheart. Not like them. I’ll protect you myself.”

Your mouth drops open the slightest bit, drawing Joel’s gaze. He slides his thumb across your bottom lip, mesmerized by the softness of it. There’s not much about his life the last twenty or so years that he would call soft.

There was his brother, Tommy, even though they couldn’t see eye to eye and had to part ways. His daughter, Sarah, before the outbreak. She took care of him, made sure he took his vitamins and packed his lunch and didn’t miss a parent-teacher conference. She was light and joy, his heart outside of his body, and she was ripped from his grasp.

There was Tess, who was not a soft person but was a soft place to land among the carnage. Bill, ornery though he was, and Frank, arguably his better half. They were a breath of normalcy, even when Bill had a gun trained on him. Ellie, once she quit being a pain in the ass and wormed her way into his heart with her promise to follow him wherever he went.

And now there was you.

“Will you let me do that?” Joel asks. “Protect you?”

You lift your hands, delicate fingers wrapping around his wrists. He wonders if you can feel the rapid beat of his heart, his pulse pounding beneath your grip. Finally, after a long moment, you whisper, “Yes.”

Joel captures your lips with his, swallowing your gasp of surprise. You’re tentative, a bit clumsy with your movements as you kiss back and he pulls away, leaning his forehead to yours.

“I-I’m sorry,” you murmur. “I’ve never—“

“Don’t worry, baby, I’ll take care of you.”

While his words don’t stop your pulse from racing, they do calm your nerves the slightest bit. It’s not that you’ve never been interested in sex, there was just never a good opportunity. Going through puberty in an apocalypse where a militant government faction monitors your every move in exchange for basic necessities wasn’t exactly conducive to forming intimate relationships.

While you’re lost in your thoughts, Joel moves you backwards until your legs hit the mattress and he urges you to sit down. He kneels in front of you, working on the laces of your sneakers, removing them and setting them to the side. He looks up at you as he removes your socks and you’re not sure if you're supposed to find the sight of him kneeling at your feet as sexy as you do, but a rush of warmth rolls through you all the same.

He runs his palms up your legs, across your thighs, until his fingertips find the waist of your jeans, popping the button of the fly and pulling the zipper down.

“Lift your hips a bit, sweetheart,” he says, working the denim down and off your legs, tossing them aside. His hands return to your thighs, goosebumps erupting along their path to your hips.

“No one’s touched you here?” He asks, here being the soft skin of your inner thigh that his thumbs sweep across. You shake your head. He moves higher, a featherlight touch over the elastic of your underwear that makes you gasp. “What about here?”

“N-no,” you manage to whisper. He smiles at you, the same proud smile he’d given Marcy that you were so desperate to have for yourself.

“Good girl,” he murmurs. He kisses the inside of your knee quickly before sitting up higher, reaching up to lift your shirt up, tugging it over your head and dropping it onto the growing pile of your clothing.

“Lie back for me,” Joel commands. You shift up the mattress and follow his instruction, bringing your arms up to cover your exposed breasts. He makes a dissatisfied click with his tongue, pulling your arms away as he crawls up the mattress to settle between your legs.

“None of that,” he admonishes, planting your hands by your head. He kisses your lips again, butterflies erupting in your stomach when his tongue tangles with yours, hot and demanding. He palms one of your breasts, hands rough on the delicate skin. “This is mine, do you understand?”

Joel brings his mouth to your breast, tongue swirling over your stiff nipple. You cry out, the foreign sensation making more heat rush through you, leaving you throbbing between your thighs. He looks up at you through his lashes as he sucks your nipple between his lips, releasing it with a lewd pop.

“Mine to touch,” he says, leaning on one arm to trail his fingers down your stomach. “Mine to kiss.” His lips trace the same heated path. “Mine to protect.”

When he reaches your underwear, he pulls back. “Look at that,” he murmurs, thumb rubbing across the gusset, making you whimper and squirm. “You’ve soaked your panties, sweetheart.”

Your face feels hot with embarrassment. “‘M sorry,” you mumble.

“Sorry? Ain’t nothin’ you need to be sorry about,” he says with a chuckle. He sits up, working your only remaining barrier between you down your legs. He spreads your legs with his hands on your thighs. “Goddamn, you look so pretty, baby.”

“Really?” You ask. His answering grin is wolfish.

“So pretty,” he repeats. He settles on his belly, face so close to your pussy you can feel the warmth of his breath against your heated flesh. “Gotta get you ready.”

Your response to the question is cut off with a high pitched moan as Joel runs his tongue through your folds, circling your clit with broad strokes. You try to close your legs against the sensation but his strong hands keep your thighs pinned down near the mattress.

He groans as he sets a slow and measured pace, alternating attention to your clit with dipping his tongue inside of you, dragging your essence from the source. Your hands clench in the sheets, chasing and retreating from the overwhelming sensation in equal measure.

There’s a blunt pressure that turns into a slight pinch as Joel slips a finger into your tight heat. Your head tilts back with a high keening noise and you’re panting, desperate for breath as he moves his hand in tandem with his tongue.

One finger becomes two that thrust and curl and part inside of you, stretching you in unfamiliar ways. It feels good, and all you want is more, more, more.

Joel’s hand moves quickly and he sucks on your clit, swirling his tongue around the sensitive bundle of nerves until that flood of relief that you’ve only accomplished a handful of times on your own washes over you, your back arching sharply off the mattress as you shout his name like a prayer to the heavens.

His motions slow to a stop and he leaves the bed. You hear the clink of a belt and the rustle of clothing being removed before his weight returns between your legs, a new heat to be felt against your flushed skin with his clothes no longer in the way. With shaky hands you reach up to touch him, starting at his shoulders.

You trail your hands across his warm tan skin, down his hard chest and softer belly. That scar, the one that frightened you before, leaves you breathless as you run your fingers over it now. He’s so strong, so powerful, and he wants you. Wants to protect you so that you don’t know that same pain.

“Joel,” you whisper. He leans forward, hands on the mattress beside your head. He kisses you, slow and all encompassing. You can feel the hard length of his sliding through the mess he’s made of you and you gasp.

