#stall-feed

[ratatatastic]

the things ekky has done or said that i cant stop thinking about. the 4 minute cut.

[chirpsythismorning]

This is a continuation in exploring why I think Mike's character regression over the seasons can be explained in part by guilt, which he has yet to confront

Original post

Now we're onto s2, which jumps us ahead in the timeline a bit.

Mike has been calling out to El on the walkie for approx. 252 days now, under what he views as the false hope she might actually be alive. This is mostly based on the fact that Mike thought he saw El outside of his house a few hours after she 'died' (he did see her, bc she was there...) and so a part of him does think there's a chance. And yet this is also isn't something Mike seems to be comfortable talking about the others with.

Which brings us to the crazy together scene. Although this scene has a lot going on, there's one aspect of it in particular that I want to focus on, as it's the driving force for what is going to be discussed, which is that Halloween night was also the last night Mike called El, aka day 353.

I just want to preface what follows, with the fact that I do not personally think Mike giving up calling El, as a concept on its own, means that he couldn't possibly love El romantically or something. It's not even about that idea from an audience perspective. And this is because any average person, in reality, mourning someones' death, should not be calling out to that person for almost a year. Letting go doesn't make you a bad person, whether it was romantic, platonic or even familial. It's called healing and accepting what is and trying to move on and live your life.

Neither does Mike giving up after that night make him heartless or a bad character in my opinion. It literally just makes him human. But that also doesn't mean that's how Mike feels about it, nor does it mean that the manifestation of this guilt isn't going to affect his behavior over the course of the series, causing some very unfortunate choices on Mike's part to then lead to some very unfortunate events for everyone...

Where it starts to get sort of complex is that I think the whole point of the crazy together scene and where it ended up was to for it to showcase how Mike and Will were both willing to accept each other, despite these secrets they've been keeping to themselves.

Will revealed the truth to Mike about how he could still see into the UD, with the addition of seeing this big 'shadow in the sky', followed by asking Mike to not tell the others because they wouldn't understand. Mike then responds by saying El would understand, followed by confiding his own secret to Will that he's been keeping from the others, which is that he thinks he's seen signs that El could still be alive.

The scene then ends with them in agreement that if they're both going crazy, they'll go crazy together, with it arguably being their most incriminatingly romantic moment to date, as it juxtaposes other uncannily similar romantic mentions on the show involving that same word.

But no matter what happens, they're promising to support each other, specifically the weird shit they have going on and could presumably continue to explore that weirdness, without telling anyone else who might judge them for it or misunderstand their feelings entirely...

This is why Mike had no problem with Will going crazy in s2 because as promised, he was going to be right there with him. Also meaning, Mike COULD have had no problem continuing to test out his theory that El was alive, because Will would have supported him.

Obviously, Will sort of had his hands tied in s2 (literally?), but the point still stands. It's not like this was something Mike HAD to give up, because that conversation between him and Will instilled that they would support each other and what makes them feel crazy.

I think the issue though, is that what's causing Mike so much grief daily for almost a year now, is the guilt that came with El's death and him feeling responsible. And so, in contrast to Will's slightly more justified assumptions that what he's seeing could actually be real based on what's happened to him, it's like Mike is asking himself whether he's actually seeing El because she's still alive OR is he just imagining she's still alive because he wants to forgive himself?

A kid deducing that in their head would make them feel pretty awful, don't you think? Maybe even lead them to calling out to that person for almost a year in hopes that they might still be alive?

Meaning Mike choosing that night to walk away, to give up, is likely a result of his conversation with Will making him feel more comfortable with finally letting go of some of that guilt in order to actually start the process of moving on. Because a big part of why he didn't want to move on was because of guilt in the first place.

Also confiding in Will and only Will, not the others, who were hell bent on interpreting all of Mike's feelings for El as romantic, was maybe Mike's way of avoiding the pressure to associate his whole relationship with El as strictly romantic. With Will, maybe Mike knew he wasn't going to spin it into something like that. And he would’ve been right, because Will didn't.

October 30th, Halloween Night (Day 353 - Last call)

You cannot tell me that day 353 isn't framed as the last call. Like Mike is literally walking away dramatically, leaving El alone, with her now just a tiny dot surrounded by darkness. The way it's framed leaves the viewer genuinely feeling heartbroken because there's some very evident finality to what is being presented. And we even see that El feels it too, hence the episode cutting off dramatically with her tear filled eyes.

