#the line is all azula BECAUSE it's all ozai

[kyoshi-lesbians]

[ID: A series of GIFs showing the parallels between Azula introducing herself to King Keui in Kyoshi Warrior disguise and Ozai asking Fire Lord Azulon to make him the crown prince over Iroh. The last GIF shows Azula and Zuko peeking through curtains watching Ozai speak to Azulon.]

“I am your humble servant, here to serve you and our nation. Use me.” // "We are the Earth King's humble servants."

[comradekatara]

I love when azula calls herself the earth king’s humble servant while pretending to be a kyoshi warrior because suki would literally never say that (not even to avatar kyoshi herself), that line is ALL azula. that line, specifically, is not an attempt at impersonation or a performance, besides the fact of whom it’s directed towards. no, it actually reveals exactly how she sees herself, her role in the world, her relationship to ozai. despite her pomp and grandiosity, servitude best defines her role. and not just humility, but negation of the self entirely. suki would never present herself in this way, but how is azula to know that, when her entire life has been defined by her obedience and undying loyalty to the ultimate patriarch. his humble servant.

[attackfish]

So everybody here knows that I'm notorious for being a massive defender of Ursa, and that I have no patience for the "Ursa was a bad mother, she favored Zuko, and was abusive to Azula and abandoned her kids, and made Ozai abuse Zuko," narrative. That narrative is vile, victim blaming, and deeply stupid on a number of levels.

With that out of the way, I want to talk about some really really bad parenting we see Ursa do during the series. And it is to be clear really really bad.

In the Book Two episode, "Bitter Work", Zuko and Iroh have a conversation:

ZUKO: So Uncle, I've been thinking. It's only a matter of time before I run into Azula again. I'm going to need to know more advanced firebending if I want to stand a chance against her. I know what you're going to say, she's my sister and I should be trying to get along with her-

IROH: No, she's crazy, and she needs to go down.

This scene is a favorite of a certain type of Azula fan who wants to paint Iroh as a big meanie who didn't wave his magic redemption wand over Azula the way he clearly did over Zuko. See? See? He's writing her off here and calling her crazy.

This of course misses the context of that scene, which is that Zuko is taking care of a severely injured Iroh, who was injured by Azula, in what looked a heck of a lot like a murder attempt. Earlier in Book Two, in the episode, "The Avatar State", Azula unambiguously attempts to murder her brother after failing to capture him, and he is only saved by Iroh's quick reflexes.

But let's leave that argument aside for today because what interests me about this scene in the context of Ursa's parenting, is the line Zuko says right before Iroh's infamous declaration: "I know what you're going to say, she's my sister and I should be trying to get along with her."

Because in the context of Zuko and Iroh's situation, where Azula has recently attempted to kill Zuko, and just put Iroh into a coma that Zuko had to take care of him during, in which he has only just woken up from, this line from Zuko actually demonstrates some really warped thinking. It is not a healthy response to the situation at all. And his assumption is that a good caring parent figure like Iroh is going to respond to this situation by telling him that Zuko needs to get along with his sister, who is actively trying to hunt him down and capture or kill him.

So why does Zuko think that? What adult reacted that way to Azula's violence toward her brother in the past? It wasn't Ozai. Ozai is not going to use the language of getting along with one's siblings, when he is so bent on setting them against each other. So who was it?

The show answers this a few episodes before this scene, in the Book Two episode, "Zuko Alone." The answer is clear and heartbreaking: It was Ursa.

The scene in which this becomes plain, starts with Zuko and Ursa walking together. Mai spots them and smiles and blushes. Azula notices, and then turns to Ty Lee, and whispers, "Watch this!"

AZULA: Mom, can you make Zuko play with us? We need equal teams to play a game!

ZUKO: I am not cart-wheeling.

AZULA: You won't have to. Cart-wheeling's not a game, dum-dum.

ZUKO: I don't care. I don't want to play with you!

AZULA: We are brother and sister. It's important for us to spend time together. Don't you think so, Mom?

URSA: Yes, darling, I think it's a good idea to play with your sister. Go on now, just for a little while.

And then Ursa leaves Zuko alone with Azula and her friends.

There is a lot here that I want to talk about. I have in fact talked about this scene before, and what it tells us about Ursa's eagerness to reinforce Azula's seemingly kind and loving behavior: [Link], and even touched on why this is in fact an example of bad parenting from Ursa: [Link], but I think this deserves its own post, where we examine exactly what went on here, what this tells us about Ursa's parenting, and how this affected Zuko, and to a lesser extent, Azula.

In those previously linked posts, I talk about how this is clearly a pattern, that Azula has learned to predict and manipulate, and because we know it's a pattern, we know that this behavior on Ursa's part is repeated, and something her children have come to expect from her. Zuko and Azula know their mother wants her children to get along with each other, and love each other and have a good sibling relationship with each other so much that if Azula she plays into that, Ursa will force Zuko to spend time with his sister, and worse, that time will be unsupervised.

So, to be clear here, what Ursa is doing is giving Azula unsupervised access to her brother, against his will, as a reward for Azula momentarily acting nice. Or in other words, Ursa forces Zuko to spend time with his abuser against his will because she wants them to get along.

I think we can all see how that is some grade A terrible parenting.

And it does have negative effects on Azula. I think that we can see her learning how to manipulate people, learning how to lie and get what she wants from people, and that Ursa by giving her what she wants here, is showing her that this is a thing she can do to get what she wants. That is not a great lesson to teach your kid. I think it also feeds into Azula's possessiveness of her brother, and sense of entitlement towards him. She has learned that even the people who love and care about her brother, won't protect him from her. And she has learned that no matter what she does to him, he is supposed to try to get along with her.

These are some really terrible lessons, and we see some of the effects of them throughout the course of the show, so why is it that the "Ursa is a terrible mother" crowd never bring this up? I mean of course we know why, it doesn't fit their narrative. Their premise is not simply that Ursa is a bad mother, or even that her bad parenting explains Azula's behavior.

In fact frequently it isn't even about finding someone to blame for Azula's behavior, so that the responsibility isn't Azula's. (Which, to be clear is not how it would work anyway, because even if Ursa were exactly the type of horrible mother they said she was, Azula was still making the choices to do Very Bad Things, in the same way that just because Ozai is an abusive father, this doesn't mean Azula stopped being responsible for her own actions). It's more about proving that she has suffered enough that she deserves all the sympathy, and is allowed to be awful to other people, including Zuko, you know, as a treat.

The narrative that the "Ursa is a terrible mother" crowd are pushing is that Ursa didn't love her daughter, and thought she was a monster, Azula suffered so much, and it's so sad, and this is why she deserves to do very nasty things to everybody else, and no one should ever hold her accountable. Frequently there is some flavor of, "Zuko had a mother who loved him, you guys, unlike Azula, so he doesn't deserve sympathy, not like poor baby Azula!" Which is a deeply warped thought process on many many levels, but we're not going to go into that here.

The point is, that this type of bad parenting that I am pointing out here, doesn't fit this narrative, because this is not the kind of parenting mistake that a mother who doesn't love one of her children, and thinks that child is a monster, is going to make. This is the kind of mistake that a mother who loves her children very much, and wants them to have a good relationship, and doesn't recognize the threat that one of her children poses to the other, is going to make. In fact, the fact that she does it, proves that Ursa does in fact love her daughter and does not think she's a monster. So it does not fit the narrative these people are spinning, so they will never bring it up as an example of how Ursa was a bad mom.

Of course the other reason the "Ursa is a terrible mother" crowd aren't going to bring this part up is because it would mean acknowledging that Zuko deserved to be protected from Azula, and needed to be protected from Azula, when they were both children, which would go against the whole "she's a poor innocent child" thing they like to spin, and also because Azula is getting what she wants here, and Zuko is the one suffering, which is not going to get Azula any sympathy points.

And for the most part, Ursa was an excellent mother, who did the best job she could in horrible circumstances that she had very little control over, but she wasn't perfect, and she did make mistakes, which makes all of this a wonderful example of how even very good parents can make very bad choices that hurt their children and cause serious long-term damage.