“Let me make one thing clear,” he says, face serious, “there ain’t any goin’ back from this. You’re mine. You got that?”

“I trust you,” you reply. Your response earns you a deep groan from the man, a kiss to your forehead that precedes the blunt head of his cock pressing to your soaked entrance.

His cock is thicker, much thicker, than his fingers were and you whine at the intrusion. His shushes you, peppering your face with soothing kisses.

“I don’t think—“

“You’re doin’ so good, sweetheart, I know you can handle it,” Joel says. “Take a deep breath, just a little more.”

Tension gives way, a sharp pinch that turns into an ache as Joel presses his hips firmly against yours. He kisses your neck and trails his nose across your sweat damp skin, holding still as you adjust to his girth.

You shift your hips the slightest bit and Joel’s moan echoes your gasp. “Tell me I can move,” he begs, another desperate kiss pressed to your lips. “Please, baby.”

There’s something heady about the power you have in this brief moment, a man like Joel begging you for something when he’s used to having everything. You nod and that’s all the encouragement he needs to draw back slowly, that fullness leaving you inch by inch, before thrusting sharply.

It’s unlike any experience you’ve had before — the way his body moves with yours, the flex of his muscles above you, the intense look in his eyes each time he presses inside of you.

“Made for me,” he murmurs. “Mine.”

“Yours,” you agree, moaning as each drag of his cock presses against a tender spot inside of you that has your stomach tightening rapidly.

His effort doubles, hips slamming hard enough to make the headboard bang against the wall. You dig your nails into his back, watch the clench of his jaw against the sting, and moan his name as you succumb to the feeling of free falling into bliss, clenching around his cock.

“That’s it, sweetheart, fuck,” he growls, hips stilling against yours as warmth pulses inside of you, his mouth dropped open on a groan of your name.

Joel takes a moment to catch his breath before withdrawing from you. He reaches his hand between your legs, pressing his fingers into your swollen pussy as you gasp.

He holds those fingers up, the light catching on the red staining them.

Perhaps you’d spilled blood for your safety after all.

You wake to the early morning light filtering through the window, a noticeable ache between your legs as you begin to stir. You’re naked, having fallen asleep in Joel’s arms last night, his lips caressing your neck until you’d drifted off and dreamt of blood and wolves. You stretch your limbs, encountering only cold sheets as you do.

As you sit up, you realize the sound of rushing water is the shower and surmise that Joel must be in there. With stiff movements you leave the warmth of the bed and approach the dresser, tugging open the top drawer to find clothing for the day.

You’re reaching for underwear when your fingers catch on something cold, metal in a sea of fabric. You pull on the object, unearthing it from its hiding spot and holding it up for inspection.

A cross, hanging from a silver chain. A chain you would tangle your fingers in as a child, a cross that a thumb would rub across as a deep, familiar voice muttered prayers.

The shower turns off and you take one last look at the crucifix before setting it back into the dark corner you’d unearthed it from.

Then, you shut the drawer.

Joel Miller masterlist

All masterlists

#joel miller x reader #joel miller #joel miller fic #joel miller smut #joel miller x female reader #joel miller fanfiction #joel miller x you #joel tlou #no use of y/n #joel x reader #dark content #cult leader!joel miller #cw age gap #cw dubcon #cw age difference #dark!joel miller #dark!joel x reader #dark joel miller

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fixyourwritinghabits · 1 month

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No Such Thing As Filler

Okay, so yes, this is another post based on something I saw that irritated me, but it seems like this idea keeps coming up, so I need y'all to internalize this. There is no such thing as filler in good writing. None. Do not approach your work thinking you have to fill space in a story, I will beat you with this wiffle bat. Don't ask me where I got the wiffle bat. Don't even worry about it.

The idea of filler comes from a very particular place - when an anime or TV show has to fit in a certain number of episodes, but doesn't have enough content (hasn't caught up with the manga, the source material isn't long enough, etc) to cover those episodes. An episode has to be written, but the characters can't really progress, and so are given something else to do. Many a trope has come from these episodes, and they're sometimes necessary. Filler in this context is something that makes sense.

The dark side of filler is the idea that you need some space between Big Event 1 and Big Event 2 in your story, therefore you need throw anything in there to take up space and make your word count. This is a mistake I've made and I've seen plenty of other writers do it too, but it's a huge waste of your time. You do need something between those big action scenes, but you should always be writing to accomplish something.

Instead of thinking of that writing as filler, try to approach it with three things in mind:

Move Forward With Character Development and Backstory - Your characters barely survived a huge gunfight, and they won't encounter the big bad again for another few chapters. How do your characters decompress from that gunfight, and what does that say about them? Did a cocky character go in guns blazing, only to be deeply shaken by how a real fight works? Did that fight spark a moment of deep trauma for the main character that they have to reflect on afterwards?

Filling this space with meaningless scenes is a huge waste of opportunity. Think about how to dive deeper into your characters.

Move Forward With Plot and Subplot Development - The bad guy beat the heroes to the stolen gem, but they left behind a clue to why they want it. However that clue could reveal some painful truths about the protagonist's beloved great aunt... Carmen Sandiego???

A major goal following a big action scene is having the characters figure out what to do with what they've learned and what to do next. It's where romance subplots or secret relative subplots make progress, when truths are revealed and next steps are taken. You can absolutely do this in any setting - a flirty conversation while at the battling cages, a tense moment of feelings while hunting down a wayward chicken - but your main goal is making progress for both the characters and plot.

Move Forward With Worldbuilding - Worldbuilding has it challenges, believe me. You don't want to write a chapter on how an airship works only to have to cut it later. But you should still try to flesh out your world, and you should do so with the perspective of how to use that worldbuilding to your benefit. Maybe a critical scene hinges on the main characters knowing how that airship works, or that lake your main character often stares at is the setting of the big Act 3 Boat Battle. The weather can play into both perspective and emotions. Knowing what the main character's house and car looks like can reflect a lot on their personal character or backstory.

