#sorta. this was the original concept anyway

[slightly-warmer-hibiscus-tea]

CW: OC talk + Rambling / Blood / Gore / Censored Nudity (character sheet) / Mentions of Drugging

(idk why these warnings are so intense, but I swear it's all just silly OC talk T^T)

I’m kinda sorta working on more (comprehensible) TS OC stuff in between studying right now… I wanna hurry and talk about them but without info dumping (if given the opportunity I will without hesitation 😔…) because in terms of the best stories I have conjured up for OCs in general Naudedel and Noble are surprisingly good and I’m very excited to share how deranged they are together…

Right now it’s just about making Naudy readable and working on extra fun stuff… like monsters!

I’m trying to work out his “monster” form…. The concept is there, but the execution is just not ticking the right boxes for me right now… also, the line art at the end is old and probably will go unused, but thought it was something to add here because like hehe look at my deranged son :)

When it comes to the writing I'm going to split it into two chapters. The first half will be a summary+ of his upbringing, and the second on how he fucked up his arm and why. Just enough info to get a read on what his deal is pretty much. I just need to edit the first chapter and rewrite some parts then it's ready to annoy the world!

I'm trying to think of a good design for his original mother... I'm thinking dark hair and milf (¬‿¬)･ﾟ✧ ... honestly I need to start drawing out the designs for all the other TS OCs I've accumulated over the year (?) here's a fun list-

Hickery (bloodhound OC... dilf oc...I've already been made fun of for his name, but it stuck to me so I'm keeping it!)

Maya (another bloodhound OC)

Cove (Hound's ex-husband)

Cetcher's gf + informant, who still needs a good name...

and that one guy! (doesn't have a name yet... but is important in Hound's part of the story... she bashed some of his guys in the back of head with a hammer... it was a whole thing... Leander got involved... gang war stuff, don't worry about it...)

There are technically more OCs, like that Hightown lady Noble befriended during their first few weeks in town. However, I'm not sure if I'm including her in the final plot meeting. But yeah, anyway I'm rambling so on to Noble news!

For Noble, everything is plotted out in advance surprisingly…character playlist and all... just need to find the words to explain their story other than “parasite with a weird God complex feels guilty” I do have some old memes and art of them though!

Noble curse stuff...

Childhood cult stuff...

Current reality...

Poor person masquerade dress censored for tumblr...

Noble folks!

I actually wrote out a whole little thing for the black dress in a what-if scenario of...

"Oh! ,,,What if there is a masquerade in Hightown and Noble sneaks in to get some information on a certain individual who might know a thing or two about curses, but turns out the whole event if devious and their all eating babies or some fucked up shit,,,, and what if while sneaking around they see Leander and are like 'what's he doing here?' and they lock eyes but he ignores them as he ducks into a closed off area with some important looking people,,, once he comes out he walks past them and they lock eyes again as he leaves,,, Noble chases after him and once they catch up they get to see his cold and detached side right before he hides them from the other guest,,, after they talk for a bit, or more like Leander talking over them and their worries as he slowly wipes their memories while they protest that it's not fair only to wake up the next day back in their room,,, thankfully their curse is good for more then just silly bouts of insanity so they have a hunch on what happened, everyone around them who knew where they went the night before were obviously worried and the general consensus is that they might have been drugged and should go check in with Kuras just in case (wow this is getting long...) but on their way to the clinic they run into Leander and of course discusses their current problem with him ,,, words are exchanged,,, a kabedon may occur,,, as he whispers in their ear,,, all fun till he erases their memories again, or at least tires before receiving a little gift that makes him look at this whole curse thing from a different angle." DEEP BREATH! ...Anyways... yeah.

But it was taking so long to write out that I ended up losing motivation so yeah... like everything else we will pray the motivation comes back so I can finish that... plus who knows, I might make an x reader version of it if I can. (don't hold your breath... I'm extremely slow)

Anyway, I'm gonna to shut up now because I've yapped enough. I'mma make some hibiscus tea (ironic) and head to bed... Night night, if you made it this far, thank you for listening to my craziness <3

[nemesis-is-my-middle-name]

U said prompts are ok too so maybe... Ingo falls into Hisui with at least 1 pokemon?

(still taking!)

(hmmm ok there is a very chandelure centric au i've been kicking around but idk if i can work it in a short thing. let's find out)

Chandelure are by no means native to Hisui, so nobody in the clans has see this specific kind of Pokémon before, but it doesn't really matter, ultimately. They know what that purple flame signifies, what kind of fuel it burns.

They're right, but their fear is also misplaced. Ingo knows this. It's not that the lantern has morals, exactly, but it's well trained—it knows how to siphon only a tiny bit of life, how to feed itself without killing others, it would only eat whole humans if it was desperate.

But he also knows that if it were starving, it wouldn't hesitate to use whatever was nearby. And, worse, he also knows—though he can't justify it to any level of conscience—that he would let it. For some reason, there is nothing as important to him as keeping the lantern lit. And if it fights too hard and its flame dips low, he feels it, as if it's him that's growing exhausted, but that isn't it. That's not enough of a reason. Whatever his connection to this lantern is—wherever he found it, why it follows him—he can't shake the feeling that if it ever goes out, something terrible would happen. Terrible enough that he would do just about anything to keep it burning.

And Hisui, he feels, is sparsely populated, such that it might struggle to find fuel, but fortunately they figure out a solution pretty quickly. It drinks the frenzy of alphas. It's easy—none of them come close to matching its strength.

