Why Lucy?
Ok, other people have probably come up with this already, but: we speculate about the Harkers being something supernatural by the end of the book--
--have we considered that Lucy might have been something supernatural from the beginning?
Leaving aside the inevitable Doomed By the Narrative foreshadowing she gets, Lucy begins sleepwalking and more before the Count arrives in Whitby. It is strongly implied that her sleepwalking is something beyond the usual: "there is an odd concentration about her which I do not understand; even in her sleep she seems to be watching me..."
Also before her first encounter with Dracula, her dreams and moods are uncertain--and significant-- enough to feature heavily in Mina's diary: "Lucy is more excitable than ever, but is otherwise well..." And again, it is stated that she is unusual: "She was restless and uneasy all the time, and I cannot but think that her dreaming at night is telling on her. She is quite odd in one thing: she will not admit to me that there is any cause for restlessness; or if there be, she does not understand it herself."
Mina ascribes Lucy's problems to her innate nature: "Lucy is so... sensitive that she feels influences more acutely than other people do..."
Lucy seems more aware of her attacks than Mina later is. (Or that Jonathan was, if you subscribe to that interpretation.) She reports not just the material things she witnesses (hearing the flapping of Dracula in his bat form, as Mina saw his mist form), and not just the fear and nightmares all experience, but "distant voices which seemed so close to me, the harsh sounds that came from I know not where and commanded me to do I know not what..."
And her recollection of her first attack while sleepwalking is neither a blank, like Mina's first, nor a grounded account, like Mina's last-- instead, Lucy reports an out-of-body experience: "my soul seemed to go out from my body and float about the air. I seem to remember that once the West Lighthouse was right under me... and I came back and found you shaking my body. I saw you do it before I felt you."
Finally, Lucy's struggle against her impending transformation is different from Mina's. When Mina begins to turn into a vampire at the end of the book, she can't abide garlic, but Lucy quickly grows fond of it and says "there is peace in its smell". Seward reports that "whenever she got into that lethargic state [in which Dracula controls her]... she put the flowers from her; but that when she waked she clutched them close." Lucy somehow feels and responds positively to the garlic's powers, even as her body transforms (her wound healing and teeth growing, and her vampiric nature attempting to ensnare Art).
Finally, Lucy herself, at the beginning of the novel, believes herself to be unusual: "[Seward] has a curious habit... as if trying to read one's thoughts. He tries this on very much with me, but I flatter myself he has got a tough nut to crack. I know that from my glass. Do you ever try to read your own face? I do... He says that I afford him a curious psychological study, and I humbly think I do."
I think there's an argument to be made that Dracula picked Lucy because she was the easiest for him to reach-- that she was sensitive, not in the emotional sense, but in the sense of being clairvoyant. She can hear him, and therefor be compelled to obey him, before anyone else. The strangeness around her before the Count's arrival isn't just foreshadowing for us-- it's Lucy's own second sight warning her that doom is at hand, and giving her the power to struggle against it for as long as she possibly can.
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Something I love about the Monsterverse is how they took one of the titans who started as kind of an antagonist, and made him THE protagonist. Kong having a character arc is soooo good I love it. The whole idea of him being misinterpreted as an antagonist but is revealed to be a protector of Skull Island and the Iwi... man.
and in GvK where he slowly grows into this role too. Reluctantly going along with the humans, but becoming a bit more trusting of them, and actively helping.
AND in The New Empire, the choice to make him a main protag is SO GOOD!!!!! Following his pov as his discovers others of his kind, and Suko and his personality really shines too. he's a pretty tough guy, but he's also willing to jump in if something is wrong (shown when he openly fights Skar King) AND THE SCENE WHERE HE HELPS THE OVERWORKED APE IS SO AAAAAAGH he's soooo empathetic,,,,,
anyway yeah just thought I'd share this I've been thinking about it a lot
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ageswap anon here again, thanks! i swear you have the best writing and concept ideas. what hyj up to? does he awaken this time around is he ageswapped with yoohyun and if so how does that affect th han bro relationship ? also if he is ageswapped. what's his relationship with shj?
HEH. HEHEHEHE. i haven't decided abt awakening (and if there's a regression plot) yet but yes he is ageswapped with yoohyun (hyj 20 hyh 25) and when i tell you things are strained. they didn't get any better at communication when hyj learned from hyh's reticent -_- ass. hyh hasn't totally cut hyj off but they're very distant for a long time... and neither of them is taking steps to bridge the gap because. well hyh because he created it intentionally and hyj because. hm. theres a long line of dominoes there but lets just summarize it as he doesn't think hyh wants him to
re: hyj and shj. lmao. they both have similar senses of humor still i guess but hyj mentally relegates him to the position of "mha and byr's junior/little brother/nephew/purse chihuahua/???" and deals with him in much the same way you might handle a friend's younger sibling you end up having to babysit when you hang out with them. i think just for funnies shj has baby's first crush on hyj but because he's, again, Baby (he's 15... a middle schooler.... a very annoying middle schooler......) nothing comes of it. shj just very energetically bothers hyj every time he sees him and is subject to relentless teasing from mha and byr once they pick up on it
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I don't know if I can be boring but I wanted to know if you have any tips on how to improve in terms of art, what to practice and how
ahhh sorry you're asking the wrong person, i don't practise as much as i should and i actually don't know much about art at all, technically...?? i can't really tell you what to do since that can be whatever you're interested in... after all there are countless resources on the internet for figures, colour, perspective, everything...
sorry anon but this is way too broad a question, i think there's nothing for it than to pick up a sketchbook and start sketching? like from life, or find any reference images that catch your eye?? the more you draw the more peripheral skills you pick up... (e.g. clothed figures = poses + clothing folds, still lifes = shapes, colour, shading, etc...)
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