When you're struggling with a scene or a chapter, rather than writing filler, take a few steps back and think. What can you establish with your worldbuilding? What can you reveal about your characters through their dialogue and actions? What subplot could you explore or add in these between moments?

Filler from a fandom perspective - Now let me make this clear - if you're writing a fanfic just to have a cute moment between the characters you like, or you really want to force everyone to do that weird Twilight baseball scene, that's fine. You don't need a grand goal to achieve for every story, there's no need to justify your fanwork in any way other than you wanted to do it.

But I'd also argue fanwork doesn't fall under the filler label either - something you create, be it a character snapshot or a 'what if the gang meets Slenderman' parody, isn't taking up meaningless space. It's something fun you did that you and others enjoy, and there's nothing wasteful or pointless about that.

#writing advice #plotting #filler #writblr #the wiffle bat is a metaphor #for uuuuh something that sounds cool and interesting #let's go with that

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loveemagicpeace · 4 months

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🍯Astrology Notes🍯

🪴Virgo rising- are very caring people. They take great care to ensure that you have everything you need, especially for your health. They will be able to tell you a lot about various medicines.

🌱Gemini rising- funny as fuck sometimes. They are people who talk and don't stop. You can discuss all possible topics with them if you want. They have a very open mind. But when it comes to being able to do something, sometimes they are not so open to new things. Let's say one difference between them and Sagittarius is that they are not traveling types and they don't like to travel that much.

💫You will feel most comfortable talking to people with whom you have the same compatible moon and mercury in your house. for example: mercury in the 9th house and the other person has mercury in the 1st house. With this you can see what topics you can discuss with others.

🪐People who has saturn in 1st house looks better when they are skinnier. Because their bones and body structure are more beautifully emphasized. Many times they can have weight problems(they can quickly lose weight from worry).

🍀Earth signs look very down to earth even when they are joking around. Even when they make a crazy joke, they still look down to earth.

🐚Scorpios quickly stop trusting you. You just have to do one thing and they are done trusting you. When they see that you are dishonest to them in any kind of way, they will not trust you anymore. Especially when they get to know someone from the beginning and notice that they didn't tell them something or hid something from them, and as I said, it could be just one small thing like say you're going to say you're eating pizza, but in reality you're eating hamburger. It is small lie. But this is sometimes also one of the reasons why pisces and scorpio don't go so well together. Because pisces tend not to say everything while scorpios are. Many times, pisces swim off into their fantasy world and sometimes get lost in it. Scorpios are always looking for the truth in everything. I have seen successful Scorpio/Capricorn couples many times.

🍁Fire signs are actually very active people. So you have to prove them love with actions. They want to see how much you are willing to do for them and how much you are willing to risk. When you go beyond your limits and do something really crazy for them, they will really appreciate it.

💷2nd house represents your money & 8th house where you invest money. The 2nd house reflects your underlying relationship to money and patterns around money are often deeply ingrained. With the Moon in Cancer here, your emotional wellbeing rises and falls with your bank balance, both of which may be subject to flux. You can be a rags-to-riches success, but with Saturn in the 2nd you might always feel poor, the millionaire who still buys the budget range at the supermarket. The 8th house is concerned with debt and our relationship to institutions which provide loans, mortgages, and overdrafts. Capricorn on the cusp of the 8th suggests paying your dues and insisting on a proper contract, Sagittarius here you can invest a lot in travel or even illegal things.

☀️The Sun is the central flame of our vitality. Acting according to your Sun sign and engaging in activities denoted by the house it occupies are important ways to increase your energy and vigour. For instance, with Sun in the 1st, you might need time alone in order to recoup your energies - the presence of others can drain you, Or with Sun in the 6th, maybe you like to spend spare time working in the garden or catching up on DIY. The Sun in Sagittarius might mean you like to explore far afield; if in Aquarius maybe you like to holiday with a group of friends. Sun in Scorpio- working in the shadows or researching something no one knows about is best for you. Sun in 7th house you like to devote a lot of your time to your partner.

🧸Some signs are naturally more work-oriented and some more suggestive of needing a slower pace. Capricorn (or its ruler Saturn) is often highlighted in the charts of anyone with a strong work ethic - by contrast, Leo, Libra, or Pisces might engender a bit more need for time off, to play, relax, or dream. Each Zodiac sign has its ideal gap year or holiday. The fire signs might favour adventure breaks, the air signs a chance to meet new faces, the earth signs maybe an eco-trip; and the water signs a sojourn by the sea or in quiet, restful places.

🩰The IC and the 4th house describe home, both as a physical place and as an inner sense of roots, safety, and foundation. If you have Jupiter in the 4th, it might feel natural to you to travel around or you might even choose to live abroad - or with Uranus here, you may experience many changes of home(many unexpected moves). With the Sun or Moon in the 4th, you might be so strongly connected to home and homeland that uprooting yourself will not be easy - your Sun here suggests your life revolves around home in some way, the Moon that your emotional wellbeing is closely tied to it. With Pluto you can feel that your home is intense and that you are always transforming through it (but it can also leave bad memories). With Mercury can mean that you change your home a lot. With Mars you may feel that your home is often chaotic or aggressive and you are looking for a home where you can become independent. With Neptune many times your home is confusing, strange. Many times you find your ideal place somewhere by the ocean. With Venus your home is loving, genuine and you have loving parents to whom you love to return. But it can involve a lot of money or love based on it. So you can feel that your parents never really appreciated you if you didn't have money.

🧚🏼‍♀️About Aquarius: I want to say one thing about them. I would say that if they really really want they will do it. But most likely they are independent people & lost souls sometimes. I think that they are scared of attachment. So that's why they are rather alone. They are looking for someone. Who will be goofy as they are.

💌I think Valentine's Day is for Libras. Libra is a sign of love, romance,beautiful things. And if any sign is inclined to & like to celebrate this day, it's definitely the Libra. But I find it a little strange that it is in Aquarius season.

💘Cupido is definitely a Sagittarius sign. Although people don't believe that Sagittarians are so loving and romantic, but they really are. Cupido shoots into the hearts of people who are meant to be together. If you hit a sagittarius deep in the heart with your love, then you can see the true side of them. Then you can see how loving they are.

