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#steel building in Nebraska
laceyconstructionus · 13 days
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Tips to Choose the Best Metal Construction Company in Omaha!
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To explore cooling solutions tailored to your building's needs, contact Lacey Construction Inc. They are a Metal building Construction company in Omaha. Reach out to them today!
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littlewestern · 3 months
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whats the situation like about who gets to be inside in tfissab
I think everyone would *like* to be inside, and in real life the IRM definitely would like it if everything had a roof over its head, but the reality is that like everything else, barn-building takes time and effort and know-how.
The problem is that (nearly?) every barn on the property not only has to be tracked, it has to be wired. I'm not an expert, but to me this seems like the bigger issue and time sink. Overhead wiring effectively doubles the workload, and you can't forego doing it just because not everything at the museum needs it. I think people often forget that the IRM was a trolley museum first.
In the world of letter-writing engines, it again comes down to the fact that engines in preservation are basically living in perpetual "yeah it would be nice to have this, but at least I'm still *here*" and that tamps down on any resentment an 'outside' engine might feel in the long run.
It also helps that for the most part, the equipment that's stored in a barn is usually stuff that can't be left out. If you have a roof over your head you're either made of stainless steel, or you're at risk of falling apart. Getting parked outside a barn is a sign that your prospects are good! At least you can withstand a little weather and not worry about being damaged beyond repair.
Pilot's situation is special because he's the star attraction and it would be a ridiculous proposition suggest that the Nebraska Zephyr be stored outside. I don't think this causes too much trouble between the rest of the IRM's roster because he's bringing in money, but there are probably some pieces of disused equipment who think it would do him and his train some good to spend a few nights outside. They don't know he did that for years in the 70s lol.
I'll take another opportunity to point out a donation link for the Barn 15 building effort here. As you can see, the amount of money donated to the department is how they determine what's going to get stored there, so this backs up my theory that targeted donations are the way to go if there's stuff you want to see specifically worked on and preserved!
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wytfut · 11 months
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“Have you read the news today? Oh boy!” ... Beatles
I know I’m set in my ways ... and this makes me appear as an old curmudgeon.
But by golly, I enjoy a good news paper (actual paper), sitting down with breakfast or coffee and catching up on the world. 
WWW it appears has ruined all of this. Lots of folks believe everything they read... and www is most likely the worst place to do this. 
Unreliable sources... that mimmick “old school” news. I think I found a source on www, .... ABC.news .... not sure. It wasn’t really ABC. Because they added the “.”, they got away from the copyright issues. And that news was horrible at best.  Something to the tune of the rags they used to sell at the grocery store cash registers, ie, National Enquirer. It wasn’t ABC, it was some other company who loop holed the copy right by adding a “.”???  Well it wasn’t ABC. 
Paper newspaper got too expensive for us..... $68/month. And we went “e”. The journal start “e” is now jumping to almost $30/month. Several pages of this is from the day before reprinted. WHAT?? Why at $30/month do I want to reread part of yesterday’s news? Most of the time, its rewrite, of some article that doesn’t pertain to nothing,.... more of a self help article...    
With no sources of news being completely reliable, it makes a guy gun shy about coughing up any money. From where I sit, does anyone back up what they are reporting anymore? 
long side story:
I was a paper boy. I hand delivered papers daily on my sting ray schwinn. Foul weather and all. In the beginning it was $1.10/month (not sunday). From there it went to $2.20 including sunday. And about the time I done with my career, it had jumped to $4.40. Folks thought that was outrageous. 
Sunday and Wednesday papers were ass kickers .... sometimes 2 loads to deliver, as I couldn’t get them all in my “paper bags”.  Sunday was delivered in the morning before sun up. And the rest before 5:30 pm. I subbed before all of this the Lincoln Star (before journal star became one), which was a morning paper, for about a year. . (humor sidenote, both printed same building, just different names, representing different time delivered). . 
I remember some of my customers being total jerks about paying for the paper... and would go months without paying. Those days the paperboy would have to go to their home to collect the monthly payments. One customer owed me 4 months (getting close to $10...). Pop decided to help out, and tagged along in Uniform. 
They leaped out of their comfy chair and immediately paid. I still chuckle with that memory. 
I’d pick up my papers at the S W corner of Cotner and Adams. One sunday morning before sun up, a car come flying down Cotner, and couldn’t make the curve (too fast). The Cekja house was right there at the apex of the curve. The car lost it, and rolled a couple of times and crashed into a huge old Elm tree on the Cekja property. 
Me being pretty young was totally terrified.... grabbed my bundle of papers and hi tailed it home. Scared shitless no less.
I heard as soon as the car had quit moving, the driver try and start it back up. Got it started, and moved on down Cotner.  
About the same time I got into the house, I saw the car coming down 68th. I was positive the driver was looking for me (get rid of the witnesses). So I turned off all the lites in the house, and hid on the floor. Sure as shit the car came around to our side of the “ditch” heading right for our home. 
Car was running horribly, flat tire or 2, steel grinding some wheres..... and putted on by our house, and stopped at the neighbors. 
Turned out, it was the neighbor. All drunked up, missed the turn on Adams. But got his car home and stumbled into the house. ... 
We are going to give up on the journal star.... and I’m looking around for a good news source that is within my budget....
Cuz Jorika suggests NPR and/or Nebraska Public Media “app”. Alexa has failed me miserably, as well as Amazon. 
I listen to a lot of podcasts.... mostly when I’m pedaling “no where”. Really like “democracy now” but no local news. 
Thanx Jo.... I’ll give your idea a go. 
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minniti · 1 year
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How do you handle breakups ? Mine might break up with me again. :(
i think it has everything to do with the relationship itself and why it’s ending?? this time around i moved to vancouver from nebraska back in september and we did long distance but since i’ve been back i realized i just can’t do it. i love them so much but it’s rarely been a sexual thing between us so it almost feels like not much will change when i leave back to vancouver in a few weeks. we “ended” very well and we still love each other a lot, it’s just distance and the fact i’m not ready to settle down like they are. it feels warm and a bit tragic and there’s no bad feelings for the other so… i am taking it fairly well compared to other past relationships. we still plan on hanging out and having sleepovers so it’s soft right now still. if we end up in similar places in the future who knows what will happen! they have always felt like home to me—i just dont want to come “home” yet.
that being said DO NOT FEEL OBLIGATED TO BE THEIR FRIEND omg. It’s definitely not for all situations and if their presence is painful LEAVE and take care of yourself. i had the worst of the worst “breakup” back in 2019 that i literally developed ptsd from and (while i’m still not free of it completely) relearning that i have worth by myself was the biggest thing in recovery for me. it feels like a lot of this stuff gets easier with age and experience and at 19 i just didn’t have any of the tools to steel myself from the devastation. once you go through it terribly once though, it gets easier.
remember and try to build up who you are as an individual. at the end of everything, you only have yourself, and its not selfishness but self care. after what i went through in 2019 i learned the importance of not enmeshing and always felt very independent with this last relationship. doing so always made envisioning a future without them more bearable if they so decided to dump me (lol). we are the main characters of our own lives, and being a free agent is wonderful. i can’t wait to meet new people and be free, you know? it’s lonely but so so rewarding. life is just so vast and exciting. it’s scary but worth the fear. i try to remember the points of my life where i was at my lowest and see the joy i had after. all of it builds resilience, and that the sexiest thing in the world.
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satashiiwrites · 2 years
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❤️💕💘🌻
❤️ What is your favorite line that you’ve written in a fic?
Hm… well I have kinda two. 
From The Marks We Leave On One Another (aka the Reyes will burn the galaxy to the ground to find Scott fic where Scott happens to have an identifying hidden tattoo)
The small smile on Scott’s lips was tired but he refused to let go of his grip on Reyes’ arm despite his legs being unable to support his own bodyweight. The thin cloth of the under armor that usually clung to his body instead hung slack, emphasizing how dangerously underweight Scott was as well as highlighting the frightful paleness of his skin that bloomed with bruises in various stages of healing—blue, purple, brown and almost black. His vida had not been well treated and it showed. 
Murder rose again in Reyes mind. If he had the ability he’d resurrect the entire facility just to kill them a second time.  They’d died too fast and hadn’t suffered enough for what they’d done to his tesoro.
And the opening from Cousin Harvey (not yet published, one shot (it betterdamnwellbe) Moon Knight/Suits crossover)
He’d thought they were past the days where he’d wake up and not know what had been happening.  With the bleeding in of Marc’s and his life intersecting he’d kinda thought that they were done with this sorta thing yet somehow they’d ended up in jail in the middle of Nebraska of all places. 
Nebraska.  
He’d waited until they were left alone in their depressingly bare cell to face the reflective surface of the stainless steel to talk with Marc. 
“Question—where’s Nebraska?”  He asked his other half. 
Marc had the decency to look at least a bit perturbed in the slightly grimy reflection. “It’s the middle of nowhere USA. Like almost dead center.  Hundreds of miles from anywhere.”
Steven was silent for a few heartbeats, taking in the information.  Marc respectfully let him have a moment or was otherwise also just as puzzled as he was. “Why’d you bring us here?” Steven finally asked.
“I didn’t.”  Marc’s quiet admittance had Steven’s heart started racing in panic.
“What?  What do you mean you don’t remember.  I didn’t bring us here!”
Steven’s heart dropped from his chest to somewhere in his pelvis, twisting painfully in confusion but continuing it’s brisk gallop. “What?”
Marc bit his lower lip, stymied. “It wasn’t me.  I thought it was you?”
“No.  No I didn’t… why would I bring us here?”
💕 What is your favorite fic that you’ve written?
Hm. Choose between my babies you say? Impossible. Insane.
Completed fics would be a tossup at the moment between Seguir (a mass effect speed run on what would have happened if Scott and Reyes knew each other BEFORE Andromeda) and I Wasn’t Looking Until I Found You (Buddie Sentinel/Guide AU of 2x01).
My wips…. Uh that’s harder to point to a favorite. I do really love The Outlaw and the Cartel Boss (Sentinel/guide Mayans MC Miguel/EZ complete AU) for world building but I also enjoy the absolute ridiculous amount of stuff I’m stuffing in the Death, Rebirth and the Jackal (Mreyder Mummy AU). Then there’s the worst crossover idea I’ve ever had in Cousin Harvey (Moon Knight/Suits AU) that is just pure crack. I don’t think I can pick just *one* as a favorite.
💘 Is it easier to write angst or fluff?
Oh angst for sure. My muse seems to enjoy emotional torture and whump—which is oddly enough not what I tend to read when I have time. Case in point, Family, Familia, ‘Ohana (NavySeal!Buck, Buddie, McDanno crossover) has a ton of angst going on and not much fluff.
That being said, I did give Reyes a pet eiroch mascot in An Andromeda Tale (my Epic MReyder retelling of MEA) so I do know how to sneak bits of fluff in.
🌻 How often do you read your own fics?
Short answer: when I’m writing a new chapter I sometimes have to go back and re-read the prior posted chapter so I read bits probably every day.
Long-er answer: if you’re speaking about my completed things or stuff i haven’t worked on in a while…. Maybe once a month? It depends on if I have time (precious little) or am in a mood for one of my holiday fics or a specific trope I’ve written. For instance, it’s currently Halloween weekend so I’ve re-read The Wolf Among Us (Buddie Werewolf AU) twice instead of working on my current holiday fic, Eddie Diaz Ain’t ‘Fraid of No Ghost—which is what I *should* be re-reading if anything. That being said, I don’t re-read fics that often. Maybe once a month could be overstating things but it depends on time of year, what I’m currently working on, and whatever my muse is chewing on.
Thanks for the ask @radio-chatter
Ask me more questions, I promise few lies 
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nataliehegert · 6 months
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When Choey Eun Young Cho was in grad school at Ohio State University, she started collecting bananas. She bought bunch after bunch, day after day, and let the bananas pile up in her apartment, until she was eventually surrounded by them and their sickly sweet stench. 
Doing so was a way of sitting with the discomfort of what the banana signified, in a derogatory sense. She had recently returned to the United States from Korea (she got her undergrad degrees from the University of Nebraska Omaha), and was feeling freshly stung with culture shock.
In the group exhibition Notes from Another Place at the Louise Hopkins Underwood Center for the Arts, Cho’s bananas appear as bright LED icons, simplified contour line drawings of light, collapsing sign and the signified.
Nothing in this exhibition, however, is an easy read. Curated by Boryana Rusenova-Ina and Sam van Strien, the show is as slippery and abstract as language itself. 
Rusenova-Ina’s two paintings here recall the formation of language through the body as the locus of both utterance and scrawl. In the center of each canvas, she paints a mouth in the process of pronouncing a certain sound, indicated by its letters: “h” in one, “y” in the other. Even for someone accustomed to reading lips, it would be hard to “see” what the mouths are “saying.” Around them is evidence of another form of language learning, which is equally indiscernible: early-childhood pre-writing scribbles that have been faithfully copied by Rusenova-Ina in charcoal and acrylic.
The curatorial conceit of the exhibition considers ideas of dislocation and alienation, of feeling “out of place.” For the Dutch-born van Strien, that feeling comes from the disorienting experience of the city of London, with its imposing steel and glass architecture projecting the power of unknowable systems held within — finance, government, capital. In his works, the facades of such buildings are, too, faithfully copied — as collages of the individual panes of glass on a skyscraper, or photo-engraved plates of corporate plazas — yet in the process they become mutable and warped. 
The “feeling” of dislocation comes to the fore in Joonhong Min’s work, where an overwrought architecture takes over bodies situated in dizzying panels of overly patterned Escher-like checkerboard forms in monochromatic sets of reds, teals, and greens. These panels, for the artist, recall the isolation of pandemic-time online space — an experience of social and physical disconnection that all of us, even those who have never found themselves in “another place,” can relate to.
Hannah Parrett’s work, in cyan, turquoise, and mint hues that never veer fully toward blue or green, pops against LHUCA’s architecturally mandated firehouse-red main gallery wall. Here the color positively vibrates. Parrett’s paintings, like their colors, defy easy categorization or identification: they are paintings and assemblages and also carvings and soft sculpture. Their unnamable shapes flap and double over; with dowels stuck in them, they’re piercing yet homely, almost inviting you to hang your coat on them in a kind of slapstick moment of confusion.
Unnamable forms and ineffable structures, like moments of anomia, recur and stutter throughout the show. Paintings by Cho contain illegible insignia that appear to have been half erased, like a moment of déjà vu just about to vanish into an uneasy feeling. The buildings in Van Strien’s photoengraved plates seem filmy and gauzelike, as behind a veil of incomprehension. Their prints appear like ghosts on the other side of the gallery.
Notes from Another Place is an unusually international, well-traveled show to find in Lubbock, Texas. Both born in Korea, Cho is based in Seoul and Min is in London. Van Strien was born in Delft, lived in the UK, and is now based in Durham, North Carolina. Parrett was born and raised in rural South Dakota and now lives in Cincinnati. Rusenova-Ina is from Bulgaria, attended university in Scotland and Ohio, and is now a professor of painting at Texas Tech, here in Lubbock. 
The exhibition brings together these five artists to reflect “on the politics, aesthetics, and experience of belonging.” Right now, the question of who belongs where is a loaded gun. The movements of these artists from city to city come mostly unhindered — matters of choice or opportunity — but for many people around the world, moving to “another place” is a matter of survival. 
Matters of language, of power, of culture, of learning new ways while holding on to what’s gone — these are what diasporic populations everywhere must contend with. In Notes from Another Place, these are attempts to give form to such ineffable experiences of dislocation, of finding oneself, somewhere else. 
So, ask yourself, where are you right now? And what right do you have to be here, now?
Notes from Another Place is on view at LHUCA, Lubbock through November 25, 2023. 
Review posted 11/15/23
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mikeepoo · 1 year
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The steel panels used by Behlen Manufacturing, of Columbus, Nebraska, in the construction of their buildings proved their durability in an atomic bomb test at Yucca Flats, Nevada, on May 5, 1955. Exposed to a thirty-kiloton blast alongside two competitors’ metal buildings, two Behlen buildings were the sole survivors still in serviceable condition. Both were returned to Nebraska to be exhibited, one at the state fair and later at the factory, and the other on the University of Nebraska-Lincoln east campus.
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hakesbrother · 1 year
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laceyconstructionus · 29 days
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The Steel Advantage: Revolutionizing Industrial Construction in Nebraska
Discovering the perfect balance between durability, cost-effectiveness, and environmental responsibility is crucial for industrial construction projects in Nebraska. In this article, we delve into the comparison between traditional and steel buildings, shedding light on why steel construction in Nebraska might be the ideal choice for industrial ventures in the Cornhusker State.
Comparing Traditional and Steel Buildings on Different Bases
Speed
Traditional Construction: A Time-Consuming Endeavor
Traditional building methods entail a lengthy process involving multiple materials and factors, resulting in a construction period spanning from months to even a year.
Steel Construction: Efficiency Redefined
Steel buildings offer unparalleled speed, with prefabricated components reducing construction time to a fraction. Within a matter of days or weeks, a fully functional steel structure can be erected, ensuring a swift setup for industrial operations.
Cost
Traditional Building: The Burden of Expenses
From material procurement to labor costs, traditional construction accumulates significant expenses, often exceeding budgetary projections due to material wastage and diverse professional requirements.
Steel Building: Cost-Effective and Streamlined
Steel construction presents a cost-efficient alternative, utilizing a single material and requiring minimal labor specialization. With reduced material wastage and streamlined processes, steel buildings in Omaha offer substantial savings without compromising quality.
Environmental Impact
Traditional Building: An Ecologically Taxing Process
The environmental footprint of traditional construction is considerable, involving deforestation, heavy machinery usage, and long-term material degradation, contributing to ecological degradation.