I've talked some about the long term damage that Azula faces from this, learning about manipulation, and developing some really nasty entitlement issues with regards to her brother, but Zuko's long-term damage is if anything worse.

When we put this together with Zuko's line from "Bitter Work" quoted earlier, we can see that Zuko learns what Azula learns from the other angle, which is to say that he will not be protected from Azula by anyone, and not only will he not be protected, but he does not deserve to protect himself. Not only can he not defend himself, but he can't even protect himself by avoiding her. That's not allowed either. And in the face of her cruelty and violence towards him, it is still on him to make their relationship work, and to be clear, he should absolutely be making their relationship work. And the adults who love him are going to tell him this, no matter what Azula does to him.

I for one am really glad that Iroh is there to say no, that's a terrible idea, and you do not need to keep trying to get along with your sister who is trying to kill you. And it's significant that throughout Book Two, Iroh consistently protects Zuko from Azula, and teaches him what he needs to fight back.

[writermai05]

Arsonist's Lullabye

Prologue: All you have is your fire

Summary: Zuko’s bad day gets a bit better after an encounter with an unfamiliar face. 

Pairing: zuko x fem! reader (Live Action or Animated) 

A/N: I am delusional, and when I had the idea for a zuko x reader modern AU where he works in Iroh’s boba tea shop, I had to follow through with said idea. Let’s see if this goes anywhere, and feel free to leave comments or suggestions on how the fic could play out maybe :) 

Word Count: 773

Disclaimer: I do not own the rights to Avatar: The Last Airbender, I am merely a nerd who hyperfixates a lot.  This is a modern AU that takes place in the avatar world. Bending still exists. Zuko and the gaang are in college in this series !!

TW!: Physical abuse, burns, Ozai in general, Zuko’s backstory is so sad. 

Zuko knew it was going to be a long day as soon as he opened the shop at 12pm. 

Within the first two hours, he had run out of tapioca pearls, dropped a container filled with matcha on the floor (which by the way, was a pain in the ass to clean up,) and slipped on the floors he had just mopped. Perhaps he was just born unlucky. Perhaps, most people in life didn’t have to struggle the way that he was, the way that he always had. It wasn’t all bad. He was lucky enough to be here, working in his uncle’s tea shop in the Earth Kingdom, rather than in his father’s company back in the Fire Nation. 

The Jasmine Dragon was beloved by many. People from all over the city came to have some of the shops' amazing teas and pastries. It wasn’t too busy, having only three people come in today.  perhaps because school at the University of Ba Sing Se hadn’t quite started up yet, outside of the students who had moved in early. The shop was particularly chilly today, but the atmosphere managed to maintain the same warm and cozy feeling, with the dim atmospheric lighting and the sage and emerald hued furniture. Zuko had a second to just relax in the stillness. 

 He appreciated these quiet moments the most.  The moments where he could stop worrying about the shop, and overthinking the worst things he had ever done in his life. Such as when he lashed out at his uncle, multiple times, or about the people he had bullied in high school. He was almost able to forget it all. Forget the fact that his younger sister, Azula, was still stuck in a house with his abusive father, or even forget the feeling of his father’s hand, burning the flesh of his face, leaving a scar in its wake, as well as a near complete blindness in his left eye. His demons may be restless, but boy did Zuko keep them on a tight leash. 

Zuko’s reverie was broken by the sound of the door’s bell chime. He immediately snapped out of his thoughts, waiting patiently for his assistance to be needed. 

“Um, excuse me,” 

A girl, who seemed to be around his age, was standing right in front of him. She wore a navy blue dress with a pale blue lining and detailing around the edges. A belt of the same color was around her waist, with a brown leather cord connecting a bag onto her hip. Her black jacket was cropped to about rib length, with brown leather cords fastening it closed, as well as matching black pants and brown boots. 

“This is my first time here…Is there anything that you’d recommend?” She asked politely. 

There was something about the way her kind eyes twinkled in the orange lighting that made Zuko fluster. He cleared his throat before opening his mouth to talk. 

“Well, Lychee juice is a customer favorite. But personally, my Uncle Iroh’s jasmine green tea is the best in Ba Sing Se.” 

“The best in Ba sing Se?” She raised her eyebrows inquisitively.

“The best.” he nodded. 

“I’ll take it.” She said, reaching to the tote bag slung over her shoulder. Zuko interrupted her actions with the wave of his hand. 

Zuko shook his head. “Don’t worry, It’s on me.” he said, as he began punching numbers, into the register. 

“Oh no! I can’t let you do that-” She protested. 

He shrugged, a blush beginning to warm his cheeks.  “For a first time customer.” 

“Thank you so much…” She trailed off, waiting for him to tell her his name.

“Zuko.”

“Zuko. I’ll be sure to come by again. And I fully intend on paying that time.” She said with a playful glare. 

The boy smiled slightly.

“Your tea will be ready shortly.” 

Zuko had Iroh bring the tea over to the girl. He wasn’t confident in his ability to steadily bring the tray of hot tea without causing more burns to cover his body. The older man made sure to give the girl a complimentary fruit tart to enjoy, but not before looking at his nephew with a teasing glint in his eyes. Zuko groaned. 

“Not a word, uncle.” He said as he walked through the staff doors into the shops’ kitchen. 

After about 20 minutes had passed, Iroh came into the kitchen, clutching what looked like a napkin and some paper Yuan bills. 

“Zuko! The girl left this on her table after she left!”

Zuko carefully took the napkin from his uncle’s hand, reading the message. 

“Thanks for the tea! - y/n.” 

[the-badger-mole]

On the Unredeemed

Unredeemed villains are important in fiction. I feel like that needs to be said. There is a trend in recent years (probably since Wicked became a hit) of people wanting to see monsters redeemed. I'm not against that (per-se... glowers in Maleficent), but also, I feel like we do lose something when we lean into the idea that the monster gets to make good.

Fiction can be really useful for teaching us about life. I remember seeing a quote some time ago on Pinterest or something that said something along the lines of "fairytales are important not because they tell us dragons are real, but because they tell us that dragons can be slayed". That has been on my mind a lot recently when I see discussions about characters like Azula and (more recently) Ozai. They are fictional characters with super magic fire powers, but they represent something real- they represent the cycle of abuse in families, and while I understand the impulse to absolve someone as young as Azula, I think it's also important to tell the story where she isn't redeemed.

One reason that most Azula redemption stories bother me is because of the responsibility they tend to place on Zuko as her older brother, despite the fact that she victimized him probably more than anyone in her life (that we get to see. I don't think her soldiers believed her death threat for no reason). There are plenty of stories about the victims of abuse needing to be the bigger person to keep their families together and being villainized when they don't (I think by now we all understand that Terri was not the villain of Soul Food). We need stories about knowing when it's okay to walk away, and that illustrate the idea that "the blood of the covenant is thicker than the water of the womb".

In a time when more people are talking openly about going low contact or completely cutting off family members- close family members- I personally think that seeing stories about coming out of the other side of it, of building a new family, healing from the past, and dealing with the residual guilt that comes with "turning your back on family" even when it's the right call, is helpful in the same way that those fairytales about slayable dragons are.

I'm not saying any of this to discourage Azula redemption stories. In fact I would love to see more. Stories that have Azula confronting what she did to the people she should have loved most, and have her considering what to do with the knowledge going forward, instead of just using her past abuse and mental health to gloss over the real harm she did. I want to see her grappling to accept the fact that no one- not her brother, not Iroh, not her friends- owes her forgiveness, and then dealing with all the complex emotions that come with just one of them actually forgiving her. But also, I want to see stories where Zuko gets to let go of his father and sister and go on to be supported in that decision. Because to him, they were dragons, and they were slain.

