#the most interesting story to tell with this character

[thecheshirerat]

On TAZ-

Wow that sounds like I’m about to summarize some sort of discourse but I promise I’m not. I guess I’ll say that I really like this show and I will keep listening even if my worst fears come to pass, so keep that in mind!

For reference, I started listening near the end of Amnesty.

I’ve noticed, with the past few arcs- really since Ethersea- the narratives have just… not been fulfilling their promises, so to speak. They’ve been placing a lot of guns that don’t go off. What I mean by that is, the characters are great. Excellent, really. Lady Godwin? HELL YES. Emerich Dreadway? Fuck yeah! And so on! And the settings and premises have been epic- the goofiness and also horrifying nature of Engrave, the mad and thrilling world of Steeplechase- these things are COOL AS FUCK.

and then the actual narratives keep flopping?

And honestly, I notice it most in the endings, because you can really tell when an ending doesn’t land. You feel the sense of disappointment. But with vs. Dracula, for example, I could kinda see leading up to it that the ending couldn’t really BE anything special, because they lowkey didn’t set themselves up for it.

They spent the campaign fucking around in Engrave, finding clues and solving problems and not really experiencing any particularly meaningful character arcs or growth or, idk, forming relationships? So there wasn’t much to pay off, I’m not gonna lie!

Of course it doesn’t feel quite as dissatisfying when you’re in the thick of it, because they’re funny and the stuff is cool and- oh hey! Lady Godwin’s been turned into a werehorse against her will?? that’s got some real potential for a LOT of allegories and exploration of some fun character development! And then it’s kinda played as a joke. And then they do that again and again.

And they actually said that that was a move they made intentionally, in the TTAZZ. I’m not quoting them perfectly here, this is from memory, but I do remember them mentioning that they wanted lighthearted comedy without the burden of real life story stuff. And I get that, honestly, but… it’s not the choice I would’ve made. I do think you can keep a lighthearted tone while also, idk, forming relationships and wholesomely engaging with some amount of emotion. And sometimes going way too deep is funny as a tone shift!

But I digress. One thing that’s also popped out to me is the almost complete lack of any kind of romantic storyline or even references. This becomes obvious if you’re in a fandom because everyone is always dying to ship SOMEONE, and you can tell when people are really getting desperate. I don’t blame them for not wanting to roleplay romance with their family, and I do think stories lacking romance are COOL and SHOULD BE ENCOURAGED!

However if you can’t find ANYBODY to ship together… that may mean you just don’t have character bonds. The growing popularity of the PC polycule is interesting to me; I wonder if it’s partially because

a) none of the pcs have significant relationships outside of their party and

b) even within the party, there doesn’t seem to be much chemistry between any given pair of characters…? I hope I’m making my point well here- the PCs all seem equally close and have more or less the same relationship to all of their compatriots with little distinction, meaning, essentially, no shipping fodder that doesn’t involve just all of ‘em.

Either way, it makes me wonder if I can blame the “Graduation has too many NPCs!” critique. They really stopped giving the parties tag-along main NPCs after graduation, with the exception of maybe.. Urchin? Kodira? Shlabethany? Poppy? and even they get relatively little “screen” time. Steeplechase has great NPCs, I love them to death, but none of the PCs seem to ever have one on one conversations with NPCs or each other that do not explicitly focus on the plot. And I think that’s part of why the characters feel so underdeveloped despite having spent a lot of time with them- because in this character-driven genre, we get very little insight into their feelings or motivations or even their rudimentary backstories.

I started watching Fantasy High recently and it made me realize a couple things about TAZ.

1) Recently, TAZ has sooo few core NPCs, and it’s weird that the characters aren’t doing more one-on-one purely character based scenes. And that makes it really tough to develop them.

2) TAZ is- and I should have realized this before- one of many good dnd podcasts. They’re probably looking for a niche they can master.

And it sounds like they’re trying to get back to that old “Here there be Gerblins!” energy. They’ve referenced it so many times in recent TTAZZes- they wanted to be job-focused, allowing story stuff to happen organically, so they tried a more open world vibe with Ethersea. They wanted to be less afraid to kill stuff, so they tried playing criminals (and were still afraid to kill stuff). They wanted to be silly and light on character, as they tackled with taz vs dracula. Now they’re trying to bring in the silly cartoon vibe with Abnimals. I think they’re trying to make that family-friendly, funny and goofy show their niche. Something other actual plays can’t be better at them at.

And honestly it kinda makes me sad, that they keep trying to go back to Balance while ignoring everything they learned during it. Because I loved Dust. Because I loved Amnesty. Because I loved Ethersea. I loved these past arcs! But they keep doing their brilliant characters dirty for some reason!!! And i don’t know why!!!!

You know that meme about people who ask questions in movies and then the person responds “Have you ever been to a movie before? You watch them and the information is revealed.” There have been so many times in TAZ recently where information has Not been revealed and if they keep doing it the audience will stop bothering to suspend their disbelief, because the trust just isn’t there.

What is Montrose’s deal? What on earth was Carmine Denton’s whole thing? Tell me more about Zoox’s feelings, about Devo’s past, about Amber’s future. Show me how Lady Godwin feels about the body horror that is her life- like, seriously! WHY DID WE HAVE TO COMPLETELY DISMISS THE OPPORTUNITY TO DISCUSS GENERATIONAL TRAUMA IN MUTT’S LIFE FOR A JOKE??

Do you remember in Steeplechase where the boys were getting medical attention or something- i don’t remember, but they were all in one room and only talking about The Plot. And Poppy literally banged on the door (speaking for both Justin and me, tbh) and was like “does anyone want to share any feeeeelings??” and they were like NOPE! and they moved on!!

like. cmon. you can’t just put a character like montrose out there and then leave them severely underdeveloped to the point that what would be interesting in proper context, with audience insight, becomes confusing and chaotic.

I just wish they would take their stories as seriously as we do.

It feels to me like they don’t believe in themselves, and it makes me sad. Maybe they didn’t get the response they wanted from Ethersea and so they’ve been trying to pivot, hoping to recapture whatever it was that earned them a loyal audience.

Again, I love them. They’re so funny and I’ll keep listening until the day they stop making this show, and when it happens I’ll cry.

But i KNOW they have more in them. Remember the “we’ll grow gills” monologue from Justin in the Prologues? Remember Travis’s SOLID acting with Devo? Or his awesome choice to give Lyndon/Beef a clearly delineated work/irl identity? His excellent narration and prose? Remember when Montrose described being lonely?! Remember all those moments where Shit Got Real and you cared??? The nanofather said some dope shit! dracula and victor and sweater dracula had such a wild dynamic! Clint’s acting in Dust 2- I can’t remember the characters name right now- was ASTOUNDING, I genuinely didn’t know he had that in him and it blew me away!

I’m not referencing Balance on purpose, both because the fandom is way to hung up on it and because I want to prove that you don’t even have to look at Balance, or even Post-Balance arcs, to see this kind of good cool stuff!

GAAAAAAAGHHHH!!! I want them to have fun. But also. We’re starving out here.

[sarahreesbrennan]

Avoiding my email as at this point I fear there are bears in there…

Received a very interesting question but it is also very spoilery, so. Beware Long Live Evil spoilers!

There are many versions of Time of Iron, for many people have entered the story, and you cannot exist in the story without changing it. Keeping the different versions in your head isn’t as complicated as you would think. It’s like having the different POVs for every character in your head, for any scene, so you know why characters act the way they do.

For instance in the scene where the Cobra and Key first meet we see what Marius is thinking. But it’s a very different scene from the other two POVs.

ERIC: Night in with the bestie. He’s sad and that is sad but not unusual, Rahela is narratively doomed so nothing to be done, so excited to have met Lia and so hoping to avoid the Emperor, uneasily aware the story is coming for us but mostly thinking about my writing…

ERIC: OH NO NO NO! OH MY GOD THE EMPEROR IS OUTSIDE MY WINDOW COVERED! IN! BLOOD! ERIC: And now Marius wants to fight him! I must prevent this. ERIC: suddenly this is the most stressful night of my life.

Many more stressful nights to come…

Whereas for Key it’s a pretty nice night.

