#the gravity well is doing things

[rotschopf-thedrow]

WIP Wednesday

I was tagged by @cr-noble-writes last week already & decided to wait until today since it was already Friday when I got the notification XD

Tagging @briarch, @monowires, @clericofshadows (because I need more scarf), @dandenbo & @nyamadermont, and everyone who likes to share something :)

Shepard woke because he was pulled out of bed quite unceremoniously, landing on his hands and knees. He tried to get up, tried to regain his equilibrium, holding onto his nightstand for dear life. He had almost managed when the world was tilting on its axis again. Literally.

Shit. What the fuck was happening? The room kept spinning and his stomach churned violently. Were they under attack? Surely, Joker would’ve informed him outright, wouldn’t he?

“Joker,” he croaked, “what’s our status?”

“Board’s green, Commander. We’re running smooth and silent.”

“Sure doesn’t feel like it.”

“You sure don’t sound like it either. You okay?”

“Yeah.” He swallowed, trying to keep the rising bile at bay and in his stomach. “Yeah, I’m alright.” He searched for a fix point he could focus on, but failed miserably when the gravity well flipped again. “Shit.”

“With all due respect, sir, you don’t sound ‘alright’. I can alert the Doc to your quarters.”

“No. No, it’s okay, Joker. Maybe Miller’s stew wasn’t quite dead yet.”

It had become a running gag on the Normandy that one should definitely test their food if it was truly dead, after Mess Sergeant Miller had managed to serve vat-grown meat as a bloody mess, so to speak, because he had been busy flirting with Chief Williams. She had also been the one to ask him if she needed to kill her meal first.

Shepard had never seen anyone this flustered before as the sergeant on that day.

Joker chortled. “That would explain the heartburn.”

Shepard grinned and finally managed to get to his feet. “Thanks anyway, Joker. Shepard out.”

[sage-nebula]

Thinking about how important it is that Wendy is a part of the Pines family. (Because she is, as much as Soos is. It's why she's in the family photos, such as the one representing Ford's happiness at the end of The Book of Bill.)

We don't know too much about Wendy's home / family life. Unfortunately, we don't a single Wendy-focused episode, and we don't get to learn too much about her outside of how she interacts with the main characters. But here is what we do know:

Wendy is the oldest of four siblings, with three little brothers. Wendy herself is 15. We are never given ages for her brothers, but given the photo that she shows Dipper of her younger self in "Double Dipper", I'm guesstimating that the youngest Corduroy brother (Gus) is about 6 in the present day. This is because young!Wendy was wearing braces and also noted to be "freakishly tall" for her age, and Gus was wearing a diaper in the photo (but standing on his own). Braces can take two to three years to be removed, and Wendy doesn't have them in the present day, meaning she was probably around 11 or 12 in the photo. Meanwhile, Gus was in a diaper but able to stand, meaning he was probably a toddler, likely around 2. So in the present day, Wendy is 15, Gus is around 6 (depending on if Wendy was 11 or 12 in the photo), and Marcus and Kevin (the middle brothers) are between 14 and 7.

Wendy's mother died when she was young. Given the age of Gus in the photo, we can estimate that Wendy's mother died when Wendy was, at youngest, 11 or 12 -- so, three or four years pre-canon. (Because any earlier than that and Gus couldn't have been born.)

Wendy's father is Manly Dan, who shouts just about every line of dialogue he has and routinely breaks things, including in his own house, albeit sometimes by accident. He also spends most of his time in a biker bar, though we do know that he does love his children. (e.g. is seen with the boys on both family fishing day and Summerween, is seen taking Wendy out for breakfast in "Dipper vs. Manliness").

Dan is the reason why Wendy has a summer job. As she says in "Gideon Rises", "If I can't work at the Shack, my dad's gonna force me to work at my cousin's logging camp up north." This implies that Wendy has to work somewhere, per a rule of Dan's.

