#the problem here is capitalism the problem here will always be capitalism

[skamenglishsubs]

Subtext and Culture, Young Royals, Season 3, Episode 6

Out here in the real world it's been a week since the cliffhanger ending of episode 5 where Simon broke up with Wilhelm, but in-universe it's just the next day, and Wilhelm is being comforted by Felice.

Subtext: This entire episode is incredibly meta, there are so many times characters say things that reference earlier seasons or episodes, or the entire series as a whole. This is the first time, and Felice is saying what we're all thinking. IS IT REALLY OVER?!? 😱

Blink and you miss it: Felice gives Wilhelm her sunglasses and dries his tears so he can hide the fact that he's been crying. Also, look at that gorgeous Swedish summer. It is so pretty.

Culture: The third-years are painting the banners that go on the trucks on graduation day.

Culture: They're also signing each others' student hats, which is a common tradition. You can just sign your name or write something funny or do whatever.

Culture: This car is what we in Sweden call a sossecontainer. It's an old 90's Volvo, it's square, it's ugly, and it was pretty cheap and reliable, so it was very common and popular among working class and the lower middle classes. It was never a high-status car, so it perfectly illustrates the Eriksson family.

Subtext: Oh look, another throwback to season 1 when Sara argued with Simon about their dad, and said that he should stop giving people second chances.

Culture: Oh look, another poem by Karin Boye. This time it's Eternity, a poem about cherishing your time with your loved one, and the text is about how good times feel like an endless summer, which is what it certainly looks like for the kids and their teacher in the lush landscape. But just like in the poem, their endless summer is about to end.

Culture: This is pretty much exactly the reason used when real-world Lundsberg was temporarily closed.

Culture: And Wilhelm isn't wrong, the shitty traditions are in the walls of the place, it's always been like that, and it's always been upheld by everyone involved with the school, parents, teachers, staff, and students.

Subtext: Since this is the last episode, let's prepare the viewers to say good bye to the show, and let's do it with a little montage of students crying and taking their stuff down and emptying their rooms.

Culture: This is a 100% factually true statement, Göteborg is the worst city in the world. Source: I'm a native Stockholmer, and you just have to trust me on this, ok? Look, it's just common sense, alright? Don't listen to people from Göteborg, they're just jealous they're not living in the glorious capital. Also, they talk funny. And they have no sense of humour! And everyone is named Glenn or something.

Culture: I don't think they're referencing an actual school here, and the current Norwegian royal children went to school in Norway, not Switzerland. But the current Danish crown prince went to some boarding school in Switzerland for a while, but then he went to the Danish elite boarding school Herlufsholm. However, it was rocked by a bullying scandal in 2022, so they had to pull him out of that one and deny all knowledge of the events. Feels familiar?

Culture: Solliden is the private summer palace of the real-world Swedish royal family located on Öland, an island off the south-east coast of Sweden. The show has consistently stayed away from every likeness with the real world, but I guess they couldn't be arsed making up a fictional summer palace for the YR royal family so they went with something familiar.

Subtext: Farima is talking about the problems of finding a new school for Wilhelm from an academic perspective, but he's just thinking about how this means he won't be close to Simon any longer.

Culture: Vincent and the boys are pouring one out for Hillerska. It's a way to toast a dead friend, or in this case, a place.

Blink and you miss it: August places a king chess piece on the table before telling his friends that he's Wilhelm's reserve and might be king someday.

Subtext: And he's still so blinded by the glamour of it, despite everything. Thankfully, his friends can bring him down a couple of pegs.

Blink and you miss it: While Wilhelm is returning Kris, the book from last season, the second book in the pile is a book by Kjell Westö, Den Svavelgula Himlen - Yellow Sulphur Sky. It's about a working class kid in Finland becoming friends with his upper-class neighbour family, and his struggle maintaining a relationship with the girl of the family because of their class differences. Slightly on the nose there, show.

Meta: Henry interrupting our boys at the worst possible time is just a running joke at this point. How many times has it happened now? Four times? Five? Read the fucking room, Henry!

Subtext: Last chance to have a party together, but also last chance to see Simon, "maybe ever". Oh no, we have to start preparing for a sad ending!