🌅The people you attract into your life are usually connected to your North Node.For ex.: North node in Virgo in your 8th house- you will mostly be attracted to people who have a virgo placements, scoprpio placements, or pisces/ taurus placements.

🌊Pluto symbolizes power in whatever house it is. The power you feel in yourself and the people around you. Strong experience of feelings. For ex.: 5th house - privacy, romance, jealousy, strong emotions, strong happiness, attitude towards the things you do, you feel strong love, devotion. Obsession with changing partners maybe or affairs idk. 6th house - obsessed with perfection, control, work, high expectations. 7th house - you attract a lot of possessive partners, obsession with your partner, but at the same time you can be afraid to get into a relationship, mistrust. 8th house rulership- curious, constant control, secrets, power over your secrets, emotional transformations, many dark things, connection with birth and death, great interest in hidden things. 10th house - people can see you as a strong opponent, driven for a career, they can see you as a person who has a lot of secrets, you can present people with challenges. Big influence.

-Rebekah🧚🏼‍♀️🩰🌙

#astrology #zodiac signs #energy #my notes #astrological houses #astrology observations #birth chart #planets #love

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darkcircles4lyfe · 2 months

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it's a story about hands (reprise)

Yeah, okay, today's the day.

I gave my blog that title for a reason, you know, and it has loomed over me for years because the hand motif is absolutely everywhere and you could go on about it forever.

Maybe that's something I'll never actually attempt to do, but this chapter, we reached a breaking point.

Before I continue, I need to give a big, big disclaimer: I do not have a physical disability, so I'm not able to speak about that from the standpoint of representation as a first-hand perspective. I have at least listened to enough disabled people to know that fictional characters who become amputees only to miraculously gain their limbs back is, um, a trope. Disabled people in general being "healed" is a conception we would really prefer to avoid here. Not to call people out, but I don't think we're giving enough space to acknowledge that.

I don’t feel comfortable making the judgement call about what should happen. I’m leaving that open. I also don't want to downplay people's emotional reactions. Honestly, I don't know if I can accurately define the line between acknowledging real pain vs. ableist pity. But I’d like to talk about the possibilities of what could happen. Other characters have definitely gotten permanent disabilities as a result of their hero work, or even just the side effects of their quirk. But, for better or worse, I don't think this case is really about representation. Not that Horikoshi won't do that justice. He might. What I'm saying is that's not his purpose for having Izuku lose his arms. It's meant to be symbolic, so we can explore what it means. The other thing I’m keeping in mind here is that Horikoshi is notorious for playing with our expectations, like, alllllll the time. I mean, just take a few chapters ago for a classic example. Eri appeared at the end, and we all assumed she was about to take some sort of action to save someone with her quirk. Then, immediately following, we were given an explanation for why that wouldn’t be happening. And now it’s clear he wanted to do that “fake out” not just as a silly cliffhanger prank, but specifically so we would know not to suspect that Eri could be the miraculous solution to Izuku’s loss of his arms. Rest assured, there is no easy way out of this.

The expectation at play in this particular instance is an old one. It’s very understated, but its subtext has burned so brightly, you’d be a fool not to notice it. It sits with anticipation like one half of a call and response. Man, I was so certain. Lots of people still are. I was really looking forward to printing the panel where it happened onto a t shirt and wearing it proudly. All the hand motifs in this story radiate thematically from a single moment, the one that started it all for Izuku.

It raises all kinds of questions about the act of saving, who needs saving, why, what does it mean, what are the dynamics of power, politics, honesty, exploitation, compassion, pity, disdain, sacrifice. Katsuki has dealt with many of these since he first rejected Izuku’s hand. While Izuku was the one who was convinced Katsuki would keep on rejecting him…

…Katsuki was the one who kept that moment in his mind all these years and eventually came to regret it.

Katsuki is the one yearning for that hand-hold, the one who has imbued it with so much more weight than it ever originally had. Izuku, in contrast, does not allow himself to dwell on what he wants. To illustrate this difference, we need to look at another piece of foreshadowing:

Ugh, do y'all remember when lots of folks were complaining about how there never seemed to be actual consequences for Izuku's destructive treatment of his own body? I don't blame them, I was concerned and confused about it too. There were several "fixes" along the way. Recovery Girl healed him, but left a physical reminder. Then he started training to fight with his legs… sometimes. Then he got support items. All of these were unsatisfying non-conclusions because they didn't present Izuku with a lasting enough impression to change in a meaningful way. They didn't address his core, his origin.

Of course, that all changed this chapter. Now it looks like our frustration was inflicted intentionally. With the current context in mind, all of these moments look more sinister, like this day was always gonna come because they kept putting bandaids on a deep emotional and psychological wound. The problem is pretty much spelled out for us here:

As Katsuki put it, he just doesn’t take himself into account, ya know? He doesn’t care what happens to him. And he lies about it, to keep others from worrying, to keep them safe. To keep them from returning the favor and putting themselves in harm’s way for his sake. His motivations are noble,

…but what about the little boy inside Izuku? Who saves him?

This is all about Izuku giving himself up to the point that he literally has no more to give. The thing is, I bet he saw this coming. He knew his limits and decided to keep going anyway, because his personal safety and wellbeing are not important. Now that way of thinking has come back to bite him because the fight isn’t over yet, and he’s already made his sacrifice. So now we know who will be more distraught over this. Not Izuku—Katsuki.

It’s not about Izuku becoming disabled, it’s about how Katsuki wanted to use the intertwining of their fingers to communicate that he would never let go. Never stop valuing him most. Never let himself make the mistake of rejecting him again. Never let Izuku be so reckless with his life. To say: “we are in this together.”…if only Katsuki believed he deserved to be able to say such things. To reach out his hand would have been the ultimate way to simply imply them and let Izuku be the one to decide. Then, to feel their hands clasped together would be more than either of them dared hope for, but so beautiful, so right. A moment they’ve waited their whole lives for.

