The brainrot took over and so here's a vat7k hadestown au!! Don't know if I'll develop it fully but I liked designing it at least!
More info under the cut:
- Varian, the Coronan royal alchemist, tasks himself with deciphering an incantation capable of bringing the world back into tune. Times are tough, and the royal family + Quirin are doing their best to cope with the meagre crop yields and desolate weather (Corona not really being the sunshine kingdom - hasn't been for a while). He wants to help and do good and I think he'd be a good Orpheus.
- Hugo, having moved about from place to place, still has his interest in alchemy and does what he can to get by. He plans on temporarily staying in Corona before looting, but he encounters a certain like-minded scientist at the Snuggly Duckling. I think him being selfish works especially well in Eurydice's role, having a more pessimistic view of the world. It also works with how he gets drawn to Donella's offer of working for her later on, leading him to his death.
- Ulla as Persephone! I was initially stuck on whether to have Rapunzel (and either Eugene/Cass) as her (and Hades) but I was drawn to the connection that Hugo has to Donella and the Donella/Ulla relationship in vat7k just works too well. In this case, Ulla won't be Varian's mother. She's still gonna be somewhat of an inspiration to him though, being the previous Coronan royal alchemist and for her intelligence. For half the year, she'll return to Corona with food, drinks, and alchemical compounds/inventions, bringing Spring and Summer to the world, if only for a bit.
- Donella would be such an interesting Hades, losing sight of her love for Ulla, heart filled with fear and hurt, leading to bitterness and cruelty. Ingvarr being Hadestown and how by being the esteemed Ingvarrian engineer, she'd be in charge of major technological advances across the kingdoms and so would wield a significant amount of power (like how Hades is literally the ruler of the underworld). Ingvarr essentially being a near death sentence for its workers while also displaying its technological prowess, all still shrouded in mystery and corruption - a place so otherworldly compared to the rest of the kingdoms.
I didn't want to modify the outfits too much nor the personalities,, if anything I imagine the general plot beats being the same as the original musical/story but with slight differences that'd you get inherently as a result of these characters. I wouldn't want it to be the case where it's just the show but the names are changed. I'd want this to still make reasonable sense in this AU, with the actions being understandable for this particular cast of characters.
For Hermes, I ended up picking Xavier, as he's most knowledgeable of old legends and stories, which would work in reference to the Hades and Persephone myth (and so Donella and Ulla)! He'd act as a mentor figure for V, someone who can guide him in uncovering the forgotten incantation. Quirin would still be the good supportive dad he is (even if he doesn't fully understand his son's project).
Last but not least, the fates!! often lurking in the background, I'm still a bit stuck on who it could be? I'm tempted to have it be Raps, Cass, and Nuru as they've had celestial connections at some point (and ya know how stars can represent fate), but I also love the freckled siblings dynamic so much. Also Team Radical... Maybe Raps and Cass can be their normal selves but their Sundrop/Moonstone counterparts are the manifested physical forms of the fates? They wouldn't be visible to the characters though, just voices in the wind.
Anyways yeah!! Those are my thoughts. Do let me know if you've got any cool ideas or questions. I'm really combining my interests at full force and there's nothing anyone, not even myself, can do about it quite frankly. 😮💨
514 notes
·
View notes
i love you testosterone i love you voice cracks i love you bass notes i love you loud laugh i love you fuzzy mustache i love you whispy patchy beard i love you bushy eyebrows i love you hairy stomach i love you knuckle and hand hair i love you boy smell i love you bottom growth i love you new orgasms i love you big nose i love you square jaw i love you squishy stomach i love you thighs that touch i love you stretch marks i love you acne i love you acne scars i love you body heat i love you appetite i love you mood stability i love you balanced hormone cycle i love you puberty awkwardness i love you uncertainty i love you adjustment i love you transformation i love you change i love you maturation i love you growth i love you freedom i love you euphoria i love you comfort i love you familiarity i love you recognition i love you second chances i love you masculinization i love you embodied manhood i love you testosterone
3K notes
·
View notes
really love how throughout a lot of smith and jones martha is really skeptical and apprehensive towards ten (+ one of my favorite exchanges between them - "what, people call you 'the doctor'?" "yeah?" "well, i'm not. far as i'm concerned, you've got to earn that title."), not taking everything he says at face value, even doubting the fact he's an alien until over halfway through the episode.. And like. i really truly think the thing that wins her over isn't him kissing her or any of the other insane mixed messages he manages to send, it's this scene here, where he /earns that title/ in her eyes:
(+ david's bit in the commentary, where he says: "[the doctor] has actually sacrificed himself, and - i would say, that that final act of selflessness is what finally, eventually, welds martha to him. [...] and she now returns it. she returns that act of selflessness.")
