Pride and Prejudice
Classic and loose adaptions from 1940, 1967, 1980, 1995, 2003, 2004, 2005, 2012, 2016, 2018, 2019
The second of Jane Austen’s novels, first published in 1813, is the most often adapted, inspiring various different takes on it. The ones pictures above are detailed below:
Pride and Prejudice (1940 Film)
This black and white film departs from the original novel in some (or should I say many?) points
Written by Aldous Huxley and Jane Murfin, adapted from the stage adaptation by Helen Jerome; directed by Robert Z. Leonard
Starring Greer Garson as Elizabeth Bennet, Laurence Olivier as Mr. Fitzwilliam Darcy, Edward Ashley Cooper as George Wickham, Maureen O'Sullivan as Jane Bennet, Bruce Lester as Mr. Charles Bingley, Ann Rutherford as Lydia Bennet, Melville Cooper as Mr. William Collins, among others.
Pride and Prejudice (1967 Miniseries)
6 episodes x 24min. Black and White footage
Written by Nemone Lethbridge, directed by Joan Craft
Starring Celia Bannerman as Elizabeth Bennet, Lewis Fiander as Mr. Fitzwilliam Darcy, Richard Hampton as George Wickham, Polly Adams as Jane Bennet, David Savile as Mr. Charles Bingley, Lucy Fleming as Lydia Bennet, Julian Curry as Mr. William Collins, among others.
Pride and Prejudice (1980 Miniseries)
5 episodes x 54 min
Written by Fay Weldon, directed by Cyril Coke
Starring Elizabeth Garvie as Elizabeth Bennet, David Rintoul as Mr. Fitzwilliam Darcy, Peter Settelen as George Wickham, Sabina Franklyn as Jane Bennet, Osmund Bullock as Mr. Charles Bingley, Natalie Ogle as Lydia Bennet, Malcolm Rennie as Mr. William Collins, among others.
Pride and Prejudice (1995 Miniseries)
6 episodes x 54 min
Written by Andrew Davies, directed by Simon Langton
Starring Jennifer Ehle as Elizabeth Bennet, Colin Firth as Mr. Fitzwilliam Darcy, Adrian Lukis as George Wickham, Susannah Harker as Jane Bennet, Crispin Bonham-Carter as Mr. Charles Bingley, Julia Sawalha as Lydia Bennet, David Bamber as Mr. William Collins, among others.
Pride and Prejudice (2003 Indie Film)
Loose adaption set in modern Utah, USA
Written by Anne Black, Jason Faller, Katherine Swigert; directed by Andrew Black
Starring Kam Heskin as Elizabeth Bennet, Orlando Seale as Will Darcy, Henry Maguire as Jack Wickham, Lucila Sola as Jane Vasquez, Ben Gourley as Charles Bingley, Kelly Stables as Lydia Meryton, Hubbel Palmer as William Collins, among others.
Bride and Prejudice (2004 Film)
Bollywood-style Musical. Loose adaption set in modern India and England.
Written by Paul Mayeda Berges, Gurinder Chadha; directed by Gurinder Chadha
Starring Aishwarya Rai as Lalita Bakshi (Elizabeth), Martin Henderson as William "Will" Darcy, Daniel Gillies as Johnny Wickham, Namrata Shirodkar as Jaya Bakshi (Jane), Naveen Andrews as Mr Balraj Uppal (Bingley), Peeya Rai Chowdhary as Lakhi Bakshi (Lydia), Nitin Ganatra as Kohli Saab (Collins), among others.
Pride and Prejudice (2005 Film)
Written by Deborah Moggach, directed by Joe Wright
Starring Keira Knightley as Elizabeth Bennet, Matthew Macfadyen as Mr. Fitzwilliam Darcy, Rupert Friend as George Wickham, Rosamund Pike as Jane Bennet, Simon Woods as Mr. Charles Bingley, Jena Malone as Lydia Bennet, Claudie Blakley as Charlotte Lucas, Tom Hollander as Mr. Collins, Donald Sutherland as Mr. Bennet, Judi Dench as Lady Catherine de Bourgh, among others.
The Lizzie Bennet Diaries (2012–13 Webseries)
160 episodes x 2-8 min, available on Youtube
Loose adaption set in modern US, told in a vlog format
Created by Hank Green and Bernie Su, from Pemberley Digital
Starring Ashley Clements as Elizabeth Bennet, Daniel Vincent Gordh as William Darcy, Wes Aderhold as George Wickham, Laura Spencer as Jane Bennet, Christopher Sean as Bing Lee, Mary Kate Wiles as Lydia Bennet, Julia Cho as Charlotte Lu, Maxwell Glick as Ricky Collins, among others.
Lizzie’s videos amount to 100 episodes + 10 Q&A, but shorter series enrich the story by offering other characters’ perspectives, most notably Lydia’s (and also Georgiana’s). A playlist at Pemberley Digital’s Youtube channel features them all in order.
