#the only thing it means is that I thought this would be an interesting story to write

[kazuhaiku]

ᡣ𐭩 unpredicted date

-> synopsis: in which mualani sets up an unpredicted date between you and kinich which leads to silly moments between the two of you.

-> warnings: mildly inspired by that one kimi ni todoke episode, fluff, gender neutral reader, silly kinich, modern!au + tags @ryescapades @lunaritex

You swear you’re going to kill (not literally) Mualani when you see her again.

When she asked you to go out on a girl's night out today, you didn’t expect to see Kinich be the one waiting in front of the aquarium instead of Kachina and Mualani.

Mualani… You sigh, then your phone beeps, signaling a message.

Speak of the devil, Mualani is the one who messaged you, simply sending you a 

mualani have fun with kinich today! you’ll thank me later, promise :3

“Y/N,” Kinich calls out your name, snapping you out of your daze. You manage to give him a small smile as you walk towards him. “Mualani told me that you guys were hanging out today and she invited me to come along but it has been fifteen minutes and she hasn’t arrived yet.”

“I wonder why…” you grit your teeth, and before you can say anything else, Kinich’s phone rings. “Is that her?” you ask, but you already know the answer anyway.

Kinich nods. “Should I put it on speaker mode?” you agree and he clicks the speaker button. “Hello?”

“KInich! I am terribly sorry but I can’t make it to today’s hangout,” Mualani fakes a cough (which sounds too fake, mind you). “Me and Kachina caught a sudden cold-” you can hear Kachina protest in the background before her voice muffles, probably Mualani covering her mouth. “Have fun with Y/N today, yeah? And take lots of pictures.” Mualani ends the call before Kinich can get another word in. He stares at his phone before putting it back into his pocket.

“Well…” Kinich reaches into his other pocket and fishes out two tickets. “Guess that’s why she asked me to hold on to these yesterday.”

“Yesterday?!” you choke on your spit. “Well she’s prepared for the worse…”

“That’s Mualani for you,” Kinich replies. “Let’s go then. We might be lucky and grab the limited edition items in the story.”

You gasp. “How’d you know they are available today?! That’s why I suggested to Mualani that we go early yesterday!”

“I searched them up,” Kinich says. “I thought you would have liked it and I was right.”

You freeze in your tracks. He was thinking about me? The limited items remind him of me? Holy shit-

“Y/N?” Kinich waves a hand in front of your face. “You okay?”

“Yeah, yeah!” you shake your head. “Let’s go inside.” 

The aquarium itself is beautiful, filled with different kinds of fish some of which you recognize and some you don’t. You and Kinich don’t talk to each other up until you find a small fish that piques your interest.

“Kinich!” you grab his arm and pull him in the direction of where the fishes are located. You gasp in awe, seeing their beautiful colors. “Look! Look how pretty they are.”

Kinich sees the sign next to the aquarium. “Betta fish.”

“Oh, is that what it’s called?” you ask, eyes still trained on the fishes swimming around. “They’re beautiful…”

Your eyes sparkle as you stare at the fish. Unbeknownst to you, Kinich wasn’t even looking at the fish. He is looking at you. You, who is completely fascinated by the small fish swimming around the small aquarium. You, who has the brightest smile he has ever seen. A smile appears on Kinich’s face before he clears his throat and looks away, a tint of red appearing on his cheeks.

“Sorry, Kinich!” you apologize, though he doesn’t know what you’re apologizing for. “Are there any other things you want to look at?” you turn to look at him only to see him staring at an empty corner. “Kinich..? You okay?”

“Yeah,” Kinich murmurs. “Wanna go get the limited items?”

“You’re right!” you exclaim and once again take his hand in yours. “Come on! We have to hurry!”

The merchandise store is empty when you arrive, which means that the limited items aren’t sold out yet.

“Excuse me! We’re here for the limited items you guys sell!” you exclaim, almost out of breath.

“You’re just in time! This is the first time we’re releasing a limited item for couples!” the employee responds, bringing up two small octopus plushies. “Here we are. Two octopus plushies for the lovely couple.”

You choke on your spit. “W-Wait we’re not-”

“Thank you.” Kinich takes the plushies from the employee without denying their words. “Here.” Kinich hands you the cuter-looking one, and you accept it almost hesitantly. The employee bows as you leave the store.

You keep quiet as soon as you reach the exit and Kinich notices. “You okay? Why are you being so quiet?”

“Um… You heard what the employee said before, right?” you ask and Kinich nods. “Weren’t you going to deny her words..?”

“Was it uncomfortable for you?” Kinich asks.

“No, no! It was just unexpected. I thought you were going to deny it immediately.” you hold the octopus closer to you. “It just shocked me a bit. But on a serious note, thank you for hanging out with me today, Kinich.”

“It’s my pleasure. I like going out with you and um,” Kinich looks away. “We can do this again if you want to… Just the two of us.”

Your eyes brightened. “Really?” he nods. “Okay! I promise I’ll come ask you to go out with me some other time.”

“Okay,” Kinich replies. “Let me walk you home?”

Knowing Kinich’s slightly stubborn attitude, you accept his proposal. The walk back home is filled with silence, but you can’t ask for anything better.

(Mualani later sent a picture she took of you and Kinich in the aquarium. Kinich was looking at you with the cutest smile on his face as you are focused on the Betta fishes).

[iloveaustinelvisandmannymore]

Only him

Pairing: Toji Fushiguro x reader

Summary: You always had a thing for retro games. When you got a old dating game from a pond shop for practically free, you thought you were blessed. how wrong were you.

Warning: Yandere!Toji, Fictional love triangle, Horror? Al!sentient!Toji, Angst, Panty smelling, A hint of somnophilia, Perv!Toji, Domestic abuse, Manhandling, Smut, fingering, squirting, cum-shot, cream pie, hair pulling, choking, this is a dark fanfic.

Today was the best day ever! You had a good feeling about this day, but you didn't know why until now!

You squealed loudly as you stepped out of the local pond shop, unable to help it; you danced with happiness and began to walk to your shoe box of an apartment while ignoring the disapproving stares of those who watched the scene.

The thud of your purse colliding with the floor didn't faze you, either when you almost tripped over your toss shoes. Too absorbed to care.

Flopping onto your bed, you took in the details of the Nintendo game card. The picture on the front was a bit chipped but it was still eye-catching. A pink heart sat front and center, with tiny red lettering of the title in the middle, and a park with cherry blossoms trees was the background. Mr. Right, hmm? I see about that.

Grabbing your old Nintendo Switch from your bedside table, you popped the card in the side and waited. A cheerful, 90s tune sounded out as the picture on the card filled your switch screen. With a smile, you turned to lay on your back as you clicked play, and once the pink screen faded, a menu of different features graced you. Character list?