In "Into the Bunker", Wendy has this to say when she comments on how she's excited to be going on an adventure with Dipper and Mabel: "It beats cleaning up after my dad at home." She says this with a frown, in a grousing tone. We're then treated to a clip of Dan breaking apart the cabin as mentioned above.

In "Society of the Blind Eye", before she's about to have her memories erased, Wendy confesses thus: "I'm stressed like 24/7. Have you MET my family?"

Wendy dreams about her mother every night. The glimpse of her dream that we're shown depicts her receiving a comforting hug from her mother.

The conclusions that I draw from the above are thus: prior to her mother's death, Wendy had what amounts to a normal family life in Gravity Falls. The Corduroys were a two parent household, her mother was there to help balance Dan out and raise the kids (Wendy included), and Wendy could, well . . . be a kid. It's possible, even, that some of Dan's more worrying traits (such as spending the majority of his time at a bar) didn't exist when Wendy's mom is alive. It's pure speculation on my part, but it's possible that Dan feels compelled to go to a bar to be aggressive (and drink, even if we don't see it because it's a kid's show) because that's how he processes his grief over his wife's death, away from his children's eyes and ears. He's trying to be a responsible father and not hurt his kids, while at the same time still not handling things in the most healthy way.

But back to Wendy. Once Wendy's mother died, the dynamic in the Corduroy household shifted. Dan was hit by the tidal wave of grief that comes with losing a spouse, as well as the sudden onslaught of being a single father to four children, one of whom was very possibly still in diapers. And if my speculation is correct and that he took to going to the bar to deal with his grief, then who is left to change Gus' diapers and get him potty trained? To operate the stove or oven or microwave to make sure that the boys (who would all be under age 10 at this point) got fed, and to make sure she got fed herself? To, in her own words, "clean up [her] dad's messes" when he was at home to make them by breaking apart the house with his own head?

Wendy.

Wendy was a child herself when her mother died, but she was the oldest child, potentially freshly into middle school while the boys were still in elementary, and the oldest daughter to boot. The girl, expected to know how to do "girl things" like cook and clean. I'm not saying that Dan told her to do these things, but we know from Wendy's personality that she is protective of those who need it (e.g. Dipper and Mabel) and, more importantly, that's her home and her family, and she does love them (she makes this clear in the Weirdmageddon episodes numerous times). She wouldn't let her little brothers starve, wouldn't let her youngest sit in a filthy diaper, would try to pick up the house if her dad and brothers wouldn't. Wendy would step up to do it out of necessity, even if she hated it and felt stressed out about it, especially while also feeling the crushing grief that comes with having lost her mother.

So Wendy, having lost her mother at a young age, probably had to step up into a pseudo-parental role in her own house, trying her best to fill the void that was left by her mother's passing even though she was only a child herself. And this is why she's "stressed, like, 24/7." Because not only are her father and brothers loud and chaotic (especially with Dan raising the boys into miniature versions of him), but because it's her responsibility (spoken or no) to keep the house in as much order as she can. It's little wonder that, outside of the movie that she and Dipper are watching in the beginning of "Into the Bunker", Wendy seems to spend as little time as possible in her own home.

So, how does this fit into it being important for Wendy to be part of the Pines family? Or, worded in a better way, why it's so important that she has the Pines as a second family, and the Mystery Shack as a second home?

As I said above, once Wendy's mother died, her ability to be a child in her own home effectively ended. Again, to make it clear, Wendy doesn't hate her family. In fact, it's the opposite; the Weirdmageddon episodes make it clear that she still loves her father and her brothers very much. But "Society of the Blind Eye" also makes it clear that they stress her out. She has a lot of complicated feelings, something that's understandable given her complicated situation.

But because she has to help keep the house together when she's at home, that means she can only really be a kid (or teenager, as the case may be) when she's outside of it. She has a lot of fun doing this with her friends, but sometimes a teen does need a home to relax in. And for Wendy, that home is the Mystery Shack -- and yes, that includes when she's on the clock.