[five-flavor-soup]

The funniest bit of the entire Fire Nation royal family is how stupid some of their decision are, yet somehow they keep working out in their favour?? Like Sozin loses his boyfriend (the Avatar. The one who keeps the balance) by suggesting the Fire Nation goes to war, and then the Fire Nation goes to war anyway. Ozai’s nephew dies in a presumably horrific way and he believes that’s a brilliant moment to ask his dad to make him next in line to the throne, and when that backfires, his wife saves him and their kids and he manages to become Firelord anyway. Iroh decides the best place to lie low and start a life outside of the war is to hide in the city he, personally, laid a 600 day siege on and become a renowned tea maker, and this would’ve worked out had his niece not taken over the city. He also wants tea SO BADLY while on the run that he canonically takes his chances on a potentially incredibly deadly plant (it’s the deadly plant) and he survives. Zuko’s numerous Impulsive and Arguably Bad Decisions that Somehow Work Out Anyway compile into a list so long I’d have to add a readmore to this post. Iroh II proceeds to prove he really is Zuko’s grandson and thinks it a good plan to firepunch a bomb, before deciding to take down a whole squad of airplanes by like, figuring out how to fly one as it’s flying and doing some good firebending to destroy the planes, and he somehow manages to make it work.

Azula appears to be the only one in the family who didn’t get the strong version of the “Make Impulsive and Dumb Plans that can Never Work Out but Do Somehow”-gene (thanks to Ursa’s DNA probably) and she still lost, largely because of elements outside of her control. Imagine being the spawn of the family who fosters all of the ‘best’ traits present in the line (resourceful, highly intelligent, physically powerful) and you still lose to the uncle who thought it brilliant to become popular in a city that hates him and the brother whose plans can all be summed up as “fuck around; find out; success”, because you didn’t plan for something that ended up occurring but you couldn’t ever have expected. I, too, would cry.

[stupidlyqueer]

I've been reading a bunch of Azula fics, I have three pet peeves (and they bother me a lot because I read "Azula-friendly" only).

Azula shot Iroh with lighting: she didn't. I've just watched one or those bending compilations and her shot even makes the fire noise. there's no crackling of electricity, there's not the whole bending movement she does for lighting.

the same goes for Mai, she was going to shoot fire. (it's not as if we see her shooting with two fingers multiple times...) fire is faster, she's good at it, that's a primary weapon.

sending the Kyoshi warriors, Ty Lee and Mai to prison is the worst thing she could have done. it makes sense to send Suki to the Boiling Rock, as it makes sense that Hakoda was there, they're the leaders. having prisoners of war is not a war crime. actually, war crimes ≠ acts of war. sending the Kyoshi warriors to prison after fighting them is exactly what you expect of people in a war.

Ty Lee and Mai committed treason on her face. that's not even about the betrayal, that's just a whole ass crime. that's the crown princess, the second most important person in the fire nation, literally the only one left to take the throne. if this wasn't a children's show, they'd have been executed before Azula could move again after being chi-blocked.

sure, being resentful about being in prison is fine, but if you don't want to go to prison, perhaps don't commit treason in front of the god-damned crown princess?

now, the worst of all: Azula always wanted to be Fire Lord.

Azula...

born fifth in the line of succession...

who has her grandfather, her father, her uncle, her cousin and her brother in front of her...

Azula always wanted to be Fire Lord.

you mean the kid that has abandonment issues?

not even counting that. after the whole shit with Lu Ten dying, Azulon dying and Ozai usurping the throne. she still has 1) her father in the throne and 2) Zuko as the crown prince. to want to be Fire Lord even then, when she's a lot closer to it, is making her want the people she loves the most to be dead or exiled.

even if you don't believe that she loves someone. why would she bring Zuko back home, restore him as the crown prince, if she wants to be Fire Lord? leave the guy there, betray him after he helped you, that would make more sense for a power-hungry secondborn daughter of the secondborn son than bringing your only competition to the throne.

I don't know where the idea that she always wanted the throne comes from, I just know it's stupid and doesn't fit anything in her show characterization

[closetsof-backlogged-dreams]

okay so I’ve seen and loved a bunch of these posts already but everything u say is immediately correct and amazing and sending u asks is the best

opinions on why zukka works and makes sense as a ship and if you think it could work in canon (outside of fanon)?

I CANT BELIEVE YOU JUST MADE MY ENTIRE LIFE COMPLETE AND FULL BY ASKING ME THIS QUESTIONNNN (strap in folks hold on to your hats keep a good hold on your bladders bc this is 10+ years worth of BUSINESS)

Why "Zukka" works and makes sense as a ship

something i've discussed THROUGHLY with my notes app and a school slides presentation is that Zuko and Sokka are both direct parallels AND contrasts to one another, at the same time. i'll list them out here:

Their fathers' roles in their lives

Both Hakoda and Ozai were the leaders of their respective nations, with Sokka and Zuko as the heirs. Then, they both become absent in their sons' lives and leave them to fend for themselves.

This is a parallel, but this is also where they contrast. Sokka's father left to go fight in the war, a noble and honest pursuit, and left Sokka to protect his sister and the village.

Ozai, on the other hand, cast Zuko out of the nation and forced him to protect and defend himself, while effectively turning all their people and his own sister against him.

Their sisters' roles in their lives

Despite both of them being the oldest sibling and brother, they both have severe inferiority complexes due to their younger, powerful bending sisters.

With Katara, she was the only waterbender in the entire tribe, a marvel. She could learn to protect the tribe in a way that Sokka had been trying all his life, and she eventually does. Despite all this, Katara is still a grounding and valued person in his life, and he would be completely lost without her (something he openly admits to in canon!!)

With Azula, she was a prodigy firebender, while also being a special kind of keen and cunning. She was adored by their father and grandfather and Zuko could never quite measure up. Because of this, Azula is the main villain in Zuko's childhood. She does everything she can to break him down, and that continues when she returns as a character in his life in season two. All throughout the show, instead of being a source of comfort and familial love, she is his main obstacle he must overcome.

The loss of their mothers

Both Sokka and Zuko lost their mothers at very young ages to the Fire Nation, but they had vastly different impacts on their families (and further developed their sisters' roles in their lives!!)

When Sokka's mother died, she was killed by a Fire Nation general. Katara quickly took over the motherly role in his life, cementing her place as a grounding and comforting force. Her death also did not break their family. It deeply hurt all of them, but Katara, Sokka, and Hakoda still loved one another just as much as before.

When Zuko's mother died (obviously not really, but this is what he believes for many years), she was "killed" in order for his father to ascend to the throne and become Fire Lord. This left Zuko without anyone to protect him from Azula's tormenting and cemented her place as a destructive, villainous person in his life. Ursa's death also did destroy their family. Whatever way she had managed to keep them all together was eradicated, and Zuko was left with a sister and father that resented him and a sister fighting for his place in the line of succession.

Their obessesions

Both Sokka and Zuko had two bone-deep obsessions that were very defining parts of their characters in the first season, that slowly wavered and faded away as the story progressed and they developed as people. They were both given these obsessions by their fathers immediately before they became absent in their lives (whether leaving themself or sending their son away) and proceeded to dedicate their entire life to these goals in the name of honor.

With Sokka, his father asked him to protect his sister and his village. Sokka then dedicates all his time and energy to becoming a brave soldier and training the children of the village in order to protect his people. This is seen further in season one even after they leave, when he is overly protective of Katara and constantly worried for her safety (something this fandom doesn't talk about enough!!)

With Zuko, his father sent him on a wild goose-chase to find the hundred-years-lost Avatar, and when he actually does, all he can do is chase after Aang so he can go back home. As we see in season three, letting go of capturing the Avatar was essentially letting go of his former self.

Unlearning their flawed cultures (the big one!!!!)

Both of their cultures had many flaws that became ingrained in their belief systems and characters; their whole development is dedicated to unlearning these flawed teachings and reorienting their perception of the world.

It is very obvious throughout the shows that the Water Tribe had strict gender roles that were both implicitly and explicitly taught from birth. The men go off to fight in the war, the women take care of the children, Sokka has to protect his "defenseless" little sister, etc. Suki helped start him on the journey of unlearning his deeply-rooted misogyny, and by the end of the series he's really drinking the Respect Women Juice™️ (unlearning the flaws of his culture also brought him much closer to his sister and strengthened their bond and respect for one another)

The Fire Nation is a lot more complicated with a lot more cultural nuances and implicit and explicit teachings, but we'll focus on one central cultural theme: the constant prioritization of ambition over absolutely everything else, including (if not especially) love. (I actually talk about this extensively in another analysis post about Azula, if you want to check that out<3) We see Zuko battle with this teaching all throughout the series, and it is the main conflict he faces, at its heart.

