#synergy concerts

[yoan-le-grall]

[scary-ivy]

Why did they make Percy's mom a MILF who listens to Olivia Rodrigo?

[trapangeles]

Integrating Print Marketing with Digital Campaigns for Music Promotion

In today's digitally-driven world, music marketing is often synonymous with social media posts, streaming platform placements, and email newsletters. However, the tactile and visual impact of print marketing should not be overlooked. By integrating print marketing with digital campaigns, musicians can create a multi-faceted promotional strategy that reaches audiences in diverse and engaging ways. This article explores how combining print marketing with digital efforts can enhance a music marketing campaign and highlights the benefits of using flyers, posters, and mailers alongside social media and email campaigns.

The Power of Print in a Digital World

Print marketing possesses a tangible quality that digital media often lacks. The physical presence of a well-designed poster or flyer can leave a lasting impression, making the message more memorable. This physicality can be particularly impactful in the music industry, where visuals and aesthetics play a crucial role in an artist's brand.

Flyers and Posters

Local Visibility: Flyers and posters are perfect for promoting local gigs, festivals, or album releases. Placing them in strategic locations like cafes, record stores, and community centers can capture the attention of potential fans who frequent these spots.

Artwork Showcase: High-quality prints can showcase album artwork or concert photography, adding an artistic element that resonates with fans. This not only promotes the event but also strengthens the artist's visual brand.

Mailers and Postcards

Direct Engagement: Sending mailers or postcards can create a personal touch. A beautifully designed postcard announcing a new album or tour can make fans feel valued and directly connected to the artist.

Targeted Reach: Mailing lists can be segmented based on fan demographics, ensuring that the right people receive relevant information. This targeted approach can lead to higher engagement rates compared to broader digital campaigns.

Combining Print with Digital Strategies

Integrating print marketing with digital efforts can amplify a music marketing campaign's reach and effectiveness. Here are some ways to create a cohesive strategy:

Consistent Branding

Ensure that print materials align with digital branding. Use the same color schemes, fonts, and imagery across all platforms. Consistency reinforces brand identity and makes the campaign easily recognizable.

QR Codes and Short URLs

Incorporate QR codes or short URLs on print materials to bridge the gap between offline and online. These codes can direct fans to exclusive online content, such as behind-the-scenes videos, ticket purchase pages, or streaming platforms.

Social Media Integration

Use print marketing to drive social media engagement. For example, include social media handles and hashtags on posters and flyers, encouraging fans to share their experiences online. This can create a buzz around the campaign and expand its reach.

Email Campaigns

Enhance email marketing efforts by including digital versions of print materials. Attach a PDF of a concert poster in an email newsletter, or use high-quality images of flyers to capture attention. Additionally, use email to announce the arrival of physical mailers, building anticipation.

Benefits of an Integrated Approach

Combining print and digital marketing offers several advantages that can elevate a music promotion campaign:

Broader Audience Reach

Different segments of the audience may prefer different types of media. While some fans are highly active on social media, others may be more responsive to physical mail or posters. Using both mediums ensures that the campaign reaches a wider audience.

Enhanced Engagement

Print materials can create a sense of exclusivity and value. Limited edition posters or personalized postcards can make fans feel special, fostering a deeper connection with the artist.

Increased Memorability

The physical presence of print media can make a lasting impression. A striking poster or a well-designed flyer can be kept as a memento, serving as a constant reminder of the artist and their music.

Multi-Channel Synergy

An integrated approach allows for cross-promotion between print and digital channels. Each medium can amplify the other, creating a cohesive and powerful marketing strategy.

Conclusion

In the competitive world of music marketing, standing out requires creativity and a multi-channel approach. Integrating print marketing with digital campaigns can enhance visibility, engagement, and memorability. By leveraging the strengths of both print and digital media, musicians can create a comprehensive promotional strategy that resonates with fans and drives success. So, don’t just stick to the screen—embrace the power of print to take your music marketing to the next level.

Have you been spending all your money and time on making music and shooting videos, but still not getting any exposure? Tired of just spinning your wheels? You know to get exposure you need to get featured on blogs, radio stations, playlist, and get your music e-mail blasted out to the masses. Need help getting all that done? Then check out the Package we’ve made available for you below!

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trapLAXradio On The Air Now!

The Latest Music, Videos, News, Entertainment……

[staff]

Hello, Tumblr. Tumblr here. We’re launching live streaming on Tumblr, and we’re calling it...well, Tumblr Live.

Tumblr Live brings streaming directly to the dashboard, meaning your Tumblr audience and your streaming audience can converge. What’s that, you say? Synergy? Beautiful.

Initially, we’re rolling Tumblr Live out to the US only via our Android and iOS apps. Desktop and international streaming and viewing will follow in time.

Here’s how it works:

The little 🎥 at the bottom of your dashboard in your mobile app will take you to a Tumblr Live tab, where you’ll be able to scroll through streams that are live at that time—indicated by a green dot. (Your search bar is still there! It now lives in the top right corner of your screen.)

As long as you keep it clean, you can stream anything that takes your fancy by tapping the “Go Live!” button—ducks in the park, the wonky snowman you built, your cursed cross stitch, etc.

Streaming works with both front and back cameras, so if you’re camera-shy, you can stream without showing your face. 