(The Pearl Clan warms up to it pretty quickly after that.)

[tarmac-rat]

Open to see something cursed

Streetkid!Riley

[seaquestions]

i rly wanna make a personal zine one of these days.

[givehimthemedicine]

El traded herself for Max in the void: a timeline switch crack concept

I'm not saying "theory" because I'm not 100% serious but hear me out anyway because there is something here, I'm just not sure what. if nothing else I get to inflict an angsty scenario on you

so you know how Two Days Later El's behavior irt Max is just so weird?

after everything that happened, you'd expect El to already be screaming "IS MAX OKAY?" as the van door is sliding open. instead, she doesn't ask about her at all.

even when Dustin says Lucas is at the hospital, El goes "is he hurt?" as if Max isn't crossing her mind at all as a reason for him to be at the hospital.

Will's casual inquiry of "where's Lucas" is weird in of itself. Will was there when El hatched the whole "Protect Max" plot and literally spoke to El while she was in Max's memories/the void. he knew Max being in danger was the whole thing. he definitely would've asked about Max before he asked about Lucas.

then Lucas says how it was a miracle that Max's heart started beating again, and Mike and Will give El this look. the obvious interpretation being that they assume El is somehow responsible but didn't say a word about it. (classic El behavior)

call me crazy, but doesn't it kinda fit to say that Two Days Later El does not have Void El's memories?

the El who arrives in Hawkins is NOT acting AT ALL like someone who watched her best friend die, brought her back, and ended the interaction with her in a dubiously-alive-critically-injured state.

this El is behaving like one who succeeded in rescuing Max and therefore isn't especially worried about her current status. maybe even a version where Lucas never got beaten up, the tape never got broken, the plan worked. who never told the boys she revived Max, because she didn't.

there's just something about El being all dirty and bloody during Max's death scene and then visiting Max two days later still wearing the same outfit except a still-clean version of it. like none of that happened to this El.

there's just something about Dustin's "oh God, you don't know." maybe this El doesn't! she looks lost af.

there's just something about Mike's "we came as soon as we heard." El was there and saw it all, but you just now heard it from Dustin? I know El is tight lipped but you're really saying she got out of the pizza freezer and into a TWO DAY LONG van ride and the conversation never got around to, like... how the mission went?

yet as of the cabin end scene, suddenly Mike and Will both know stuff that only El could've told them. so.. she did talk in the van? but didn't mention the Max stuff? that's even weirder.

let's talk about Vecna's 4th gate

so gates open on the exact spot of Vecna's victims' bodies, right?

here's where the Max gate starts to open in the UD attic, corresponding to exactly where Max is lying dead in the RU attic.

except that absolutely cannot be.

because they showed us what instantly happens if even a small part of the gate crack passes beneath a person. it looks like this:

so if that gate originated exactly under Max's body, Lucas would not have any warning. the only way he would've found out about it is by seeing at least a section of Max's corpse suddenly get vaporized Jason-style. (if not also his own body!)

instead, Lucas has time to see it starting to form and pull Max to safety. which means it couldn't have started forming exactly under Max.

the forming gate that Lucas is looking at as he drags Max away is actually sorta between Max and the spider shrine.

now look where El was sitting.

what if the 4th sacrifice was El, not Max?

we never actually saw the results of whatever El did when she put her hand over Max's heart. the easiest assumption is she just did magic cpr and started Max's heart again. but what if she was doing something to trade places with Max?

"but wtf are you talking about, because El continues being alive for the rest of the episode?"

for this concept I'm borrowing an idea from @heroesbyler that's had me clawing the walls of my cell lately - in case you missed her recent big brain posts, she pointed out some weird discrepancies in actual vs void versions of scenes throughout the show, suggesting that when El visits the void, she could actually be looking into different timelines. I'd definitely submit the Creel attic as another example.

so when I say what if El traded herself for Max, I'm talking Void El and Void Max.

I'm talking something about Max's death, or revival, or the opening of the gates, throwing some kind of trolley dilemma train tracks switch between timelines. idk there are too many details to iron out before I pitch this in seriousness but idk I just. I swear to you Two Days Later El and Void El aren't lining up.

some discrepancies in the real vs void Creel attic (not all. this could be a whole post itself)

void vs UD:

according to the UD shot, the origin point of the death gate is perfectly centered relative to the rug, and, say, a foot away. here's my hasty approximation of where I'd expect it:

this is why I'm not taking the L about how honestly El's location doesn't perfectly align with the UD origin point - because neither does Max's.

void vs RU:

IRL, Lucas is cradling Max across his lap. his legs are more or less parallel to the spider shrine while Max is angled at, very roughly, 45 degrees to it. the bug lamp is centered on it.

in the void version, the bug light is far towards one end of the table. while Lucas and Max's positions feel fairly consistent, their placement relative to the SS is not.

if you follow the lines of the floorboards in the IRL shot, his butt is aligned nearly with the far right edge of the SS. but here, don't they all seem decidedly further towards the left of it?:

as soon as Max dies, things get differenter. now they're further right again, only Lucas and Max's positions are more spoony, pointed the same direction. she's nearly parallel with the SS now. her feet also seem jacked up at more severe angles.

overhead shot also makes that bug light's off-centeredness very clear.

also you notice how we don't see El hearing Max in the void? I mean, she must have, otherwise she wouldn't reply "No, you're not going", but it's just odd how WE don't see that.

