#that I actually have a novel that I'm actually going to release for SO LONG'

[neocrias]

making out with NCT Dream

warnings: slightly suggestive; some of the stories may be longer than others (we got a bit carried away lol sorry); reader insert; gn reader (mostly)

pairings: dream and reader

gender/aus: fluff; established relationships (or not); casual fling;

other units: 127 II wayv

Mark

You had enough of clubbing. You didn't even know why you had come in the first place. While all your friends already had a date and were dancing happily on the dance floor, you were waiting anxiously on the bar stool with a brightly colored drink in your hand that you sipped from time to time. Was it too stupid to want a fairytale prince to show up and save you from the situation you'd gotten yourself into?

— Do you always come here? — The line startled you, and you turned your stool to the side, ready to roll your eyes at whoever had the nerve to throw that old, lousy line at you. However, you're surprised when it's followed by an adorable giggle and the big shiny black eyes that stare at you when you turn to see the boy. — I'm sorry, I know that was terrible. 

He was beautiful. His insecure smile and low posture revealed that he seemed a little nervous about the interaction - and you found that adorable. He seemed completely harmless.

The boy introduced himself as Mark, and you also introduced yourself to him. He went on to ask a few simple questions, such as “did you come with your friends?” or “do you like the place?”, which didn't spark much of a conversation, but were enough to keep you talking. He shared some information about himself, and you began to notice that with each question he asked, Mark leaned a little closer to you. This made you think that perhaps he wasn't as innocent as you had thought, even if his posture still indicated a certain shyness.

This didn't disappoint you, however, since ever since you had caught sight of Mark's sparkling eyes and trembling lips, you knew you wanted to kiss him. And, after buying you a drink and continuing the gentle but warm conversation, you noticed that even with the close proximity between your body and Mark's, he seemed to have no intention of advancing on you in the way you wanted. Even with his lapses of confidence, leaning his arms lightly on the bar counter, or staring into your eyes without looking away with a look of admiration while you said trivial things, he gave no indication that he was going to go any further without your total acquiescence.

That's why, realizing how much Mark seemed to be asking for that kiss, you leaned in at the rare moment when he stopped talking and closed your eyes, moving closer. 

Even though he was shy, Mark understood what it meant - even too quickly - and was firm in holding the back of your neck and returning the kiss, slowly and almost torturously at first, only to become stronger and faster towards the end. Mark's free hand on the counter reached for yours and rested on top of it, giving it a gentle squeeze. Your heart almost exploded with the tenderness of the newly met boy at that moment, and you felt that this would be just the first of countless kisses between you and Mark. 

Renjun

You were lying on the sofa, trying to finish one of the countless novels you'd ordered a month earlier while Renjun was painting for what seemed like hours. You actually wanted to spend this time with your boyfriend, but he hadn't been able to take a moment to do what he likes for so long that you didn't want to interrupt him, so you just waited.

However, the waiting became more and more difficult as the hours passed and he didn't finish, and you couldn't even read the book in your anxiety. Tired of waiting, you got up from the sofa, leaving the book behind, and walked over to your boyfriend who was sitting at the table.

You hugged him around the shoulders, putting your face in the crook of his neck and giving him several kisses that made him laugh with happiness. Renjun gently released the brush so as not to dirty the drawing and leaned his face back and wrapped his arms around your neck, keeping you in that position. You took advantage of this and left a chaste kiss on his lips, making him smile even more.

Suddenly he closed his eyes and frowned in confusion before asking: — Mary Jane, is that you?

— Oh, you're so funny! — You replied ironically. — You finished?

Renjun turned to face you, putting the painting aside. — I'm neglecting you, aren't I? — He asked with a sad smile. 

— No! — You were quick to deny it. — I just missed you.

He stood up, still holding each side of your hips, then brought one of his hands up to your face to push your bangs out of your face. Slowly, he brought their faces closer, brushing the tip of his nose against yours, before finally bringing their lips together in a tender, romantic kiss. Renjun has a way of making you feel loved.

— What do you want to do? — He asked.

— You can finish your drawing, Junnie, no problem.

— I'd rather kiss my beautiful girlfriend a lot more.

To disguise your happy smile, you bit your lower lip, wrapped your arms around his shoulders and ran your fingers through his soft brown hair. You kissed once more, deeply, and you felt him take small steps forward, leading you both towards the sofa.

Jeno

You don't know how you got into this delicate situation and you don't know how you're going to get out of it without revealing your feelings. Jeno has been your best friend since you were four years old, you two practically grew up together, went to the same schools, had the same friends, liked the same things. With such closeness, it's no surprise that you fell in love with him. Jeno is beautiful, after all.

To disguise the fact that you were completely obsessed with him, you tended to be a little thicker than you would have liked, always cracking some stupid joke to pick on him. Sometimes you decided to take it to a more physical level, putting your foot in front of him to make him trip, or squeezing the water bottle to splash him in the face when he drank.

Jeno always returned the pranks. You understood each other like that. The problem was that I miscalculated all the negative endings that “play fighting” could lead to.

Jeno is strong, much stronger than you, thanks to the gym addiction he developed during his teenage years. It would be easy for him to knock you down or hurt you even if he didn't mean to, which is why he refused, but you kept pushing and provoking him until Jeno gave in.

Now the sight of the muscles tensing around you made you nervous. Jeno noticed your heavy eyes, he also noticed the little bites on your lips every time he pulled you slightly tighter. Your reactions were a confirmation of what he had suspected for some time and a relief for the conflicting feelings he felt.

Jeno has had a crush on you for a while and used to get jealous every time a guy hit on you. Fortunately, he was able to disguise his own feelings behind a facade of protection, when in reality he wanted to be the one to have you.

You tried to knock him down, but that only made Jeno's grip around your forearm increase, he pulled you closer then grabbed one of your legs knocking you to the ground. You let out a gasp of surprise, still half out of breath he knelt over you, one leg on either side of your hip, as you tried to push him off he grabbed both your arms, pinning them against the floor. Your eyes were wide open, your lips parted, you were breathing heavily and Jeno just wanted to kiss you until you were panting harder.

So he did.

He kissed you with a ferocity that made you let out a low moan of fright and relief, returning the kiss as if you depended on his lips to live. You wiggled your fingers, wishing you had something to hold on to, but Jeno didn't let go, not even when he moved his kisses down to your neck and shoulder. You were already confused and out of breath, but you weren't going to stop him.

Haechan

Haechan is a teasing little pest, always having fun with your annoyance and when you make out it's no different. You don't know why you're still with him, but you have even less reason to stop.

This was the third time he'd approached you only to pull away when you tried to kiss him and it was wearing on your patience. You rolled your eyes and regretted following the boy to the empty balcony, leaving your euphoric friends playing Just Dance behind - at least there you'd only be bored and not completely annoyed by the boy in front of you.

— Oh — He cooed at you — poor kitty wanna kiss me so bad, don't you?

— Asshole! — You replied.

Haechan laughed out loud, throwing his head back as he wrapped his arms around your hips so that you wouldn't run away. — Don't be like that, pretty.

You turned your face away, not wanting to look at him and Haechan pouted, even though he knew you wouldn't see. It was really fun to annoy you, but now he had to think of a way to get you to stop being angry with him.

— You look beautiful when you're angry, you know that? — He asked. He held your chin, turning your face towards him, but you looked away. “Sulky”, he thought. — Hm? — he insisted once more, giving you several kisses in a row and a few more kisses on the cheek.

— You're ridiculous, you know that? — You snapped back, trying to stay nervous, but you couldn't stay angry with him for long. I guess that explains why you've been together for so long.

— You love it!

— Do I? — you asked and he arched an eyebrow as if daring you to lie to him. — Maybe I do.

Haechan smiled and finally kissed you. A real kiss, with tenderness and desire mixed just right. His hand is still holding your face, holding you in place so that you wouldn't escape.

Wanting to provoke him back, you bit his lower lip as soon as he started to pull away and pulled his hair back tightly. Haechan laughed out loud at your audacity and stared at you with heavy eyes. He pushed his tongue against the inside of your cheek and pulled your hair harder, making your head go back and you let go of his hair in surprise. 

— Why aren't you my girlfriend anyway?

— You never asked.

— Do you want to be my girlfriend? — Haechan asked instinctively, as if he'd been waiting for this opportunity for ages.

— I'll think about it.

You joked, but the teasing smile on your lips said everything Haechan needed to know. You were his, just as he was yours.

Jaemin

You regretted coming to this party the moment you got in the Uber, but you'd already spent too much money on the costume to stay at home now. That explains why you're looking for an empty place to hide from the mess of sweaty bodies crammed into the small living room.

— Why are you alone in this corner? Not enjoying the party? — A sweet voice interrupted your regret session, and you turned around to face a boy with a gentle smile and kind eyes.

You knew him well, Na Jaemin, the popular guy in your calculus class. Always giving nice smiles to classmates, teachers, janitors, always getting the best grades, doing the best in extracurricular activities - it's no surprise that he's so popular. What is a surprise is that he noticed you at all.

— Oh, I'm not very good at parties — You replied and automatically wanted to beat herself up for sounding so weird. He'd certainly stay away from you now.

— Poor little thing can't get along? — Jaemin cooed at you, finding your clumsiness funny.

You didn't realize Jaemin's real intentions and that made it all the more interesting for him, who was amused by your naivety. In his eyes you were such a pretty, shy, perfect little thing for him to destroy. In contrast, all you could think about was how nice he was to talk to you and hang out with you when he could have been enjoying the party.

Although amusing, Jaemin was getting tired of you not understanding the hints he was giving you, making it clear that he wanted to kiss you. Then, without you realizing it, he led you down the hallway to the bedrooms, where the guests had been warned not to enter - Jaemin didn't have to worry about being the master of the house.

Then he got closer, one step closer to you every minute. “Silly girl”, he thought as he noticed you walking backwards to create distance between the two of you, not understanding what he wanted. Impatiently, Jaemin circled his arm around your waist, pulling you against him.

He smiled mischievously when he saw your wide eyes and pressed your lips together. Your knee buckled with the hunger with which he kissed you and your eyes closed enjoying the moment, your hands instinctively going up to his shoulders and squeezing hard.

You sighed when he pushed you - gently - against the wall, your free arm supporting the weight of his body as he sprinkled your face, neck and lap with quick kisses and you sank your painted nails into the back of his neck.

Chenle Jeno, your best friend, invited you to watch his basketball game with the boys because that day there was going to be a get-together at the house of Chenle, one of Jeno's friends, after the game.

You hadn't met Chenle before, in fact, you'd only talked to Jaemin and Jisung for a short time before, so you were feeling overwhelmed by the idea of going to a party at the house of a guy you didn't know - but it was because Jeno asked you to.

In the end, it was pretty smooth, the boys were nice, especially Chenle.

He was charismatic, handsome and polite and you didn't avoid watching him during the match. You felt more attracted to him with every basket he made but, despite noticing the quick glances Chenle gave you, you didn't have the courage to approach him.

But he wasn't going to leave it at that, after all, he thought you were pretty the second he laid eyes on you and, after making sure that you and Jeno were nothing but good friends, he made his move.

— Nice of you to come — He said, taking a seat next to you on the wooden deck of the pool and offering you one of the glasses he was holding.  — Did you enjoy the game?

You agreed with a simple “uh huh” as you tasted the drink, it was vodka with energy drink, far from your favorite but fortunately he made sure it wasn't too strong. — You nailed it! — You complimented, turning her face towards him with a restrained smile.

— Yeah? — Chenle asked with a cocky smile, his eyes twinkling mischievously. He tilted his head slightly to one side before saying. — Good, because I decided that all my baskets would be for you as soon as I saw you arrive.

He smirked as soon as he saw you blink repeatedly and look away in embarrassment. He held your chin between his forefinger and thumb, turning your face back to his with a mischievous grin. Chenle noticed the way your eyes drifted down to his mouth, he noticed the way you nervously clamped your lower lip between your teeth, he really wanted to kiss you right then.

He brushed his thumb against your lip, making you release it, and leaned in, kissing you the way he wanted to. Chenle sneaked his hand down to the nape of your neck, tangling his fingers in your hair and pulling them slightly, making your head tilt in the direction he wanted.

Finally, Chenle bit his lip as soon as the kiss ended, but remained with his forehead pressed together and his eyes closed until you were forced apart by the incessant shouting and joking of the friends who had come to take you back to the party.

Jisung

Jisung is a shy boy. In the few classes you attend together, he keeps quiet most of the time, when he's not sleeping at the back of the room. Anyone would think he was just a weirdo, but you know better, his silly, clumsy ways were just the surface of what he was really like - Jisung could be quite silly when he wanted to be.

You should be in your classical literature class right now, but Jisung managed to convince you to skip it, just like all the others. Honestly, you don't know if you're going to be able to pass this class with the amount of absences you've collected because of the upperclassman, but that's okay... Jisung always makes it worthwhile.

He was leaning against the red brick wall, his knees slightly bent to be closer to your height and his legs slightly open so that you could stand between them. Jisung was also holding your hand, playing with the delicate ring on your ring finger, amused at how small your hand was compared to his.

He smirked as he pulled you closer, making you stumble with the sudden movement and, to avoid falling on top of him, you rested your free hand against his shoulder.

— Have I mentioned how pretty you look in red? — He joked in a condescending voice, knowing full well what he was doing.

You rolled your eyes before answering: — You've been more creative, Jisung.

— Can't I compliment my girl anymore? 

— What do you want in return? — You replied without believing the lack of ulterior motives behind the boy's compliments.

— A kiss is enough — he smiled and pushed the tip of his tongue against your cheek before continuing — in thanks.

 You rolled your eyes again, but you wanted it as much as he did, so you let him press your body against his and press your lips together in a deep, slow kiss. Jisung's hands were around your hips, which kept your bodies glued together, sneaking up under the hem of your red T-shirt, leaving an icy trail that chilled your heated skin.

When he reached the curve of your waist, he gently scratched your skin, just to feel you shiver - he made a mental note to thank Chenle for this tip later - and in retaliation you tugged at the brown strands at the back of his neck. Jisung sighed, but that wasn't enough. He brought his hands up again, covering the cup of your bra with his big palms and gave it a shallow squeeze. In shock, you pushed yourself back, away from him - for your own safety and sanity.

— Just a kiss, huh? As if! — You complained, making the boy laugh.

— As if you didn't like it.

[speakergame]

Progress Update - 3/4/24

Hello and happy March!

It’s been a while, hasn’t it? 😅 Well, I finally have some good news for you this time: I have some actual news!