The first roll of characters was less than eye-catching, and although the designs were made to be attractive, none captivated you. The second roll appeared to be just the same when two characters that stood side by side caught your attention. Black ragged hair lay on his forehead and almost covered the beautiful green eyes of the first character; they were like a freshly cut emerald, shined to perfection. His lips pulled up into a smug smirk, and an old scar ran down the right side of his mouth. The black jacket and white button-up shirt did nothing to hide his muscular build.

You gulped as your core pulsed.

The other character was just as handsome. His hair was white as snow, styled in a half down half spiked hairstyle, giving him a boyish look. His eyes rivaled the older man before him, pure light blue. Unlike the other character, his build was slimmer but no less attractive, his playful, cocky grin did things no real man could do to you.

Well, you knew what characters you'd be playing with.

Days passed and you couldn't put down your switch. Every lunch break at work was spent playing Mr. Right rather than eating and at night, the only light in your apartment was the screen light of your game. You were like a dead girl walking, dark bags under your eyes and a slouched posture; you swore you heard a kid's small scream as you placed down his and his mother's food on the table of the cafe where you worked.

So when things begin to go missing, you blame it on your tiredness. Surely, you must have misplaced them. You mean, who would break into your home to steal a few of your used underwear, o-or like your old t-shirts? Right, that's insane! You didn't think you were too interesting to be stalked; god you need to take a break from reading Yandere stories.

You shook your head and scoffed at yourself as you left your apartment, locking the door before you walked to work.

The room was purged in an eerie silence until suddenly loud, unsettling static screamed out of your left open switch. The lights of your apartment flickered rapidly as the sound seemed to grow louder when everything turned off, pitching the entire apartment building into darkness.

Toji stood in front of your twin-sized bed, running his hand over the imprint in the mattress when the light flicked on. He inhale shakily as the tips of his fingers traced the slight dip as memories flood his sick head, the nights he lay behind you his hands on your tits, pawing and squeezing them in his palms before he abandoned one breast as he runs his hand down your body to your warm cunt but just before he touched you there. He stopped. He couldn't. He wanted you to be awake to feel his love.

Toji stepped back, pushing the memory away as he moved around the small place you called home.

Shamrock orbs tailed around the quiet space, taking in the half-clean and half-messy state until they found the object of their desire. Toji walked in the direction of his favorite item, and without much thought, he snagged a pair of used panties from the laundry basket and buried his nose in the worn fabric. A deep rumbling groan escaped his chest and his eyes flattered shut. The scent of your old musky still clung to it, and he inhaled it like it was the most intoxicating, sweet smell. To him. It was. It was the essence of his goddess, his doll. The one who helped him see the value of life.

Without you, he'd never have broken away from his cured reality, who always seemed so eager to see him and..that white-haired punk. Toji shook his head, disgusted at the thought of the other man, and instead filled his mind with you. Toji spent the rest of the time you were gone to learn more and, of course, returned to the game after picking some trinkets along the way.

The game was starting to get a little weird. At first, it was normal. You'd interact with Toji, your in-game father none the wiser of the relationship between his daughter and best friend, then you'd hang out with your college classmate and friend Gojo. When you begin to notice every time you played with Gojo, a small chibi in the form of toji would peek around the corner of the screen every once in a while. Then it became more disturbing. You couldn't find the blue-eyed male anywhere; almost like he was completely deleted from the game.

On top of that, the older man would say and ask things that were too specific and too possessive. One day, he'd ask you where you went and who you were with when you suddenly had to leave your switch at home because of a family emergency. He'd go on about how he was your true love, and you simply thought maybe he was programmed that way, but it was no less creepy. You eventually just decided to take the day off from playing.

You woke up with a jump and groaned. Your phone vibrated and pinged with your chosen notification sound constantly. "Ya gonna answer me dollface?" A guff, baritone voice spoke in the empty room, and with a small scream, you slammed your back against the wall your bed was pushed against. Scanning hecticly for any human form.

"Over here." The voice spoke, closer than you heard the first time and to your right. Looking to your bedside table, sat your phone, lit up with an unnerving light; you picked it up with a shaking hand, and a cold dread settled within your stomach as Toji stared back at you with a small smirk, his eyes dark with such intensity. "There ya are. Hi, doll." His smirk widens at your terrified expression. "H-how?" Your voice cracked with fear, how was this possible? This couldn't be real; this only happened in movies! But apparently fucking not.

"Don't know myself, but that not 'mportant. You thought you could just ignore me? Doll this doesn't work that way." his smirk faded, and without warning, your phone suddenly flew out of your hand, crashing to the floor, and a blinding light overtook the space, blurring your vision. Once your vision came back, the beefy man stood before you, his eyes bore into you.

That was only the beginning of the nightmare that became your life. You were trapped in a place you once thought that nothing bad could happen to you as long as you lived there. Toji never let you leave his sight, food and other stuff you needed were ordered and brought to your door. Your phone and other devices were completely contorted by the man who currently seemed to watch your every move like he was taking you in. Many times, you tried to escape, but you came to the knowledge that although Toji could sleep, the moment your feet would touch the floor, Toji's eyes opened and, in a sleepy voice, asked where you were going. He was a light sleeper, that's just your damn luck.

Maybe...there was a chance you could tire him out enough he was knocked out cold, giving you enough time to escape. Now you were no virgin, you had your fair share of sex, so you thought it would be a piece of cake. Oh, how laughable.

Toji's thick digits, curled and pushed against that gushy spot in your spongy core, and his palm smacked against your poor, rubbed raw clitoris as you desperately tugged at his cock. You cried out as your head was pulled back by the strands of your hair. "There she is. C'mon on, doll, look at 'er," He whispered against your ear as he forced you to look into the mirror, his grip tightening as your pussy clenched. In the reflective glass, you look just as wrecked as you felt. Lidded eyes stared back at you as you took everything in, your hair was pulled into a ponytail by the man behind you, three of his fingers thrust into your puffy cunt, and squirts of slick jutted out to cover your thighs, his palm, and the floor. One of your hands holds onto his arm, and the other slides up and down his cock.

"ain't she the fuckin' prettiest?" Toji bit your earlobe as he no longer thrusted but began to shake his digits rapidly against your walls. You screamed as you violently came, clear liquid spraying out, drenching Toji's palm that rubbed your clit as he continued to finger you. Your hips jerked, your legs shook, and tears cascaded down your face; you looked like a slutty mess in the mirror.