We watch him commit his entire life to capturing the Avatar in season one. We watch him betray his uncle in season two. We watch him, time and time again, put his own health and safety on the line trying to capture Aang, especially in season one. Constantly, over and over again, he puts his ambition first because that was what he was taught.

And though this is a trait him and Azula share, it is also what pits them against each other. Azula's entire character is built on putting ambition first, and that leads her to chasing the throne that is Zuko's birthright. Zuko just wants to go home, but that would reestablish him as the heir to the throne. Time and time again, we watch them fight and betray each other, constantly battling for this crown for a broken nation. In the end, it is Azula's undoing, but that's another post.

All in all, unlearning the flaws of their culture is central to their development as characters and a place where they parallel... but it is also a place where they directly (and perfectly) contrast.

Despite the cruelty of the Fire Nation, they are the only military that includes women. They seem to not really struggle with the same gender roles the rest of the world does. They may be colonizers, but they're not misogynists. Zuko never looked down on his sister because she was a woman, nor did her father. It was always her propensity for cruelty that undid her. (They even send a team of highly skilled women to capture the Avatar!!)

This is a direct contrast to the teachings of the Water Tribe, which are entrenched in misogyny and gender roles. The men go off to war, the women stay behind. The men are strong, the women are weak. Can you imagine how much Zuko could have assisted Sokka in his development here? (blah blah directly paralleling Suki's role in Sokka's life blah blah blah)

In the Water Tribe, love and family comes before everything. We see that time and time again. Sokka's main priority, every time, is his sister and his tribe. They stick together. They love one another. They are united, with one person leading them as a group but not standing over them like a tyrant. "Ambition" seems like a mostly unheard of concept in their nation. The only ambition we ever really see from Sokka is when he's trying to protect his tribe (season one finale)!!

Can you imagine how much Sokka could have helped Zuko unlearn his constant prioritization of ambition?? Like, come on. All the things Zuko was left to stew with and angst over all on his own Sokka could have gently taken into his own hands and shown him the way. Like, it actually makes me go feral just thinking about it. Sokka could have helped Zuko so much!! (pushing the Ba Sing Se Zukka AU rn)

Consensus

Okay, let's recap. It looks like Zuko and Sokka are both direct parallels and contrasts, paralleling in the ways that allow them to understand each other but contrasting in the ways that help them heal one another. Like, it's actually insane. I really don't know if it was intentional or not but it's really just so perfect. They slot together perfectly as characters. I hope this all made sense😭😭

Could "Zukka" work in canon?

Now, this is tricky. Believe it or not I'm actually really glad they didn't make Zukka canon. ATLA had a huge problem with writing good romance, and in the canon we saw in the show, neither Sokka or Zuko were in a place to get together.

I've enjoyed my fair share of Zukka AUs where they get together before the end of the war, but you and I both know that would have been a hot mess. (Both of them just weren't ready, they were both in relationships, and sorry but they were kinda busy—Katara was right about the whole "there are other things to worry about.") If they were ever to get together in canon, it would have to be years after the war ended.

Let's address a few things that needed to happen before they could ever have gotten together:

Finally admitting that Maiko was just an extreme example of comphet

Zuko did not give a single shit about that girl. Like. He didn't even personally go get her out of prison WHEN SHE WAS LITERALLY ARRESTED FOR PROTECTING HIM😭😭 And then they try to play off their story as some big epic romance?? uhhhh no

(really, Mai was in long-time unrequited love with Ty Lee that was finally requited after Boiling Rock but idk if society is ready for that yet)

Not to mention, Azula literally forced both of them into that relationship, but if I get started with that I'll never stop so. Moving on.

Figuring out Sokka and Suki

Okay, so while there is a good chance that Sokka and Suki could have made it work in canon, there is also a good chance they would have broken up. They both had very different priorities: while they both did care about overall world peace, it was obvious from Suki's first introduction that her Kyoshi Warriors were her top priority every time, and Sokka's was his tribe, his found family (Aang, Katara, Toph, Zuko, yk yk), and world peace at large. You're telling me those don't conflict? Especially because they really seem like a Piper/Jason situation, where they found comfort and love in each other during wartime but wouldn't have known how to keep up the relationship without the constant threat of death.

Overall, in order for Zukka to work, Sokka and Suki would have had to break up, which would not have been difficult to arrange.

Sokka needed to go home and begin rebuilding the Water Tribe

No matter how much I adore fics where Sokka stays behind in the Fire Nation and helps Zuko rebuild, it just wouldn't work. Sokka's obvious priority had always been his tribe. The second the war was over (ignoring the comics bc that's a can of complicated worms i don't want to get into), he would've gone back with Katara to work on rebuilding their destroyed tribe. Only once the Southern Tribe could stand steadily on its own two legs could he have even considered leaving.

Anyways, that's really it. In order for Zukka to work, three plot points would have to be resolved: Maiko, Sukka, and the reparation of the Southern Water Tribe. Extremely doable, imo.

Personality-wise and just as characters, would it have worked?

I really think it would have! Like I said before, Sokka and Zuko are two characters that perfectly parallel and contrast at all the exactly right points to make them slot together flawlessly as a pair. (Whether that's romantic or not—doesn't matter.) Really, I genuinely think they are a real missed opportunity. I have genuinely never seen two characters that seem so different that actually work that well together, or even just characters that work that well together at all.

Like, I really mean it, they are perfect matches. It's genuinely scary. Like it or not, no one will ever be able to replicate the perfection of what Zukka could have been.

Anyone that says that it's "random" or "doesn't work" obviously hasn't been watching the same show or simply just hasn't been paying attention. People might ship it just because it's opposites attract or red and blue or even just the most accessible MLM ship in the fandom, but they really are perfect for each other.

alright, I think that's it! sorry for this monster of a post😭😭 genuinely did NOT expect that to happen. PLS SEND ME ANY ASKS YOU CAN THINK OF ABOUT THESE TWO!! i have spent a concerning amount of time thinking about them and these show has analysis potential for days, so. (and who knows, maybe i'll finally post the like three unfinished fics i have for them💀💀 god knows i should)

thanks for the ask, and have a great day <3

[zukosdualdao]

something that gets to me a lot when people suggest iroh was wrong for not intervening during the agni kai is like... can we just think through what would have happened if he'd tried?

before i say this, i want to also say that intervening in abuse in real life is also a difficult, complicated, and often inaccessible process. that doesn't mean people shouldn't try or that i think it's right things are that way - but there are legal parameters to what one is allowed to do in a situation where they witness or suspect abuse, particularly for things that are not universally recognized as inappropriate and abusive behaviors.

with that in mind:

the agni kai is a culturally sanctioned, violent, ritualistic duel. that doesn't make what ozai does right, of course, but it does make intervening that much harder. ozai was pretty obviously breaking the acceptable terms of an agni kai (because we may not know all the rules, but even if it's not an official standard, attacking a surrendering opponent is pretty much universally recognized as bad form. evidence that this is also true in-universe is that azula deliberately uses this cultural value to her advantage by faking her surrender when fighting iroh, zuko, and the gaang so that they'll stop attacking and she can strike iroh in bitter work. edit: i misspoke, this was the chase. whoops!) therefore, one could argue that someone (such as iroh) would have been in the bounds of their rights to step in during the agni kai. and i agree! he absolutely would have been, at least morally. but legally, he is living under the imperalist rule of his brother, so... acting like it's so simple ignores the power imbalance not just between zuko and ozai, but iroh and ozai at this stage of their lives.

sure, iroh was once next in line to be firelord, but that hasn't been true in a few years by this point, and ozai is now the absolute monarch of their nation. iroh can't appeal to a higher authority or report the danger zuko is in because ozai is the highest authority in their nation, and he's the one posing a danger to zuko.

some might argue, then, that iroh should have physically intervened, but again, i think it's important we consider context. because again - ozai is the absolute authority of the fire nation at this point. defying him in this way would be treason, and ozai has plenty of guards and other military officers under his rule that could fight iroh for him, even if ozai didn't deign to do it himself.