I've talked before about how Max says both "I don't want to die" and "I don't want to go," which are two different concepts in ST universe, and that Lucas and El each get to respond to one of them. so why not show us El hearing the one that's hers?

IRL Max is begging for her life, but when we switch to the void, she's abruptly silent and much more still. El only hears Lucas. back to IRL, Max is still more actively struggling and vocalizing a little before she dies. the energy doesn't match super well.

other bits

on the subject of El's "No. You're not going." if you really wanted to, you could interpret that in a "- because I'm going instead" way. I know, she didn't especially say it with that inflection. but it does have me thinking about how incredibly in character it is for El to be willing to trade herself like that.

it made me think of this moment:

yeah we've all demanded to know what was the reason for having Owens assume Max was a boy. but has anyone talked about how El, in her reply to that very line ("no, do not send your men. send me.") does the same thing? Owens just said "people". El assumes they are men.

there's just something about El saying "do not send your men[?], send me" immediately after Owens referring to Max as a him[?]. it gives kind of a "don't take Max, take me" flavor.

there's also something about how Max wasn't supposed to be the 4th sacrifice anyway.

and by this point El has heard the monologue about how all this time, it's all been about getting to her. so she's definitely feeling that Max is dead in the crossfire because of her. you don't think that if she only could, she would take Max's place and face Vecna directly, whatever that entails? whether it's death or some ambiguous awful fate?

can you tell me this kid

wouldn't trade herself for Max?

also just curious that the very first time they played Running Up That Hill, it actually began on a shot of a distraught El walking down her school hallway before it transitioned to Max walking the opposite way down her school hallway. with the song edited to skip straight from the opening to the chorus about swapping places.

don't worry I'm sure there's no way that means anything 👍

finally, El is distraught not to be able to find Max in the void when she goes looking for her. but it's weird because El has located corpses, flayed people, and inanimate objects in the void before. there's no reason she shouldn't be able to locate Max due to her being in a coma/"trapped".

what if it's not Max who's offline? what if El can't see into that timeline anymore because she's dead in it?

[ach-sss-no]

I feel weird giving out unprompted permission statements because I'm making a big assumption that anyone's going to want to use my work. That said I also know people do like to build on other people's art and can't always work up the nerve to ask, so: Anyone is free to use this design if they want to for any reason- I don't own this character anyway. (Although I am hopeful that you do not, you know, monetize it, because i cant do that and if you do that its not fair ;_; ) Feel free to remix, improve, use as basic inspiration, etc. I would appreciate a tag/mention if you use it so I can see what you did!

This design has evolved a little since I first started drawing it, and I will see people reblogging the original design notes and think 'oh no! those are out of date and I don't have new/accurate ones!'

Reblogging the old one is still an honor- and the first take on a design just sometimes has a different appeal because it's less refined and more chaotic (especially with a character that should be chaotic), so I suspect some people will just prefer the older drawings & they'll still get shared, which is great! But I felt as if the project was a little bit incomplete without an update, since I think I've reached the point where if you see that old post & then come to my blog and look at my current content, there's a noticeable difference.

Also I kind of like making design notes.

If anyone's wondering why things changed, the answer's really simple- 90% of it is just the result of him settling into having more consistent anatomy and facial structure so that I can keep him looking accurate across different angles and poses. If you look at the old drawings you may notice that Gollum has an inconsistently shaped squishy head. That's fine for a concept post but doesn't work as well for maintaining him across different comic panels or in an animatic, at least not the way I work.

In the same vein, while my art is still & will always be heavily stylized, I started giving him more structured semi-sorta-realistic anatomy so that he wouldn't look entirely out of place next to less bizarre-looking characters such as Aragorn. (I feel that's also helpful in nudging Gollum into the uncanny valley where he ought to be, rather than leaving him so abstractified that there's a risk you won't see anything wrong with him having noodle arms.) He also acquired the new-style 'garbage bag' outfit because I found a reference in LOTR to his arms and legs being bare/exposed (it's in one of my favorite passages, the 'an eagle would think Gollum was dead if it came by right now' passage in The Two Towers):

Not even an eagle poised against the sun would have marked the hobbits sitting there, under the weight of doom, silent, not moving, shrouded in their thin grey cloaks. For a moment he might have paused to consider Gollum, a tiny figure sprawling on the ground: there perhaps lay the famished skeleton of some child of Men, its ragged garment still clinging to it, its long arms and legs almost bone-white and bone-thin: no flesh worth a peck.

[soopibean]

ATEEZ COMIC

Woooop i finally finished this!

This is my first attempt at drawing in this kinda way (aka the comic/manga way)

I love incorrect quotes so much and i really wanted to help visualise what they may look like. So expect more of this sorta thing in the future!

Of course credit goes to whoever made the original 'two people arguing and then it turns out its just uno' concept. I just drew it and added some dialogue to make it more dramatic.

In case its hard to tell, the people in this are Ateez's San and Wooyoung, with a guest appearance of Seonghwa and Hongjoong at the end.

Anyways i hope you enjoyed and if you had an idea of what i should do next lemme know

DO NOT REPOST OR COPY THE ART (ya know the general)

[katiekatdragon27]

Guys sorry, I am not immune to Hazbin/Helluva propaganda. I am also not immune to criticizing the designs and character motivations.

