#talking about different styles of STORYTELLING??

[coquelicoq]

as a huge unreliable narrator enjoyer i love the fact that the raven tower is narrated by someone who cannot lie. so the narration is not unreliable, and any kind of uncertainty is always couched in "here is a story i have heard" or "i imagine", but it scratches the same itch as unreliable narration because the evidentiality of the narration is still so central, just in the opposite way. stories that don't care about where the narrator is getting their information or what biases are present in the way that information is shared with us are on one end of a spectrum, and stories that do care about those things are on the other end, and the raven tower is firmly situated alongside the unreliably narrated stories even though the whole point is that the narrator is as motivated as it is possible to be to never say something that is untrue. and it's fascinating to see how ann leckie manages to build suspense and subvert expectations without really at any point deliberately misleading the reader. every time i reread one of her books, the bouncing of the dvd screensaver in my brain gets a little more frenetic. how does she do what she does. ann leckie what is your secret.

[fictionadventurer]

In my continuing quest to learn more about Laura Ingalls Wilder as a writer beyond the Little House books, one of the most surprising things I've learned is that apparently she wrote a small collection of cutesy poems about nature fairies.

They were originally published in a children's column in the San Francisco Bulletin in 1915, and are apparently about a couple of fairy characters who paint flowers and bring dewdrops and bring about other natural phenomena. This post goes into more detail about the poems, and the interesting blend of practicality and whimsy that goes into her presentation of fairies.

It also provides one of the poems.

And this quote about the importance of giving children fairy tales that's almost Chestertonian.

Wilder explained why she preferred such magical images of natural processes in a column for the Missouri Ruralist called “Look for Fairies Now.” She argued that children needed tales of fairies to help them see beyond the surface and to use their imaginations. In the olden days, she explained, farmers left some of their harvest for the Little People who “worked hard in the ground to help the farmer grow his crops.” Perhaps this idea was just superstition, she continued, “but I leave it to you if it has not been proved true that where the ‘Little People’ of the soil are not fed the crops are poor. We call them different names now, nitrogen and humus and all the rest of it, but I always have preferred to think of them as fairy folk who must be treated right.

On the one hand, this feels like just another example of how it was apparently a requirement for female authors of a certain era to write cute nature fairy poems. But with the context of the quote, it's also surprisingly fitting for who she is as an author.

[violentlydefending]

riceboy sleeps fucked me UP man. fuck. legit cried like four separate times watching it i got FUCKED UP!!!!!!!!!

[cyberllfe]

Hi. I'm the ghost that likes to read your stuff. I just read Made For Me, and it was quite the fun ride. I unfortunately cannot leave you a quality review, as I am no wordsmith, but you did inspire me to dust off this fic I was working on:

Like I said, writing isn't my forte. In theory, I can discern what divides quality smut from an attempt that has room for growth. In practice it's a bit harder to demonstrate (laughs). My writing reeks of amateur, but just maybe, you can have an iota of fun like I did reading your stuff.

ashdksuds YELLING

thank you!! I’m so pleased you enjoyed tailor nines, but not only that, you brought me a SNIPPET? you have my curiosity and my attention. I LOVE the vibe of this. The tension! The immediacy! His commanding presence 😏 sounds to me like someone’s caused a little trouble and is about to find out the consequences ✨

thank you, again, bc it’s lovely to receive this sort of thing. it always means a lot to have a work enjoyed, but to inspire another writer is even better. no such thing as too many filthy hot fics 😌

just one thing: I think you’re selling yourself pretty short, honestly. being an amateur isn’t the same as being a Bad Writer™, and besides “good” writing is so subjective (especially within fandom) that it’s not the most useful label. I think what we as part of a fandom look for is the heart you find in fic, and that comes from an author pouring part of themselves into it in a way you don’t always get with the source material. write what you want, what you enjoy, and it’ll reach other people who’ll enjoy it too.

you should count me among them 👀

[aroacehanzawa]

bsd manga good chapters when

[justsayilovedyou]

Thinking about third person perspective in TTPD

[daydreamerdrew]

The Avengers (1963) #1

[gayfordavidtennant]

This is the most wholesome thing I've ever experienced in my whole life. @neil-gaiman , Mr. Gaiman, you need to see this!

Today I saw this shop that had 3 wagons of books for sale outside it!! I looked through them and found The Graveyard Book by Neil Gaiman and a super cool Pirate book!!

When I checked out, I told the older man l was so excited to see Neil Gaiman because I love his storytelling style and told him that Neil wrote my favorite book. He asked me if I've read Good Omens and I told him that was the one I was talking about! This man gave me his copy and told me it was his husband's favorite- I told him I already had a copy and that he should keep it because that's so special, he told me to take it.

We talked for another 45 minutes. I told him how my ex partner asked me to be his boyfriend with a copy of Good Omens, he told me about his husband, how they came to live in the Florida Keys, some of the places they went, and the conversation somehow moved to so many different topics about everything and nothing. It was amazing and I know I will never forget it.

Thank you for trusting me with your husband's copy of Good Omens, Robbie! I will take care of it forever.

[dr3amlab]

archetype (so pretty that you kill me softly), dm.

SUMMARY — Draco wasn't listening to you for he was too distracted by your beauty.

PAIRING — Draco Malfoy x reader

GENRE — one shot, established relationship, flufffff lots of fluff.