Culture: Red solo cups are not a thing anywhere outside the US really, but you can buy them as a gag gift in Sweden, because to us they're just a weird movie prop we've seen American movies. Every other party scene in the show has featured regular plastic cups.

Culture: Drinking with the teachers?!? Yeah, sure, why not, everyone is an adult.

Subtext: Emo outfit? ✅ Sitting on the floor? ✅ Full of self-pity? ✅ Exaggerating the catastrophic state of his world in the way only a 17yo disaster boy can do? ✅

Meta: Another throwback to how Wilhelm was referred to as the party prince back in season 1.

Blink and you miss it: Felice hides the wine bottle behind her back before Malin comes in. She knows, Felice. Malin knows everything.

Meta: Another throwback to when Wilhelm was eating the dirt at the very same football field that disaster emo boy Simon is now sitting at together with his friends, who are trying to convince him to go to the final party.

Subtext: This time, August isn't just sorry that he got caught, he is genuinely sorry for everything he did to Wilhelm. He in turn forgives August, and we're all getting closure for this plot point.

Meta: Hey, hey, hey guys, do you remember that scene in season 1 episode 1 when Sara helped hold Felice's hair while she was throwing up? We're doing a throwback here!

Meta: Hey, hey, hey guys, do you remember that scene in season 1 episode 3 when Felice told Sara that maybe you don't have to speak the truth all the time? Well, Sara still doesn't understand why you would lie, but this time she's right, Felice was right to tell the truth.

Blink and you miss it: Stella and Fredrika are making out at the party, Felice saw it, and is making a very funny face. This is also why Stella rudely rejects Rosh, because of course she's gonna choose Fredrika, Rosh was just a distraction to make her jealous.

Subtext: Vincent is talking about Nils, who just came out, but August just saw Sara, and that's the whoever he wants.

Subtext: But despite saying that he doesn't care about anyone else seeing them, he still ducked behind a stack of pallets for this conversation.

Meta: This is a brutal Fleabag reference.

Cinematography: This scene is overwhelmingly lit in that sickly greenish fluorescent hue, but there's golden light coming from somewhere, so Sara and August share one final kiss in that golden light. But there's not enough of it to go around, not enough for their love to last, so August is left standing there alone, and all the golden light is gone.

Cinematography: Wilhelm and Simon left the party sometime after midnight, this is supposed to be a very early morning summer sunrise, and our boys are just gonna be bathed in the golden light throughout the entire scene. Gods, it is pretty.

Meta: Hey, hey, remember that scene in season 1 when Simon was singing that song, and Wilhelm instantly fell for him?

Meta: Hey guys, remember that scene in season 1 when they were discussing welfare politics in class and Simon threw shade on Wilhelm? This is a throwback to that.

Cinematography: Just fucking look at this shit. What a nice view. The nature and the sunrise is pretty, too! Going naked into the water? Yeah, that's a rebirth metaphor as well. Lisa said so!

Subtext: This entire scene is basically Wilhelm trying one last time to get Simon back. They said they weren't gonna, but he's trying anyway. They're talking about that politics class where Wilhelm couldn't speak up because he was "not allowed". So he's still bound by his royal duties, which is why Simon broke up with him last episode.

Subtext: And since Wilhelm is still stuck, he's left on dry land, while Simon swims away from him, free. Guys, I'm thinking we're actually gonna get a sad ending! This does not look good! 😭

Blink and you miss it: Stella and Fredrika are sleeping in the same bed and making out the morning after, and millions of #Stedrika shippers are rejoicing! Yay, fanservice!

Blink and you miss it: Walter is helping Henry up after he passed out in the grass outside after the party, and millions of #Walty shippers are rejoicing! Yay, fanservice!

Subtext: The last photo Wilhelm takes down from his wall is the one with him and Simon, because that's the most important memory of this place.

Blink and you miss it: Wilhelm shuts off his red lightstrip in his room. Those lights have typically been a symbol of his love for Simon, but he's turning it off. Sad ending confirmed.

Meta: Listen, it's a lovely little song that Simon wrote for Wilhelm, but it's 100% fanservice, it's referencing events in the show that Simon actually didn't witness, and it's even referencing the soundtrack to the show itself! I mean, come on! And we're getting yet another sad boy Wilhelm montage of him moping around Hillerska with his earbuds.