Now, I know what you may be thinking: it's stated that Stan is a terrible boss, that he barks orders, that he yells -- how is that any different from her father? Well, I'll tell you how: the only time we actually see this is in "Boss Mabel", in which Stan being a boss who yells and barks orders at his employees is a plot point meant to create the conflict for the episode. Otherwise, we never really see Stan being an awful boss, and in particular we never see him being hard on Wendy. In fact, I would argue we see the opposite.

Here are things we know about Wendy's behavior at work, and Stan's response to her behavior at work:

Wendy constantly reads magazines while working the cash register, often right in front of Stan. Stan never tells her to put the magazine away.

Wendy often puts her feet up on the counter. Stan never tells her to take her feet off the counter.

Wendy goes up to the roof "all the time, every day" to the point where she has a chair and cooler up there. ("The Inconveniencing"). We don't know if Stan knows about this or not, but it's hard to believe he wouldn't if Wendy goes up there as much as she says she does.

When Stan told her to hang signs up out in the woods, she said, "I would, but I can't . . . reach . . ." while making no effort to get up to get the sign, and not removing her eyes from the magazine or her feet from the counter. Stan simply said, "I'd fire [. . .] you if I could." i.e. she got away with it 100%. ("Tourist Trapped")

When Stan double checks with Wendy and Soos that they'll wash the bathrooms while he's gone, Wendy says, "absolutely not" with a salute. Stan laughs and then says to stay out of trouble, not caring at all. ("The Inconveniencing")

Wendy was supposed to work the ticket stand all night at the party. She quit about ten minutes in and blatantly joined the party. Stan had to have seen her. He did nothing. ("Double Dipper")

Wendy claims in "Boss Mabel" that Stan doesn't let her have friends at work. In contrast, we see Robbie visit her at work all the time throughout their relationship (e.g. "Fight Fighters", "Boyz Crazy"), and Stan even comments on "is that the guy that's always making googly eyes at Wendy?" but otherwise has no problem with it. So again, it was a conflict invented for "Boss Mabel" that otherwise doesn't exist.

And that is just off the top of my head. The point is, Wendy is perhaps treated the easiest of the staff at the Mystery Shack. She's blatantly lazy and snarky and the most Stan ever does is grouse that he would "fire [her] if he could."

And this is a good thing.

The Mystery Shack, even if when she's on the clock, is clearly a place where Wendy can relax. It's somewhere she feels comfortable, rather than stressed. Yes, she's working -- but she's putting in the barest minimum effort because the stakes are the lowest they could possibly be. Because even though Stan grouses and complains about how little she cares, he won't fire her. He says he can't, but let's be honest, he could. One could argue that he'd be out a cashier, but he already is when the school year starts and Wendy has to go back to school. The Shack doesn't close down then, so it wouldn't close now if he fired Wendy.

But he won't fire her, because he knows that if he did, she'd be sent up north to her cousin's logging camp, a job she would hate and that would add on to the stress she already has from her home life. Stan has been in Gravity Falls for 30 years; he's been there since before Wendy was born. He knew her mother. He remembers when her mother died a few years ago. He probably saw how Dan's personality changed, how Wendy's personality changed from a more carefree little girl to a little girl who had to act more carefree than she actually was because she won't ever dare let anyone know she's anything but tough as nails, kinda like the guy he sees when he looks in the mirror. So he'll grouse at her about her laziness, and she'll complain about how much she hates having to work, but he'll also never hire another cashier even during the school year when the Shack maybe could use the extra help, and she knows that he both has an orthopedic back pillow and where it's kept, and that's as much as either of them will say about it. (Source for the orthopedic back pillow: "Soos and the Real Girl").