Yeah. That’s what we were expecting. We’ve been so comfortable. Horikoshi gave us all the signs. He tempted and teased us over and over. BUT. You know he does this thing were he gives us a desirable, completely plausible and simple thing to look forward to, and then he snatches it away. And THEN he replaces it with something much better, something we were not expecting at all because it seemed too good to be true. That’s exactly what happened when Himiko snatched Izuku away, and we were robbed of the chance to see him and Katsuki fight together. In hindsight, though, I’m glad things went a different way because now there’s so much more depth and angst on display. Likewise, in the present moment, we may consider how, as one door closes, another opens.

As wonderfully meaningful as the hand-hold would have been, perhaps it is still too simple a resolution for Izuku, for his and Katsuki’s relationship. Tbh, it could have been done like 100 chapter ago. At this point, there’s so much more potential. There are a couple of ways it could go. If Izuku stays armless, Katsuki will be forced to use other methods to get his point across. He’ll have to do something else, or say what he means, or both. Yes, I’m talking about what you think I’m talking about. If I say it, I just might jinx it (lol), but I mean it. I’m being serious. Either way, if Izuku did get his arms back in the end, I’m sure that it wouldn’t be an easy fix. It would be hard-won against Izuku’s self-destructive mindset, and/or by Katsuki’s conviction. Again, I say this knowing it is not meant so much as a representation of disability, but as a representation of Izuku’s greatest character flaw taken to the extreme. I know this might sound harsh, like, hasn’t he been through enough? I get that, but… I’ve said it before and I say it again: Izuku is stubborn as hell.

I wish I had a resounding final note to end this on, but I kinda don’t. I’m not sure what’s best. Now we just have to wait and see what Horikoshi has in mind.

#lin speaks #bnha meta #bnha manga #bnha 419 #mha #boku no hero academia #my hero academia #midoriya izuku #bakugou katsuki #bakudeku #bkdk #dekubaku #dkbk

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everythingseasoning · 1 year

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How the AOT men love you (SFW & slight NSFW).. PT 1

MINORS: Please DNI. Further reading means you consent to reading everything here, though it's pretty vanilla tbh.

EREN - A bit rough around the edges regarding emotional intimacy. Don't get me wrong, he definitely will straight up tell you "I love you so much, y/n," -- he's not afraid of saying what he feels. However, because he isn't as reflective and insightful and calm as Armin is (Eren's a little more simple-minded), he isn't a guy who does fluffy stuff all the time. He's more about action and adventure -- always pulling you into the next great thing.

*NEEDS* you to be safe, and happy. He will only feel satisfied if you're doing okay. Man cares about you, more than anything else.

Oh .. oh, Eren is definitely very blunt, and stubborn. He sees things in his own way, and it's hard to convince him to back down on anything he's got his mind set to. However, the flip side of this, is that he is fiercely caring, and righteous. Will protect you at all costs, even for little things: Some as*hole at the grocery store cut you off in line and you almost fell to the ground? Eren has a hand on your back and waist, steadying you, before he storms up to the man with the DARKEST look of determined hatred. This man has ZERO chill. (and we love him for it).

You are the most important thing in the world to him. He loves you so intensely and passionately that you won't have a chance to ever doubt it.

Fluff 1) You and Eren like to go on walks/runs together. Sometimes you two have races. Eren always wins (the little b*tch--) or ends up slinging you across his shoulder while running, the biggest smile on both of your faces as you two enjoy the rush of being with each other, and life. Life with Eren is just so right, exciting, and full of good times.

Fluff 2) Just how many beautiful waterfalls have you seen with Eren? You've even hiked a purple-flower covered mountain with him! And you've both tried many wild fruits, from the strange oblong shaped ones to pretty yellow star shaped ones-- Usually you were the one to notice the fruit while Eren glanced giddily all around the forest canopy and ground. It was tradition that whenever you two discovered another fruit plant/tree, Eren opens up the Wild Fruits and Plants You Can Eat book, gifted to you by Armin ("So that Eren doesn't accidentally eat something poisonous.") Sometimes Eren is not as bouncy with energy when you two explore the world, and instead he will hold your hand as you two stroll casually, cuddling up on each other's warmth.

NSFW 1) Eren isn't afraid to just.. straight up ask you.. when he wants it. He will look you up and down, eyes full of hunger. "I want you. How 'bout you?" Whewwww. 😮‍💨

LEVI - ohh boy i have so much to say about this little dude...

Would go absolutely crazy and turn into a battle demon, if he saw the love of his life in danger. ...

If Levi somehow found the right somebody, and actually spent enough time with them to be in a relationship, he would NEED his partner to be safe. He will not risk losing you-- he won't. Not after Isabel and Farlan..not again. So if you're ever in danger, you will see an overpowered beast emerge from that man's body and soul.

Levi isn't the best at emotional intimacy, is very stiff when it comes to words of affirmation. He hadn't ever really thought about love. He never even thought he'd have the option to be safe physically, let alone be safe emotionally. --But when he does meet that person, they light up his life in ways that just stun him. They feel like a summer's glow. He will look 10 years younger with you by his side, will feel unprecedented relief whenever he goes back to you. Will scare all the cadets because he will have this stupid smile on his face whenever he sees you.

--But Levi is not used to being loved deeply. He wouldn't know what to DO with your love, and he'd definitely have trouble opening up and being vulnerable. Nonetheless, I do think he'd try; he has initiative to do well to you, and to give you everything he can give to you (starts off with him being your literal guardian demon, progresses into him becoming soft to you). It'd take time and effort for him to learn how to love you properly.

Fluff 1) In the beginning stages of your relationship, Levi would enjoy cleaning with you. He would find himself giving you commands to do more chores (with him).. because he -- wants to -- be with you -- so often??? (won't ever never admit this).

NSFW 1) Levi is a v*rgin. Yes. Yes he (most likely) is. He never met the right person before you, so he never had a chance/time to indulge in s*x. The first time you and Levi have s*x, Levi will have his mouth CLAMPED shut-- trying not to make a noise, trying to control his expressions of pleasure. You'll have to teach him/encourage him to just let go lol.