Subtext: Remember how the frog snowglobe was a gift from Erik, who in turn got it from their grandpa, the king? It's so obviously a symbol of the monarchy, but Wilhelm is dumping it in the trash. Are we... Are we not getting a sad ending?

Cinematography: The shot of the flag being raised is cut off at half mast, which is a pretty universal symbol for mourning. Oh ok, we're back on track for a sad ending.

Subtext: This is the first time this season that Simon speaks Spanish with his mom, and the first time in the entire series that Sara does, which shows that they're fully themselves again, they've pulled themselves out of the Hillerska world.

Culture: The graduating students are having a champagne breakfast before the graduation ceremony, that's also very common in Sweden.

Subtext: Felice and the rest of the choir decided to have a little rebellion and not sing the boring old Hillerska song, and instead the new improved one that Simon made last season. No-one told him about the switch though, which is why he's so surprised.

Culture: After the ceremony, the graduating students will run out of the school to find their parents and family and friends, who are waiting for them, usually with a big sign with the most embarrassing baby picture they could find of them.

Blink and you miss it: August's mom and stepdad have also made a huge sign with an embarrassing picture of August Malte as a kid. Adorable.

Lost in translation: The queen is saying "lilla gubben", which literally means "little old man", a very common term of endearment in Swedish families. The show has been pretty consistent in that Wilhelm's family are all using normal words, just like any other family would. So it's pretty funny that despite everyone else using titles and styles all the time, to Wilhelm, his parents are simply "mamma" and "pappa", as if he was a regular kid.

Subtext: As a graduating student you get little gifts from your family, flowers, champagne, stuffed animals, all with a blue-and-yellow ribbon so you can hang them around your neck. August is family, so the Queen gives him one as well. Of a frog with a crown. Which is a symbol of the monarchy in the show. Wilhelm threw his frog in the trash, August is getting a frog from the Queen. I think there might be symbolism here! I think we're setting up August to become the next king! Do we dare hope for a happy ending?

Cinematography: Just fucking look at this shit. The composition, the contrast, the height difference, the distance between them. It's so pretty. And they're talking about how good it was while it lasted, just like how a TV show with a sad ending can still be an amazing experience. Hint hint.

Subtext: We're saying our goodbyes, Wilhelm and Simon are saying goodbye to each other, Wilhelm wishes Simon a nice summer, just like how Simon wished Wilhelm a good Christmas back in season 1, and just like back then, they both understand that they love each other, but can't be together.

Cinematography: And then Simon exits the scene, again, leaving Wilhelm standing there alone, again, having seemingly chosen his family and royal duty.

Culture: It's common to either rent a truck as a large group of students, or to be driven in a flashy car alone or with a friend. The two girls in the centre are sitting in a very nice Aston Martin, while a bunch of their classmates are on a truck. I can't make out the full text on the banner, but I think it says something like "Lock up your sons because tonight we become like animals".

Culture: Svensson is a very common Swedish last name, so to "be a Svensson" basically means that you're super average and mediocre, you're like everyone else. Whereas these elite kids are used to having everyone else bow and scrape for them, so that message is on brand.

Cinematography: We're in the car, it looks like the ending of season 1, and we're doing a close-up of Wilhelm's face. We're ready for the fourth-wall-break of him staring sadly into the camera, having been once again broken down by the system and not getting the boy. We've said goodbye to everyone, roll the credits, start your crying...

Cinematography: ...except the show isn't ending here. We're having an honest conversation between Wilhelm and his parents for the first time. Because every other time he's said that he doesn't want to be crown prince of the next king, he's been angry or upset, he's been threatening, and definitely impulsive. But he's never wanted any of it.

Cinematography: His parents let him go, they open the door to their van, Wilhelm exits, and the show turns up the volume of the soundtrack. "Energetic music" my ass, it's the Harmony theme! It's the main theme of the entire show playing as Wilhelm runs away.

Subtext: Oh, yeah, August sees him run away, and understands that he's next in line now. Sorry buddy, sucks to be you, but never mind that now. RUN, WILHELM, RUN!!! GET YOUR MAN!