Wendy spends time at the Shack that would otherwise be spent at her home. When she decides to leave Tambry's party early, she goes to hang out at the Shack and watch movies with Stan, before the twins or Soos arrive ("Summerween"). She's likewise hanging out with the Pines and Soos watching television despite work clearly being over in the beginning of "Dreamscaperers". Wendy can relax at the Shack, can be in a home environment where she has no responsibilities, where she can simply be a teenager without also having to be a pseudo-parent. She can be a big sister figure to Dipper and Mabel without the added responsibilities of having to make sure they're fed and brought up right. She can be snarky with Stan, and he'll be snarky back, and there are no risks or consequences at all.

It's important that Wendy is a member of the Pines family, because here there are no complications for her. She loves her original family, but things got difficult when her mother died, and they won't ever stop being difficult. But things aren't difficult with the Pines. In a way, being with the Pines is as comfortable as the hugs she gets from her mother in her dreams every night. Being with the Pines feels right. It feels safe.

It's good that Wendy has them. It's important that Wendy has them. And fortunately, she always will.

[divorcedfiddleford]

leave the door ajar

[itwouldeatyoualive]

"billford is abusive" yeah. fucking obviously

here's the thing: literally no one is making content w the inherent idea that billford is a healthy relationship, or that they Should be together. but it is a genuinely interesting dynamic with tropes that have been enjoyed since literally forever: power imbalances, mortal/god, enemies/lovers etc. and part of the appeal of why their relationship is so interesting is delving into the underlying care/love between them. abusive relationships aren't constantly threatening or scary 24/7 - part of what makes them so easy to fall into is that you really do love and trust this person - which is a realistic portrayal!! the tragedy of it is an idea that has been loved for ages: watching a relationship grow and evolve, even knowing that it still ends badly!! it's interesting and heartbreaking and it is literally just basic antithesis.

this is like basic media literacy can we pleaaase be serious lmfao. it's fine if you don't fw the ship/dynamic but you don't have to come up with a moral high ground for it - and having a dynamic that is explicitly abusive, while also showing the victim to be able to heal with support, in mainstream kids media facilitates further recognition and discussion on abuse which is a good thing.

[stump-not-found]

everyone always talkin bout who fumbled who but all i'm saying is that emma-may survived her husband trying to kill her with robot dinosaurs, and is i'm love her please emma call me please please please ple

[arttsuka]

Based on somewhat real events

I spent way too much time drawing this...

But yeah, Ford finally saying thank you

A continuation (kinda)

[godsfavoritescientist]

An as-of-yet unnamed AU where instead of being Ford's muse, Bill appears to Fiddleford and convinces him to build the portal.

The conversation in the last 2 images continues under the cut:

Fiddleford relaxed all at once, giving Ford a too-wide smile. Then, he opened his eyes one eyelid at a time. “You’ve been a real good friend! And I have a lot of friends, so that’s saying something!” He let out a short laugh. “You wanna know what I’m working on? It’s something that’s gonna usher in an era of world peace! You might not believe it, but no one else would believe you if you told them you’ve just uncovered an ancient alien crash site, would they now? So be a pal and suspend your disbelief!”

Ford felt the hairs on the back of his neck stand up. There was something… something he couldn’t put his finger on… something that flashed in the corner of his eye…

Ford swallowed. “Okay. It’s religious project. But what is it?”

Fiddleford threw a casual arm around Ford. “I think it’ll be easier if I show you!”

~

They walked down a corridor lined wall to wall, floor to ceiling with computers running endless calculations. They bathed the whole room in flickering green light, as words scrolled rapidly across screen after screen after screen, their glowing surfaces reflecting in Fiddleford’s glasses as he walked ahead of Ford, with a confidently uncoordinated stride that made Ford wonder if he was drunk. Ford glanced at the screens, catching bits and pieces of words as Fiddleford rushed by in the black-and-green light. “Probability of Event 4.23A, Probability of Event 23.652C, Probability of Event 1.9C…” dozens of numbers that looked like coordinates… thousands of statistical probability equations being run over and over again…

Fiddleford punched in a seven-digit code on the front of a huge metal door at the end of the corridor. When he swung it open, it revealed a room that looked like something out of a movie, or a nightmare. He stood before a sea of gigantic red raising platforms that Fiddleford effortlessly jumped around on, inputting some kind of code based on the symbols on the squares, until the moving platforms went still.