KEY: Time to kill that guy from earlier, yay. KEY: Wait new handsome man wishes to give me money? Yay. Court is fun it turns out, aristocrats shower you in cash and other people clean up after your murders. Very luxurious. KEY: I guess I’ll kill that guy another time. 😌🔪

Sadly for Key, few such nice nights to follow.

… Except for different versions of the book, you have to think about what would have happened differently, as well as different thoughts. Who would you be, if that one thing hadn’t happened? Marius’ POV chapter titles are about the Cobra, because he’s what happened to change the course of the narrative.

In Eric’s version, Marius had survived up to where Eric had read, though that doesn’t necessarily mean he would survive until the end - the series is unfinished.

In Eric’s version, Marius had a different part, I wouldn’t necessarily say bigger. We would see more of him from Lia and Octavian’s POVs, and everyone is different through different eyes.

Without the Cobra, Octavian and Marius would have been much closer. This complicates Marius’s later relationship with Key. This also complicates the relationship with Lia which we know in that version is explicitly romantic, with a kiss.

Eric will tell Marius more about his version, but Eric’s now very aware of how much the story will and can change. He and Rae have different pieces of a puzzle, and they’re not even sure if it’s the same puzzle at this point.

And Eric doesn’t even know how his own murder happened. Only that it did.

[mariberrycake6058]

Hiii, I present to you my Gravity Falls AU: We'll Meet Again AU (I'm still thinking about whether to change the name or leave it as is)

To tell the truth, the lore is very long, so I hope that whoever is interested reads it completely and can let me know if they like it, I may make a comic about this.

If there are any mistakes, I completely apologize, my English is not very good and I used Google Translate for this, anyway, you can correct me if I'm wrong about something! I hope you like it and that someone sees it :]

⚠️TW: Mental disorder/problems mentioned!

CHARACTER DESIGNS:

WE'LL MEET AGAIN - A GRAVITY FALLS AU

In this alternate universe of Gravity Falls, Bill returns to town in a physic form after a long time of being in some therapies, but now with some changes in it, the most notable being their great loss of many of their powers, among them is the difficulty of to be able to levitate in the air, wanting recover this little by little. Seeking revenge within, returns to the village to put an end to what it started, but due to a fault "unknown" ends up reaching a Gravity Falls very similar to where he comes, but feels that there is something different.

Someone shakes hands with a triangular statue with only one eye in the middle of the forest, hoping to see it again, but there is nothing. He sighs and when he is about to give up, the atmosphere begins to get heavy, the breeze of the wind becomes strong and slight tremors begin on the ground, some small animals run around, and what he thought would never happen, finally gives results.

The one-eyed triangular entity appears in front of him, at first wondering what is going on, and upon recognizing that place, he begins to laugh and look around, he had finally been freed again, all thanks to... Stanford!?

But this was not the Stanford he knew, this one looked more tired and worn out than the one he had seen last time, how long had it been since he had done his job? Something was wrong!

Stanford, for his part, couldn't believe that the creature he hadn't seen in years had finally appeared before him, but... More different than he remembered.

—

STORY

In the past, at the age of 19, Stanford suffered an accident (which remains unknown) along with his family, in which only he and his brother, Shermy, were the only survivors. This caused him to suffer from post-traumatic stress disorder, leading him to live with guilt for the rest of his years.

Stanford, seeing that only he, along with his brother, decided that better, according to him, was to get away for a while time since he was not in a good state after what happened, also with the excuse that he did not want to be a annoyance for him and that it was time for become independent. Despite the Shermy's insistence, finally he understood what his brother wanted, being so they never saw each other again after that his family's funeral.

Stanford tried to continue with his normal life in a town called Gravity Falls, where many types of anomalies occurred, which were of complete interest to him since he was seen as a phenomenon due to his extra fingers on both hands, and these creatures connected well with him.

He met Bill after seeing a stone engraving during one of his investigations and, not believing enough in the existence of a certain creature, that same night it appeared in his dreams, it transmitted a lot of confidence, it was very kind and flattered him in a certain way, the nights continued like that and both came to have a very great friendship.

Until one night, Ford in one of his many crises for remembering his traumas from that accident, Bill appeared before him, letting him know that in the same way that he had also lost his family in an accident in his dimension. For this, Bill offered him his help to be able to create something unmatched that could "bring his family back alive", as if it were a time machine to avoid everything and be able to save his family, and this could also "bring Bill's family back", Ford who was still very naive, desperately accepted the deal to remedy everything and leave behind the guilt that gnawed at him daily, without knowing that what Bill really planned was to create a portal to be able to take over that dimension. (The canon thing)

Stanford worked with Fiddleford on the project, however, McGucket did not know very well what the purpose of this was, but he did not hesitate to help his friend. But the pleasure did not last long, because months after so much work, the truth came to light, although Fiddleford did not say anything at first, with the passage of time he reflected on the project and how dangerous it could become if it altered time, so in the end he ended up facing Stanford, telling him that he was so obsessed with his family and Bill, that he should give up and accept that they had died, and that he felt that this Bill was not trustworthy. After that, Fiddleford abandoned the project and they never saw each other again. Stanford finished the project by himself and as he could.

Having everything finished, he was ready to tell Bill about this, but as he approached him he could hear a conversation that he was having with other creatures which were laughing out loud and calling Ford insults and humiliations, in which Bill also participated, this being the way in which Stanford would have found out about Bill's true intentions, going immediately to close the portal and get rid of anything that could activate it, however, Bill had noticed his presence before, making himself present later to confront him and tell him the truth about everything, betraying Ford in the cruelest way with illusions and promises so he could see his family back. Full of anger, confusion, disappointment and even some hope that it was all a very heavy joke on Bill's part, Ford refused to believe what was happening, but in the end Fiddleford was right in that Bill was really not to be trusted.

Ford closed the portal before anything else could happen, Bill for his part became upset and cursed him, promising to return one day to accomplish his plan, he left leaving Ford alone, and he quickly got rid of most of the things that gave power to the portal.

Stanford fell into a slight depression because of Bill's abandonment, since he was the only one who could make him feel special and feed his ego. In a certain way he was still obsessed with Bill and with his promise that of course, would never come true. He made a stone statue in the shape of Bill and abandoned it in the middle of the forest, with an engraving on one side of the statue where you could read the lyrics of the song that Bill used to sing to it (We'll Meet Again), from time to time he would visit it and take the hand of the statue, hoping to be able to see him again, for what? Even he didn't know, despite the fact that Bill had betrayed him, he still felt that need to keep seeing him, he was going crazy.

Years later, Dipper and Mabel come to visit, they are under Stanford's care for the entire summer and have some adventures with the town's anomalies.

Some time later things happen and Bill from another dimension arrives in this different one.

Stanford has knowledge about the multiverses, and he knows very well that this Bill what has appeared there is not the Bill that he knew, and vice versa, this Bill knows perfectly that this Stanford is not the that he knew, however, he knows nothing about this one's past, and seeing it in that somewhat vulnerable state, "takes pity" slightly from it and gives the opportunity to meet him again, even if it is someone different but similar at the same time, in addition to the fact that by Axolotl's obligation, is obliged to improve his conduct and act for the good.

Stanford doesn't know what this Bill's intentions are, but seeing that he doesn't have many powers, he doesn't care, which makes him invite him to stay with them at his cabin. Bill initially refuses, but then agrees when he sees how useless he has become without powers, and sees the advantage of taking advantage of it to find out how to return to his "original" universe and plan his revenge against the other Pines (something that won't be possible for him), but of course, he doesn't say anything about this to these different Pines, although Ford has his small suspicions.

FUN FACTS

Here, Dipper and Mabel are already 13 years old.

This Pines family does not know what Bill has done in the dimension he comes from, that is, wanting to get rid of his-selves, them- from that dimension (The Weirdmageddon).

Dipper has had free access to Ford's journals, even reading the pages Bill had written before the whole conflict happened, so this Dipper doesn't trust Bill very much, but tries to live with him (forcibly).

This Bill is nicknamed "Dori" (from Dorito) or "Chip" by Mabel, she is more relaxed than Dipper and is even the one who spends the most time with Bill, she sees him as so dumb and vulnerable that she doesn't believe that one-eyed thing is evil, but Dipper still insists that she doesn't trust him too much. Mabel makes mini sweaters for Bill, she even usually puts band-aids of different designs and colors on the cracks/scars he has, so that they don't look so horrible, in her words.