Cinematography: The shows turns into the most perfect rom-com, with Wilhelm chasing down Simon's car through the incredibly lush and green Swedish summer. He catches up to them, tells Simon that he ditched the crown for his own sake, and asks if it's really over between them.

VAD FAN TROR DU?

As if the soundtrack wasn't triumphant enough, it now starts playing As Long As you Are Here as they throw themselves in each other's arms. Happy ending! They're crying, I'm crying, we're all crying! 😭

Cinematography: A montage? With all the best scenes between our boys from the entire show? With the text of the soundtrack perfectly matching the montage? I should be outraged at how cheesy this is, but it is perfect. Perfect. I love it. I swear, this fucking show.

Subtext: Finally we are at the true ending of the show. Wilhelm has managed to escape Hillerska, him and Simon and Sara and Felice have all escaped the hierarchies, the expectations, the duties, and the toxic environment of the school. He arrived in a Ferrari, and is now running away with his boyfriend and friends in a crappy Volvo station-wagon. The stiff suit jackets are gone, they're all in white, his hair is ruffled in the wind, and for the last time ever Wilhelm looks into the camera. And he smiles.

He is finally free.

[throughthetwistedmirror]

Otome Game ~ *Idia Shroud*

Summary: It was Idia's idea to game with you. But when you ask him for help with your otome game, he can't help but notice some similarities between him and your favorite character...

Pairing: Idia Shroud X Fem!Reader

Genre: Fluffy Oneshot

Word Count: 1004

Warning: Otome gaming

Masterlist

Taglist: @savanaclaw1996 @goseew

It was Idia's idea to game with you, although he only asked because you mentioned that you had a new game that you haven't gotten around to playing yet. You were sure he had ulterior motives when he asked you to hang out, but you didn't bring it up with him as you didn't want to scare him off. Instead, you simply grabbed your game and met him at his dorm.

Ortho was more than excited to see you. You always held a special affection to Idia's little brother that didn't go unnoticed by both parties. On more than one occasion when you weren't around, Ortho would beg his brother to finally ask you out. But Idia was far too terrified to approach you with a romantic relationship. So he simply settled for a friendship that he would never ever, ever, EVER take advantage of.

Idia made sure to clean his room before you arrived and you were pleasantly surprised. Whenever you crashed the Board Game Club meetings, Azul would go on and on about how filthy his room was. Still, you didn't point it out to him. You didn't want to make him feel any more self-conscious than he already was.

After exchanging some casual pleasantries, the two of you fell into your gaming. It was calm and relaxing. You found yourself enjoying your time with the dorm leader of Ignihyde more than you anticipated. He was considerate about your own gaming experience and kept his reactions to his game quiet. Every so often you would look up and watch what he was doing, asking questions when you felt it was appropriate. He answered all of your questions with ease and even reciprocated by asking questions about your game. All and all, it was the perfect afternoon with one of your favorite people.

Then you hit a rough patch in your game. Your sigh of frustration alerted Idia, who knew exactly what it meant: you needed help. Now, Idia doesn't like to boast about his exceptional skills when it comes to video games, but surely he could appear like your knight in shining armor and lend you a hand?

"What's wrong?" He softly asks, his gaze still trained on the game he was playing.

"I'm stuck. I don't know which boyfriend to choose." You mumble, flicking through the different options in your otome game.

Idia thought it was a good thing you weren't paying attention to him as his hair flickered pink for a brief moment. He fumbled with his control to pause his game before finally addressing your issue.

"What, what do you mean?"

You showed him the screen of your game console. "So my new game is an otome game. I have seven boys to choose from. I just completed the intro and now I have to pick one, but I don't know who to choose."

He frowned and looked at your options. "Why don't you just pick one that you like and then do the other routes later."

"That's the problem. You can only choose once. If I want to complete the other routes, I have to buy another game. It's a major capitalism scheme, but I thought the game looked fun." You shrug. "Any idea who I should choose?"

"Uh... why don't you tell me about them and then I'll help you decide."