So! Let’s start with one of the most redesigned characters in the show: Beelzebub^^

So, sorta hot take, I really like the idea behind Beelzebub in the show. Ik "boo tomato tomato," but hear me out. I like how she is meant represent the hellhounds she rules over (ik she actually is a reference to Jay Jay, but let me have this connection PLEASE). However, the source material is very bug-like and compact.

The HB Beelzebub is NOT that bug like. Or compact.

With this redesign, I decided to pick all the stuff I liked about the og, and what I wanted to see more of. I kept her colors and general vibe but made her more built like a bumble bee with more inspo from the fly Beelzebub.

This is what I got.

Progress doodles n stuff below cut (it's gonna be an essay, y'all know the drill):

(She was much sharper in the sketch lol)

DESIGN EXPLANATION:

Anyways, I always imagined Beelzebub to be, y'know, more BEE like. The show did not give me that, so I did it myself. I made her wings bigger, gave her an actual bee tail and face (with the proboscis and stinger too), and more stripes and fluff. I also made her small and slightly chubby. Gotta hone the bumble bee.

I thought the hair made the original design too cluttered, but I wanted to keep the party colors. To compromise, I stuck all the goop in her tail. It sort of works like a firefly's abdomen and a lava lamp. I also nullified her cloths, so they would blend more with the body and help pop the neon colors in her eyes, antenna, and tail.

When she stands at her normal form, she is the smallest of the sins. But when she is in her "true" form (that I have not illustrated yet), she is the biggest of the sins. This is a reference to how gluttony starts small but gets really large over time, both mentally and physically.

As for additional details, I wanted to keep her "foxness". So in a brilliant brainstorm of ideas, I came up with the concept of "Masks". Basically, all the sins I'll redraw will have them. The masks are meant not only to represent their hellborn, but to represent how the sins pretend to be good things at first.

Stuff like "Rest a little more, it won't hurt" and "Be proud and don't care for what others say" are how they present on the surface, but if you continue those mindsets in a toxic way, it turns into sloth and pride and stuff instead of self-care and being proud of things.

For Bee specifically, it's "Have a little more, you deserve it!" and she has a hell-hound/fox mask. This also feeds into her personality change.

PERSONALITY CHANGES:

In the og, she's a party animal who cares for... moderation??? Yeah, I hate this about Helluva Boss. Why is it so hard to write *sshole/negligent people in power and why is it only Mammon who's allowed to be like this? Give me more morally dark grey powerful people!

That's where Bee is different for the redesign. She runs te lowest ring in hell and is in charge of hellhounds, the lowest species in hell. B/c of this, she is much more lenient compared to the higher ranked sins in hell, which is why she is often seen talking and hanging out with lower classes. (She gets slack for this from the other sins). She is also the only sin who has had open relations with lower class citizens all the way down to hellhounds. However, none of them last. Most of her relations outside of the sins are one-night stands and flings.

As for how she sorta sucks: she is still a party animal, yes, but she purposely chooses to be blind and ignore all the suffering that occurs at the parties. People have fun, but they overindulge, and as a result get sick, sad, and violent. However, Bee leaves the parties before they get this way. She does not want to see it. She is negligent. When she comes back to the party aftermaths, she quickly gets her workers to clean everything, so she does not have to discover anything gruesome and sad. She just wants to live, party, and see people "happy". (Sort of like Gatsby's parties minus the pining for a single woman who does not care for her).

... I wonder what would happen if that mental image she had shattered? I guess only the future will tell.

But anyway, if you have any questions or characters you recommend I design or redesign, feel free to ask lol.

I hope this made at least a little sense. Have a lovely day^^

[awakentheeldritchabomination]

First off, I wanna say that I mean no disrespect to the artists who worked on Hazbin Hotel. It’s just that I’ve been seeing people make redesigns of Hazbin characters, and though I don’t usually participate in stuff like this (it seems fun, and you are all incredibly talented. I just feel kinda bad tinkering with someone else’s work like this), the show made me frustrated, and frustrated induced brain-vomit started sloshing around in my skull so noisily that it’s been keeping me up. And, well, I had to get it out somehow.

So…here ya go, I guess. It’s nothing crazy or new. It’s just a few disgustingly rough ideas for this very specific version of Charlie that I kept seeing in my head. They’re far from polished or anything, and they’re definitely missing some key details because I’ve been hyper-fixating on trying to get the face right lol. I might make a full body illustration later, but I have commitment issues so who knows how far this’ll go. That is to say, don’t expect any more of this or the other characters unless 1) my brain decides to torment me with more literal demons or 2) I, by some miracle, become a more productive person. Plus, Tumblr’s a new thing for me, and I don’t know what I’m doing with this yet other than posting art and then disappearing for years. Seriously, you have no idea. It’s a wonder that I posted for a second time.

Anyway, the direction of this design is pretty obvious. I went with the lamb/goat motif because I liked the idea of inverted/parallel symbolism. I was toying with a “wolf in sheep’s clothing” concept where they appear to be a lamb in this form but actually shift into a more wolf-like dragon sorta thing when prompted. Their wardrobe is supposed to be an extension of the innocent lamb deception as the ruffles and looseness are meant to be kinda reminiscent of fluff while communicating a sense of privilege (a white untainted by the grit of Hell… something that probably wouldn’t last long). I was also inspired by white goth and catholic goth aesthetics (I blame Ethel Cain) as well as those insanely beautiful ball-jointed dolls. I don’t know if I captured that well (to be honest, the more I look at those digital renditions, the more I hate them). I considered adding a pair of spectacles coz I thought it was cute lol, and because I thought it could be a way for them to try and seem more human.