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Steel Building: Eco-Friendly Innovation
Steel construction minimizes environmental impact through efficient resource utilization, shorter construction periods, and reduced waste generation. With its recyclable nature and longevity, steel emerges as a sustainable choice for industrial infrastructure development.
Durability
Traditional Building: Vulnerable to Decay
Traditional materials such as wood and concrete are susceptible to degradation from pests, moisture, and structural weaknesses, necessitating frequent maintenance and repairs to ensure longevity.
Steel Building: Unyielding Strength
Steel structures boast unparalleled durability, resisting corrosion, weathering, and structural compromise over extended periods. With minimal maintenance requirements, steel buildings offer long-term reliability for industrial endeavors.
Scope of Customization
Traditional Building: Flexibility with Redesign
Traditional construction permits customization throughout the building process, allowing for adjustments to accommodate evolving needs and preferences.
Steel Building: Tailored Design from Inception
While prefabricated steel structures limit onsite alterations, customization options are abundant during the initial design phase, ensuring tailored solutions that align with specific industrial requirements.
Conclusion
For industrial ventures in Nebraska, the advantages of steel construction are undeniable. With rapid deployment, cost efficiency, environmental responsibility, and enduring durability, steel buildings offer a transformative solution for constructing robust and sustainable industrial facilities.
Partnering with industry-leading providers like Lacey Construction Inc unlocks the full potential of steel building construction service, ensuring seamless execution and superior results for every project.
Read Full article here!
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railwayhistorical · 2 years
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Contemporary Views Along the First Transcontinental Railroad
While construction of the Pacific Railroad ostensibly began during the Civil War, it was not until that great conflict was over that it really got rolling. In a race for government subsidies and land grants, the Central Pacific built eastward from Sacramento, California, while the Union Pacific built westward from Omaha, Nebraska. The two railroads met at Promontory Summit, just north of Great Salt Lake, Utah Territory, on May 10th 1869. It was a watershed moment. I follow in the footsteps of photographers Alfred A. Hart and A. J. Russell who expertly recorded the construction of the road. But this is not a re-photography project—it is, rather, photography as archaeology. In making a comprehensive series of photographs along the original route, my goal is to give the viewer as strong of a connection as possible to this 19th century engineering marvel through the remaining visual evidence of the human-altered landscape. And while not visible, I also hope to evoke the various peoples involved with the railroad, as well as those affected by it.                                                           ~ ~ ~ I have always been drawn to western landscape photographs, particularly the work of Carleton Watkins and Timothy O’Sullivan. I tend to see their imagery as existing on opposite sides of an aesthetic coin—with the former rendering the beautiful and the latter portraying the sublime. These two 18th century linguistic terms, beautiful and sublime (usually considered in relation to one another), were used to categorize one’s emotional response when viewing artwork. Imagery that promoted pleasurable and familiar feelings was referred to as beautiful, while pictures that evoked feelings of awe or terror, often brought on by the immense scale of nature, were referred to as sublime. The story of the first transcontinental railroad is one of contradictions and oppositional forces not unlike the conceptual interrelatedness of those two aesthetic terms. The surveyors explored an Eden, but initiated its destruction. The road was a crown jewel of the industrial age, but the actual building, the grading and tunneling, was done almost completely without machines. The railroad conquered time and space, but this led quickly to the decimation of the American bison which pushed the people who depended upon them to the brink. This was the first transcontinental railroad in North America, or anywhere for that matter. The pounding of the Golden Spike signaled the completion of a great human achievement, but it must have sounded like a death knell to Native Americans. It put a bow on Manifest Destiny and served as a primer for the questionable business practices that would follow in the Gilded Age.                                                         ~ ~ ~ In the end, I want these images to be a pictorial accompaniment to well-established textual histories of the building of the railroad, the foremost being David Haward Bain’s Empire Express. His book tells the complete tale, but when I’m in the field I most often think of the people who built the line with their hands and their backs—primarily the Chinese, who performed so well for the Central Pacific, and the Irish, who toiled proudly for the Union Pacific. The railroad is still active over much of the route—which was preceded by pioneer trails, joined by the Lincoln Highway, and eventually succeeded by Interstate 80 and air travel. While I have photographed along much of the line, I tend to linger where the steel has been pulled up, those portions of the line that has been abandoned for a less steep or curvy alignment. I enjoy the calm of those deserted areas most—through modern absence, I find it most easy to imagine a 19th century presence. Richard Koenig, Genevieve U. Gilmore Professor of Art, Kalamazoo College—see forty web-based images here from across the route—from west to east.
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malecsecretsanta · 3 years
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Merry Christmas ninwrites!
For @ninwrites. I was so thrilled to get you for Secret Santa this year as your Malec fics are some of the very first that I ever read when I fell into Shadowhunters way back in 2016. You gave me so many great prompts this year that I really struggled deciding what to write, especially because I know we share so many common interests! Part of me wanted to write a sweeping sci-fi, and another part of me wanted to write a clever procedural, and then I know how much you love superheroes and I also love superheroes, so that could've easily happened ...
But in the end, I decided to strip everything down and write a story about second chances. About seemingly unrequited yearning and human connection and liminal spaces and time unravelling backwards and friends-to-almost lovers-to-strangers until serendipity intervenes. Of course, I went drastically over the word limit but this happens every year so I am no longer surprised.
Merry Christmas! I hope you enjoy this little microcosm of a story!
Tags: malec | rated: t | extended oneshot | human AU, roadtrip, friends-to-lovers-to-strangers-to-lovers, hurt/comfort, surrealism
Read on AO3
*****
saudade in the key of highways
saudade
/saʊˈdɑːdə/
noun
(especially with reference to songs or poetry) a deep emotional state of nostalgic or profound melancholic longing for an absent something or someone that one cares for and/or loves. Moreover, it often carries a repressed knowledge that the object of longing might never be had again. It is the recollection of feelings, experiences, places, or events that once brought excitement, pleasure, and well-being, which now trigger the senses and make one experience the pain of separation from those joyous sensations. However it acknowledges that to long for the past would detract from the excitement you feel towards the future.
"as we fall / into the common, suspended disbelief of love, you ask / will I still be / here tomorrow, next week, tonight you ask am I really here."
— Olga Broumas, Beginning with O; “Bitterness”
first chord
There is rhythm to this loneliness.1
The endless darkness. Passing headlights; the hum of the engine; the splutter of the heater fighting against the cold that claws and scratches at the windshield. The highway, deserted, is like a strange and eerie dream that travels on and on and never ends.
The rental car: new. Nondescript in its newness. Two hands on the wheel; the faded hum of the radio, a soft accompaniment to the bright beam of the headlights. The car has a cassette player, but no cassettes. It never has any cassettes.
There’s a gas station like a beacon in the distance: a faint glow of sodium yellow that slinks along the horizon but never draws closer, spilling light like fuel out across the open fields.
Alec prefers driving at night. There is never any need to ask for directions because he never passes anyone he could ask for directions; he might be the only car he’s seen in fifty miles.
The radio crackles, then laughs, ‘ we know it’s only November but nothing gets us in the mood for Christmas like -’  
Almost immediately, the signal drops, but the interluding white noise is familiar too. It fills the silence with unimportance, an invisible presence in the passenger seat who doesn’t require conversation or stops to stretch their legs, but is company enough for long drives across the country.
Moments on the road are filled like this: a hundred similar soundtracks for a hundred indistinct highways, their miles wearing down the tread on Alec’s tires and the lines of Alec’s palms, where he grips the steering wheel for hours without a break, in much the same way.
‘So if you’re listening at home, or you’re stuck on a late-night shift, or if you’re driving cross-country and need a pick-me-up, give us a ring and tell us about your favourite ever Christmas song!’ says the radio. ‘But to get us started, we have Marnie from Portland on line one -’
Alec punches the buttons on the radio until he finds a classic rock station. He taps the steering wheel, not to the beat of the song, but to dispel some of the restless energy that tingles in his fingertips.
A sign on the roadside passes him by at high speed; it tells him that he’s a hundred miles from nowhere in particular - but at the last intersection, a similar sign told him he was a hundred-and-one, and now he’s acutely aware of creeping ever closer to his destination.
It’s a destination he’s not sure he wants to reach. A destination he calls home.
There is rhythm to this loneliness . Alec is used to it: the anxious churning of his stomach, the longing for the road to continue beyond its end; the endless, perpetual, and pointless journey of back-and-forths.
One: drive across the width of the country. Indiana, Iowa, Nebraska, Oregon, again and again. A country of ochre-yellow wheat; plains and flatlands; tractors abandoned on the roadside.
Two: report to the local field office, where he’s given a desk too small for his long legs and a computer he doesn’t have a password to. Talk to the county sheriff who snaps at him, ‘ the FBI has no business out here, we can handle this on our own ,’ and then to the man who refuses to open his door wide enough for Alec to get a good look at his face, but whose eyes skip over Alec’s badge and land on the gun on his hip and he thinks the same thing as the sheriff.  
Three: avert his eyes from the body lying on the steel table in the morgue. Pretend that federal intervention was warranted, even though he knows this case is another crime of opportunity and the sheriff was right. The sheriff is always right. ‘ Waste of the FBI’s time, if you ask me. ’
Four: write up another field report that uses all the same words as the one before. Mail it back to Washington. Hopefully it will reach the Assistant Director before he does.
Then, five, begin the drive home.
Rinse. Repeat. Repeat again. Avoid his mother’s calls when he stops for the night at an interstate motel. Make excuses not to see his father when he’s in town. Pretend like he’s not bothered missing out on another promotion, because that would mean moving to a desk job and he likes being out in the field.
He likes driving. This is the mantra he repeats in his head rather than listening to the song on the radio.
There is rhythm to this loneliness .
The car’s engine rumbles on an empty stomach and Alec glances down at the fuel meter, ticking ever closer to the red with each passing and uncountable mile. The gas station in the distance begins to draw closer, finally allowing Alec to catch up, as its cluster of lights shift and reform into the familiar shape of civilisation.
Alec’s turn signal lights up the immediate stretch of highway with flashing orange and a click-click-click sound in the front seat of the car. There’s no-one behind him and no-one ahead of him, but he slows almost to a stop as he eases the car off the road and onto the crunch of hard-packed sand.
A single streetlamp overlooks the highway, casting a pool of unsettled yellow-white light across a phone booth that stands slanted upon the roadside. The gas station lingers a little further back: a small, stout building with a flat roof and a pile of browning-Christmas trees propped up out front. Its two gas pumps advertise diesel at a discounted price, but one of them appears to be out of order.
Beside the gas station, there is a diner; it’s old and clapped-out and almost empty at this time of night, but the bright light beaming through its windows in all directions is painful to look at. The movement of people inside is like a scene playing out in an old movie, stuck on repeat over and over again, the tape unable to skip forward. A repeated moment, and one which Alec has played his part in too many times to count.
Again, his stomach rumbles loudly and he guides the car to a stop before pulling up the handbrake.
He’s alone at the pumps. As he steps out of the car, the silence greets him; the wind falls and the road is swallowed up behind him by an encroaching night, compressing the universe into a single point. A single flicker in time.
Alec retrieves his service weapon from the glove box and clips it onto his belt, pats his chest for his badge tucked into his breast pocket, before drawing his overcoat tight around him. He won’t linger out here, not when it feels like something just out of sight is holding its breath and shifting in and out of bounds; he’s far too afraid of falling back into the passage of time.
Instead, he turns towards the diner; the bell above the door jingles the same as it always does. The TV in the corner is on mute but hums with static. The sound of plates clattering in the kitchen is enough to drown out his shoes on the chequered floor as the waitress looks up at him but doesn’t say hello.
Corner booths are best placed for people-watching and people-hiding and Alec, in his non-descript suit that matches his non-descript car, sinks onto the squeaky red-leather bench without being seen at all. He sighs heavily, rolling the stiffness out of his shoulder that has been bothering him for the last fifty miles.
There are scuffs on the leather and old coffee stains on the table, but he fishes his keys, wallet, and badge out of his pocket and tosses them on top of the menu; he already knows what he’s going to order and there’s no need to look. He’s been craving something greasy since he left Portland this morning, fuelled only by a cup of filter coffee from the machine in the motel lobby.  
Alec grinds the heels of his palms into his eyes, a soft groan catching in his throat. In the same moment, the lights overhead seem to flicker, although not for long. Must be a short circuit. The waitress rubbing down the bar doesn’t look up, focused too intently on a coffee-ring stain that isn’t really there.
Diners late at night are strange places. Liminal places. Places of beginnings and endings and threshold moments and tangled journeys, forever caught in that feeling of arriving or departing - but the longer one lingers, the more reality begins to distort.
Alec is not alone in the diner, but the diner is alone in the night that laps and recedes against the windows that look out over the parking lot. Beyond, the gas station hums with a familiar argon sound, bright and electric and not-quite-right in the dark and, behind that, the edge of the highway outlines this displaced moment.
There is nothing else. Alec’s eyes haven’t adjusted to the dark, and for all he knows of the endless fields of wheat that stretch out to the horizon, he cannot see them. The bell above the door chimes again and a young couple slips into the diner, their arms slung low around each other’s waists, giggling as they take up two stools against the bar. Three seats down from them, an old man in a trucker hat and a Chicago Bulls’ jersey is frowning at the TV above his head, trying to lip-read the late-night news anchor because there are no subtitles. In the far corner of the diner, a group of teenagers are tossing fries at each other and one of them makes a milkshake bullseye.
Alec doesn’t know why these people are here, in the middle of a late-night nowhere. He can’t remember the name of the last town he passed through, but it wasn’t more than a handful of houses and a couple of telephone poles kept upright by plywood and nails.
He glances back out at the parking lot, but his rental is the only car there. Strange.  
Strange, but not unexpected. He has learned not to question it, these fragments of unaligned reality, because soon enough he’ll be on his way again, a burger in his belly and bacon grease smeared across the corner of his mouth, and this diner will cease to exist as soon as he’s out of sight and over the ridge of the highway.
Perhaps it will appear again somewhere else. Perhaps he will come across this place again, another mile or two down the road, inhabited by a different group of late-night travellers who will watch him from the corners of their eyes but not say a word, because a lone man in a cheap suit is no more out of place here than they are at two in the morning.
The waitress brings over his burger and a side of fries, setting a mug down in front of him and filling it up with coffee from her pot. Alec nods at her in thanks and she blows a bubble of gum that pops across her mouth and sticks to her teeth, before she retreats behind the register and starts again on that stain.
Alec doesn’t waste any time tucking a napkin into his shirt collar. His tie is cheap and he doesn’t really care if he ruins it; there’s a spare in the bag in the trunk of his car anyway. He takes a large swig of coffee, and then a bite out of his burger, and ketchup and burger juice leak out through his fingers, splattering on the paper wrapper that covers his plate.
It tastes the same as it always does. His stomach growls loudly as he takes another bite and ketchup drips down his thumb.
Movement through the window catches his eye. He looks up and there, on the very edge of the light emanating from the gas station, is a man in the phonebooth next to the road. His back is to Alec but he’s gesturing wildly as he talks into the receiver, and the wind, now returned, billows through his long woollen coat.
A slice of tomato falls out of Alec’s burger with a distinct plop . He’s not sure why the man draws his attention, but Alec has long since learned to trust his gut - it’s an invaluable skill to have in the Bureau , his father would say. It will get you places. It will make people see you as someone they can trust to watch their back. You can’t buy that sort of loyalty, Alec.
The man is tall. He has dark hair and long legs and he grips the edge of the phonebooth with his free hand. He seems to be having a very intense conversation, unlike the hum of background noise that surrounds Alec now.
The man is an anomaly. He is not someone Alec has seen at a diner before - not a truant teenager or a trucker or a pair of lovers on a late-night tryst - and he doesn’t fit the narrative.
Alec wolfs down the rest of his burger, barely pausing for breath, and washes it down with a swig of coffee that burns slightly too hot. He leaves his fries untouched and throws down a twenty dollar bill, stuffing his badge and wallet into his pockets as he makes for the door.
The bell jingles a third time. Alec wipes the back of his hand across his mouth as he steps out into the cold, no doubt smearing ketchup across his chin. He knows his suit is creased and his shirt is rumpled from the drive, his hair upswept by the sudden gust of wind that threatens to knock him off his feet, and he can almost hear Jace laughing in his ear, alright, G-Man?
Alec passes by his car and heads straight for the phonebooth, but the closer he gets, the more he can hear of the man’s one-sided conversation.
“And there’s no way you can get a guy out here tonight?” the man is saying. “I can pay extra for the trouble. Uh-huh. Yes. Yes, it’s pretty urgent.”
Alec draws to a stop when the length of his shadow steps upon the backs of the man’s shoes. He shoves his hands into his pockets so as to appear as unthreatening as possible when the man inevitably turns around, but -
“I don’t see how a service can advertise itself as 24-hour and then not be available in an emergency,” the man says into the phone. He sounds stressed; there’s something about the cadence of his voice that rumbles through Alec’s chest and draws the hair on the back of his neck up on end. Something decades-old familiar. “The least you can do is give me the number for another rental service. A cab company. Something. Anything .”
The man turns away from the phonebooth, catching sight of Alec from the corner of his eye and holding up a finger as if to say hold on a minute , but he stops, whatever words on his tongue extinguished into roadside dust.
Alec’s eyes widen. He knows this man.
Fuck. He more than knows this man. He remembers the first time they met, the firm confidence of his handshake, the bright colours of his shirt, the way Alec thought, at the time, this man is going to change you .
It’s Magnus. Magnus Bane.
Alec never expected to see Magnus again. Not since -
Well, not since then .