And so why did Mike choose THIS moment to give up? Why did he choose now to put his 353 day streak to rest? Like, that was impressive as hell. He could have easily kept that going, but instead he decided that this was going to be the last time he was going to try calling out to her...

November 1st (Day 354)

El is still pretty bummed that Hopper came home late last night, but I'm guessing she's even more bummed still processing what might have very well been Mike finally giving up that night too.

Although I don't think El would blame Mike for giving up, still, she too throughout all of this had been building up hope herself. El's been clinging onto the bond she made with Mike, specifically the romantic moments, to the point where she has been watching shows with romantic themes, putting herself in the position of the love interest.

So him not giving up, to El, has been a signal that what they are feeling between each other is very deep and... romantic. Him keeping this going this long is a sign to her that these feelings are pretty much guaranteed. And if he doesn't continue, that hope would obviously dwindle.

At breakfast that morning, Hopper acknowledges the TV cord peaking out of El's room, which is the device she uses to visit Mike from the void, all the way from the cabin. Without it, she is not able to 'communicate' with him, let alone see if he actually didn't give up after that night she feared he did...

Unfortunately her and Hopper have an argument after this, leading to her storming off to her room. And after Hopper is gone, El finds herself being so impatient to see Mike after almost a year of waiting, that she decides to take fate into her own hands. She isn't willing to wait until the evening, which is roughly speaking the usual time Mike uses the walkie to call her every night. She needs to see him now.

And lucky(?) for her, she does!

Finally! A SIGN! After almost a year of no signs that El is alive, since the night she went missing, Mike is getting a sign El is alive!

And he runs after it! He goes to check to confirm his (valid) suspicions, only for her to not be there, with Mike looking disappointed, but also kind of like he's accepted it's a lost cause at this point.

Mike's hope that El is alive and okay and the relief that would come with finally letting go of this massive weight of guilt, is not within reach. He just needs to accept it and let it go. He needs to forgive himself and move on.

On top of all of this, Will is experiencing his own version of crazy. And Mike seems more concerned with focusing on this and supporting Will, than holding onto this hope that El is alive.

So even though Mike just got a sign that El is alive (which parallels to the initial evidence of her being alive outside his house, what literally initiated him to call out to her for almost a year), he doesn't revert back to his approach of not giving up. He sticks by his decision.

The irony of what happens with El the same night that Mike doesn't call, for the first time, is not lost on me...

Tragically, El doesn't know Mike actually gave up (just like she feared he did) because she lost her ability to communicate with him that night.

I wonder how differently things would have played out if she new the truth. Would she have held onto this really romanticized idea of her and Mike's relationship because he never gave up? Or would she have maybe reassured Mike that it was okay that he gave up and moved past it and still hoped and tried to make it work? Honestly, I think the later.

Because again, it's not Mike giving up that makes him a bad person or something that refutes his ability to love her romantically, it just means that it's not true that he never gave up.

And Mike being the only person to know this fact... Um... Cannot be good for him.

October 2nd (Day 355)

As El is trying to revive a modicum of hope that she can see Mike again through the void, to confirm her hopes that he didn't give up, by using the TV like she usually does, she discovers that the cord is broken. It's a lost cause.

On the other side of town, Mike is entirely focused on Will. The previous night, he did not reach out to El. He gave up. And El is none the wiser.

The writers made the choice to have one more night that Mike could have called El because he was at home that night on day 354, a day that actually involved an incident that you'd think would have reignited his hope that she was alive, before he inevitably jumped head first into focusing on Will, with him not being home for the rest of the season. They could have shown us Mike calling out to El from the other side of town, and then cut to her in her room not knowing... And yet, they didn't...

This is where I jump to the end, because the focus primarily when it comes to El and Mike's arcs for the rest of the season are with El trying to find her mom and discover more about herself, while Mike is trying to be there for Will in any way he can.

The sad part is that despite Mike giving up and trying to move on from El's death, that guilt is never really going to go away. He gave El expectations that she had to risk her life to find Will, and all of that built up and inadvertently led to her death.

But maybe Mike can right the wrongs he had El endure by following through on his focus of not letting Will die too? Maybe if Mike can save Will, El wouldn't have died for nothing?