They moved on into a simple, warmly-lit room with coat racks full of red robes lining the walls, and foam mats stacked in the corner with eyes embroidered on them.

And then, at last, they entered what appeared to be their destination. This room was gigantic, and frigidly cold. The walls and floors were all made of metal. And at the center of the room, a machine towered over them. It was part metal and part unfinished scaffolding. A huge upside-down triangle with a hole in the middle of it, like a great big maw.

Fiddleford gestured at it with a grin. “My magnum opus! A portal directly to god.”

[kabra-malvada]

Mabel Pines did not deserve the hate.

[angelkissedface]

'...so if you don't hear from me, i just want you to know that it's because i never loved you.'

[deardarlingthings]

I see lot of beautiful fanart of older Mabel, but me and @pettrichorewere talking and-- guys she would be more 'Melody 'shaped. Like--

Big Girl Mabel! I want a curvy, pear shaped adult Mabel. Like the sweet in-between of Candy and Grenda-- Guys do you see the vision??? Am I crazy??

[greeter1987]

So. Typing in Vallis Cineris gets you this with, "Why did you do it?"

Y'know what. I didn't need my heart anyway.

[mingot-studios]

Why do people think Nanami purposfully killed the kitten??

Like, did you see her reaction when it went over the waterfall?

That is NOT the reaction of someone who killed something on purpose.

She was very young in these scenes and clearly didn't grasp the gravity of what she was doing or what would happen after she did it until she saw the consequences too little too late!

SHe was an angry child who had not thought her plan through and clearly, she felt regret for what she did

She's crying and begging her brother to forgive her!

How does one come away from this episode and think she truly wanted to hurt that kitten?!

Noralities, I'm talking to you!

[chatxkilluaxnoir]

I have Gravity Falls and Etc. fic(s) idea(s)

Which, I am going to write now while I am having this fic idea (probably going to be a short one, but in the future I might make a revised expanded version or something. Who knows).

I actually have multiple Gravity Falls and GF TAU and Reverse Falls and etc. stuff that stems from this specific The Book of Bill thing.

Specifically stuff exploring Dipper's nightmares.

(I have some other ideas for the other dreams and/or nightmares too. Sometimes even in relation to Dipper's in some way).

I love my boy, and his nightmares hurt my heart.

But also because I love him, I want to explore even more of issues/trauma/suffering and/or to do Dipper angst. And etc.

Because I want both happiness and/or suffering for my faves/the characters I love very much.

Like Dipper.

So he is going to be getting even more of that from me, probably.

Because he is great and I love him.

[chimerafeathers]

there's an essay jumbled up in my brain about dunmeshi's beginning and how clever and deceptive it is as a sleight-of-hand trick that distracts the audience from the depth and scope of the worldbuilding and foreshadowing that's being set up the entire time by dangling zany characters and wacky dishes and biology fun facts in front of us, and how that serves to catch invested viewers off guard when those elements come to the forefront, but also how it works against it with other viewers wanting "more" and not seeing it because the plot bait isn't laid out up front

how people getting frustrated with the characters "not taking things seriously" is mirrored and refuted in the confrontation between Laios and Shuro. how the characters' attitudes aren't just a result of shallow low-stakes "comedy rules" where nothing matters, but are an extension of their personalities (Laios's nonstandard expression of emotions being offputting even to people he knows) and the world and social environment (adventurers being desensitized to death and injury because resurrection magic is commonplace). the way the party refers to "saving Falin" instead of "retrieving Falin's corpse," indicating that they still see her with full personhood, and how that phrasing leads to some readers/viewers believing that Falin is alive in the dragon's stomach, conscious of being slowly digested while the party carelessly fucks around "wasting time." how the weird tonal dissonance makes sense in-universe and yet is deliberately challenged more and more the deeper the party goes

all the character building and pieces of lore slowly weaving together the shape of the larger world, laying the groundwork for the major themes that will surface later. so much is right there in the "low-stakes" early episodes if you know what you're looking for (or pass the perception checks).