"Fuuuck!" You hissed in pain, your hands barely catching yourself as your knees sit the hard wooden floor; the only thing that held you up, that being Toji's arm, was ripped away. Yet you had no time to truly feel the pain in your kneecaps as your locks yanked backward, training your orbs onto the man in all his naked glory, his strawberry pink tip wept pre-cum and the owner of such a beautiful tip, fisted his dick as he growled and snarled until he let out a groan and pearly, spurts of semen painted your face, to your cheek, nose, and chin.

"Fuckin' hell, doll," Toji panted, "s' beautiful covered in me." He wiped his seed off your chin with his thumb and spread it on your lip like a gloss, and without thought your tongue traced your bottom lip, tasting his cum. Earning yourself a pretty groan before you were pulled up from the ground and onto your wobbly legs. "Toji-i can't." You stuttered, your back hitting the mattress, crawling up the bed in a fertileless attempt to worm from his grasp, but his hands gripped your hips and pulled your back til your ass laid on his thighs, "T-too sensitive. Please." You begged basically to a wall.

"ya can handle me, my doll can handle anythin'." He cooed, his thumb rubbing the dip of your hip as his other hand, took the base of his member and lined up with your cunt. "Toji-plea-" your words were cut as you screamed, his fingers dug into your neck and his thick length buried itself in your snug pussy

"Mmmm..Shiiiit babydoll!" Toji laughed as he stared down at where he disappeared into you, slowly drawing his hips back, "She's squeezin' me, nugh..think she's lovin' my dick." Toji's wicked green eyes glanced up, and with a nasty grin he snapped his hips, and your mouth dropped as you openedly moaned, tossing your head back against the pillow. Your thighs were pushed to the side as The older man put all his weight onto you and used it to drill you into the mattress. "You..mmfuck like this? Betcha do, takin' my cock like a champ." He chuckled, groaning at the end as your pussy clenched at his words. You babbled in denial and shook your head. You didn't want to give him an even bigger ego, but you couldn't help the mewl that left your lips as his fingers squeezed the sides of your neck and his other fingers entangled in your hair, "Don't fuckin' lie to me, girl." He sneered, his heaving chest against your smashed breast as his hips snapped, not missing a step behind him, "Jus' let me make that..fuck..pretty pussy cum." He lowered his voice, almost like he was begging you, as he gently kissed your chin, his hand letting go of your hair and his grip loosening around your neck.

You nodded desperately, you gave up on pretending like you weren't losing your mind from this pleasure, and the way it felt his cock felt was in your tummy, or the pleasurable stinging of his hefty ball smacking against the carve of your ass. The softness in Toji melted away like it was just a show, an act, and a wicked, nasty grin was your one warning. His beefy biceps wrapped around your thighs, and he stood up. Your shoulder was the only thing besides your head that stayed on the bed. The echo of your ass smacks against his hips, the wet, squelching echo as he rapidly pounded your slick drooling cunt, the cream of your sex and his pre-cum that framed his base, and the new punishing angle was all it took. You came, your slick gushing down your body.

"Mmfuc..you're milkin' me baby doll." Toji moaned, his cock throbbed as he stilled to a stop as his cum flooded your womb and walls. You had a second to catch your breath before Toji resumed his brutal fucking.

Your eyes slowly open, adjust to the darkness of the room and turn to Toji, the said man in question, lying beside you, sleeping peacefully after multiple rounds, and yet somehow, someway, you were conscious; maybe someone was rooting for you out there. Inhaling you softly planted your feet on the cool wood and lifted your weight. Not a single stir.

Hope gripped your chest as you quietly put on the clothes you wore that were fling when you seduced Toji. Every cautious step towards the door was like you could finally breathe, and once you touched the handle of the door and twisted it open, you could taste your freedom.

Burly appendages wrapped around your stomach, and you yanked away from the door, ripped away from your only chance at escape. "LET ME GO!!" You screamed and thrashed in his arms. "Ya thought I was stupid? Huh?" He grunted as he tightened his hold as you doubled your efforts. "DAMN IT LISTEN TO ME!!" Toji yelled, turning you around. "N-" you tried to scream, to call for help, do anything, but all you could do was stare up at Toji in shock after your body barreled onto the floor by the force of his slap. "You think I'm dumb? You showed no sign of sexual arousal to me until now. Ya thought I wouldn't have known you were gonna pull some shit like this after we fucked?!" He sneered, pulling you onto your feet by your arm, his other hand on your back.

"You ain't leavin' me," Toji vowed. The low static sound that hung in the background became louder as the light bulbs flickered. "I'll make sure of that." The screening static grew more deafening until it all stopped; the bright light of your switch faded away, and no later did it slam shut.

Locking you from the real world forever.

@ilovewriothesley, @scratkount , @tojishugetiddies, @shyartnerd564, @blobkvna, @1800imgay, @plsthinkabtme @karla91663, @pierrotandsam , @miau-ficreader, @tojispepperonis, @darkstarlight82, @crimbabyops , @verlhfghhy, @xxmaddhatter39xx , @grima4lurking, @littlesealpup

[oristian]

So how come we can tell that Elain wants azriel and is attracted to azriel but Eluciens claim they need Elain's POV to confirm she doesn't want Lucien??

Idk it's almost like thoughts and acts and verbal things she has said matter?? It's almost like... we don't need everyone and their mother's POV to tell very basic information??

Y'all acting like she is a complete black box just because we don't have her POV yet 😭😭

What if I said "oh we need Lucien's POV to tell he actual feels a bond and didn't orchestrate a fake mating bond to claim an Archeron sister after she got made?"

"But he wouldn't do that"

How am I supposed to know he wouldn't!! We don't have his POV either 🤪 he could be Koschei for all we know 🤷🏻‍♀️

And nobody better fucking bring up Feyre hating Rhys or Nesta kicking Cassian in the balls. Their words differed from their actions. They might've SAID they hated their love interests at the time, but their ACTIONS differed. Anyone who genuinely thought Feyre hated Rhys or Nesta hated Cassian is literally just lying atp because come on what do you mean you didn't pick up on that?? Nesta was willing to die for Cassian and Feyre was literally thinking Rhys was the most beautiful man she had ever seen. Be so fr.

Elain's actions match her words. We don't need her POV to know that.

Good morning! This might be a long response, so hope you enjoy!

Elain Archeron is a book character. Books follow standards enacted by the stricture of narratives, and how stories are told overall—in short, the reader is being told something through a book. A story is told through settings, dialogue, characters, et cetera. While the reader may be able to create their own theories, pick up on literary devices, and generate predispositions, until the reader is fully informed by the intent of the author on page, it is speculation.