Bill is bitter, but he tolerates the twins a little since they don't spend their time yelling at him. His only question is where Stanley is, however, when he asks about him, he doesn't get an answer from anyone.

Bill takes on human form from time to time, at Mabel's request because she thinks he looks less silly that way.

Bill gives Ford cute/embarrassing nicknames, and of course he also calls him Fordsy/Sixer, the first one leaving Mabel curious.

In a certain part of the AU, Ford sends Bill away because it's not free to stay at the shack and because the positions there are taken (he tried to fight with Wendy for her place but ended up losing). So here Waiter!Bill is born, as in that Gravity Falls the Weirdmageddon never happened, nobody knows Bill and they just take him for one more creature of the town, so it's normal for them and it wasn't difficult to get hired by Lazy Susan, although his attitude isn't the best, he tries to do well so they don't fire him and Ford doesn't get upset with him. (Last photo at The beggining)

Another fact that I didn't mention is that yes, the Mystery Shack does exist as such and is also a tourist place, but Ford is the one who usually gives the exhibitions of the things that are there, and when he can't attend, Soos is the one who helps him (only there are no scams here)

WHAT IS BILL'S RELATIONSHIP WITH THIS PINES FAMILY?

Dipper Pines.

A 50/50 between the two, Dipper prefers not to get directly involved in anything Bill is present at, he doesn't trust him, but he has to live with him at least a little, he tolerates him, although he thinks Bill has a very high ego and is kind of conceited, despite not having powers. He prefers to stay away from him at certain times. Bill also prefers to be away from him.

Mabel Pines.

What can you say? Bill, aka Dori/Chip is like a pet for Mabel, she likes to do it small outfits, their coexistence is good, but there are times when she should also moderate her personality with him, at Dipper's request, so that her wouldn't trust him so much. Bill likes him Mabel's creativity is like a very colorful chaos, but it is embarrassing to wear the outfits that he does it, but he has to agree so as not to hurt their feelings and to try to gain trust of others (which seems to be the case which will not be achieved at 100%)

Stanford Pines.

Their relationship is good but not at all 100%, because Ford has matured from all the events from the past with his original Bill, so which in any case tries to don't trust this Bill so much that appeared. He usually does investigations with this Bill and his human form that it usually adopts, making theories and expanding their knowledge. Bill gives himself the opportunity to listen whatever Ford tells him about his past to get to know him better. They may both have a better and good relationship after.

Wendy Corduroy

They both have a certain respect for each other, but they are not directly related.

Soos

They are not directly related, but Soos spends his time making theories about Bill that he only tells Dipper. Even so, he has a certain respect for him. Bill, for his part, notes that Soos is a bit dumb, but what else can he say if not having powers also makes him a dumb person.

[idontliekmondays]

excerpts from a daily mail article released shortly after her arrest

When members of the Geneva High School role playing club asked 16-year-old Lindsay Souvannarath to choose a character they were expecting an elf, a sorceress or perhaps a female warrior.

But the shy, clean-cut teenager opted for a rather more unsettling choice, presenting them with a detailed pencil drawing of her chosen persona - the 'Nightmare Nazi'.

The trench coat, jackboots and gas mask were unmistakably those of an SS soldier; the skeletal hands clutching a vast dagger more akin to dark fantasy art.

Former classmates at Geneva High recall Lindsay Souvannarath as a shy, withdrawn youngster, who had few friends and instead sought out after-school groups and writing clubs to express her creative side.

But she was also prone to bouts of anger and violence - allegedly stabbing another student with a pencil in one outburst and occasionally letting slip an alarming infatuation with the Third Reich.

'On first impressions I didn't think there was anything too strange about her,' he told Daily Mail Online.

'She could be funny and intelligent but most of the time she was quiet and not very warm or outgoing.

'One year her character was a sort of Wonder Woman-type heroine, then all of sudden she tells the group she wants to be a Nazi ghost.

'You choose your species and come up with a back story. Hers was that her character was a guest from a crazy, dark Nazi universe.

'It's supposed to be a game in a medieval, fantasy setting but she would just argue if she didn't get her way.

'So we went on our quest with a robot, a couple of elves, wizards and this weird Nazi.

'Aside from the character's background he didn't do anything racist or too alarming. We didn't know about her interests at that time so we just got on with it.

Ms Szigeti recalled how Souvannarath began to idolize black-death metal bands in her mid-teens.

She became particularly infatuated with Varg Vikernes, a white supremacist musician convicted in 1994 of killing a rival guitarist and burning down three churches in Norway, describing him as 'cute' and writing essays about him.

'Her work was always dark and full of violence, there were soldiers and Nazis and all this weird stuff,' Sabrina said.

'She acted normal on the surface. She was never physically violent but she would get aggressive and upset if you criticized her.

'Everyone was uncomfortable but we just avoided trying to start a fight with her. 'If you asked her straight up 'are you a Nazi?' she would argue that she wasn't.

As far back as 2007 - when she was just 15 - she allegedly wrote 'free speech is dead' in one forum, adding: 'That's why we need people like David Duke to bring it to life again.'

In another warped entry, writing that same year under the pseudonym Snoopyfemme she wrote: 'They use sex in commercials all the time to sell products. Why don't they ever use violence?

'Wouldn't you love to see a bunch of guys tearing each other apart with machine guns to get a bowl of Cheerios?

'Sure, it might traumatize our children, but in my opinion, children aren't being traumatized enough.

'The only reason for Americans to breed is to create more soldiers to fight for freedom. We need to weed out the weaklings early on. Survival of the fittest, man.'

'She was very odd to the point among a lot of our classmates that no-one was surprised by her arrest.

'She was a very lonely person - but she isolated herself. 'From what I remember she was even suspended for stabbing someone with a pencil in middle school.'

'She was known for putting spells on people. She would do it by saying weird things and then putting on a curse - obviously we did not take her seriously.

'She would break out into laughter in the middle of class for absolutely no reason.

'When we saw that Lindsay did something like this, nobody was surprised. She was the one most likely.'

source

[phoenix-is-the-hottest-thing]

What is the 'captainverse' shit? I always just ignored it tbh but I have seen many incels justify shipping the canon lesbians with men because 'captain is canonically male so all valks are bi' when as far as I can tell captain is canonically not fucking real as the only captain of the hyperion ever mentioned is Himeko.

Hmmm so I'd like to avoid being overly negative. I'll answer you, but watch your tone in the future.

Captainverse was a storyline that spanned a ton of events over multiple years. It concluded last year or so with one final fluffy event after all the drama. The Captainverse storyline isn't relevant to the main story of Hi3 but happens in the Sea of Quanta, so it would be "real" in that sense.

Bronie AKA Haxxor Bunny (has an expy in Honkai Star Rail named Silver Wolf, which you may be familiar with) appears briefly in the Moon Arc, and one of Misteln's Stigmata children seemed to hail from her world. There's also suspicious wish-granting devices in the sea that may or may not link back to Sa's shenanigans, but we don't have proof of that (plus those were written long before Sa was).

The main character of the Captainverse is an ex high-ranking Schicksal captain hailing from an alternate world to the Main Story's, referred to only as... "Captain". There's also another recurring person named "Ferryman" who turned out to be a hopeless version of Captain due to some time shenanigans. He has his own Hyperion, separate from the one in canon. I think his original backstory was being sent on some mission by Otto in the Sea? He was originally designed as a self-insert but later became his own character.

Captainverse has ship tease with some girls, but there's also plenty of girls who show zero romantic interest in the Captain, so you've been told a generalization. The main "ships" with the Captain are two Theresas who aren't actually called Theresa: the vampire Luna and the immortal tactician Kongming. Captain saved their lives at great cost to himself... the fireworks...

Many of these stories are quite well-told and may bring you to tears TuT

Oh, Captainverse actually has its fair share of sapphics. If you like that, it's a shame you never gave it a chance. For example, Kasumi (amnesiac Sakura with extra steps) and a Kallen from a different world found each other in Captainverse and seem well on their way to find the happy ending they never got in the main story due to things such as "dying". Kasumi's origin story event was also a direct result of Kallen being in love with Sakura...