I'm happy to be able to announce at last that an update is on its way! I’ve still got some assets to make and code cleanup and testing to finish, but I should finally have something to show you soon.

I’ll put a cut at the end of this and go into more detail about the what and why of what I’ve been working on during this long and unintended hiatus, but the tl;dr is that I hope to have an update out by the end of the month, and that said update will break any saves made in Chapter 4. Unfortunate, but unavoidable, since Chapter 4 had to be recoded from the beginning 😞

I just want to thank all of you once again for sticking with me through my extended silence! Especially to my patrons who’ve put up with me putting everything on pause month after month while I dealt with my real life shit, and to everyone who’s sent me kind and supportive messages to let me know Speaker hasn’t been forgotten. It really means a lot to me.

Okay, enough of that sappy shit! I’m gonna get back to work finishing this up 😁 I’ll put out another update later this month once I have a more definite release date.

Thank you all for reading! I hope you’re having a fantastic 2024 so far, and that the rest of the week treats you kindly. See y’all soon! 💙💙💙

(For those who want a more detailed breakdown on what’s been happening and what to expect, hit the readmore)

I won’t go into the personal life stuff I’ve been dealing with this past year that has slowed down my work, but as far as the actual game goes: 

To put it simply, I just wasn’t happy with it. Some of it could be because of how many times I had to reread the same section while I was coding the scenes that would’ve taken place after the last update, but no matter how much I edited or rearranged it, I didn’t like how that scene turned out. There was something… formulaic that had been happening with the way I always laid out scenes, and a bit of stagnation in the story, character, and relationship development that bothered me.

So I rewrote it. And when I still didn’t like it, I rewrote it again. And I still didn’t like it. I thought about scrapping the whole thing on more than one occasion as I struggled to get out of the corner I’d written myself into.

Inspiration finally struck at the beginning of this year, thanks in part to another interactive novel I follow, and I really like the direction I’ve taken it now. 

Instead of the RO split scenes happening where the last one left off, Speaker, Seer, and Gavin are gonna have a chat about Things™ to move the next story arc forward. Then Speaker will get some downtime, by themself at first and then in an extended scene split with the RO of their choosing. 

All the Big Plot Things that were going to happen in Chapter 4 will be moved to Chapter 5 instead, and 4 will be a bit more of a filler episode. A deep breath before the plunge, as it were.

This split won’t just be a quick conversation/reaction from the RO, but a full on different direction for the rest of the chapter based on who you choose. Most of them will involve leaving the house; all of them will involve actual one-on-one time (or one-on-two time, as the case may be) away from the others. And though romance isn’t required, all of them will have the potential to really move the romance forward if you so choose. One or two might even have a lock-in choice (maybe. I’m not 100 percent on that, so don’t hold me to it) 

These scenes won’t be in the next update, because they’re all very complex, but the update will definitely have the Seer chat and at least some of the by-yourself stuff. The update after will have the rest of the alone time stuff (including the clothes/body CC you’ve all been waiting for), and then the one after will start the RO scenes. I think.

I may actually split the RO scenes into separate updates, and let my darlings over at Patreon vote for the order they’re released. That way I can focus on one at a time instead of trying to split my attention six ways at once.

Okay, that’s enough rambling for me today. Time to get back to work! Still got a lot to get done before this is ready, but it’s so close now.

[artingstarvist]

TGCF Vol 3 (eng), Chp. 43 - 44 (First "Kiss") Part 1 / 5 (next >)

First part of the comic is finally done! I chose this scene because I know the donghua/manhua will almost certainly censor it and also I feel like there's a lot of beautiful but also inaccurate depictions of this kiss and I just wanna do the full scene justice, including Xie Lian's reaction on the beach. I'm trying to stay as close to the novel as possible but some dialogue will be slightly altered to fit the flow of the comic. I should have planned it to be more vertically oriented to fit tumblr better but hell I don't actually know anything about making comics.

CW for those who don't know where this is going: The next part of this comic includes relatively non-consensual kissing. The purpose is the exchange of air & to keep the smoke spirit from entering, but Xie Lian does struggle against it in the beginning. If this might trigger or upset you, don't read any further.

A direct novel excerpt of this scene is under the cut.

[comic panel numbers] [1] It didn't take long before his throat itched, and that cloud of black smoke was retched back out! [2] Xie Lian covered his mouth with his sleeve, coughing nonstop and choked by tears. [3] His mind raced to find another countermeasure. Even after the cloud of black smoke was forcibly vomited out, it still swirled about and relentlessly clung to his body. [4] Xie Lian pushed himself onto the windowsill, raised himself up, and leapt into the lake outside. [5, 6] With a splash, Xie Lian plunged deep into the heart of the lake. [7] He held his breath, crossed his arms and legs, and assumed a meditative position, letting his body slowly sink to the bottom of that freezing lake. Once his heartbeat returned to normal, he looked up and could somewhat make out the black fog swirling above, blocking off the surface of the water. [8] Once he emerged, he'd have to gasp in a deep breath, and in doing so, he would surely suck the child spirit into his stomach. [9] A grown man with a fulsome baby bump wasn't the least bit funny to imagine. [10] However, his leap into the water had only been meant to give himself some time to think. It didn't take long for Xie Lian to come up with a counterattack. [11] So what if I swallow it? I'll just swallow Fangxin right after. [12] He'd learned that trick when performing on the streets. [13] Although it might hurt, whatever -- as long as the child spirit could be captured. [14] With his mind thus made up, Xie Lian released his arms and started swimming upward. [15, 16] A muffled sound of sloshing water came from above, and suddenly a vast expanse of burning, vivid crimson red flooded his vision. [17] A tangle of winding raven-black locks obscured his sight, though nothing could be seen through the splashing water and schools of air bubbles.

[yumeka-sxf]

Spy x Family CODE: White - FULL MOVIE SUMMARY [SPOILERS]

Now that I've finally read through the entire novelization of CODE: White, I'm ready to share a full summary of everything that happens - basically spoil the whole movie for those interested 😅

But before I get to the summary, a few notes:

I didn't translate every line from the novelization as that would have taken way too long. I go into more detail for scenes I was particularly interested in (like Twiyor scenes), or scenes that were easy to translate. But I still made sure to mention everything that's important to the story. If I gloss over some parts more than others, it's either because they were difficult to translate, or I didn't think they were that important. But even so, the "summary" still ended up being way longer than I anticipated!

I have not seen the movie myself yet, so everything in the summary below is based on the novelization only (of which there were two versions released, with slight differences between them). Obviously the novelization is an accurate adaptation, but there is a chance that a few things are different between the novelization and the actual movie, and/or the novelization may have left out some dialogue or minor scenes.

And lastly, it goes without saying but BEWARE OF MAJOR SPOILERS BELOW! Not only that, but please be considerate of where you share these spoilers. Remember to properly tag this post if you reblog it and think twice before you share any of this information on other social media. Most people don't want to be spoiled to this degree!

Again MAJOR SPOILERS BELOW!

The movie starts with an introduction to the characters – we see Twilight carrying out a mission where he has to disguise himself as someone's wife. Meanwhile, Yor is doing an assassination mission. They both come home at the same time and are greeted by Anya. Bond has a vision of Anya and Loid getting sick from Yor's cooking, so Anya suggests that Loid cook instead.

At Eden, Henderson tells the students about the cooking contest and how the principal will be the judge. Loid is on the roof, reading Henderson's lips. A falcon flies overhead and drops him a note with an F cipher. He goes to meet with Sylvia at one of the WISE hideouts. She informs him that she has another big mission for him, but when he objects that he couldn't take on something so big in the midst of Operation Strix, she hands him a photo of a man and child. She explains that the man is Major Depple of the Army Intelligence Department who has a lot of important people backing him, and since they hadn't made enough progress with Operation Strix, the higher-ups decided to pass it onto him.

As Loid leaves, he bumps into Fiona. Her hat gets blown away with the wind and he reaches to catch it, just as Yor and her coworkers are across the street. From where Yor sees them, it looks like Loid is kissing "the mysterious woman." Loid and Fiona have a fake conversation – he compliments her hat, she says it was made overseas, etc – while they're actually doing their secret "spy talk" (like they did when she first visited him at home). He tells her what's happening with Operation Strix, and she tells him that she had tried to warn him that it shouldn't have been left up to ordinary citizens who don't know anything, and that she should take on the wife role. Meanwhile, Camilla and co. tell Yor about the three signs of cheating: one, an increase in travelling; two, a change in clothing taste (to match the taste of his new lover); and three, suddenly giving gifts (because he feels guilty).

Later that evening, Yor is still feeling anxious about Loid's possible "lover." When Anya gets home, she tells them about the cooking competition. Loid recalls from his data that the principal's favorite is the melemele pastry. If Anya could get a stella from the competition, that could help get him back into Operation Strix. He says that he read in the school newspaper that the melemele in Frejis is supposedly the best, so they should go there and try it for themselves via a family vacation over the weekend. Yor thinks back to the "increase in travelling" sign of cheating that Camilla told her about. Loid tells her that only families are allowed at the Frejis restaurant they're headed to, so she decides to go, though she's still conflicted about whether this is actually a sign of cheating or not.

They have some family time on the train to Frejis, though Loid still makes Anya study. They play cards and get food (Anya has a corn dog, Yor has a sandwich, Loid has a hamburger). After coming back from the bathroom, Anya notices a key by one of the sinks. Bond is with her, and through him she sees a vision of the future – in the vision, she goes to car 8 and opens a trunk with the key while overhearing two men mention that it's a key to a treasure of the Republic.

Back in the train car, Loid brings up Anya's terrible handwriting while Yor mentions that they had practiced handwriting the other day. Loid says that Yor's motherly side is really coming out, which causes Yor to get flustered and makes her think that it's not her skills as a mother he could be dissatisfied with but perhaps her skills as a wife. She gets even more flustered when she notices a couple across the way kissing and starts nervously moving her lips, to which Loid asks if something's wrong. She stammers that her lipstick didn't warm up and is itchy, then says she's going to look for Anya since she's taking a long time.

Meanwhile, Anya and Bond find the luggage compartment and locate the trunk from Bond's vision. When Anya goes to grab it, Bond tries to stop her. At first she thinks that she shouldn't just do whatever she wants with other people's stuff, but then she remembers that the men in the vision said it was a treasure of the Republic, a treasure that could possibly help achieve world peace. She opens the trunk and is disappointed to find just a chocolate in it. But when she hears the two men, Domitri and Luca, open the door, she gets startled and accidently knocks the chocolate out of the trunk. It bounces off of Bond's nose, and when she tries to grab it, it falls into her mouth. She hides when Luca and Domitri come in to look for the trunk.

They describe the ship sticker on it, and when they find that it's been opened and the chocolate stolen, they say they're going to kill whoever took it so the secret won't get out. When Anya accidently makes a noise, the men take notice. Domitri takes a flower out of his pocket and points it towards the dim light in the car, saying that his "flower fortune telling" will tell him who's hiding. They then notice Anya escaping into car 7 and give chase. They lock her in car 6, but when she starts screaming for Papa and Mama, Yor breaks open the locked door. She asks Anya who the two men are and Anya says that they're chocolate thieves who were being mean to her. Yor beats them up (after telling Anya to cover her eyes) just as the train arrives at Frejis station (Anya seems to feel bad that she sicced Yor on them when she was the actual chocolate thief). When they get off the train, Loid says that they should start heading to their destination (as Yor starts building a snowman). After they get their luggage and leave, Luca and Domitri emerge from the car they were in and say they need to contact the colonel.

The shop that has the melemele is called "Restaurant Rubble and Bonds." Since pets aren't allowed in the restaurant, they leave Bond outside when they go inside to eat. After ordering food along with the melemele, the waitress tells them that they're getting the last melemele. Bond watches them from the window, but then a waitress comes over and feeds him the special pet plate, which he happily eats. As the Forgers are eating, Loid tells Anya that she shouldn't eat with her hands, and that using a knife and fork are proper manners. Yor watches and notices the turtleneck sweater Loid is wearing, which makes her realize it's something that he never wears. She then thinks of Camilla's second sign of cheating, a change in clothing taste. The chef comes over and tells them how the war in Frejis was mostly fought in the sky, and the aircraft displayed at the front of the station belonged to a two-man team famous for shooting down planes during the war.

There's a brief scene where Yuri overhears his coworkers at the SSS talking about Frejis, and he of course wants to go since he knows Yor is there now. But the boss won't let him, so he makes a bit of a scene.

Back at the restaurant, the chef continues to talk about the war and how he lost everything at that time. His decision behind making a restaurant catering to families was so people could experience the homemade food that he remembered his mom used to make. Loid can't help but relate the chef's backstory to his own. The melemele is finally ready and brought to the table.

Just as Anya is about to dig in, Colonel Snidel and some other soldiers enter the restaurant. The waitress and chef try to tell them that only families are allowed, but Snidel says that the military have authority in this area, even when it comes to food, and could close down the restaurant if they wanted to. They order the melemele, and when they're told that there isn't any left, one of the soldiers takes the melemele from Anya. Loid politely tells the soldiers that his daughter was really looking forward to eating it and if they could possibly order a different dessert. Snidel asks if they're tourists that came here to eat the melemele. Loid replies that they travel around trying delicious food. Snidel challenges Loid to a competition – if Loid wins, he'll give them back the melemele. The competition involves trying the three cakes that were placed on the table and correctly naming every type of sugar in them. Even though Loid correctly names them, Snidel also mentions the exact number of grams, making his answers the most accurate. Everyone's bummed that Loid lost, but he says that they could try coming back again. However, the chef tells them that they won't have more until Monday, which is when the Forgers have to be back in Berlint for the cooking competition. Yor asks the chef that if they provide their own ingredients, would he make it for them, and he agrees.

The Forgers go to the Frejis marketplace to get the ingredients from the list that the chef provided. Having already memorized the list, Loid moves at super speed to every shop and quickly finds most of the ingredients. When he goes looking for the orange syrup, a man from a cosmetic shop asks if he'll buy one of the many lipsticks there for his wife. He picks one out, mentioning how back on the train Yor had said that her lipstick wasn't working out and if this one is a nice color. She's embarrassed at first, but then agrees that it's a nice color and accepts…but then she's reminded of Camilla's last sign of cheating: suddenly giving a gift (meanwhile Loid is just thinking how putting on the happy couple appearance is part of the mission). With all three signs of cheating having taken place, Yor says that she's going to the bathroom and dejectedly walks away. Loid wonders if she's just tired from the trip and if she'll be okay. Anya then calls Loid over to a shooting game booth that has the orange syrup as one of the prizes. After attempting the game and failing, Anya reads the booth owner's mind and realizes it's rigged. Loid gets suspicious as well and is able to masterfully shoot down the orange syrup while also exposing the owner's scam.