WORD COUNT — 389 words.

INSPO ⏤ archetype by omar apollo

The words coming out of your mouth were undoubtedly interesting but draco didn't seem to pay attention to any of them. With his cheek resting on the palm of his hand, draco nodded occasionally to make it seem like he was interested in whatever story you were telling.

Don't get draco wrong, it's not that you aren't interesting or that your storytelling skills were mediocre because on any other day, malfoy would have been listening eagerly to you.

However, today was an unusual day because draco looked at you a little differently ; It may have been the way you styled your hair today or how the rays of the late afternoon sun casted on your face making your skin golden but draco found you even prettier than usual.

Draco's eyes trailed from your eyes, to your nose and lips thinking about how gorgeous you were. All of your features matched perfectly and made you looked ethereal. Malfoy sometimes wondered if you were a creature from Venus for there were millions of girls in the world and none of them were close to looking as perfect as you.

The blond boy's eyes perhaps lingered too much on your lips that he didn't realize that your eyebrows frowned, "Are you even listening to me draco?" you said catching your boyfriend's attention. Draco looked at you with guilty eyes, "yes I totally am listening to you!" You quirked an eyebrow, "then what was I talking about?" you questioned while watching him with an amused gaze, "uh⏤ you were talking about your family vacation?" he said with uncertainty laced in his voice while bearing a confused expression of his face as if he didn't even know what his sentence meant.

Seeing how confused he looked, you laughed heartily which made Malfoy's face relax into a smile for the sound of your laugh sounded melodious to him, "draco, you weren't listening, were you?" you asked and he nodded his head with an apologetic expression on his face, "so, a penny for your thought?" you tilted your head, "did I ever tell you how pretty you are?" he said with a soft voice, "you always do dray," you giggled.

Draco put his hand on yours, "good, 'cause you're killing me y/n." the blond boy planted a kiss on your cheek, "I'm so lucky to be your boyfriend," he smiled.

[acuar-io]

Advice on how to achieve aesthetically pleasing gameplay photos!

UPDATED: 4/22/2024

I made this post earlier today and people were interested in the comments! Which made me more excited to make this post~

this is just some advice from me! this isnt a tutorial or anything of that sort, but I will be linking some things that could be helpful for editing gameplay! :D

First things first, I want to say that I use a graphics overhaul, lighting mods check my resources page for what reshade i use if ur interested.

I use these lighting mods & graphics override specifically:

sunblind

graphics overhaul

Lotharihoe's ootd* curseforge download :)

Northern siberia winds in-game better lighting mod (bright base)

these are some other lighting mods you can try out as well!

Luumia's NoBlu & NoGlo

these are some other lighting mods like sunblind

how to install lighting mod

I just wanted to add these things in since we're talking screenshots + I wanted to share for the no reshade ppl <3

Now we can move on to the advice!

I love the simple style of gameplay editing so much, but for me I love creating an ambience with my posts and put the audience inside of my gameplay. I also enjoy storytelling with gameplay more than just the "usual" gameplay post (when it comes to me). I am currently playing the globetrotter challenge with my sim Daichi. I really went all out with the editing for that gameplay. For this one its very much a virtual collage of my sim doing things. Trying new things and getting inspired by others is always fun and cool! Remember when u do take inspo: link to the inspiration and @ the simmer that inspired u!!

In my other save (my cozy save) I also take creative liberties there.

its more of a cozy vibe & silent story-telling (storytelling w/o the dialogue). for my cozy save i take inspiration from @/stellarfalls. er gameplay really helped me find my niche thing in the way i play the game tbh!

Angles/Screenshots

When you're taking your screenshots, angles are important. Depending on the shot, you're putting emphasis on a specific thing. This post is very helpful and talks about different types of angles/shots and what they mean. Check it out especially if you want to play around with the way you take screenshots!

Here’s some editing tips from @stellarfalls !!

simmingstars editing tips

Reshade

If I want to create a moody or dreamy ambience I can use reshade. Looking for a reshade that will fit the overall vibe is a must or you can make your own~

i know not everyone is able to use reshade because they're not on windows. I highly recommend using photoshop actions to create that ambience you're looking for.

*These can be used in photopea, but it cant read topaz clean. If you want to achieve topaz clean in photopea, check this post out! just something i'd like to add in case people are new to all of this + dont use photoshop. Lastly, I want to say if you decide to edit photos on photopea, it does tend to crash if you upload a big number of photos and slows down. I usually upload like 6 or 8 and then save and repeat the process. Its kinda annoying, but ive been using photopea for a while now so im used to it. My mac users, use early-grapes butter action if you want things to look cleaner and less harsh!! + the other ps actions down below. I used these a lot when I was a mac user. Of course, that comes with extra steps, but I feel its worth it in the end.

I like these photoshop action packs bc theres tons of stuff in here that can help create a reshade like look:

intramoon's ps action dump

wooldawn's ps acton dump

smubuh's photoshop actions

early-grape's butter action

hazelminesims's ps actions

Templates!

I loveeeeeee templates so much!! theres so many out there to use for gameplay. It really adds more to gameplay posts! This can be dust/dirt, film burn, that cute camera template etc etc. templates are really fun to use and play around with~

I usually go on deviantart to find templates to use! if you want to check out my deviantart account you can find it here! I favorite a lot of things I can use for gameplay screenies.