@sacron1143 knows the most about actual Captainverse lore, so best to ask there if you're genuinely curious. Don't bother if you're gonna be a hater though. There's also this document but I'm not sure it's fully up to date.

I hope that gave you sufficient context! That said, I think you're better off just ignoring what the people you don't agree with do for fun. Clearly, neither of you are arguing in good faith to begin with.

[romanceclub-confessionss]

As a Russian-speaking user, I really don't think and don't believe that most Russian-speaking people "don't like love interest lines when the partner in it has dark skin." Absolutely not. Communicating with the HUGE Russian-speaking fandom, I noticed that every fourth one chooses a "non-white" favorite. Those with whom I communicate personally are of the opinion (like me) that the love line is what attracts people to lead this love story, first of all, with its character, charisma, humor, and attitude towards the main character. Appearance only matters for the first impression.

It is very unfair to label entire audiences by communicating only to their most unpleasant side. There are intolerant people in every country and every culture, and the problem of "colored" is actually greater among English-speaking users due to historical reasons.Russian speakers treat this with a lively childlike interest; there is no "skin color protocol" in society due to the historical reasons why the problem of oppression arose in the Americas in the first place.

All the best, cookies to the admins)

first of all, while you might have a russian speaking circle that is open-minded to diversity, the broader reality within the ru fandom tells a whole different story. for instance, let's not act like the case of And The Haze Will Take Us was the very first time russian players acted this way. the ru fandom was extremely outraged over characters of colour being introduced in W: Time Catcher and 7 Brothers as well. the reactions delved into blatantly racist comments, that there are "too many" non-white love interests, and that they are "uncomfortable" with it.

second of all, as someone from eastern europe, i can say that extreme racism has always been historically embedded in russian society. and not only with people of colour, but even with other slavic groups/eastern europeans (ukranians, belarusians, etc) and other ethnicities within their borders (rroma). it basically extends to anyone perceived as "other". this isn't just a modern issue.

also, isn't it ironic that while you are complaining about the ru fandom being generalised as racist, you are doing the same exact thing to the english speaking fandom? by saying they are "more racist due to historical reasons", you are literally generalising an entire group based on language and geography, while completely ignoring the fact that bigotry exists everywhere, INCLUDING russia.

instead of deflecting and gaslighting, you should acknowledge and work on your biases within your own community.

all the best.

- mod stef

[dungeons-and-dragon-age]

ok sorry i'm just. ????

rant and spoilers ahead because i gotta yell into the void a little

first of and most of all. WHY does it sound like Solas front and center of everthing now??? Including both Inky's and Rook's stories/motivations???? Like okay i understand that Solas will inevitably be important in Rook's story and that's chill! We knew he was gonna play a part in this story! But why do they make it sound like half or Rook's purpose is just there to further Solas's story/character

and it quickly becomes clear that Rook will have their own unique relationship with Solas, as the Inquisitor did before them. I think what's been fun for us, too, is trying to build Rook as kind of almost a mirror of Solas.

Epler also acknowledges that the Inquisitor “obviously has a very personal relationship with Solas,” one that will need to be reckoned with in The Veilguard.

“And I'd say the Inquisitor, to some degree, feels guilty or responsible for what Solas is doing to the world. So while we're not going to get too far into details about what role they may play, they absolutely are somebody who is going to be interested and invested in the outcome of Rook's journey in The Veilguard.”

Why. are you telling us how our Inquisitor is supposed to feel about this?? When you play DAI you agree to play The Inquisitor, yes, but you don't agree to play someone who Cares About Solas. Like. Yes. I get that he is important. That much has been clear since Trespasser. And i'm ok with that! But how come you say "this is a game about Thedas and a world in conflict" and then also talk like this story is About Solas, Actually.

The other thing i absolutely do not get and do not like. At All

Those decisions are: who your Inquisitor romanced (with the options gender- and lineage-locked in the same way that they were in Inquisition), whether or not you disbanded the Inquisition, and whether you vowed to stop Solas or save him.

?????

No "who drank from the WoS"? No "who is Divine"? No "does OGB Kieran exist"? No "is Hawke alive" (Varric is there. SURELY he cares about this a lot)? No "what happened to the Mages & Templars"? No "were Wardens banned from the south"? Arent't those uh. Really Relevant Decisions???? WHY is one of the whole grand three (3) decisions that carry over if Inky wants to save Solas or not. I mean ok i guess i get it cus that was The Big Decision TM at the end of Trespasser but again. Why is that the big thing that matters. out of all the things that SHOULD matter.

There's not as many decisions you have made up to this point that have an impact on what's happening in Northern Thedas.

But it’s also part of the advantage of moving the setting up to Northern Thedas, Epler says, with the prior games in the series taking place in Southern Thedas, a significantly different region both geographically and sociopolitically.

Uh. Yeah they do. See above points and also some that i forgot probably. Northern and Southern Thedas don't operate independently from one another that's not how this works. Especially again with things like the WoS or the Divine decision. Also half our companions from the other games are from the north?? Like yes ok i know get what you mean kinda and it's true to an extent but not like this

for one, the team focused on choices that they felt they could react to meaningfully – not just a cameo or one-liner.

“There's never a sense of, ‘Oh, that decision doesn't exist.’ But maybe we don't touch on it in this particular title,”

The. Cameos and one-liners are what make it special though?? You can't say "We want those stories to be personal." and then say you're not making any of those small decisions matter. And i don't mean matter as in having A Big Impact TM but i know that a lot of us LIVE for those small tiny nods to previous decisions that make the world feel actually alive and connected. I understand that we can't have full on-screen cameos or questlines or whatever for every little tidbit but not even. idk. Background convos about what's going on in Orzammar? Gossip about Ferelden's monarch? A line from Varric about Bartrand? Dunno man. Again not to mention the Big Things like Kieran. or the Well of Sorrows consequences. Or the Divine (which. yknow. is directly relevant everywhere except maybe Tevinter??). Those were always the things that made importing a worldstate so charming! because you could see the small little impacts that you have on the world. The tiny things like the line about the pigeons in Ferelden in DA2 or a wartable mission with Wade and Herren in DAI are so so special to me

[bucklway]

how mello & near fail as proper antagonists from the perspective of a mello & near fan

the most interesting thing a character can do in a story is surprise you. to be caught off guard by a character, you need to already have an idea of who they might be.

for example, if a character is introduced to an audience as the greatest detective the world has ever known, someone who’s intelligent & calculated, the viewer might be shocked when that character makes many wild & risky decisions. it might catch someone off guard to hear that character say something like “i had to test this just in case, i never thought it would actually work..”

it’s such a small piece of information but it tells us SO much about the mystery of L Lawliet. L is known by many as the greatest detective, but his first true introduction to us, the audience, is his boldness, his capacity to take risks. his genius is so great that a shot in the dark for him results in a bullseye.

to introduce a character through other characters’ opinions of them is my favourite way to challenge the viewer’s expectations in a story. i think to be curious is to be engaged, a story should be setting you up with a million questions that are compelling enough to keep you interested bc you know they will be answered eventually.

it’s not very interesting when you know everything about the series’ antagonist right off the bat.

L as an antagonist is so compelling bc he’s shrouded in mystery, not only is light desperate to know his true identity & true feelings, but we are as well. this is where near & mello fundamentally fail as proper antagonists, every part of their characters work for me aside from the way in which information is learned about them. it’s such a harsh contrast from the genius that is L, it’s insulting to the viewers who are reading/watching bc they actually care about this story & its characters.

so why is mello and nears introduction so bad? simple, we receive too much information.

the scene in which they appear for the first time is literally set in the place where they live, talking to the man who is raising them, it’s insanely personal. compare it to how we meet L for the first time: through a computer screen, held by a man who’s identity is hidden by a mask & all we see on that computer is the letter L. sorichiro tells us he’s the greatest detective but no one knows his true identity. it tells you all you need to know about him at that point in the story, L is a smart detective who is overly cautious about revealing his identity. we aren’t told why he’s overly cautious or who the man is holding the computer but it’s enough to get us thinking.

this is the amount of information we get through mello & near’s introduction: their caretaker is named roger, he works at wammys house (the orphanage watari founded, which is also information that was revealed in the last episode) where mello & near live. roger reveals that L is dead, meaning that mello & near have some kind of connection to L. mello is devastated at the news but it’s quickly revealed that this devastation is most likely the cause of frustration that L can’t “pick one of them” what does that mean? don’t worry, this scene makes it very clear. mello & near were raised to be great detectives, one of them was meant to be picked so they could carry on his legacy but he hadn’t chosen one yet. near is cold, seemingly emotionless & fixated on solving puzzles. mello is loud, aggressive & overly emotional. roger suggests that they could work together on the kira case, near seems up for it but mello is enraged. he tells roger “you know i don’t get along with near.” which is such a funny way to establish something about a character, having them explain a fact about themselves to someone who already knows it. mello reveals some deeper insecurities about not being better than near & he runs away from home. near is officially the new L, working to defeat kira.