iroh is a powerful bender and a good fighter, but he's one man and unlikely to be able to gain the upper hand in a fight where he's so clearly outnumbered by people loyal to the regime, which ozai currently leads. the most likely results of iroh's potential intervention, in my opinion, would have been his getting arrested or killed, and zuko still getting burned and banished, only now without iroh coming along to look out for him. if he had tried to physically intervene, it would have been on the frankly very slim chance that he could have somehow managed to fight off ozai/guards/military officers, remove zuko from the situation, and safely get himself and zuko out of the palace...

and, in the wise words of iroh himself, then what? they wouldn't have the (already somewhat meager, compared to zhao's or azula's) resources they have in book one, yet they absolutely could not stay on fire nation soil at that point. maybe they could have figured something out??? like, i don't know how. (the part of my brain that likes thinking up aus and then never writing them imagines maybe he contacted the white lotus and hid out until they came, but i digress.)

but again, there's nothing iroh could have done in this situation that wouldn't have been risking not only his own, but zuko's safety. zuko's safety was already compromised in the agni kai, of course, but iroh maintaining his own safety meant he would be available to try and protect zuko in the long-term.

none of this means that i don't think iroh felt ashamed and guilty about his inaction (he quite obviously did, based on the way he recounts the story and how he "looked away" in the storm.) and i also don't think it would be totally unsympathetic or wrong for zuko to have some amount of resentment for it, either (i think this is less based in canon, but i've seen it in fics - where they otherwise clearly have a largely positive relationship - and i think it can be done well and add to the dynamic in an interesting and meaningful way.) it's obviously awful that this was done to zuko. but the nature of abuse is that it can often leave people, both the victims and the witnesses, with very few, if any, good choices. and that's tragic, but the onus of that tragedy will always be on the abuser - in this case, on ozai.

[sokkabackbender2021]

ok y’all i finally finished the neflix live action avatar and…….don’t hate me……..but i enjoyed it 😭 my standards for entertainment is honestly on whether or not it entertained me, so honestly i question my standards.

first off, the visuals and score was absolutely amazing. the fight scenes were well choreographed, and the bending, which i was super nervous about, looked actually amazing.

i think we can all agree the writing and dialogue was pretty choppy at times, and the delivery could be better at times. but i also think (most) of the energy of the original characters was captured well. katara honestly got done the dirtiest because why was she so…….not passionate??? i’m hoping later on she gets more so because that’s a key trait of katara. i was very disappointed with that :/

what they did to suki too……..i liked her being a little awkward and such because it makes sense but i felt like too much of her character was dedicated to her having a crush on sokka. like where is her attitude, her ferocity?

i think aang was played very well by gordon cormier, especially considering this is a child actor we are taking about. his line delivery isn’t going to be great and yes he is a real boy so he can’t be as cartoony as some would hope but i think he was absolutely adorable.

surprise surprise, i loved dallas liu as zuko. i think there were some pretty whack line deliveries but he really captured the anger and cringeyness of zuko well. his martial arts were also also incredible, his fight scenes were my favorite to watch. the scene with him crying quietly on the bed when ozai banishing him shattered me, his subtle acting is underrated honestly.

i have my beef with ian ousley as sokka mostly because of the controversy and such, but i can’t lie he did play sokka well. yet again, as for the last characters, some line deliveries were iffy but he was still a very believable sokka.

so for the writing, i have LOTS OF OPINIONS. there were things they cut that definitely upset me, and that was just because of their lowkey questionable pacing. as much as i hate the slimeball, i missed a lot of the interesting parts of zhao’s story that they cut like his agni kai, jeuong jeuong (aang’s fear of fire??), zuko SAVING him. i feel like they had something interesting there with building a fake alliance with him and zuko, and they didn’t build more off it. [edit] that so, the dude who played zhao had me losing my shit. his line delivery was hilarious and i just love that zhao just gives that manager no one likes/that one creepy math teacher in high school vibes (only combination i could think of y’all).

the additions to zuko’s story was something i absolutely loved. i found myself actually getting very emotional with a lot of the flashbacks, and the 41st division being his crew 🥹🥹 but then i find myself being upset that we were shown other flashbacks so early (like the death of katara’s mother??).

i actually hate the hate azula’s actress is getting. she’s playing a 14 year old……like a 14 year old?? she wasn’t even in season 1 in the og so ofc she’s gonna not be the same, i’m hoping this means they’re building up her up to her fierceness in season 2.

one last critique PLEASE GET A WIG BUDGET GOOD LORD THOSE WIGS WERE BAAAAD. and also a lot of their costumes looked fake or like plastic this was actually my least favorite part 😭

overall, not as horrible as people make it out to be, i had a good time but obviously the og will always be the higher quality product. i’m just glad the young actors seemed to really be passionate for the project :)

[ba-sing-se-dropout]

I have seen the opinion that Azula is what Zuko would've been if he wasn't saved by his mother and uncle. I disagree. Zuko would've been an Ozai. The sibling who will always remain insecure and jealous of their other sibiling. The only difference is that if he became the next ruler under Ozai and the Fire nation's wrongful ideology, he would legally be the "superior" one between him and Azula. Not only that, but as a person, he would be much more convinced as he grows that the concept of Might Makes Right can only serve him best if he exercised it often. Essentially turning into his father but with a slightly more solid superficial security that he's better than Azula and is a great person and ruler in general (in a comparative sense to all the members of the family who were in line to the throne) because he got what he wanted most(a measure of power to feel secure) at the end.

If the people say that Azula is what he would've been to mean that he would've been desperate and his existence as a person would completely hinge on getting his father's approval, then I have to say that he already was like this from the moment Ozai made it clear he doesn't value him and only values Azula, which is pretty much since he was young.

[mugentakeda]

scoring a job at the tea shop was too easy. but now that he’s staring at bowl of jasmine flowers next to the black blend, it might have been a dumb idea. it’s not busy enough to numb his stupid brain.

the owner, mr. dugu, a short middle aged man with greasy long hair, was all too happy to hire him. we could use a looker like you, it’ll bring all the women in!

lu ten thinks back to zhao and jiro in dismay. he highly doubts his love life will ever heal itself back to normalcy. azula would agree with that.

it’s probably for the best that zhao doesn’t know where i am, he muses, but jiro would probably try and send me money.

now that he thinks about it, mr. dugu kind of reminds him of jiro. just a few decades older, and in green. a slick and stout guy that thinks he’s all that and a bag of fireflakes. so slick, you wouldn’t see the earnest, hard working gentleman hidden beneath at first.

but his dad is in there too. with the crows feet, receding hairline, deep tea scent, big hands. laughter in his eyes, at just about anything.

in the tea shop, however, his dad is everywhere he looks. his dad is the smells, the old tea cup rings stained in the tables, every sun ray shining through the windows, the cheap peeling wallpaper with painted leaves floating in the wind.

is it betrayal, what he’s done? or is he just dying on the hill of what his gut tells him is right?

he’s forcing his heart and his gut to become one, so he can physically stand loving his father, but not liking his father, simultaneously. letting them both exist together, at the same time. it’s not life ruining or earth shattering. it just… is.

lu ten misses the parts of his dad that he enjoyed, with great guilt. the roughhousing, the morning meditation, a warm hand brushing through his feathery hair, carrying him to bed after a long day at the beach, dropping his bags and letting lu ten barrel into his arms at full force after weeks being gone, bickering over the do’s and don’ts of tea. things got spotty and more spaced out once he turned double digits, because at that point lu ten was old enough to go longer without seeing his father. he was a busy guy and lu ten had been okay with that. he’s never been someone that needed constant attention, anyway.

but those parts were only enough to satisfy the young lu ten who didn’t care what his dad was outside of being his dad. then his aunt was married into the family, and lu ten started caring about a whole lot of things.

his aunt and his cousins give him purpose. what would he be, without them? they shape his interests, his entire worldview, his habits, his sense of self. the areas of politics and legislation that he dipped his toes in as a prince were even influenced by them. he tells right from wrong by wondering, if it was your aunt and your cousins, would you be okay with it?