But with this guilt and Mike trying to overcorrect it all, he's also experiencing very real and emotional moments with Will. Will is his best friend, and just a year ago Mike risked everything to get him back. A lot of those moments he experienced with El in s1, moments mixed with romantic expectations, are now also lingering here with him and his friend in s2. Except these aren't forced expectations. Everything Mike’s feeling and doing the entire time comes naturally to him, with none of it requiring pushing or advice from those around him. It's just pure instinct.

In the end, Mike's beside Joyce and Jonathan, who are sharing memories they have with Will to him in hopes it will prove to them he's still in there and able to be saved.

This emotional sequence builds up to Mike using his own memory of Will to try to reach him, one that comes off as platonic in every sense of the word, but visually, and when looked at in the grand scheme of things, especially with what is about to follow and those romantic expectations with El soon being thrust back on him... Well... Shit is about to get real messy.

Upon reuniting with El, Mike was quick to want to tell her that he never gave up, only for her to interrupt him with the exact number of days he called (before he gave up).

This is news to Mike for an abundance of reasons. It means he's not crazy and that El actually was alive those two times he saw her. All this (survivors) guilt that's been building up over the last year could have been avoided if he'd known that she didn't die, that she was okay.

It also means that for some reason, El heard him, and yet she doesn't know that he gave up...

And here Hopper is, revealing that he's been hiding her the whole time aka the perfect person for Mike to take all of this pent-up emotion out on.

Hopper then tells Mike that they will discuss this privately, which I find to be very interesting because it offers a chance for the viewer to see just a glimpse into Mike's emotional state at this moment, without everyone around to affect his ability to truly open up about how he's feeling. And not alone just anywhere in the house, but in Will's room...

Mike is understandably upset because El is alive and Hopper knew this whole time and didn't tell him.

While Hopper didn't technically lie to Mike, at least not in canon because we never got an outright scene on-screen of Mike asking Hopper if El was alive with him denying it (all while knowing she was), it's at the very least a lie of omission...

But the thing is, if Hopper not clueing Mike in on El being alive qualifies as a lie of omission (off-screen), so does Mike not telling El he gave up (on-screen).

If anything Mike's lie of omission also qualifies as a plain old lie, because he outright told El he didn't give up (lied) and didn't correct her when she informed him she knew he didn't. She fully believed it, despite him knowing deep down that it wasn't the full truth.

So while Mike is taking all of his anger out on Hopper as this fighting match comes to a head, it takes a turn.

Hopper is fine with Mike blaming him, he says it's 'okay'. But it's not. Nothing about this is okay to Mike, seeing as this isn't even the whole problem. It's not the problem Mike's actually hiding within his outburst in the first place.

Suddenly Mike starts screaming to Hopper that he's a 'disgusting, lying, piece of shit', chanting LIAR over and over and over again, shoving him repeatedly, only for him to fall into Hopper's arms and start crying, with Hopper reassuring him that he's okay.

Something tells me Mike's emotions here aren't all about Hopper...

Something tells me that Mike's fixation with the word liar doesn't apply to Hopper here as much as it applies to Mike himself (in his eyes)...

The main reason why I think this is what's actually going on here, is because there was no reason to put so much emphasize on this concept of Mike literally walking away that last time he called her.

Why go through the trouble of creating this misunderstanding, by having the TV not work, with El not being able to go into the void to see Mike, THE very night he gave up, if to not plant the seed that this misunderstanding was going to bear some significance? That this misunderstanding (lie? lie of omission?) was going to lead to El assuming Mike didn't give up, all while Mike knows he gave up, but going along with the story that he didn't, for both El's sake and his own?

BECAUSE it's a surprise tool that will help us later!

I also think it's interesting that they decided to have Will go off and dance with a girl at the snowball BEFORE Mike decided to devote himself to El here on out. Like... that is quite the choice after a season of highlighting this bond between Will and Mike where they promise to go crazy together, which is a moment we know Will took romantically.... So, is it possible Mike also took it romantically? We know Will also took Mike's speech to him in the shed romantically, so is it possible Mike did too, with that experience only heightening his emotions and confusion over his feelings for El when he found out she was alive shortly after, leading to his outburst? But then Will is going and dancing with the girl, and here we have Mike's own version of falling behind (the Time After Time lyrics were more literal than you think).

What if they didn't do all of that? Would things have maybe panned out slightly differently if Mike wasn't under the (incorrect) assumption that Will didn't take those moments romantically?