The series has also been adapted into a book, The Secret Diary of Lizzie Bennet (2014), and spawned a sequel novel, The Epic Adventures of Lydia Bennet (2015).
Pride and Prejudice and Zombies (2016 Film)
Loose adaption inspired by the 2009 novel of the same name by Seth Grahame-Smith, which adds zombies to Austen’s original story. The movie makes alterations from the zombie book as well.
Written and directed by Burr Steers
Starring Lily James as Elizabeth Bennet, Sam Riley as Colonel Fitzwilliam Darcy, Jack Huston as George Wickham, Bella Heathcote as Jane Bennet, Douglas Booth as Mr. Charles Bingley, Ellie Bamber as Lydia Bennet, Matt Smith as Parson William Collins, among others.
Orgulho e Paixão (Pride and Passion) (2018 Telenovela)
Brazilian telenovela in Brazilian-Portuguese
162 episodes x 30-40min (original version)
Loose adaption set in 1910s São Paulo state, Brazil
Created by Marcos Bernstein, directed by Fred Mayrink
Starring Nathalia Dill as Elisabeta Benetido, Thiago Lacerda as Sr. Darcy Williamson, Pâmela Tomé as Jane Benedito, Maurício Destri as Camilo Bittencourt (Bingley), Bruna Giphao as Lídia Benedito, Bruno Gissoni as Diogo Uirapuru (Wickham/Willoughby), among others.
The story takes inspiration from all 6 of Austen’s major novels (plus Lady Susan), but mostly from Pride and Prejudice. Others stars include Chandelly Braz as Mariana Benedito (Marianne Dashwood) and Anajú Dorigon as Cecília Benedito (Catherine Morland).
Features 100 episodes in the International cut. The telenovela has been broadcast in other countries and languages (such as Spanish) but as far as I know, not in English.
Pride and Prejudice: Atlanta (2019 TV Film)
Loose adaption set in modern Atlanta, USA. All-black cast.
Written by Tracy McMillan, directed by Rhonda Baraka
Starring Tiffany Hines as Elizabeth Bennet, Juan Antonio as Will Darcy, Raney Branch as Jane Bennet, Brad James as Charles Bingley, Reginae Carter as Lydia Bennet, Carl Anthony Payne as Rev. Collins, among others.
*****
Personal favorites: 2005, then 1995.
But also: The Lizzie Bennet Diaries, Orgulho e Paixão
I also enjoyed Atlanta and, while it’s been a while since I’ve seen Bride and Prejudice, it’s got Indian musical numbers so c’mon, one gotta watch it.
Back to the closer adaptions, despite its age, 1980 is also good! 1940 is...very different, but fun in its own way.
In fact, while I find some of these versions weaker, I could find enjoyment in all of them - but maybe that’s cause I’m a sucker for P&P.
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Jennifer Ehle was 24 during filming, which imo is not too old, but ymmv. Thanks for the response about red hair! Tbh, I think the thing that bugs me the most about this is that certain characters in Austen are described as "brown," but apparently colorism in casting means we can't have that - but we CAN have redheads. Marianne canonically has brown skin and dark eyes, but in the '95 movie, she has to be strawberry blonde, which isn't accurate to either the text OR to Regency beauty standards.
Right, my issue isn't that Jennifer Ehle specifically was too old but that the cast as a whole was - Colin Firth was 35, Julia Sawalha was 27, Anna Chancellor (I called her Anna Chamberlain before, I ALWAYS do that and I don't know why) and Susannah Harker were 30, David Bamber was 41, Alison Steadman was 49. The whole baseline was off, which really affects the viewer's perception of the characters. (Similar issue in the 2009 Emma, where Emma and Mr. Knightley were only ten years apart - more palatable
I don't think it's colorism that influences the casting here. It's a cliché to point this out at this point, but in the period saying that a person was brown/dark or had brown/dark skin meant that they looked like Alex Kingston or Olivia Cooke - darker-complected white brunettes. I don't think there's prejudice against white non-hispanic people with slightly darker skin tones and dark hair that's making casting directors look for paler women for these roles. (And again, it's not that they're shunning brunettes across the board, they've deblondified Harriet Smith multiple times.)
It's more likely that because physical descriptions are so rare in Austen, the adapters are just not paying attention to them - when you get down to it, it doesn't really matter what color hair the characters have canonically. When people are making a visual adaptation of a text, they're going to layer in a whole bunch of other concerns, from the stupid (making sure the heroine is the most attractive actress) to the more interesting (symbolism, color theory, etc.); sometimes the production team just wants to have different hair colors for their vision.
As I noted before, it's also inaccurate to the text and to Regency beauty standards for Elizabeth to have a rounder face and smaller nose than Jane, or for Harriet and Mrs. Elton to be etc. etc. etc. I just don't quite get why you're still presenting a handful of redheads not being apparently considered ugly (though it is clearly something that's supposed to make Toni Colette's Harriet less attractive) as a serious, standalone problem for the adaptations when there are a lot of aesthetic changes from the text and from Regency standards in all of them, most of them much more egregious.
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