..so that’s way too much information, right?

that scene is like.. if in episode 11, when misa is being introduced thru the sakura TV tapes, we were also seeing misa’s perspective, watching her every move & hearing all of her opinions. the introduction of misa is interesting because the audience isn’t given the information that there are 2 notebooks yet, we are meant to assume that light is the one doing all of this even if it doesn’t seem like something he’d do.

mello & near fail as proper antagonists bc the narrative doesn’t take them seriously & doesn’t give them the time they need to establish themselves as threats.

i truly do think near & mello could have been amazing, i have my own ideas for how i would’ve personally taken the story after L’s death but this post is already too long lol!

[randomspagetti]

{The End/A Compilation on This Project}

Summary:

I don't really like the climax I came up with at the time so I'll be adding a new version here. So if It differs from the images that's why, I feel like I made the pages during a time where I just wanted to get the comic over with so it kinda feels generic and half baked.

-

Starting from our last point, with the words of encouragement from the Light of Resolution and the steel force will to get his dad back, Choco manages to land a powerful strike, surprising the ancients and phasing Berserk Cacao.

This leaves space for the ancients to also be able to help, Pure Vanilla gives both Choco and Holly buffs while Holly holds the line and protects them from incoming attacks. By doing so they're able to get closer. Finally, a combined attack is hit to where something finally seems to happen. It's powerful and cuts into the indoor wall of the citadel. The smoke dissipates and all that is left is just Cacao.

They're all pretty suprised, but Cacao still has some lingering curse corruption on his body and his breathing is shallow. Hearing the loud crashes from the room the watchers (and Caramel) run in to see the ... interesting situation that had unfolded.

We then cut to Cacao sitting in a hospital room, he had woken up a bit earlier and is trying somewhat to recall the events of the previous day.

Holly and PV soon walk in with mugs, not expecting him to be up. They're caught off guard but soon calm down and get to chatting. Cacao finally admits he's not really doing all so well with both his kingdom and his son over the course of the conversation.

He also sort of opens up about more sensitive issues he's been through, thought he doesn't hold that topic for long given it's just too much for him at the moment. Holly understands where he's coming from and offers some words of encouragement, while PV tells him they're going to look into something for the curse and to actually help Cacao mentally.

Cacao reluctantly agrees.

It ends a bit more open ended with your own interpretation of how Cacao deals with his issues being set, though there would be a few aftermath pages exploring the relationship with the characters shown after the events of the story, this one for example is Cacao and Choco doing pottery painting.

------------------------------------------------------------

Some interesting facts, and stuff I made that didn't make it into the final cut:

-In my discord server berserk Cacao was often referred to as "The enemy spider"

-I often used their hands (so many hand drawings) as a way to show more of their character, Holly has hand scars while PV has a redness around his nails from stress. I like to add a human aspect to each of them so the reader can relate

-Berserk Cacao has had so many iterations before the final one, I just couldn't decide what I wanted him to look like!

-Each character has a different way of showing their thoughts/flashbacks! Caramels are more center focused given her only thought in that flashback was of the loud crash, Choco's are blurry given his eyesight, and Cacao has flashbacks and thinks in grayscale! You can actually notice this more during the dinner scene, this has it's own reasoning but it's bit more darker

-Most of the sketches were 10x more funnier than the finished project but I had to make it realistic

-Affogato was originally going to make it into the comic as a background character, but I felt it was too OOC for him given his devious crimes

Onto the darker stuff-

TW: Implied Abuse, Blood

-Everyone knows about the cut panels but there was actually an entire page scrapped too, originally this would follow along with the Light of Resolution convo (I will now refer to it as the LOR) but I scrapped it for a few reasons.

-Firstly I felt like it didn't add anything and only just re-established something the reader already well knew from both Holly and Cacaos statements, secondly I just felt like it was OOC for how I wrote the LOR. The LOR is in part Cacao. He is Cacao's resolution made physical. This would be his story to tell because he is a part of Cacao. It is Cacao in a way. I also felt revealing his face felt kinda eh and just didn't fit. So for those reasons I chopped it

-Cacao's curse wound was actually bleeding in this scene, though it's a bit hard to see with the shaders

That's all! Thank you everyone for being on this journey with me, I appreciate each and every one of you, you truly helped me expand my art horizons

[beevean]

So some recent... discourse put into my mind the concept of "power fantasy", and how people relate to it in different ways. Of course, I'm talking about Hector :P

Is Hector, in the games, a power fantasy? I think the answer is "yes but actually no but actually yes it's complicated".

Let's be honest, first: Hector is a product of his time. He is, in many aspects, Castlevania's response to the wave of edginess that was en vogue in the mid-2000s - I don't compare CoD to ShTH for no reason lol. Hector was always meant to be an anti-hero contrasting the pure heroes the games always starred before him:

—Why did you choose the theme of "revenge" for this game? Iga: Up to now, the Belmonts have been seen as the good guys. I thought it'd be nice to do something other than a moralistic "good triumps over evil" theme sometime. After all, Castlevania has always had an excellent world for telling a "dark hero" story. Alucard would be one such character… though even he is fighting for a just cause: "I've got to stop my Father!" So he's still kind of a good guy. This time, though, I wanted the motivation itself to be impure. So this theme is what I came up with, and then I thought it would be even more interesting if each side was out for revenge on the other.

Hector has "impure" motivations. His quest is completely selfish: while all the other protagonists want to face Dracula (or others in his place) because it's the right thing to do, Hector is just in to kill the man who ruined his life. In fact, he really couldn't care less about the Curse, and multiple times in the game he asks why can't Trevor just deal with the issues he doesn't want to deal with lol. This is in line with other characters of the same caliber, such as Shadow sneering at a city being invaded by aliens until there is something in for him, or Guts who declares that he's willing to let a whole town fall prey to demons, as long as Casca is safe. However, this is not a detriment to Hector's character like it would be nowadays, as he's also very much mean to be "cool": while obviously every protagonist has his cool factor, even going back to Simon in the first games who defeated Dracula all by himself and then had to heroically struggle with the Curse, Hector is cool in that, well, deliciously over-the-top way that was all the rage back then. He can ride wyverns as he slashes them, he can go toe to toe with Trevor himself to the point that even he is impressed, he can forge a gun and an electric guitar, cutscenes show him punching a stone devil with his bare first, he gloats in Dracula's face that he can nullify his Curse... yeah, he's a gigachad lol. The flaws are only meant to make him cooler and not "boring", as paragon heroes were seen at the time.

I, personally, never cared about this part. I'm not the target audience for this kind of power fantasy. Sure, I like that Hector is over-the-top cool and I will always joke about his most outlandish feats, but I'm not so keen on reducing him to those alone. I couldn't even explain why avenging your dead lover counts as part of a power fantasy lol.

This is why I latched on so much on the first half of his story, the one where Hector deals with Dracula, and why I insist that Hector is much more than his admittedly cliché archetype of "angry man on a revenge quest".

Calling Hector "stoic" is not even knowing the meaning of the word. Calling pretty much any CV protagonist "stoic" is factually wrong, as even the more serious ones like Alucard and Shanoa have other depths to them (Alucard is still grieving for his mother and we see it in a nightmare, Shanoa was deliberately made stoic and she subtly longs to feel again), but Hector doesn't even begin to fit the definition of "One who is seemingly indifferent to or unaffected by joy, grief, pleasure, or pain". The whole point of CoD is that Hector was left so emotionally vulnerable by his grief that both Isaac and Zead used him as a puppet. Anger is the complete antithesis of stoicism. "well anger is still a toxically masculine emotion" - memes aside, Hector shows other emotions too, most notably around Julia, the only person with which we see how actually gentle and polite he is when he doesn't have Dracula's influence scrambling his brain. By the way, you cannot ignore the effects of the Curse on both Hector and Isaac when you analyze them, especially the former:

It can't be plainer than this.