“Magnus,” says Alec, like an exhale. And God , his mouth has not formed that name in years; he’s heard it, sometimes, inside his memories, but never beyond. “What are you -”
Magnus stares at him in disbelief, and Alec can hear the man on the other end of the phone line asking hey, are you still there? Hello? where Magnus holds the receiver away from his ear.
Something doesn’t make sense here, but Alec can’t put his finger on it. Not once has he met someone at a diner who he recognises. They’re all meant to be faceless people; people he could meet again a hundred times and still not recognise.
But Alec would recognise Magnus Bane with his eyes closed. It’s been years, and yet the feeling that floods his chest now, is -
An ache.
“Yes, sorry,” Magnus says suddenly, half-turning back to this phone call. His disbelief becomes a scowl. “No, it’s fine. I’ll call them myself. Thank you. Okay. Goodnight.”
The man on the other end of the line hangs up first and the dial tone echoes in the night for a moment, and then another, and then another.
Alec swallows thickly. He draws his hands out of his pockets and folds them behind his back, clenching his fingers in a tight grip where they can’t be seen.
Carefully, Magnus sets the phone down inside the phonebooth, and turns back to Alec, and then - he smiles.
“Alexander Lightwood,” he says, with a shake of his head. His smile grows broad, but it doesn’t reach his eyes. “God, what are the chances? Any other night, and I’d think this was a figment of my imagination, but with the way today’s been going, I-” He stops himself and takes a half-step forward. “I haven’t seen you since -”
“Since before Quantico,” Alec interrupts. He knows he’s staring but he can’t help it. “Ten years. Yeah.”
Ten years, three months, and twenty one days. Alec has been counting. If he looked down at his watch, he would know the amount of time that has passed to the minute, to the second, in fact, but he’s not about to admit to that.
He never expected to see Magnus again, and yet -
He hoped.  
“Ten years, really?” Magnus remarks, folding his arms across his chest. Alec follows the movement with his eyes. “Yes, I suppose it must be. 1985, wasn’t it? Christ, that makes me feel old.”
He looks Alec up and down, focusing on Alec’s dust-scuffed shoes, and then on the gun that sits snug on his hip. The corner of his mouth lifts, and his smile becomes a little more genuine.
“I see it’s Special Agent Lightwood now, though. Congratulations.”
“Alec’s still fine,” Alec says quickly. “I mean - you can still call me Alec. That’s fine.”
“Alec,” says Magnus, sounding it out. He’s always held Alec’s name with a special sort of care, but now, he says it like he’s saying it for the very first time. “Alexander.”
Alec doesn’t know what to say. He stares at Magnus, at the space between them that is too large for strangers who have just met, and which belongs only to two people who once knew each other well.
Serendipity laughs at Alec now; it sounds like the dull hum of neon light in a desert. It sounds like a hundred unanswered phone calls stretching back years.
“Alec -?”
“Sorry, this is - this is weird, I’m being weird,” Alec blurts. “I didn’t, uh - I really didn’t expect to see you, especially - especially here . I mean-” He squeezes his fingers tightly behind his back to stop himself from talking with his hands. “What, uh, what are you doing out here? I thought you still lived in L.A.?”
Magnus rolls his eyes. “Where to start?” he says softly, “I had some car trouble. The tire blew like a mile back and I swerved off the road and hit the fence. It won’t start now, which is something of a mild nuisance - because apparently we’re so deep in the ass-end of nowhere that I can’t get a mechanic to look at it until tomorrow afternoon at the earliest - but not as much of a nuisance as the meeting I will definitely miss if I’m stranded out here for the next God-forsaken twenty-four hours.”
Alec’s eyes flick to the highway, as if he might be able to see a mile into the distance and find the 1970 Dodge Challenger that Magnus had, far too many years ago and long-since sold for scrap, wrecked upon the roadside. It is, of course, too dark to see much of anything.
“I don’t even know if I’ll be able to call a cab out here,” Magnus continues, his mouth drawn down into a frown. “And I’m far too old to be hitch-hiking. The thrill of climbing into a potential serial killer’s car lost its appeal some decades ago.” With a brush of his fingers, he flicks away hair from his temple and huffs. “I suppose if I started walking now, I might reach Salt Lake by, I don’t know, Friday morning at best.”
Alec’s eyes snap back to Magnus. “You’re heading East?” he asks, far too eagerly. “Are you coming home?”
Something minute pinches in Magnus’ expression at that word. Home . Alec doesn’t miss it.
Magnus shakes his head.
“No,” he says, and he looks away, but there’s nothing there to pretend to be looking at. “No, not quite. If I had the time to drop by and see everyone, I would, but - I’m due in Baltimore in four days for a meeting with our investors.” He smiles wryly to himself. “And I thought it would be, oh, I don’t know, meditative or something equally asinine to make the drive across the country myself, rather than fly. See the sights. Enjoy being off-grid. Which, in hindsight, was very, very stupid.”
“What are you gonna do?”
Magnus shrugs. “Wait, I suppose. There’s not much else I can do. My cell phone is out of battery and I used up the last of my change on the payphone, so it looks like I’m stuck here until tomorrow.”
“Oh,” Alec says awkwardly.
“Yeah,” agrees Magnus.
In the glow of the gas station, reality trembles, hollowing out the shadows on Magnus’ face and flickering across the back of Alec’s knuckles. The motion of coming and going calls Alec back to the road and he glances back at his rental car.
It makes sense to offer Magnus a lift. Alec is heading in that direction, and he has an empty passenger seat and a working heater in the car, and a Bureau credit card in his back pocket.
It makes sense, and yet, he still hesitates.
“Well,” Magnus announces, “I don’t want to keep you. I might as well see what sort of coffee this place has on offer if I’m to be stuck here until tomorrow. I don’t suppose I could interest you in a drink before you go -”
“I’m actually on my way back to D.C.,” Alec says, thumbing over his shoulder at the car. He wets his lower lip with his tongue. “Baltimore’s not that far of a detour, so I, uh. I could give you a lift. If you want.”
“If I want?” Magnus repeats.
Alec swallows and nods. “If you want.”
Magnus’ face softens and he smiles at Alec. “Well, I’m not going to say no, am I? Although I don’t think I’m going to get my deposit back on my car.”
He looks over Alec’s shoulder at the rental. His expression changes, and if Alec were a kind stranger offering a ride to a man in trouble in the middle of the night, perhaps he wouldn’t notice.
But they’re not strangers, and in Magnus’ eyes, there is something Alec can’t quite place. It seems a little wistful. A little sad.
He says, “I would like that very much, Agent Lightwood.”
interlude
It’s 1985 and a man stands on the edge of the sidewalk, watching as a car turns right at the end of the street and disappears. He waits, half-expecting it to come back, circling around the block and pulling up beside him, the window already rolled down, but it doesn’t.
Ten years pass, and it doesn’t, and the man has to live with it.
Empty spaces and hands on the steering wheel and loneliness and want . In the end, that’s what everything boils down to.
I want you to come back. I want to see you again. I wanted you to stay.  
This is the rhythm Alec knows well, played out in the key of highways.
I want something I still don’t have a name for.
second chord
The soundtrack to night-driving is a composition of three things: the car heater as it puffs out warm air; the rental wheezing in the cold, coughing and spluttering with seasonal flu; and the deep stretch of silence.
Usually, Alec welcomes the silence.  
In the passenger seat, Magnus shrugs out of his overcoat and tosses it into the backseat, scrubbing his hands together in front of his mouth as he wills circulation back into his fingers. His shirt, open at the throat, looks thin and flimsy and hardly warm enough for a Midwest winter, but the soft shimmer of the satin is devoid of the harsh shadows that cut across Alec’s chest like the black line of a seatbelt.
Alec forces himself to look away. Keep your eyes on the road, he tells himself. And think of something to say before he thinks you’ve forgotten how to talk entirely. He fiddles with the dial on the radio until he finds the company of static, but it morphs all too quickly into Wham!’s Last Christmas .
Alec grumbles below his breath.
“Still a Grinch, I see,” Magnus says with a smirk. “Where’s your festive cheer?”
Alec returns both his hands to the wheel. “It’s too early for Christmas songs,” he replies, “Thanksgiving was literally three days ago and it’s not even December yet.”
“Are you saying the dulcet tones of George Michael don’t do it for you?”
“I prefer Mariah Carey,” Alec mutters. It makes Magnus laugh.
Alec glances at him from the corner of his eye as Magnus begins tapping his finger to the beat of the song against the door handle.
Alec, too, feels restless, but in a different way. He can’t stop looking, stealing glances at Magnus in the rearview mirror. Perhaps he is a trick of the light. Maybe Alec has been driving too long without a break and now he’s seeing people from his past who shouldn’t be here - but are.
Nothing that happens on the road is real, after all.
He digs his fingernail into the skin of his thumb and begins picking.
He’s lived this moment before; he knows he has. Him and Magnus alone in the front seat of a car and Alec’s tongue heavy in his mouth with all the things he doesn’t know how to say, and all the things he couldn’t say ten years ago, because he wasn’t brave enough then.
Hell, he’s hardly brave enough now. He wonders if Magnus remembers any of it.
The space between them is too large for small talk. Conversations that begin with All I Want For Christmas Is You is overrated though, now that you mention it , or so, how is your mother?, or even do you remember the last day we saw each other? are not enough to bridge the gap carved out by a decade of silence.
The thought stretches Alec so painfully thin. He picks at his thumbnail until it begins to sting, then winces, and draws it to his mouth to soothe it with his tongue.
“So,” Magnus begins, in the same instance. He’s still drumming his fingers to the beat of the radio, but now he’s slightly out of time. “What are you doing all the way out here in Idaho?”
Alec could laugh. “I was in Portland,” he says, “Local P.D. request FBI consultation on a case, so. Yeah. Turned out they didn’t need my help.”
“And they made you drive all the way out there?” Magnus asks, and Alec nods. “Sounds grim.” He stops tapping and runs his index finger across the dark polish on his thumb in thought. “Are you still living at home?”
Alec clenches his hands on the steering wheel. “No, I - I moved,” he says. “Uh, not long after I graduated the Academy, actually, but only to D.C.”
“Ah,” Magnus remarks. He pauses for a moment long enough to become awkward. “Still close enough to see your mom on the weekends, though.”
Alec nods again. Close enough , yes , but he doesn’t say it out loud. Close enough for New England ghosts to haunt every intersection between the city and his parents’ big white house in the country whenever he makes the drive upstate.
In ten years, he’s barely moved fifty miles, and Magnus -
Well. The same cannot be said for Magnus.  
Magnus clears his throat, louder than the hum of the radio. “And your parents?” he asks. “Isabelle?” He scans the horizon, fixed on the markings in the road disappearing beneath the wheels of the car. “How are they? Well, I hope?”
“Same as always,” Alec shrugs. “Overbearing. Dad’s retired now, and Iz moved to New York for work last year. Max is in college, so mom’s started questioning him about his life choices instead of mine.”
“Only took thirty-five years,” Magnus chuckles. “How is your mom? Are you seeing them for the holidays?”
Alec makes a noise that amounts to yeah, something like that .
What he doesn’t say is this: his parents’ marriage has been strained a while now - not as many years as Magnus has been gone, but close enough - and Alec is thirty years too old to be used as ammunition, or worse, a bartering tool in a messy ending. The divorce is only a matter of time now.
If only the road continued on forever, he would not have to go back home for the holidays. He wouldn’t have to sit through another Christmas of icy silences and thinly-veiled insults and his mother trying to butter him up while his father does the same to Isabelle. He wouldn’t have to lie awake in his childhood bedroom and listen to his parents screaming at each other downstairs, all the while wishing for the tap-tap-tap of pebbles thrown against his window, begging for it to be open.
A lot has changed since Magnus last saw him, and Alec didn’t have to move across the country for that.
A lot has changed since Alec stood on the sidewalk and watched Magnus’ car turn the corner at the end of the street for the very last time and not come back.
A semi-truck appears in the distance: first, as a pin-prick of light, and then as two beams of headlights striking the highway and the growl of its engine. The whole car rumbles and Alec grips tight to the steering wheel as the headlights blind him and shapes dance across his eyes. The light bleaches through Magnus’ dark hair and streaks across the skin visible beneath the open collar of his shirt; he holds his hand over his brow and winces.
The truck is thunder: a brief jolt and a flash, and then it’s gone, an aftershock of red light disappearing in the rearview mirror.
For a while, there is only silence. A mile, maybe more. Long past the truck vanishing from view, its light fading into the dark; and it’s the sort of silence that is thick and heavy and awkward.
At the five mile mark, Magnus inhales and turns in his seat to look at Alec.
“So, the FBI,” he says, like he has an obligation to fill the quiet, because letting it stew is somehow worse. “What’s that like? Maryse must be proud.”
“Yeah,” Alec mumbles. “She is.”
“It suits you, you know? Alec Lightwood, Special Agent. Not that I didn’t always know that it would.”
Alec’s mouth twitches, a smile in another lifetime. “What’s that supposed to mean?”
Magnus gestures with his hand. There are rings on his fingers that fail to catch the thin and distant light, but his fingers, long and slender, draw focus.
“You’re smart. Logical. Far too severe for your own good, which I imagine serves you well in law enforcement. You’ve always had a keen sense of justice,” he explains. His voice softens. “You know I’ve always thought that about you.”
Alec swallows thickly. “Magnus, you don’t have to -”
“And besides,” Magnus interrupts. “I always knew you’d look good in a suit.”
Alec looks down at himself. “What, even a suit off the rack?”
“Well, I didn’t want to say anything.”
Shakily, Alec laughs under his breath, but he relaxes his hands on the wheel and his knuckles fade from white back to pink. He lets the tense line in his shoulders fall flat.
“I don’t really have anyone to give me advice on what I should be wearing anymore,” he admits. “Or what colour ties match my -”
“Complexion?”
“Yeah. That.”
“Green. It’s dark green,” Magnus says. He smiles to himself, amused by something far back in time. “Do you remember that time when-”
“Yes,” Alec says. Yes, of course I remember. I haven’t forgotten a single thing . “Yeah. Yeah, I do. I still have that tie, the one you picked out for me that Christmas.”
“And the pocket square? They were a matching set -”
“Still the only pocket square I own,” says Alec.  
Magnus chuckles to himself, swiping his thumb across his lower lip in thought. The nostalgia becomes him; his expression softens with the memory of something fond.
The same cannot be said for Alec.
If only pocket squares could be metaphors for other things. For years gone by and silences that were once not this awkward and filled with jilted conversation. Or for a place once frequented but now abandoned; or a past that Alec still calls his now .
Alec is too clumsy at this; he doesn’t know how to step back into a space once occupied with ease, making smalltalk and laughing about Christmases in 1979 as if they were yesterday and they haven’t gone ten years without talking.
He’s not like Magnus; he couldn’t drop everything and leave it all behind. He didn’t get to move on. He had nowhere to go, trapped in this endless back-and-forth of travelling, always returning to the very same place once departed.  
interlude
On a postcard never sent:
What is worse: the separation, or the place where we will meet again, afterwards, that looks and feels like nowhere and is no longer familiar?
I miss you. I am afraid that I will no longer know you when I see you again.
third chord
Two motel room doors. Two identical rooms with identical twin beds and box-set TVs with only five channels and VCRs that don’t really work. Two sets of keys, although the weight of the fob in Alec’s hand feels more like brass than cheap white plastic.
He’s been here before: a shared dorm room, long, long ago. And then, after that, two houses on the same suburban street, sharing the same zip code. And then, finally, two cities, half a world apart.
He and Magnus, half a lifetime spent apart.
Alec did not notice the growing distance until it was too late; in hindsight, he’s not sure if that hurts more or less, to be blindsided by a farawayness he never saw coming. But here, now, there’s five-and-a-half feet of space between his shoulder and Magnus’, standing in front of their respective motel room doors, and happenstance has crossed their lines again.
Alec looks down at the key in his hand and then back up.
Beside him, Magnus casts a long and lonely shadow, thin and black as it stretches back into the dark. The wind ruffles his hair and plunders the pockets of his coat in an act of midnight robbery. The cold has chapped his lips already and he grumbles below his breath as he jams his key into the lock with frost-bitten fingers.
Alec doesn’t mean to be looking, but he is. He’s not sure he’s looked away since Magnus stepped out of that phone booth, as if slipping through a gap in time connecting two unrelated places that somehow ended up overlapped.
Magnus’ door clicks and he pushes it open with a soft, “aha!”, flipping on the light inside. The light tumbles out of the room - cheap, yellow, glaring - and Magnus bends down to grab his bag from his feet.
He pauses, then, in his open doorway.
“Well, then,” he says, looking at Alec with a half smile. “Until tomorrow, I suppose?”
“Yeah,” says Alec. He clenches the key in his palm until the metal digs into his fingers. If Magnus notices, he doesn’t let on. “Listen, Magnus. About what happened, when you left-”
“I’m glad, you know,” Magnus interrupts. “For whatever serendipitous force brought you to that gas station tonight. It’s good to see you. I mean it.”
“It’s good to see you too,” Alec replies. “I didn’t think - I didn’t think that day was going to be goodbye. I didn’t realise. If I’d known, Magnus ...”
“I didn’t either,” replies Magnus. His voice becomes softer. His eyes, too. Apologetic in a way that might take Alec years to unravel - or seconds. “But these things happen. You can’t stay stuck in one place forever, Agent Lightwood.”
Alec nods stiffly but says nothing.
Magnus offers him another smile, leaning heavily on his door frame.
“Alexander?” he asks, as if oblivious.
Alec squeezes the key tighter in his hand. “Yeah?”
A pause, then. Deliberate and weighted, and for a moment, Alec wonders if Magnus is going to answer the question that hasn’t been asked.
(Do you remember the day you left?)
(Let’s not talk about it. Let’s not talk. It’s in the past and we’re both different people now.)