Gifs

making gifs is cool because it brings the gameplay "to life" ~

EZgif is a free website that converts videos to gifs. You'll need a recording program like OBS (which is also free).

i like making gifs when i want to capture a (cute) moment (kisses, hugs, cooking etc etc). Its also cool to capture the weather in game like when its snowing or raining.

Little details

Some people really go all out on editing gameplay posts like adding hair strands and adding more details to sims faces (catchlights, tears, blushing, etc). You dont really have to do this, but I want to mention it anyways! I want to try doing this at some point because I enjoy editing my gameplay posts/photos in general and adding tiny details is fun to me lol. It adds realism to posts, but it isnt necessary!

Procreate is a really good program that you can get if you have an ipad. its 10$ and thats, that. You dont have to make any payments. You can also animate on procreate too if you're down for that!

Find inspiration in other simmers!

the sims community on tumblr is filled with such talented people! Theres lots of gameplay simmers who dont do your typical gameplay posts that you can check out and learn from!!! Ive always struggled with getting the right angles when taking screenies. I looked at other simmers and how they take screenshots & it was really helpful for me since I noticed I would take too many over the shoulder photos on my sims lol.

I think thats all the advice I have! I hope this was helpful and if you have any questions please send me an ask or dm! :D

[emeraldcity1900]

the history of animation in a nutshell

Early 1900s: hey what if comic strips could like move?

Late 1910s early 1920s hey what if we mashed this up with live action people?

late 1920s: hey what if this thing had sound?

Early to mid 1930s: hey what if this had people actually talking and also color?

late 1930s: hey you know that super cool movie that one lady animated with paper cut out silhouettes? What if we did that with painted cells? Would people even pay to see that? Never mind it turns out the answer is yes.

1940s: ah shit most of our animators got drafted and/or hate us now cause we weren’t paying them. IT’S PROPAGANDA TIME BABY. Also haha hitler got hit with a mallet and also the most racist depictions of Japanese people ever.

1950s to 1960s : oh what’s this newfangled thing? Television? What if you could air cartoons on it? Oh fuck no I ain’t paying that much to get the charecters to have different backgrounds and for the charecters to like, move fluidly. Also manga and anime are steadily growing more popular.

1970s: (Ralph Bakshi walks into a comics store and finds a furry comic) X rated animated movie? *cue the screams of mothers and their unsuspecting children now being introduced to the revolutionary idea that cartoons don’t equal kids stuff? WHAT IS THE WORLD COMING TO?

1980s to 1990s: we can have full on animated Broadway musicals? Wait, what do you mean animated movies can count for the Oscar’s? What do you mean now they get their own catagory because the academy still thinks their for babies? Anime and manga are taking off in the west. SWEET JESUS WHAT DRUGS ARE THE JAPANESE ON SHOWING THIS SHIT TO KIDS. But also why is it so fucking good. Maybe some of these aren’t even meant for kids? Wait We can sell toys to kids with cartoons? Wait we can actually put effort into these cartoons on television? The fuck to you mean we can animate in 3D now? What do you mean we can have well animated, well written sitcom shows like the simpsons? What do you mean you can make cartoon charecters say fuck? What drugs are creators at Nickelodeon on? Do I even want to know?

2000s: oh my god, there is this one show that I really like cause it’s really well written and genuinely funny but I can’t talk about it because it’s animated and we all know cartoons are for babies right? Oh look it’s the transformers movie, look how far CGI has evolved so we can make the transformers in a movie.

2010s: holy shit I know these shows are for kids but they’re just well written and have so much meaningful things to say about the world. Wait, it’s cool to like cartoons now? They they have fandoms for this? Fuck yeah I’m in. (Enters one of the most notoriously toxic fandoms of all time) THEY HAVE GAY PEOPLE IN THESE SHOWS NOW? AND COMPLEX EMOTIONAL STORYTELLING? AND ADULT ANIMATED SHOWS CAN BE MORE THAN JUST SITCOMS WITH THE SAME JOKES AND STYLE? WHY IS IT THAT EVERY DISNEY CARTOON SINCE GRAVITY FALLS INCLUDE THINGS THAT GET MORE AND MORE FUCKED UP? WHY DO I FUCKING LOVE IT? WHY THE FUCK DID DISNEY DO THE OWL HOUSE DIRTY LIKE THAT?

2020s: I got this show I wanna pitch but it dosen’t fit into any box that the networks want and also I’m afraid that they’ll just randomly cancel it before I can finish the story I want to tell. Wait, I can just post the pilot on my YouTube channel, see if anybody actually likes this thing I made and just make the show independently? FUCK THE NETWORK! I AM THE NETWORK

[follows-the-bees]

I wanna talk about Jim's journey. Their character arc is one of my favorites of the show.

In season one, Jim fits into two very well-trodded tropes and each one is subverted by the end.

First, we have the trope of a person (typically a woman) disguised as a man to go into hiding and also the old wives tale of no women on ships because they bring bad luck. We see some of this attitude through Frenchie's superstitions but the trope is subverted fairly quickly when Jim talks to them about wanting to be just Jim and the crew (and Nana) effortlessly use they pronouns.

OFMD has many, many ties to classic Western tropes and style of filmmaking. And Jim's whole character arc of season one fits the Revenge trope.