When people claim that we need Elain’s POV to understand how she is feeling towards Lucien, that is very much true. There is a plethora of reasons as to why she shifted her composure around him between ACOWAR and ACOSF. From asking if he is alright and inviting him to Velaris, to shrinking around him? Until we are in her inner monologue and seeing what she is seeing, the reader can only speculate. Is she now very horny for him, is the mating bond chafing when he’s around, did she have a vision of their future, is she wildly attracted to him, et cetera? The same way that people claim she is in love with Azriel is the same way we claim we need her POV—neither is true until Elain confirms it herself with her own thoughts, feelings, and words.

Now, I want to bring up “thoughts, actions and verbal things,” because, more often than not, it is misconstrued. The only instance where the reader might be swayed to believe that Elain feels anything for Azriel is the almost kiss in the bonus chapter. However, we only had Azriel’s POV. Compared to Wings and Embers bonus chapter with Nessian, the reader was lacking the female’s POV. With Nesta and Cassian, we read that both were feeling the pull towards each other in that chapter. In ACOSF, we were limited to just Azriel—why is that? As for the other lines of dialogue that are seemingly connected to Elriel, those are regarding Graysen. “I don’t want a male,” would also be applied to Azriel, no? “And that love would trump even a mating bond,” is about Graysen.

I have been asked before how I can confidently ship Elucien when Elain seemingly lost her “newfound boldness,” and, “shrunk in on herself,” when Lucien came during Solstice. While I do understand how some people can read that as a negative for the ship, I once again have to say that we do not know why either of those actions happened. There has been zero indication that Lucien is forcing himself on her, is bad for her, and/or is disrespecting her wishes, so why has Elain suddenly started acting like this? This is why we claim that we need her POV for all of these unanswered questions.

Essentially, Elain is a blank sheet of paper. Could she stay this newfound meek personality and live all her days in a small cottage with a garden, or will she revert back into her old personality and become the socialite that she once was? While the reader can understand some of her character, she is still more shifted towards the background and is lacking the substance that a fleshed out POV and aligned character development would offer to her. This is one of the reasons why so many people seemingly dislike her character, because she has not been able to explain her actions. This was similar to Nesta.

The example you brought up with Lucien and the bond needing clarification actually was solved very quickly in ACOMAF. When Feyre unleashed Helion’s spellcleaving magic and broke the bonds in Hybern, she would have broken any fake mating bond tied to Elain and Lucien. Feyre has also been inside of Lucien’s head while he was experiencing the tug of mating instincts. Elain has felt the tug of the bond and Lucien was able to experience her from the inside due to the bond. They both have experienced mating behavior towards each other. The reader has had a snippet of Lucien’s POV.

Feyre, Nesta and Elain are all similar in how they were reluctant to accept the bond at first—the only difference is that Elain is fully aware of the bond before she accepts it. Feyre and Nesta were stuffed into forced close proximity with both of their mates, which also differs from Elain, and her sisters also had access to their mates before they turned fae. Elain met Lucien the night she turned fae and had very little alone time with him. Feyre and Nesta both experienced firsthand the chaffing of the bond while being so close to their mates for so long, but Elain has not. Elain was in love and engaged to Graysen and was now suddenly tossed a fae male as her mate, while simultaneously losing her humanity? It is only reasonable that she would not be jumping for joy over this new revelation.

SJM is an author that uses similar patterns across her entire body of work. To say that we cannot compare how she wrote Feysand and Nessian to Elucien in the same series makes no sense to me. Now, I do believe that you have contradicted yourself in your paragraph regarding Feyre and Nesta. I agree, while they may have claimed that they wanted nothing to do with their mates, their actions showed the reader otherwise. Elain is similar with Lucien, however, she has not once said that she hated him, wanted him gone, wanted to reject the bond, et cetera. Anything she has said against wanting a fae male was because she wanted Graysen and to return to her mortal life. Her actions towards Lucien have included worriment for his safety, relief that he is alright, inviting him to Velaris, keeping all of his Solstice gifts, the half step, et cetera. Someone who planned on rejecting the bond with their mate would not have done any of the above.

If the reader does not need Elain’s POV, why would she need an entire book? If her thoughts, feelings, and actions are fully explained from another’s POV, why would she need to explain herself in her own inner monologue? She already has hobbies, friends, a lover, a home, joy, purpose, and family—what would be the point of her having a book?

I so hope I managed to answer your question. Have a good day!

[alexanderwales]

I watched the Netflix documentary about the Dallas Cowboys cheerleaders, and kept being more interested in the financial and logistical aspects of it, which of course they don't go into. The cheerleaders make very very little money, and they obviously have expenses, and it's essentially a part-time job that they have on top of whatever else is going on in their life, like having a job that actually allows them to pay bills.

It's pretty obviously a case of people wanting a job for non-money reasons, which means that the organization can pay them less. This is incredibly common in the creative and performing arts, as well as sports, so I guess I shouldn't be surprised. I had not previously given much thought to cheerleading though.

I didn't come into it with a lot of respect for cheerleading, and didn't leave with a lot of respect for cheerleading either. I think it's difficult, and visually interesting, but there's very little room for creative expression since it's tightly choreographed, and the body-destroying nature of the moves makes me a little queasy, as does some of the objectification.

I feel the nugget of some story in there, something that calls to me, tensions that the documentarians couldn't drill deep on because they're filming people with media training and no particular desire to air their interior experiences for the public. Maybe they don't even have the interior experiences that I would want them to have, for story purposes. It's an intense performance of femininity, weaponized legacy for cheap labor, briefly burning fame that can only rise so far until the clock ticks long enough and they age out or their bodies break or both.

(The obvious pitch is a magical girl story. The transformation sequence is two hours long. You're constantly scrutinized for conformity. You fight monsters with your magic powers, but you also work a day job, and you're telling yourself that you're upholding a longstanding tradition, that this is the best most important thing you'll ever do with your life, but it really would be nice to be paid more given everything you're doing.)

[thewalrusespublicist]

Two of Us Play: Thoughts or 'This Could Mean Nothing: The Play'

I saw Two of Us and I have thoughts. and feelings. Frustrated feelings.

What I liked: the mental health angle, the details, the research, the bones of the story and the acting for the most part (good actors, poor direction basically).

What I didn't like: First off the script needs work. At the minute it plays more as a spot the reference rather than one coherent story. This doesen't feel like convo between friends but a recap of Beatles lore with no train of thought that gets satisfyingly resolved and whilst hitting off the movie beats rather than building to them. The pay off feels less like a cathartic journey and more 'cool it's Mclennon I guess..'. Next the chemistry is off, the two leads don't feel like platonic soulmates/best frenemies and they don't fly off of each other as John and Paul did. Instead the energy is super low, even in their heightened fight scenes it doesn't feel like two people duking it out. There's no screaming and shouting, it's like two old but never that close friends going from awkward to semi awkward and back again repeatedly without ever hitting any moments of sizzling connection. This I think is partially to do with the 'nice Paul' characterization, which please lord can it end! Let our beloved alpha bitch be beloved and alpha bitchy, it's good for his skin AND MORE REAL.