it can be so satisfying to see new viewers/readers pick up on the clues even in the earliest "simple" episodes, or notice new things and make connections yourself....and it can also be frustrating to see people dismiss oddities and dissonance as shallow or bad writing because they don't expect a "cooking anime" to have depth like that. why try to question and understand and peel back the layers when you don't expect there to be any layers?

why can't laios take things seriously for once?

[baalzebufo]

One Star, Brighter than the Rest

y'know what. im probably not gonna get around to writing more of this because im lazy but if it sits in my drafts forever nobody will see it so im posting this fic/drabble/thing. THIS IS for my demon gideon au.

Gideon, at the end of his rope, calls Bill to make a deal. But Bill has bigger plans. Much bigger plans.

---

‘I'm finally ready to make a deal.’

The walls of his solitary cell seemed to shift then, as the buzzing in his ears grew into a wild cacophony of laughter. Gideon stumbled backwards away from the chalk sigil on the wall, his vision blurring and swimming as the dream came into being. The crude drawing seemed to pulse, its single eye blinking. Then, a massive beam of light- Gideon shielded his eyes, and the moment his vision returned he was hovering there before him. Bill Cipher.

‘WELL, WELL, WELL! Look who came craaaawling back!’

---

The triangle squinted at him, throwing his hands up and watching the child flinch at his voice. Gideon felt his back pressed against the cold stone wall of his cell. He had no time to respond before Bill sprung forward.

‘Geez, you look haggard, shortstack! What's wrong, the warden giving you trouble again?’ His tone was mocking- his tone was always mocking. ‘One of your prison buddies finally got fed up and try to shank you? Oh, wait, my bad. That’s supposed to happen next week! Haha!’

Gideon swallowed hard. He couldn’t let Bill get to him. He had summoned HIM- he’s the one in control. He wasn't playing second fiddle to Bill, not now, not ever. He balled his hands up into fists and steeled his nerves, stepping forward with his nose in the air.

‘Listen to me, demon! I called you here because I- I want to make a deal!’ He glared up at Bill with an unearned confidence. ‘You messed up my plan last time, but I'm givin’ you one last shot to prove yourself to me! Y'all're gonna break me out of this joint!’

Bill's eye widened then, before he threw himself backwards into the air with laughter. Gideon seethed. His arms shook as he puffed himself up, standing on his toes. ‘Are you LISTENING to me? Do you want to make a deal or not!?’

He grit his teeth until Bill calmed down, wiping a tear from his eye.

‘Ohhh, kid! You're KILLING me here! You’re really killin’ me!’ He shook himself from side to side, tutting disappointedly. ‘I gotta say, your lack of imagination would be funny if it wasn't so sad, Gideon.’

‘My-’ All at once, rage flared up inside him. ‘WHAT?’ He roared, fully ready to throw one of his tiny fists into the ‘face’ of that smug isosceles jerk-

‘Don't you GET IT, KID?’ He hovered down to Gideons level, put one arm around his shoulders and tugged him in close. ‘You got a personal genie right here, and all you wish for is to get outta prison? Did you even READ my entry in that book you had? You’ve got NO idea what I’m capable of, and here you are, askin’ me for something you could do with one lousy prison riot.’

He patted Gideons shoulder softly. ‘Look, I get it! You’re probably just worn out from all that hard prison labor, aren’t ya? Your mushy little human brain isn’t working right! So I'll cut you some slack just this once. After all, we’re buddies, aren’t we? Haha, yeah we are.’

Gideon froze up, pushed himself out of Bills grasp. He squinted- then frowned. What was he getting at, here…?

‘What are you ramblin' about?’