Loid is ready to look for the last ingredient, but then Anya runs off to ride the mini train. Yor rejoins them, having put on the lipstick while she was in the bathroom. Loid says it suits her and asks if she'd like to get a drink somewhere. They go to a café booth where Loid orders coffee. But Yor, thinking how she needs to confirm the whole cheating thing with Loid and can't open up without the help of alcohol, orders several cups of heated wine. She finally gets drunk enough to ask Loid if he has a lover.

From the train, Anya looks over to see Yor grab Loid's scarf and pull him to the ground. Anya freaks out about "Papa and Mama flirting." They're both on the ground now, with Yor hovering over Loid before she finally passes out. She wakes up on a bench, where Loid asks if she's okay. She apologizes for what she did, but thinks that Loid will definitely want a divorce after what happened. When Anya reads her mind, she thinks of what Becky told her about divorces and how they cause families to fall apart. She then hears the ferris wheel attendant calling for people to ride, saying that it'll be a happy, "flirty" experience. Anya tells Loid and Yor that she wants to ride the ferris wheel, but then ushers them onto the gondola without joining them, much to their surprise. She tells them to get "flirty," to Loid's dismay. Yor tells Bond to look after Anya.

Yor realizes that she must look really bleak right now and it's making Anya worry. Loid asks if she's okay and she again apologizes for her behavior earlier. Loid replies that she's been acting weird for a while, causing Yor to finally admit that she saw him with his "lover"…someone with a large hat. Tears start welling in her eyes, so she covers her face with her hands to hide them. Realizing that the person she's referring to was Fiona, Loid explains that she wasn't a lover, just someone who needed directions to the art museum. Feeling embarrassed about her mistake, Yor looks away from Loid and out the window. She sees Anya and Bond below, the former waving happily at her. Yor waves back before mentioning if Loid could want a divorce, to which he light-heartily replies "no way." Yor says that she's lacking in a lot of ways, not just as a mother but as Loid's wife. Loid then takes her hands in his, looks straight into her eyes and reminds her of the promise he made via their marriage proposal.

He says the marriage vows again before stating that he has no intention of breaking his promise. As Loid gets closer to her, Yor's face reddens and her heart races until she finally breaks – she smacks Loid on the cheek, sending him flying out of the gondola (which had reached the ground). But he adjusts himself in midair and lands gracefully on his feet. Yor grabs their belongings from the gondola and hurries out. Upon seeing Loid's swollen cheek, Anya panics that Papa and Mama were fighting and the Forger family is over. Loid and Yor object to this, with Loid saying that they weren't fighting. Anya then says that they were flirting, but they object to that as well, faces red with embarrassment. Anya just grins at them.

The clock tower bell chimes, signaling 5 o' clock. When Loid muses that it got so late already, Yor apologizes that it was due to her passing out from drinking too much. Loid asks if she and Anya will go back to the hotel while he gets the remaining ingredient, cherry liquor. He thinks to himself how it's something rare that would not likely be sold at a store, so he'd have to get it through illegal means, which means that Yor and Anya can't accompany him.

Snidel gets out of his military vehicle in front of a flying battleship. He's greeted by several soldiers who tell him that route negotiations with the Arbo Republic have ended and adjustments to Type F have been completed. Snidel suddenly shoots and kills one of the operations leaders, claiming he's a traitor who leaked military information to WISE. Luca and Domitri then arrive and inform him that the microfilm was eaten.

Meanwhile, Sylvia meets with a bunch of WISE agents at their Berlint hideout. She tells them that they lost contact with their Frejis agent, suspecting that Snidel has taken action. She says that if the microfilm reaches the Arbo Republic, it could lead to an all-out war between the East and West. She doesn't think their agent had gotten the microfilm, but she knows Twilight is currently in Frejis, so he may be their only hope. She orders a couple of the male agents to meet with Twilight at Frejis and get the microfilm. However, Fiona interrupts and requests that Sylvia leave the mission to her instead. Sylvia objects, but Fiona is already leaving the room and on her way, thinking over and over to herself "A mission with senpai, a mission with senpai, a mission with senpai…"

Back at Frejis, Loid looks everywhere for the cherry liquor – he sneaks into a moonshine factory and even the wine cellar of a wealthy man, but still can't find it. He calls Franky at his tabacco shop in Berlint, inadvertently interrupting Franky's flirting with a pretty girl. He asks Franky if he can get the cherry liquor and that he needs it by tomorrow morning. Franky says he'll try but it would take him half a day to even get to Frejis, but Loid had already hung up.

At the hotel, Yor unpacks while Anya admires the hotel amenities ("Hotel TV!" "Hotel toilet!" "Hotel bed!") She then takes her toys out of her bag – among them are crayons, a sketchbook, a rubber duckie, and a toy gun. She pretends to shoot Bond with the gun, then points the gun at Yor and asks if she's the "boss." At first Yor is uneasy about partaking in Anya's game, but then she gives in and pretends to be the boss who wants the treasure. This makes Anya even more fired up and she says "Let's battle, polite lady boss!" The three of them continue playing.

Loid returns to the hotel and finds Anya's drawings of the ferris wheel and shooting game booth on the table. Anya's sleeping on the sofa while Yor puts a blanket over her. Loid says that he's going out again because he found the liquor at a neighboring town. Since it's a bit far, he's taking a car that he's borrowing from the hotel. Anya wakes up and calls Loid a liar since he said he would be back soon but came back so late. He apologizes, but then she reads his mind as he thinks about the fact that if Anya doesn't get a stella soon, Operation Strix and their family will be over. Anya says she wants to come along with Loid, but when he turns her down, she sadly goes back to the bedroom with Bond. When Loid starts to leave, asking Yor to take care of Anya, Yor asks him how many seats there are in the car he borrowed. He answers five. She then asks if they can all go together, since it's a family trip.

In the bedroom, Anya hugs Bond while thinking about the sad state of the family. Bond suddenly has a vison of the cherry liquor behind the cash register of a store at the plaza. At first Anya wants to tell Loid about it, but then she thinks that her secret would be revealed if she did (Loid would say "How did you know that? You can read minds? And Bond can see the future?") After realizing she can't tell him about it, she looks towards the window...

Meanwhile, Yor tells Loid how happy it made Yuri to be with her all day for special occasions like birthdays and family outings, and that it's the same with Anya. Loid thinks back to how happy Anya was when they were doing things together on the trip, such as playing trump, playing in the snow, and eating at the restaurant. He picks up the toy gun on the table and thinks back to how grateful Anya was for being able to play "spy" at the old castle. As he returns the gun to the table, Yor tells him how Anya was looking forward to so many things on this family trip, like eating sweets and playing together. She says she understands Anya's feelings since she's made Yuri feel lonely before. She tells Loid that Anya was really looking forward to being with him and how lonely it is to be separated from your family. She asks again if they could all go together to get the liquor at the next town, even though it's passed Anya's bedtime. When he starts thinking of the possible harm of bringing Anya with him, he pushes those thoughts aside and agrees with Yor.

Suddenly, room service knocks at the door. When Yor says that she didn't order any, Loid looks through the peep hole and sees Fiona disguised as a maid. He then says that he forgot to order a large bathrobe and steps outside. In the hotel corridor, he asks Fiona why she's here. She repeats "room service" while actually saying "it's a mission" in spy talk. Loid says that she can talk normally since it's just the two of them, and asks if she could be quick since he's also on a mission. She starts blabbering internally about how she's alone with him – LOVE!

Back in the room, Yor hears a noise from the bedroom, and when she goes to look, the window is open and both Anya and Bond are gone. Meanwhile, Fiona explains the mission about the microfilm to Loid. When she mentions Colonel Snidel, Loid thinks back to his encounter with Snidel and the military back at the restaurant. Yor suddenly comes out of the room and tells Loid that Anya ran away through the window. She had left a note behind, but when Loid goes to read it, the handwriting is extremely messy – he can make out the word "sorry" (misspelled).

Anya and Bond arrive at the shop in the plaza from Bond's vision. She buys the bottle of liquor and happily walks with Bond back to the hotel, thinking that now the Forger family will be okay. At the same time, the military is looking for girls that match Anya's description, using a picture that Luca drew of her. Bond starts barking when he notices Luca and Domitri pull up in a car behind Anya. Anya and Bond try to run away, but Luca pulls Anya into the car. Bond bites Luca's arm but gets pushed away. As they drive off with Anya in the car, they run over a can in the road that hits Bond in the head. Bond howls sadly as he watches the car disappear. Back at the battleship, Snidel says that it will depart as soon as they get the microfilm.

Loid and Yor run through town calling for Anya. They find Bond collapsed on the side of the road. Loid asks if he's okay and if Anya was with him. Bond barks and tries to gesture about what happened, but Loid and Yor can't understand him. However, Loid notices something in Bond's mouth – Luca's armband that he had bitten off. Loid recognizes it and is in disbelief that Anya got caught up in the military.

Then Fiona, still disguised as the hotel maid, pulls up in a car nearby and calls to Loid saying that he dropped something. In "spy talk" however, she says that he should prioritize getting the microfilm over Operation Strix. Loid thinks for a minute, then says loudly (so Yor can hear) "Ma'am, I would like to ask a favor…"

Meanwhile, Anya is brought before Snidel. Upon seeing him, she shouts that he's the guy who ate her dessert. He says that more important than the melemele, she ate their chocolate. She then states that he's the boss of those thieves. Luca and Domitri reprimand her for not using polite speech in front of the colonel. Snidel asks if she's been to the toilet since. Anya reads his mind as he thinks about how they hid the microfilm in the chocolate, and it's better to wait until she poops it out before killing her. Anya then realizes that the chocolate she ate on the train had the "treasure" inside, and if she poops, she'll be killed. Anya then nervously says that she's so cute that poop has never come out of her body, but then admits that she's lying upon seeing Snidel's cold gaze. Snidel instructs Luca and Domitri to take Anya with them and inform him if she poops. Anya begins holding her butt and starts shaking in fear. Domitri asks if she has to go, but she says she's just cold. She knows she mustn't poop or she'll be killed, but the more she thinks about it, the more she has to go!

Back at the Frejis plaza in front of the station, Loid boards the old fighter plane that was parked there. He's able to operate the communication device and listen in on signals from Snidel's flying battleship. He manages to catch some of Luca and Domitri's conversation with Anya, including them saying that she's in this mess because she ate the microfilm. Upon realizing that Anya ate the microfilm, he breaks into a cold sweat, but quickly regains his composure as he gets off the plane and meets with Yor, who was waiting worriedly outside. He tells her that he thinks Anya is with the military, since he heard from the radio signals that they seem to have taken custody of a girl around five years old. Yor asks why Anya would be with the military. Loid knows that he didn't have any time to come up with an explanation, so he cuts the power cable on the plane and climbs back into the cockpit. As the propellers begin spinning, he asks Yor to stand back and tells her that he'll return soon. Yor thinks back to the two men who attacked Anya on the train and realizes that they might have been from the military, but she can't tell Loid about that or he'd know that she beat them up. She recalls what she said to Loid earlier: that they should all go together because it's a family trip. As the plane leaves, Yor jumps onto it and forces open the door at the bottom. Loid continues to pilot the plane into the Frejis sky, unaware that Yor is also on board.

Back at the WISE hideout, Sylvia thinks to herself that "the fate of the world depends on getting that microfilm…we're counting on you, Twilight."

Back at the battleship, Anya is trying hard to resist the urge to go to the bathroom. She moves her body back and forth to try and hold off the urge, which only makes Luca ask if she has to go. She says no and that she's just doing a dance she learned at school.

Meanwhile, Fiona infiltrates the Frejis air traffic control so she can communicate with Loid on the plane. She tells him the location of Snidel's battleship. Loid compliments her on being able to get the information so quickly, causing her to say that she's ready to be his lifelong partner anytime and asks again if he'd let her have the wife role for Operation Strix…but the communication line had already been cut.

Back at the battleship, Anya is still doing her "dance" to resist the urge to poop, but she's practically at her limit (Luca and Domitri had also prepared a duck-shaped potty for her). She's sweating, tearing up, and her stomach is rumbling. When she feels her consciousness wavering, a bright light suddenly fills her eyes. She finds herself standing in a beautiful meadow filled with colorful flowers and poop shaped clouds overhead. She hears a voice and looks up to see a divine-looking old man surrounded by light. He has a poop shaped crown and he's holding a staff with a poop shaped top. He tells her that he's the god of poop.

He says, "You've fought well, warrior Anya. You've tried your best to protect world peace but...enough is enough." He puts his hand on her shoulder. She can feel his compassion flowing through his palms. "Relax your butt and rest, warrior Anya. Let's go to the peaceful garden of the toilet!" Anya tries to fly through the sky like the poop god, but ends up falling into the ocean. However, she's saved by waves of toilet paper that lift her towards a temple lined with statues of the poop god. A toilet is enshrined in front of the statues. The poop god gives a shout, and the toilet paper carrying Anya turns into a giant duck potty. The poop god waves his staff and the duck speeds out of the water, heading towards the bathroom above the alter. The lid of the toilet opens with another shout from the poop god and the duck moves faster. Finally the duck bursts into a ball of light and Anya falls, laughing, into the shining toilet.

Back in reality, Anya finds herself on a bed in a room on the battleship. After hearing her mutter to herself about "what's the god of poop?" Luca excitedly asks if she's ready to poop and puts the duck potty on the bed. As soon as Anya looks at the duck, she comes to her sense and says, "no, I'm good." While Anya stays with Domitri, Luca reports to Snidel that Anya still hasn't pooped yet. Snidel tells him to cut open her stomach. Luca is taken aback by this and tries to protest, but after Snidel presses him, he reluctantly agrees to do it.

Meanwhile, Domitri is trying an exorcism ritual to get Anya to poop – he makes her lay on the bed with a banana, corn, and a pineapple along with coffee beans between them, all the while singing a song about "yellow three." When Luca returns, he asks Domitri what he's doing. Domitri replies that according to his coffee fortune telling, "yellow three" is lucky. Luca then tells him Snidel's orders and asks if Domitri would do it. Since neither of them want to, they decide via rock-paper-scissors, and Domitri wins. Anya reads Luca's mind about how he's going to cut open her stomach while Domitri holds her down. She starts shaking and thinks of Papa and Mama.