And it doesn't come out of nowhere, because not only Julia herself tries to warn Hector that Devil Forgemasters are susceptible to the Curse, he acts vulnerable around her. He apologizes for his unjust outbursts, sympathizes with her plight, is visibly affected by her grief when Isaac dies... sure, it might be all because he's lowkey crushing on her, if you want to see it that way (and I do have my words over the plot point of Julia looking like Rosaly: I would have preferred if the game had more time to show that Hector grew to see Julia as her own person beyond her appearance), but the point is that this behavior highly contrasts with how angry and aggressive he is to everyone else, which the reveal of the Curse recontextualizes.

Also, just saying, while anger can be toxic, the point of these storylines is usually precisely that revenge is bad. Unchecked anger is bad for you, and you shouldn't let yourself fall down that spiral, lest you lose yourself. Isaac got consumed by his own hatred and died as a tool; Hector realized in time that he should snap out of it and survives, also because he was nice to Julia and so she grew to care about him and saved him when he tried to kill himself <- a reaction that is very unmasculine, might I add, as toxic masculinity dictates that men should make other people pay for their pain. bro. bro this is the complete antithesis of "toxic masculinity". Again, this is really not knowing the meaning of the word.

I don't even need to pull examples from the manga, but just for completion's sake:

iunno about you chief, but someone who bursts into tears just because wifey told him that she's happy he was born isn't exactly the portrayal of toxic masculinity to me.

Which makes me segue into the next point!

Hector and Isaac are victims of abuse, and this is another very important angle to understand them. And I'm not just talking about their childhoods, of which we only get hints, although of course it does matter that the two experienced so much hatred and rejection in their youth that Dracula was the better option for them.

We don't see the details, but Dracula affected both of them deeply. He put them in a competitive dynamic, favoring Hector over Isaac: Isaac grew bitter with resentment, which made him double down on his loyalty to Dracula, while Hector only got the appreciation he craved at the price of his very humanity and morals, which weighed on him. The point of this favoritism is not really the core of their rivalry in game, as that one was caused by Hector's betrayal, but it gives a different dimension to the character. It would have been easy to have the mistreated guy the one who decided to turn his back to Dracula, but no, it was the golden child. Isaac was so entrenched in this dynamic that he never broke free, choosing instead to blame Hector and do everything in his power to prove himself to an uncaring Lord, including (in the manga) killing his own underlings so that he would be free to face Hector by himself. From PtR:

"My own body is proof of Your expectations for him" is such a hard-hitting line. Isaac fears that he didn't even disappoint his Lord, because his Lord didn't have expectations for him in the first place. It's Hector the one he's so proud of.

And Hector hates it. By all means, he should be happy to have a home, to be respected and appreciated and free to use his powers. And he used to be!

"Lord Dracula... You once accepted and needed my powers. There was a time when such a thing gave me joy..."

Hector was grateful for his Lord, but he couldn't live anymore in the safety of the castle, if the price was committing indiscriminate murder for the sake of a senseless revenge, going against his morals and being used as a weapon. Hector had to make a choice: keep living under Lord Dracula's protection, but losing his humanity piece by piece, or breaking free and facing the world that hated him, but as a free man?

Hector chose freedom over conditional safety and love. He was ready to die, as long as he died a free man. He put himself first, he turned his back against people who did not truly appreciate him, and despite the mess he left behind it was the right decision. And that's the power fantasy I adore, and that is what makes him a strong character in my opinion. It's the embodiment of achieving self-confidence, the healthy selfishness, the affirmation of the self when everyone else around you only sees you as an object or a prize, the reassurance that even if you fall, you can always get up and try again and become a person you can be proud of.

And Hector, after breaking free, very much acts like a victim of abuse. I spent countless words over how he displays the belief that he needs to do something to earn the right to be loved by Rosaly, unaccepting of the fact that she simply does because, well, he likes him and sees the good in him, and that's it. I wrote a whole analysis on how this belief stems from a sad naiveté on how the world works, because Hector is naive underneath the aloof exterior, and it's not something to make fun of him for, but a tragic result of living under Dracula for so long. I'll also point again to him having breakdowns because he hates himself and sees himself as inherently unlovable.

I could also spend all the words about the parallels about how Hector loves Dracula and how he loves Rosaly:

In both cases, he latches onto the only person who has showed him a modicum of kindness. He wants to give his life for them. The difference being, of course, that Dracula only appreciates Hector for what he does (and I could also go into a whole tangent on how Hector was personally raised by Dracula to be his knight and he has a piece of his essence inside him which parallels how abusive parents see their children as an extension of themselves), while Rosaly for who he is. With Dracula, Hector understands that all the shallow care in the world doesn't matter if he isn't also respected as a person: he still cares about him, in some fashion, but not the point of clinging.

And if Hector is ready to lay down his life for Rosaly because she finally showed him what real love looks like, is it any wonder that seeing her die would spark such a fury in him that it makes him prey to the Curse and to being once again twisted into a tool?

The power fantasy comes from the part where Hector breaks free of the abuse and manipulation - twice over. But he is also relatable, with all of his flaws, weaknesses, and mistakes he makes. The whole point of Hector's journey in the first half of his story is that he feels the need to atone for his sins, and the consequences of his actions all catch up to him in the worst of ways. Ignoring this to reduce Hector to an edgelord who only spends his life angry and then hooks up with a Rosaly replacement (which incidentally also ignores Julia's personality and agency and I might even call as misogynist as the plot point itself) is a huge disservice to the thought and care put into him to make him stand out from his own archetype.

Power fantasies are not inherently bad. Depending on the fantasy, they can be inspirational. Hector is inspirational to me, if that wasn't clear, I see part of me in his circumstances and I admire his arc: it tells you, "you can break free too, you have the strength to do so, and you will find people who will love you without reason". And I just generally speaking find him a very well written character despite stemming from a rather outdated context, because all the details come together to make him fleshed out and tridimensional.

[intimidating-fettuccine]

Aaaa! You are like my favorite creepypasta blog! I love all the stuff you do so much! Would you be willing to go like a bit more into lyra and Toby's relationship or something like that? I find them super interesting, If you've already done that and I forgot sorry!

Hellloooo I’m glad you like my stuff so much! ^^ I’m gonna provide a link if you click right here to my Toby character analysis, which is where I went into his background and in that is the basis of his relationship with Lyra, but I don’t mind giving you some rambles about them as well :)

So as I say in the character analysis, in my canon Toby and Lyra both suffered incredibly at the hands of their father’s abuse. As Toby can’t feel pain, their father often used Lyra and abused her in front of him as it affected Toby the most. When not being abused, Toby and Lyra were always huddled up together in each other’s arms, and despite being the one physically harmed the most, Lyra was always comforting Toby, reassuring him that she was okay, and that he didn’t need to be so worried about her.

Lyra couldn’t stand the sight of Toby always being so distressed as a result of the abuse, and she always tried her best to cheer him up and make him feel better. Toby to this day still remembers the stories that Lyra would tell him to distract him, and he often repeats them to himself in his mind as a way to calm down and distract himself from anything bothering him.

I’ve always had this headcanon in the back of my mind that Lyra had a bracelet that she would wear all the time. After her and their father’s death, when Toby was packing up to run away one of the things he took with him was that bracelet. He’s worn it every day since, except when he’s on missions or training as he doesn’t want it to get damaged, and it’s his most prized possession.

I think he really got his affectionate nature from Lyra. As I said before they were often holding each other when their dad wasn’t around, and I think she would hold his hand a lot to remind him that she was there with him, and their mom would do the same, the three of them always in contact in some way as it was the only comfort they could provide each other when living through hell together. As Toby no longer has his sister to fill that void anymore, he gets pretty clingy with the people he’s close to in the mansion, since he still desperately wants all of that affection and they’re the only ones that can provide it to him. If he has a partner, that’s why he’s always clinging to you and wanting as much affection as he can gather from his s/o. If he doesn’t, like I said, he tries to get it from the creeps, and I think he most often clings to Slender/Tim/Brian/Jane/BEN. It’s not uncommon for him to be wandering around holding hands with one of them or clinging to them in a hug.