But, instead:
“I’ll see you in the morning, Alec,” he says. “Goodnight. And thank you, again.”
The door closes and the light vanishes, and Alec is left suddenly in the darkness, gazing at the space once occupied. The night around him is cold. A whisper sets heavily upon his tongue but goes unspoken.
Everything always goes unspoken.
interlude
Somewhere between here and 1985, there is a man who doesn’t regret letting his feelings go unsaid. There is a man who moved on with his life; a man who doesn’t live in a moment years ago, with someone else’s hand playing idly in his hair.
There is a man who meets an old friend at a gas station in rural Idaho and it doesn’t hurt in a way he can’t ever explain.
Alec wishes that he knew him.
fourth chord
It’s always night, on the road.
As with endless highways and endless diners, other things begin to repeat themselves too. Alec prefers driving at night. It’s quiet; he can hear himself think; he can run red lights without being pulled over, without anybody in the world seeing him at all. He affords himself this one little thrill, the knowledge that the power to swerve off the road is clenched in his fists.
A fuel tanker passes the car on the opposite side of the highway, the sound of its exhaust like a fog horn parting thick cloud; for a moment, the low hum of the radio is wiped from existence. Alec eases the car over into the middle of the lane with the barest adjustment of the wheel, avoiding the spray of wet grit kicked up by the truck’s wheel arches. As the rumble fades, the melody of late-night jazz begins anew.
He glances sideways at Magnus in the passenger seat. His temple rests against the window and his eyes are closed but he’s not asleep; Alec can tell by the way he’s drawing his thumb in tiny concentric circles against his index finger again, as if deep in thought.
It was always a tell of his.
There is so much of him that hasn’t changed. So much of him that has crossed the threshold from Alec’s memory and fanned out into reality, and Alec is not quite sure where it all meets and blends together. Magnus is half a stranger and half a man ten years younger than he is now, with expensive clothes and the same aftershave and a twinkle in his eye and a strange, unspoken grief on his face whenever he thinks Alec isn’t looking.
But Alec is always looking.
There are memories in the footwell and on the dashboard and in the usually-unoccupied passenger seat of his rental car. Memories that Alec often revisits on other long and inconsequential journeys as a way to pass the time as the odometer climbs.
Magnus is always the main feature of those memories.
It’s 1978 and Alec is a junior in college and Magnus is stumbling into a lecture hall half-an-hour late with a thermos in his hand. He’s wearing the shortest shorts Alec has ever seen, and he’s slumping into the seat next to Alec, whispering in Alec’s ear that he’s so hungover he’s about to revisit Thanksgiving dinner.
Then, it’s 1981 and Magnus is trading secrets with Isabelle at a drive-in movie theater while Alec buys the popcorn; and he’s flattering Maryse’s cooking while leant across the kitchen island, chin in his hand; and he’s slamming the door to his and Alec’s shared dorm, before sneaking back in an hour later, only to find Alec waiting up for him with an apology at the ready.
It’s 1982 and he’s laughing. He’s giving Alec the grand tour of his mother’s home, three streets down from the house where Alec’s parents live. I can’t believe it took moving away to college for us to meet , he says to Alec. We’ve lived this close for so long and we didn’t even know.
It’s 1984 and he’s curling his hand over the back of Alec’s neck, feeling out the knobs in Alec’s spine. His breath is warm against Alec’s jaw as he whispers gentle words into Alec’s ear.
It’s 1985 and he’s packing up his car for the very last time.
Yesterday is tangled in Magnus’ hair. Memories twist time out of alignment and rearrange it into something, and someone, that Alec does not recognise. Ahead of them, in the distance, on the horizon, is a year from a decade ago.  
But here in the car, moonlight makes crosses on Magnus’ body. He is beautiful, still. Older, more refined, more improbable , but the composition of him is something that makes Alec’s heart ache as if he’s eighteen again and they’ve only just met.
The mole above his eyebrow is too familiar.
The lines around his eyes that appeared only after his mother passed. Alec remembers that summer well. He remembers listening to Magnus cry as he stood in Magnus’ kitchen doing the dishes that had been neglected for a week.
The map of his hands. A journey that Alec never took but longed for. Longed for and left to gather dust, like an atlas tucked away on the highest shelf of a bookcase.
In the dark, Magnus cracks open one eye, as if aware of being scrutinised. Alec turns his attention back to the road, but it is too late. He’s been caught.
“What is it?” Magnus asks, and his voice is smooth and rich and fills the car like music, even so shortly after waking. “Are we out of gas already?”
“No,” says Alec. “We’ll be fine for a while.”
“Hungry, then? We could stop for a late dinner. Or early breakfast. I’m not entirely sure what time it is, but I can always eat.”
Alec doesn’t reply, but he presses his mouth into a thin line.
Magnus’ eyes narrow. “What is it?”
“What’s what?”
Magnus scoffs. “You’ve always been many things, Alec, but able to lie to me is not one of them.” He laughs a little. “You think I’ve forgotten the look on your face when you’re trying not to spill your heart?”
No , Alec thinks. No, of course you haven’t. You should’ve, but you haven’t. You should’ve, because then at least one of us could say they moved on.
Alec exhales through his nose and flexes his fingers on the steering wheel. He glances in the rearview mirror, but there’s nothing behind them for miles. Much like pocket squares, perhaps that is a metaphor too.
“You never called,” he says, trying to sound casual.
Immediately, Magnus tenses. He shifts in his seat and sits up a little straighter, angling himself to look at Alec.
“I did,” he says, “At the start. You never answered.”
“You were in L.A. The time zones -”
“Oh, come on,” Magnus laughs. “You could’ve called me, you had my number. I know you did, because I wrote it down for you and left it on your bedside table, the day I moved.”
Alec squeezes his eyes closed; for a brief moment of respite, the road ahead of him vanishes. He thinks about letting go of the wheel at 90 miles per hour - not because he wants to, but because the thought of picking up the phone and hearing Magnus’ voice on the other end was always something that felt like driving his car into a ditch.
It’s the fear of impact. It’s the old hurt of being abandoned. It’s the longing to have run after Magnus’ car and asked to go with him that day in 1985. It’s all such a blur. Alec cannot sift between it all.
Magnus sighs heavily, knocking his head back against the seat. He looks at Alec from the corner of his eye and studies him at length.
“Maybe we should stop,” he says slowly. “The next town, find a diner. Get some food.”
“It’s fine. I’d prefer to keep driving,” Alec says, “If we keep stopping, you won’t make your meeting in time.”
Magnus frowns.
You clearly want to talk about it , Alec imagines him saying. Evidently, there are things that went unsaid.  
Magnus says none of those things. His phone begins to ring and it shatters the strange tension in the front seat, splitting it like a sudden burst of lightning. Magnus twists around and reaches into the backseat, rummaging through his bag. He returns with a cellphone in his hand, pulling out the antenna and flipping it open.
He meets Alec’s eyes in the rearview mirror as he presses it to his ear.
“Magnus, speaking.”
Magnus listens to the voice on the other end of the line and taps his fingers on his knee. He makes a low noise of disapproval to whomever he’s speaking.
“Yes, yes, Raphael, I know,” he says. “My battery died and I didn’t have a chance to charge it - do you know how much payphones cost? Do I look like the sort of person who carries change in his pocket?” A brief pause. “Don’t answer that.”
Alec reaches for the dial on the radio, intending to turn the volume down, but Magnus’ free hand darts out and swats his fingers away.
He mouths the word no and returns to his phone call, but Alec’s hand remains outstretched.
There’s a tingle in his fingertips, a short spark of static that leapt from Magnus to him, and he stares down at his hand as if he’s been burned.
And it makes Alec realise, oh.
So you’re lonely -lonely.
“I’ll be in Baltimore in four days. I ran into an old friend who offered me a lift,” Magnus continues into his phone. He listens to the other speaker for a moment, glancing briefly at Alec’s hand and frowning. “You’re lucky I phoned you at all after all that car trouble. It was a courtesy only.”
The radio briefly breaks into static before the song resumes again. Magnus begins drumming his fingers on his leg, listening intently to his phone call. He uhms and ahs and says something about investors and capital and shareholders and begins talking numbers that are too big for Alec to really understand.
He opens up the glove box and pulls out an old diner napkin that Alec shoved in there three states ago, and scribbles down a note, but he has to tap his pen against his thigh for the ink to flow.
Alec curls his hand into a fist and rests it on his thigh, but the tingle doesn’t go away. He listens to Magnus talk - this whole other person that Alec doesn’t know, but who he was clearly always meant to be - but all he can think about is how long he has gone without being touched.
Do you know? he thinks. Do you know that the last person who touched me was you? Do you realise at all?
interlude
Driving is like running. The rhythm of the road; the splattering of rain against the windshield; the thrum of a heartbeat as the speedometer tips over ninety. Clear head. Relentless motion.
Forward, forward, forward, always and forever. Try to keep up. Don’t stop. Keep going. Don’t look back.
fifth chord
The diner is the first sign of civilisation that Alec has seen in over a hundred miles - and it is the same diner as it always is, an eminent glow on the 3AM horizon that creeps closer and closer like a spaceship hovering over the fields and drawing circles in the wheat and the barley.
It draws circles around Alec too, this singular moment in time. This microcosm that exists in the form of red leather seats and bright, fluorescent light, and the same empty parking lot and abandoned phonebooth on the highway verge. The waitress changes; sometimes, the group of teenagers in the booth at the back is an old couple embarking on a long trip south before they get too old to make the drive; and instead of a man at the bar watching the baseball, every few miles there will be an off-duty sheriff nursing a cup of diner coffee.
In the end, it’s all the same. A small pocket universe that Alec has crossed a thousand times in a thousand different rental cars.
Perhaps the people in the diner do not exist outside of it. Perhaps they are like pictures on a TV screen that cease to be once the lights have gone off and the static has fizzled and died.
Perhaps they exist only because Alec and Magnus are passing through, creating the world around them as they go. The Midwest has that quality about it.
“I can’t remember the last time I ate diner food,” Magnus says as Alec holds the door open for him and the bell jingles above their heads. “L.A. is on a health kick right now. Everything is kale. Try ordering a steak at any restaurant within a half-mile of downtown and they’ll have the bouncer throw you out on the sidewalk with your drink still in your hand.”
“Not sure they know what kale is out here,” Alec murmurs, leading the way to a booth by the window. He slides onto the bench as Magnus slumps down across from him, dramatically throwing his head back and closing his eyes. “You’re probably safe here.”
Magnus cracks open one eye to look at Alec. Beneath the table, his toes nudge against Alec’s, and then he shifts so that their knees knock together too. He throws a grin at Alec and expects a volley.
Alec tucks a smile into the corner of his mouth and rolls his eyes. He feels fragile, but he’s always been good at acting like he’s not. He picks up the menu and pretends like he doesn’t already know it like the back of his hand.
The waitress approaches their table with a megawatt smile that only brightens when Magnus turns his focus on her, casting her in spotlight. She laughs, tucks her hair behind her ear, and asks where they’re from. Magnus says Los Angeles. The waitress tells him she has a dream of becoming a singer and moving out West, seeing Hollywood and all that .
Alec has never been, but there was a summer back when Alec was in college, where Isabelle decided to follow a boy to California, swept up in the promise of love and adventure and new opportunities. Jace and Alec had protested, their mother had expressly forbid it, but Izzy had gone anyway, and it had ended in heartbreak six months later, as these things always do.
“Everybody in L.A. is from somewhere else,” Izzy had told him, when she came home for Christmas and Alec picked her up at the airport, her life packed up into suitcases in tow. “I don’t know how to explain it. You’re drawn there because of all the - you know, all the sparkle. The glamour, Alec. But really, people there are just running away from somewhere else. Somewhere they don’t really want to be.”
“You don’t want to be here?” Alec had asked.
Izzy shook her head. “It’s not that. It’s more … you don’t realise what was good in the place you left until you’re somewhere else. But then you’re too far to phone, or it costs too much to get a plane ticket, or you just don’t want to give people back home the satisfaction of knowing that they were right.”
Back in the diner, the waitress scribbles down their order on her notepad, pours Alec a coffee, and then tells Magnus she’ll be right back with his seltzer water.
Alec can’t help himself. “Seltzer water,” he murmurs. “And you say you don’t fit in in Los Angeles.”
Magnus laughs. “I didn’t say that .”
The diner coffee is cheap and watery; the burger Alec gets has no bacon, but too many gherkins soaked in brine. The fries are soggy, left bathing in grease all evening, but the waitress brings them an extra portion at no extra charge, because she mistakes Magnus’ friendly conversation for flirtation. Her number is tucked on a napkin beneath the plate.
Magnus rolls his eyes as he shows Alec, but he’s too good a person to crumple it up and toss it to the side. Instead, he slides the napkin into the pocket of his jacket, a keepsake. A souvenir of someone else’s dreams for the future. In that sense, it almost seems precious.  
“What?” Magnus asks when he notices Alec staring. “What’s the matter?”
Alec turns his attention back to his food, pulling out a soggy gherkin from his burger and draping it across the edge of his plate. “Nothing. Don’t worry about it. I was just thinking.”
“Thinking?”
Alec’s eyes dart to the pocket of Magnus’ jacket and then away again.
“Alec,” Magnus gently scolds. His smile becomes sympathetic. “Just ask me what you want to ask.”
“Are you gonna call her?”
Magnus shrugs. “Probably not. But who knows. Sometimes the people you meet by accident re-enter your life further down the line and become important. I don’t know where her story might take her.”
“What about your story?”
“My story?”
Alec nods, but says nothing.
Magnus leans forward across the table. “You know my story, Alec.”
A man lights a cigarette at the table two rows behind them; he draws smoke into his lungs and it escapes through his nose, a thin grey stream falling upwards, towards the tiled ceiling. Alec watches him tap the filter on the ashtray in the middle of his table and a clump of ash disintegrates from the lit end; it lands silently, like snow. Like dust on the highway.
Magnus follows Alec’s line of sight and turns in his seat, glancing over his shoulder at the man. When he looks back, he has one eyebrow raised expectantly.
The smell of cigarette smoke fills the diner - acrid, bitter, and faintly earthy. It takes Alec back to college, to sitting out on the back porch of Magnus’ mother’s house before Magnus sold it because he couldn’t bear to look at it any more. He can picture the pack of Morley's tucked beneath Magnus’ thigh. He can still remember the way the unlit cigarette bobbed between Magnus’ teeth as he told his secrets to both Alec and the dark.
“I quit, you know,” says Magnus, in the present. “They say it’s bad for you.”
“I always told you it was.”
Magnus smirks at him and leans forward again, his elbows resting on the table. He steals a limp fry from Alec’s plate and pops it into his mouth. “I listened, didn’t I?” He nods over his shoulder towards the cigarette-smoking man. “What do you think his story is?”
“Huh?”
“What do you think his story is? Why is he here, alone at a diner in the back-end of Wyoming, past midnight in the depths of November? Smoking a cigarette? He must have a story.”
Alec’s never really thought about it. He’s always imagined the inhabitants of the diner as a backdrop, not as characters in their own story.
He looks harder at the man now: he’s older than both Alec and Magnus, salt-and-pepper hair thinning at the back. Once handsome, perhaps, but the years have stretched out his face and made his jaw sag. He’s wearing an ill-fitting suit, his shirt rumpled and his tie missing, the top button of his collar undone. He takes a deep puff of his cigarette, looks at it, and then extinguishes the lit end, grinding it into the ashtray.
“I don’t know,” Alec says slowly, looking back at Magnus. “Some sort of business trip?”
Magnus’ mouth lifts at the corners, drawing Alec in. “Perhaps, but I don’t think so. You see how he’s fingertips aren’t yellow? He’s clearly not a smoker, but he’s stressed enough to do it now.” Magnus reaches across the table and taps his finger against Alec’s fourth knuckle on his left hand. “And he’s not wearing a wedding ring, although looks like he was until recently. You see the mark?”
Alec steals a glance at the man, and then shuffles forward on the bench, so that he might drop his voice low and conspiratorial.
“Divorced, then?” he proposes.
“Maybe,” Magnus grins, “Or cheating, and he’s about to go back home and face his wife and pretend like his fishing trip with the guys from the office didn’t turn up much success, so they’re going to try again next weekend. He’s probably never fished in his life.”
Alec laughs then, loud enough to draw some attention. The sound is foreign in his mouth and a flush surges up the back of his neck as he sinks lower in his seat, hunching his shoulders and biting down on his smile.
Magnus looks delighted; in his eyes, Alec sees the reflection of the fluorescent lights above their heads, laid out like stars.
“You just made all that up from looking at him?” Alec asks.
Magnus beams at him. He reaches out and touches Alec’s fourth knuckle again. “Why, of course,” he says, and then he nods his chin towards the sheriff sat alone at the bar, making smalltalk with the waitress. “Now, how about him?”
sixth chord
The sun rises over the endless Nebraskan fields in shards of light.
Alec adjusts the rearview mirror. He will remember this moment later in figments of pale winter blue, snow-hazed pink, and November sky through the passenger window as Magnus gazes out across the passing countryside: a blank canvas for a painter to fill with bodies.
The color changes depending on where Alec chooses to angle the reflection of the mirror. Slightly to the left, and Magnus’ hands are stained in a pale wavering indigo, a purple so rare that it is only ever seen in the fleeting hour between twilight and sunrise. Move the mirror to the right, and that colour becomes orange, then gold.
Magnus swipes his hand across the condensation forming on the inside of the window, smearing colour across the landscape, but the story he might paint is hidden from view. Alec knows the start and he knows the middle - the brushstrokes the ones Alec remembers, but it’s the details that differ now -  and it’s the end of the story that is vague and undefined in sepia.