While Mike's guilt might have started in s1, when he played the biggest role in pushing expectations onto El to help them find Will, only for her to 'die', it doesn't end there. Mike's guilt only builds when he holds the knowledge that he did give up hoping she could be alive, all while allowing El to believe the opposite based on what she saw, which was a guiding force for not only her love and dedication to him flourishing, but also for him to then shift his own version of expectations onto himself going forward to make it up to El by trying to be who she wants him to be.

We see how romanticized 353 days is interpreted exclusively as meaning Mike has to be in love with El. But he did give up. So what does that mean for all of this? For their picture perfect love story?

What does it mean for Mike to hold onto this truth, a truth that makes him feel immense guilt, only for him to spend the next year or so making it up to her...?

It means either Mike has to come clean, or he has to deflect and double down.

What option do you think a guilt-ridden, repressed homosexual kid in the 80's is going to choose?

Answer? Deflect and double down.

In s3, Mike is so focused on worrying about El (giving her what he thinks she wants) so he can right all the building up of wrongs he has done at her expense since he met her, and as a result loses Will in the process (where have we heard this before...?)

Instead of Mike having a moment in s3 where he acknowledges that he himself was the first to ever refer to El as a weapon in the first place, to try to save Will in s1, he's now turning around and blaming the others for using El as a weapon 'for no reason'...

No reason? Really Mike? Is it for no reason, or is it just not a good enough reason to you this time?

Or maybe has Mike just actually spent enough time with El now to truly feel a bond with her in order to see her as a full person, slightly outside of this imaginary superhero he's cooked her up to be when he met her that day in the woods, the day his life started because she was his first and only hope of finding Will? (I say slightly bc... I mean we all saw what happened in s4?)

I honestly think it's a mix of both...

I also think it's not a coincidence that Mike doubling down instead of facing the truth about this manifestation of guilt only makes things worse for him. And El. And Will.

Because suddenly he's choosing this moment to blurt out that he loves and can't lose her again, in front of everyone, even to his own dismay and shock. And when El walks in and gives him a chance to say it to her himself, like any person whose in love with someone would want to do, to make them feel loved, he looks terrified.

And when the season ends and Mike is given another chance to say it finally, to El directly, in roughly the exact same spot he had his emotional outburst in the previous season over finding out she was alive at the same time he was still grappling with losing Will again, IN WILL'S ROOM, he freezes. He just lets what happens, happen.

Because after everything, with El right now in front of him, telling him she loves him while being fully convinced he loves her too after everything they've went through, how could he possibly take it back, or try to make her understand his complicated feelings about all of this?

Answer? He can't.

As hard as it is to believe (not that hard honestly based on his track record), Mike's deflection and stalling era is just beginning...

[cerealmonster15]

i love adeuce

[californiaquail]

i hate having to deal with horses that are being badly managed lol

[wellthatschaotic]

coworker (derogatory)

[beingatoaster]

closed the bathroom door to pee in peace and this has been a very unpopular move among the six dogs I am dogsitting

[forgottens-horsefinds]

Miscellaneous CC Finds

[airyairyaucontraire]

internal affairs fucker hassling Columbo to go to the firing range when he is just trying to feed his dog ice cream

[caffeinatedopossum]

Just remembered that time I was made to sleep in a stall with goats (on their soiled bedding) and they kicked me in the head while I was trying to sleep :3

[abrahamshipwreck]

I know this is the absute stupid dumb take to be agitated about but I resent when good quality workwear is turned into a Trendy Brand. It was done with Doc Martens, Timberlands, and its happening to Carharrt. Yes these things were fairly pricey before they became Fashion Brands but they were cheap considering their quality and purpose use. Now ypu have to spend a fortune on duckbibs and insulated work jackets because Gen Z Hipsters (I guess theyre called E-Boys/Girls whatever) wear them for status.

I dont do a lot of manual labor, but I appreciate the need for them for people who do heavy labor jobs, and you need to be able to afford good shit that wont break after a month.

IDK it kind of rubs me the same way as seeing giant lifted pristine Ford trucks in suburban strip mall parking lots. What you hauling there, Tristan?