Meanwhile, Loid flies the plane close to the battleship and contacts them on the radio. He says that his plane is in a state of emergency due to a fuel system failure and would like to request an emergency landing on the battleship. When one of the soldiers tells Snidel that an unknown aircraft is requesting permission to board, Snidel demands that they shoot it down. Loid steers the plane out of the way of the sudden hail of bullets while Yor, still hiding in the back, hangs on as the plane starts shaking violently.

Back on the battleship, Domitri holds Anya while she screams for Papa and Mama. Luca approaches with a knife.

Back outside, Loid desperately steers the plane to avoid the gunfire from the battleship, including homing missiles. In the back compartment, Yor isn't able to see what's going on, so she thinks to herself that Loid's driving is…rough. Loid manages to dodge the missiles, but one of them explodes next to him, causing the fragments to fall on the plane and damage the left wing. He knows that crashing is inevitable, so he steers the plane towards the battleship. The impact of the plane crashing into the battleship shakes the room where Domitri, Luca, and Anya are in. They all lose their footing and fall, causing Domitri to let go of Anya. She then runs away and through the hallway while they give chase.

Loid jumps out of the cockpit with his bag of spy tools and onto the battleship as the plane crashes. He thinks to himself that he first needs to confirm where Anya is and heads through a narrow passageway. Meanwhile Yor makes her way out of the back part of the plane only to be greeted by a huge gust of wind. She's surprised to be on the outer part of a battleship. She peeks inside the cockpit to look for Loid, but he's not there. She remembers that Loid said Anya was with the military, so she must be on the battleship somewhere. The opening to the bottom of the battleship is too narrow, so she decides to go via the top, breaking into a fast sprint.

The soldiers find the plane wreckage and Snidel gives orders to search for survivors. When one of the soldiers tells him that there's a woman running along the outer part of the battleship, he thinks he's joking. But then he looks at the monitors and sees Yor for himself. He commands that they kill her, since she decided to come aboard using that plane, that makes her an enemy. The turrets at the top of the ship begin firing at Yor, but she swiftly dodges them. One of the soldiers readies a grenade, but she takes off her coat and throws it at him, causing him to lose his balance and fall backwards. When the soldier falls through the deck onto the catwalk, the grenade falls from his hand. Yor gets away just as the grenade explodes, causing the area around the hatch where the soldiers were firing to burst into flames. The soldier watching from the monitor shouts "Explosion on deck 3A!" When she encounters the soldiers, Yor politely says that she came to pick up her husband and daughter, but the soldiers were already unconscious from the explosion. She heads further into the ship. The fire continues to spread through the battleship. Snidel commands the soldiers to go put out the fire, and when asked what to do about the woman, he says to send out Type F.

Meanwhile, Anya is still running away from Luca and Domitri (while still holding her butt). She manages to elude them by slipping into a room without them noticing. She listens by the door, and when she hears that they went off to look for her elsewhere, she breathes a sigh of relief. As she turns around, she notices a toilet in the back of the room. Tears start welling in her eyes…after a long and painful battle, she finally won.

Loid hides in a small room while soldiers are running through the corridors. He wonders to himself what the explosion was and if the plane crash could have possibly damaged the ship's hull. He peeks through a gap in the door and notices an officer who appears to be a captain based on the number of stars on his badge.

After giving orders to the soldiers, the captain walks towards the door. Loid pulls him in, knocks him out, and gags him. He then steps out of the room, now disguised as the captain, wearing his clothes and donning a mask with his face.

The sound of sirens are blaring through the battleship. Yor notices the soldiers desperately trying to put out the fire and apologizes to them. She again says that she came to get her husband and daughter and asks if there's anyone who knows where they are. One of the soldiers looks up and shouts "It's that woman!" The soldiers begin firing at her, but she jumps out of the way, grabs a nearby fire extinguisher and throws it at them, knocking them down like bowling pins. She's confused as to why they're shooting at her, then thinks that they could be part of the bad guy group that attacked Anya on the train. She picks up two knives that the now unconscious soldiers dropped. She then thinks of Anya being in trouble, without anyone protecting her, and her face becomes clouded with anxiety as she tightly grips the knife in her hand.

Meanwhile, Anya happily bursts out of the bathroom with a refreshed look on her face, toilet paper rolling down her feet…only to bump right into Luca and Domitri. Domitri stands proudly with toilet paper around his feet, boasting about his toilet paper fortune telling. Anya's face goes pale. Snidel is informed by one of the soldiers that the child has been secured, and he commands that they bring her to him.

As she continues looking for Loid and Anya, Yor arrives at the entrance to the air cell and pries open the heavy door. She's met with a blast of hot air. The fire has spread all over the spacious room. As she goes further in, she feels a murderous intent behind her. As soon as she starts to look over her shoulder, gatling guns begin firing at her. She jumps out of the way as bullets are showered on her. She goes further down in the air cell just as a gigantic figure appears, slowly moving towards her with heavy footsteps. She politely asks who he is, but Type F doesn't answer. He reaches towards her but Yor kicks him to the ground, only to have more bullets fired at her that she subsequently dodges. She pulls out the knife and pounces on him, managing to knock off his helmet. She asks him to stop attacking but instead he presses his forehead against the knife, making a very inhuman metallic sound, breaking the knife. The arms of his cloak, that had been engulfed in flames, burn off to reveal that he wasn't holding gatling guns, but his arms themselves are guns. The rest of his cloak burns off, revealing a body made entirely of weapons. After he calls Yor an "intruder," she readies the other knife, realizing she has no choice but to fight him.

Meanwhile Loid, still disguised as the captain, gives orders to the soldiers to help them put out the fire. When one of the soldiers asks where the hostage is, Loid questions him and he explains that she's a child about five years old and that officer Domitri took her to the bridge.

At the bridge, Anya is tied and gagged in front of Snidel. Snidel is upset that they missed getting her poop, but Luca says that it could still be in the sewage tanks. Snidel says that it could also still be in her body, which makes Anya even more afraid. Snidel tells them to keep her in the room downstairs and he'll "take care of her" once all the chaos on the battleship is over, while also ominously adding that he brought an extra big knife to enjoy kebobs. He then orders them to go into the sewage tanks and find the microfilm or else he'll cut them like kebobs too.

After leaving Anya in the room, Luca and Domitri grumble about how they're in such a mess because of some greedy kid, and Luca groans that he's still sore from being bitten by the stupid dog. Suddenly Loid, still disguised as the captain, gets the jump on them and knocks them out. He wonders why Anya isn't here since this should be the only bridge on the ship. He enters the room where Snidel is and says that he's going to report on the status of the firefighting operations, but Snidel dismisses him, saying that he's busy now.

In the room below, Anya can read Loid's mind but she can't move or talk due to being tied up and gagged. She realizes that she's tied to a telephone pipe that leads to the room above, so she slams her head against the pipe to get Loid's attention. Just as Loid is deciding to back off so as not to make Snidel suspicious, he hears the banging in the pipe and notices a hatch right below it. He realizes that Anya must be under there, so he pulls off one of the buttons on his uniform and pretends he's going to pick it up when it rolls near the hatch. However, Snidel says "wait, captain" and asks him when he began to smell like...a city. Snidel then immediately shoots at Loid, who manages to dodge, but the bullet grazes the face mask that he's wearing. Snidel continues to fire at Loid, who hides behind a console in the room. Snidel asks if he's the traveler from Rubble and Bonds and says that he shouldn't underestimate the nose of a gourmet like himself. Realizing he's been found out, Loid tears off the captain's mask. Snidel and the other soldiers begin exchanging gunfire with Loid.

Back in the air cell, Type F continues to shoot at Yor, his gatling gun arm having now turned into a grenade launcher. She narrowly dodges his attacks and grabs a fire extinguisher set (with an axe) from the wall. They end up crashing down through the floor, with Yor slamming the axe onto his chest as hard as she can. However, this only reveals a firearm magazine in his chest hatch. The magazine sends bullets into the gatling gun. He aims at Yor again but she jumps away in time. As they stare each other down in the flame filled room, she wonders what she can do against an enemy who can't be damaged by knives or axes.

Meanwhile, Loid continues to exchange gunfire with Snidel and his soldiers. Snidel opens an attaché case with a gas mask and grenade that he calls "Type G." Anya reads Snidel's mind about the grenade being a poison gas grenade that he's been developing and wants to test out. She starts panicking, trying desperately to break free from her binds so she can warn Loid about the poison gas. An image of Loid covered in wounds as he tries to save her flashes in her mind as she thinks "It's Anya's turn to save you!"

Snidel pulls out the pin from the Type G and throws it over to the console where Loid is hiding…just as Anya breaks free. As the rope suddenly breaks, she falls and rolls across the floor, hitting her head against a console in the back of the room. A green light illuminates on the console. Suddenly, the windows in the bridge open and gas starts getting blown all over, much to the confusion of Snidel and the soldiers. Loid uses this opportunity to make a move.

As the gas eventually leaves the room through the open windows, Snidel's men are shocked at what they see through the dissipating gas – their leader Snidel wrestling with…another Snidel! One Snidel tells them to shoot the imposter while the other says that he's the real one. Loid (disguised as Snidel) thinks to himself that since Snidel is the only one with a good nose, he just has to fool the others. Snidel brandishes his knife and threatens to tear off Loid's "imposter skin" and turn it into pork scratching. But Loid gets the upper hand and manages to grab Snidel and cause him to lose his balance, saying that his "imposter" skin isn't so flimsy that it could be cut off by the likes of Snidel. He wraps his left arm around Snidel's neck and tightens his grip, causing Snidel to drop the knife in his hand.

The soldiers are still confused about which is the real one as Snidel's body falls to the floor. Loid says "Do you think I'd lose to a fake," fooling the soldiers into thinking he's the real one. He tells them that they're to head to the Arbo Republic as soon as possible and that they're abandoning the ship. He commands them to use the land route instead. Carrying the body of the real Snidel, the soldiers leave with shouts of "all personnel abandon ship!" When he's finally alone, Loid takes off his Snidel disguise.

Meanwhile, Type F's right arm is overheating but he tells Yor it's no use waiting until he runs out of bullets. Even though his chest plate was torn off earlier, all Yor has left is a broken knife…until she feels around in her pocket and pulls out the lipstick that Loid had bought her. She lowers the knife and tells Type F "this is your last warning, please stand aside. I only came here to get my husband and daughter." But Type F just says that they should all perish together along with the future of the East and West. He then readies another round of bullets. Yor dodges and makes a wide circle around him, dragging the lipstick along the floor. She slashes at his chest with the knife, causing the knife to break. As he jeers that a knife won't work on him, he looks confused for the first time when he notices a line drawn around him with the lipstick, leading up to his chest. She says that she heard that lipstick is half oil. He tries to shoot at her again but it's too late…the flames along the railing run down the lines of lipstick, igniting the weapons embedded in his body, causing him to explode. After confirming that he's been destroyed, Yor continues on her way.

Back on the bridge, Loid opens the hatch to the door where Anya is and jumps down. She's overjoyed to see him as he asks if she's okay. She clings to him and buries her face in his chest. Just then, something falls out of her pochette – the cherry liquor. She tells him it's what Papa was looking for and he realizes that's why she ran away from the hotel. Upon realizing this, he can't help but smile, and Anya smiles too when she reads the thoughts he won't say. Just then they hear a loud explosion. Loid holds onto Anya as the ship shakes from the explosion. "Anyway, we better get out of here" he says.

Meanwhile, Yor opens the hatch at the top of the air cell and makes her way to the outer part of the airship where she sees Loid and Anya. They're both surprised to see her. "Mama!" Anya says as she runs to Yor, who gently hugs her while asking if they're both alright.

Loid asks the same of Yor while also asking why she's here. After hesitating a bit, she admits that she came on Loid's plane and that since it was an "outing," that they should have gone together. She then asks if the people on the airship are actually the military. Loid pauses since he can't tell her the real explanation, but then Anya speaks up about how she ate their important chocolate on the train and that's why they were after her. Loid thinks to himself about how they must have hid the microfilm in the chocolate, but he can't tell that to Yor. So he says that chocolate theft is rampant in cold regions because people believe it will keep them warm...they'd even steal from a military ship. Yor believes him and comments that there's a lot of scary people in the world. They both scold Anya for what she did: Loid asks what the heck she was doing eating that by accident (while in his mind he's glad that she's safe) and Yor says that she shouldn't do whatever she wants with something that belongs to someone else. Anya guiltily says "sorry" and they both can't help but smile at her. They hear more explosions and Loid says that they need to get off the ship. Anya points towards the window and they realize that the ship is heading right towards the city of Frejis. Loid begins operating the device on the console. Yor asks if he knows how to operate it and he says that he knows how from when he did it as part time work when he was a student. Yor is impressed, but Anya knows he's lying.

Down in Frejis, people notice the large, burning battleship descending towards the town and begin running all over in a panic. On the battleship bridge, the ceiling blows off, causing an extremely strong wind to blow. Loid realizes that the propulsion system and lifting platforms are dead, and wonders if it's even possible to make a safe landing or even change course. Behind him, Yor and Anya are holding onto each other while the latter shouts "You can do it, Papa!" Loid says not to worry since the rudder is still intact. However, when he grips it, he can hardly get it to move and the ship is still losing altitude. Debris from the broken ceiling rains down on his head, causing him to lose his balance. Just then, he feels something on his right hand…Yor's hand. And on his left hand, Anya's. "Please let me help, too" says Yor, "Anya too!" says Anya. Working together, the three of them are able to move the rudder little by little.

The Frejis clock tower looms before them but they're able to steer the ship so that it narrowly avoids colliding and only grazes the side of the clock tower. The ship continues to lose altitude, heading towards the surface of a large frozen lake. Yor hugs Anya close to protect her as the ship shakes violent from the impact of the landing. The battered ship glides along the surface of the water at high speed, whipping up a cloud of steam. The frozen water crashes onto the ship, putting out the fire. On a hill not too far away from Frejis, Bond and Fiona stand near Fiona's car and watch with bated breath as the battleship crashes into the lake. "Senpai…" "Borf, borf, borf!"

Back at the ship, the Forges escape from the collapsed bridge and onto the roof. They look in wonder at the pretty scene before them of the glittering ice particles shining against the city lights like diamond dust. Suddenly, water that had collected on the deck roof pours onto them like a waterfall, leaving them soaked. They're perplexed for a moment before Anya bursts out laughing with a "waku waku splash!" Then Yor also laughs. As he watches the two of them laughing, Loid smiles softly.