If I were doing a rewrite (which I have ideas for, but I should probably focus on my actual original characters instead) then:

1. They would be agender and androgynous (I’d go the Good Omens route and make most angels/non-human entities largely genderless as gender is a human construction, one that most angels wouldn’t really concern themselves with)

2. They would be kinda elitist and naive but still sweet

3. Their intentions would not be entirely insincere, but they would not be acting without selfish goals

4. They would be an eldritch abomination

5. There would be possible exploration of their role as an antichrist as well as basically being a tool of war for their papa’s self-gratification

6. Their pops would suck

7. More horror

8. Like, it wouldn’t not be funny…but horror’s my genre so….

9. They would not suck at fighting, but death is traumatizing and so is being the cause of it (squeamish)

10. That being said, could make friends with Death??

And that’s all I feel like writing. Hopefully I update this lol

[codexcracked]

Hollowhead Designs

I guess I forgot to post these??? Well, here they are now. The hollowheads from Animator Vs Animation!

Coloring is hard but I think they came together pretty well! I really like the concept of the 'hollowhead' being a halo rather than a literal hollow head... I'm just not fully sure how i'd draw that 😅

Musing on their designs and closeups are under the cut~

Chosen was supposed to look like that one guy with the scarf and sword from that flipnote animation. I originally wanted to give them a cape, but I couldn't make that look good... so scarf it is! As well as anime protagonist hair :D The export really did those flames dirty... They look WAY better in my at program. ah well.

Dark Lord looks pretty cool Imo. The suit jacket is VERY much their style, as is the triangular hairdo. The bracers aren't perfect, but they add to the whole 'angular' look. I wanted to give a nod to the virabots without literal extra legs, so I added some webbing to the inside of the jacket! I'm pretty happy with the colors here, good mix of light and darks that feel 'cohesive' to me.

Second Coming was supposed to look... pretty normal, all things considered. Friendly boi. I couldn't figure out a good hairdo, so I ended up just not giving them one, and honestly I like it better that way! They carry trinkets from all their friends in their sweater pockets :D

AURAAAAA I was adding the aura (shape of which was inspired by a Flight Rising cosmetic) and realized I could totally light the halo on fire too. They go a little apeshit, as a treat <3 Pose could have been better here, but 'aura' chosen doesn't really move around much in the animation anyways? Just sorta hovers there. Which this kinda conveys. I really enjoy how the green contrasts with the orange :D

The evilest lad! I loved AVA V so much. Victim is physically much shorter and appears to be weaker than the other hollowheads- and of course they would look like that, they actually are weaker! This design was made before AVA The Box, so I didn't add any of the 'editing' things- and besides, those arent Victim's anyways. I made Vic appear a little bit fem as a treat, and gave them a gun- gotta girlboss :D

[yanderes-galore]

The news about Resident Evil 4 remake made me rewatch some videos of the original and, anyway I was thinking about how Leon gets infected by Las Plagas and all. May I ask for a scenario or concept of infected!Leon being protective of his Darling?

There's some really good fan art concepts online of Las Plagas! Leon, ngl. Pulling from those. Take this as an AU. May make this a scenario later as I found it came out nice.

Ended up as a Las Plagas! Leon general concept sorta, lol

Yandere! Las Plagas! Leon S. Kennedy Being Protective

Concept

Pairing: Romantic/Animal/Pet-Like

Possible Trigger Warnings: Gender-Neutral Darling, Yandere-like behavior, Feral beast Leon, Murder, Violence, Stalking, Overprotective behavior, Possessive behavior, Monster loving.

- Let's say Leon doesn't get the Las Plagas parasite removed in time.

- The mission is officially considered a failure and Leon is left trying to regain his more human mind.

- Everything is just so fuzzy....

- He's just about going feral and is much different from how he is when human.

- How you fit into this can be up to you.

- You could be Leon's partner, someone not infected in the village Leon's investigating, or someone deployed to find Leon's whereabouts.

- In any of these ways Leon would probably act the same.

- He has a much more feral mind than his usual self due to the parasite so how he finds you might be through stalking.

- He plans on hunting you down but some human part of his mind holds him back from leaping on top of you.

- He's better than that... he has to be.

- You could imagine Las Plagas! Leon however you want but personally I like to imagine him like a hybrid of the Verdugo.

- Tail, claws, sharp mandibles, etc.

- However if you want more accurate to the game you can imagine him keeping more of his human form without all that.

- It doesn't change his advanced reflexes, endurance, and speed.

- He's no longer human but he's strong enough to keep at least some moral compass.

- By the time you catch a glimpse of him it's clear something's wrong.

- His clothing is ripped due to excelerated growth and attacks from other villagers.

- His eyes are crazed, drool is dripping from his mouth.

- Everything about him looks dangerous to you, but you notice he never makes any attempt to outright lunge at you.

- Leon's always staring at you from afar.

- His eyes are trained on you but he usually is atop a building or behind something.

- You don't entirely see his full appearance until you run into danger.

- Perhaps you're surrounded by infected villagers, or managed to find an even bigger/stronger foe.

- You think you're a goner...