Alec thinks about cigarettes again. He wants to ask Magnus who it was that finally got him to quit. Or when exactly he started drinking seltzer water instead of shitty beer from Walmart, or decided that listening to the dial tone while waiting for Alec to pick up the phone was too much.
‘Let’s start the morning right with some ‘old but gold’ ,’ announces the radio. ‘ We’re going back twelve years to 1983 with this first track …’
Magnus makes a nose of protest in the passenger seat. The indigo has already faded from his hands, moving on to become something else, something more.
Faithfully by Journey begins to play. Alec recognises the song; in much the same way that a breath of fresh air on a cold winter morning can take him back to another place and another time, the first note paints a picture in his memories.
“This song played at Isabelle’s quincea ñ era,” he remarks. “D’you remember?”
“I remember,” Magnus says, tipping his head back against the seat and staring up at the roof of the car. He closes his eyes and basks in the light of the early morning sun. His smile grows gold. “That was the summer she dragged us all to see them in concert, wasn’t it? Jace had me make a tape for her, for the party. She played it on repeat all night.” Magnus pauses for a moment, letting his words sink in. “I also remember asking you to dance to this.”
Alec remembers that too. “Dad didn’t like that. He was pissed.”
”I’m not surprised. He tolerated me, at best. He was clearly jealous.”
Alec huffs on a laugh. “Jealous? How’s that, exactly?”
“Mhm, jealous,” Magnus reminisces. “Specifically of when I spun you around and dropped you on your ass in the grass and you laughed like I’d never heard you laugh before.”
Alec’s neck grows warm, a flush curling around his throat. He pinches at the skin between his thumb and forefinger where his hands both rest on the wheel.
“I was drunk,” he says, like an excuse. “I don’t remember much after that.”
That’s a lie. He was drunk, but he remembers being sprawled out across the grass and staring at the sky and laughing, until Magnus dropped down beside him, his hands planted either side of Alec’s head as he bent over him, and kissed him on the corner of his mouth. And he had laughed it off like it was nothing, pulling Alec back to his feet, but Alec spent the rest of the summer picking that feeling out of his teeth.
Magnus turns his head to gaze out the window again. The curve of his smile speaks of fondness, of a quieted sense of longing and looking back. He seems at peace.
“I was drunk too,” he says, after a beat, to the countryside.
And oh, Alec wants that. He covets that like he covets touch. To be able to look back and not feel all this … regret.
Isabelle’s fifteenth birthday was the first and only time they kissed. Magnus probably doesn’t even remember that night, not beyond the dancing, the beer, the spinning around and around in dizzying circles. There’s no way he would remember a kiss that wasn’t really a kiss.
Alec never once told him how he wanted to do it again.
That was the problem, in the end.
interlude
“You haven’t moved on?” says a man, once, in a bar. He’s tall and handsome, with curly blonde hair and large hands that Alec has imagined once or twice upon his chest, although it never makes his heart leap like it should.
His name is Andrew. He works in the building next door to the J. Edgar Hoover Building in Washington. They met at a coffee cart on the corner of the block, and this, now, is their third date.
Alec had thought it was going well.
“What?” says Alec, turning to look at Andrew, leant beside him at the bar. “What do you mean?”
“You haven’t moved on from whoever it is that you loved first,” says Andrew. He pulls his American Express from his wallet and passes it to the bartender to settle their tab, but they’ve only had one drink so far. “And you know, that’s okay. I get it. The first is always different, especially when it gets left unfinished. But I can’t see this working between us if you’re still in that place. You’re a good guy, Alec, but I deserve more than that.”
seventh chord
“Take the next left.”
Alec scowls at the road before turning to look at Magnus. He is bent over an atlas he found beneath the passenger seat - it’s not Alec’s and must’ve been left behind by whoever rented the car before him. The pages are dog-eared and coffee ring-stained, and Magnus’ finger is pressed against the thin line of the highway that divides Nebraska in two.
“What? Why? This is the quickest way.”
Magnus glances up, a look of mischief on his face. He grins at Alec.
“There’s something I want to see and we’ll be passing right by. Seems like a shame to miss it while we’re here.”
“What is it?”
Magnus’ tongue pokes out between his teeth as his smile broadens. He mimes locking his mouth with an invisible key, tucking it into his shirt pocket.
Alec huffs. “Magnus, we’re in Nebraska. All they have here is grass. And nothing. And more grass, and more nothing.”
“Oh, I wouldn’t be so sure about that.” Magnus folds the atlas up and sets it on his lap. He pats it with his hands. “What’s so wrong with a little spontaneity?”
“Uh, the fact that you have to be in Baltimore in three days? For an important meeting?” Alec says, gesturing with his flat palm at the road ahead. “You know I’m still on the clock, right? This is Bureau time you want to waste.”
“It’ll be an hour’s detour. We can afford it.”
“ Magnus .”
Magnus just grins at him. It’s the same grin that used to get Alec into so much trouble back in college; it leans against his doorframe with arms folded and a come-hither look in its eyes, and Alec has never been able to say no. Not to Magnus.
Magnus laughs. “Wow, they really did shove that stick right on up your ass at Quantico, didn’t they?”
Alec glares at him, but Magnus reaches out and pats Alec on the forearm, gently curling his fingers around Alec’s wrist. His touch, unfairly, is warm.
“Come on. The turning’s coming up,” he says. “Time to make a decision, Agent Lightwood. You don’t always have to play by the rules. Live a little.”
Alec rolls his eyes, but flicks the turn signal and merges into the outside lane, slowing as the turning approaches. Magnus beams at him and his laughter is buoyant, delighted as he claps Alec on the shoulder. His hand lingers, fingers pressing into Alec’s shirt, thumb against Alec’s pulse point.
Alec takes the turning.
He takes the turning and he wishes, only once, that Magnus might tell him exactly what those rules are. For a situation like this, he wonders, when you’re in the front seat of a car on an endless highway with a man you haven’t seen in years and who, once upon a time, you would’ve followed anywhere.
Although, in the end, not everywhere.  
A sign on the roadside welcomes them to Alliance, Nebraska, but instead of houses and street lamps, it’s grass that stretches for miles in every flat direction, endless swathes of frostbitten green. The road, now, is dirt and dust, and in the distance, a single white building and a cluster of standing stones appear as a landmark on the horizon.
Alec slows the car, but as the stones come into focus, he realises they’re not stones at all.
“Are those … cars ?” Alec asks, squinting into the distance. He looks sharply at Magnus. “Magnus, what -?”
Magnus holds up the atlas, his finger pressed against a roadside attraction labelled Carhenge .
“Please tell me that’s not what I think it is,” Alec says.
“Stonehenge replicated entirely out of cars, you mean?”
“Yes. That .”
“Well, it’s not as exciting as the World’s Biggest Ball of Paint , sure,” Magnus grins. “But when in Rome, Alexander. When in Rome.”
Alec pulls off the road, passing by the visitor’s sign that reads: Carhenge and Car Art Reserve. Welcome! The parking lot, little more than a field worn thin by tire treads, is scarred by muddy trenches that have frozen solid in the night and not yet thawed, and the rental’s suspension works hard to navigate them.
Alec huffs as he pulls up the handbrake and cuts the engine, but Magnus is already twisting in his seat to reach for his coat. He shoots Alec a cavalier grin as he opens the car door and tumbles out into the cold, and the blast of icy-cold air hits Alec square in the face.
Alec grimaces, but in front of the car, Magnus knocks his knuckles against the hood and gestures for Alec to follow him. Alec grumbles and pats himself down for his keys-wallet-ID-gun , before grabbing his own coat and shoving open the driver’s door.
The only other vehicle in the parking lot is a campervan, shiny and white and sparkling in the winter sunlight, either a midlife crisis or an early retirement investment. An older couple - a man and a woman - are standing in front of it, peering over a large DSLR camera. He’s in socks and sandals and she has binoculars looped around her neck, and if the weather was any warmer, Alec is sure they would both be in cargo shorts too.
“What attracts people to places like this?” Alec mutters, stuffing his hands into his pockets and turning up the collar of his overcoat as he hurries after Magnus. He hunches his shoulders, but the wind feels like it’s gusting through him, with nothing to stop or hinder it across the plains. “Why would you drive all the way out here to see … this ?”
“It’s not about the destination, it’s about the journey, Alexander,” Magnus teases, walking backwards so that he can face Alec. “Why do we do anything without purpose? Because it’s there, and because we can.”
Behind him, the large circle of cars stands out of the landscape, spray-painted grey to look even less like standing stones. Alec grits his teeth.
“It’s about those little moments that break up a long drive,” Magnus continues, nudging Alec’s arm. “Or making small and inconsequential memories that can be revisited whenever one needs something slightly absurd to fall back on. It’s something to do with another person, even if that person is insistent on being a grouch the entire time we’re here-”
“Alright, alright, I get it,” Alec grumbles. “Let’s just hurry up and look because it’s fucking freezing out here and I wanna get back in the car.”
Alec’s dress shoes sink straight into the mud as they traipse across the grass towards the circle of cars; the squelch-squelch-squelch of his feet is loud enough to be heard over the wind. Along the horizon, the sun is weeping yellow, low in the sky and sinking moment by moment towards sunset, and the shadows that stretch out lengthways from the stones-that-are-not-stones are long and warped.
Alec stops when his toes meet one such shadow and he looks up at the stack of cars towering over him. He tilts his head to the side, but it looks no better from an angle. Magnus steps away from him, meandering over towards an information sign.
“ ‘Carhenge is formed from vintage American automobiles, all covered with gray spray paint,’ ” he reads out. “‘ Built by Jim Reinders, it was dedicated at the June 1987 summer solstice in memory of his father. ’ Huh. How about that.”
“My dad would kill me,” Alec mutters.
“Oh, yes, mine too,” says Magnus. He bends down and squints at the smaller text on the sign. “‘ Carhenge consists of 39 automobiles arranged in a circle measuring about 96 feet in diameter.’ ”
“That seems excessive.”
“I think it’s strangely compelling, actually,” Magnus says. “There’s something about roadside Americana that has its own distinct charm. It’s a product of human eccentricities and I like that.”
“Oh yeah, and what are you seeing?” Alec says, gesturing with his hand. “Because all I see is a 15ft tall metal monstrosity.”
Magnus wanders back over to him, pressing up against Alec’s arm for the sake of warmth. He folds his arms across his chest, shoving his hands under his arms, and huffs out warm air that forms white clouds. He gazes up at the monolith above them.
“Well, beauty is in the eye of the beholder, Alexander,” he says. He frowns then, studying the twisted shapes of metal and fibreglass as if they’re some extraordinary work of art kept behind velvet ropes and a glass case and only allowed to be looked upon for a fleeting moment, and not an old car barely spared from rusting. “Michelangelo despised the roof of the Sistine Chapel, and yet it’s one of the most impressive feats of Renaissance art that still exists.”
“ Magnus ,” Alec presses.
“Mhm?”
Alec pauses. He studies Magnus’ face in profile: the line of his nose, the sharp cut of his jaw, the purse of his lips as he contemplates some deeper meaning that passes Alec by. High in his cheeks, the cold paints his skin red.
Alec thinks he understands a little, then. Nobody really comes to Alliance, Nebraska to see thirty-nine vintage cars spray painted grey and stacked together like some prehistoric monument from halfway across the world. There are other things worth looking at.
Alec shrinks down into the collar of his coat. “Michelangelo is overrated anyway,” he grumbles.
interlude
Here is the creation of a new memory: the orange-gold of a sunset, the cold metal of a rental car against the back of Alec’s thighs, and the warmth of a cheap coffee in his hands, steam rising and obscuring the face. The sky, shifting into navy, into darkness, into the pitting of stars as the temperature plummets and each breath becomes a plume of smoke rising heavenward.
Here, sat together on the hood of the car, Magnus touches him. Not an accidental brush of the fingers or a friendly hand on the arm while driving, but instead, Magnus tips his head to the side, letting his temple rest on Alec’s shoulder.
Here, Magnus’ whispered name crosses Alec’s lips. A question posed to the night, painful and tender and purple like a bruise (‘ what are you doing? ’), but Magnus doesn’t reply. He hums and turns his head and presses his nose to Alec’s coat.
Alec’s doesn’t dare move. Magnus’ hair tickles his jaw, and Alec wants to turn his head and press his nose there and breathe him in, but he doesn’t. Ten years ago, maybe. But not now.
So, he looks up, and he exhales as the last fragments of the sun shatter into a thousand tiny pieces. The night sky, in its infiniteness, mirrors the high plains of the Midwest: how endless, how deep, how black it all is, away from the city.
How less lonely it is with another body tucked against his shoulder. How much it hurts.
eighth chord
They find a cheap motel, afterwards, on the outskirts of the Alliance city limits. This time, there’s only one room left. One room with two twin beds made up in ugly floral sheets, and a TV without cable, and a minifridge, because that’s how it always is; how it’s meant to be; how it was, once, years ago.
Standing in the doorway of the room, Alec thinks back to their college dorm. He thinks about being eighteen and away from his parents’ home for the very first time - only one city over, but far enough, far enough to breathe - and Magnus crashing into that room, laden with boxes and a bright smile.
He thinks, aged eighteen, God, he’s the most beautiful person I’ve ever seen .
He thinks, aged thirty-something, that’s one thing that hasn’t changed.  
Magnus, in the present, slumps down on the bed furthest from the door with a heavy sigh and immediately toes off his shoes and flings off his coat. His suitcase is beside him on the bed, but Alec’s bag - Alec’s bag is still clenched tightly in his fingers.
He doesn’t move from the doorway. He can still feel Magnus’ head against his shoulder, Magnus’ weight against his side, and he’s not sure he’s taken a proper breath since; but then Magnus looks up and catches his eye and tilts his head as if to say, what next, Alexander?
He offers Alec a smile which Alec can’t return.
Alec swallows thickly and nudges the door closed with his hip. He pads over to the other bed, his feet sinking into the plush carpet and leaving tracks, and he sets his bag down on the very end of the mattress, and -
What next, Alexander?
There was never a what next . That’s the problem; it’s always been the problem. Alec, afraid to put a name to the feelings in his chest and step outside his comfort zone, and Magnus, unwilling to push him. This is the point they always reached: the touches, the glances, the wondering. The waiting for someone to do something. Around and around again, until Magnus couldn’t do it anymore.
This is always the point. The moment, repeated, just like the highway. Just like the diner.
Magnus exhales and cards a hand through his hair, combing it back against his head. He looks away from Alec, eyes drifting across the room until they settle on the cheap plywood door that leads to the ensuite.
“I’m going to take a shower,” he announces, and then he’s up, grabbing a towel off the bed and disappearing into the bathroom.
The shutting of the bathroom door is too soft and too careful, and Alec sinks down onto the end of his bed and rests his head in his hands. He closes his eyes and focuses on the outline of his badge in his jacket pocket, digging into his chest. The weight of his service weapon on his hip. The scratchy linen of the bed, the stains on the ceiling, the fuzzy TV as it cycles back and forth through the few sparse channels, even though the remote is on the bedside table and out of Alec’s reach.
He tries not to listen to the sound of rushing water through the walls.  
He goes to shower, after. When Magnus emerges from the bathroom with wet hair and a freshly-scrubbed face, there are no words exchanged as Alec passes him by.
The bathroom is small and full of steam, windowless and ventless and hot like a sauna and that’s definitely a fire hazard. Alec peels out of his suit and tugs the tie from his collar. His undershirt goes next, and then his belt, which hits the floor with a heavy clank. He stares at himself in the mirror but the reflection that stares back at him is blurred by condensation, and Alec’s finger is drawn to it, if only to leave a mark.
He wonders what Magnus would say if Alec told him of how he would write Magnus’ name in the steam on his mirror in the days after he left, standing in front of it to watch until it faded.
And it faded every time, until Alec stopped doing it.
He steps out of his pants and underwear, a puddle of creased suiting on the floor, and climbs into the shower, turning the dial up as hot as it goes. He stands beneath the spray until it scalds his skin pink, and then, once done, sits on the edge of the tub with a towel wrapped around his waist and finds himself craving a cigarette. He doesn’t smoke, not really. He just needs something to do with his hands.
When he leaves the bathroom, the TV is quiet and the light is off. A faint, electric glow escapes the bottom of the curtains, the same blue colour as the NO VACANCIES sign that overlooks the parking lot outside.
Magnus has his back to the bathroom door, his hands tucked beneath the pillow where he rests his head. He’s not asleep yet; Alec can tell from his breathing, not yet slowed. He will be able to count every long second that Alec spends staring at him, watching the rise and fall of his body beneath the covers, and he will be able to hear the moment Alec sighs and turns and leaves, padding across the room to his own empty bed.
Alec has lost count of the number of times he’s rolled over in the dark of a shuttered room that smells of mothballs and stale cigarette smoke, and reached for something that’s never been there. That hasn’t been there for years.
His mattress dips in the middle with the weight of one body. The pillow scratches at his cheek. He sets his service weapon on the bedside table, within easy reach, but hides his badge within the pocket of his jacket, out of sight but not quite out of mind. This is how it always is.
He listens to the rustle of blankets from the other bed and wonders, briefly, if Magnus has turned to look at him in the dark. He wonders what Magnus’ expression might be, and if Magnus stares at him now with the same sort of regret that Alec fails to hide.  
He is still in love with Magnus. He never stopped being in love with Magnus. This, too, is still the same.
interlude
In a wealth of human experience, the worst, by far, is what if .
ninth chord
Magnus taps his fingers against the car door, beating out an inconsistent rhythm. Alec knows it’s not a love song, but it could be something similar - a song about lost chances or maybe second chances. Sometimes, it’s difficult to distinguish between the two.