You can bestow bouncer status upon your most trusted and loyal viewers, which means they can help you moderate your stream for any nasties while you’re live.

You can tap on any live avatar to jump into their stream—whether you follow that blog or not.

You can send little gifts to the streamer during their stream if you’re enjoying what they’re up to.

You can collect your favorite streamers in a special tab for later.

And that’s it for now. Just imagine! Gaming live streams! Book clubs! Live fungi feed! D’n’D campaigns! Artist live draws! Shark facts! GRWMs! Cosplay and con casts! Knitting hour! Photography tutorials! Storytime! Plant parenting tips! Living room concerts! Furby workshop! Museum tours! Crabs! (just crabs!) 

It’s a whole new ball pit out there. We’re so excited to see what you come up with.

[louisupdates]

FULL ARTICLE ON EUPHORIAZINE

By Saskia Postema 26.4.2024

Mere days after winning “Artist of the Year” at the inaugural Northern Music Awards, Louis Tomlinson is celebrating the only way he knows how – by giving back. Tomlinson just dropped a surprise album, which includes a curated list of live performances over the past years. It’s a risky move, as live albums are notoriously difficult to make worthwhile. But there’s no doubt about it: Tomlinson is deserving of that award, and the recordings on Louis Tomlinson: LIVE deserve to live forever.

After an initial stop-start to his solo career, Tomlinson has certainly flourished since finally getting to hit the stage. He’s been touring extensively over the past few years, performing a mix of tracks from his first two albums. Both were solid records that heavily referenced anthemic, rich sonic soundscapes. In fact, Tomlinson previously admitted that he wrote certain tracks with a live show in mind. Indeed, songs like “Face The Music,” “Out Of My System” and “The Greatest,” from his No. 1 selling album Faith in the Future, absolutely benefit from the live instrumentals compared to their studio versions.

It isn’t often that live performances consistently seem to not only live up to but objectively improve the perfectly engineered studio recordings. Perhaps it’s the love that the album so clearly captures for live music that does it. The singer-songwriter is an avid fan of his own fans and gets to share a collective experience of joy with them. Just listen to the crowds serenading Tomlinson in return during “Chicago,” recorded live in – you guessed it, Chicago. From Tomlinson’s perspective, audiences across the world have always been part of breathing life into these live recordings. Now, people get to live that same experience with him by listening to this record that is woven together with impeccably mixed joyful screaming in the background.

Tomlinson’s storytelling isn’t hindered by the crowd’s reaction. Rather, it is bolstered by it. In both power ballads like “Common People” as well as raucous tracks like “Silver Tongues.” The live setting seems to function almost akin to a prism – each song shining brighter, richer, fuller. Perhaps the only track that is tighter in the original version, is the seductive “Written All Over Your Face.” Nonetheless, the instrumental break and palpable, wild excitement make for an enjoyable listen.

Similarly, right in the middle of the highly addictive “All This Time/We Are Beauty” mash-up, a fan can be heard screaming “I love you” if you listen closely. The sheer adulation of the crowd is decidedly earned. Tomlinson has worked hard to prove himself, despite never having lacked the talent. Perhaps merely the confidence that he could do it, would do it, has done it. Nevertheless, he’s been open about the tension between his own love for music, and his at times debilitating need for perfection. As he’s settled into his career, a quiet undertone of determination and grit, of relief and fulfillment – of gratitude remains in every single show.

On “Saturdays,” you can actually hear Tomlinson mumble that the view’s never been better from where he’s stood on stage. It’s a high-maintenance track with all the right ingredients for a Tomlinson classic. There’s confessional lyricism, emotive delivery, and a gradual yet powerful crescendo in musical arrangement. It needs to be sung with conviction, and it’s clear that Tomlinson pulls power from the audience to deliver.

Notably, none of the covers that Tomlinson frequently incorporates in his concerts made it onto this live album. With that in mind, perhaps this release signals that Tomlinson has finally embraced his own artistry. Because if anything, Louis Tomlinson: LIVE is a reckless celebration record. An ode to joy, the synergy between artist and audience, and the impact of well-timed, flawlessly executed live guitar solos.

[loremaster]

there are many of these, so i've got several posts incoming

first off - band au

i imagine - in a spinoff of the band au where they become big name artists (or maybe just a speculative fantasy of makoto's) - marketers might try to play yakou and vivia off each other in posters. like. heyyy, look at our hot guys! (not shown: desuhiko getting wazowski'd in the corner)

meanwhile, nowhere near the spotlight, yakou would be trying to befriend vivia by going busking together at subway stations. (not shown: the empty tip jar) it'd be a great way to try and earn some change, and get the word out about the concert, right?

but vivia was not interested.

well, he is definitely interested, but not in spending extra energy on performances that don't actually matter. or being recognized by anyone from the orchestra. or being in public at all. or cooperating.

for vivia, the performances that really matter can happen on stage, or in practice... where the band, all together, is able to reach the perfect synergy, and he can lose himself in the compounding symphonic sound, devote himself entirely to the music...

...and the extraordinary privilege of seeing his band mates experience the same thrill.

