#stevan aleksic
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Hellraiser by Stevan Aleksic
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The Reaper.
Stevan Aleksić.
(1915)
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memento mori
#the ballad of lenora by horace vernet#the reaper by stevan aleksic#self portrait with love and death by hans thoma#death and the woodcutter by jean francois millet#self portrait in a tavern by steven aleksic#self-portrait with death playing the fiddle by arnold bocklin#death playing the violin by frans fracken#death and conflagration by albert chmielowski#death and life by gustav klimt#death on the pale horse by gustave dore#death by janis rozentals#power of death by william holbrook beard#death as a general rides a horse on a battlefield by edgar bundy#death vistor by adolph menzel#the old man and death by joseph wright derby#the old man and death by sobeslav pinkas#old man's death by laszlo mednyanszky#smierc by jacek malczewski#death and the miser by hieronymus bosch#death comes to the table of the miser by giovanni martinelli#konec vsech veci by maximilian pirner#a sickly female overlooking a beautiful view by richard tennant cooper#death and the masks by james ensor#the human paraody by felicien rops#the drinker by e plontke#death and the soldier by hans larwin#ahasuerus at the end of the world by adolf hiremy-hirschl#the last friend by zgymunt andrychiewicz smiierc#angel kills firstborn by ilya repin#garden of death by hugo simberg
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"The Great Reaper" by Stevan Aleksić, 1918.
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Black Widow - Created by Stevan Aleksic
You can follow the artist on Instagram.
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“...a man of sorrows, and acquainted with grief...” - Isaiah 53:3
(The Crucifixion by Stevan Aleksic)
#Jesus Christ#Christ Jesus#The Lord#Jesus of Nazareth#Jesus the Christ#Lord Jesus Christ#The Messiah#Christ the Lord#Man of Sorrows#The Lamb of God#Son of God#Son of Man#The Crucifixion#INRI#crown of thorns#The Passion of Jesus Christ#The Passion of Christ#Bible verse#Biblical art#Christian art#religious art#art history#Christianity#Catholicism#art#orthodox christianity
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Ana Milosavljevic in Innocence Unprotected (Dusan Makavejev, 1968)
Cast: Dragoljub Aleksic, Bratoljub Gligorijevic, Vera Jovanovic, Ana Milosavljevic, Pera Milosavljevic, Ivan Zivkovic. Screenplay: Dusan Makavejev, Branko Vucicevic. Cinematography: Stevan Miskovic, Branko Perak. Film editing: Ivanka Vukasovic. Music: Vojislav Kostic. Oh, where to start? Perhaps by figuring out exactly what Dusan Makavejev's Innocence Unprotected is. A good movie about a bad movie? A profile of a man you've probably never heard of but who had an ego that rivals Donald Trump's? A documentary about life in a country that was at the epicenter of some of the most terrible passages in 20th-century history, from the origin of World War I through the "ethnic cleansing" of the 1990s? But all of that makes Makavejev's film sound like no fun. Granted, some of it is horrifying, particularly the use of documentary footage of Serbia during wartime, but the tone of Innocence Unprotected is more amused than appalled. That's because its central figure is the astonishing Dragoljub Aleksic, who in 1942 made the first talking picture ever filmed in Serbia. It, too, was called Innocence Unprotected, and we see what appears to be most of that movie within Makavejev's film. Aleksic was a bodybuilder, an escape artist, an acrobat, and maybe something of a con man. He is, of course, the hero of his movie, playing himself as he rescues a young woman named Nada (Ana Milosavljevic) from the clutches of her evil stepmother (Vera Jovanovic), who wants her to marry a rich and hideous older man played by Bratoljub Gligorijevic. Mostly we get to see Aleksic flex his biceps, preen for the camera, and perform death-defying stunts. He even sings (badly) two love songs to Nada. It's a godawful mess of a melodrama, which Makavejev can't resist tarting up a little with some touches of hand-coloring -- viz., Milosavljevic's lipsticked mouth in the still above. But Makavejev also interpolates interviews with the surviving cast and crew members, who recall with pride their participation in the film, even though it was suppressed by the occupying Nazi forces and went unexhibited until well after the war, when Aleksic literally dug it up from where he had hidden it. Even then, the postwar communist authorities were suspicious that Aleksic had made it without Nazi supervision and grilled him thoroughly before allowing him to show it. What holds Makavejev's film together is Aleksic's magnificently irrepressible ego along with Makavejev's own amusement and skill at putting together this improbable film. There are touches of Buñuel, of Godard, of Fellini in Makavejev's choice of images and in his montages, but the end product is startlingly vivid and original.
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Počelo okupljanje na bulevaru preko puta Hrama, prisutni i poslanici DF-a!
Počelo okupljanje na bulevaru preko puta Hrama, prisutni i poslanici DF-a!
Večeras se održava još jedan protest protiv prekrajanja izborne volje, ali i smjene predsjednika Skupština Alekse Bečića. Protest se organizuje na bulevaru ispred Sabornog hrama Hristovog Vaskrsenja. Gradonačelnici Kotora i Herceg Novog Vladimir Jokić i Stevan Katić su takođe prisutni na protestu. Na protestu se takođe nalaze i poslanici Demokratske Crne Gore Danilo Šaranović, Vladimir…

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Stevan Aleksic (1876 – 1923). Serbian painter born in Austria-Hungary.
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24 Caprices For Violin, Op.1, MS.25 - No.7 In A Minor
By Composer Niccolo Paganini
Salvatore Accardo, Violinist
Artwork : “Self-Portrait With Death” (1919) By Artist Stevan Aleksic
#24 caprices for violin#niccolo paganini#stevan aleksic#italian composers#serbian artists#classical period#classical music#art#audio#video
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Stevan Aleksić - Angel of Mercy I (1916)
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