‘ THE PEOPLE OF IOWA WELCOME YOU ,’ reads a passing road sign, and it catches Magnus’ attention for a moment long enough to falter his rhythm. ‘ FIELDS OF OPPORTUNITIES. ’
There is little else to distinguish the crossing of the state line: the fields still stretch in endless directions, swathed in a fog the colour of glass. They set off late from the motel this morning because Magnus overslept and then insisted on breakfast, and refused to ask for the cheque until he had seen Alec consume something other than filter coffee.
He had offered to drive too, but Alec remembers what his driving is like: one arm propped on the wheel and the other fiddling with the radio, eyes barely on the road because, to Magnus, highways are straight lines from point A to point B and he has no time for speed traps or taking corners slowly or braking .
Alec, meanwhile, always has his hands at ten and two.
“Alexander, can I ask you something?”
Alec reaches for the dial of the radio and turns it down; this time, Magnus doesn’t try to stop him.
“I’m not stopping at another Carhenge,” Alec says. “Once is enough.”
Magnus rolls his eyes and continues tapping his finger against the car door.
“No,” he says, “No, I’ve seen my fill, I think.”
“But?”
Magnus smiles a little. “What makes you think there’s a but?”
“Because you haven’t said a word since I told you there’s no way in Hell you’re driving,” Alec chuckles. “And you’ve been thinking about something. I can tell. You do this thing with your hand -” He mimics the rubbing of his thumb and forefinger together, and then the touching of his ear. “And then you touch your ear. You used to have that piercing, remember? You’d always fiddle with it when something was on your mind.”
Magnus tugs gently at his earlobe. “I didn’t think I was so easy to read.”
“You’re not,” Alec smiles, “I’ve just known you too long. Or, uh. Knew you too long.”
Magnus hums at that. He begins spinning one of his fingers around his forefinger.
“Do you think I’ve changed? Since then?”
Alec shrugs. He’s never been that good of a liar, not in front of Magnus. And Magnus knows that; he told Alec as much, two days ago  “A bit. It would be weird if you hadn’t.”
“Hm,” Magnus considers. “You’ve changed, you know. And it’s like the strangest sense of deja-vu, because I know I know you, and yet there are these little details, these little things that seem slightly off. That I don’t recognise and I don’t know where they came from.” Abruptly, he stops fiddling with his ring and curls his fingers into the palm of his hand. He smiles wryly to himself. “And why should I? You don’t stay the same person your whole life.”
“I don’t think I’ve changed,” Alec murmurs, chewing on his lip. “I’m pretty much the same person I was back then.”
Magnus shakes his head, his smile fading. “That’s not true. I can see it in your face. You laugh more. You roll your eyes at me. Tell me no. You didn’t used to do that and I would drag you into so much shit , Alec. God, I was such a bad influence on you back then.” He pauses then, and his expression sobers. “But then, sometimes, when I catch you looking at me now, you seem ...”
He trails off, searching for the words with a flick of his hand. Alec doesn’t know what he means.
“I seem like what?” he asks.
“You seem so sad .”
Alec laughs in disbelief. “Sad? What - Magnus - I’m not sad, what do I have to be sad about?”
Magnus runs his thumb over his lower lip in thought. “That’s what I wanted to ask. Last night, in that motel room, I wondered - well. I wanted to ask if you resented me, after I left.”
Alec’s hands clench on the wheel. “If I resented you?” he repeats carefully. “Magnus, I didn’t resent you. Where’s this come from? What - what sort of question is that?”
“A genuine one,” says Magnus. “Just humour me a little. I want to know.”
Alec’s heart thumps in his chest. He forces himself to stay focused on the road. “Why are you asking about this now?”
“Why not two days ago when I found you at that gas station, you mean?”
No , Alec thinks. Not then. Before. Ten years ago, maybe.
Why didn’t you ask me then?
“Yeah,” Alec lies. “Something like that.”
Magnus frowns. “Do you not want to talk about it?” he asks.
“Do you?”
Magnus hesitates. He presses his mouth into a flat line and with his clenched fists, he taps his knuckles against the glass of the passenger window. The beat is one-two three-four , like a pair of heartbeats.
“I want to make sure you know why I had to go,” he says, eventually. “You understand that, right?”
“Right,” says Alec, unconvincingly.
Magnus huffs and leans his head into his hand, rubbing at his temple. When he continues, his words are addressed to the horizon and the straight line that leads them there and disappears into a singular point in time and space.
“I know I hurt you, Alec,” he says. “And I think you’re still hurt, in a way, because you’re both the most obtuse person I’ve ever met and yet the only person who I was always able to - who I can always see . And ... can I be honest here?”
Alec nods, but says nothing.
“Right, well,” Magnus continues. “How do I explain this? It’s … it’s frustrating . Sometimes. The way you keep looking at me out the corner of your eye like it causes you suffering to do so but you can’t help yourself. The way you didn’t pick up any of my phone calls, back then. The way we just … the way we just ended. Snuffed out like a candle.”
“But you’re the one who left , Magnus,” Alec interjects. “You’re the one who - it wasn’t me. I didn’t decide that.”
“I didn’t want to be stuck there. I wanted a career, Alec, I wanted to see what else there is ,” Magnus says, gesturing with his free hand to the open road and empty Iowan landscape. He sounds weary. “And there is so much else, so much more than a nice house in a nice neighbourhood with a white-picket fence and a dog and two-point-five kids. I couldn’t wait around for you to - I didn’t want to live the life my mom lived. She never left that place, not once. The same four walls, the same dead-end Middle American town until the end of her days. And that ... that was too small for me.”
He talks about getting out the same way painters talk about muses, the same way a traveler searches for God in the landscape: something they had to see before they died. A holy calling.
He always has.
Perhaps Alec is the ghost lingering at those New England intersections that keeps Magnus far and away from home. Alec, too afraid to cross over the threshold of a highway, destined to haunt the same small town for the rest of his life.
Too afraid to wander so far from home that he might not be allowed back. Too afraid to say something that he can’t recant, even if it’s the truth.  
Alec chews on the inside of his cheek. “Didn’t you ever ... didn’t you ever think about that sort of life? With the house, and the yard, and the dog?” he begins. “Just a little? Just a bit?”
Magnus shakes his head. “I didn’t want that,” he murmurs. “It’s not me. You know that. And after my mother passed and I sold the house, I - God, sometimes I would sit on the front porch and watch all the cars go by, passing through that town like it was nothing, like it wasn’t even a blip on their map, and I would think the world moves on without you . It doesn’t care if you don’t catch up. It doesn’t care if you’re - if you’re waiting for someone to say something they never want to say.”
He glances at Alec as he says it, and Alec realises then that he knows.
Magnus knows. Perhaps he’s known a while; perhaps he’s known since they were young that Alec loves him but refuses to say it. It is Alec’s worst kept secret, after all.
“I had to get out, Alec,” Magnus continues. “Sometimes I thought, if I stayed, I’d suffocate.”
I was suffocating too , Alec thinks. A gay man in the early 80s didn’t get to breathe . That’s just how it was.
Magnus, of course, already knows that. Alec would only be preaching to the choir if he said it aloud.
Instead, he mumbles, “I wanted to say it.”
“What was that?”
“I wanted to say it,” Alec repeats. He sinks his teeth into the inside of his cheek and wishes he could squeeze his eyes closed for just a moment - but there’s the road. There’s always the road. “I just - I couldn’t. Not then. But I wanted to say it. The thing you were waiting for. From me.”
Magnus’ mouth falls open a fraction, as if, somehow, he is surprised by such a revelation. Alec feels Magnus’ stare boring into the side of his face and he fights every muscle in his body not to turn and look back, because he knows exactly what he’ll find in Magnus’ eyes and he’s not sure he can stomach it.
He has looked at Alec this way before. Hell, a thousand times before. He’s trying to understand Alec - why here and why now, why are you finally saying something after all these years of pulling me along at the other end of a string, leaving me hoping and desperate and in love with someone who couldn’t ever say it back - but Alec is not that complicated.
He’s just scared. Scared of change. Scared of veering off the side of the highway that he has driven all his life, even though a part of him wants to know what it feels like. A part of him longs for the impact because, at least then, it will all be over.
And Magnus -
Magnus has always been so difficult to pin down, so close to chewing through his own foot to get away (and Alec had always hoped he’d never quite manage it, so that he might stay with Alec, forever, in some selfish vision of the future). It’s inside of him, that need to wander and see the world and meet new people and learn from them and be better and be something . The need to throw the roadmap out the window at high speed.
“Was that -” Alec begins, but clears his throat again. “Was that not enough? For you to stay, I mean?”
Magnus’ expression softens. His shoulders slump and his hand falls away from his temple and his mouth curves upwards at the corner and he says nothing. In his eyes, however, Alec finds an answer.
Sometimes, you cannot wait to be loved at someone else’s pace. Sometimes, you deserve more than that. I deserved more than that.
And maybe -
And maybe I’m still waiting.
interlude
Another postcard, this time purchased from a roadside gas station and then left crumpled in the glove box of a rental car:
I loved you then. I love you now. I still don’t know how to say it.
tenth chord
The day Magnus left was a Sunday. The beginning of August, 1985. The sun was bright that morning, harsh on the roof of Magnus’ new car as he piled boxes and suitcases into the trunk.  
Alec had not understood what ending meant until he was standing on the sidewalk and watching Magnus pack up his life into ten square feet. He had not understood that some endings aren’t peaceful or satisfying or tie up all the loose threads of a story tangled by the writer; some endings are excoriations. They leave you raw and wounded.
The realisation, now, is that letting Magnus go a second time will be a worse experience than the first. This time, Alec already knows what it’s going to feel like.
In the rental car, the heater works hard to circulate warm air into the front seat. The windshield wipers battle against the thick blanket of fog that has rolled in across Lake Michigan and which obscures the signposts for Chicago from view. Frost covers rural Illinois in a comb of silver, not quite yet snow, but soon. Soon enough, the country will be white and glistening in the low sunlight as far as the eye can see.  
Magnus has his coat draped over him like a blanket, his arms backwards through the sleeves and his head resting against the window. He hasn’t slept, but he’s been quiet for a while now, watching the world pass by with little commentary, save for when a song to which he knows the words plays on the radio.
On the side of the road, timber-frame houses disappear in and out of existence, reappearing in various states of disrepair. A barn, an old farmhouse, a disused gas station, a tiny church built on stilts that extends out over a frozen lake on a wooden walkway.
Magnus makes a noise of interest as they pass it by, turning in his seat to look back at it as it vanishes into the fog.
“Did you see that?” he asks. These are the first words he’s said to Alec in nearly a hundred miles. “That church.”
Alec glances in the rearview mirror but, as always, they are the only car on the road and the fog swallows up the passing seconds behind them. He’s not sure how long they’ve been on this road without a turning, nothing but an undeviated line for miles, and sooner or later, the end of the road is going to take them by surprise.
Alec takes his foot off the gas and presses down on the brake instead, and the car lurches to a near-stop. Magnus jolts forward in his seat, his seat belt cutting into his chest and stopping his momentum. He turns to stare at Alec, but Alec throws his arm over the back of his seat, knocks the gearstick into reverse, and spins the car into a three-point U-turn.
Magnus sits up in his seat, his coat slipping down from his shoulders and onto the floor.
“Baltimore not on the cards anymore?” Magnus asks, as Alec turns the car around and begins driving back the way they came. “Alec, what’s going on?”
Alec leans forward over the steering wheel, squinting out into the fog. The shape of the gas station reforms out of white cloud, and then, beside it, the shimmer of the frozen lake and the small church that sits atop it. A place for prayer amidst the smell of petrol fumes and gasoline and road dust.
A traveller’s chapel , Alec notes. It seems apt.
The church is small and squat and built of dark, gnarled wood, falling apart at the seams. From a distance, it seems almost black, but the need to pull off the road possesses Alec and he pulls into the parking lot of the gas station, before locking the handbrake.
Once parked, he turns to look at Magnus, both hands still clenched on the wheel. The radio crackles with white noise, interspersed with the tune of a Christmas song that Alec doesn’t recognise. Magnus reaches out and turns the volume down.
There’s never really been a need for words.
Alec unclips his seatbelt first. He doesn’t pat himself down for keys-wallet-ID-gun . He grabs his coat from the backseat and leaps out into the cold, and doesn’t look back when he hears the passenger door slam and Magnus follow after him, albeit at a distance.  
What Alec finds is this: the wind is brittle and the walkway that leads out over the lake creaks and groans beneath Alec’s weight, but doesn’t make a noise for Magnus. On the highway behind them, a truck rumbles past, but the fog is so deep that Alec cannot see it, save for the glow of its headlights. There is a small placard nailed to the outside of the church that reads: Visit Your Roadside Chapel and a big red arrow points down at the doorway.
Alec reaches for the doorknob and gives it a twist. Behind him, he can feel Magnus watching him, arms folded across his chest to ward off the cold, in silence. He says nothing to Alec, no witty remark about the FBI’s predilection for breaking and entering, no tired smile, no weary remark about how he’s tired of waiting, which they both know means far more than it seems.
The door to the church is not locked and it opens with a fair shove, and out spills the smell of damp wood and dust and old smoke. Magnus coughs lightly, wafting his hand in front of his mouth, but Alec steps inside.
The church itself is small and cramped, barely wider than the span of Alec’s arms from wall to wall, and the cold sweeps through the gaps in the walls, carrying with it the earthy smell of burning. There are no church pews, but a padded piece of wood for kneeling in prayer sits beneath a floor-to-ceiling cross, and bible verses are scratched into the plywood walls in a messy hand. Empty beer cans and extinguished cigarettes litter the floor, and cobwebs are strung like garlands above Alec’s head, which he reaches up to swipe away.
A row of candles stand where the altar should be. Soot still clings to the wicks, as if freshly extinguished.
Alec steps forward and his feet crunch on dried leaves that have blown in through the door. He lifts his foot and looks down and finds a crumpled receipt stuck to the sole of his shoe, grey with running ink and dozens of footprints that have come before Alec’s. The date on the receipt is fifteen years ago. It was issued in Dallas, Texas.
This is a space of comings and goings. Of passing throughs. The afterimages of a thousand travellers linger here like memories and, carved into the cross above Alec’s head, he notices the words: what is more important to the traveller, the journey or the destination?
The silence sings, or maybe it hisses, like the wind rustling through the endless miles of wheatfields between here and where they’ve come from.
What is more important to the traveller, the fact that we got lost along the way, or that we made it back here, in the end, and met again?
Alec looks back over his shoulder, and Magnus is there, standing in the open doorway, waiting. His nose is red with the cold. The light behind him casts him in the pale yellow of a winter twilight. He is watching Alec with an expression that Alec doesn’t understand.
“Magnus?” Alec asks, low and gentle.
“Yes?” he replies.
“Do you have a lighter?”
Magnus’ mouth tips upwards at the corner. “I said I quit, remember?” he says, but he reaches into his coat pocket and pulls out a shiny, silver Zippo lighter, engraved with his initials. He places it in Alec’s outstretched hand, but his touch lingers against Alec’s wrist and the staccato of his pulse. “Here.”
Alec turns to the candles and flicks his thumb along the lighter. The flame is summoned into existence, its light dancing across Alec’s thumbnail as he lights the wick of the tallest candle.
He lights it for his mother, and then, once it catches, he lights another for Izzy, and then one for Jace and Max and his father. He recites the Catholic rotes his grandmother taught him beneath his breath, in Spanish, a whisper. Then, a prayer for Magnus, and for his mother too, wherever she might be.
And lastly, a prayer for himself, aged eighteen and away from home for the very first time. Aged twenty-three and in his graduation gown, Magus’ mortarboard on his head and Magnus’ arm around his shoulders, laughing in his ear. Aged ten years younger than he is now and standing on the sidewalk of his parents’ house, watching Magnus’ car pull away.
Magnus joins him at his side, his head bowed and his hands clasped in front of him. An inch of space exists between their shoulders, but, even now, Alec can feel the warmth of him through his coat.
Alec has missed this. He will miss it again, he’s all too sure, but maybe it’s okay to have it only for a moment.
Maybe that’s enough. Maybe it has to be.
“Alexander?”
“Yeah?”
“I meant what I said yesterday,” Magnus says quietly. He tugs on the sleeve of Alec’s coat and turns Alec to face him. His eyes are bright - not wet, but earnest - and drop to Alec’s lips before returning upwards. “That it’s not about the destination, it’s about the journey. You know that, right?”
He squeezes Alec’s arm. He wants Alec to understand something that still remains out-of-focus.
“What do you mean?” Alec asks.
“I am sorry for the way we left things,” Magnus says, “And I’m sorry that it hurt more than I realised it would. I really am. But it doesn’t have to end the same way this time. You can change the way you remember it. Make it mean something, something fond that you can look back on. You can make it good, if you want.”  
Alec frowns. They’re a day away from Baltimore. In forty-eight hours, Alec will be back home in D.C., and in a week, Magnus will return to L.A. and the life he has built there, where he drinks seltzer water and no longer smokes and talks a mile-a-minute on an expensive cell phone about investments and equity and big-ticket numbers, and is loved by Alec at a distance.
It’s not like the highway extends into the sea. All roads eventually end, and this one must too, amounting to nothing more than four days in a nondescript rental car with Christmas music playing on the radio, but -
This doesn’t have to end the same way this time.
“Doesn’t it?” Alec asks, unable to help himself.
Magnus shakes his head and lets go of Alec’s arm. He takes a step forward and lifts the last unlit candle, holding its wick to the flame of another until it catches.
“No,” he says. “No, it doesn’t.”
interlude
Nothing that happens on the road is real. This is what Alec tells himself between diners and gas stations and faded markings down the centre of the highway.
I can love you now, while the engine’s still running. And you might love me too, while the engine’s still running. Sometimes I think that you do, when I look at you from the corner of my eye.