I think the chemistry/energy problem is linked though to the main problem and the elephant in the room: the 'latent' homosexuality. Latent is probably the best word for it, but that's only because of the play's fear of its own implications. To be clear, with a slightly more daring director unafraid of the material, the latent would be BLATANT. The dialogue is BLATANT. John's wordplay is loaded with suggestion: 'best fuck you've ever had', 'you should have married me' and there's a closeness when they are singing on the piano which was 👀👀. The 'I love Paul' badge is also there with a 'lucky Paul' comment that COULD have built to a potentially interesting character moment. But they just fly over these bits like they haven't been said. The candlelight dinner as well that John puts on for Paul is by its nature loaded, as is John offhandedly calling him 'my love' when fiddling with the stereo during that scene.It's so casual that it feels like an accidental slip on John's part. But nothing is made of this, no pause, shift in the air, comments, nothing. This was the worst with the KISS which was initiated by John and yes, way way way too long for it to mean nothing and the Epstein jokes are completely omitted. Its a wild moment, but the play can't seem to handle what they've just laid down so just ... skates past it. Its like HAHA WEIRD RIGHT THEY JUST KISSED ANYWAY ROOF SCENE.

But the implications also aren't consistent as the whole thing is too attached to the 'Paul is a jilted victim' angle. It's Paul who is jealous of Yoko, but save a line about being surprised about Linda, John seems neutral (weird considering its JOHN making the overtures and was IRL not Linda's biggest fan). The ending is the strangest for this. They have the SNL thing like in the movie but it's weirder as Paul is CRYING. OBVIOUSLY CRYING. CAN HEAR AUDIBLY FROM A DISTANCE CRYING. The whiplash of John throwing down these implications and suggestions to just ... nonchalantly giving a hand grip goodbye and ignoring Paul's tears after going on this whole journey together is WEIRD and makes him look like a user and a selfish, insensitive prick. Like bestie your bestie is crying you can call Yoko back??? Also the end is meant to be a love you to both each other and their wives but Paul's is clearly to mostly John and John's feels mostly to Yoko. It's not a good look on John and its not a good look on his relationship with Yoko (yh John could free himself from the prison he's made for himself and was about to but the darn Yoko pull is just too strong guys). Again this would be sort of sad but fine if it was Paul making the overtures or there were no overtures but it isn't and there are! John is both the mooning would be romancer and the unavailable ex. Once again nuance and coherency (as well as Paul and Linda!) are sacrificed for the traditional John and Yoko angle. Wholeheartedly, it feels like there has been a layer of implication added onto the script, a layer which means that the original elements of the script would need to change to work but they haven't done it so you have this Frankenstein's monster of a traditionalist narrative fused with loaded suggestion.

So yeah, I think the whole thing had a lot of potential as a play but the script needs an overhaul, the actors need better chemistry and if you are going to go there, for gods sake GO THERE.

[qiu-yan]

2 and 21 for mdzs please?

sorry for the wait!

choose violence ask game

2. a compelling argument for why your fave would never top or bottom

in terms of "compelling" arguments, i've got nothing. in terms of bullshit arguments i pulled out of my ass, though....

of course, the easy way out is to argue that jiang cheng is asexual and therefore would never come into sexual contact with anyone. an equally easy way out is to argue that jiang cheng is so rizzless that, even if he wanted to top or bottom, no one would do it with him....that's the easy way out of this question, though.

my own opinion is that, if jiang cheng were attracted to men and/or had a partner who was into pegging, he would have way too much internalized homophobia to give bottoming a try. even if he somehow got over himself enough to admit that he was into men (already impossible), he would still buy into the ancient-greek school of thought on homosexuality, wherein "ackshually it's only gay if you're on the bottom." he would be fully convinced that, if he were to bottom - and worse, if he were to enjoy it - he would become Less Man on an existential level. this would absolutely kill him inside, would make him actively more homophobic than if he were just straight or asexual, and would make him a nightmare for any other man to hook up with.

but of course, the more you adamantly refuse to even consider something - the more you fear something, in other words - the more you end up obsessing over it. if jiang cheng were actually hooking up with men in this scenario (entirely possible because he's like 6ft tall and probably can host because he's rich, which makes him a prime catch in the eyes of like 90% of grindr), he would adamantly refuse to bottom. he'd declare himself a hard top. but would he actually enjoy himself? or would he, as he topped in a lackluster manner whichever men were unfortunate enough to give him a chance, imagine himself in their position - first with disgust, as he told himself he was different than them; then with terror, as he feared that he might one day end up in their position; and then with something else?

because jiang cheng's fear - that he might one day bottom and enjoy it - would quickly mutate into a full-on psychosexual obsession with the concept of bottoming itself. because it's repression king jiang cheng we're talking about, said obsession would eventually become one of those things you're so afraid of that your fear ends up wrapping back around and turning into a fetish. because it's jiang cheng we're talking about, this would then lead to him actually bottoming one day. and then, because it's jiang cheng we're talking about and the universe hates him, he would actually end up enjoying it.

does his mindset change? maybe. or maybe he just becomes Worse.

i feel like i've ended up doing the opposite of answer the question.....sorry.....these are my honest thoughts, though.

21. part of canon you think is overhyped

i'm going to get killed for this, but that's the purpose of this ask game, so i'll be honest....."lan wangji as Love Interest." of course, by this i do not mean to say "lan wangji himself." rather, what i mean is the way in which lan wangji is a "love interest" first and a "character" second. in my view, the story is only really interested in lan wangji as "the guy who loves wei wuxian and is unquestioningly devoted to him," rather than interested in lan wangji as a character in his own right.

of course, the story spills a lot of ink on how much lan wangji loves wei wuxian, how much lan wangji has sacrificed for wei wuxian, how unquestioningly devoted lan wangji is to wei wuxian, and so on. and while this is all true and good, in my view, there are also several other interesting angles in lan wangji's story worth exploring. however, these angles instead seem rather neglected by the story, which appears to only want to discuss "lan wangji's devotion to his One True Love."

some angles i consider to be interesting, and which i felt like went underexplored in canon:

how much of lan wangji's support of wei wuxian is because he believed wei wuxian was right, and how much of it is because he loves wei wuxian and does not want to lose wei wuxian again? where does lan wangji's personal romantic love end and his moral compass begin? the novel equates [standing with wei wuxian] with [being righteous], but it is exceedingly easy to design a situation where the morally righteous path entails sacrificing wei wuxian in some way - how would lan wangji behave in such a situation? if wei wuxian himself had not protected the wen remnants (due to canon divergence or whatever), would lan wangji have spoken up for the wen remnants?