...particularly the singer.

for yakou, moments like these are vital, but bittersweet. the adrenaline when a concert goes well is incomparable... but his thoughts can't help but wander until all he can think is 'i wish she could see this'

[hldailyupdate]

Mere days after winning “Artist of the Year” at the inaugural Northern Music Awards, Louis Tomlinson is celebrating the only way he knows how – by giving back. Tomlinson just dropped a surprise album, which includes a curated list of live performances over the past years. It’s a risky move, as live albums are notoriously difficult to make worthwhile. But there’s no doubt about it: Tomlinson is deserving of that award, and the recordings on Louis Tomlinson: LIVE deserve to live forever.

After an initial stop-start to his solo career, Tomlinson has certainly flourished since finally getting to hit the stage. He’s been touring extensively over the past few years, performing a mix of tracks from his first two albums. Both were solid records that heavily referenced anthemic, rich sonic soundscapes. In fact, Tomlinson previously admitted that he wrote certain tracks with a live show in mind. Indeed, songs like “Face The Music,” “Out Of My System” and “The Greatest,” from his No. 1 selling album Faith in the Future, absolutely benefit from the live instrumentals compared to their studio versions.

It isn’t often that live performances consistently seem to not only live up to but objectively improve the perfectly engineered studio recordings. Perhaps it’s the love that the album so clearly captures for live music that does it. The singer-songwriter is an avid fan of his own fans and gets to share a collective experience of joy with them. Just listen to the crowds serenading Tomlinson in return during “Chicago,” recorded live in – you guessed it, Chicago. From Tomlinson’s perspective, audiences across the world have always been part of breathing life into these live recordings. Now, people get to live that same experience with him by listening to this record that is woven together with impeccably mixed joyful screaming in the background.

Tomlinson’s storytelling isn’t hindered by the crowd’s reaction. Rather, it is bolstered by it. In both power ballads like “Common People” as well as raucous tracks like “Silver Tongues.” The live setting seems to function almost akin to a prism – each song shining brighter, richer, fuller. Perhaps the only track that is tighter in the original version, is the seductive “Written All Over Your Face.” Nonetheless, the instrumental break and palpable, wild excitement make for an enjoyable listen.

Similarly, right in the middle of the highly addictive “All This Time/We Are Beauty” mash-up, a fan can be heard screaming “I love you” if you listen closely. The sheer adulation of the crowd is decidedly earned. Tomlinson has worked hard to prove himself, despite never having lacked the talent. Perhaps merely the confidence that he could do it, would do it, has done it. Nevertheless, he’s been open about the tension between his own love for music, and his at times debilitating need for perfection. As he’s settled into his career, a quiet undertone of determination and grit, of relief and fulfillment – of gratitude remains in every single show.

On “Saturdays,” you can actually hear Tomlinson mumble that the view’s never been better from where he’s stood on stage. It’s a high-maintenance track with all the right ingredients for a Tomlinson classic. There’s confessional lyricism, emotive delivery, and a gradual yet powerful crescendo in musical arrangement. It needs to be sung with conviction, and it’s clear that Tomlinson pulls power from the audience to deliver.

Notably, none of the covers that Tomlinson frequently incorporates in his concerts made it onto this live album. With that in mind, perhaps this release signals that Tomlinson has finally embraced his own artistry. Because if anything, Louis Tomlinson: LIVE is a reckless celebration record. An ode to joy, the synergy between artist and audience, and the impact of well-timed, flawlessly executed live guitar solos.

[shineemoon]

ONEW•JONGHYUN•KEY•MINHO•TAEMIN… '15th Anniversary' SHINee's 'RACE'

Since the debut in 2008, SHINee has been considered a role model for many K-pop artists as both a group and solo artists. Not only did all the members release solo albums, but they also have a solid career in various fields such as entertainment, acting, musicals, and fashion. SHINee, who has been developing personal skills not only through the team but also through solo activities, announced that they will reunite to mark the 15th anniversary of their debut this year. While high expectations are being placed on the synergy that 'Complete SHINee' will show, we looked back at SHINee's brilliant solo career.

Unrivaled ‘VOICE’ Onew. Onew, who sang many drama OSTs and collaboration songs, released his first solo album ‘VOICE’ in December 2018, which was filled with his own lyrical music, once again proving his warm tone and outstanding singing ability. He solidified his position as a unique vocalist by presenting a fresh and refreshing charm with ‘DICE’ and a healing song that comforts the listeners with his first regular album ‘Circle’ Last March, he held his solo concerts in Korea and Japan, thrilling his global fans with a high-quality performance that combines colorful music, performance, and scent production. He also played the role of Haram in the musical 'Midnight Sun' and received favorable reviews for his delicate portrayal of his shy character. Unchanging team's ‘BASE’ Jonghyun Jonghyun, who was recognized for his solid skills early on with his refreshing vocals, has released his first solo album ‘BASE’, his first collection 'Story Op.1', his first full-length album 'She Is', his second collection 'Story Op.2' and his second full-length album 'Poet | Artist', the albums that show a wide spectrum of music have received enthusiastic responses from music fans. In addition, he participated in the lyrics and composition of various songs that cross genres, such as his solo album songs, SHINee's hit songs 'Juliette' and 'View', Taemin's 'Pretty Boy', and EXO's 'PLAYBOY'. For about three years from 2014, he communicated with listeners every night as a radio DJ and gave warm comfort, and he was active in various fields such as publishing the novel “Skeleton Flower: Things That Have Released and Set Free”.