what ursa went through after having azula haunted his dreams. the afterbirth stench, her hyperventilating, hoarse wails. the fire sages and azulon and ozai all muttering to each other, just to add to the chaos. he’d gripped little zuko to his chest in the dark corridor across from her chambers like a vice, biting his lip in terror and cheeks flushing as hot tears rolled down his face. it was the worst thing he’d ever heard in his life, and nobody seemed to care.

then he finds out that his mother went through the same thing with him over morning tea with his grandfather. casually, like he was being informed of the weather.

she believed she had the right to name you toshiro, despite not showing any enthusiasm over you at any other time of day, azulon had grunted. i don’t know why he ever bothered with that commoner wretch. you’d still have a mother today if he hadn’t picked some halfwit dancer with a smart mouth, you know. i even went through the trouble of setting up a whole line of good, wellborn women right before him, and he didn’t entertain a single one! but i suppose it doesn’t matter now, seeing the fine young man you’ve become regardless. i was afraid you’d inherit her crassness, if you’ll forgive me.

so she got sick of the shit and disappeared. to this day, he barely knows what to do with that information.

he hates ozai for doing the same shit to his aunt that his own father did to his mom. forced, unwanted marriage. the pain and misery of childbirth. postpartum. making heirs. he fucking hates that word. heirs.

toshiro. it’s a good name.

he’d leave his dad if he were his mother, too. he did leave his dad.

mr. dugu asked after hiring him if he was a soldier, going by his posture. he’s no earthbender, and the scars are from trial and error lightning bolts. but there are nonbenders in the earth army, and lu ten can put his mouth where the money is when given a staff. so he says yes.

that must be why i like you so much, mr. dugu had sighed. my own boy is a little older than you and lives in ba sing se with his old lady, as a teacher in a little kid’s school. he’s a bender, so he enlisted to help fight- but that stubborn old prince bastard is persistent. you know the ash and blood is filthying their water? his old lady is pregnant, and she has no clean water to drink. it’s unbelievable! but that ashmaker doesn’t realize how steadfast the good people of the earth kingdom are. the spirits will deliver them, and he’ll tuck his tail between his legs and run for the hills.

filthy water also means sick livestock. and sick livestock means sick people when the livestock is eaten. sick people means sick mothers and children, and sick doctors that can’t help sick pregnant mothers give birth. and then ba sing se is cut off from incoming supplies due to his father’s army, so they’re probably rationing the medicine. so sick pregnant mothers giving birth without proper medicine, without proper doctors because they’re also all sick. that leads to dying mothers, dying newborns, or mothers and newborns dying together.

lu ten just isn’t sure his father realizes little stuff like that. or maybe he does, and just doesn’t care. and that thought makes him so angry, he doesn’t even know what to do with himself.

his father had acted like all that was happening in the impenetrable city was something funny in his letters. along with a couple of thinly veiled pleads for lu ten to quit being stubborn and join him already.

narrow, ignorant self-interest does not impress him. its ugly coming from his own father. its even uglier on a man that’s supposed to lead their fucking country one day. lu ten will not be the same. the people he loves most in this world cannot afford for him to be the same.

you have a savvy for diplomacy, zhao had snapped at him. your father could use something like that. what’s keeping you here? don’t you see benefits waiting to be reaped from this? your cousins will still be here when your father succeeds! get over yourself!

“diplomacy,” lu ten sneers out loud. then sighs loudly in frustration when he knocks the cup over with a jerky hand.

one minute ba sing se is being taken by his dad so it can become one with the fire nation. the next minute he’s burning it to the ground. if it’s the fire nation, why in the all fuck is he ruining it? is that not counter-productive? is that not hypocrisy? what diplomacy is there to be had when there’s nothing left of the city?

but then, people on the homeland get arrested for some real petty shit. the colonial towns get paid dust. his dad killed the last dragon, despite a good portion of lu tens childhood folktales composing of dragons. despite agni herself being depicted as a dragon. a million things that he never questioned before that make no sense to him now that he has the freedom and time to truly ponder.

the spirits are not to be trifled with or questioned, my son. the spirits can even judge the thoughts and attitudes of the heart.

lu ten isn’t a man who claims to know the spirits ways, nor does he question them. he wasn’t there when they laid foundation to the earth. he doesn’t know who determined its measurements. but he does know that agni wouldn’t deliver a message so stupid and pointless.

he just questions his father, and the authenticity of his pointless quest to flatten a city being spirit-sent.

what do you wanna bet he used the wrong kind of flower for his tea and was just tripping balls?

the more he thinks about it the less grace his train of thought is willing to spare.

he’s so mad that he can’t like his dad. he’s so mad that he exists at the cost of his mother’s everything. he’s so mad that everything his proud, beautiful country stands on and believes in has the strength of a single grain of rice. he can’t bare the thought of just continuing to ignore it to maintain his sanity- he’s never been so glad to be an adult with a brain and not a kid in his own little world- but realizing things is so painful. its only ever painful. he wants to curl up in a ball and rot away. the guilt and anger is mind numbing.

do you think of me with as much frustration as i think of you, dad? do you sit and ruin your own day trying to understand what goes on in my head, or is it just me?

the fumes from the boiling teapot steam his face as he bends over it slowly, trying to curb the acid crawling up his throat like a demon emerging from hell. static curls up and down his arms and brings his hair straight up, the heat bleeding from the tips of his fingers and his palms into the counter is teetering on the edge of unbearable-

“cousin?” a little voice startles him out of his thoughts.

he pauses, and turns his head.

zuko’s standing there in front of mr. dugu, who’s grinning at him cheekily.

zuko is wearing a green apron that drags on the floor. the anger building in his chest melts like chocolate over a fire. the counter is already cooling beneath his steel grip.

“…li,” he greets, weak humor in his voice. “what’s shaking?”

the kid flushes. “i got bored and walked here from mom’s work. and mr. dugu said no loitering in his store. so i’m….. hired.”

“are you a seasonal employee?” lu ten snorts.

“i don’t even know what that means,” zuko replies curtly. he doesn’t realize his sass definitely matches azula’s. “i can bring the tea to the customers.”

“well,” lu ten sighs, “i believe i’ve scalded the hell out of this jasmine by accident. give me a few minutes and i’ll happily provide you with something drinkable.”

“…do better!” his baby cousin orders awkwardly. and so he does, because lu ten is only ever the loyal servant to his baby cousins.

zuko brings the tea to the customers. every time lu ten hears his lispy little voice thank them for their patronage in monotone, he can’t help the way his lips quirk in amusement.

“the girls in the front kept baby-talking me,” his little cousin grumps later that day. “i had to run away before they got the chance to pinch my face.”

mr. dugu laughs, and pats zuko’s little shoulder heartily. lu ten’s heart aches. he can think he hates ignorance until the sheep-cows come home, but there’s nothing crueler than seeing his father in this man’s mannerisms, who’s son could be dead or alive at this very moment, due to his father in question.

“just be glad your sister wasn’t here to see it,” he replies, lest he choke himself up with his own angsting.

zuko huffs and slides off the chair he’d been sitting crosslegged on. “mr. dugu, could i take some cakes from the back to my sister? she’s a sweet tooth.”

“it’ll be coming out of your paycheck,” the man replies teasingly.

zuko frowns like a cranky owlcat. “i don’t know what that word means either.” and with that, he stomps to the back.

“that one’s a trip alright,” mr. dugu laughs. “and you say the younger one is even worse?”

“sure is,” lu ten sighs happily. “they both are the worst. i’m wrapped around their greedy little fingers. they don’t let me hold the house keys, but they’ll let me buy them candy.”

“it’ll be like that forever,” mr. dugu says sagely. “my only son is now a grown man with a wife of his own, and soon, he’ll make me a grandfather. but at the end of the day, he’s always gonna be my precious boy. my baby. and no matter what, i want him to always know he can come back home to me. despite everything. no matter what.”

the man deflates suddenly. “if anything, i might just beg him to come back home to me, once ba sing se chases that scumbag away. i have enough room to house the three of them. my boy lives and breathes to be a teacher in the city, but this old heart can’t take not knowing….”

he trails off, and pushes over a rock with his foot glumly. “they say he has children, too. the fire nation prince attacking the city, i mean.”

lu ten’s blood turns to ice in an instant.

