#testament of sister new devil

[crossoverproductions]

Which of these Stupid Rap Battle Ideas would you wanna see? Part 2

[madmanwonder]

(prompt, crossover, kuroinu x testament of sister new devil, mk intro) Intro between Male!Prim and Sheila?

Arena: World of Void

Prim: *Marth Outfit* Are you here to support Vault perverted ambition or the new Demon King?

Sheila: *Grayfia Lucifuge Outfit* One is a arrogant misogynist with delusion of granduer. The other is a overgrown depraved child with no sense of taste. You tell me who I ally with?

Prim: I suppose even the demonfolk have standards

[beauty-marked-beauties]

Today's Beauty-Marked Beauty is: Chisato Hasegawa from The Testament of Sister New Devil

[thealvinatordraws]

Basara Toujou (Shinmai Maou no Testament)

[a-titty-ninja]

「ロリエロサキュバス2」 by あげたま | Twitter

๑ Permission to reprint was given by the artist ✔.

[animecatoftheday]

Today’s anime cat of the day is:

Byakko from The Testament of Sister New Devil!

[uebermacht]

I don't like fanservice and ecchi harem romcom anime in general

[risingmcrandomstuff]

Meet The Gang✩Stars!

[bentoxication]

Apperantly the transition to softcore porn to porn needs to be studied

[sp1cyxxx]

[animemakeblog]

Meme #75

Anime: The Testament of Sister New Devil

Characters: Basara Toujou and Mio Naruse

You’re the most jealous girl I know.

Do you know other girls?

[index-m]

[theotakufiles]

The Testament of Sister New Devil Manga

"The Testament of Sister New Devil" is a thrilling and seductive anime series that combines supernatural action, intense romance, and alluring ecchi elements. When high school student Basara Toujou's father unexpectedly announces his marriage to two beautiful sisters, Maria and Mio Naruse, Basara's life takes an incredible turn. Unbeknownst to Basara, both girls are actually succubi who have infiltrated the human world with hidden intentions.

As Basara struggles to cope with his new family dynamic, he discovers that Mio is the destined successor of the Demon Lord. Bound by a powerful magical contract, Basara becomes Mio's protector against demon clans seeking to claim her power for themselves. Together with other supernatural beings Zenobia and Yuki Nonaka, they form an unlikely alliance against their common enemies.

However, amidst dangerous battles and demonic confrontations lies an undeniable attraction between Basara and his adopted sister Mio. Their growing feelings blur the lines of familial love while testing their commitment as guardian and charge. Alongside steamy encounters and provocative situations, this captivating anime explores themes of trust, loyalty, self-discovery, and forbidden desires.

With each passing episode in "The Testament of Sister New Devil," viewers will be immersed in a story filled with relentless action sequences showcasing supernatural abilities that push characters beyond their limits. At its core though lies a complicated web of relationships teetering between duty and passion – where protecting those you care about might mean surrendering to the darkness within oneself.

Prepare yourself for an intoxicating journey into a world where demons walk among humans – where loyalty will be tested under tempestuous circumstances while fiery desire engulfs hearts on either side of forbidden love. Will Basara overcome his own inner demons? Can he safeguard Mio from her malevolent fate? Find out in "The Testament of Sister New Devil."

Do you love reading manga and diving into captivating storylines? Then show your support for the talented manga author of 'The Testament of Sister New Devil Manga' by purchasing their work at gekimanga.com! Immerse yourself in this thrilling tale filled with action, romance, and supernatural elements, and not only will you enjoy hours of entertainment but also contribute to the success of the incredible artist behind it. Don't miss out on this opportunity to express your appreciation – head over to gekimanga.com today and get your copy now!

[artforiasenibudayajepang]

15 Anime Harem Jepang Terbaik di Netflix, Funimation, Crunchyroll, Yang Wajib Kamu Tonton Di Tahun 2023

Berita Anime Jepang – Harem adalah genre populer di kalangan penggemar anime dan bukan tanpa alasan. Banyak penggemar yang hidup melalui seorang pahlawan yang diinginkan dan dicintai oleh banyak wanita. Dan itulah mengapa ada begitu banyak anime harem yang diproduksi oleh studio-studio. Tapi jangan khawatir. Pinterest Simak Juga : 35 Rekomendasi Anime Jepang Reinkarnasi Terbaik yang Wajib…

[risingmcrandomstuff]

Rivals

[aaknopf]

In Shakespeare’s Sisters, Ramie Targoff recovers to literary memory the lives and talents of four women who wrote in England during Shakespeare’s time, well before there was any notion of “a room of one’s own.” From Mary Sidney, sister of the well-known poet Sir Philip Sidney (she wrote most of the beautiful translations of the Psalms ascribed to him) to Anne Clifford, a diarist and memoirist who fought for decades against a patriarchy that tried to disinherit her from her family’s land, these women stun us by their bravery. In the passage below, Targoff discusses the important poetry of Aemilia Lanyer, born of an illiterate mother and an immigrant father; it appeared in print in 1611, making her the first woman in the 17th century to publish an original book of verse.

. . .

In the same year the King James Bible first appeared in print, establishing the most influential English translation of scripture ever produced, Aemilia dared to tell a different story. Over the course of 230 rhyming stanzas of eight lines each, her “Salve Deus Rex Judaeorum” lays out the story of Christ’s Passion from a distinctly female perspective. The formal challenge of writing the poem was itself daunting: it’s no easy feat to compose over 1,800 lines of ottava rima (iambic pentameter stanzas written in an abababcc rhyme scheme). But Aemilia’s greater audacity was in tackling the subject of Christ’s crucifixion. To justify this, she makes the same claim for divine inspiration that the great Protestant poet John Milton would make sixty or so years later in writing Paradise Lost. Describing her own “poor barren brain” as “far too weak” for the task, she asks God to “give me power and strength to write”:

Yet if he please to illuminate my spirit,  And give me wisdom from his holy hill,  That I may write part of his glorious merit,  If he vouchsafe to guide my hand and quill Then will I tell of that sad blackfaced night,  Whose mourning Mantle covered Heavenly Light.