In the distance, Chicago rises from the fog, lit up in one thousand pin-pricks of light. It makes the world glow in the colour of cities and concrete and it feels a bit like a dream after so long passing through nowheres.
If we drive far enough, we might make it back to the place we once called ‘now’. If we drive fast enough, maybe that day will end differently and you’ll stay.
The speedometer tips over ninety and the countryside blurs into rooftops and stop lights and traffic backed up across the bridge that spans the highway. Streetlights line the side of the road and pass across the rental car in flashes of strobe and yellow.
“I don’t want you to stay there,” says Magnus, in one such patch of light. Sometimes, it’s like he can read Alec’s mind. “I want you to write a different ending, Alec. I want you to want it.”
eleventh chord
Chicago is behind them as they cross into Indiana with the stroke of midnight, a dull orange glow that seems too bright for the eyes after so many repeated nights driving in near blackness.
Their destination is getting closer, and Alec eyes each passing road sign that counts down the miles to Cleveland, then Pittsburgh, then Baltimore, then home with a heaviness in his heart that beats a slow rhythm.
It’s the rhythm that he knows - that lonely beat that matches the roll of the odometer on the dashboard - and yet it seems too fast now, accelerating towards an end point at which he has a choice to make.  
He tries to match it, that rhythm. He tries to strike a chord with the bouncing of his leg in the footwell, with the tapping of his fingers on the steering wheel. He glances across at the passenger seat to see if Magnus is looking back at him, but he’s not - he’s staring ahead through the windshield and holding himself unnaturally still.
Alec wants to slow down below the speed limit; put his foot on the brake; stall the car. Drive it off the side of the road and into a ditch and then shrug and say, guess we’re stranded for another night ‘til the tow-truck can get here . And maybe that’s dishonest - or too honest, because the thought of spending the night in the car together, crowded around the heater as if it’s a bonfire keeping them warm, does something strange to Alec’s insides - but the relentless momentum if the car is no longer a balm on his nerves.
He can’t help but think about what lies in wait at the end of the road. Another goodbye. A polite smile and a parting hug and some kind and empty and wistful words; longing and loneliness and more of the same heartbreak, made worse by the fact he knows, now, what they could’ve had, if things had ended differently the first time.
Alec doesn’t want to leave this car; he wants to keep Magnus here forever, the two of them trapped in this rocking motion of roads and highways, where Magnus tells him over and over again that it doesn’t have to end and Alec believes him.
Alec wants to keep driving off the very edge of the continent and into the Atlantic Ocean. He wants to arrive in Baltimore and say, take me with you . He thinks about grabbing Magnus’ hand when he steps out of the car, and saying, don’t leave me behind this time. Take me with you. Take me somewhere that isn’t here. I’ve had enough of coming and going back to the same place as before. You’re right about that. You’ve always been right about me.
Magnus shifts in the passenger seat, clearing his throat.
“We should probably find a motel. It’s getting late,” he says. He doesn’t need to say it, because Alec is already thinking it: tonight is the last night. Tomorrow, Alec will be in his own bed, and Magnus, in some fancy hotel room paid for on a corporate credit card. “We both need a good night’s sleep. For tomorrow.”
“Right,” Alec echoes. He clenches his jaw. “Tomorrow.”
The air in the car is thick and heavy, so Alec reaches for the radio to try and suffocate his own thoughts. He skips through the stations until he finds one that sticks, and then turns up the volume. The voice of a man quoting late-night scripture fills the front seat:
‘So, flee youthful passions and pursue righteousness, faith, love, and peace, along with those who call on the Lord for a pure heart.’
Magnus exhales through his nose and runs his palms up and down his legs, digging his fingers into his thighs. His eyes catch Alec’s in the rearview mirror.
A decision, then. Alec has seen this look before.
“I really think we need to find a motel,” Magnus says again, more forcibly this time. “Let’s check the map. Can you pull over?”
“Huh?” says Alec, “Just switch the light on, it’s okay. I don’t mind. Pick somewhere that sounds good and tell me which exit I need to take.”
“Alec,” Magnus insists. “Pull over.”
Alec looks at him, confused. “What? Are you okay?”
“I’m fine. Really. I just need you to stop driving, please.”
“Okay, uh. Okay. Hang on, I’ll just -” The turn signal flashes and Alec steers the car off the side of the highway and onto the grassy verge. The tires sink into the mud and the car jostles them from side to side until, finally, coming to a stand still.
Magnus unclips his seatbelt and reaches for the glove box, retrieving the atlas from inside. He spreads it out on the dashboard between them, running his fingers down the page until he finds where they are, and then flicks on the cabin light above their heads.
The car becomes an island, then. The sky is clear and the road behind them is almost empty, and the world outside is completely black and they are floating in an endless void. And all that exists is Magnus leaning across the gearstick and grabbing Alec’s hand and pressing his fingertip to a point on the map and saying, “there.”
“There?” asks Alec, looking up at Magnus’ face. His voice is a whisper now. “What’s there? A motel?”
“A motel,” Magnus agrees, shifting forward on his seat, closer to Alec. His grip on Alec’s wrist is vice-tight, his rings cold against Alec’s skin. “What do you think?”
Alec pauses. There is an unasked question here, hidden in the silence between words. It’s a proposition and Alec wants to get the answer right.
But Alec also wants to kiss him. He can smell Magnus’ cologne, the aftershave patted onto the slope of his jaw in the bathroom of a cheap motel that morning. He can feel the heat of him. He can feel the flutter of Magnus’ pulse where Magnus’ thumb is pressed insistently against his skin.
He wants to kiss him and muster the courage he could never find before, and he wants to say fuck it . Give him that moment of undoing, or redoing, or whatever the fuck it is that he wants the last few years to have meant.
He’s pretty sure that’s what Magnus wants too.
“Alexander?”
Kiss me now while the engine’s still running.
“I don’t want this to end.”
“I know you don’t,” says Magnus. “I don’t either.”
“No. No, Magnus, you don’t know. You don’t - you can’t ,” Alec insists. “You can’t know because I never said anything. That’s the whole point. I never said anything, even though we both knew how I felt. We both knew. And despite all that, we still didn’t do anything about it because in the end, it didn’t matter. It didn’t matter. I loved you and I think you loved me and it didn’t matter.”
He and Magnus exist in a not-time. This place isn’t real; Alec can speak to these feelings and not be beholden to them in the morning, or at the end of the road, or wherever it is that they’re heading. Not if he doesn’t want to.
But he does want. He wants more than one man with a body can bear.
I loved you then but it didn’t matter. But it matters now because I can say it. Because we have circled around and found each other again after all this time and that -
That has to mean something.
Magnus’ hand relaxes on Alec’s wrist; his fingertips brush across the back of Alec’s knuckles, across the roadmap between them on the console. It is tentative and questioning and even now, still says, you can drive away if you need to.
Alec inhales deeply. He shakes his head.
He meets Magnus’ eyes on purpose.
“I was afraid that the next time you walked into my life, I wouldn’t know how we fit together,” he whispers. “I was worried that something inside of me, inside of you, would’ve changed, because things always change after this long, but - it hasn’t.”
Beneath Alec’s palm, Washington lies hidden. In the dark, the paper rustles.
“You haven’t, Magnus. Not when it comes to me.”
interlude
The radio sings, ‘It will never be the same, baby.
We will always be the same, baby.’
twelfth chord
Alec’s hand shakes as he fumbles with the key in the motel room door.
Magnus stands a half step behind him, his breath forming white clouds that float and dissipate over Alec’s shoulder. The smell of his aftershave carries. There’s a deliberate space left between their bodies, greater than the distance that has existed between them in the car for the last four days.
It’s the furthest they’ve been apart since Alec approached that phone booth back in Idaho.
“Fuck,” Alec mutters, as the key sticks in the lock and refuses to turn. His palm is sweaty and anticipation licks up the side of his throat where the collar of his shirt is too tight. “Sorry, just give me a sec-”
Magnus leans over his shoulder and takes the key from him, sliding it into the lock with ease. The door clicks, and then swings open.
This motel room is just like all the rest: two beds, one TV, the oddly stained carpet. Thin plywood walls. A single light that plunges the whole room into that low-res yellow of cheap nighttime lodgings.
Alec places both their bags on one of the beds, exhales, and then, when he turns back, Magnus is standing against the closed door. His head is tilted back, his chin aloft, and his arms are folded across his chest, the sleeves of his coat tight around his arms.
His eyes are dark and molten. Where Alec is an unlit cigarette, he is the match.
And that’s enough. All things end and all endings are terrible in their own way, and Alec doesn’t know why he shouldn’t lean into the inevitable if it’s something he can’t avoid.
He abandons the bags and steps towards Magnus, grabs him by the lapels of his overcoat, and kisses him.
Immediately, Magnus opens his mouth to Alec; the sound he makes into the kiss has the hairs on the back of Alec’s neck standing on end. They stagger back against the door with a thud , and Magnus grabs at Alec’s coat, shoving it from his shoulders, then pulling Alec’s shirt out of his belt, his hands slipping beneath Alec’s undershirt so that he can feel skin.
Something rattles around inside of Alec and maybe it’s his heart come loose at last. He kisses Magnus ever deeper for it; his chest aches; his heart aches. He should’ve kissed Magnus sooner, and yet it feels like this is the only moment in time and space where it’s meant to happen: some dingy motel in rural America where it’s just the two of them and Alec has made a choice where he refuses to let this separation be the same as the last.
They’ve never needed to speak. The span of time hasn’t changed the connection between them; Alec could be his twenty-three year old self; he could be his eighteen year old self; his self from five days ago, picking up the keys to a rental car in the backwoods of Oregon state - he would still be in love with Magnus, whether or not he has said it out loud.
Alec cups the sides of Magnus’ jaw and tilts his head back, deepening the kiss. Magnus’ tongue presses into his mouth, his hand flat against the small of Alec’s back, his fingers pressed against Alec’s spine. He pulls Alec closer until their bodies are flush.
And oh, it’s so easy for Alec to lose himself to the push and pull of it: the lick of Magnus’ tongue, the pliance of his mouth. His hands are so warm as they settle on the slope of Alec’s waist.
Alec feels like he’s standing in the middle of a highway, staring down the headlights of an oncoming truck, willing it to move first or be moved . His heart is pounding loudly in his chest. The light is so bright that he is blind to everything else.
Is this driving off the edge of the road or is this the impact?
The kiss leads to the bed. The bed leads to shucked clothes and kicked-off shoes and Alec tossing his badge and service weapon blindly onto the bedside table as Magnus kisses down his throat and the blood rushes to Alec’s head.
Magnus pins him back against the starchy motel pillows, one hand splayed on Alec’s chest - stay still, don’t move - while his other hand cups Alec’s hip and his thumb slips into the band of Alec’s underwear.
No. It is the destination.
Magnus runs his hands down the inside of Alec’s legs, his palms smoothing across Alec’s thighs. His eyes meet Alec’s as he presses his mouth against Alec’s knee.
Alec’s eyes fall closed.
He wants to say something about endings, to gasp, to whisper it. He wants to ask what happens next: if he is to leave Magnus on the side of the road in Baltimore tomorrow and never hear from him again; or if Magnus will fly back to Los Angeles in a week’s time and only look back on this moment as one of those pocket memories of his, something fond to warm him on colder nights.
Alec doesn’t want that. He doesn’t want to be an uncalled telephone number in Magnus’ diary again; he doesn’t want to stop here , with Magnus’ mouth slowly kissing up his inner thigh. He cannot let Magnus slip through his fingers a second time, so he reaches out and pulls Magnus towards him, up the length of his body, crushing his mouth against Magnus’ and swallowing Magnus’ untethered gasp. He kisses Magnus’ jaw, and then the side of Magnus’ neck, and then he presses his nose to Magnus’ shoulder and breathes him in.
He says nothing, but he has to screw tight his eyes to stop himself from doing something stupid, like letting a stray tear roll down his cheek and wet the pillow. Magnus wraps his arms around him and holds him tight, words whispered in Alec’s ear that he’s been waiting ten years to hear and which Magnus thinks must all be said in one night.
Alec is too old for messes of the heart like this, but maybe that’s the problem: how long they’ve delayed this particular end, to the point that neither of them know how to exist in a world after .
interlude
The final postcard never sent:
“The boy in the yellow shirt walks like there is all the room in the world. I am standing on the edge of what is an ending world.” 2
I read this in a book that Catarina leant me. I think it’s about us, or at least it’s about me, the first time I laid eyes on you.
Come to L.A.
thirteenth chord
Alec wakes up alone in the bed, his arm outstretched across the mattress, his hand palm-up to the ceiling. There is an ache in his legs, bruises scattered across his thighs like the shattered glass of a windshield spread across the road. The smell of sex hangs heavy both in the air and on his skin where sweat has dried and not been scrubbed away, and when he tries to speak, his voice is hoarse and raspy.
Beside him on the bed, the pillow is cooling - but not yet cold.
Disappointment curls in Alec’s gut, but in his head - well, that’s empty, devoid of the constant noise that has existed there for the past few days, if not years. He hasn’t noticed until now that it mimics the sound of a car engine, a forever rumble.
There is simplicity to the silence now. The carpet is cold when Alec’s feet hit the floor, a draught slicing beneath the bed. Magnus’ suitcase is gone from the other bed; his clothes gathered from the floor. The smell of his cologne has faded, replaced by the musty smell of floral bedsheets and mothballs and wallpaper that has absorbed the smoke of a hundred cigarettes.
The only evidence of Magnus being here is his absence.
His absence - and the way Alec’s mouth tingles when he brings his fingers up to touch his lower lip.
Alec brushes his teeth to the sound of the faucet running, water gushing down the drain. He splashes his face and dresses in the crumpled clothes from yesterday that still smell like the front seat of the rental car and shakes carpet fibres out of his overcoat where it still lies by the door.
Keys. Wallet. ID. Gun. He moves through the motions on autopilot, patting his pockets and then his chest as he mentally tallies up the parts of himself worth collecting - but then stops. Standing in the middle of the motel room with his bag in his hand, he turns to look at the unmade bed, the sheets kicked into a pile, a backdrop to a journey he has taken so many times before.
The difference, now, is in the details. It feels significant. It’s worth remembering.  
Crossing to the window, he throws open the curtains and sunlight streams into the room, flooding every dark corner. Alec squints against the light, raising his hand to his face to shield his eyes. A faint sheen of frost forms fractals on the outside of the glass and, beyond that, the roof of the rental car, the prelude to the first snow of winter.
Leant against the side of the car is Magnus.
Alec inhales deeply, his breath clouding upon the window. The cold draws down into his lungs - a sharp ache inside of him that he holds for a count - and then he exhales. Deflates. Sinks back into a rhythm that is both familiar and somehow different to the one he has known for so long, as if the world now beats in imperfect time.
Magnus is propped against the hood of the car with his eyes closed and his head tipped back to catch the sun, and he doesn’t stir when Alec shuts the motel room door behind him and the gravel of the parking lot crunches beneath his shoes. On the side of Magnus’ neck, there is a hickey bitten darkly into his skin. It’s the colour of rare indigo.
Alec doesn’t feel the need to avert his gaze now.
“Have you ever been on a roadtrip?” Magnus asks, opening his eyes when he feels Alec’s shadow cross his body.
Alec frowns at him as he bends down to grab Magnus’ suitcase, before tossing both their bags into the backseat. “Isn’t this a roadtrip?”
Magnus waves his hand aimlessly. “No, this is serendipity, Alexander. I’m talking about a comprehensive tour of all the worst diner coffee in the continental United States. Hiking in the Grand Canyon. Exploring the redwood forests of the Pacific Northwest.” He looks at Alec and smiles a coy smile, pushing away from the car. “You know, in Indiana, they have the World’s Largest Ball of Paint? I’d like to see that sometime. All the best roadside Americana that the country has to offer.”
Alec rounds the car to the driver’s door, opens it, but doesn’t get in. He leans his arms on the roof of the car and Magnus, on the other side, turns to face him.
“But Baltimore,” says Alec.
Magnus’ smile softens. “But Baltimore,” he agrees, across the span of the roof. He glances at his watch. “Providing we don’t hit gridlock outside the city, I should be right on time for my meeting and Raphael won’t have the pleasure of removing my head from my shoulders. You always were excellent at keeping me punctual.”
Alec smiles quietly, ducking his head. “Yeah, well, one of us had to live in the real world.”
He climbs into the car and Magnus follows, folding himself into the passenger seat and draping his coat across his lap. He buckles himself in and then leans back to look at Alec as Alec slots the key into the ignition.
“What?” Alec asks. He reaches up to touch his neck, in the same place where the bruise forms on Magnus’ throat, but can’t find any tenderness. “Is there something on my face?”
“No,” Magnus says gently. “No, not at all. I was just thinking that sometimes the real world is rather overrated. In my experience, the longer one can put off returning to it, the better.”
Alec turns the key and the car splutters into life. The heater blows warm air into the front seat, condensing upon the windshield, and when Alec reaches out to direct the flow of air downwards, Magnus covers Alec’s hand with his.
It’s a reflection of the night before, but without the urgency.
Magnus curls his fingers around Alec’s hand and brushes his thumb over Alec’s knuckles. Then, he brings Alec’s hand up to his mouth and presses his lips to Alec’s fingers, his eyes falling closed and his eyelashes casting feathered shadows on his face.
Alec holds his breath. He waits for Magnus to say something, to say so let’s not go back to the real world yet because I’m happy here , but he doesn’t.
Happy is too vague a concept. Not that Alec isn’t happy here, in this particular not-real moment, but it’s a feeling that belongs to strange, liminal motels and repeated diners. It is hard to grasp, and harder still to fathom how it might slip into the spaces occupied by a life back in the city at the end of the road.