Always new ‘FACE’ Key Key is showing off his versatility in music, entertainment, fashion, etc. to the extent that he is called 'all-around cheat key'. He opened wide the door as a solo artist with his first full-length album 'FACE', and with the so-called 'retro trilogy' leading to his first mini-album 'BAD LOVE', his 2nd full-length album 'Gasoline' and repackage 'Killer', he presented music and performances with a unique charm that can be heard. In addition, Key is displaying an excellent sense of entertainment in popular entertainment programs such as tvN's 'Amazing Saturday' and MBC's 'I Live Alone'. Accordingly, it was realized that he was receiving high public attention by winning the Male Excellence Award in the variety category at the '2022 MBC Broadcasting Entertainment Awards', and winning the '2022 Brand Customer Loyalty Awards' and the '2022 Brand of the Year Awards' for two consecutive years in the entertainment idol male category. Challenges with passion ‘CHASE’ Minho Minho, a 'passionate character' in the music industry, has played a prominent role in various entertainment shows, including sports variety programs since his debut, combining his superior physique, passion that burns like a flame, wit and sense. He also showed his smooth hosting skills as an entertainment MC, including various award ceremonies and the original TVing ‘Webtoon Singer’. In addition, Minho showed a variety of performances across the spectrum through dramas such as tvN's ‘The Most Beautiful Goodbye’ and Netflix series ‘The Fabulous’, as well as movies 'Inrang' and ‘Jangsari: Forgotten Heroes’. In December last year, he released his first mini-album ‘CHASE’ filled with hip-hop and R&B genres with his own emotions, filling the last puzzle piece of SHINee's solo album. K-pop ‘ACE’ Taemin Taemin announced his solo debut as the first member of SHINee with his first mini-album ‘ACE’ in 2014. With the hit songs ‘MOVE’ and ‘WANT’, he caused the so-called ‘Move’ and 'WANT' syndrome and won awards in the album and best dance performance solo categories at various awards ceremonies. In addition, Taemin is loved by fans all over the world for his excellent vocals and powerful performance skills, as he has various modifiers such as 'Yeoksolnam (all-time solo male singer)' and 'Taemdol (Taemin is also a role model)'. He has established himself as an irrefutable "ACE" of K-pop by proving his powerful global power by successfully completing his first arena tour 17 times in six cities across Japan in 2019.

SHINee is set to release a new full-length album to mark the 15th anniversary of their debut this year. (Source: xportsnews)

[enha-hirose]

ENHYPEN KAI HIROSE'S PROFILE

Personal Information:

Stage Name: Artemis

Birth Name: Kai Hirose (히로세)

Date of Birth: April 17, 2001

Position: FOTG, Main Rapper, Lead Vocal, and Main Dancer.

Nicknames: Riri, Ari, Rosey, Hiro, and Kai

Zodiac Sign: Aries

MBTI: INTJ

Nationality: Korean-Japanese

Training Period: 2 and a half year

Blood Type: B

Facts about her:

Hirose was born in Tokyo, Japan but her family also maintains a residence in Seoungbukdong Village, Seoul, Korea, thus, allowing them to be able to travel back and forth between two countries.

Hirose's father holds the position of CEO at a prominent Japanese multinational investment holding company while her mother is a renowned chef. In addition, Hirose has an older brother who is two years older than her and who is also actively engaged in the business world.

Kai is a proud cat mom to two feline companions, Tsuki (Moon) and Hoshi (Star), who undoubtedly hold a special place in her heart.

She has a passion for baking pastries, using it as her love language to express affection.

Not only does Hirose demonstrate proficiency in classical instruments such as the violin, piano, and cello, but she has also delved into the realm of martial arts, having learned taekwondo and honed her equestrian skills through horseback riding.

She has a driving license and a pokemon collection (mostly pikachu).

However, it's Hirose's early fascination with archery that truly sets her apart. Starting at a young age, she dedicated herself to the sport, mastering the art to such an extent that she was able to compete at prestigious events like the Tokyo Olympics and the SEA Games, making her nation proud as she won gold medals in both events.

She is a huge fan of Red Velvet and BTS.

She was casted by Big Hit Entertainment when Hirose caught the eye of BANG PD himself during a BTS concert in Japan who recognize her overflowing potential.

She made a surprising lovely appearance in the BTS Highlight Reel, assuming the roles of J-Hope and Jimin's partner. Her exposure made her earn a substantial and passionate fanbase. From then, J-hope and Jimin immediately took her under their wing and treated her as their little sister.

She had a cameo and acted in the movie "The King" in her pre-debut.

She spent 2 years of intensive training with TXT which solidified the bond between Hirose and the members. The boys were actually hoping and looking forward for Hirose to be their female member.

She ranked 1st in the final episode of I-Land.

Hirose is often described as a tsundere, displaying a mix of a tough exterior and a warm, caring interior, revealing her softer side to those close to her. Despite her initial aloofness, her actions and gestures speak volumes about the genuine affection she holds for her friends and loved ones.

The I-Land trainees affectionately nicknamed Hirose as "Archer Siren" due to her exceptional talents, combining her mastery in archery with a voice so enchanting it's reminiscent of a siren's call. The trainees also acknowledge her as an all-rounder.