They have been trained to be a killer, hardened by life, only open to Olu but even that openness is just a sliver. When Jim is spurred on by Nana to complete that Revenge arc, they fall into it, leaving the safety of the ship, the community built there, from Olu.

But instead of more killing, Jim comes to an understanding with Spanish Jackie. They share a drink (which oftentimes in Westerns ends in a gunfight, unlike the show which starts with a knife fight and ends with communal drinking). Upon hearing that most of the men they are after are likely already dead, Jim decides to put down that knife and instead returns to the aptly named Revenge.

But in perfect subversions of tropes, Jim does choose Revenge, but not the type that eats at your soul and often ends in unhappiness or death. Rather, they are choosing community and softness.

Jim is one of Stede's loudest critics at the beginning of season one; Stede represents the opposite of how Jim was raised and once viewed the world.

But the beginning of season two shows how much Stede's way of piracy has influenced Jim. They no longer are following the Western Revenge storyline, but rather serving as the storyteller to the crew. (A direct parallel to the pilot.)

In fact Jim is reciting that same exact story that Stede told in the pilot. But it is different, darker. And that is because Jim is a different person, and in a different, darker environment at the moment. But invoking those good times that they remember. S1 Jim would have never told a story to try and make a crew member feel better.

We see Jim continue to choose kindness, mercy, grace with several characters. With Izzy, who is a dick but is their dick. And yes, also with Ed, until Ed's plan of suicide by crew now has affected and threatened their lives.

They also seem to be the first to realize what Ed is doing. And they refuse to kill Archie, who was drawn to them because of Jim's hope.

Jim's journey the rest of the season fills me with warmth. They get to be soft, they reunite with Olu, and form the cutest polycule with Olu and Archie. They also intervene and talk to the Pirate Queen about Olu, repairing their status.

The giant smiles on their moustached face during Calypso's Birthday, handing out drinks to the captain and Ed (showing the repaired relationship there), dancing with their lovers, and cheering on Izzy's singing shows how free Jim (and the whole crew) get to be now.

Jim is the embodiment of how Stede has tried to change piracy, of how Stede's effect has created a community.

Jim is the embodiment of the queer joy that this show unabashedly embraces.

[stagefoureddiediaz]

Ok so Buck is getting a meta before I write my 7x03 meta and it’s all because of this still we just got!

We haven’t seen Buck in blue jeans (he’s worn jeans they’ve just always been super black) since season 2x01 - you know when Eddie rocked up at the station and put his shirt on - yeah you’re all thinking what I’m thinking aren’t you!!! The parallels of that jealous Buck and upcoming jealous Buck keep on paralleling. Putting him back in this style of jeans now is so very deliberate and interesting - if you ask me it’s playing not only into jealous Buck, but also into Buck and his hamster wheel - it’s playing on the whole buck 1.0 upgrade to 2.0 etc - there’s something about the fact that Buck essentially stops wearing jeans when he bonds with Eddie - something in the idea that that was the moment he was being both more true to himself, but also hiding a part of himself as well - it’s almost as if the intention is to parallel and revisit some of earlier Buck and explore him opening up the part he hid. Now with the context of Buck in s2 being in a (intense for him) relationship that’s shifted and ended without him knowing/ accepting it and a new guy coming on the scene sparking jealousy before creating a strong bond, and the parallel/juxtaposition of what we’re about to see - new guy sparking jealousy and presenting a threat to his status quo whilst he shares an intense bond with Eddie is a pretty interesting concept - the idea that they may be playing into the beginning of Buck recognising that his relationship with Eddie is changing and different in the same way he slowly figured out Abby had left him - only this time it’s changing in the opposite direction - stronger more unbreakable and allows him to be his true self - well that would be an amazing piece of storytelling in my opinion.

Now obviously alayna and the wardrobe team wouldn’t have known way back in the beginning of s2 that the story was going to head in this direction, but a great designer can make choices that they made in previous seasons work for them in future ones. So to me it feels like this sudden switch back to jeans is deliberate and about tying into the past to move and change things in the present/future. Alayna knows the full arc Buck is on and the fact she’s chosen now to do this when she could’ve done it at any point or not done it at all tells me all I need to know!

Would you like some other things we’ve got going on with this outfit?? I thought you would and I’m here to serve!

We’ve seen Buck in a spotty shirt like this one exactly twice before - 2x14 when he’s at a diner with Maddie talking about Buck finding his own apartment and Maddie going back to hers and going on her second first date with Chim.

Side bar - This is the episode we ‘hear’ of Tommy in the present tense - funnily enough to save Eddie - which in light of Eddie Tommy bestism were about to get is making me chuckle (it’s clever writing and retcon) in technical terms it’s the only reference we have of him as still working for LAFD - all his other appearances are in begins episodes so ‘historical’ rather than in the present!

And then we see a different spotty shirt when he goes to see Chase Mackey in 3x04

There’s also the other dark short sleeved button ups we see him in - not spotty, but striped - the one in 4x14 when Taylor comes back,

The most awkward I love you in the history of television in 5x09 has Buck in dark navy blue with vertical stripes (I don’t have the ref picture handy as I’m on my phone but I’ll come back and add it later 😎🤓)

Then we have 6x10 and the buckley-Han family get together where everyone finds out buck has donated his sperm to Connor and Kameron

All of these scenes are pretty key moments in Bucks arcs and what I find interesting (with the exception of the first one - 2x14 which kind of fits but also doesn’t) is that they are all moments that lead to developmental regression by Buck - under the guise of growth - moments when he thinks he’s moving forward but is in fact either side stepping or going backwards. Suing Bobby and the fire department is obviously the loudest of these moments, but they all fall into this category.