“i doubt one such as he would feel anything if he lost them. if a man can kill another man’s child, i believe he’d might as well kill his very own. and this father would protect every child in this village as his own. you, and your little monster cousins. you know?”

agni is a big blurry dot in his vision, and he swallows hard. “yeah. yeah, i do. this one thanks you for it.”

he holds zuko’s little hand tighter than usual as they go to pick ursa and azula up from the florist.

[comradekatara]

these lines provide some of the most telling insight into azula’s character throughout the whole show. while she claims she “doesn’t actally care” that ursa “always preferred zuko,” that her “own mother thought [she] was a monster,” it’s clear she does care, deeply, that she’s belying a core truth about her psychological landscape that is ultimately revealed by the mirror scene in the finale. these lines are the closest she ever gets to being honest with herself before her breakdown. so let’s actually take the time to unpack them.

my own mother thought I was a monster.

much ink has been spilled on whether or not ursa was a good mother to azula, whether she actually thought azula was a monster or whether ozai simply convinced azula that she did to further isolate her. personally, i think it’s something of both. ozai isolated her and molded azula into an extension of himself; thus, he made both azula and ursa see her that way, until ursa was not only afraid for azula, but also afraid of azula. ursa thought that ozai was a monster, so azula, as a projection of ozai, became regarded as a monster as well, even if logically ursa knew that azula was an abused child and not simply an extension of her husband in any ontological sense. ursa had no choice but to let ozai mold their daughter to his image, as she could not disentangle her daughter from her father without also facing his wrath. she was faced with an impossible situation, and she hurt azula as a fellow victim of ozai’s abuse, regardless of whether or not that was ever her intention.

she was right of course.

however, an aspect of these lines that I think gets overlooked and misunderstood is the fact that azula readily admits that she sees herself as a monster. flippantly, even. “she was right, of course.” most people assume that azula is simply acknowledging that she’s the villain of the story. “of course she must know she’s the villain, she clearly relishes in being evil.” but people neglect to acknowledge that azula truly believes that the fire nation is right. azula has been indoctrinated into this ideology since birth; she has no reason to think that she might be on the wrong side of history. when azula admits that she thinks herself a monster, it is not because she thinks that she was wrong to conquer ba sing se, wrong to capture the kyoshi warriors, wrong to kill the avatar. no, azula thinks that she is a monster for the same reason ursa did: because she is like ozai.

but it still hurt.

let’s say, for argument’s sake, that azula did know that the fire nation was evil, that she did bad things for a bad cause. would that actually change anything? no, azula would continue down her path of imperialist conquest, never entertaining the notion that she even had another choice. like zuko, azula is angry at herself. and as we have just seen, she is not just angry; azula hates herself, despises herself, considers herself loathsome, ghastly, monstrous. because as much as she projects an image of supreme power and confidence, wherein she is at liberty to do whatever she wants at all times, azula is ozai’s obedient servant. and azula is paralyzed by the fear of leaving one hair out of place, of straying even a millimeter from his path.

azula was shaped in ozai’s image, with no iroh or ursa or anyone else for that matter to present her with new paths, with ways of escaping her abuse. even zuko, who did receive support and other options, took years to unlearn ozai’s conditioning. azula had no other options, no real support system, nothing to define her identity besides her abuser’s dictums. she has seen what happened to her mother and brother when ozai perceived their treasonous inclinations (i.e., contradicting his narcissism by expressing loyalty to other human beings besides solely himself) and she is paralyzed by fear that the same could happen to her. she rationalizes ozai’s violence by convincing herself that his victims deserved it for being “weak,” but deep down, she knows that she is also weak, that she is also a victim, even if she cannot fully admit it to herself.

so she sees herself as a monster, for being ozai’s shadow, for being the servant of the man who destroyed her family. her proximity to monstrosity appalls her, even as she tries to convince herself that it is proximity to godhood, that she is not an extension of abject violence but a messenger of the divine. zuko can only recognize ozai’s abuse for what it is once he deconstructs ozai’s imperialist ideology, but azula still buys into that ideology, so she cannot put a name to his abuse. but it’s clear she still fears it, still feels disgusted with herself for being victim to it, still feels like a monster even as she tries to convince herself that she is an angel.

in fact, she has to tell herself that she’s a monster, because if she’s not a monster, then she’s a victim, weak like her mother who got what she deserved. if she’s a victim then that means she and ursa (and zuko) were all destroyed by the senseless cruelty of an egomaniac’s petty whims, that all the love she has ever known was ruined for nothing. so she has to be a monster, because at least then she has power, at least then she has agency. ozai shaped her in his image, and she has to be proud of that fact, because otherwise she’d shatter.

and when that realization overtakes her, she does. when she takes inventory of all the love she’s lost, of all the people who cannot look her in the eye, of all the ways in which she has been perverted by her father’s abuse, she is disgusted by herself, for being both monstrous and weak, feared and afraid, victim and perpetrator. and it hurts.

[zvtara-was-never-canon]

Have you noted that no one from Azula's family was shown to express love and affection towards her?

That is mostly true. Ozai's affection is clearly conditional (and full on manipulation at worse, like we see in the finale), Ursa canonically favors Zuko to the point that we never see her spending any alone time with Azula like she did with Zuko, and while Iroh gave her a toy like he did to Zuko the toy in question was so OBVIOUSLY wrong for a kid like Azula that it's comical AND show's he did not really know his niece at all.

But there is a constant exception.

Zuko's relationship with Azula is complicated. He clearly admires her strength and power, but he hates how she uses it. She lied to him many times, was seen apparently cheering Ozai on during the Agni Kai, tried to have him imprisoned and even said she'd celebrate being an only child - and then allows him to come home as a hero after Ba Sing Se, even though SHE had the control of the Dai Li and was not yet aware Aang could have survived, meaning she had nothing to gain from it.

And when she lets him know that if he's caught talking to Iroh people might think he is a traitor too, and explicitly says "Believe it or not, I'm actually looking out for you" Zuko drops his innitial suspicion that she wanted something and that's why she was helping him.

On The Beach, he just follows her when she say their old family home is depressing and they shouldn't waste their time there. When she's asking him who she is angry at, she mentions herself and Zuko explicitly says that is not the case.

He doesn't trust her and know she has a tendency to mock or full on lie to him... yet when he wants to know about Fire Lord Sozin he asks her about it, and lets it slide when she mocks him by saying he should make sure the royal painter got his good side - for a character as quick to anger as Zuko, that is a big deal. In Nightmares and Daydreams he also goes to her to find out if he'll be allowed at the war meeting.

More importantly:

1 - Iroh's infamous "She's crazy and needs to go down" line was only said because ZUKO, without anyone putting that idea in his head before, suddenly went "I know what you're going to say. She's my sister and I should be trying to get along with her"

2 - Zuko only jumped into the fight in Ba Sing Se when Azula was being cornered by Aang and Katara.

3 - Zuko looked genuinely shocked and even distressed when she was falling off that cliff. He just sounded so shaken saying "She's... not gonna make it..."

4 - In the writer's own words, Zuko felt no hate but only pity when seeing her breakdown. Katara tried to comfort him because, canonically, even though Zuko and Azula are enemies, this was never what he wanted because he still sees her as family. That's why the Last Agni Kai's music is not the epic you'd expect from a battle, but a tragic one.

5 - Aaron Ehasz, the lead writter for the show, probably the person with the most influence after Bryke, has REPEATEDLY said that he always felt Azula should have gotten a redemption arc, Zuko being an Iroh figure to give her advice and be the only one still by her side when all else was seemingly lost to her forever.

Even the comics (most of which I HATE, mainly because Azula's storyline checks nearly every box for "the mentally ill are inherently evil/less human, so it's fine if literally every other person on the planet mistreats them") didn't fully abandon their complex dynamic.

Zuko is not a perfect sibling, and for a long chunk of the story he seemed too focused on his own issues for Azula to ever be a factor in his mind (aside from the moments in which she was a potential/explict threat), but he DOES still feel a sense of obligation towards her, to the point that it made him do something no one else in their family had done before or since - actually look at Azula. Not the prodigious daughter/perfect weapon, or the problem child that is difficult to handle, or the pontentially deadly enemy that was in the way, but Azula.