Suddenly Anya sneezes and Loid notices something in her mouth. Loid realizes it's the microfilm, smaller than a fingernail. He wonders if it had somehow gotten stuck in her teeth. When Yor asks what it is, he clutches the microfilm in his hand and replies with a smile, "it's a return ticket."

The next morning at Berlint, Yuri listens to the news at his desk at the SSS: "The flying battleship that landed in Lake Frejis last night appears to have been an accident during a training flight. The committee has announced that it has already begun interviewing the manufacturer and the military." He remembers that Frejis is where Yor said she was taking a trip to and he wonders if she's okay. His lieutenant then opens the door and requests some documents. Yuri asks why the SSS has to be the ones to clean up this incident, and the lieutenant replies that if the people found out that the military was behind it, that would be troublesome. After the lieutenant leaves, Yuri muses to himself how it seems that WISE intervened in the incident though there's no solid information. He wonders how they could have possibly done it, then thinks "it must have been him…Twilight."

At the WISE hideout, Sylvia reads the newspaper headline which states that there were no survivors of the battleship incident. She compliments Loid, saying that even though the SSS put out the fire so to speak, he managed to not leave a trace of the Forgers' involvement. Loid replies that yes, the Forgers were just enjoying a normal family vacation. He takes out a wine bottle from his bag. Sylvia peels off the label, revealing the microfilm. She then tells him that he's back in charge of Operation Strix, much to Loid's surprise. She hands him a photo of Depple at night with a strange woman and says that his affair was exposed and he was disowned by the father of his wife. Loid smiles slightly when he notices that the woman with Depple in the photo is a WISE agent – in other words, he had fallen into their trap.

Afterwards, Loid meets up with Yor, Anya, and Bond at the park by a fountain. Yor asks how his patient was and he replies that it wasn't a big deal considering they called him out of nowhere. Anya asks Loid why there's no fish in the water and he flatly replies because it's a fountain. She then calls to Yor, taking her hand and leading her to the fountain. As Loid watches them happily talk about something, and Bond following along and enjoying himself, Loid lets out a sigh, but his expression is surprisingly soft. He thinks that even though he's able to continue Operation Strix, he can't let his guard down and needs to keep focusing on acquiring stellas. Anya reads his mind and is overjoyed that the Forger family isn't finished. Loid says that they should go home now since Anya has to "train" to make the melemele for the cooking competition tomorrow. Even though they weren't able to eat a real melemele, they at least have the ingredients for one. Anya asks to hold Loid and Yor's hand as she happily chants that she's going to make a yummy pastry. When Yor says that she'll help too, Loid and Anya politely turn her down. They then head home together.

At the Eden classroom, the students are preparing their cooking ingredients. Becky says that she's going to make an orange layer cake that she learned from training with her pastry chef. She asks Anya what she's going to make. When Anya replies "melemele," Damian overhears and comments that it's an old pastry. Anya tells him that if she makes something good, she wants him to have it too. Damian's face reddens as he shouts that he'd never eat anything she makes. With a shocked face, she asks if he really hates it that much. This makes Damian's face redden even more as he shouts that he'd vomit if he ate her food. He runs off with Ewen and Emile following. Becky comments that he's the worst while Anya thinks that the friendship scheme is a failure. Just then, Anya and Becky turn towards the direction of an explosion sound.

Later that day, Anya shows Loid and Yor a note from school saying that the school kitchen broke down so the competition was postponed and the judge was changed to the vice principal due to scheduling conflicts. Anya laments that since it's not the principal, the melemele won't work. Loid thinks for a moment and says that he remembers reading in the school newspaper that the vice principal is crazy about the berry pudding from the southern region. He asks if they should go, and both Yor and Anya agree. Loid opens a map and points out the southern region. He says it's warm there so they shouldn't need a lot of luggage. Anya is excited about going to the ocean and wonders what playing cards she should bring while Loid thinks it would be a good opportunity for her to learn how to swim. Upon hearing all the talking, Bond comes over from where he was sleeping and gives a happy "Borf!"

Meanwhile at Frejis station, Franky trembles in the cold and shouts "Hey Loid, I bought the cherry liquor!!!"

-----

Afterword: Congratulations if you've read this far! When I first started this project, I honestly didn't think I would write this much for a "summary" 😅 I thought it would just be a few paragraphs tops. But as I translated, I was like "oh, this is interesting, I should write it down!" And I just kept going with that and didn't want to stop! Some may wonder why I would want to spoil myself to this degree, but for me, reading about the movie (in a language I'm not fluent in) is still no replacement for actually seeing it for myself - the novelization doesn't convey every line of dialogue, character action/expression, voices, etc. But now that I know what to expect, I can get myself hyped for the scenes I'm looking forward to seeing while also not getting my hopes up for something I won't see. I don't care to do this for most things, but I'm the opposite when it comes to my hyperfixations like SxF! I'm also not going to give my thoughts on the movie until I see it for myself. But I will say that based on the novelization, even though I thought a few things could be better, overall I think it will be a ton of fun and can't wait to see everything in full animated glory!

Again, please remember to be cautious about where you share spoilers and to properly tag posts on social media. And if you end up sharing large portions of this summary elsewhere, a shoutout to my blog would be nice...I spent many hours working on this!

[ddejavvu]

Mei I have a request 👉👈

Spencer can talk a lot about things but is used to getting cut off because people aren’t interested after a few sentences- what about one where he starts rambling and is like 🫢 sorry I’m rambling and reader is like >:( keep going I wanna hear >:( and Spencer is like :D because someone actually wants to hear all of what he has to say

Love you mei ❤️❤️

(If you can’t tell I’m bad at wording things 😭😭)

"-it was just such a disappointing shift," Reid's brows furrow and his hands fall at his sides, "The beauty of that series specifically was that they stuck to the episodic format, there weren't a lot of long plotlines and if something did come back seasons later, they gave new viewers a nice recap. So when they mirrored that in the release of their books, it was refreshing. It felt like more episode of the show were coming out, just in written form. But when the novels started picking up longer plotlines, like, six or seven books an arc, it was just-"

He shakes his head, messy hair flying at the frustrated gesture. His eyes scrunch momentarily, and when silence befalls the two of you, he seems to realize what he's done.

"Uh- I'm sorry," He grimaces, rubbing at one of his eyes, "I'm sure you don't care about the evolution of Star Trek's storytelling. I just- I get carried away, and-"

"Reid," You call, hip aching where you're leaning against the doorway to the kitchenette of the BAU. Spencer was making his coffee, but he'd put the sugar aside to better articulate his feelings on the matter. You'll gladly endure a sore hip tomorrow if it means he'll gush more to you, "It's okay. I don't mind. Did they ever go back to shorter, more contained plots?"

His brow is furrowed, and it dips into a more dramatic expression before smoothing out. His plush lips turn up in a curious smile, "Uh, in the novels?"

"Yeah. Did they ever take it back to what it was before?"

"Not- not really, no." He muses, suddenly flustered by the knowledge that your attention isn't begrudgingly given, "But- it's okay, I- I still like them. The novels. Have you seen the series'?"

"It doesn't matter," You wave a dismissive hand fondness swelling in your chest at the nervous stutter he's adopted, "Tell me about them."

[dduane]

Buenas tardes:

I’m writing you this ask with fear that it might seem weird but, do you have any advice about starting to publish books nowadays? I have seen some Amazon auto publishing in kindle, but I’m not sure how trustworthy that is, with all that AI going around. Nor what other options might be.

Thank you so much for your time, I loved your Star Trek novels

A

P.S.I apologise for the broken English, it is not my first language

First of all: your English is fine—don't worry about it. :) (And thanks for the nice words about the Trek books! I very much appreciate them.)

About getting into self-publishing in general: There are a lot of pathways into it, and some that (for various reasons of ethics) may rightly be seen as superior. But Amazon does seem to some folks as the most accessible "way in" for people who don't have a lot of money to invest in their startup. For the moment, therefore, let's stick with that.

There's no question that starting selfpub at the Zon is a lot more dodgy than it used to be. But I think your odds of success—and don't forget, there are a lot of metrics for "success"—are as good as any other real person's.

It's also worth noting in passing that Amazon now requires you to specify whether or not your submission contains any AI. (And naturally, AI-using scammers and other people eager to game the system are going to lie about this.)

For the moment, never mind the AI. Your job as a new Amazon-based writer is mainly to write some books, publish them, and then market the hell out of them, any way you can, while you write some more. It may seem daunting, but there are well-traveled pathways to start doing this.

Adding a break here, because this is likely to run a bit long. Warning: contains work, work and more work, without any ironclad guarantee of success; also incredible oversimplification of a long and complex process. (But I'm already working on three books at the moment, so forgive me for not escalating this into a fourth.) :)

Very briefly, here's a nod toward general strategy. (And forgive me for glossing over, here, the admittedly huge effort and commitment required for conceiving and writing just one book, let alone a series of them. Or numerous series of them. Self-publishing involves gigantic amounts of hard work... but I think you've already suspected that.)

Having talked to people who've worked exclusively in Amazon and have (or had) no previous publishing credential, they've emphasized to me the importance, when you're getting started, of having at least a few books ready to go when you're ready to start publishing. Meaning that you can't write just one and fling it out there into the cold cruel world on its own. Readers who immediately look for more of your work and don't find it are likely to dismiss you, and it, as not worth a second look... mostly because the Algorithm has trained them to.

So let's pretend you've got a series of books to publish—and this can be open-ended or not: at this point it doesn't matter. Let's say that, to launch yourself and your work, you've written three books (ideally no shorter than 50,000 words, and between 60-80K is thought to be better). The idea is that those will be plenty to start with, and enough to let your readers decide whether they like what you're doing. (Writing them will also serve as useful proof of concept that you can actually write novels, if you don't already have any proof already.)

The strategy that's been described to me is for you, at this point, to release those three books into Amazon a week (or two or three) apart. Then, when they're all out there, you publish to Kindle Unlimited, as a "free sample", a shorter work in that series—ideally some kind of prequel—containing links to the three main novels.

Then you keep repeating this kind of pattern as often as is comfortable for you, while carefully studying the analysis of results Amazon will provide for you so that you can see what seems to be working best and/or what's not working at all.

Now comes the question of how best to support those novels (and the ones that will follow them). Leaving aside the complex question of how and when and where to advertise (and how to afford it!), you need a way to make it easy for readers and other interested parties to reassure themselves, if they need it, that you're a real person: and that you are in fact a writer who's serious about their business and in it for the long haul. For this you need at least two things:

A website

A social media presence

The website can be handled a number of different ways... though I'd suggest you avoid build-your-own-site-easy platforms like Wix if you can: they don't seem to be terribly good at the customer support end, and I'm not convinced that they're any cheaper in the long run than buying your own domain name, buying hosting for it, and posting a WordPress site in that online space. But at the very least, you need a site where you can talk a little about yourself, and mostly about your books, and publish links to their locations on Amazon.

The social media presence can be in one or two places, or lots, depending on how much energy you have to spend on this part of the effort. The main advice I can offer you here, both from my own experience and others', is to absolutely NOT have your entire social media presence—especially in the shortest-form types of social media like Twitter and Bluesky—be about pushing your own work. There seem to be few things that will turn people off you faster. And also, these days maybe such an approach would make people likelier to mistake you for AI. Let people see who you are, and at intervals let them know that you write, too.

(sitting back and looking at all this) If all this sounds like a ton of work? Make no mistake, it really is. It can get exhausting. But this is just one of the areas where your passion and determination as a writer will be tested over the long haul.

It might have been simpler, back in The Day, to just write and let your publisher get on with all the stuff that surrounded bringing a book out. But there was also a whole lot less control for the writer, in that older paradigm. The newer one offers you a lot more control... and a lot more work, which may or may not yield a lot more profit. All you can do is give it a shot and see how it works out for you.

In any case, however you decide to proceed: I wish you good luck on the journey!

[dailyadventureprompts]

Homebrew Mechanic: Meaningful Research

Being careful about when you deliver information to your party is one of the most difficult challenges a dungeonmaster may face, a balancing act that we constantly have to tweak as it affects the pacing of our campaigns.

That said, unlike a novel or movie or videogame where the writers can carefully mete out exposition at just the right time, we dungeonmasters have to deal with the fact that at any time (though usually not without prompting) our players are going to want answers about what's ACTUALLY going on, and they're going to take steps to find out.

To that end I'm going to offer up a few solutions to a problem I've seen pop up time and time again, where the heroes have gone to all the trouble to get themselves into a great repository of knowledge and end up rolling what seems like endless knowledge checks to find out what they probably already know. This has been largely inspired by my own experience but may have been influenced by watching what felt like several episodes worth of the critical role gang hitting the books and getting nothing in return.

I've got a whole write up on loredumps, and the best way to dripfeed information to the party, but this post is specifically for the point where a party has gained access to a supposed repository of lore and are then left twiddling their thumbs while the dm decides how much of the metaplot they're going to parcel out.

When the party gets to the library you need to ask yourself: Is the information there to be found?

No, I don't want them to know yet: Welcome them into the library and then save everyone some time by saying that after a few days of searching it’s become obvious the answers they seek aren’t here. Most vitally, you then either need to give them a new lead on where the information might be found, or present the development of another plot thread (new or old) so they can jump on something else without losing momentum.

No, I want them to have to work for it:  your players have suddenly given you a free “insert plothook here” opportunity. Send them in whichever direction you like, so long as they have to overcome great challenge to get there. This is technically just kicking the can down the road, but you can use that time to have important plot/character beats happen.

Yes, but I don’t want to give away the whole picture just yet:  The great thing about libraries is that they’re full of books, which are written by people,  who are famously bad at keeping their facts straight. Today we live in a world of objective or at least peer reviewed information but the facts in any texts your party are going to stumble across are going to be distorted by bias. This gives you the chance to give them the awnsers they want mixed in with a bunch of red herrings and misdirections. ( See the section below for ideas)

Yes, they just need to dig for it:  This is the option to pick if you're willing to give your party information upfront while at the same time making it SEEM like they're overcoming the odds . Consider having an encounter, or using my minigame system to represent their efforts at looking for needles in the lithographic haystack. Failure at this system results in one of the previous two options ( mixed information, or the need to go elsewhere), where as success gets them the info dump they so clearly crave.

The Art of obscuring knowledge AKA Plato’s allegory of the cave, but in reverse

One of the handiest tools in learning to deliver the right information at the right time is a sort of “slow release exposition” where you wrap a fragment lore the party vitally needs to know in a coating of irrelevant information,  which forces them to conjecture on possibilities and draw their own conclusions.  Once they have two or more pieces on the same subject they can begin to compare and contrast, forming an understanding that is merely the shadow of the truth but strong enough to operate off of. 