2x14 is perhaps the most interesting and relevant (what with the pattern being almost the same) in reality it’s a scene about Maddie moving forward and getting on with her life - that happens to also include buck getting his own apartment rather than camping out in her dining room. Thing is Maddie talks about going to therapy and putting in the work to feel and find normal in the aftermath of a major traumatic event. In some ways the chase Mackey spotted shirt kind of also falls into this same category - the aftermath of a major (or two) traumatic event for Buck and him trying to get back to his normal (he’s just going about it all wrong)

And here in season 7 we have Buck back in a dark short sleeved spotty shirt in the aftermath of a major traumatic event (Bobby and Athenas Cruise disaster - he couldve lost his dad) trying to get back to normal (something we’ve seen him trying to do for the back half of s6 obviously) and I can’t help but wonder - with Oliver talking about Buck getting off the hamster wheel he’s been stuck on - whatever happens whilst Buck is in this shirt is going to be a major catalyst for him. its going to set him off on his arc for this season and we'll to put in the work his sister did post killing Doug and actually move forward and learn about himself in the process. What that looks like I don’t know but the scene this is from is going to be key to his escape from repeating his past mistakes and actually growing towards his happiness.

The costume department haven’t let me down yet so I’m feeling pretty excited for that scene!

[blueskittlesart]

I've heard that while most people really really love BotW and TotK, some people hate those two for going open-world, and some people hate TotK specifically for something about the story. As the resident Zelda expert I know of, what do you think of those takes?

"something about the story" is a bit too vague for me to answer--if you look at my totk liveblog tag from back when the game was newly released or my general zelda analysis tag you may be able to find some of my in-depth thoughts about the story of totk, but in general i liked it.

the open world thing though is something i can and will talk about for hours. (I am obsessed with loz and game design and this is an essay now <3) breath of the wild is a game that was so well-received that a lot of the criticism from older fans who were expecting something closer to the classic zelda formula was just kind of immediately drowned out and ignored, and while i don't think it's a valid criticism to suggest that botw strayed too far from its origins in going open-world, i am more than willing to look into those criticisms, why they exist, and why i think going open-world was ultimately the best decision botw devs could have made. (totk is a slightly different story, we'll cross that bridge when we come to it.)

Loz is a franchise with a ton of history and a ton of really, REALLY dedicated fans. it's probably second only to mario in terms of recognizability and impact in nintendo's catalog. To us younger fans, the older games can sometimes seem, like, prehistoric when compared to what we're used to nowadays, but it's important to remember just how YOUNG the gaming industry is and how rapidly it's changed and grown. the first zelda game was released in 1986, which was 31 years before botw came out in 2017. What this means for nintendo and its developers is that they have to walk a very fine line between catering to older fans in their 30s and 40s now who would have been in nintendo's prime demographic when the first few games in the franchise were coming out AND making a game that's engaging to their MODERN target demographic and that age group's expectations for what a gaming experience should look like.

LOZ is in kind of a tough spot when it comes to modernizing, because a lot of its core gameplay elements are very much staples of early RPGs, and a lot of those gameplay elements have been phased out of modern RPGs for one reason or another. gathering collectibles, fighting one's way through multilevel, mapless dungeons, and especially classic zelda's relative lack of guidance through the story are all things that date games and which modern audiences tend to get frustrated with. for the last few releases before botw, the devs had kind of been playing with this -- skyward sword in particular is what i consider their big experiment and what (i think) became the driving force behind a lot of what happened with botw. Skyward sword attempted to solve the issues I listed by, basically, making the map small and the story much, much more blatantly linear. Skyward sword feels much more like other modern rpgs to me than most zelda games in terms of its playstyle, because the game is constantly pushing you to do specific things. this is a common storytelling style in modern RPGs--obviously, the player usually needs to take specific actions in order to progress the story, and so when there's downtime between story sections the supporting characters push the player towards the next goal. but this actually isn't what loz games usually do. in the standard loz formula, you as the player are generally directly given at most 4 objectives. these objectives will (roughly) be as follows: 1. go through some dungeons and defeat their bosses, 2. claim the master sword, 3. go through another set of dungeons and defeat their bosses, 4. defeat the final boss of the game. (not necessarily in that order, although that order is the standard formula.) the ONLY time the player will be expressly pushed by supporting characters towards a certain action (excluding guide characters) is when the game is first presenting them with those objectives. in-between dungeons and other gameplay segments, there's no sense of urgency, no one pushing you onto the next task. this method of storytelling encourages players to take their time and explore the world they're in, which in turn helps them find the collectibles and puzzles traditionally hidden around the map that will make it easier for them to continue on. Skyward sword, as previously mentioned, experimented with breaking this formula a bit--its overworld was small and unlocked sequentially, so you couldn't explore it fully without progressing the narrative, and it gave players a "home base" to return to in skyloft which housed many of the puzzles and collectibles rather than scattering them throughout the overworld. This method worked... to an extent, but it also meant that skyward sword felt drastically different in its storytelling and how its narrative was presented to the player than its predecessors. this isn't necessarily a BAD thing, but i am of the opinion that one of zelda's strongest elements has always been the level of immersion and relatability its stories have, and the constant push to continue the narrative has the potential to pull players out of your story a bit, making skyward sword slightly less engaging to the viewer than other games in the franchise. (to address the elephant in the room, there were also obviously some other major issues with the design of sksw that messed with player immersion, but imo even if the control scheme had been perfect on the first try, the hyperlinear method would STILL have been less engaging to a player than the standard exploration-based zeldas.)