His 14-year-old sister that got on his nerves a lot, was far from the kindest person alive, and that he had a ton of issues with, but that he could never fully hate or even be indifferent to. Because she's family. Because he remembers a happier time in which the gap between them didn't seem so big. Because if things had been slightly different he could have been her. Because he went from wanting to be her to seeing just how miserable her life ended up being - especially compared to the one he now had - and feeling deeply sorry for her.

Now if you guys excuse me, I'm gonna go cry in the corner. Have some wholesome/bittersweet fanart if you wanna cry too.

[teaforthotxxx]

Im sorry guys. But, make the villains as babygirl as you want so that fans can sympathise with them. But, remember whose narrative you are writing. If the main perspective in ATLA is Gaang that were hunted and harassed by Princess Azula. If we are meant to look through the lens of the older brother she bullied throughout her life, these people are would not have seen her insecure moments. These people don’t view her as a fourteen year old cog in a greater evil. In their head, she is evil personified (especially from Katara’s POV).

We, the audience, see her more vulnerable side in brief moments from her POV (which only occurs after Zuko’s POV somewhat merges with the Gaang) and in small moments from TyLee’s PoV. Even in the Ember Island episode, Azula’s vulnerability is never shown from her POV because plot twist guys AZULA DOESN’T see herself as insecure. In her own narrative, she is the monster, she is the villain. She is a fourteen year old with an over-inflated ego. She isn’t afraid of disappointing her dad or being the least favourite because SHE WAS BUILT UP BY OZAI INTO DELUSION.

She is beautiful. She is flawless. She is intelligent. She is powerful. She is THE true Fire Lord! That’s how she views herself. This ideal never crumbles- not even when she is cracks and her friends leave her. And, that is what Ozai did to her. Ozai (this abstract force in ATLA) hurt her by feeding into her delusion and manipulating her into a tool.

All of this could not have been shown if ATLA had been told through Azula’s POV. IMO the Netflix writers demystified a lot of plot lines (ie giving Ozai a face, introducing Azula too early, emphasising Kiyoshi). This takes away from the wonder of slowly introducing audiences into the ATLA world.

This brings me back to narratives. Katara is the best narrator because to some degree, she was isolated from the rest of the world since she was young. Through her lens, the ATLA world outside of the Southern water tribe is coloured in wonder.

If the series had been told through Aang’s POV (Aang who had already travelled the world), the world after the war would have become very small and dismal (we see this when he discovers the air temple grave yard). Furthermore, Zuko’s POV while still isolated serves to remind us of the horrors of war. He shows us a more adult-world but it is always tainted by anger and hate. He cannot be the main narrator (he is only a supplemental narrator) because it would make the show too dark and sucks out the fun.

The NATLA missed the most basics of narrative storytelling of ATLA. And, thats so sad because I feel like the actors put their all into their roles. Katara’s actress is so Katara-coded irl but the show did her so dirty.

P.s. if you want more ATLA content, please read the comics or the book, the OG cartoon was fine. We don’t need Carbon Copy nostalgia bait.

[endlessdaydream]

I get it, live actions aren’t for everybody and that’s totally fine. Not everyone’s gonna like it. But to shit on the stupidest things, or draw the dumbest conclusions??? Blocked. Y’all look dense as fuck. Views will be mixed as they always are, quit clogging up the tags with your negativity and find some chill 😂 The originals are still there to watch or read and enjoy…so go do that…it’s literally on the same app 👏🏻 I’m trying to be understanding I am, but some of y’all are so damn hung up you’re letting it completely destroy something you’d otherwise enjoy

Anyways!! Here’s some of the stuff I loved from the atla live action!

•cinematography, soundtrack, costumes - all on point

•getting to see the airbenders flourishing!!! Also the dude who played Gyatso?! Didn’t think I could love him more!! Even though it was painful as FUCKKKK getting to see the first invasion of the fire benders was an epic masterpiece

•speaking of, the first scene?? With the earthbender soldiers in the fire nation?? Iconic

•Omashu: unpop opinion I’m sure (bc y’all hate change but simultaneously hate when it’s carbon copy????????🤦🏼‍♀️) I loved how they incorporated like 3 or 4 episodes into one, and they flowed really well together. Jet is FOINEEE. Mechanist was perfect & his son is a freaking badass, amazing casting! Even though it was change, the secret tunnel scenes were still really freaking cool and the badgermoles were SICK AS FUCK. Also I love that Bumi was still cooky but not just randomly cooky? Like mans was run down from being king basically the entire war…which FAIR. And it made sense that he was peeved with Aang BECAUSE they were such good friends. Like the other avatars being mad at him? Yea that’s whatever. But for Bumi it was kinda personal. Also CABBAGE MAN WE MISSED YOU 👏🏻👏🏻👏🏻 Oh! And the way they mentioned other episodes like they were lore when Zuko was trying to find Aang? That was an amazing way to tie back to the OG series

•I love how they incorporated the blue spirit, Koh, the fog of lost souls & parts of the ep where sokka and Katara got sick & Aang had to get them frogs - just reimagined it. Oh also Hei Bai! Yea, I loved that whole episode. Koh & Hei Bai were SCARY as fuck, it was awesome!!

•HAHN MY BELOVED…I ADORE YOU! Favorite character that they added/changed. Katara getting the other women involved in the battle?! Tui & La? The oasis?! 😭😭 stunning!!!! I also LOVEDDDDD Aangs avatar spirit that he turned into, literally perfect! And I loved the change that he gave himself over to the spirits wrath..fucking SICK. Also right before aang turned into the spirit/whatever that’s called, I was praying they’d do the line and thEY DIDDDD!!!

•Fire lord Ozai?? 😳😚 nothing needed to be said - perfection

•Kyoshi?! The Kyoshi warriors?! SUKI?! - speechless

•I like that they’re making more of a point to show how smart Sokka is! Mechanist calling him an engineer…I hope they play more into that! Ik they did a bit in the show with the subs (cartoon), but still

•”~hE rAn~” seriously my favorite line, I was DYINGGGG!!! The scenes with Zuko and Iroh, Zuko before the war meeting, the leaves from the vine being in the background at the funeral….ARE YOU FUCKING WITH ME?! Zuko’s crew being the crew he SAVED?! And when they find out they all do the fire nation bows to their prINCE?! 😭😭😭😭

I’m being fair y’all - things I don’t love/hope they change:

•this one I’m 50/50 on - I don’t love that they tried to give Kuruk a reason for disappearing. They tried to pull shit from Korra to make him look meaningful & not useless as an avatar and it didn’t hit for me

•some of the wigs: obviously we won’t see Yue again, but I wanted her hair to be white. I didn’t love the wig but it wouldn’t have been as bad for me if it wasn’t so grey. Also do NOT love Azula, Tylee or Mai’s hair. Ik they look just like the show but whether that’s wigs or their actual hair (I’m clueless) it needs some serious improvement. Azula’s looks great down, I just don’t like how big the side pieces are that frame her face when it’s up.

•Katara, my love, I am PRAYING part of your development is also going to be her becoming more outspoken and badass, bc this season we saw the tiniest of glimpses of it, not a fan (unless it’s a part of her development…she did grow up in a tiny ass tribe so I’m giving them the benefit of the doubt)

• IK they’re going with a much more serious Aang, but pleaseeeee give us some actual moments of him being a kid. We saw that like twice 😭

•Dante is the PERFECT ZUKO, I will hear NO slander. However, I need him to be more of a dick. I’m hoping we’ll get that when he gets super desolate when they’re on the run & then we have Zuko alone & he has his inner battle. I need snarky dickhead Zuko, so you can truly see the big differences between what he’s fighting (himself vs. who his dad wants him to be)

Have fun kids!

In case I haven’t made it clear, idgaf if you disagree. I go so hard for these live actions because it’s fun! It’s just supposed to be fun and different and new. If you get so serious about it you’re ALWAYS going to be disappointed, there’s no way around it bc nothing is ever going to be as good as the original book, the original show, the original tale. OG atla is ALWAYS gonna be the winner, nothing will compare! So sit back ~relax~ and find some joy in the little things