As someone who majored in history let me share some of my favourite ways I’ve had to dig for information, in the hopes that you’ll be able to use it to function your players.

A highly personal record in the relevant information is interpreted through a personal lens to the point where they can only see the information in question 

Important information cameos in the background of an unrelated historical account

The information can only be inferred from dry as hell accounts or census information. Cross reference with accounts of major historical events to get a better picture, but everything we need to know has been flattened into datapoints useful to the bureaucracy and needs to be re-extrapolated.

The original work was lost, and we only have this work alluding to it. Bonus points if the existent work is notably parodying the original, or is an attempt to discredit it.

Part of a larger chain of correspondence, referring to something the writers both experienced first hand and so had no reason to describe in detail. 

The storage medium (scroll, tablet, arcane data crystal) is damaged in some way, leading to only bits of information being known. 

Original witnesses Didn’t have the words to describe the thing or events in question and so used references from their own environment and culture. Alternatively, they had specific words but those have been bastardized by rough translations. 

Tremendously based towards a historical figure/ideology/religion to the point that all facts in the piece are questionable.  Bonus points if its part of a treatise on an observably untrue fact IE the flatness of earth

[lazyrunawayphilosopher]

All the moments Joonghyuk has smiled in the novel

Since it's Yoo Joonghyuk's birthday I will post the moments Joonghyuk smiled in the novel. (I commented on reddit about it too tbh)

1.

I replied with a smile, "Release your hand and get lost, you damn son of a bitch."

Then the power holding me disappeared. I was grabbed by the force of gravity. I saw Yoo Joonghyuk's face as I was falling. Yoo Joonghyuk was smiling brightly like something made him happy.

Son of a bitch.

"I believe you. You are definitely a prophet."

2.

''How delicious can the food you make..." I said this but I quickly took a bite out of the dish Yoo Joonghyuk was making.

Then... No, what was this?

Lee Seolhwa, who was helping Yoo Joonghyuk nearby, smiled and asked me, "Is it delicious?"

"...Yes."

It was damn delicious. Really, it was delicious. No, it was the best dish I had ever eaten. What was this meat skewer?

One side of the expressionless Yoo Joonghyuk's mouth curved up. Damn. Even if he was a regressor, how could this bastard cook so well?

3.

Just like the 1863rd turn's Yoo Joonghyuk who killed himself to cross over to the new world- line, they were now stepping into a world that I didn't know.

Within the rays of light, I saw Yoo Joonghyuk's faint smile.

He looked... liberated.

[The constellation 'Secretive Plotter's' 'Oldest Dream'.]

4.

"Just how long were you out there in space?"

"Are you curious?"

A faint smile-like expression floated up on Yoo Joonghyuk's lips before vanishing completely. As that was a rather un-Yoo Joonghyuk-like behaviour, Han Sooyoung ended up frowning deeply.

''...You actually smiled?"

5.

[Constellation, 'Demon King of Salvation', is…]

"I didn't mean to say I'm unhappy."

Yoo Joonghyuk smiled faintly.

I dazedly stared at him for a moment there, having finally learned that he was capable of such a smile.

6.

"But I do" The corner of Yoo Joonghyuk's lips curled up as he lifted up his sword.

7.

Kim Dokja would die? Yoo Joonghyuk laughed. >"Kim Dokja is capable of resurrection. I thought I told you before but you must've not heard it."

8.

[ Demon King of Salvation. Do you think the story of your disappearance will be read quickly or slowly? ] I could hear a mischievous laugh coming from somewhere. The portal was fully activated and my field of view was completely blocked.

9.

However, Yoo Joonghyuk wasn't panicked at all. "It is Summoning the Dead? The Devil of Principles also used it." Yoo Joonghyuk was smiling. "That bastard's body is now hanging among the dead constellations."

10.

I reflexively looked at the 'Secretive Plotter'. I wanted to tell him that now would be a good time to run. Even if it was him, he'd not be able to escape from being sealed in that thing. However, why are you… smiling? [Constellation, 'Secretive Plotter', is looking at his own ■■.]

11.

Even before I could shout something out, Yoo Joonghyuk shot up from his spot and spoke. "I've made up my mind. I will…" As he formed a triumphant grin, his lips slowly parted.

12.

‘This is the end I wished to see.’ It could’ve been a slightly more excellent conclusion. If he had made a different choice back then, or maybe, if he chose to go down the better direction, then…. Yu Jung-Hyeok smiled bitterly.

Please tell me if I missed any.

Edit: 7 more added.

[olderthannetfic]

Since you've mentioned that you use Scrivener as a word processing software, I have a bit of a weird-ish question. I have looked at the programme and it seems incredibly useful, and then I looked at the pricetag and- gulp.

I currently use Word which costs 5 euros per year thanks to university, but am thinking about switching to another programme that isn't related to my uni as I feel too paranoid about my smutty fanfic ideas being looked at by my uni and them disapproving of my writing. XD (Word keeps marking "fuck" with a squiggly line and suggesting I choose another word to avoid offending my readers, but if canon doesn't give Barclay some holographic MMF action taking place during "A Fistful of Datas" and turning both his holographic partners into holographic Data and therefore inducing maximum tension and insecurity due to feelings in poor sandwiched Barclay whenever he meets actual Data after that, I will have to write it myself! :P )

According to the website where one can buy a Scrivener license, one pays for the current version of it and will have to buy later versions anew if I haven't misunderstood. You seem to have used it for quite a while, and I haven't managed to find out when the different versions came out. I know the current one is 3, but I am unsure how much time passed between 1 and 2 and 2 and 3, and am unsure whether it's a good idea to buy a license now or whether it would be wiser to wait if it's likely that another version might be released in the near future (that is within one year for example) because then I might wait a little while with my purchase, heh. It probably sounds quite stingy but I am solely getting it for my tiny and too seldom indulged hobby of writing fanfic, and currently have to kinda sorta pay more attention to my wallet and where its contents go, so to say, which is why I'm hesitant.

The question basically is: As a (probable?) long-time user, do you think it's likely a new version of Scrivener will be released within the next year or so or do you think it's likely the current version will be tha latest to purchase for a longer while than 1-2 years?

I hope this rambly mess makes sense, haven't really slept for quite some time, so I am sorry if this is terribly incomprehensible. Sorry for the weird stingy question. Have a nice day and I hope you have slept and will sleep better than I currently do, heh!

--

I've only used it for like three years.

A quick google suggests that Scrivener 2 was released in 2010. 3 was released in 2017 basically to keep up with OS changes.

(IDK what you searched, but this isn't hard to find, dude.)

Scrivener is a fairly... old-fashioned style of software, I guess I'd call it. Some dude wrote himself a program to write his own novel and then people liked it. Some other guy decided to port it to Windows.

They update approximately never. When they do, recent buyers of the old one upgrade for free and everybody else gets like half off. The trial period is 30 days of actual use. The current retail license for 3 is only like sixty bucks. It's a commercial product, but... not like you've been trained to expect by your average modern software that wants to nickle and dime you at every turn.

Do you need Scrivener? Well, no. Not unless you want customizable high-level ebook output formatting and fancy features like that. You could just use some other free option if you just want to type stories in something that isn't Word. But Scrivener is priced extremely low for what it is.

[meanbossart]

Alright, I am like 90% sure there is ONE line in A Novel Experience touching on Gale GTFOing rapidly, so I don't think there are answers in there for me. So I come to you and ask-WTF went on between Gale and Drow???

Alright, so

There are two versions to what happened to Gale in my first campaign (the OG DU drow campaign that this whole universe is based around), lets begin with the technical version. As I've only somewhat recently come to understand, my Gale was bugged. I had 1 interaction early in the game that slightly veered into romance which didn't go anywhere, and first chance I had I clarified that I was not interested in him that way (the whole reason why It happened in the first place was because i misunderstood his dialogue). Despite this, and despite me turning him down in every romantic interaction following, I kept getting them and my interactions with him were as if we were romantically involved. I even got one exchange (the one about muscles glistening and cheeks flushed) twice, and rejected him both times.

So, later in the game once DU drow and Astarion sucessfully 5d chess-ed their way into falling In love, I was surprised to still be informed i had to "break things off" with Gale if I wanted to get with him. Which I did. And he gave me a whole spiel about it.

Now it's crucial you understand this was early in the game's release, I went into it completely blind and I had never played a game like Baldur's Gate before, so I was not familiar with the mechanics at all, which... Kind of led me to believe Gale was just like that normally.

From that point on I was highly amused, but for roleplaying purposes I decided my drow would have been highly annoyed and a little creeped out. And so I proceeded to be extremely rude to the guy at every chance I got. This eventually resulted In him pursuing the crown of Karsus despite me (rudely) telling him that was a very dumb idea.

The second version of what happened, as I already touched on above a little bit, Is the Narrative one. As I mentioned I had no clue what was and wasn't supposed to happen, so I just... Went along with it within the role-play.

So our beloved DU drow gets worms. He goes on a grand adventure with this weird possy of people to find a cure. When the tiefling party comes everybody except Astarion wants to get into his pants (because I left him on the beach for like a week and then proceeded to be The Rudest to him, sorry babe, I didn't see your pale ass and the asshole dialogue options were Really funny).

Someone else who Didn't seem to wanna fuck him was the wizard. He said he just wanted to show him a magic trick and he (and, I'll admit, me) really thought that was just that. The scene unfolds, Gale tries to teach DU Drow to cast a spell but his 9 intelligence says No. The unsolicited date ends abruptly because Gale is upset that a champion fighter without a single cantrip makes for a shitty wizard. DU Drow thinks thats the end of that - It's Not.

Then what proceeds to happen is a long, annoying, somewhat unsettling dynamic where Gale continually tries to pursue him throughout the game, coming to the point where the guy I'm Actually interested in thinks we are together - and when DU drow tells him verbatim that he had no idea they were even a thing in Gale's mind, he has to hear him whine about it. Add to that the fact that all Gale talks about is his ex-girlfriend, DU drow is (kind of justifiably) led to believe he must be a Profound weirdo to whom he cannot ever say even a Neutral word to again lest he becomes any more infatuated with him - 0r whatever the hell is going on.

Whether it be DU drow's own inflated ego or the actual truth, when Gale begins to pursue the crown he also assumes he's just doing it to spite him - so he isn't the kindest to him about that either.

And within this narrative that I concocted around a simple bug that didn't let me end a romance, I cannot imagine Anyone getting on particularly well with Gale within my main party. Drow thinks he's madly in love with him, Shadowheart is probably a little confused but she trusts DU Drow's word on the matter more than the Wizard's, Astarion thinks... What Astarion thinks.

So, no, they didn't part on the best of terms.

Before anyone gets mad, I assure you - I've completed the game again since then, I realize this is Not the intended Gale experience. He's a hysterical and deeply interesting character and only Slightly clingy and weird.

But, you gotta admit, this is way funnier.

[whorejolras]

as promised: jess' les amis fanfic rec list ✨

this is mainly e/r, a little bit of e/r/c and a few courferre

This is just the stuff that was in my bookmarks on ao3 when I started writing this post (months ago lol sorry it took so long). Going through I was shocked to see so many of my faves weren't actually bookmarked so I will for sure do a part two when I find them again, and have also added heaps of new fics to my bookmarks since then, but for now 25 fics is enough 😂

many of these will be rated E and will have sexual content, some are straight up pwp ¯\_(ツ)_/¯

ok first is my ultimate fave that isn't even on ao3 anymore, but thankfully is on the authors tumblr, and that's:

Gnomon by luchia

50-80k words (?) (bc it's not on ao3 i'm estimating)

rating: E

Enjolras/Grantaire

terrorist/assassin Enjolras my beloved ever. My fave are the "charming young man capable of being terrible" fics obviously. This one is my #1 e/r like in my head this is it's own canon. & this series has my fave e/r smut scenes ever. I still daydream about a Gnomon tv show...

- trigger warnings bc it's not on ao3 so doesn't have tags: murder, gun and knife violence, bombs, conversations about the deaths of children. this is not healthy relationship fluff but it makes for a 🥵 dynamic that's for damn sure.

also linking the rest of the series which is up on ao3 still, even though it is officially abandoned and unfinished - i am going to break my ultimate rule right off the bat and link an unfinished series bc I like it so much.

stupid terrorist boys by luchia

series, 5 works

200k words

rating: M and E

here we have gnomon's prequels, two sequels, and some one shots in between 🫶🏻

if you're here for kinky pwp Senselessly Happy and Unsuspecting could be good stand-alone (but it's better when reading in order). I would say read Gnomon first on tumblr then read the rest in order on ao3.

Silence Is the Speech of Love by lady_ragnell

50k words

rating: E

Enjolras/Grantaire, background Courfeyrac/Marius/Cosette

Enjolras is cursed for speaking out against the gods, Grantaire is there for him.

will I ever shut up about this fic? Never. fave fave fave. the world building, the mythological/religious system, the writing, the "I love you" "I don't think you do, actually" scene URGH!!!! I think of this fic every time i hear chopsticks. Everything happening with courf/marius/cosette, and the genius inclusion of social worker Fantine my beloved. This is one of those "could be it's own novel" fics.

and the sequel from Enjolras' pov 😭 - Left Unsaid

World Ain't Ready by idiopathicsmile

185k words

rating: T

Enjolras/Grantaire

yes it's the top fic yes everyone probably knows it but it's good for a reason. THE fake dating high school au fic that I broke all my rules for back in 2015. I refused to read unfinished fics, let alone T rated high school fics, yet I remember waiting for the updates for this one as it came out, messaging mutuals on the day the last chapter was released. and every time I reread I remember why. Brilliantly written, the pining, the angst, the miscommunications. All the Joly and Bossuet scenes.

honourable mention to the scene where Joly is so excited for the battle of the bands, then next scene starts with "I think it's more of a sitting night today" the realest simple yet most gut punching illustration of chronic pain that gets my ass every time.