So when people say that botw was the first open-world zelda, I'm not actually sure how true I personally believe that is. I think a lot of the initial hype surrounding botw's open map were tainted by what came before it--compared to the truly linear, intensely restricted map of skyward sword, botw's map feels INSANE. but strictly speaking, botw actually sticks pretty closely to the standard zelda gameplay experience, at least as far as the overworld map is concerned. from the beginning, one of the draws of loz is that there's a large, populated map that you as the player can explore (relatively) freely. it was UNUSUAL for the player to not have access to almost the entire map either immediately or very quickly after beginning a new zelda game. (the size and population of these maps was restricted by software and storage capabilities in earlier games, but pretty muhc every zelda game has what would have been considered a large & well populated map at the time of its release.) what truly made botw different was two things; the first being the sheer SIZE of the map and the second being the lack of dungeons and collectibles in a traditional sense. Everything that needs to be said about the size of the map already has been said: it's huge and it's crazy and it's executed PERFECTLY and it's never been done before and every game since has been trying to replicate it. nothing much else to say there. but I do want to talk about the percieved difference in gameplay as it relates to the open-world collectibles and dungeons, because, again, i don't think it's actually as big of a difference as people seem to think it is.

Once again, let's look at the classic formula. I'm going to start with the collectibles and lead into the dungeons. The main classic collectible that's a staple of every zelda game pre-botw is the heart piece. This is a quarter of a heart that will usually be sitting out somewhere in the open world or in a dungeon, and will require the player to either solve a puzzle or perform a specific action to get. botw is the first game to not include heart pieces... TECHNICALLY. but in practice, they're still there, just renamed. they're spirit orbs now, and rather than being hidden in puzzles within the overworld (with no explanation as to how or why they ended up there, mind you) they're hidden within shrines, and they're given a clear purpose for existing throughout hyrule and for requiring puzzle-solving skills to access. Functionally, these two items are exactly the same--it's an object that gives you an extra heart container once you collect four of them. no major difference beyond a reskin and renaming to make the object make sense within the greater world instead of just having a little ❤️ floating randomly in the middle of their otherwise hyperrealistic scenery. the heart piece vs spirit orb i think is a good microcosm of the "it's too different" criticisms of botw as a whole--is it ACTUALLY that different, or is it just repackaged in a way that doesn't make it immediately obvious what you're looking at anymore? I think it's worth noting that botw gives a narrative reason for that visual/linguistic disconnect from other games, too--it's set at minimum TEN THOUSAND YEARS after any other given game. while we don't have any concrete information about how much time passes between new-incarnation games, it's safe to assume that botw is significantly further removed from other incarnations of hyrule/link/zelda/etc than any other game on the timeline. It's not at all inconceivable within the context of the game that heart pieces may have changed form or come to be known by a different name. most of the changes between botw and other games can be reasoned away this way, because most of them have SOME obvious origins in a previous game mechanic, it's just been updated for botw's specific setting and narrative.

The dungeons ARE an actual departure from the classic formula, i will grant you. the usual way a zelda dungeon works is that link enters the dungeon, solves a few puzzles, fights a mini boss at about the halfway point, and after defeating the mini boss he gets a dungeon item which makes the second half of the dungeon accessible. He then uses that item in the dungeon's final boss fight, which is specifically engineered with that item in mind as the catalyst to win it. Botw's dungeons are the divine beasts. we've removed the presence of mini-bosses entirely, because the 'dungeon items' aren't something link needs to get within the dungeon itself--he alredy has them. they're the sheikah slate runes: magnesis, cryonis, stasis, and remote bombs. Each of the divine beast blight battles is actually built around using one of these runes to win it--cryonis to break waterblight's ice projectiles, magnesis to strike down thunderblight with its own lightning rods, remote bombs to take out fireblight's shield. (i ASSUME there's some way to use stasis effectively against windblight, mostly because it's obvious to me that that's how all the other fights were designed, but in practice it's the best strategy for that fight is to just slow down time via aerial archery, so i've never tried to win that way lol.) So even though we've removed traditional dungeon items and mini-boss fights, the bones of the franchise remain unchanged underneath. this is what makes botw such an ingenious move for this franchise imo; the fact that it manages to update itself into such a beautiful, engaging, MODERN game while still retaining the underlying structure that defines its franchise and the games that came before it. botw is an effective modern installment to this 30-year-old franchise because it takes what made the old games great and updates it in a way that still stays true to the core of the franchise.