Magnus sets Alec’s hand down on the gearstick between them, and settles back into his seat, kicking his feet up on the dashboard. He tips his seat back and rests his head against the window as Alec puts the car into reverse.
The road is quiet but not deserted. Alec knows that they will meet traffic before too long, but, for a moment, he imagines the highway stretching beyond the horizon and continuing into the sky, winter-blue and endlessly deep, leading above and beyond the curve of the Earth.
There’s a very thin dusting of snow on the hard shoulder, and the sun, shockingly bright, refracts off it with a white glare. It’s the sort of daylight that possesses Alec, that fills him up and makes him feel separate from his body.
If Alec rolled down the window, that daylight would spill in and flood the car, crisp and cold and foreign. But here in the warmth, he unspools a story in his half-awake mind: him and Magnus and the unending road. If they stop moving, they’ll die. If they stop driving, they’ll die. There was a Keanu Reeves movie about that recently , Alec thinks. It probably didn’t end well.  
“Do you mind if I smoke?”
Alec glances sideways at Magnus. “What happened to quitting?”
“Oh, I did,” says Magnus. He produces an unopened pack of Morley’s from the folds of his coat and inspects it curiously. “But I got this from the motel reception this morning on a whim and it feels like a waste otherwise.”
Alec rolls his eyes. “Right,” he says, but he cracks open the driver’s window and the cold rushes in. The wind ruffles through his hair, funneled by the cuffs of his jacket up the length of his sleeves and into his coat. A shiver ripples down his spine and he grimaces.
Beside him, Magnus pulls a cigarette out of the pack with his teeth and cups his hand around his lighter as he lights it, before holding it out to Alec.
“I haven’t smoked in years,” Alec says, but he takes the cigarette anyway and taps the lit end against the ashtray on the console. “You can’t laugh.”
Magnus lights a second cigarette, the clink of his lighter sharp, like metal. He draws in a deep breath, pulling smoke down into his lungs, and then exhales. The grey plume rises towards the roof, only to be sucked suddenly out of the open window.
Magnus coughs, clearing his throat, and takes the cigarette from his mouth, only to pull a face at it.
“Tastes like what I imagine licking the floor of that motel would be like,” he says, before stubbing the cigarette out in the ashtray. He frowns at the packet in his hand, before throwing it into the glove box. “Let’s stop at the next gas station. I need something to wash that out of my mouth.”
“Okay,” says Alec, unable to stop himself from smiling. His cigarette warms his fingers. His stomach growls at the thought of cheap diner coffee and a greasy bacon burger for breakfast. He presses his foot down on the gas and shifts the engine up a gear.
A passing road sign reads: Baltimore, 405 km . About a five hour drive.
Alec will miss this rental car.
interlude
In the dark of a motel on the night before, Magnus’ eyes are almost black. Alec studies him from across the pillow, their noses nearly touching. Magnus’ hand, splayed on Alec’s ribs, draws gentle circles into Alec’s skin, while Alec’s ankle lies tangled with both of Magnus’ legs.
Magnus’ body is warm. It’s rhythm is familiar in the way that it matches Alec: how he moves, how he breathes, how the sound of his heartbeat disturbs the silence of the motel room.
If Magnus were to speak, he would say, ‘something is only beautiful because it does not last forever .’ But he does not speak, so Alec cannot say back, ‘ that’s not true. You’ve always been beautiful .’
Instead, he leans forward and he kisses Magnus and he earns a soft groan for his troubles as Magnus curves into him like the other side of a parenthesis, ‘til now unpaired.
Magnus’ hand slides upwards, cupping the back of Alec’s head. His thumb caresses the shell of Alec’s ear and the soft hair above it.
He pulls himself against Alec’s chest, his other hand trapped between them, pressed over Alec’s heart.
He kisses Alec back.
outro
The woman in the apartment above Alec’s has Christmas lights in her window: red and green flash in alternating patterns and Mariah Carey’s faint warble can be heard from the sidewalk as Alec gazes up at his building and allows himself to watch, if only for a moment.
His bag is heavy on his shoulder and his suit is stiff across his back; the thought of a shower is calling him home, but he wants to linger outside a little longer. The cold is sharp against his face and draws a red flush to his cheeks. His breath escapes him in white clouds, tumbling upwards. Baltimore lingers on his skin with the memory of a parting kiss.  
He is, now, alone.
On his doorstep, his neighbour has left him an early Christmas card; she has done the same for the last few years, concerned for the young man who lives alone and never has his family visit once December comes around. As Alec unlocks his front door, he slips his finger beneath the seal of the envelope and tears it open, and the message inside is the same as it always is, wishing him and his loved ones well for the holidays.
He places the card on the sideboard by the door as he toes off his shoes, and wanders into his living room, dumping his bag on the floor as he goes.
The stillness in his apartment is strange: the air is musty, the windows unopened for nearly two weeks now, and while there’s no dust on his coffee table yet, the scattered paperwork and unwashed coffee mug are somehow disturbed by his presence.
There are dishes in his kitchen sink and his bed is still unmade; the space is exactly as he left it, and returning to it feels a little like disembarking an airplane after a long journey spent cramped in one mindset, and now having to reacclimatise to solid ground.
Alec is not sure why he expected his apartment to be changed. Even in some small way, like the rotating characters at a diner, or the different coloured carpet at each roadside motel, or the occupancy of his passenger seat by a man he thought he’d never see again, he hoped for something new. Something welcomed but unrecognised, symbolic of a new start or, perhaps, a second chance.
Oh. Maybe he’s the one a little changed, then.
It’s not about the destination , after all , he tells himself, reaching for the remote to turn the TV on for background noise. It’s about the journey.
Briefly, he wonders if this happens every time: if each successive back-and-forth across America wears him down just a little, like the treads on car tires, and it’s only now that he has changed enough to notice that he no longer fits into the routine once occupied with ease. In his footsteps, he brings the liminality of the road into his own apartment, the threshold moment between one state of being and the next.
And Alec is okay with that.
He locks his service weapon in the safe on his desk. Loosens his tie. Pulls a bent postcard from Carhenge, Nebraska, a receipt from a gas station just outside of Baltimore, and a nearly-full pack of Morley’s from his jacket pocket and sets them all on the coffee table, before throwing his coat over the back of the couch to take to the dry cleaners tomorrow.
His suit jacket goes next - two days old and creased around the elbows - and then his belt, a heavy thunk on the floor, before he pads into the bathroom and turns on the shower so that the water might have time to heat up before he gets in.
He strips down to his underwear and wanders back out into his living room, and it’s then that he notices the red flashing light on his answering machine: a voicemail.
He hits the play button - ‘ you have three unread messages ,’ says the disembodied voice - and he pours himself a glass of water as he listens first to Jace ramble on about not coming home for the holidays, and then to his mother discuss her plans to visit her solicitor next week.
Alec empties his glass and sets it in the sink to be washed later. He heads back to the bathroom, rolling the stiffness out of his shoulders, and the answering machine beeps to signify the final message.
‘ Alexander, it’s me. ’
Alec stops and turns to stare at his answering machine as if it might come alive in front of him.
‘ You’re probably not even back in D.C. yet, but - well ,’ says Magnus. ‘ I made it on time to the meeting, in case you’re interested. I’m never going to hear the end of it from Rafael, of course, and he’s never going to let me drive anywhere alone again, but it’s looking like we’ll be able to close a deal before Christmas. It sounds like I’m going to be back and forth between L.A. and Baltimore a lot next quarter.’  
In the background, Alec can hear the sound of people, of a bustling street, of taxi cabs blasting their horns as Magnus tries to hail one down.
‘ But I all that aside, this couldn’t wait and, I suppose, serendipity can only get you so far.’
Alec reaches for the handset, poised above the redial button, but then something in Magnus’ tone changes. In his words, Alec can hear the sound of his smile.
‘ How far is the drive from Los Angeles to Indiana?’ Magnus asks. ‘No, wait, how far is the drive from Baltimore to Indiana? I’ve been thinking a little more about the World’s Biggest Ball of Paint. Perhaps you’d like to see it with me.’
The beat of Alec’s heart shifts in its rhythm once again. He holds his breath. He imagines himself taking a step over that imaginary threshold.  
‘There are too many things I haven’t told you yet. ’
*****
“They have worries, they're counting the miles, they're thinking about where to sleep tonight, how much money for gas, the weather, how they'll get there - and all the time they'll get there anyway, you see.”
― Jack Kerouac, On the Road
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nwbeerguide · 3 years
Text
Brewed in collaboration with Steel Toe Brewing and Pelican alum, Jason Schoneman, Pelican announces Bird Day Vol. III.
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image courtesy Pelican Brewing Company
Press Release
Pacific City, Oregon … Pelican Brewing Company continues its 25th birthday celebration with the debut of an innovative new beer style for Bird-Day Volume III.  From the creative minds of Pelican brewmaster Darron Welch and Pelican alum Jason Schoneman of Steel Toe Brewing Pelican introduces Hopwine Ale. This triple dry-hopped sparkling ale delivers the ABV strength of wine with aromas of berries and pear coupled with vibrant, intense hop characters from three different hop varieties. 
“From the moment he came to work at Pelican, Jason had an insatiable desire to learn everything he could about brewing” said Welch.  “That passion for everything that is great about brewing is what has transformed a pipe dream into the reality of Steel Toe Brewing today.  Jason and his team make fabulous beer and I’m so proud to count him as one of our alums!” 
Like many of Pelican’s alumni, for Jason, Pelican was the beginning of his brewing career, where he learned the simple but essential steps to brewing great beer. “After graduating from the World Brewing Academy in 2005, I lived in Omaha, Nebraska, and came across a role at Pelican Brewing in a tiny coastal town in Oregon. I flew out, fell in love with the coast and the brewery, and moved out to Pacific City for the next four years,” says Jason Schoneman. “Pelican is where my career started where I learned how to create beer the right way and learn from a small, dedicated, and innovative team of brewers.”  
ABV: 10% | IBU: 45 | PLATO: 21º 
The primary idea behind Bird-Day Volume III was to create an entirely new style of beer that married the strength of a Barleywine with fruity hop character, a low bitterness level and a crisp finish for maximum drinkability.   Like a dry white wine, Hopwine is lighter in body and focuses on a refreshing character in spite of the substantial alcohol level. Darron and Jason accomplished this feat by designing a triple dry hop process that introduces the three different hop varieties into the fermenter at three different intervals, creating a flavorful, aromatic beer without the driving bitterness.  Bird Day Volume III is perfect to savor while watching the fleeting moments of a glowing sunset on the coastal horizon.  
Bird-Day Volume III is now available in 500 mL bottles at your local bottle shop, on draft at Pelican brewpubs, and through Pelican’s beer subscription service called the Bird-Day Box.   
About Pelican Brewing Company 
Pelican Brewing Company was born at the beach in 1996. Here, in front of a rundown old building at the water’s edge, stood three enthusiastic young folks whose thirst for great beer overshadowed their understanding of what it would take to build a brewery. They did it anyway. Thanks to the vision of founding owners Jeff Schons, Mary Jones and brewmaster Darron Welch, Oregon’s only beachfront brewpub became one of the state’s most popular destinations. And now, 25 years later, Pelican Brewing Company is an iconic beach brand and one of the most decorated craft breweries in Oregon. Pelican has been honored with more than 450 awards, including the prestigious 2015, 2016, 2017 Australian International Beer Awards Champion Medium International Brewery; 2014 World Beer Cup Champion Small Brewery; 2013 Great American Beer Festival Large Brewpub of the Year. Why? Pelican brews are playful, but not frivolous. Brewed with purpose, passion and a deep respect for the craft. Pelican operates brewing and brewpub facilities in Pacific City, Cannon Beach, and its state-of-the-craft brewery in Tillamook, Oregon where it brews 40,000 barrels of award-winning beer annually and distributes to six states. Pelican’s vision, its beer and values were born at the beach, where the team wakes up each day in a place that reminds them that amazing is possible. Cheers, Fellow Fanatics!   
Bird-Day Volume III blog & video: https://pelicanbrewing.com/bird-day/bird-day-volume-iii/    
For more information, visit Pelican Brewing Company 
from Northwest Beer Guide - News - The Northwest Beer Guide https://bit.ly/3lqEIwS
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gradepasta6 · 3 years
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What Is A Gold Individual retirement account.
Purchasing gold for IRA accounts will certainly protect your retirement from rising cost of living. It is fairly all-natural for someone to be cautious regarding any type of possible financial investments. Samantha Collander is an economic writer concentrated on customer financial investments at sites like United States Gold Bureau and others. Vbpf intro to investing lesson digital organization sim picking as well as balancing a checking account a walkthrough the simulation in the individual money version of online service for the. If you currently have a specific firm in mind that you want to invest in, you'll require a brokerage firm account that will certainly allow you trade private stocks. I located giant opals weighing greater than 70,000 carats & mapped what might be the largest opal down payment in The United States and Canada because of a lead from a Riverton rock hound that covers parts of > 14 areas of land. Financial preparation can be defined as a proceeding procedure that will 'lower your stress and anxiety about cash, support your current requirements as well as assist you with your long-lasting goals like retirement Economic preparation is essential given that it permits you to make the most of your possessions and also aids you in meeting your future objectives. The stocks that are costing prices that give them a reward yield above the historical high return can be good supplies to get. You need to strongly take into consideration speaking with a financial coordinator prior to making any type of financial investments. It is readily available in different shade options- Classic gold (grey green) lenses, Dynamic pop color mirrored lenses (polarized frameworks). Assess your building investment method. I actually think that this has the prospective to be one more leg to retired life to accompany the other even more traditional income sources such as social protection, pension, 401K, etc Wyoming ought to have a lot of gold yet it historically produced 50 to 200 times much less gold than all of its surrounding next-door neighbors (except Nebraska), yet it has extra favorable geology for gold. Rock is disposed right into a water-tight fish pond, splashed as well as flattened with a cyanide solution that dissolves trace of quantities of gold. You also desire a firm that has the market experience and willingness to proactively grow your investment. Another piece of general guidance is to place all of those funds right into your 401k up till your company's matching payment quantity. Gold is likewise really heavy, as well as is 15 to 19 times much heavier than water. The Weaver district at the southwestern margin of the Weaver Mountains, is 10 to 12 miles north of Wickenburg and also 6 miles east of Congress. Buying reduced PE or reduced PBV supplies would certainly not be taken into consideration true worth investing, by the majority of its adherents. There is concern that dry washing machines are a kind of gold prospecting equipment that you simply have to have if you're operating in the desert, however the prices are actually high. Trading in rare-earth element like gold as well as silver does not include physical belongings of safeties. The financiers want to get routine income too on their investment so that they could obtain economic security. Gold financial investment There are presently a range of important steels that satisfy the minimal purity demands that serve for enhancement into a gold IRA account. Self Directed IRA Precious Metals operated by the Penn Mining Business, the King mine, ran almost parallel to the Deserted Prize, yet more northeasterly and southwesterly. You may get to determine whether you desire low-risk or risky financial investments, but that's about it. If you don't want the responsibility of picking your very own investments, you might choose a 401k strategy over an IRA. However disciplined you are, and whichever policies you pursue, spending consists of threat, as well as you may, in any case, come back less than what you place in. Studies have shown that hefty metals from the mine have leaked out, in a place where many people already don't have accessibility to tidy water. In order to secure your retired life savings and also its resources there are a few things you should keep an eye out for worrying your gold Individual Retirement Account investment. This is THE BIG QUESTION that any type of financier considering purchasing gold ought to ask. If there is an investing lesson embedded below, it is the unsurprising one that capitalists who hope to gain from ESG can refrain from doing so by spending mechanically in business that currently identified as good (or negative), however need to take on a more vibrant strategy constructed around either elements of business social duty that are not quickly determined and also captured in scores, or from prospering of the market in acknowledging elements of business habits that will certainly injure the company in the long term. This kind of gold typical offers gold bullion through fixed costs based upon need. Record gold sales incorporated with the look of a lot extra business to manage and also improve the purchases have in fact made acquiring a gold Person Retired life Account a one-stop shop. 3 Review the gold IRA service providers to identify the yearly custodial costs connected with typically are determined by strategy administrators instead of the account beneficiary. 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There's never ever been a far better time to purchase gold, silver and a few other rare-earth element as well as establishing a gold Individual Retirement Account expenditure is a terrific means to get it done. Prior to going for Belongings steel IRA financial investment choice, one must explore about the long-lasting advantages of such a financial financial investment technique and see if it fits the needs of the people or otherwise. Some managers who want value funds search for the firms whose stock costs have dropped however they can still carry out well as well as grow again. There are a number of various other legitimate reasons for taking into consideration gold IRAs as secure investments. The EV market has actually rapidly expanded in a short amount of time, developing a bullish market mindset; although, investors might intend to stabilize this excitement given the EV investment risks. While trading, a risk of shedding cash and also capital is constantly entailed, which can not be disregarded.
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americanbuildings · 5 years
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GENERAL VIEW OF THE AIRCRAFT MANUFACTURING AND ASSEMBLY BUILDING LOOKING NORTHWEST SHOWING THE ERECTION OF STEEL TRUSSES ON THE MAIN ASSEMBLY LEVEL.PKS, 1941 - Offutt Air Force Base, Glenn L. Martin-Nebraska Bomber Plant, Building D, Peacekeeper Drive, Bellevue, Sarpy County, NE
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laceyconstructionus · 1 month
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Getting to Know the Stages of Steel Building Construction
Building with steel involves a consultation with a steel building construction company to discuss project needs and preferences. This consultation helps develop a plan for your requirements and budget. The process involves careful planning, design, fabrication, and construction, ensuring efficient and satisfactory completion. Lacey Construction Inc. offers assistance throughout the process.
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