In the 1st episode of I-Land, Hirose and Heeseung were in a powerful sub-unit that left everyone in awe. Their synergy and breathtaking performance not only earned them full votes and set a high standard for the competition right from the start.

Hirose has forged strong bonds with all ITZY members, fostering particularly close friendships with Ryujin and Yeji, Aespa's Karina, IVE's Yujin and Gaeul, StayC's Isa, Viviz's SinB, and Red Velvet's Wendy and Irene.

Hirose has endeared herself to fans not just for her artistic talents but also for her pure and compassionate heart. Demonstrating her commitment to philanthropy, she donated 50 million won to aid the victims of a devastating forest fire in Gangwondo. On February 14th, 2023, she extended her generosity further, contributing another 50 million won to support those affected by the earthquake in Turkey.

Likes: classical music, mocha bread, rose tteokbokki, spicy and savory flavors, Harry Potter series, baking, traveling, coffee, photography, color green and blue, archery, and painting.

Dislikes: dust (she is allergic), tapping noises, injustice, unreliable and arrogant people, mint choco (she can tolerate it), loud crowds, disorganization, crying, invasive paparazzi or fans, and selfishness.

[dropthedemiurge]

I have a huge problem

I totally forgot KristSingto's concert was today!! (because my sister's birthday is tomorrow and I thought there's still a lot of time until their reunion etc etc I'm dumb and time blind and adhd focused)

And I'm seeing all the performances and posts on twitter and going insane now :'))) THEY WILL DESTROY ME WITH THEIR NEW SERIES FOR REAL

Also I definitely understand them talking about their reunion after separate journeys and becoming more mature and bringing out new synergy because DAMN

Please post a lot of gifs and photos and videos on tumblr guys I want to share them all

I hope so much someone will record the livestream and share with peraya and me because I cannot believe I missed it :'))

ANYWAY I am so hyped up, I need the Ex-Morning right nowwwww

Also I should rewatch SOTUS for sure, they brought back so many feelings, how dare you, Kit and Sing!

[tayasui-mono]

To be honest and no offense, I felt the interviewer was a tad nervous and it made me nervous but the crowd's energy was so infectious and encouraging and just overall so great, it was like being at a concert, and I felt it was just Mads and Hugh and all the amazing Fannibals in that room who nurtured such great synergy and that also felt infectious so I was hyped throughout and it was such a nice time!! Even just hearing the first cheers during the opening my heart was going dun dun dun and they even got a standing ovation, like, the respect!!! Perfect mix of admiration and support. One of the best audiences I've ever seen!!

[jmdbjk]

Episode 8: Promise for Tomorrow

Beyond the Star, produced by HYBE Media Studio

You could say the Yet to Come concert in Busan was the final cap on Chapter 1 or you could say it is the bridge between 1 and 2 for the group.

It was controversial from the start. There was a lot of turmoil surrounding the planning of this concert, the reason it was planned and the actual logistics of making it happen in less than 3 months. K-Army fought hard for this event to take place responsibly and safely.

That stadium they performed in was in terrible condition just WEEKS before they were to perform. Panels were missing all around on the outside due to being blown off by a previous hurricane. We're talking MAJOR REPAIRS had to be made in a matter of FOUR WEEKS when they finally settled on this venue after going back and forth on where to hold the concert:

By the miracles that the universe keeps bestowing on BTS, the venue was ready, the city was in festival mode and over 50,000 concert-goers attended this event FOR FREE.

This concert was very emotional for all of them. It was the last moment for them as a group for a long time. I'm glad they were able to finish off the first ten years like this. It was epic.

The members talk about the unknowns, how they might present themselves in the future. They want to see if they can come back as a proper group and show it can be done and done well, even in their 30s.

Namjoon says they hope they can comeback with a balance between group and individual activities, they want to try to show how an idol group can mature and still be successful. They are all on the same page with this.

But they and Army must have faith in each other to let the time go by in order for the growth to happen and in order for them to fulfill their obligation.

Yoongi said they had something to prove with their performance at Yet to Come in Busan: that they still had it. They worked hard, reported to work early, stayed behind late to keep practicing. He feels strongly this won't change with them as time passes.

This is someone who is able to see the synergy of the individuals who make up the whole.

By this time, Hobi had already released Jack in the Box and had performed at Lollapalooza and was feeling more confident about all of it:

From the very structured days that Hobi likes to the totally free-spirited Jungkook, they have shared some very intimate moments in this episode.

Hobi says they have to learn how to rest and be on their own, do their own thing, think for themselves.

Tae and Namjoon individually speak about how this level of fame and success they've achieved, especially in the last three years, is something they had trouble grappling with. That level was not what they'd anticipated. They have to ask themselves what was it they had initially wanted to do?

Then we get a big reveal: Jin's posse of friends. They are in the car going somewhere and the music track playing is Life Goes On, a callback to the opening scene of the song's MV. They are going camping. Jin shares that these guys hang out at his house even when he's not there, welcoming him home when he gets there. Jin, a gamer guy who's told us he can play video games for days and forgets to eat while doing it, made us think he was all alone ... and here has had this great group of friends this whole time. He knows his group of friends are rare to have in the world of celebrity.