Lovesickness by idiopathicsmile

11k words

rating: T

Enjolras/Grantaire, Joly/Bossuet/Musichetta

(we're gonna see a fair bit of idiopathicsmile on here)

this is one of my absolute favourites. not only bc I quote "hit by a truck full of shirts" all the time. a Joly pov fic!!!!!! my beloved!!!!! I'm a BIG JBM fan (they are essential to me when I'm writing grantaire) and love fics that stay true to his friendship with Joly and Bossuet. also I love when Enjolras is a giant dumbass who thinks his feelings for Grantaire is a mystery illness 😂

Still the Same by The Librarina (tears_of_nienna)

74k words

rating: E

Enjolras/Grantaire/Combeferre

ok ok ok. listen. Yes. in this fic, Enjolras IS an fbi agent... and u know i'm the first and last to scream acab always...

that being said this is fully still one of my fave e/r/c fics. Enjolras and Combeferre are married & Enjolras needs to work with art thief Grantaire (fave) on a case. also that one bit at the end when Grantaire *redacted* 👀🫣

cupbearer by illuminate*

*this one is locked, you need an account to view

series, 4 works

124k words total

ratings: T, M & E

Enjolras/Grantaire

this series!!!!!! VAMPIRE ENJOLRAS!!!! thrall Grantaire!!!! canon era AND modern au! REINCARNATION!!!! i'm eeeeaaaaattiiiing 🙏🏻🙏🏻🙏🏻

More Than Just a Game by ecaitlin

36k words

rating: E

Courfeyrac/Combeferre

Fake dating courferre 😭 this one is so good for the desert scene alone 👌🏻👌🏻👌🏻 one of my fave courferre fics

Good Intentions by ecaitlin

95k words

rating: E

Courfeyrac/Combeferre, background Marius/Cosette, Joly/Bossuet, Bahorel/Feuilly, and Enjolras/Grantaire ofc

THE les amis hogwarts au. 95k of Courfeyrac pov is always a treat for the system. in their last year at hogwarts, Courfeyrac decides to play matchmaker for all his friends. shenanigans!!!! fuck jkr, but whenever I wanna reread harry potter again I read this fic 🫶🏻 fave courferre ever, and also fave background e/r

if you remembered me by nightswatch*

*this one is locked, you need an account to view

40k words

rating: M

Enjolras/Grantaire

one thing about me is I love an amnesia fic! Enjolras loses his memory and Grantaire helps him recover 👀 this one's for the hurt/comfort and miscommunication/not being upfront about shit fans. also there's some past Grantaire/Combeferre and i'm always a fan

Beautiful Music Together by lady_ragnell

31k words

rating: E

Courfeyrac/Marius/Cosette

a rare Courf/Marius/Cosette fic for your palette. established Marius/Cosette need a little help from their good friend Courf with their sex life 👀 while the three of them also work on a musical assignment together 😭 prequel to You Dance Dreams kinda 👀

You Dance Dreams by lady_ragnell

61k words

rating: E

Enjolras/Grantaire

(you can tell when i've found a writer who has a fair few fics and just gone nuts lol, lots of lady_ragnell too)

BALLET AU I LOVE YOU!!!!!! so set in the same universe as Beautiful Music Together, Combeferre ropes everyone into working on his opera, a Midsummer Night's Dream sequel. Grantaire dances as Puck alongside Enjolras singing as Oberon 👌🏻👌🏻👌🏻

In Defiance of all Geometry by idopathicsmile

51k words

rating: T

Enjolras/Grantaire/Combeferre

this is a top fave E/R/C fic and a top fave les amis fic of all time! Them living in a co-op and all the little details of how they make it work is sooooo real and anyone who wants to see accurately written community organising in les amis fic it's here! now for the ✨romance✨ - Grantaire moves in to the amis co-op and starts crushing on both Enjolras and Combeferre, who have both been pining for each other for years.

Years Since It's Been Clear by lady_ragnell

10k words

rating: E

Enjolras/Grantaire

Enjolras offers his spare room to grantaire - or the one where enjolras chases the sun across the living room floor like a cat. That image has lived rent free in my head for and I am not exaggerating here, 10 years.

Gonna need (a spark to ignite) by FinditAgain*

*this one is locked, you need an account to view

47k words

rating: M

Enjolras/Grantaire/Combeferre

soulmate au! soulmate au with E/R/C!!!!!!! enjolras and combeferre are soulmates who lost their bond as children. when combeferre and enjolras find each other as adults, enjolras is already in an established relationship with grantaire 👀👀👀

secret agent man by goshemily

30k words

rating: E

Enjolras/Grantaire

yes another cop one haha 😭 bc if ur not able to contradict urself with the media u like are u even a person? but also I wouldn't recommend if it wasn't a good read for the stairs scene alone 😅 Enjolras and Grantaire need to go undercover as a married couple in a small town.

Leaves in the Void by myrmidryad

16k words

rating: M

Enjolras/Grantaire

this is one i've found since rejoining tumblr late last year that 😭 fully broke my heart bro 😭 space au, enjolras writes letters to everyone when he's accidentally isolated on a ship for what to him was eight and half months but was two hours for everyone else.

Blame Delicate Artemis by hyenateeth

22k words

rating: E

femslash Enjolras/Grantaire

posting omegaverse on main? more likely than you think!

this is porn with a tiny bit of plot, but also one of my fave for femslash e/r and also..... girl dick. that's all.

omega enjolras alpha grantaire canon era lesbians.

that's enough description to find its right audience I feel

Eyes to Serve, Hands to Learn by myrmidryad

94k words

rating: E

Enjolras/Grantaire

Grantaire runs into Enjolras at a kink club. enter 94,000 words of bdsm porn and pining. mostly dom Enjolras and submissive Grantaire, mostly.

Never Be Satisfied by torakowalski

15k words

rating: E

femslash Enjolras/Grantaire

dental dam mention! win!

Grantaire gives Enjolras some advice, lends some toys, and then offers some hands on help when she learns Enjolras has never come before 😏

potentially lovely, perpetually human by myrmidryad

20k words

not rated, does contain smut

Enjolras/Grantaire

lots of myrmidryad here too lol

two of my favourite tropes here. 1: supernatural Enjolras who's in control of his abilities except when it comes to Grantaire (see cupbearer series) and 2: nonbinary Grantaire my beloved!!! Enjolras has psychic empathy triggered by physical touch, so he refuses to touch anyone: until his touch starved ass accidentally touches Grantaire and feels what they're feeling 🥹

Witchboy by tothewillofthepeople

series, 8 works

84k words

rating: T, M

Enjolras/Grantaire

this one is a more recent recommendation that I loved, the world building and magic is so good, there's some great background eposette and patron minette which I'm always a fan of.

i'm not the moon (i'm not even a star) by serinesaccade

40k words

rating: M

Enjolras/Grantaire

amnesia fic and fake dating 👌🏻👌🏻👌🏻 this time we've got Grantaire losing his memories and waking up in a world where he has a really hot boyfriend, but apparently his 1.5 year relationship with Enjolras isn't what it seems 👀

and let's round this out with a classic

Thirty-Two Times by Ark

7k words

rating: E

Enjolras/Grantaire

the bottom R canon era bible 🙏🏻

i'm sorry i feel like my emoji use is very millennial. jsyk 👌🏻 is me clicking with my nails ok bye 😘

if you want more i'm whorejolras on ao3 go nuts 🙌🏻

[more-than-tender-curiosity]

What Gatsby musical do you think is best?

The Great Gatsby : A New Musical

Gatsby : An American Myth

And depending on which you pick, why did you choose that one?

I have been outspoken in my criticism of The Great Gatsby: A New Musical to the point where it's kind of marked me as an asshole to fans of said musical, but I'm not backing down. Read my opinions boy

No, but seriously. Let me begin by saying that I came to this point already worn down by so many heartless, obnoxious, cash-grabby adaptations of prior works (Mean Girls, Beetlejuice, Heathers, etc) that bank almost entirely on nostalgia and spectacle and, in some cases, the unknowing of their YOUNG target audience, in order to blind said audience into just calling the music a bop and moving on.

And I'm tired of it. Yes, I'm aware musical theater has always run on adaptations—Chicago and Little Shop of Horrors are among some of my favorites! But I approach every single adaptation of ANYTHING with the same baseline question: is this adaptation justified?

You could take the very moderate opinion of "having more musicals to listen to is a good thing!" but I think that's naive, and falling right into the trap set by creators who are only here for Lin Manuel-level Tony's and that's it. There's no dedication to actually making something new with something already established. Nothing transformative. It's lazy.

That's what I mean by 'is this adaptation justified'. Does the adaptation in question engage with the source material in a way that refreshes it, dives deeper into it, and takes advantage of the new method of storytelling (in this case, from book to stage musical) to showcase how the new method of storytelling benefits the source material? Like in the case of Little Shop of Horrors, it uses satire to highlight deeper issues that are barely skated across in the source material while also pulling forth factors of the source material that were more relevant at the time when it was released.

I for one am exhausted by adaptations at this point. It's always been a backbone of musical theater but now, even outside of theater, we are awash in them. it's been said before that pretty much everything you see now is a remake or an adaptation or a sequel or a prequel or a cinematic universe or something derivative, and that tends to punch down on the smaller, more creative, original ideas that might've flourished if the market wasn't oversaturated with mass-produced corporatized shiny flashy garbage.

This is where the two Gatsby musicals come in.

If you're here, you know that I...dedicate a lot of time to this novel. I could have gone to college and got a degree with the time I have spent on this novel and its study. Unraveling every single sentence, every character motivation, every real life factor that plays in to Fitz's writing of the novel—every draft, every movie adaptation. The entire history of this novel and its creation is carved into the inside of my skull.

Now, one thing you should know about gatsby is that Fitz wrote it when he was just coming off the massive failure of his play The Vegetable. That's not the full title, but I'm not going to bother typing out the rest of it. Because it was bad. It was not good. No one liked it. So, naturally, Fitz wanted to improve on his playwriting skills. Up until then, he was good at short stories and he was good at long, descriptive novels, but he couldn't quite understand how to condense and reformat his novel-writing style into something more like a stageplay.

Gatsby was sort of his attempt. You'll note that Gatsby is only 47,043 or so words, which is less than half of most of his other novels. The action and dialogue are snappy. There is, shockingly enough, less purple prose than prior releases (in spite of Nick spending 23984798347928374 words, approximately, to describe his new neighbor's smile). Scott was trying desperately to pare down his writing and see if he could slowly shift his formatting toward something that could translate to the stage.

Many of you know that The Great Gatsby was a total major uber flop.

There went his dreams of making this a play. And there have been many attempts since, all with very limited success, because for the most part, there is a total lack of understanding concerning what makes this novel a novel instead of play material. All too many times, there has been a disconnect as to what would translate effectively onto the stage as it is written in the book, like the themes of being dazzled by a spectacle but not, as displayed in the novel, the downside of such a thing.

As I said. All too often, there is too little thought given to the advantages of adapting a written work to musical theater. This leads to much of the deeper shades of the story being left to the wayside in favor of shallow spectacle just to keep the masses entertained without actually translating the stunning symbolism and figurative work Fitz put on the page.

This is what happened to The Great Gatsby: A New Musical. They took the most barebones understanding that most viewers would have of the story (that it's a love story, just like Romeo and Juliet!—side-eye), and made everything as loud and as fast and as bright as they could to make up for any lack of exploration beyond what is very plainly written on the page.

This does not work with The Great Gatsby.

I've mourned the gooberfication of Nick Carraway before. I love the 2013 film, as I'm sure many do because it was many of our first experiences with any Gatsby adaptation, but you can see it with Tobey Maguire and you can see it here in The Great Gatsby: A New Musical. So many times I see people call him an unreliable narrator but it's very clear they don't understand exactly why he's unreliable.

This 'gooberfication' I speak of is Nick's attempt to convince us that he's the innocent one here, in every single situation, and everyone around him is a liar and he's always telling the truth so you can trust him. He's the only honest person he's ever known.

Red flag central.

So from that line alone, you have to understand that everything Nick says or does, leaves in or leaves out, is suspect. He's out of his element in New York but he is absolutely not some baby-cheeked little goober who is SO TOTALLY BLINDED by his infatuation with Gatsby that he's just willing to go along with everything and doesn't pass judgment. We joke "Nick says he doesn't judge anyone then proceeds to judge everyone in the novel!" Yeah, no shit. That's the thing. He is a hypocrite made only lesser by the way he plays up the evils of everyone around him, and that's how he gets by. That's how he sleeps at night.

You can cast that into whatever light you like, whether it's the hypocrisy of saying he's so poor when he's living in at LEAST a two bedroom cottage with a maid and modern appliances and his dad is paying for a full YEAR of his life after paying his way through an Ivy League school. Or you could say he does this to throw suspicion off himself and possibly his sexuality, which is a whole can of worms involving Fitzgerald's constant projection onto his characters that I cannot bear to crack open.

Point being, Nick isn't just the passive bystander in all of these situations. He makes it sound like he is, like he's just doing favors for people who are worse than him, and how he disapproves of even everything Gatsby does despite his evident fascination with the man, but at the end of the day, he's just passing the buck. Washing his hands clean. There are so many clues in the book to this sort of thing that should tip you off to the fact that Nick Carraway is not just some silly sweet guy who gets swept up into a life of chaos and crime just to come out cynical. He was already a judgemental, cynical individual who was forced to come all too close to the realization that he, too, is more 'one of them' than he can bear to admit—even in spite of how he attempts to obscure his own hypocrisy.

Nick is not innocent. No one in this book is (besides Pammy, though she's a ticking time bomb if we're meant to understand the wealth she will inherit). That's the whole point of the fucking book. There are a thousand hands each pushing a tiny bit to keep these impossible shades of class division moving, and condemning one person (like Nick does with Daisy or Tom) doesn't solve the problem. Jay still dies. The American dream is still a nightmare. Nick still has a father to fall back on.

Which is why it's so impossibly perplexing to me to display Nick as some sort of lapdog who just seems honored to spend time with these people. Why Jay is just some quirked up white boy who is, quite literally, just too quirky and obnoxious to bear. He and Daisy are so in love and they're so close to each other and isn't it just tooooo saddd to bearrrr?? So romantic????

There's nothing deeper to it. No asking why Fitz wrote any of these characters the way he did. No understanding of the deeper implications of what he was trying so desperately to convey, on both a social and personal level. Yes, it's a love story, but it's also a commentary on just how fucked everyone is by the cages of tradition.

And there is just no trace of that in the Broadway musical. Everything is simple and easily digestible. There is no deeper interaction with the source material, no drive to have produced it at all except, perhaps, to cash in on the new public domain. They got the biggest names they could with the biggest cult followings, knowing so many would just eat it right up and call each song a bop and it would trend on tiktok and they might get a tony and then they'd move on. No integrity. No passion. No justification.

Gatsby: An American Myth is much the opposite.

After hearing a Totally Legal version of the Broadway musical, I was terrified of what ART would do to this book. Now that I had seen just how fearfully easy it was to just slap some 'art deco' and glitter on the stage, write a painfully obvious love song, and move on, I was really concerned that this trend of bloodless, toothless adaptations would continue and I'd have to sigh and move on with my life.