I did mention totk in my opening paragraph and you mention it in your ask so i have to come back to it somehow. Do i think that totk did the gigantic-open-world thing as well as botw did? no. But i also don't really think there was any other direction to go with that game specifically. botw literally changed the landscape of game development when it was released. I KNOW you all remember how for a good year or two after botw's release, EVERY SINGLE GAME that came out HAD to have a massive open-world map, regardless of whether or not that actually made sense for that game. (pokemon is still suffering from the effects of that botw-driven open world craze to this day. rip scarlet/violet your gameplay was SUCH dogshit) I'm not sure to what degree nintendo and the botw devs anticipated that success, (I remember the open world and the versatility in terms of problem-solving being the two main advertising angles pre-release, but it's been 7 years. oh jesus christ it's been SEVEN YEARS. anyways) but in any case, there's basically NO WAY that they anticipated their specific gameplay style taking off to that degree. That's not something you can predict. When creating totk, they were once again walking that line between old and new, but because they were only 3ish years out from botw when totk went into development, they were REALLY under pressure to stay true to what it was that had made botw such an insane success. I think that's probably what led to the expanded map in the sky and depths as well as the fuse/build mechanics--they basically took their two big draws from botw, big map and versatility, and said ok BIGGER MAP and MORE VERSATILITY. Was this effective? yeah. do i think they maybe could have made a more engaging and well-rounded game if they'd been willing to diverge a little more from botw? also yeah. I won't say that I wanted totk to be skyward sword-style linear, because literally no one wanted that, but I do think that because of the insane wave of success that botw's huge open world brought in the developers were under pressure to stay very true to botw in their designing the gameplay of totk, and I think that both the gameplay and story might have been a bit more engaging if they had been allowed to experiment a little more in their delivery of the material.

[gloomy-prince]

Original vs New RAINBOW! comic comparison!! It's not completely exhaustive but I've given some insight on the original version, just because it's fun to compare and they actually still have a lot of similarities despite it all! There's going to be a lot of jumping around though as some things happen in a different order. This will be long too, so it's under the cut!

I will preface this by saying that even the newer pages are still a few years old and have been edited for the book release, but I couldn't be bothered to find where I saved them, so these versions are a little out of date. The most obvious difference is that Boo has pink eyes in them, where as now they are green. So, enjoy that tidbit I suppose.

Boo recalls why she was demoted from waitressing

She was demoted for the same reason, though in the original, Boo is explaining this to the audience as she talks about her job. The original version had much, much more internal dialogue from Boo. The way that our comics work is that Sunny writes them in a novel form and I adapt them into a comic, rather than them being comic scripts from the get-go. This allows us to both work our own creative muscles in the process. So originally, I had not yet learned that different mediums call for different means of storytelling and I just copied a lot of her thoughts outright and put them directly into the comic, where as in the new version, I add in her internal dialogue pretty sparingly. So get used to lots of Boo's thoughts in the original.

Also, fun fact, in the original Boo has spilled coffee on me, Sunny, and one of my friends @mxbloodybooart on the left.

Boo daydreams of dancing with a prince

Her daydream is much shorter and less immersive in the original version, only lasting a single panel. A lot of telling and not showing in the original due to getting so much of Boo's direct thoughts. She also bumps into Milo, but doesn't cause him to drop anything as she does in the new version.

Mimi shows up at the cafe

In the original, this is Mimi's first appearance, where as now, Boo has already seen Mimi punch someone and her imagination has gone completely haywire over her, so she is pretty nervous to interact with her. Since Boo doesn't have any of this context in the original, she is merely intrigued by someone who has a style that stands out as much as she does, even if it's in a different way.

Drunk Debbie sleeping on the couch

Our first style change in the original version! Really a style evolution though.

Technically this page is pretty similar, but with a much more devastating line from Boo in the new version along with several cans around to imply Debbie probably passed out drunk, where as in the original you really only see her asleep on the couch. Boo also still has the same cute little teddy bear backpack in the original.

Boo takes the bus to school

Boo is implied to be bullied in the new version and utilizes her imagination to drown it out, while in the original she merely talks about feeling different. The bunny head on her shirt is a callback to the bunny shirt she's wearing in the original. Sunny and I are cameoing in both versions as the students sitting in the seat in front of Boo, featuring egg!me in the original version as I was probably 15 when I drew it. It also still apparently rains on her way to work in the original version, although this is never seen because she takes the bus to work rather than bike as she does now, so who knows why she called that out.

Boo daydreams in class

Boo daydreams that her classmates are monsters, though in the original, she also dreams that she is a princess. Some of the monster designs were kept. She doesn't get in trouble for calling her teacher a witch (even though she does still say that, it's only in her imagination) but for laughing and spacing out during class instead.

Boo sees Mimi at school

Originally Boo does not see Mimi punch another student, but rather hears her arguing with the principal after the fact about why she did it and then sees her leave the office. This is also not the first time she's seen Mimi, so she recognizes her, where as this is Mimi's first appearance in the new version.

Boo meets with Mr Dahl

Since she was not a witness to the altercation between Mimi and the other student in the original, her visit with Mr Dahl is much shorter, only concerning her getting in trouble in math class. Mr Dahl is the same character, but in the original he was the principal, and now he's the dean. Also Mimi apparently KNOCKED SOMEONE'S TEETH OUT in the original, where as now she just gave him a bloody nose, so let's just hope Boo is exaggerating here.

Boo mistakes another student in the hall for Mimi

Pretty similar, though the student she bumps into is more of a jerk in the original.