And an extremely intimate moment when Jungkook visits his healthcare provider for a health visit. He's just like me, I can't watch them sticking that needle in my arm to take blood or whatever it is his healthcare provider is doing. Omega-3 supplements after midday and evening meals and vitamin D at night. And he is guilty of patient non-compliance because he's not drinking the liquid supplement they prescribed. For as healthy as he seems to be, that's a lot of prescribed supplements. And this is some very, very personal information he's sharing with us.

This episode is hard to watch, y'all. I keep having to stop and dry up my tears. Omg then Take Two starts to play after Jin gets his head shaved. One heart rip after the other... and then the credits roll while Spring Day plays.

Bottomline, this series shows the tightness, the oneness, the knowledge that these seven men have forged a bond that makes them family and will keep them together as they continue on with their lives. They've tied their identities to BTS so tightly that they will never not be known as the seven original and only members of BTS.

They all want the same thing. As Tae says, they now have to make it through their military enlistment healthy...

We were shown a much wider picture of how their lives are and were especially since 2019.

Their words, their tone of voice, the memories, the visual cues and reminders are all to help us understand what they've done, how far they've come and what they've had to overcome and how they felt about all of it.

The docu-series concept overall was to convey the members thoughts about their careers, past, present and future. I was extremely interested in hearing in their own words, what it was like being a member of BTS in those first years.

I listened to what the members had to say, I assimilated that into what I already know. It moves chronologically. If you think of it as the members of today telling their story, it plays more like a narrated movie. A movie of their lives.

We saw images that helped us understand the things they were talking about, the things they'd been feeling and thinking as they sorted through the years. Each episode focused on a period of time.

The basic things they said: they went through some hell, they tried to figure out this popularity thing, pandemic fucked with them, mental health issues were a problem, they worked through that, they finally worked through what enlistment and after could be and they are all in a good place. Through it all, they remain committed to each other and to the group.

I know some were saying the editing was choppy or events were out of order, but this docu-series was not supposed to be a chronologic retelling of the history of BTS and it wasn't just a listing of their milestones. Whoever said that didn't watch any of it.

It moves along in a way that conveys how they started, what their mindset was then and shows us how they've evolved over time. Scenes from the past help convey emotions and feelings, reflecting on the depth of memories they have from their career. The clips we see can't begin to convey how dense and rich all of those experiences are for them and don't come close to touching the number of hours they've spent on stage during their career.

Production of this documentary began long ago, as shown by all the different interviews conducted. When producing a documentary created from interviews, there is an outline of points to convey and obviously there was a camera person and probably a director/producer to prompt the interview. In other words the interviewer may have said "tell us what your favorite concert memory is" or "let's talk about how you felt when the MOTS tour was cancelled." The member talks, and then maybe the next question is "what were you feeling/thinking when you sat on your sofa for days?" and the member talks, then "when did you feel like (insert whatever)... (member talks)... etc. and let the member being interviewed say everything they want to say, or if they go off on a tangent, they'd bring them back to the topic to make sure there was enough footage/soundbites from each member. There is typically no dialogue "script" for a documentary unless it has a narrated voice-over. I have done this sort of thing in the course of my work career. Documentaries can be very flexible but are meant to be factual.

My criticisms: I saw one or two instances that should have been corrected: they labeled the UN building as Oakland. There were a few translated phrases that were a tad awkwardly structured.

Anyway, long-time fans might already know the history of BTS and know wayyyy more details about how everything went down, even more so than what was shown in this series. It's the newer fans that will benefit a lot from watching this. As we know, the amount of content to "catch up" on is ENORMOUS. Ask me, I know this. This documentary series is a very condensed history that would definitely benefit newer fans.

I hope I was able to summarize everything clearly in these blog posts.

[dailytomlinson]

Mere days after winning “Artist of the Year” at the inaugural Northern Music Awards, Louis Tomlinson is celebrating the only way he knows how – by giving back. Tomlinson just dropped a surprise album, which includes a curated list of live performances over the past years. It’s a risky move, as live albums are notoriously difficult to make worthwhile. But there’s no doubt about it: Tomlinson is deserving of that award, and the recordings on Louis Tomlinson: LIVE deserve to live forever.

After an initial stop-start to his solo career, Tomlinson has certainly flourished since finally getting to hit the stage. He’s been touring extensively over the past few years, performing a mix of tracks from his first two albums. Both were solid records that heavily referenced anthemic, rich sonic soundscapes. In fact, Tomlinson previously admitted that he wrote certain tracks with a live show in mind. Indeed, songs like “Face The Music,” “Out Of My System” and “The Greatest,” from his No. 1 selling album Faith in the Future, absolutely benefit from the live instrumentals compared to their studio versions.

It isn’t often that live performances consistently seem to not only live up to but objectively improve the perfectly engineered studio recordings. Perhaps it’s the love that the album so clearly captures for live music that does it. The singer-songwriter is an avid fan of his own fans and gets to share a collective experience of joy with them. Just listen to the crowds serenading Tomlinson in return during “Chicago,” recorded live in – you guessed it, Chicago. From Tomlinson’s perspective, audiences across the world have always been part of breathing life into these live recordings. Now, people get to live that same experience with him by listening to this record that is woven together with impeccably mixed joyful screaming in the background.