to what degree does lan wangji agree with wei wuxian's actions and consider said actions to be morally justified? comparatively, to what degree does lan wangji consider wei wuxian's actions to be morally questionable, and simply wants to shoulder wei wuxian's sins with him out of love? does lan wangji know and/or believe that wei wuxian killing jin zixuan was a genuine accident? if he does not know, does he care?

what does lan wangji's relationship with his family look like? on one hand, in his failed bid to save wei wuxian, he injured 33 of his own sect's elders, which under confucian principles is a massive wrongdoing. have the injuries of these elders healed? does lan wangji feel guilty? on the other hand, lan wangji's family betrayed both him and the moral principles they espoused, by first nearly whipping lan wangji to death and then joining the first siege of the burial mounds. does lan wangji resent his family for this? does he resent lan xichen and lan qiren, or does he understand that they had argued the punishment down from execution? is that why, after lan xichen's world shattered at the guanyin temple in yunping, lan wangji was able to immediately leave the premises with wei wuxian in tow, without once checking in on his brother?

what does lan wangji think of his late parents? does he want to know why his mother killed his father's teacher, or would he rather not know? does his family keep the knowledge from him, or does he avoid the knowledge himself? what does he think of his father's actions - to him, is his father someone who fell from the path of duty and righteousness for the sake of love, someone who selfishly abandoned his duties and forced his responsibilities onto his younger brother, and/or someone who imprisoned lan wangji's mother against her will and perhaps even forced himself onto her? does lan wangji know whether or not he was conceived consensually? does this bother him?

given the whole history of lan wangji's parents, how does lan wangji view his own, how should i say, sexual interests? lan wangji did once pin down a struggling wei wuxian and forcibly kiss him; would lan wangji make a connection between the nonconsensual nature of this deed and the imprisonment of his mother? furthermore, wang and xian's relationship postcanon seems to have an element of d/s and noncon roleplay to it (which i'm not judging them for, good for them); would that also remind lan wangji of how his father and his father's sect brought about the imprisonment of his mother? or are these two separate things entirely?

in my view, these are all highly interesting aspects of lan wangji's story - and all of these are implied by details given in canon. however, canon shirks discussing these aspects of lan wangji's character in favor of focusing on him as the Male Lead: rather than explore any of these angles, which would further define lan wangji as a person, canon seems far more interested in single-mindedly focusing on how sad lan wangji was that wei wuxian died, how tragic the loss of his One True Love was, and how wholeheartedly happy lan wangji is now that wei wuxian has come back and returns his feelings.

to me, it feels like this guy got sanded down from a "full individual" to a "love interest." it feels to me like the story gives us some details about lan wangji's own life, but then nonetheless insists on reducing him from a person in his own right to a satellite that revolves around wei wuxian (the story's real favorite). because of this, MDZS the novel read as less the wei wuxian and lan wangji story, and more the Wei Wuxian story starring Wei Wuxian, in which lan wangji is a love interest first and a person second.

i forget if i said this before or if i read it from someone else's blog, but it does feel like, if you want to love lan wangji on his own, you have to do a lot of the heavy lifting yourself. or at the very least scrub all the male lead energy off of him first, so that the individual underneath can be revealed.

[cordsycords]

been thinking more about the info about the backgrounds that we've seen, regarding Rook's past, and I really hope we get some reactivity with our companions, especially ones that are in the same faction as us:

shadow dragons - okay, from the single line we get in the prologue from Neve, it doesn't seem like she's specifically heard of/worked with Rook before. This kind of makes me wonder if the Shadow Dragons are a much more decentralized faction than something like the Wardens or the Crows, with multiple cells that are all working together towards the same goal, but keep minimal communication with one another due to secrecy. Might be cool if we have a mission that's like "find the leader of the Shadow Dragons" because no one knows who it is*. The background info from the CC kind of supports this idea, Rook is specifically said to have been "brought to the attentions of the Venatori" and put in time out because of that.

As for reactivity, I guess it would be nice if you could mention that specific mission, and Neve could "oh right I heard of that. You did the right/wrong thing." and just give her opinion on it. I can actually imagine Neve not being really keen on it, as a private investigator she needs a certain amount of discretion to be able to do her job properly, and might not appreciate Rook's brashness if it endangers the wider goal of the shadow dragons.

mournwatch - the mournwatch background is still driving me a little Insane, because what do you mean Rook was found as a baby in the Grand Necropolis. Anyways I kind of assume the Mournwatch is a much smaller faction, because they have a very specific focus, and they only operate in a specific part of Thedas. Since the info specifically says Rook was "raised by necromancers" it would be super cool to see if Rook and Emmrich had a Mentor/Student relationship at one point. Would also be interesting if Emmrich specifically was the one to tell Rook to travel after the incident with the War of the Banners. It would be great to see his response to Rook coming back and suddenly being in charge of this little rebellion, they just can't stop themselves from getting into trouble.

Also Mournwatch!Rook taught Manfred to play rock-paper-scissors. That's my headcanon and you can't take it away from me.

antivan crows - So it seems like Rook is a relatively new antivan crow, and from the little I've gleaned about Lucanis' recruitment mission, it looks like he might have been thought to be dead for the last year or so? Would be cool if Rook has heard a bunch of stories about Lucanis and has some hero worship going on. Would also be funny if we told him all that we had heard, only for him to shoot all the more fantastical elements of those tales down.

grey wardens - This one is also a little up in the air regarding whether Davrin and Rook knew each other before the events of Veilguard. Rook's faction backstory mentions them being in a group along with other Grey Wardens, so it would be nice if Davrin was also on the mission. I would also be really interested to see how Davrin got Assan, and maybe Rook played a hand in that somehow as well. Did Davrin literally find Assan in the middle of nowhere, and maybe Rook was there? Or were the eggs all found and then distributed among the Grey Wardens that were in high favour? Was Rook passed over for a griffon? I do remember one of Davrin's missions from an IGN previwe being specifically about saving the griffons, so it's probably the case that Assan is the only one actively around right now.