this is what their relationship is built on. it isn't about martha being the second-best replacement to rose or a rebound or whatever. bc it isn't really about rose. it's about doctor-in-training martha meeting someone (quite literally, "the doctor") whose ideals she aspires to, and doing her best to be the same person to him as he is to everyone else. it's about ten in return admiring her intelligence and inquisitiveness and how she cares for human life, recovering his compassion, letting himself lean on her for support - and then remembering at the most inopportune moments that he's supposed to not need anyone and be on his own forever. And around in their little nightmare loop they go where they save each other over and over until one of them breaks
i've seen ppl look at martha and go "why she does she admire/why is she so in love with ten if he acts like that to her?" or something along those lines and like. it's not just the fact she's in love with him (in fact i'd argue she actively tries to push it aside post-gridlock). it's the fact that she knows he's the kind of person to put everyone else's lives/well-being over his own. she trusts him to save her when she's in trouble even though it's been like two days at most that they've known one another bc she recognizes that same "deep all-encompassing drive to help others" in him. and she also recognizes, much much earlier than him, that he needs someone to save him, especially when he's unwilling to save himself. and yeah for a bit she thinks he returns her feelings and is just playing hard-to-get, but she realizes pretty early on that this probably isn't the case, and i think that realization fully solidifies here:
(this is when she's listening to ten talk abt gallifrey). And idk it might just be me but i think this expression isn't just her empathizing with his loss. it's also guilt, for wanting something from him that he's clearly unable to give when he's wracked with so much grief. (and you see it in the next episode, where tallulah asks if they're together and martha says for certain that they're not, and that he doesn't know about her feelings for him. she keeps everything to herself bc she now knows that when he shut her flirting down at the end of 3x01 it was the genuine reaction of someone who a) isn't interested and b) is scared of getting close with someone else again)
freema described their dynamic as "she's keener than him" and i think about this all the time. martha doesn't really take what ten throws at her. what she does instead is constantly poke holes in his already-failing front of "i will show someone the wonders of the universe so i can ignore what is wrong with me". what she does is stand up and fight him when he tries to go off on his own. what she does is put aside her well-being in favor of helping someone - just like what she saw him do for the people in the hospital when they first met. tldr, that's the doctor and his doctor and rip martha you would've loved who's gonna save u now by rina sawayama
377 notes
·
View notes
I've been thinking about the tragedy of Elizabeth Woodville living to see the end of her family name.
I don't mean her family with her husband, which lived on through her daughter and grandson. I mean her own.
Her sisters died, one by one, many of them after 1485. When Elizabeth died, only Katherine was left, and she would die before the turn of the century as well.
All her brothers died, too. Lewis died in childhood. John was executed. Anthony was murdered. Lionel died suddenly in the peak of Richard's reign, unable to see his niece become queen. Edward perished at war. Richard died in grieving peace. For all the violence and judgement the family endured, it was "an accident of biology" that ended their line: none of the brothers left heirs, and the Woodville name was extinguished. We know the family was aware of this. We know they mourned it, too:
“Buy a bell to be a tenor at Grafton to the bells now there, for a remembrance of the last of my blood.”
Elizabeth lived through the deposition and death of her young sons, and lived to see the end of her own family name. It must have been such a haunting loss, on both sides.
118 notes
·
View notes
we talk a lot about how current kids, teenagers, and parents never learned internet safety in this age of social media, but i think we also gotta be honest with ourselves that most of us, adults on the internet who participate in fandom, never really learned how to engage with young people without setting them up for disaster.
might be weird to say it like this, but it's important to leave people how you met them or better. like hiking or going to a nature reserve. if you are regularly talking to people on the internet, especially teenagers, you need to consider whether your behavior with them is how another, shittier person would take advantage of them, because you have no real way of protecting them if that happens. like if you're going into discords and saying 'hey i'm mom! let me help you with your homework and irl issues. also please feel free to vent to me if you have any mental health issues or problems at home" you have to understand that the next person who says that to them may be leaving out the end of their plan; "that would make you easier to abuse."
sometimes you have to say "you seem fun and have a lot of great ideas but you are also 15, so if you wanna talk fandom, here are the boundaries we're going to follow, because these are the boundaries other adults should be following with you." or just refuse to talk to kids.
you decide what your responsibility, is but what you can't do is build an illegal fire pit on the hiking trail, if you catch my drift.
139 notes
·
View notes
This imagine goes out to the self-shippers who either choose not to associate with their family, or unfortunately are in a position where they may not have much of a family at all.
The latter half of the year— specifically, the holidays— can be a tough time for many for a myriad of reasons, but just know that throughout it all, your F/Os see you, are here for you, and will remain by your side no matter what.
Think of all of your F/Os not only as one big family, but your true family, whether or not the first paragraph of this post applies to you. If it all becomes too much and you are disillusioned by the notion that you're all alone— you're not.
Your F/Os couldn't be happier to have you in their lives and are so thankful for you. Romantic, platonic, familial or parental, just you being the person that you are makes them even happier than you could possibly fathom.
💞 Remember that. 💞
💖 Proshippers/Comshippers are not welcome to interact with this post. 💖
128 notes
·
View notes
the evolution of the operator symbol over the course of the series is so endlessly fascinating to me, because like. Alex came up with the symbol and only ever really used it on his hypergraphia papers, which we don't really see him do much (if at all) after season one
but Brian,, Brian uses that symbol constantly. It's basically a signature by the end of the series - he leaves it on Tim's medical records, and on the back of Alex's photo of Amy, and on the note he left for Jay about Benedict Hall - he even uses it in his final video to unveil his name - it's self-referential, but he doesn't ever really seem to use it to denote The Operator the way Alex did?
Like, to me it really does seem like he basically appropriated it. "This is the symbol you created for the thing that was hunting you, but now I'm the thing that's hunting you" - like, hh fuck dude, Looking At You
364 notes
·
View notes