probs gonna start to be more active here and thinking about doing those ”what I did today”-posts again (did them for a decent amount of time some months back).
The pros is that those help me be productive bc makes me more conscious of what I’m getting done in a day. But the cons are that they’re pretty very boring bc I don’t do much honestly. Also if it’s weird/chronically online to be posting abt everything you do (no one cares u went to the grocery store agAIN for the fourth time this week my guy). That’s not very ”I’m not super active on social medias & don’t feel the need to post everything about my life” of me
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It was Maid Day today yesterday a week ago so I got struck by inspiration to draw the worsties, and it ran away from me into a whole AU where they’re coworkers at a maid cafe.
She’s a med student & this is just a part time job, and this is his depression job while he gets his life back together. He needs something he can be workaholic about to forget what it’s like having a personal life and personal issues. He’s actually the accountant, but the new hire janitor (Izutsumi) doesn’t show up for half her shifts and is a sloppy worker, so he gets the extra work of doing her job on top of his because he’s undervalued and overworked. Of course, janitors also have an uniform to keep the aesthetic cohesion as they go about cleaning the place, of course.
Senshi’s the part time cook you only see slivers off, he’s kind and warm when you do see him and have a chat but most shifts he’s in and out the kitchen without a trace. Laios and Falin are regulars because Falin and Marcille are besties & in the same med school, Laios accompanies Falin as she visits her friend at work and gets hooked on the food. Chilchuck has to remind Marcille to work instead of chatting with Falin for an hour, and next thing he knows she’s distracting him from work too.
That’s it that’s the AU. Inspired by this idol AU fanart a bit <3
This was not meant to be birthday gift but well…… Happy bday Chil!!!
Read from left to right
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alright, i have come to the decision i am keeping this blog up as an archive and leaving the gt tumblr community for the foreseeable future.
when i made my post about chamomile-g-tea’s damaging treatment of my story, gtms, my goal was to acknowledge the situation so i could hopefully move forward and restore gtms/my blog as mine again, without her influence. and while i anticipated backlash, some of the responses were just...downright disturbing. lots of comments echoed a victim-blaming sentiment that i am responsible for the emotional and creative damage done to me by another person because ‘why didn’t you just say no or tell her to stop?’ not only does this ignore the several attempts i did make to express discomfort and set boundaries—which were not respected—but even if i didn’t manage to express a ‘no’, that doesn’t make what happened ok; it doesn’t erase the year of crippling pressure and guilt i lived with and still struggle to shake daily. realizing that so many people in this community think otherwise is just...disturbing. it’s disturbing. that’s the only word i can think to use.
the response to all this does not make me feel safe being here—that’s what this situation has unfortunately showed me: that the audience i hoped to allow to view my reclaiming process would also contain the same crowd who make me feel so unsafe—and why the fuck would i let those people see something as personal as that? why would i let them see anything? it’s made me understand i can’t continue to heal myself and my writing if i am posting it for other people, especially harmful people. and even though it turned out this way, i’m glad i gave it a shot; that i made that post as an effort to see if it was even possible or worth it to restore this space—even if the answer was no! absolutely fucking not!—because it saved me from even more time spent sharing my work with people who do not respect me as a person or a creator. i’m glad i tried, however much it sucked, because it allowed me to understand: it is not just one person in this community i feel unsafe with, but a solid percentage of the community at large that i just cannot healthily engage with, and no amount of blocking will fix that.
but of course this is not the only situation that showed me this community’s true colors—the dismissive or outright aggressive response to the calling out of racism in our tropes has also been deeply disturbing. to clarify, there is no problem in identifying with and finding comfort or catharsis in problematic tropes such as the pet trope, but there is a problem with using that comfort to make others feel unsafe and speak over people of color. and the solution to this trope problem is very simple—generally apply critical thinking skills to the media you enjoy, and tag your shit properly (dead dove, particularly when the giant owner/abuser doesn’t face consequences and/or if the abused/abuser fall in ‘love’—dead dove is not actually currently used in this community, that’s the problem). but rather than taking this as an opportunity to listen and improve, it was instead used as a chance to lash out at and make clear that poc are not welcome in this community and come secondary to the feelings of white creators and readers.
over the last few years, this community has fostered and been exposed for bigotry such as terfs, ableists, racists, etc, and especially in the current political era, this is no longer a community i want to share my work with or even just lurk in. and i know on the surface this community seems progressive, but take a better look and you’ll find members of the community doing and saying…questionable things, or keeping quiet and enabling their friends who do and say questionable things because they would rather be passive and polite than be genuinely kind and compassionate through active accountability.