Either way, it would be cute to see an encounter where Rook remarks on how much Assan has grown/changed since they've seen them last, if they even know about Assan at all pre-Veilguard

lords of fortune - I think the relationship between taash and a LoF!Rook would be a good case for a slightly more antagonistic relationship. As an organisation of treasure hunters, probably focused more on profit and glory than anything else, it would be cool if Rook got in the way of taash's scores or jobs. Maybe Taash has moved up in the faction since Rook was forced to peace out, and wants to lord her achievements over Rook in an attempt to make them jealous. It could be pretty fun.

veil jumpers - I imagine Bellara and a jumper!Rook would probably be pretty aligned with one another. Reading the background info on Rook in the Veil Jumpers, i can imagine Bellara would probably approve of what Rook had done, while also being just a tiny bit disappointed that the map was lost. It would be cool to see a scene where they traded notes with one another, recounting all the weird things that they've seen in Arlathan, and then maybe trying to figure out why certain anomalies occur, or how they work. Just a bunch of co-nerding out with one another

anyways, I am definitely thinking way too much about this, but there's still 6 weeks to go, so it's not like there's much else for me to do :shrugs:

* it would be equally cool if that leader is a previous char from inquisition. I'm kind of banking on Dorian, or the inquisitor themselves considering the clothing we see them wear in that single shot of them in the CC is shadow dragons casual wear (i believe)

[bucklway]

how mello & near fail as proper antagonists from the perspective of a mello & near fan

the most interesting thing a character can do in a story is surprise you. to be caught off guard by a character, you need to already have an idea of who they might be.

for example, if a character is introduced to an audience as the greatest detective the world has ever known, someone who’s intelligent & calculated, the viewer might be shocked when that character makes many wild & risky decisions. it might catch someone off guard to hear that character say something like “i had to test this just in case, i never thought it would actually work..”

it’s such a small piece of information but it tells us SO much about the mystery of L Lawliet. L is known by many as the greatest detective, but his first true introduction to us, the audience, is his boldness, his capacity to take risks. his genius is so great that a shot in the dark for him results in a bullseye.

to introduce a character through other characters’ opinions of them is my favourite way to challenge the viewer’s expectations in a story. i think to be curious is to be engaged, a story should be setting you up with a million questions that are compelling enough to keep you interested bc you know they will be answered eventually.

it’s not very interesting when you know everything about the series’ antagonist right off the bat.

L as an antagonist is so compelling bc he’s shrouded in mystery, not only is light desperate to know his true identity & true feelings, but we are as well. this is where near & mello fundamentally fail as proper antagonists, every part of their characters work for me aside from the way in which information is learned about them. it’s such a harsh contrast from the genius that is L, it’s insulting to the viewers who are reading/watching bc they actually care about this story & its characters.

so why is mello and nears introduction so bad? simple, we receive too much information.

the scene in which they appear for the first time is literally set in the place where they live, talking to the man who is raising them, it’s insanely personal. compare it to how we meet L for the first time: through a computer screen, held by a man who’s identity is hidden by a mask & all we see on that computer is the letter L. sorichiro tells us he’s the greatest detective but no one knows his true identity. it tells you all you need to know about him at that point in the story, L is a smart detective who is overly cautious about revealing his identity. we aren’t told why he’s overly cautious or who the man is holding the computer but it’s enough to get us thinking.

this is the amount of information we get through mello & near’s introduction: their caretaker is named roger, he works at wammys house (the orphanage watari founded, which is also information that was revealed in the last episode) where mello & near live. roger reveals that L is dead, meaning that mello & near have some kind of connection to L. mello is devastated at the news but it’s quickly revealed that this devastation is most likely the cause of frustration that L can’t “pick one of them” what does that mean? don’t worry, this scene makes it very clear. mello & near were raised to be great detectives, one of them was meant to be picked so they could carry on his legacy but he hadn’t chosen one yet. near is cold, seemingly emotionless & fixated on solving puzzles. mello is loud, aggressive & overly emotional. roger suggests that they could work together on the kira case, near seems up for it but mello is enraged. he tells roger “you know i don’t get along with near.” which is such a funny way to establish something about a character, having them explain a fact about themselves to someone who already knows it. mello reveals some deeper insecurities about not being better than near & he runs away from home. near is officially the new L, working to defeat kira.

..so that’s way too much information, right?

that scene is like.. if in episode 11, when misa is being introduced thru the sakura TV tapes, we were also seeing misa’s perspective, watching her every move & hearing all of her opinions. the introduction of misa is interesting because the audience isn’t given the information that there are 2 notebooks yet, we are meant to assume that light is the one doing all of this even if it doesn’t seem like something he’d do.

mello & near fail as proper antagonists bc the narrative doesn’t take them seriously & doesn’t give them the time they need to establish themselves as threats.

i truly do think near & mello could have been amazing, i have my own ideas for how i would’ve personally taken the story after L’s death but this post is already too long lol!

[reachexceedinggrasp]

I have a feeling you might relate to this or you might have even related this on your blog already, but I was just thinking of that Ghoul quotation water water everywhere and not a drop to drink

I think probably my favourite, maybe ever, quiet point of characterisation in a sort of villainous or Beast love interest is his or her having a poet's soul... whether that is conscious or unconscious romantic meditation. It's like Kylo musing to Rey when he says 'You have that look in your eyes. From the forest. When you called me a monster' I love that sort of wistful observation, especially because it evokes such potent imagery ('when we fought together in the forest and then you marked yourself on my face'). Or more literally something like Ghoul citing a line of literature, even when none around except for Lucy would know what he's referencing, it's for his own arrestment and amusement, this is how he sees/interacts with the world

I guess in that way, it reveals something new about their perspective on the world, even when they're somebody seemingly cut off from it - monstrous, othered, repellent, ugly - when they're able to articulate a certain beauty which other characters may not remark upon. It's sort of covetous in that sense, but I think it also sort of helps explain what might interest them about a Beauty, after all, there's something they long for and value (spiritual, aesthetic, existential beauty).

I thought you might be able to relate 🥰

Oh, totally. And with Cooper and Ben, specifically, which is a parallel I hadn't actually noticed until you've just pointed it out, we're being shown their sensitivity as characters. Not in the sense of being considerate, but that they're aware and alert to beauty and meaning in the world despite currently occupying a narrative role which might make us think they're simply destructive or nihilistic figures. Despite the cynicism they're both ostensibly espousing.

Cooper quotes or alludes to literature practically constantly relative to how little he speaks, always knowing people almost certainly won't understand him, and that's especially fascinating because he didn't make those kinds of references in the flashbacks. We could take this in a whole direction about how he created the Ghoul as a character to shield himself from the things he had to do to survive and is living within a meta-narrative deconstructing the reactionary anti-hero who overtook the white hat sheriff he used to play in his movies. The anti-hero he never wanted to be. He makes allusions because his life has become a story he's telling himself to stay sane. He's his own wry Dickensian narrator making asides to an imagined audience about dramatic irony and social commentary.

And an important part of his presentation to others before the war was painting himself as not sophisticated. Just a cowboy and then just a guy who plays a cowboy in the movies. He wants nothing to do with politics either in an interpersonal or broader sense, and disclaims any pretensions to being savvy despite being in a very theoretically powerful position as a rich, connected major film star. I think he was genuinely naive, but I also think he often played dumb to avoid social conflict. He was complacent and his image helped him remain complacent. Obviously he was very willing to be confrontational when he saw wrong or injustice right in front of him (he goes after Bud Askins directly to his face about marines getting killed by shitty equipment, he challenges Moldaver when she calls him out), but pre-bombs he mostly uses his empathic perceptiveness and charisma to keep everyone around him happy.