Toby also tells stories about Lyra a lot, sometimes the same ones over and over again, because he doesn’t want to forget anything about her. I think his mom also tells him stories a lot about Lyra, things he wouldn’t remember or know because he was her younger brother, and it always brings him joy. If he’s dating you, he especially likes to tell you stories about her, and he always says that he thinks Lyra would have loved you, which usually makes both of you cry together. If you ever ask him to talk about Lyra though, it makes him so incredibly excited.

I hope this quenches your Toby and Lyra lore thirst for the day because this went on way longer than I meant it to, but if you ever have specific questions always feel free to assskkkk

[crossdressingdeath]

It's so weird to me seeing people insist that all Rooks are going to be the exact same with no real variation between them besides the names based on the fact that they all get involved with the Veilguard after prioritizing saving lives over their faction (if you look at the blurbs even the "they go against orders to save people" angle only applies to Thorne, the others didn't know or didn't have actual orders to go against, and even "prioritizing lives over their faction" doesn't apply to Mercar (going against slavers is kind of their job and the Shadow Dragons want them out of sight to protect them) or de Riva (they didn't actually know about the wider mission at stake and could easily have assumed that their superiors urging caution didn't mean letting civilians die)). For a few reasons, actually. First and most obviously... people are making a lot of assumptions based on the very brief and vague backstory overview you get at the start of the game. The character introductions we get at the start of the game have always been a brief overview with no emotional details; the details come in the game proper (which is also when Rook will I'm sure get the chance to discuss how they feel about their faction and the events that led to them leaving it; it's very strange to me that so many people seem convinced we won't get to make decisions about that based from what I've seen solely on the single paragraph of background information we get before the game even starts). Bioware didn't stop in the CC of DAO, DA2 or DAI to ask us exactly how our character felt about their background, they let us decide that for ourselves during the game, and I really don't understand why people are assuming it'll be different here.

Secondly it's based on a massively oversimplified view of what exactly happens in each backstory blurb. I mean there is of course the general setup of each character's background before the incident that led them to the Veilguard (do not come here and try to tell me that a baby found by the undead and raised by necromancers in Nevarra is the exact same as a kid raised by a military family in Tevinter, using the two whose childhoods we have any information on as an example; they are not the same and would have very different viewpoints on the world), but there's more to it. The actual incidents are quite different if you look at them beyond that basic "prioritized lives over the faction's best interests" angle! Aldwir choosing to give up a valuable artefact to save their teammates isn't the same as Thorne refusing to wait for reinforcements when a nearby village would be destroyed before they arrived, which isn't the same as Laidir pissing off the nobles and risking drawing the authorities' ire down on the Lords by killing a corrupt noble, which isn't the same as de Riva unknowingly compromising a larger mission by rescuing Antivan citizens taken captive by the Antaam. These are different events! Saying they're all the same is a very, very simplified read of them!

But I'm sure people will still argue that they're too similar because of that very simplified read. To that I say: every Warden is the exact same because they all get involved in a dangerous event and then get recruited by Duncan. Every Inquisitor is the exact same because they all go to the Conclave and pick up the Anchor. The details of their backgrounds and their thoughts on those backgrounds and their dialogue that's impacted by their backgrounds don't matter, the inciting incident is the same so clearly they're all the exact same character and the only things that change are names, classes and aesthetics.

...Stupid, right? Obviously if you boil down the protagonist of an RPG to the most basic description possible they're going to appear the same as every other possible protagonist of that RPG. The protagonist needs a plot hook to get them involved in the main story and that plot hook is always going to be similar to every other potential protagonist's plot hook. The Warden needs to be in a situation where they would get recruited by Duncan, and it makes for easier writing if that happens in a situation where there's a good chance they'd be grateful for it. The Inquisitor needs to get the Anchor. And in this game Rook needs to be in a position where their faction wants or needs them out of the way for whatever reason and Varric would want to take them for the Veilguard. With those two factors in mind, them putting innocent lives over their faction (for lack of a better way of putting it, see my comment on Mercar and de Riva in the first paragraph) is a good choice. It's something that ensures their faction will encourage or order them to join up and something that would encourage Varric to pick them! If you agree that it's stupid to claim all Wardens or Inquisitors are the exact same regardless of backstory because of the inciting incident that gets them into the plot (which I assume everyone does), then don't automatically assume that all Rooks are going to be the same because of their inciting incidents having some similarities.

[vampemoqueen]

WoD Hallozine - a mini-Zine!

Introducing WoD HalloZine, a mini-Zine project for the Month of October!

WoD HalloZine is a short, one month project celebrating community and fanworks based on the World of Darkness. This zine will be free and distributed digital-only on socials. The theme of the zine is Haunting. Whether it be wraiths roaming the halls of an abandoned mansion, demons bound to their hosts, vampires lamenting on the nature of their immortal existence, or Garou communing with spirits in the Umbra, tell us your tales of dread, longing, and sorrow featuring your original characters. What sordid secrets are hiding in the dark? What Haunts You? How to Participate This is a time-sensitive event that's accepting submissions from September 24 - October 31, 2024. You can submit any art or written work based on original characters in any of the World of Darkness properties. You are welcome to submit existing work that hasn't been featured in a zine or create a new piece based on the theme. To sign up and be eligible to participate, please submit a form here: https://forms.gle/nnrShH3LDhbBtvip9 You will be contacted at least two times during the event: first to confirm your participation, second to check in and collect your final submission. You can always message more for questions and inquiries. Submit your piece through email or via DM on Discord. My Discord Art Server Gallery Noir will have an event specific channel for up-to-date news and a space to socialize. Joining is optional and not required for the zine. There are no limits on number of participants or submissions for this project. After October 31, all submitted pieces will be compiled into the zine and distributed via PDF format on my socials. No submissions will be accepted starting November 1st. Along with being in the Zine, you are welcome to post your pieces to your own socials and use as you see fit. If you do, I would appreciate if you tag me and use the tag #wodhallozine , though it's totally optional to do so! Submission Guidelines

This is a low pressure event where there are no hard standards on quality or content. I want everyone at all levels and mediums to express themselves however they see fit. There are no editing or draft phases and I will do my best to showcase the biggest variety of work across the community. That being said, to keep the project manageable and social media-friendly, there is a small list of guidelines for all work. General Content Guidelines

16+ or Rated-R at most

NO NSFW or sexual content

NO Gore or Extreme Violence

Light Blood and implied violence allowed

NO Offensive content like slurs or hate speech

NO AI generated or assisted work

If you have questions on what these mean, send me a DM.

Art Guidelines

You can choose to submit the following categories:

Single illustration/Image file

Short Comic (1-2 pages)

Any Size, 300 DPI, CMYK, PNG or TIFF format

Subject to formatting and placement choices

Writing Guidelines

You can choose to submit the following categories:

Short Story (3k words max)

Poetry/Prose (2 pages max including formatting)

English only, DOC, PDF, or ODT format

Subject to formatting and placement choices (please note if you'd like me to keep specific font and formatting choices)

You are open to submit as many pieces as you like. I reserve the right to include, exclude, resize, and rearrange pieces at my discretion for the sake of the zine's final composition. If a piece requires edits, I will touch base with you on the specifics. For any questions or concerns, email me at vampy269@gmail or message me on Discord at vampy8020. Thank you for your interest and have fun!

[myfairkatiecat]

nightfall was crazy, but I'm also kind of confused??? It went by sooo fast I was like WHAT? WAIT, WHAT? WAIT WAIT WAIT-

Love the fact that they went on with keefes whole "I'm not worth it, but you are, so I'm going to take over decisions we need to make (as a team) and screw them over so that they cause harm to me and not you!" Kinda vibe, honestly thought that after he came back from the neverseen in lodestar they were just going to forget about it, yk??