- Left to die by being maimed in this village that reeks of death.

- Then, there's a roar.

- Before your eyes you see Leon on a rooftop, eyes burning in fury at your enemies.

- You heave a sigh in defeat and close your eyes, trying to keep your distance.

- Then you see Leon not attacking you, but defending you.

- The beast growls and does what he can to protect you until nothing else moves except you and him.

- Then Leon turns to you, eyes focused before keeping close to you.

- He can no longer just watch you from afar.

- He needs to be beside you to keep you safe.

- That leads to you and Leon becoming (forced) companions.

- He never talks much, only following you around like a strange puppy.

- Not many come near you after Leon forces himself by your side.

- Most of the time he walks on two legs, yet sometimes four is faster.

- When Las Plagas! Leon is feeling protective he'd probably wrap himself around you and growl.

- If that doesn't work then he goes in for the kill.

- There's also a chance Leon would be affectionate even in this form.

- Although he is rough with it.

- Rubbing against you harshly, pulling you into abandoned buildings to hold you....

- Leon becomes an overprotective guard dog as a Las Plagas beast when it comes to you.

- In his human mind, he adores and loves you.

- Although the parasite makes him much more like a beast when it comes to expressing such thoughts.

- He doesn't care what happens to anyone who crosses him or you.

- As long as he can keep you safe then his claws will rip them to shreds.

[deliciousdefendorinternet]

in terms of future story concepts which idea do you think has more potential Poppy and Viva's mom? or Bro zone's parents?

since their both things the fandom often talks about either by just wanting them mentioned so we finally have answers or by actually having them make an appearance and be central to the plot of a future film.

and I can't imagine a future film doing both since that would be way too similar to TBT cramming in new siblings for Both Branch and Poppy in 1 film thus making for a cluttered film that didn't have time for everyone.

so yeah assuming either of these ideas do become plot points in the future which one would you prefer? and what kinda thing would you like them to do with the characters?

in terms of Bro zones parents I've said before but I like the idea of them being dead beats who left when when Branch was either a baby or an egg.

and even when they were around they were crappy parents either neglectful or emotional abusive maybe they forced the kids to be the perfect band Mistreating them in the process hence where JD got that whole attitude from.

and in present day they could maybe come back asking for help from their sons which could cause a bit of drama among the family since Branch could be willing to give them a second chance and want to get to know them. meanwhile the older bros don't want anything to do with them and don't even want to help them out which Branch could see as hypocritical given what the brothers did and the fact he gave them another chance.

I wouldn't want this to be yet another rushed forgiveness story tho so I'd have the brothers begrudgingly agree to help have the parents slowly worm their way in with their kids over the film.

especially Branch given he was too young to remember anything about them but in the end the parents haven't at all changed and once they get what they needed with the help of their sons they betray them and leave them trapped.

and here the bros all finally have a proper conversation about everything Branch maybe says he was just desperate for their family to be complete and normal.

and that he just wanted parents in his life for the first time since he was a little kid just like his Brothers did.

tho this could lead to JD Bruce and Clay and Floyd to a lesser extent finally being fully honest about why they didn't want them back in their lives.

revealing to Branch that everything wasn't as story book perfect in their family before he was born as he seemed to think.

and their parents were always selfish and cruel maybe they actually forced them to start the band simply so they could profit off of them and as I said they were the ones who originally pushed for perfection.

emotionally abusing their kids in the process and eventually after they did leave when Branch was born JD could remark in a guilty way that he followed in their footsteps since it was what he thought he had to do to make their family work.

I like the idea of Brozone's parents being used to show a sorta generational trauma sorta thing with JD and I like the idea of the Bros being given a bit more damage to be honest lol.

it helps to explain their reasons for leaving a little better after they saw JD become like their parents used to be and it gives them some trauma of their own to relate to Branch over.

personally that's how I'd use Bro zone's parents as I feel it'd be pretty silly to have yet another film just about reconnecting with dead beat family members who still get portrayed as decent people despite being selfish and crappy.

frankly the Trolls Team just aren't very good at writing those kinda stories.

anyway as for the idea of Poppy and Viva's mother I'm honestly less filled with ideas personally I don't see her as a story concept having as much potential as Brozone's parents.

maybe if she were used it could be in a similar way she left when Poppy was only a baby and Viva was younger and comes back asking for help while claiming to want her daughters back in her life.

she could turn out to be a villain later on who doesn't give a stuff about her family even after all this time and ultimately she's the main villain of the film.

I just feel less inspired by her because overall the Poppy family dynamic is pretty trouble free even tho Viva and Poppy deffo should have issues with Peppy.

while I'd argue having another movie just about reconnecting and forgiving dead beat family members would be kinda annoying.

it is a possibility that that could be the case and maybe the mother is just made someone who Ran away from responsibility but is back and genuine about wanting another shot.

only thing that would interest me in this idea is maybe giving Poppy some angst out of it tho that would also have to include Viva as well.😅😅😅😅

tho given how Poppy was a baby during the escape and she didn't even remember her own sister the idea of her remembering her own mom wouldn't really make any sense annoyingly.

IDK what do you think?