NSFW 2) Levi wanted to have s*x with you for so damn long cause he's soooo attracted to you, but he will not initiate it LOLLLL. He just doesn't know HOW to ask for that. You had to feel up on him and really let him know you wanted it (breathy whispers and requests), before he FINALLY took the reigns and pinned you against the wall, kissing you hard before taking you to the bedroom~~!!

Also, he's a fast learner. (Imagine with that what you will 🥵).

Fluff 3) & After you two finish, he will clean you up immediately. But after that he won't let you go. Will hold you in a hug for an eternity. Is addicted to your warmth and the love/care you two give to each other.

ARMIN - OH MY GOD NO BECAUSE - i'm so in love with this man - oKAYYY: Armin is a very thoughtful, perceptive, and practical lover. You would feel *so safe* around him, at ease, and like you can be your full self. He's very accepting.

Armin is also going to *look out for you.* He is insanely analytically accurate. He has a clear, reassuring, and gentle energy about him. You know that with Armin, you'll be protected from any new obstacle or harm's way.

You and Armin would see the world for fun. Armin is somebody who feels fascinated with exploring the world, and with learning. He'd probably want a partner who is brave. He'd probably want somebody whose actions or way of doing life, amaze him. He would be so f*cking blushy around you, stuttering and all, whenever you smile so brightly at him -- you're like the sun to him.

Armin *would die for you.* He practically died already, for Eren & the mission. Armin wouldn't hesitate to give himself up, because that's how deep and true his love is for you. (And you genuinely get mad at him for this... but neither of you will budge-- you'd both die for each other).

Fluff 1) You and Armin like to read together :'). Armin will have red blush dusted across his cheeks, and his eyes will be shining as he talks excitedly, imagining all the things the book talks about. You adore it.

Fluff 2) You tell Armin you had a rough day, and he will set up a bath for you. While you bathe in the dark with candles, Armin will be in the kitchen with stew or soup simmering on the stove, before he quietly leaves the house: He will personally scour the bookstore in order to find a book that he thinks will make you smile-- or a book you two will both enjoy reading together/discussing together. Literally this man is like light okay. When you come out from the shower he will be there with a fresh, steaming bowl of stew and a dessert he picked up from the store. You two will eat together and then read a book, cozily cuddling on the couch.. before things get s*xy.

NSFW 1) This man is a *PLEASURER* -- Everything will be gentle, but imbued with such strong love for YOU. Will worship your body. Armin will feel like the luckiest man alive. He sees all your goodness, admires you, and is huge on praising you. Also he moans a lot, even if it's just a soft one that escapes him. Not sorry.

NSFW 2) For my switches/d0ms: You care deeply for Armin, and you also want to see his face when he's a writhing mess-- Sometimes you'll tie him up, and he will... oh he will be so helpless and flustered. You will be giving him all the sensation and he will *love it so much.*

REINER - Somebody come get yo man TT!! Reiner is a f*cking sweet, really good guy. Would protect you and your children (if you have them)-- with EVERYTHING he has -- from difficult, unfair situations (like what he was put through). But, Reiner also probably would want somebody who is strong, because strength means you can protect yourself, and change the world -- Strength is a necessary trait for survival, and he is attracted towards people who are able to stay efficient and alive.

Reiner wants a morally beautiful/morally pure hearted partner. Definitely wants a good person (I mean... Him and Historia in Season, what was is, 2? --speaks for itself). AND I MEANNN Reiner has such a soft heart-- he literally cracked psychologically because he couldn't handle the trauma of being a double agent in a cruel world-- so his pure heart seeks out another pure heart <3

Reiner would ADORE relaxation time with you! He wants the soft fluff, and the soulful moments, like laying together under the stars-- being safe, peaceful, *free.* Reiner has had the burden of war and the Armored Titan like a boulder on his shoulders for ... as long as he can remember. When you're both cozied up together, hands interlaced under the big night sky, Reiner's heart will have bursted and melted all throughout his body. He hasn't ever felt freedom before-- until you. (don't mind me f*cking sobbing right now. he deserves the world!!)

Fluff 1) You and Reiner sometimes do typical, fluffy couple stuff, like go to parks and have picnics, or going to the aquarium, or baking together. Reiner loves the domestic life with you, and you will always catch him gazing dreamily at you, as if he's not sure you're really his. Are you actually right there in front of him? How did he get this lucky? ..Man short circuits a lot around you.

Will definitely be so caught up in his smittenness for you that when you drop the bread dough on the ground and start getting upset/sad, he will just be staring at you like o// //o, not even realizing what happened.

NSFW: I honestly haven't thought about this but I will update this post when I do have some accurate guess on what Reiner in the bedroom is like-- (you can comment if you wanna be tagged for when I do finish this post/ make part two)

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Don't forget to leave a like, or to comment/follow if you want!! Comment to be tagged in part 2! (Jean, Eld, Marco, Bertholt, Connie, Porco, Zeke, etc etc) Feel free to comment! I'd LOVE to hear y'all's thoughts on this post <3! Hope ur all okay.

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nqmonarch · 5 months

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Blade in Yandere Fanfics

Content Warning: Talk about Yanderes, so mentions of violence against reader and kidnapping

The fanfics I read of Blade are few and far between for a few reasons. The biggest one being a lot of the story I read is yandere themed and man why do they always make Blade out to be such a violent guy, like yes he is, but I feel like there's more to explore?? Violent yandere Blade will always have a place in the world but where is the desperate Blade who has genuinely no idea of why he likes his partner so much but knows he needs to do anything to get them to stay with him.

Desperate Yandere Blade who at first threatens you to stay with him but can't handle the way you recoil in fear. He has no idea why one reaction from you has him in shambles but he doesn't want that to happen again. Like he is beyond terrified of you leaving him for any reason. Sure, he could break your legs but what if you end up hating him so much you find a way to die or end up becoming a shell of your former self.