Bill's laugh cut through him again. ‘You gotta think BIG, shortstack. Sure, I could help you outta this jail, or I could give you the power to do it yourself. I could make you just like ME!’ Bill threw wide his arms and little sparkles flew from his palms.

Gideon blinked, his jaw slightly agape. Bill took his stunned silence as an excuse to carry on his pitch.

‘I've been working on something special while you've been away, and I've got it all figured out! I could make you a bona-fide demon, kid! You could get my powers with all the perks. Think about it- getting into the nightmares of everyone who's ever crossed you, tormenting their every waking moment! Phenomenal cosmic power, right?'

'You're basically the perfect candidate, too. I mean, look at you-' He gestured vaguely at Gideon- for once in his life, speechless. 'You're almost crazy enough for it. I mean, hey, I saw that time you nearly gutted Pine Tree with those shears! In front of his sister, no less! That was DE-LUXE, kid. No hesitation. You've got the murderous ambition to really go far.'

'Honestly, you're probably the only person in this lousy town who could HANDLE this kind of power. So hey, just this one time, let me make YOU a deal you can't refuse! Haha!'

Bill blinked at him- ‘Wink!’ and held his hands out wide. If he had a face, Gideon could tell there would be the biggest toothy smile plastered on it. He swallowed.

Bill was dangerous. He knew this much. He knew you should never- ever- trust a demon at it's word. And yet...

‘You're insane.’ He muttered, shaking his head. ‘You can't do that, it- it just ain't possible.’

‘Gideon, REALITY IS AN ILLUSION. What's ‘possible’ is whatever I WANT to be possible!’ Bill drifted, floating upside down as he spoke. ‘I defy the laws of nature just by EXISTING, so who's to say I can't do anything I want? You're talking to a criminally insane triangle, kid! Start BELIEVING. Here, let me help you.’

Bill snapped his fingers, a teal flame shooting up from his hand and forming a portal of sorts- within it, figures started to form. Gideon saw…

He saw himself.

He saw himself laughing. He was wreathed in flame yet somehow still cast in shadow in the middle of a chalk pentagram, his five-pointed star burning bright. Gravity Falls around him lay in ruins. He stood in the burning husk of what was once the Mystery Shack. The Pines lay crumpled, crushed beneath burning timbers. The smell of ash and blood thick in the air.

And hovering before him, as if in a deep fairytale sleep, was Mabel.

Sweet, sweet Mabel.

He saw a vision of his victory. All the power he had ever wanted coursing through his veins. Everyone who had ever slighted him was dead by his hand. And his only love- she was all his, forever.

His vision reached out, took her hand so gently. He could almost feel her hand in his, her skin so… so soft. He hadn't felt it in so long. His hands shook, and he reached out.

And then, the vision erupted back into flames with the click of Bill's fingers.

Gideon stood, spellbound, holding a breath he didn't think he could let go. The teal flames still flickering in the back of his mind.

‘Yup, I knew you'd pick up what I was puttin’ down, kiddo.’ Bill flipped himself upright and straightened his little bow tie.

‘It’s about time you got everything you deserve, isn't it?’

All at once, Gideon seemed to snap out of his stupor. He blinked, shook his head. He took a step back again, swallowing down the lump in his throat. No- no… this had to be too good to be true. The devil was a tempter, he knew this much. But if there was a chance- the smallest chance- that this future could come to pass... He hardened his expression as best he could, trying to gain back his swiped upper hand.

‘But wait.. what would you get outta all of this? There's no way you'd be helpin’ me just outta the ‘goodness of your heart’… if you even have one of those.’

‘HAHA! You got me there!’ Bill swiped at him playfully. ‘But I'll have you know I have at least NINE hearts, and several other heart-adjacent organs! Wanna see?’ He wiggled his fingers before sticking one hand straight down into himself- a horrific CRACK sounded along with a spray of what looked like television static, a horrible thick black something trickling out to the floor down his arm- up to the elbow in his chest. It took all of Gideon's willpower not to scream.