In the wasteland we often see him doing the opposite and deliberately riling people up in order to gather information and assess or eliminate them as threats, but he's also only gotten better at disarming people when he wants to. As a handsome charming film star he pretended not to know anything, as a scary intimidating monster he pretends he knows everything.

What I'm curious about as far as all this goes is whether Cooper had a secret nerdy side and read all the classics as a teenager or perhaps while waiting between shots when he was working as a stuntman or whether he wanted to fit in when he started to make it in Hollywood so tried to become cultured before realising that wasn't what anyone wanted from him. Or if he just spent 200 years alone and read anything he could find as a way to cling to his humanity. We know he was at least a bit intellectually curious before the war, because of his reading and retaining some article about studies on torture.

But YES, him quoting poetry and being so interested and insightful about Lucy, specifically is a huge part of how he's framed as a romantic figure. And he's already by far the most romantic figure in the show. If it were solely about his tragedy, you'd think they would emphasise the contrast between his pre-fallen and post-fallen state by stripping him of his heroic trappings, but they don't. He's actually more romantic post-'curse'.

It also gets me because he's an extremely smart, socially adept person who doesn't let others see him for who he really is both consciously and unconsciously on multiple levels and that layers of identity shit is my crack. He was a profoundly honest person who thought he was simple, but actually he was a glorious maze of contradiction and complexity waiting to happen who is now a master manipulator.

[stupidstupidratcreatures]

caught up with what happens next. thoughts mostly about the comment section under the cut sorry

1. it's always been really interesting to me just how abstract a depiction of a person can be and still have people that find that depiction hot. i check the comments because i'm a dipshit and there are pretty consistently 2-3 people under any vikki or gage panel there for that. also shoutout to that one "when vicki's done resting her head on her mom's lap can i have a turn" comment

2. there's a lot of speculation-presented-as-fact about 202X griffin in the comments and it all feels like stuff we kinda can't know? we've only ever seen him post-murder in that photo with gage and we haven't seen current griffin "in person" at all. this isn't normally something i would care about or disagree with but it doesn't seem like what current griffin is actually like as a person is relevant at all to the role he's playing in the story right now

3. hm it's like very possible that in-fiction named himself after the mcelroy brother huh. what year would it have been like 2014? scary stuff

4. there are like a pretty large number of people ripping on milo in the comment section also. that feels weird. i get disliking That Type Of Guy but he was made to cut up his dead friend with a saw and then also institutionalized for five years. can we be nice

5. i feel like there's stuff here that shows this comic's age even in the three years since it started. gage is less of an extant guyotype than he used to be (as in the cultural signifiers and the true crime/serial killing obsession. "poor and isolated trans guy who talks to people online" is not someone going away so long as poverty, transmasculinity, and the internet exist). vikki says "because of woke" in a panel that's meant to be part of the same scene as the very first page and that definitely isn't something they were saying in 2021. the look of the tumblr ui, that thing max graves draws a lot, has changed drastically since the comic started. i don't mean this in a cinemasins way i just mean this like. idk. the way time moves so much faster than any webcomic updating schedule does is just something that i think about and this comic gives me a lot of occasion to think about it. it's very good

[sarahreesbrennan]

Avoiding my email as at this point I fear there are bears in there…

Received a very interesting question but it is also very spoilery, so. Beware Long Live Evil spoilers!

There are many versions of Time of Iron, for many people have entered the story, and you cannot exist in the story without changing it. Keeping the different versions in your head isn’t as complicated as you would think. It’s like having the different POVs for every character in your head, for any scene, so you know why characters act the way they do.

For instance in the scene where the Cobra and Key first meet we see what Marius is thinking. But it’s a very different scene from the other two POVs.

ERIC: Night in with the bestie. He’s sad and that is sad but not unusual, Rahela is narratively doomed so nothing to be done, so excited to have met Lia and so hoping to avoid the Emperor, uneasily aware the story is coming for us but mostly thinking about my writing…

ERIC: OH NO NO NO! OH MY GOD THE EMPEROR IS OUTSIDE MY WINDOW COVERED! IN! BLOOD! ERIC: And now Marius wants to fight him! I must prevent this. ERIC: suddenly this is the most stressful night of my life.

Many more stressful nights to come…

Whereas for Key it’s a pretty nice night.

KEY: Time to kill that guy from earlier, yay. KEY: Wait new handsome man wishes to give me money? Yay. Court is fun it turns out, aristocrats shower you in cash and other people clean up after your murders. Very luxurious. KEY: I guess I’ll kill that guy another time. 😌🔪

Sadly for Key, few such nice nights to follow.

… Except for different versions of the book, you have to think about what would have happened differently, as well as different thoughts. Who would you be, if that one thing hadn’t happened? Marius’ POV chapter titles are about the Cobra, because he’s what happened to change the course of the narrative.

In Eric’s version, Marius had survived up to where Eric had read, though that doesn’t necessarily mean he would survive until the end - the series is unfinished.

In Eric’s version, Marius had a different part, I wouldn’t necessarily say bigger. We would see more of him from Lia and Octavian’s POVs, and everyone is different through different eyes.

Without the Cobra, Octavian and Marius would have been much closer. This complicates Marius’s later relationship with Key. This also complicates the relationship with Lia which we know in that version is explicitly romantic, with a kiss.

Eric will tell Marius more about his version, but Eric’s now very aware of how much the story will and can change. He and Rae have different pieces of a puzzle, and they’re not even sure if it’s the same puzzle at this point.

And Eric doesn’t even know how his own murder happened. Only that it did.

[aroaessidhe]

2024 reads / storygraph

The Loudest Silence

YA contemporary

a newly Deaf-Hard of hearing girl moves across the country and starts a new school, struggling with navigating her disability and love for singing and lost friendships - determined to not make any new friends for the year she’s in Florida

and a boy struggling with family expectations and anxiety, after being made the fútbal captain even though he secretly ways to be on broadway, who quickly befriends her

bi & aroace-coded MCs

[supersecretnerd]

Ok so these designs are cute as hell, the Internet is just mean

I have too many thoughts about a game I still need to watch

[thats-my-passion-right-there]

I finally saw the mean girls musical (the movie one) I have so many fucking thoughts oh my god

[trans-li-ling]

I think we should give Zora a gun and whatever happens to the Shadow Decree happens

[potatoesandsunshine]

i miss him...... (arcade gannon)