You relieve his mara because whenever he's with you, you're all he can think about. You have no ties to his past. And when he's with you he forgets all about what happened on the Xianzhou. You wouldn't leave him in pain alone, would you? You're not that cruel. He probably wouldn't guilt trip you, instead that comes from Kafka. After all you just made her job a lot easier, and it's in the script you should stay with Blade, if you want the best ending for all of the universe.

Yandere Blade is fucking desperate. Sometimes his emotions get the best of him, he may squeeze onto you a bit too tight and cause bruises but after seeing them that panic stricken fear returns to him and he feels afraid to even touch you. He doesn't want to scare you, he's just a scary guy.

It'd be like having a big dog, except this big dog is a wanted Stellaron Hunter and a lot more deadly. He would tank hits for you if your life was ever in danger. He'll live no matter what, you on the other hand? You're fragile. Would overstress about you getting hurt and watch you just to make sure you don't, an added benefit is whenever he sees you he feels more calm.

But if you end up trying to be with someone else? Yeah, good luck. When you first mention someone else he acts indifferent, maybe he'll watch you a bit more, make sure this person is really safe. But the moment it continues he'll be trying to bargain to get you back to spending all of your time with him, if needed he'd probably beg albeit flustered, and if none of that works he'll just hug you and won't let go.

No, this isn't kidnapping he's just keeping you still. That is until Kafka comes, and she's nice enough to make sure nothing gets in the way of your and Blade's relationship!

And why is he doing all of this?

Because he loves you, of course.

Kafka is an enabler lmao

I saw one small post on how Blade might be desperate once and I was like this is my life now. I can get behind desperate Blade. Then I ended up accidentally making the post about Yandere Blade because Yandere content is about all I consume (didn't plan to write any though tbh). Oopsies?

#blade x reader #reader insert #gn reader #hsr x reader #yandere hsr x reader #yandere x reader #yandere blade x reader #Kafka is an enabler

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nohaijiachi · 8 months

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I got randomly recommended this video by YT and wrote a ginormous comment in response because I have no self control, apparently, so I thought I might as well also share my thoughts here in regard to whatever is going with THIS FUCKING SMILE

(under a cut to not clog y'alls dashboards)

(the first part of the comment here is a direct response to some of the ideas put forth in the video, it is very short so give it a quick watch for more context if you want)

Imo it's not necessary to look into overcomplicated theories that rely too much on off screen shenanigans to explain the smile, for how amusing the idea of them having swapped during the kiss is (like, the kind of stuff I won't want to be actually canon, but I'll be very happy to see explored in fan fics lol)

I think to fully explain that smile we have to take in consideration multiple factors:

This show is very purposeful in what it does and doesn't, well... show. That last shot is very long and I think the fact that Aziraphale's and Crowley's expressions in the aftermath of their disastrous break up is shown in such a manner tells us a LOT about the state of mind they might be at the start of S3, and the obstacles they'll have to face. Aziraphale doesn't immediately smile, rather he seems to look almost shell-shocked for most of the shot; it's clear (to me at least lol) that the quiet ride up the elevator is finally giving him some desperately needed time to fully digest everything that happened, because too much has happened in an extremely short amount of time, and we all know Aziraphale doesn't do well with speed lol.

But, for how much he can sometimes be a complete moron, he is smart, and all he needs are just those seconds of quiet to properly ponder on everything, on the choices made and the ramifications of said choices, and that's how we get to smile-- I'll delve into what I think Aziraphale is going through in his mind in more details later, because I also think it's necessary to focus a bit on Crowley's own expression, since the both of them are so intrinsically linked that the narrative cannot make sense without taking the both of them into account.

Crowley's expression is much more static and doesn't change the way Aziraphale's does; he looks profoundly tired in ways we've never seen him before. I don't think he's giving up on Aziraphale, and I fully believe the fact that he stood there and waited for Aziraphale to disappear in the elevator, the both of them sharing that last look, was a quiet message: He'll never give up on Aziraphale, he'll be there, waiting. But wait is all he can do for Aziraphale, now, because he can't follow where Aziraphale is going.

For how messy and full of heightened emotions the confession + kiss are, I think actually denying Aziraphale's request was a HUGE step forward for Crowley's character. He's never been able to deny Aziraphale, he always went back to him after every fight, and we all know how stupidly whipped for Aziraphale he is and how he'd empty the ocean with a spoon if Aziraphale asked him nicely-- But to actually put his foot down and say "no, I cannot do this for you" when asked to all but renounce the person he is now? Especially with how Aziraphale is all but begging him openly? That's a huge step, and something I think Crowley desperately needs to mature as a person (or, well, person-shaped being). We all love how Aziraphale has him wrapped around his little finger I'm sure, but we also all know that if they truly want to build a strong, healthy relationship they also both need to be able to keep their individuality and to put forth adequate boundaries about what they are willing to do for each other within reason.

Asking Crowley to come back to being an angel when he's made blatantly clear for six thousand bloody years how much he despises Heaven is not a 'within reason' request, innit?

So, yeah, for how heartbreaking the break-up was, in a sense Crowley needs it. They both do. They both need time apart to figure their own shit out, dismantle all those unhealthy habits they had to adopt in order to be with one another as safely as they possibly could while still 'employed', and then come back together with a clearer mind and a whole deal stronger than before, both as individuals and as a couple.

And I think how tired and downtrodden Crowley looks in that last shot is a precursor to this process, just as much as Aziraphale's smile is... So, let me get back to our favorite angel and what I personally think is going on with him.

I think to properly contextualize that smile we need to look at not just the happening of those infamous last fifteen minutes, but of S2 as a whole, and what Aziraphale does in it.

So, what is Aziraphale doing during S2?

At the start he seems to be more or less comfortably settled in his current life; he's as happy as ever doing what he's always done, enjoying humanity's creativity with his books and his music and his food and drinks, seemingly content to be puttering about in his bookshop (which is a stark contrast with Crowley's homelessness and his kinda adrift and depressed attitude). Of course then Jim!Gabriel throws a wrench right into that, but imo I think there was a lot more going on behind the facade of Aziraphale's well ingrained habits.