     Given the fact that the poem proceeds to do exactly what she petitions for, Aemilia shows her reader that her prayer has been answered: she’s not so much writing as channeling the divine word.[...]      Aemilia’s narrative of Christ’s Passion begins on the “very night our Savior was betrayed.” As part of her overall strategy in “Salve Deus”of celebrating female virtue, the poem draws attention both to the wicked acts of men (Caiaphas, Judas) and to the compassionate acts of women (the daughters of Jerusalem, the Virgin Mary) in the days leading up to Christ’s arrest. None of this comes as a surprise. But when Aemilia arrives at the moment that Pontius Pilate considers Christ’s fate, she does something totally unanticipated. Relinquishing her own role as narrator, she hands the poem over to Pilate’s wife. Among the most minor figures in the New Testament, Pilate’s wife has a single line of verse in only one of the four gospels. In Matthew 27:19, a woman who is never named urges her husband, the Roman governor in Judaea, to disregard the will of the people calling for Christ to be crucified: “Have nothing to do with that just man,” she warns Pilate, “for I have suffered many things this day in a dream because of him.”      In early Christian commentaries and apocryphal writings, this woman was often called Procula Claudia, or simply Procula. In medieval England, Procula was paraded onstage in the mystery plays as an evil woman who almost prevented Christ’s saving humankind; in the York Cycle’s play named for her—The Dream of Pilate’s Wife—Percula, as she’s called there, receives her dream from the Devil himself. There’s no way to know if Aemilia knew this or other medieval dramas; it’s more likely she would have noticed the more positive treatment Pilate’s wife was given in the Geneva Bible, the popular translation done by English Protestants in the 1550s. Consistent with the Protestant belief that everyone should have access to the Bible directly, the translation was heavily glossed with marginal notes. Next to the verse from Matthew regarding Pilate’s wife was a single gloss suggesting that Pilate should have taken the “counsel of others to defend Christ’s innocence.” But whether the treatment of this woman was negative or positive, she had never been asked to perform the role Aemilia gave her in “Salve Deus,” where she delivers one of the strongest defenses for women’s rights that Christianity had ever seen.      In Pilate’s wife, Aemilia found her perfect heroine: a woman whose intervention at the crucial moment could have changed the course of history, if only her husband had listened. With the scriptural verse from Matthew before her, Aemilia made two crucial additions to the story. First, she transformed Pilate’s wife into a faithful believer who already regarded Christ as her Lord. “Hear the words of thy most worthy wife,” she begs her husband, “who sends to thee, to beg her Savior’s life.” Far from simply reporting that she’s had an ominous dream, as she does in Matthew, Pilate’s wife explicitly warns Pilate that he will be killing the son of God.      Second, Aemilia turned Pilate’s wife into a proto-feminist. After urging Pilate to let Christ go on religious grounds, she comes up with a new reason for why he should be pardoned: “Let not us women glory in men’s fall / Who had power given to over-rule us all.” If men are sinful enough to crucify their savior, then women should be liberated from men’s rule. “Your indiscretion sets us free,” she declares, “And makes our former fault much less appear.” In these four short lines, Aemilia’s character anticipates the killing of Christ as the basis for women’s freedom from patriarchy.      As if this weren’t radical enough, Pilate’s wife moves in “Salve Deus” from making her argument about the Crucifixion to recon- sidering the reason for Christ’s sacrifice in the first place. “Our mother Eve,” she exclaims,

. . . who tasted of the Tree Giving to Adam what she held most dear, Was simply good, and had no power to see,  The after-coming harm did not appear.

If Eve had no way to know the damage she might do, Adam was only too aware: it was he who received the command directly “from God’s mouth.” Eve was simply a victim of misinformation and “too much love,” whereas Adam, not betrayed by the “subtle Serpent’s falsehood,” knew exactly what he was doing.      Aemilia was certainly not the first person to defend Eve on grounds of her innocence or to propose that Adam be held responsible for the Fall. She was possibly the first to argue that the crime of killing Christ so overwhelmed any fault of Eve’s that women’s subordination should come to an immediate end. “If unjustly you condemn [Christ] to die,” Pilate’s wife concludes,

. . . Then let us have our Liberty again, And challenge [attribute] to your selves no Sovereignty;  You came not in the world without our pain, Make that a bar against your cruelty; Your fault being greater, why should you disdain  Our being your equals, free from tyranny? If one weak woman simply did offend,  This sin of yours, hath no excuse, nor end.

Hundreds of years before the women’s liberation movement, Aemilia used the figure of Pilate’s wife to argue that the sexes should be equal. In doing so, she also rescued a voice from history, giving full personhood and agency to a woman whom the Bible didn’t regard as worthy of a name.

More on this book and author:

Learn more about Shakespeare’s Sisters by Ramie Targoff.

Browse other books by Ramie Targoff and follow her on Instagram @ramietargoff.

Hear Ramie Targoff read at the Boston Athenaeum in Boston on May 15, 6:00 - 7:00 PM. Click here to join virtually. 

Visit our Tumblr to peruse poems, audio recordings, and broadsides in the Knopf poem-a-day series.

To share the poem-a-day experience with friends, pass along this link.