[atthebell-moved]

i just need to watch bdubs and then everything will be fine

[kelpiemomma]

Someone: horses aren't born mean

Maevus:

[avian-hearts]

i've been walking around and stuff as rockstar in the new kingdom update and it's!!!!!!!!!! making me think about going on a Date with him,

[drsarcasticraspberry]

gender segregated bathrooms are OUT instead i'm proposing a new way of dividing up public bathroom spaces:

1. unisex general adult bathrooms - these should have a variety of stalls and sinks and (where space allows) a separate, screened-off urinal area for your dedicated stand-up pee-ers. it should also have at least a couple of fully self contained stalls with a toilet and sink inside (behind a lockable door) that can double as a changing room for people who need a costume change on the fly

2. children's bathroom - with low-level toilets and sinks and stalls big enough to allow an adult to comfortably help a lil buddy pee. include some toilets with those potty seats for toddlers. the kids bathroom would also have some designated baby-change booths. adjacent to the kids bathroom should be a room for feeding babies and/or pumping breast milk and it should have facilities for heating water and cleaning out baby bottles

3. accessible bathroom - for elderly and/or disabled people. larger toilet stalls, hand rails, emergency alarms etc. the accessible bathroom should also have facilities for e.g. changing out colostomy or catheter bags and for hygienically changing and disposing of adult diapers/incontinence pads etc, including some stalls big enough to allow a carer to come in and help a brother out if necessary

all bathrooms should also have enclosed shower facilities and free sanitary products. thank you for coming to my TED talk entitled "i just wanna take a piss in peace is that too much to ask"

[anggeese]

is it just me or was ninianne of the lake easier to beat than vivianne? Because it took me one try with ninianne but vivianne smacked my team 5 times before i finally killed it

[mcflymemes]

PROMPTS FOR ORDINARY THINGS THAT FEEL INTIMATE *  inspired by this post. these don't have to be romantic - you can specify romantic or not when you send them. in essence, these are simply intimate, affectionate moments to share with someone you love and care about. adjust as necessary, send 'reverse' for the reversal of the prompt

[ lean ] sender rests their head on receiver's shoulder

[ shop ] sender and receiver go to the grocery store together

[ brush ] sender brushes receiver's hair

[ tie ] sender helps receiver with their tie, either by putting it on or adjusting it

[ necklace ] sender helps receiver with the clasp of their necklace from behind

[ zip up ] sender assists receiver with zipping up a piece of clothing

[ unzip ] sender assists receiver with unzipping a piece of clothing

[ shoelaces ] sender bends down to tie receiver's shoelaces

[ swipe ] sender notices a smudge of something on receiver's face and gently wipes it off

[ braid ] sender braids receiver's hair

[ jacket ] sender takes their jacket off and hangs it on receiver's shoulders

[ puddle ] sender hurries to stop receiver from stepping into a puddle

[ drinks ] sender brings receiver a drink from a bar/their kitchen

[ feed ] sender feeds receiver's pet/s for them

[ cook ] sender and receiver cook a meal together

[ feed ] sender allows receiver to try a bite of their dish, holding their fork out for receiver to taste

[ teach ] sender, an expert at something, takes time to teach receiver how it works and how they can get better at it, too

[ readjust ] sender comes up behind receiver and readjusts their stance (maybe holding a gun, holding a golf club, aiming for something, etc.) to help them

[ makeup ] sender fixes receiver's makeup for them

[ bathroom ] sender and receiver go to a public restroom together and have a normal conversation in between the stalls

[ aloud ] sender reads aloud to receiver

[ refill ] sender refills receiver's glass without asking

[ massage ] sender notices receiver looks tense, steps up behind them, and massages their shoulders

[ listen ] sender listens to receiver explain something they're passionate about

[ silence ] sender and receiver comfortably exist in silence together, both of them working or reading or focusing on something different

[ food ] sender brings food over to receiver's house

[ hum ] sender hums along to a song receiver is singing

[ see ] sender sees something that reminds them of receiver and texts them a picture of it

[ admire ] sender stares at receiver across a room, silently admiring and appreciating them from afar

[ win ] sender lets receiver beat them in a game

[ puzzle ] sender helps receiver solve/put together a puzzle

[ carry ] after receiver falls asleep in an inconvenient place, sender carries them to a bed and tucks them in

[ kneel ] sender finds receiver sick in the bathroom ("tossing their cookies"), and kneels beside them, holding their hair back and cleaning their face

[ clean ] sender helps bathe receiver

[ wash ] sender helps receiver wash their hair

[ patch ] sender carefully patches one of receiver's wounds