Sure, he still has all of his familiar comforts and his routine, but from the moment we see him interact with Crowley I saw a deep restlessness emerge in him: The panicked look he launches Crowley when Nina asks him about his 'naked man friend', the way he speaks with Crowley with all those 'our' he uses, the blatant way he keeps reaching over and touching Crowley-- To me that suggests that Aziraphale is clearly not as happy as he seems to be on a superficial glance. He clearly wants more with Crowley, wants to bring their relationship to the next step, but because the both of them are so deeply entrenched in their unhealthy coping mechanisms and habits and their inability to openly communicate it doesn't even occur to Aziraphale to just... You know. Take the first step, actually say something about it. So he just keeps throwing bait after bait in the water, hoping Crowley will bite and be the one taking the initiative as he's always done, finally allowing Aziraphale to accept said initiative, this time around.

Of course, we all see that Crowley doesn't take any first step, which is probably something deeply frustrating for Aziraphale at a subconscious level. That's how we get the ball; sure, on the face of it it was Aziraphale's way to make Nina and Maggie fall in love, but... Was it, really? Let's be real, for how entirely believable it is that Aziraphale makes up the lie about Nina and Maggie's love to cover for their miracle is, since we've seen him being anxious around other angels, I don't think for a second that had Aziraphale just stopped and spent three minutes thinking about it he wouldn't have found a way to convince Muriel that Nina and Maggie were, in fact, in love, especially with how 'green' Muriel is about humans.

I fully believe that Aziraphale is not properly thinking during S2, period. He's frustrated by his inability to bring his and Crowley's relationship to what he wants it to be, and that frustration and single-minded objective is utterly obfuscating his thought process. There are plenty of moments he seemed almost manic, imo, which I read as another sign about his 'impaired' (allow me the term) state of mind as of S2.

So, yes, the ball: On the face of it something to actually turn his lie to the Archangels into truth, but deeper down, perhaps almost unconsciously, I think Aziraphale sees the ball as a way to finally make him and Crowley happen. That fact that he's taking pointers about romance from human literature is blatant, and obviously he truly does believe the ball will be THE way to make love bloom.

If you stop and think about it, the ball scene is terrifying. These people are being manipulated to play the perfect background parts to make, what is in Aziraphale's mind, the height of romance atmosphere happen. The fact we get a juxtaposition with Nina's "what the F is going on, am I losing my mind???" rightful attitude underlines this. And I truly believe Aziraphale isn't exerting said manipulation with intent, but rather doing so subconsciously, because he's just so fixated on the idea of having finally the perfect set-up to have Crowley as he desires that he is influencing everything around him. After all, we all know they both have the tendency of making things happen the way they want simply by thinking that's how things are supposed to happen.

And again, he's so manic and giddy when he asks Crowley to dance, his ass is not LISTENING. He literally needed a brick thrown through a window to snap out of it.

So, in the present we have an Aziraphale who , in his own way, is trying to take the initiative, come out with plans. There is a moment that I think might have slipped under the radar of a lot of people but that's frightfully important about who Aziraphale is at this point in the story, and who he will need to become: "I have a plan," Aziraphale said to Crowley during the stare down with the demons outside of the bookshop after the ruined ball; Crowley didn't even seem to have registered that sentence at all, because his mind is already projected forward and going a mile a minute about what to do to keep both the humans and Aziraphale safe in this situation.

Crowley, who loves to swoop in and save Aziraphale, doing what he's always done to keep his angel safe, even to the detriment of their relationship with one another... And Aziraphale, who adores playing the part of the damsel in distress in turn, is actually telling Crowley that *he has a plan*.

That's not something to take lightly, methinks. That's very much just another sign that Aziraphale's individuality is struggling, trying to emerge through Aziraphale's anxiety and doubts and fears and deeply ingrained habits. Aziraphale's cognitive dissonance in regards to heaven, and his shaken faith in God are huge motivators of his actions, and in the grand scheme of things the scant few years he had away from under the oppressive thumb of heaven is nothing. It was barely any time at all in the face of the eternity of an immortal life spent under that oppression, and yet we are already seeing little glimpses of Aziraphale's rebellious side struggling to get fully free.

I think these little glimpses inform us at great lengths about the evolution Aziraphale's character will go through in S3, and greatly explains that strange smile right at the end; in my opinion that smile isn't the smile of someone who's trying to convince himself that he's ok, or realizing that Crowley loves him (he knew already, they both knew and have known for a long time, their inability to properly express those feelings was their downfall, but I don't think either of them has doubted even for a second when it comes to how much they love one another). In my opinion that smile is the smile of someone who is steeling himself for what he envisions in his future; equal parts old-sedated anxiety and yet determination to actually enact plans he's surely concocting in his brilliant little mind. That's the smile of someone who has just realized that not only they can, but that they need to do something, and you can damn well be sure they won't be sitting and twiddling their thumbs waiting to be saved, but they'll be the one saving themselves and everybody else along with 'em, this time.

Just as Crowley needs to actually spend some time define himself as himself, and not just in relation to Aziraphale, Aziraphale needs to spend some time shedding all those fears and doubts that are weighing him down, and emerge the other side someone much more self-assured and ready to do what he thinks is right without all the hesitations that have indirectly been strengthened by Crowley; in a way, by allowing Aziraphale an out with his 'temptations', Crowley had been feeding into those hesitations, and had been holding Aziraphale back from fully maturing, even if not done on purpose, obviously. Imo is very important for Aziraphale's character that he comes to realize that he doesn't need those excuses Crowley gifted him to keep doing what he thinks is right, that he actualizes his own morality properly, and enacts on it.

I don't have the faintest clue about what is going to happen in S3, but I do fully believe the above paragraph is what Aziraphale and Crowley's respective character arcs will focus on. And once they'll come back together they'll be the most power couple that has ever power coupl-ed, and the Metatron will have no clue about what is about to hit him >:)

#good omens #good omens 2 #meta #I want Aziraphale to Fuck Shit Up in S3 #you think I was joking with that comic I drew some time ago?#I am NOT!#LET AZIRAPHALE FUCK SHIT UP HE DESERVES IT

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