Boo is plagued by daydreams of Mimi

Pretty good example of how the over reliance on internal dialogue diminished the actual story. Originally there is only one shot of Boo seeing Mimi at school, which very well could have been the real Mimi, and Boo simply saying she was seeing her when she wasn't there, so we have to take her word for it. In the new version, she might plausibly think she is seeing her at first, only to start seeing more and more of her to the point of seeing multiple Mimi's in the same place, making it clear that they can't all be real, or that possibly none of them are real. The only dialogue is Boo expressing confusion.

and oh, look at that! another cameo of egg!me and Sunny in the original, waving at each other in the hallway! I am also cameoing in the new version as a student sleeping at the desk in the fourth period panel, but Sunny is not.

Milo tries to cover for Boo

Art style change again! You might notice this one is finally starting to look more similar to my current style than the previous ones, as it all evolved from here...

Originally, Milo accidentally scares Boo and causes her to drop some plates, where as now, Boo bumped into Milo while having her princely dancing daydream and made him drop the plates. Clarice was originally pretty eager to accept Milo's lie and allow Boo a second chance at waitressing while now, Clarice asks Boo to admit the truth before she is willing to give her any chances. Clarice now is also dressed in green to differentiate her as the owner/manager.

Boo gets to be a waitress again

An obvious homage to the original version, the layout is almost exactly the same, and even some of the customers are the same. Another really good example of how much internal dialogue there was in the original compared to now.

Boo serves Mimi her coffee

This one is not all that different aside from the fact that originally, Boo was already delivering the coffee before she knew who it was for, just which table, where as now, Boo knows beforehand that it's for Mimi and is nervous the whole time. This is the final page in the original version, so I made the final panel in the new one as an homage to it. The color scheme was also finally really starting to expand on this last page compared to the colors in the beginning.

[spacebarbarianweird]

Hi! Love your writing and I wanted to give you some food for thought, see if it interests you perhaps 🤭 Astarion×Tav is usually about someone smaller in size and maybe a druid or healer, but my character is a tiefling berserk barbarian... with a bigger body size... horns and tail in all their glory... if you are interested I'd love to hear if you'd got some headcanons for a character like this? 💕🙏🏻

Hi! When imagining a bigger f!Tav with Astarion, I can't stop thinking about Gwendolyn Christie (aka Brienne of Tarth) and Nikolaj Coster-Waldau (aka Jaime Lannister). Look at the photos of them, especially when Gwen wears high-heels (and she also has a husband who is much shorter than her but sews all her dresses to make her the most fabulous 6.3 ft tall woman)

Also, Neil Newbon plays a bigger druid, Tav. He was shocked that she picked Astarion in the first sex scene ^-^

NSFW Version

Masterlist

Headcanons

Astarion x F!BulkyTav

When you hug, Astarion's face is right up against your chest, and he can hear your heartbeat.

Which is soothing to him.

The running water problem is solved! You lift Astarion "bridal style" and put him onto your shoulders to cross the river.

Astarion is grumpy about it every time.

But deep inside, he enjoys it.

Need a better view to aim? Well, you are right here in all your barbarian 6.3 ft. glory!

Astarion can't take his eyes off how graciously you walk with a two-handed ax on your shoulders.

And once you both return to the civilized world, he will get you a dress and high heels.

Because with high heels and a dress, you will look like a gods damn goddess of war!

Is he intimidated by the fact you are taller? Never. You are his big and powerful wife, and he's proud of everything you do!

You are a big spoon, of course. And being wrapped in your hands makes Astarion feel warm and safe.

When in rage, you don't feel pain, and it hurts him to see you wounded and with broken bones

He puts your head on his lap and strokes your hair to soothe you after the battle.

Once, Astarion was caught off guard by vampire hunters who beat him and left him helpless in the sunrise.

You managed to get there right in time to crack the hunters' skulls.

And quickly carry Astarion to the safety and darkness.

Unfortunately, the merciless sun burnt him enough to slow vampire regeneration, and it took Astarion a month to fully recover.

All this time, you nurtured and fed him, telling him stories and legends of your people and only leaving him once you needed to fetch some food for yourself.

Seeing him being able to walk again was the happiest moment of your life.

When he drinks your blood, it's him sitting on your lap.

"You are a messy eater, you know that?" you ask, seeing him covered in your blood.

"You are a terribly messy eater, I hope you know that?" he comments, looking at you eating a boar's leg.

He laughs at you being not so discreet in the wilderness and attracting all sorts of enemies in your journey.

"Darling, you are loud like an ork and have the manners of a giant!"

Once you got so drunk in a feast after killing a dragon, you came to Astarion and started talking different sweet nonsense.

"I want to have silver-curled babies with you. Imagine how fierce they will be!"

Indeed, you are strong and fierce, wearing the heavy armor set, but you are still a woman, a woman Astarion loves and takes care of.

"Wear a helmet, Tav! Last time we had a quest, our half-ork companion used your head as a battering ram! Get the fucking helmet!"

Once, the enemy was too strong, and you ended up severely wounded. The most challenging thing for Astarion was to get rid of the heavy armor on your broken body to carry you to a safe place.

The view of you in pain and agony traumatized him so much he didn't dare to leave your side until you fully recovered.

You want to die in a glorious battle and bards to make songs about you.

Astarion promises you not to step into the sun once you die this glorious death but to make sure every bard and storyteller knows about your deeds and adventures.

But until then...

You have plenty of things to kill!

Hope you enjoyed it!