Tomlinson’s storytelling isn’t hindered by the crowd’s reaction. Rather, it is bolstered by it. In both power ballads like “Common People” as well as raucous tracks like “Silver Tongues.” The live setting seems to function almost akin to a prism – each song shining brighter, richer, fuller. Perhaps the only track that is tighter in the original version, is the seductive “Written All Over Your Face.” Nonetheless, the instrumental break and palpable, wild excitement make for an enjoyable listen.

Similarly, right in the middle of the highly addictive “All This Time/We Are Beauty” mash-up, a fan can be heard screaming “I love you” if you listen closely. The sheer adulation of the crowd is decidedly earned. Tomlinson has worked hard to prove himself, despite never having lacked the talent. Perhaps merely the confidence that he could do it, would do it, has done it. Nevertheless, he’s been open about the tension between his own love for music, and his at times debilitating need for perfection. As he’s settled into his career, a quiet undertone of determination and grit, of relief and fulfillment – of gratitude remains in every single show.

On “Saturdays,” you can actually hear Tomlinson mumble that the view’s never been better from where he’s stood on stage. It’s a high-maintenance track with all the right ingredients for a Tomlinson classic. There’s confessional lyricism, emotive delivery, and a gradual yet powerful crescendo in musical arrangement. It needs to be sung with conviction, and it’s clear that Tomlinson pulls power from the audience to deliver.

Notably, none of the covers that Tomlinson frequently incorporates in his concerts made it onto this live album. With that in mind, perhaps this release signals that Tomlinson has finally embraced his own artistry. Because if anything, Louis Tomlinson: LIVE is a reckless celebration record. An ode to joy, the synergy between artist and audience, and the impact of well-timed, flawlessly executed live guitar solos.

[louistomlinsoncouk]

⭐⭐⭐⭐⭐

Mere days after winning “Artist of the Year” at the inaugural Northern Music Awards, Louis Tomlinson is celebrating the only way he knows how – by giving back. Tomlinson just dropped a surprise album, which includes a curated list of live performances over the past years. It’s a risky move, as live albums are notoriously difficult to make worthwhile. But there’s no doubt about it: Tomlinson is deserving of that award, and the recordings on Louis Tomlinson: LIVE deserve to live forever.

After an initial stop-start to his solo career, Tomlinson has certainly flourished since finally getting to hit the stage. He’s been touring extensively over the past few years, performing a mix of tracks from his first two albums. Both were solid records that heavily referenced anthemic, rich sonic soundscapes. In fact, Tomlinson previously admitted that he wrote certain tracks with a live show in mind. Indeed, songs like “Face The Music,” “Out Of My System” and “The Greatest,” from his No. 1 selling album Faith in the Future, absolutely benefit from the live instrumentals compared to their studio versions.

It isn’t often that live performances consistently seem to not only live up to but objectively improve the perfectly engineered studio recordings. Perhaps it’s the love that the album so clearly captures for live music that does it. The singer-songwriter is an avid fan of his own fans and gets to share a collective experience of joy with them. Just listen to the crowds serenading Tomlinson in return during “Chicago,” recorded live in – you guessed it, Chicago. From Tomlinson’s perspective, audiences across the world have always been part of breathing life into these live recordings. Now, people get to live that same experience with him by listening to this record that is woven together with impeccably mixed joyful screaming in the background.

Tomlinson’s storytelling isn’t hindered by the crowd’s reaction. Rather, it is bolstered by it. In both power ballads like “Common People” as well as raucous tracks like “Silver Tongues.” The live setting seems to function almost akin to a prism – each song shining brighter, richer, fuller. Perhaps the only track that is tighter in the original version, is the seductive “Written All Over Your Face.” Nonetheless, the instrumental break and palpable, wild excitement make for an enjoyable listen.

Similarly, right in the middle of the highly addictive “All This Time/We Are Beauty” mash-up, a fan can be heard screaming “I love you” if you listen closely. The sheer adulation of the crowd is decidedly earned. Tomlinson has worked hard to prove himself, despite never having lacked the talent. Perhaps merely the confidence that he could do it, would do it, has done it. Nevertheless, he’s been open about the tension between his own love for music, and his at times debilitating need for perfection. As he’s settled into his career, a quiet undertone of determination and grit, of relief and fulfillment – of gratitude remains in every single show.

On “Saturdays,” you can actually hear Tomlinson mumble that the view’s never been better from where he’s stood on stage. It’s a high-maintenance track with all the right ingredients for a Tomlinson classic. There’s confessional lyricism, emotive delivery, and a gradual yet powerful crescendo in musical arrangement. It needs to be sung with conviction, and it’s clear that Tomlinson pulls power from the audience to deliver.

Notably, none of the covers that Tomlinson frequently incorporates in his concerts made it onto this live album. With that in mind, perhaps this release signals that Tomlinson has finally embraced his own artistry. Because if anything, Louis Tomlinson: LIVE is a reckless celebration record. An ode to joy, the synergy between artist and audience, and the impact of well-timed, flawlessly executed live guitar solos.

[crguang]

I'm supposed to sleep cuz it's midnight here but my brain is still working lolol.

Musician reader with Jingliu, Kafka or Himeko. Maybe playing erhu together with Jingliu on stage (that one promotion video), or watching opera/orchestral together with Kafka (maybe watching Yuja Wang playing the sweet Rach Concerto No. 2) on the VIP seats LOL or perhaps a pianist reader playing a concerto on a recital for her debut and Himeko comes to watch and support reader.