[grapejuicedragoon]

The radiant Kin her name is Yura, shes sorta an oc/AU idea i made My idea behind her concept is that she's an offspring of The Radiance as a last resort plan to preserve herself and attempt to continue Hallownest's infection. However, Yurai will defy her blood by helping the people of Hallownest instead. Her campaign takes place after HK's Dream No More true ending. She is unaware that she is related to a vengeful Goddess that destroyed everything and is the catalyst for the infection. Upon coming across Hallownest and seeing it in its ruined state, she soon wishes to help the people restore the fallen kingdom and goes on an adventure despite her mediocre fighting skills. She is distrusted by most, but still wishes to help them out the best she can anyway, fully unaware of her origin. She slowly does discover the truth in the end, although she chooses to defy her mother, now carrying the burden of knowing the suffering caused by her own cursed blood. She becomes bitterly spiteful of her parent and gains even more determination to help rebuild the ruined kingdom from its ancient remains.

me and my bestie @dragonfiremagic were discussing a lot about this

[cringecompanionapologist]

Some Interesting Stuff About the Development of Turlough

I was seriously tempted to call this post "Vis-lore Turlough". I am so fucking normal.

Anyway, I found a website via the TARDIS wiki that goes into detail about the concepts behind and making of Doctor Who episodes. For Mawdryn Undead, this means a discussion of how the character of Turlough was developed.

It started with JNT and Adric not going according to his vision. He was supposed to be a companion you couldn't quite trust, but that didn't really work with him, so it was decided that they'd try the idea again.

Honestly, the "untrustworthy" thing didn't work with Adric because of his age. He had an innocent vibe to him and tended to work best when the fact that he was just a kid trying his best was emphasized.

He'd often sort of go rogue, trying to save the day in his own way, often with some lying and stealing involved, but this seemed to confuse people. Adric became infamous for taking the villain's side, something he only did once. He pretended to take the villain's side in two other stories, but it was a fake-out. In Kinda, since the villain he pretends to side with is obviously insane, the fake-out is also quite obvious. I've seen reviews of State of Decay that don't seem to understand that Adric was supposed to be faking, however. There was also Castrovalva, where Adric was forced to work with the Master, and there's a scene or two where he pretends to cooperate willingly, but it doesn't last very long and it's always clearly a fake-out. Honestly, Adric is actually a pretty bad liar. I'm not sure if he was supposed to come across that way, but it's what we got.

Turlough was an attempt to start over and try the idea again, but with a clear story arc behind it that would make the writers keep that element consistent. Notably, for a character meant as a replacement for Adric, and a character who'd later be introduced as a schoolboy, the original plan for Turlough doesn't seem to specify his age. He's an alien working for the Black Guardian.

Unlike Adric, Turlough wasn't really meant to be a teenager. He originally wasn't going to be introduced as a schoolboy at all. The planned third story of season 20, where he'd be introduced, was The Song of the Space Whale, but the story fell through, eventually ending up as a Lost Story audio with 6 and Peri.

Since this was a last minute change, Turlough wasn't actually aged down. According to Mark Strickson, Turlough is supposed to look like he doesn't belong in the setting, and one of the ways he doesn't belong is by being obviously too old. It's never directly explained to the audience that Turlough is older than he was pretending to be, though it is implied. When given Adric's old room, he complains about it looking like a child's room, because he's had enough of children. So, the clearest answer we get to Turlough's age is "older than Adric".

Having Turlough be a bit older makes the more morally ambiguous part of his character seem more convincing. He's also given a more clear motivation for it. Adric had kinda sorta been an outsider on his homeworld who learned to steal things, but he stole because his big brother did. Adric sort of latched on to any role model he found, so simply traveling with the Doctor would change his moral attitudes to better match him. He's still young enough that his worldview is shaped by adults. Turlough is old enough that, even if he respects and admires someone, he's developed his own view of the universe through his own experiences with it.

Another reoccurring point in Mark Strickson interviews is that he wanted Turlough to be more independent than most companions. He's from an advanced civilization, so he knows how all the tech works. He's familiar with alien species. He doesn't need the Doctor to explain everything to him. But, the show kind of forced the companions into a simplistic role. JNT believed that at the end of the day, the companions were there to ask "what's happening, Doctor?" even in situations where they should definitely already know. They had to stand in for not only an audience of ordinary humans, but an audience primarily of children, so even things that a regular human adult could figure out would sometimes have to be spelled out to them.

Janet Fielding also had a problem with this for feminist reasons. Tegan wasn't supposed to be stupid. This led to a period of time where everyone was going rogue. You had two actors playing their companions as intelligent, independent adults when the script needed the opposite.

I'm calling attention to this because I think it's interesting that this was happening with Five's companions specifically. Five's main fandom characterization is as a dad with all these adopted queer youths. Five does often act like that, but it would be interesting to really look at that in the context of companions that probably wouldn't want to be treated that way. Adric and Nyssa were both introduced as teenagers, though Nyssa seemed to grow up over time. They sort of were his adopted children.

But, Tegan and Turlough enter the TARDIS as adults. The actors' frustrations could actually fit in-character. Tegan feels like she's being talked down to because she's a woman and Turlough had to pass himself off as a schoolboy but is sick of it. Why he doesn't change out of his damn uniform makes no sense with this in-universe. Out of universe, 80s Doctor Who characters were often given limited selections of outfits so they'd be more recognizable. In Turlough's case, he was dressed in black to contrast with the Doctor's white and beige and Tegan's more bold colors. It represented the personality of each character: The Doctor is mild-mannered, Tegan is bold and tends to stand out, Turlough is somber and cynical.