Fortunately, everything I mentioned that bothered me about the Broadway musical is set right in Gatsby: An American Myth. I really should have expected nothing less from Florence Welch in terms of the music (which is, of course, one of the most show-stopping elements of the musical, as it should be) considering her prior works and how they relate to the Great Gatsby. This is someone who has been obsessed with the book longer than I have been and has woven it into so much of her body of work that I'm surprised this musical didn't drop the day it became public domain. I cannot think of a better contemporary musician to handle that facet of a Gatsby musical.

This adaptation itself does exactly what I would have hoped. I am, of course, someone who holds the book and all its drafts to a very high regard—if this is a religion, that's my bible. What's in there, goes, though it's open to interpretation. Typically I would be against adding things at all.

What they added, however, was brilliant. Nothing massive—just, again, ways to take advantage of the musical theater method of production, and ways to modernize and acknowledge more contemporary understandings of the source material. Where the Broadway musical carefully tiptoed around any indication that nick was anything other than straight and in love with Jordan Baker, Gatsby: An American Myth leaned right into the idea that he was made an outsider by his sexuality, and that was part of why he related to Jay so hard. Because otherwise, why would he? He's a middle-to-upper-middle class Midwesterner whose father is paying for a year of his life while he works a little for-fun job in the big city. What does he know about being an outsider?

Gatsby: An American Myth shows you that. Shows how everyone is an outsider to each other in this story, and how individualism destroys a community that would otherwise support you. You can take that on a society-wide level or personal: Jay being totally disconnected from even himself, or the wealthy pretending they don't live on the same planet as the poor.

Another miraculous addition was a sort of bridge between Myrtle and Wilson that just makes sense. I don't want to spoil it too much, but everything they added or rearranged or re-highlighted just goes to display the depth and breadth this story really reaches. They read between every line, proudly displayed the complexity of every single situation and character��how all of them are the victim and all of them are the perpetrator—while STILL making it sound fantastic in my opinion.

It's by no means a flawless work and I saw it early on its production. It's changed since then and obviously I haven't been able to hear it since I saw it live, but I have total faith in the creative team to have not completely thrown away their good intentions in favor of trending on tiktok.

To conclude I would just ask anyone reading to please inspect the media you consume. Inspect the motives of the person feeding it to you. There's not really any sort of Nobility to art, but at this point, with so many shallow attempts to cash in on our desperate search for community and contentment, quality and passion have been thrown out the window. Shoveling this hot shit at us day and night (remakes, sequels, prequels, adaptations) has become another tool of capitalism to keep us just satisfied to not ask for more.

Ask for more. Ask for better. You deserve it.

[avidabsurdist]

Every time a new Brandon Sanderson book is released everyone updates their suggested reading order but all you need is the patience to be uninformed and enjoy the book!

But depending on your preference the best story to start with will be different.

If you want a crash course on the basics of The Cosmere's magic physics (Aka Investiture) so you can hypothesize on how other magic works I suggest the short story "The Emperor's Soul" as a starting point, it gives a solid overview of Realmic theory and covers Identity (a rather difficult idea to communicate) very effectively. (this is the start of the PhD route)

If you want something that's more like a traditional fairy tale as an intro I suggest Tress Of the Emerald Sea, which doesn't require a PhD in the shattering to understand. (though if you're going the PhD route I suggest reading this one later because if you're questioning the magic it's a far more confusing one)

Warbreaker is a good middle ground, if you're going the PhD route I suggest this second (it covers Intention which "The Emperor's Soul" doesn't), It's not a bad starting place either, it was my first book in The Cosmere and it's up for free on The Sand-Man's website. It's also all-around an excellent book.

I'm going to be (a tad) controversial and say I enjoy Elantris, it's certainly not Brando-Sando's best work but it was his first, and it's not a bad book to start with! just keep in mind that many of the issues in the book are things he improves on in later books.

Mistborn is two (soon to be 3) series, we distinguish them by 'Era' and they should be read in order if you want to make sense of what's going on.

Mistborn Era 1 (3 books) is also an excellent place to start, it's a YA-style series so you follow a teenager in a Post-(more like perpetual)-Apocalypse, but it's also an Epic high fantasy so if you like those and don't mind romance It's a good one.

"Mistborn Secret History": read this after Mistborn Era 1 if you're going the PHD route read anytime before The Lost Metal (Era 2 Book 4) for everyone else. (PhD track: if you want the most out of it I suggest also reading White Sand first)

Mistborn Era 2 (4 books) is a high fantasy Western set in the same world much later in time, 10/10 no notes, it's excellent.

The Stormlight Archive, TheBigOne™ It is planned to be a 10-book series with accompanying Novellas. I suggest reading in chronological order including the short stories, published so far that would be:

The Way of Kings

Words of Radiance

"Edgedancer" (novella)

Oathbringer

"Dawnshard" (novella)

Rhythm of War

Start with this series if you thirst for sprawling high-fantasy novels with page counts that would make grown men weep (the Audiobook for RoW was like 48 hours long)

The entirety of Arcanum Unbounded is not required reading, (unless you're on the PhD track) but it contains both "The Emperor's Soul" and "Edgedancer", you should probably read Elantris, Mistborn Era 1, Alloy Of Law (MB Era 2 Book 1), and Stormlight (up to Words of Radiance). If you enjoy Graphic Novels and dislike spoilers/rereading stuff when you haven't finished it yet I suggest skipping the White Sand excerpt.

White Sand is also not a terrible intro, it covers a theme in B-Sandy's work that isn't directly related to the cosmere but will give you a good insight into whether you'll like his work or not: the idea that skill is developed, not just inherent. if you're like me and dislike graphic novels GraphicAudio™ (actually a company not a joke) Has an Audio rendition that has some narrative differences from the Graphic novels (iirc at least one character is a different gender) But the Graphic novels also have a random boombox on a planet with no electricity so either should be fine.

Yumi and the Nightmare Painter is in a similar situation to Tress of The Emerald Sea except instead of a classic European Folktale Vibe it's got a Western Interpretation of Anime Vibe, ofc it's high fantasy like all Sandon Branderson's work so it's world is inspired by Japanese culture rather than just being Japanese.

The Sunlit Man read Shadows for Silence in the Forests of Hell (Arcanum Unbounded), and at least Oathbringer (Stormlight Archive 3) before this one, unless you like being thrown into the deep end, Mistborn Era 1 & 2 would also help.

There are other routes than Ph.D., there's also the Galactic Politics route, The Secret Society route, The Worldhopper Watcher route, The Ancient History route (Aka The Shattering route) ect

if you want specific reading route recs just tell me what you're looking for I can help!

[yurimother]

An Update on YuriMother

As I'm sure many of you have noticed, there has been a distinct lack of my regular news coverage and articles as of late. I recently moved and started working at a new school (for those who do not know, teaching is my day job). While I love this job, it has considerably taxed my time and energy, which compounded with my strained focus and dedication that was already affecting the volume of my content, resulting in the near month-long silence.

However, I hope to recommit myself to YuriMother, as nothing in my life brings me more joy than my work with Yuri, and I want to continue celebrating the genre as I have for the past 11 years. This means resuming coverage of Yuri news stories, conducting more research, writing more reviews and articles, filming videos for TikTok, and working towards some of my personal larger goals for YuriMother.

Rather than going back and trying to cover everything I have missed over the past month, I am posting an article with a quick roundup of many major Yuri manga and light novel releases. The rest of the news slate is planned out for the week with, of course, room for any new stories that break. Additionally, I have several articles of varying scope, both for the main YuriMother website and for the Patreon exclusive "Secret Garden" line, at different stages of conceptualization and research. I look forward to drafting and editing these soon. Some are pieces that have floated around my head for over a year, and the prospect of finally putting them to page for you all to enjoy and learn from delights me.

I also created a poll on Patreon for members and the public, whether they subscribe to me or not, to decide the subject of my next review. Perhaps more than anything, I am thrilled by the prospect of actually reading Yuri again, as I practically have not consumed anything since I spent the majority of July burning through over a hundred webcomics and several times that amount in dollars because forget those free period wait times, I've got lesbians to fangirl over, for the 2023 Yuri Guide. There are so many incredible new titles and returning series sitting on my bookshelf, or more accurately, sitting in or on top of moving boxes next to my as-of-yet unassembled bookshelf, that I am thrilled to share with you.

Lastly, I want to thank you all for your continued support and patience with me during this time. I know many of you back me, and my work with your hard-earned money,  a fact which persistently baffles and humbles me, and I acknowledge that I have not always lived up to my end of that relationship.

I cannot promise that I will be perfect or that there will not be times when I struggle to deliver YuriMother content, but I can at least assure you that I will try my best every day and once again express my enormous gratitude to all of you. Thank you, everyone, especially my wonderful Patrons, for your engagement, kindness, support, and love of Yuri.

Sincerely,

Nicki Bauman The Holy Mother of Yuri

As always, if you can, consider joining the YuriMother on Patreon. Patrons can check out news, reviews, and articles early, get access to exclusive content like "The Secret Garden" an series of essays all about Yuri , and help support me and my work celebrating Yuri anime and magna.

[nadianova]

How much time do you spend planning some of your visual novels? At least going by some of them being jam submissions, it feels like you go from pre-production to a finished build very quickly, and it's amazing how you can manage that while still having an awesome story and so many assets.

Also, what is like, the process of planning a story out for you, if there's any vague or concrete similarities that you've noticed?

i think the important context here is that if i get bored/have nothing to do i jhust immediately get really suicidal its like ridiculous how bad it gets(ITS FINE DONT WORRY ABOUT IT IVE HAD 5 YEARS OF THERAPY). so i hate being bored and want to occupy my time wit something fun whatever that is. if i have a project to focus on but especially if I'm working for a game jam i have a deadline and i just decide to myself okay i will release a game now.

because ive made a decent amount of games i roughly have an idea on my capabilities, i can estimate how long it takes for me to write a story so and so long and how long it takes for me to draw stuff i need and how long it takes for me to throw stuff in renpy. these are estimates like as in I'm not accurate with it but still enough that i generally know where to start cutting ideas since the most important part is just having something to submit. i also know to plan around my brain wanting to slam my head into a wall an my hands suddenly giving up on being able to draw.

i think thats the beauty of game jams it forces you to just go for it and release something. releasing a 'bad' game is better than no game at all. experience only comes over time and i think just going for it is the best approach there is. like its literally 2 weeks 1 month whatever of your life. if you have the time and motivation go for it. make it work or fuck it up it wont matter in the grand scheme of things

im not sure what is the motivation behind the question but i do want to point out that this is just my method (if you can even call it a method) and the only way to figure out what works for you is to just try until you find something that actually works for you

idk not everyone will find it doable/fun to plan around spending two weeks gamedev 10 hours a day just cause i wanted to fit in 100 cgs for a jam game but apparently i can do that when i cheat my stupid adhd brain into hyperfocus with adhd meds

READMORE BECAUSE I CANT STOP RAMBLING

as for planning tho i think ideas on their own are worthless and its always about execution in the end. a great idea or a meh idea are the same for me but i do still enjoy the planning process so i keep notes

like i see a great tumblr post or i see some art or visual novel has some scene that inspires me: i save that shit for myself

having a big collection of random floating ideas like that helps me easily pick from especially during a jam type duration. right now i have like 4-5 half-baked project skeletons, some are literally like 3 pictures and some like naomida are a hundred hours worth of me writing world building about how the toilets work in a city with no plumbing cause its -30celcius(i love bringing this up)=

i dont normally plan that much, i tend to just wing it. like for malmaid i seriously just had some rough ideas and just went along as i wrote

same thing for dddeviance i had a handful of scenes that i really wanted to make and knew what kind of start and end it was meant to have and just figured out how to fill the in between. a lot of plot points changed vastly like halfway through i realised my devil + angel combination was stupid and i should just go for fallen angel + angel.

i think there really is no simple answer tho (as evident from the long as hell post) i don't really have a 'process' because every single game has been worked on has come with different type of planning since I'm always trying new stuff to try and distract me from boredom. like I've been using obsidian for naomida while previously I've just used a empty discord serve as my notes app for malmaid and dddeviance

and tbh with naomida I'm running to a new problem where I'm definitely planning too much. like I'm spending too much time fidgeting with details in chapter 4 even when i haven't finished writing chapter 1 just cause its so easy to get in the loop of "oh ill just change this one line" and boom 20 mins spent playing with my notes that didn't really progress my game since by the time i reach this point the whole scene might have shifted to something else

.

but if i had to squeeze an answer itd be something like everything related to my art or writing or games is just like "oooooo that seems fun i should remember this for later" and then i just string 10-100 of those into a story

i tend to write my stories in a format of

character A does this and that

this happens here

puppy play ryona piss orgasm

new day and then this happens here

sad thing happens

more piss orgasm

the end

and just like start filling in more details and working on my story in a nonlinear fashion until i feel like i have a strong enough skeleton that i can start writing my scenes. i hop around a lot, often preferring to write the fun scenes first like ero stuff or the ones I'm the most interested in and then the rest is just filling the blanks and stringing the cool scenes together

[lunaartgallery]

Hellven Updates | March

Hello! I finished my personal project! It was a 500pg book I managed to get printed and shipped to me. I'm not going to be sharing the actual content since It's pretty rough as my first try at a novel fic thing, but I'll show the hardback whenever I do get it in the mail.

But this means I've been focusing all my worktime to Hellven! I'm almost done with the 20 sets, dear gods has it taken forever to get them in order. Here's some previews of the rough non-render models.

As for Hellven itself I have - 16 chapters, 300 pages with 2/16 chapters reedited. A major change to Hellven is it's not longer an extended script, but a fully illustrated novel. So there's some heavy rewrites to incorporate the dialogue into the descriptions. For reference I expect Book One to be about 20 chapters long.

Here's a WIP of the prologue.

So things are going well on that front. I don't have an exact release date atm, I work 2 jobs and it can be tough sometimes to find the time for projects like this. But progress has been going well, my work is pretty flexible. I'm confident in my ability to finish this, I mean already finished a novel whats another one!

Aside from that in between my free-time, I'll continue to doodle BG3 stuff, self-indulgent and whatever. So if you like shitty vampire, awesome- me too!

I did want to say how happy I am about Hellven. I never really considered doing novels before, only comics. But finishing a story through comics or animations seemed like a impossible task. So when I actually finished my first novel, I realized I could do this. I could tell a complete story. It's not gonna be perfect, hell, it might not even make sense. But honestly, I don't care, I just want to be able to finish something.

So thanks for embarking on this journey with me :)