of course this is the risk you take interacting with any person ever—but it’s especially taxing to look around at such a small, close knit community you know is riddled with these problems and wonder if the people making innocent posts are actually harmful; if they prioritize their comfort over the safety of marginalized people, if they even see you as a full person, and for me, personally—if they are willing to overlook consent to blame you for your trauma and defend the person who inflicted it. it’s taxing to explain basic basic concepts to strangers over and over in a place that prides itself on being a safe space, where people just have fun and mentally escape from irl hardships. it’s taxing to ride out shitty, hateful treatment when you are just simply one person (voluntarily providing free services btw) with only so much energy and fucks to give. it is not worth the strain it puts on you as a person, nor is it your responsibility to sit there and accept it, and i am not the only creator in this community who feels this way. we are fucking tired.
quite simply, this is not a community i feel comfortable participating in or sharing anything with. and that’s a shame, because there are wonderful, creative and caring people here who i have enjoyed sharing this space with, and maybe someday i’ll give this community another chance, but currently it’s just not worth the time of day. and i want to make it clear: my leaving is not simply because of just one person or just one situation—that i could handle—it is the community itself that is the root problem; that continues to be harmful, in multiple contexts—that is the reason why i and several other creators are leaving for greener pastures and more enjoyable communities—or just simply for a fucking moment’s worth of peace, because lord knows you won’t find it here.
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i’ve seen a bit of talk around the community about AG making less quality dolls and cutting corners. and like - you’re not imagining things, they absolutely are doing that. but there is a piece of this conversation that I think gets brushed over a lot, and i think it’s important: american girl dolls are cheaper then they used to be.
before you start telling me i’ve lost my mind, let’s look at some numbers. the original pleasant company dolls were manufactured in Germany and released in 1986; for a doll with her softcover book, the price was $68. “WAIT,” i hear you cry, “that’s less expensive!” however:
it’s actually pretty significantly MORE expensive.
even looking at the prices i remember from my own childhood:
not as much, but that’s still a bit more expensive that the ag dolls of today.
now, quite a few things have made this drop in cost possible. ag dolls are now produced in countries where labor markets are less regulated and therefore labor costs are cheaper (aka workers are able to be exploited for greater profits), modern tech has made some production processes faster and automated, and some materials are cheaper to acquire. however, ag has still absolutely lowered production quality as well. it’s hard to tell if they HAD to, but I would assume they did at least a bit, in order to keep the profit per doll at the same amount or increasing (which would be necessary to please investors, not have to do layoffs, etc.).
does that mean we should stop pointing out the flaws with newer dolls? no, absolutely not! what it DOES mean is that when we have discussions about ag’s decrease in quality, we ought to put those discussions in context.
this was prompted by a video on youtube that I just watched about ag’s quality control issues, which claimed the dolls are more expensive now than ever, and they are simply not. yes, they cost more United States Dollars than ever before, but the usd is worth less than what it used to be worth. even with the recent price increase, ag dolls are actually selling for less than they have for most of the brand’s history!
the reality is - ag can increase the price and make better quality dolls, or they can hold steady on the price and make lower quality dolls. they really do have to pick. and like. with the way people reacted when they increased the price recently, I’m pretty sure they’re going to be sticking with shrinkflation for a good few years coming up, whether you and I like it or not.
that does not, of course, mean they should not face criticism! they, like every other company choosing to lower quality rather than increase prices, are likely to try and get away with some nonsense. it is very tempting for companies to try and push lowered production costs as far as they can, but these dolls still cost $115! they should certainly still be high quality!
however, if you want the new dolls to be as high quality as the older dolls, you will likely be disappointed. I can’t think of any company that has willingly reversed course to have LESS of a profit margin without major pushback that would have eaten into their bottom line otherwise (stuff like perma panties).
this is a difficult conversation because the reality is, even with the cost dropping as inflation catches up, AG dolls are still quite expensive, and very inaccessible to most kids, and many adult collectors as well. i personally am happy that they’re slightly more accessible these days to the kids and collectors who love them (though wealth disparities in the us continue to increase, so are they actually accessible to any more people than they were back in the day when they were more expensive? idk), but im also stuck wishing they were a bit higher cost and higher quality, for my own personal enjoyment and collection.
sadly, there is no simple conclusion here. life is complicated. so are economies and the companies that participate in them. ¯\_(ツ)_/¯ nonetheless, may you go forth and continue to write well-deserved criticisms with just a bit more context behind you.
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