Only thing I really didn't like is that like...everyone has a slight distrust to keefe (at least in the start, till he apologized ) but Sophie, the person who was (in my opinion) most affected by his 'betrayal' never once had a doubt???? Like, if someone betrayed me, right? Yk they're my friend whatever whatever, ID STILL HAVE SOME KIND OF LIKE ISSUES WITH THEM???

I feel like her distrusting keefe and then slowly learning to trust him would have made the book MUUUCH better!!

Also, I'm still not getting where the Fitz discourse is coming from, like, his sibling just betrayed him, fell unconscious and WOKE UP WITH NO MEMORY OF ANYTHING?? I can see where the anger issues come from

Holy shit this was long, sorry!

-- @localburntoutkid

Had a blast reading this!

You’re so right about Keefe. That definitely doesn’t get dropped after lodestar, or even nightfall—it’s one of his character’s main flaws, and while it does shift and evolve as the series moves on, it’s kind of there, you know? And I’m really hoping it resolves in some way by the end of the series, because his arc is just… so interesting to me. Because it is NOT arc-shaped. At all.

I get what you mean about Sophie being the only one who doesn’t distrust Keefe when he comes back. I really like that too acknowledge that it’s a Sophie-specific thing, though! Too many people forget that this is a third person limited story told by an unreliable narrator, and act like Shannon Messenger herself is telling us Keefe deserves to be fully trusted. Sophie Foster decides, at the end of Neverseen, not to hate him, and Lodestar is where she has her moments of doubt and distrust, but even in Lodestar, she always believes in Keefe’s good intentions. There’s even a scene where she says something like “Yes, Keefe’s plan is horrible and I hate it, but his heart is in the right place. I have to believe that.” The part about keefe’s plan is paraphrased, but she did say she needs to believe his heart was in the right place, in that wording, and it’s fascinating to me. She’s very attatched to Keefe (obviously) and I think it’s mostly for her own sanity that she chooses over and over to believe that there’s something right about what he’s doing, because letting him go sounds excruciating, even by his own fault.

I actually have no issue with this being Sophie’s perspective, and I actually find it interesting especially in the context of sokeefe, but I wish we got to see this portion through another character’s eyes. For example, Fitz. Someone who does distrust him afterwards, and rightfully so.

As far as Fitz discourse goes, that stuff stemmed less from nightfall and more from flashback and legacy. I don’t hate Fitz in either of those books, but you’ll probably notice the moments that made people kind of go nuts about hating him and ran away with his character (personally, I think Fitz is fully understandable in both books, but don’t fully condone the way he acts in a few scenes, particularly in legacy. I’ll explain later after you’ve read it)

Don’t apologize for length, I’m literally Katie, have you met me? Everything I write is longer than I intend

I’m glad you’re having fun with the KOTLC series. Keep me updated!!!

[imustbenuts]

nuts reading trigun in japanese 7 - filial piety, and meryl

my alternate readings/translation/interpretation of jp lines are for triangulation purposes and nothing else.

ch 10-12. a more general scattershot of a post than over analyzing the japanese texts this time round. i think meryl in these 3 chapters is the most interesting character for me. but mainly bc she seems to be carrying a baggage: her struggle with filial piety.

^OH's version

ソレが普通ですわよ That'd be the most common sense thing to do. それにもともと家訓からして『自立せよ』ですからね But our house's motto is to first be independent above all. ドライといえばドライなのかも Mine would just be dry beyond dry...

me: hm. an office lady in the context of being written in 1990s by a japanese guy. i understand.

(i actually prefer OH's version bc the implications of what shes saying is the exact same, but more importantly leads into this page)

いきついて見れば When I realized all that 何か大切なものを忘れてるのかも… Realized that perhaps I've forgotten something (filial piety) so important... 私… I...

(you can see how this raw translation fucking sucks. I'd reword it in a way that's along the lines of 'feeling so ashamed as to forget getting angry', but OH's version is a downright banger. 11/10 the implications of what she feels is still the exact same. love it a lot!)

right so.

filial piety.

filial piety for a lot of asians is... kind of hard to break down. but perhaps can be explained as "abandoning ones' parents is the worst sin one can do".

not being filial is an invitation to the most extreme judgement from relatives and outsiders in a society which upholds it as the absolute virtue. at least, for the most part. (late stage capitalism fucked it all up yayy)

abandonment can be in the form of presence and/or financial. if a child doesnt make bank to pay back for their parents raising them up, they're not filial. if a child is absent and not there to take care of their parent, thats not filial.

and not being grateful, not being filial, equals shame and warrants divine punishment. (check out folklores like momotaro and kaguyahime that touches on these themes)

meryl i think struggles with that bc shes likely an only child who is expected to work an office job after studying super hard for it, and is now living independently away from her parents. meaning, she is technically not present to take care of them, which in this context makes her feel immensely guilty.

to make matters worse, it sounds like shes one of those types where her parents possibly had to work a lot to pay for this and that, resulting in a severe lack of communication. so this compounds, and she can only write dry stuff in her mind.

milly, by the way, does not have this problem as much:

she has a lot of siblings who can shoulder the weight of it all together, so in terms of that filial piety stress shes not doing so bad.

Badwick, the focus of this arc, by the way, faces the same struggles with meryl:

i mentioned the financial part bc from how chill the parents are with him, i think its possible he was trying to sell the land for large sums of money for his parents to retire. theres an added level of resentment going on that complicates their dynamic, with a dead brother and a land that means too much to sell for any sum of money.

and also his parents are... too nice and understanding, jeez.

i dont think meryl has the resentment. i think her case was similar in that her parents worked hard to provide and kinda neglected her in the connection part.

ofc this might then bring up the question of, 'isnt filial piety kinda transactional?', and, yeah. it... frankly can be. some parents have weaponized it, knowing that a society which forces unconditional love and financial support from a child is a good retirement plan. and it sucks. nightow must have realized this and sidestepped it.

whether bc it will not be well received by the then jp audience or if he just doesnt want to tell a story about this, i dont know. there could also be the fact that the 90s was a bad time to be talking about securing retirement for parents when the economy was circling the drain.

trigun gets dark later. we are getting love and peace above all else, at least for now.

...hm something seems to be rising over the horizon. but we can deal with that later. domestic violence

also i think vash is the kind who would also be a filial son to rem. this aspect of him is just lurking silently in the background in hindsight. in a barrel.

(incidentally i think this is also why luida and brad got promoted to surrogate parents position in stampede. much to ponder ponder...)

[pix-writes]

Hello! Sorry for the random ask, but I can't stop thinking about your Stanley story omg

In what ways do you think his worst shames influence how he enters a relationship? Or do they not really make a significant difference? Thank you so much!

Omg it's so interesting, if I do say so myself haha ❤️ I'm probably going to make a part 2.

(rest under cut)

I think his biggest shames and negative experiences in the past have gone a long way to reinforce the false self belief Stan has about how he is in some way unlovable. It's his main wound from his father and being kicked out at such a young age - that he's always going to be a screw up that needs to prove himself in order to be lovable, which will definitely play a part in his relationships as this is such a deep set wound for his character. Self sabotage is something both the stan twins display a lot (or is heavily implied) within the show/books. I figure it's part of the reason many of Stanley's marriages backfired on him so badly, either because he dove into relationships with people who weren't going to stick around in the first place or through his own sabotage because he expects it to go wrong.

However, Stan hides his shames fairly well, most will only be found out if he tells you them because most of them would be difficult to find (especially because of his various aliases), so I think these won't hinder a relationship necessarily, but would contribute to his self confidence issues in general. We know that Stan has sexual trauma, too, which is something that might also explain him launching into relationships so fast in the past. But then again, I think Stan has gone through a lot and doesn't care if anyone judges him on the flip side? So I think his sex work isn't something he's the most ashamed about more than he knows other people/society has taught him to feel ashamed about it, if that makes sense. What I thought when I was writing Catalogues was that Stan modelling for that dirty magazine came sometime after him being a victim of sa in prison (I have no idea if that lines up in canon tho) which is why it's one of his shames because he did it despite feeling uncomfortable about his body and still in a fucked up headspace.

I think by the end of the show though he's had a lot of time to deal with his trauma even if he isn't dealing with it in the best way 😅 and I think a relationship would ultimately be healing for him! Once he doesn't run away when someone flirts back at him haha. But it wouldn't hinder him entering a relationship, as long as he chooses a keeper!