You see... This might be a lil self insert cuz I'm a pianist composer tehee~ I always want to have someone who wants to accompany me to watch opera/orchestra together.

🎹 anon

I HAVE HAD PIANIST READER X KAFKA IN MY BRAIN FOR DAYSSSSSS. OMG. the piano/violin combo is my absolute favourite i fall asleep to it almost every day😭 i listen to stuff and go “kafka would fucking love this one” so often it’s insane. practicing a piece with her, watching orchestra together, giving each other pointers and the seamless synergy as you begin to play… i cant stop thinking about it she’d be so thrilled to have someone that understands classical music as she does and would have “unpopular opinions” on certain pieces that you’d debate about for days

that commercial concert video changed my life, musician jingliu saved me. she takes her work so seriously she’s definitely the type to always be practicing every time she has a moment to spare because perfection is her end goal for every performance. she listens to you play with her eyes shut and you know that shes both enjoying the performance and following the music sheet in her head at the same time, she seems like the kind of talent to be able to recreate a melody by ear because of how much she’s practiced the erhu

hime would be sooo supportive omg. your #1 fan. she’s in the best seat every recital and brings you flowers afterwards to congratulate you for an amazing performance. sits in during your practices with her elbows on the piano’s surface and watches you with a glaze in her eyes while you play, she finds the piano instantly relaxing.

can’t believe youre a composer that explains the emoji!!! thats so fun, the piano is my favourite instrument ever ive started learning it on my own but gave up because i dont have my keyboard anymore 💔

[louisupdates]

[Translated from Spanish]

Red-hot musical maturity: Louis Tomlinson in Chile

By Savka Martinic | 25 MAY 2024

Louis Tomlinson, former member of the iconic band One Direction, dazzled Chilean fans with his concert as part of the 'Faith in the Future' tour, offering a show full of emotion, energy and a new, more rock-oriented approach in which has been working in the last few years of his musical career. The audience interaction, immersive graphics and exceptional musicians came together to create a magical night and from the moment Louis took the stage with ‘The Greatest’, it was clear that this was going to be a special evening.

Photo by Agustín León

The encounter was a flight through his greatest hits but also an example of the musical maturity he has achieved through this approach that at times nods to iconic bands like 'The Killers' and clear influences of indie rock. This musical progression is also reflected in the level of visual design of the concert, the screens that adorned the stage were not only a complement, but were an extension of the soul of each song where the color red predominated as evidence of the passion and rock vibe that he and his great team sought to capture. This color choice not only intensified the viewing experience, but also resonated with the energy and dynamism of Louis' performances. The light and visual effects were a true spectacle in themselves, elevating the sensory experience of the concert.

Along with this, and recalling the beginnings of his career as a boyband member, Tomlinson's constant interaction with the audience was the beating heart of the concert. Between songs, he shared messages of gratitude and part of the personal and artistic journey he has had in the last 3 years. At various moments during the concert, he stopped to look and interact with his audience, expressing his gratitude for being there and making evident his intention to generate genuine connection despite the magnitude of the stadium that made each person feel part of something special, something bigger than themselves. This type of authentic interaction is what Chilean fans needed to feel and what has also cemented Louis’ relationship with his audience over the years.

Along these lines, fans of the Brit expressed their gratitude with fan actions in songs like 'Kill My Mind' where the flashes of the cell phones in the chorus ignited a meeting that was beginning and that inaugurated the energy that remained high throughout the day. Each interaction elevated those present, creating a unique synergy between the stage and the crowd that did not go unnoticed by the singer, who was visibly excited and grateful.

Along with all the immersive experience that was lived in the stadium, the setlist of the concert was a perfect mix of songs from his solo career and some gems from One Direction. The singer performed 13 songs from the album that gives its name to the tour, 'Faith in the Future', 3 songs from his previous project 'Walls' and 4 covers including memorable hits from the boy band. Songs like 'Night Changes' and 'Where Do Broken Hearts Go' brought a touch of nostalgia and tears among loyal fans, while new songs like 'Bigger Than Me' and 'Out of My System' showed his evolution as artist. The closing with 'Where Do Broken Hearts Go' was the finishing touch to a night that will remain engraved in the memory of all those present.

Now, one of the most notable elements of all for those who have witnessed the different facets of the singer, was the change in Tomlinson's musical approach towards a more rock style, more mature and with much more aesthetic-musical coherence. Louis was accompanied by a group of talented musicians who brought each song to life with their skill and passion. The concert had rockstar vibes portrayed especially during songs like 'Kill My Mind' and 'Walls', where the guitar solos and powerful drums provided a raw and authentic energy that made the entire venue vibrate. In this way, his artistic maturity was also reflected in his musical influences in recent years, where covers of Post Malone's 'Chemical' and Arctic Monkeys' '505' were highlights, showing the versatility of Louis and his band to interpret and make these songs your own.

All in all, Louis Tomlinson's concert in Chile was not only a musical event, it was a transformative experience where red, the talented band that accompanied him, his charisma and the genuine connection with his audience were the protagonists. With 'Faith in the Future', Tomlinson not only demonstrated his prowess as a musician, but also opened a new chapter in his career, defying expectations and captivating hearts with his passion and commitment to authenticity.

Photos [x] [x]