‘Answer the question!’ He snapped. Bill huffed, let his hand flop out of his body- the relief when he didn't drag some sort of horrific organ out was palpable. He brushed himself down, the wound closing as easily as it had appeared.

‘Okay, sheesh! Keep your hair on.’ Bill rolled his eye, leaning forward. ‘Obviously, I wouldn’t do it for free. We can do a trade. I’ve got some stuff I need to finish up in the physical realm, see. So I’d just-’ He mimed jumping with his fingers. ‘- hop on into your body for a bit. Temporary possession.’

‘My body-!?’ Gideon clasped his hands over his heart, realizing his back was pushed against the wall again. Bill wanted to POSSESS him?

‘Yeah! Geez, you look like you’re going to pop an ulcer, kid. You wouldn’t be in it, obviously!’ He scoffed. ‘We take you out, put me in, you get all my powers an’ I get to use your chubby little hands to finish some personal business. I won’t even keep it that long. Think of it like a vacation! And when I’m done with it, you get my powers for keeps. There’s basically no downside!’

Bill floated down to the floor and folded his hands together. He shrugged. 'It's all up to you now, kid.'

Gideon got very quiet. He took in a deep breath, then hopped up to sit on the edge of the metal slab they called a ‘bed’ in here. He fiddled with the fringe of his blanket, chewing on the inside of his cheek in thought. Bill was surprisingly silent as he watched him struggle with this. Then, he hopped up next to him on the cot.

‘Listen to me, Gideon. You've always known you were different, right? I mean, hey. You were born a freak. I get it! I was born a freak in my world, too.' Gideon frowned, but Bill held one hand up to stop him from interrupting.

'I GET it. They only call us freaks 'cause they can't handle that we might be BETTER than them. It happened to me once- now it's happening to you too. They want you to roll over and conform, to bury your head in the sand and be ''normal''. Well, that ain't gonna happen!'

‘And it's because fate had something bigger in store for you. Why do you think you were born different? Why do you think you're so much smarter than everyone else here? Hell- why do you think YOU found that journal in the woods, and not one of the village idiots?'

'It wasn't dumb luck, Gideon. It was fate.' Bills voice grew... darker. More intense. It prickled at the fear response in Gideon's head, and yet... he found himself entranced, somewhat.

'I saw you had potential. I knew you were destined to do more than sell cars, grow old, and die. You could be so much more. So I kept my eye on you until I knew you were ready for it. Now's the time, Gideon. I see EVERYTHING.'

He looked up- Bill was hovering in front of him, now. His eye was glowing with a vision of the void. Within its depths, universes swirled. Galaxies shifted in their positions. And at its heart he could see one star, shining brighter than the rest.

‘And you can see, too. All you need to do is-

shake.

my.

hand.’

He extended his arm forwards, and it erupted in a familiar cold blue flame.

‘And I'll show you.’

…

Gideon swallowed hard. Nothing good would come of this. He was making a pact with a demon. One that had ended poorly, before- how badly would it end THIS time? What if Bill was lying? What if their plans were foiled before completion? What if, what if, what if, part of him repeated.

But the other part of him… the selfish, cold, cruel part of his heart burned brighter than ever. Ever since his amulet and his journal had been taken away and he had been thrown into this cell, he’d felt powerless. He had crawled his way up from being ostracised, weak, and alone to basking in fame and fortune. And then it had all been taken away.

No longer loved, and barely even feared. What did he have in here? A handful of schmucks who gave him their seconds in the mess hall? How long would it be then, until THEY tired of him, too? They’d cast him aside eventually. And then he would have nobody and nothing but a cold, dark cell and a life to regret.

He needed that power back. No- he needed more. He needed enough to wrestle the world back into his hands. To know that all he had to do was will it, and it would be crushed back into stardust.

His eyes were cold. He looked up.

‘It’s a deal.’

He took Bill's hand.

.

.

.

[anurarana]

Many such cases of adding a third fucked up guy into the mix to make me actually interested in a ship