So, over time, Five's companions grow up. Nyssa is with him long enough that she literally comes of age while traveling with him. With Adric and Nyssa gone, we're left with Tegan and Turlough as two adult companions. Five spent years alone with Nyssa, basically acting as her adoptive father, raising her to adulthood, when she decides to leave home. He's not sure how to relate to his companions as adults. They haven't been in quite a while.

In comparing 5's companions to older companions, Adric and Nyssa are more like Susan or Zoe, very smart, but still kids. Tegan is more like Sarah Jane, limited in scientific knowledge by being a 20th century woman, but still clever and not fond of being talked down to. Turlough is more like Romana, another intelligent alien that the Doctor could communicate with as an equal. At least, that's how I would've thought of it if I'd been given these characters

This has devolved into rambling now. I just wanted to analyze 5's companions and "dad" status. I've run out of things to say.

[a-s-levynn]

Sooo i did a thing, let me share it with you all

The casing of my crystal necklace broke a while back and i was planning to replace it some way shape or form but i had no concept until i saw the pic below. And so i was like, i can do that. Or something close to it. So i did it.

Original pic of Vessel (altho i cropped it here) by @jacobshepherd_ on IG

I feel it turned out pretty well considering i wasn't planning on a 1 to 1 recreation. Got quite close anyway. And i'm sorta happy about it. It's been a while since i made anything arts and craftsy but i'm so glad i finally was able to create anything at all.

[bogos-bint3d]

Considering Yellow just came out, I'm curious how you interpret Justice!

YEAH IM FINALLY GONNA ANSWER THIS ASK FROM ALMOST TWO MONTHS AGO BECAUSE IM FEELING GOOD

Ok so I don't really know how to start so to get things going I'll begin with some pictures of them

I have to say, they give me SO many feelings. I originally started work on them long before I even knew what undertale yellow was. My first attempts at drawing them (which you can see in the top left that were used for reference) were done back in June, but I was planning things for them several months before.

I remember them actually being pretty much the very first fallen human who I felt motivated to make something with, because I saw a comic of someone's own interpretation of them. I noticed how in that comic, they went to Mount Ebott intentionally, for the other humans or something, and that was sort of the beginning of my inspiration, but I felt like I could do more with it. So, starting off with that I kinda built on it. I wanted to do something different from what I'd seen before, where they wanted to get justice on the monsters FOR hurting the humans. I remember someone saying something along the lines of them thinking justice was a little bitch, which of course was a valid interpretation, and that's what made me sorta go in a different direction.

For me, I saw justice as someone who would've wanted justice for the MONSTERS, from the very start. They were the kind of person who didn't really believe the legend of humans and monsters, but of course knew Mount Ebott was a very dangerous place. And, yknow, believed monsters were just a legend, they loved to think about the fact that if monsters WERE real, they were probably trapped unfairly. Think about Chara for example. Though they were human themself, they still hated humanity, and felt connected to the monsters. They wanted the monsters to be free and to go against the humans. I imagine justice to have been something like that. Not as much hatred for humans as Chara maybe, but still knowing of all the bad that humans had done, and, being an edgy teen, felt genius for the concept that this ""old """"silly"""" legend"" would probably have been biased in favour of the humans. (which they were actually right about. Good for them 👍🏾)

Am I explaining this correctly? I'm not sure if I am lol

So anyways, yes my justice interpretation very much did not want justice on the monsters once they discovered the legend was true, but rather was very much on the side of monsters getting justice on the humans.

Let's see, what else is there... Ah so as I was explaining before, seeing that comic also sparked the idea for me that they went there looking for someone. They'd usually never even get near to Ebott, however, they end up having to. Ok this part is like it's own separate infodump so like take a breath. So this all ties in to one of my other fallen soul interpretations, integrity. I won't get too into them right now because that is like a WHOLE OTHER CONVERSATION, so for now I am going with the BARE ESSENTIALS. Justice went there specifically to go look for integrity, because in my little interpretation thing, they're siblings. I'll show some quick things about them then straight back to Justice I prommy

Their name is Leo (I don't have a name for justice yet I'm so sorry Leo is like the only human I've named so far), and ended up on Ebott after a stupid dare by the rest of their ballet class. So anyways after justice finds Leo is like. No where at all. They have to go on over to Leo's dance class cause that's the last place they'd been and ask around the other kids to find out where their 10 year old sibling was because they'd been FUCKING MISSING FOR LIKE SEVERAL HOURS only to find out the other kids left them on MOUNT FUCKING EBOTT, where multiple other children have all DISAPPEARED upon going there. So now justice gotta go to death mountain to find their lost sibling no big deal

I feel much more nervous about talking about my fallen soul interpretations now than I would've, like, four months ago, simply because the presence of uty has had such a grip on the fandom that people have kind of accepted it as canon. I think it's actually a really stupid and petty thing to mad/sad about, because a lot of effort was out into it, and I'm sure it's very very good, but I just, well I guess we all just whish we were the best, right? I'm scared yellow will completely overshadow any other existing interpretations, and people love it so much, they won't care about my own. I REALLY hate myself for this, and I just want to say I think you should all keep loving yellow! It seems really good! This is just my own dumb fear shining through haha

But anyways, enough of that! I'll explain more about the souls another time because if I keep going on right now I might become physically incomprehensible. There is so much more about justice that I'll dump on you all another time, trust me, I just hope you all like what I've got so far ❤️ thanks :)