You nod with a smile that makes the tips of his hair turn pink again. "Okay in order here you have: Ryushi, the strict student body president who just needs someone to soften his edges, Ietsuna, the lazy slacker who only cares about you, Amane, the bad boy who likes to tease and torment, Kobo, the golden retriever who is the fan favorite, Michinori, the cultured exchange student who is a little fruity in my opinion, Masanobu, the secret prince of the school who would do anything for you, and Ichibei, the otaku with a heart of gold."

"Wow." He's surprised with how typical the choices are like every other otome game. He would normally say pick the one you're most interested in as they're pretty average, but considering you can only make one choice, you have to be careful. "I guess I'd have to say the choice is up to you."

You give him a pout. "You're really going to make me make such a tough decision all on my own? You're so mean, Idia!"

He panics at your words, not meaning to make you upset with him. "Well I mean it's your game! You should pick the boy you feel is the most special to you! I can't really help you make that decision."

"I suppose you're right..."

"Who do you feel is special?"

You shrug and glance back at your choices. "Well, I first thought about Masanobu because who wouldn't want to be a princess? But I felt he was trying too hard in the prologue to try and gain your favor. So I went through the options again and I'm stuck on two: Amane and Ichibei."

He tried to not let you know how surprised and flustered he was. "Oh?"

You nod. "I mean, I'm so like other girls when I say I love a bad boy, but Ichibei... he seemed so sweet and shy. I couldn't help but be drawn to him. I think he might be my favorite."

Your explanation was not helping the poor boy's rapidly beating heart. Based on your little description about him, Idia couldn't help but see similarities between him and Ichibei. Was this your subtle way of saying he was your favorite too? Was it too much to hope that that was true?

"I think you should go with your favorite."

You beamed at his words and his heart skipped several beats. "I think you're absolutely correct! Thank you Idia!"

"You're welcome." He mumbled and tried to return to his game. But he was distracted. Your words and your choice hit him harder than he anticipated. Perhaps Ortho was right. He should ask you out…

[rikeijo]

Today's translation #617

Newtype 01/2017, Otsuka Manabu interview

Part 1.

-- Please tell us about the circumstances, in which this project started moving?

Otsuka: I first got to know about this project, when I was told about it by the Director, Yamamoto Sayo, when we were working together on a different project. At first, I was very uncertain, if I and the studio have enough power to keep up with Yamamoto Director's TV series, because she always has been known as being very particular about quality. But inspired by the charming characters created by Kubo (Mitsurou)-san that I saw later, and Yamamoto Director insatiable love for figure skating, I decided 'let's try to do it!" and accepted the offer to work on this project.

-- When was it that you started to be sure that this project would be fine?

Otsuka: Maybe it wasn't that I was 'sure', but after we showed the second PV at 'TV Asahi Natsu Matsuri' event, I was able to think that I would trust Yamamoto Director's intuition and just run with what she feels is right. The last cut in that PV was the scene, where Victor puts his finger on Yuuri's lip and the two look at each other. When I saw it for the first time, I thought "[if we are going to show this scene in the PV] won't men not want to watch the show?" and I was considering removing that one scene from the PV. But I've talked about it with female staff members, who thought it would be a shame to not include it and I decided 'Let's [with force] put it in then!". People at the 'TV Asahi Natsu Matsuri' event venue cheered when that scene was shown. In this show, there is a lot of things that my senses did not cover, but at that time, I was able to think that [working on the project] I would realize all those ideas that Yamamoto Director and Kubo-san come up with without fear.

[Notes: It's really interesting how in almost all his interviews, Otsuka mentions this idea that including in an anime what your average otaku perceives as 'fujoshi fan-service scenes' (regardless of the creator's intentions - like, in even in YoI, a huge number of people in Jp fandom still sees those scenes as nothing more but fan-service, because that's the default) will give the anime reputation of pandering to fujoshis, and men (anybody other than fujoshis really) simply won't even consider it worth checking out. Otsuka doesn't even try to hide it here or in his other interviews, and like I've mentioned in the past, the way they were promoting Yurio so much, when Otsuka himself was claiming that thanks to Yurio, men could watch the show and enjoy it, shows, imo, what was the committee's real problem with YoI and why it may seem like they fumbled the bag and failed to capitalize on its potential so much (very little official side content, very few Y&V official arts etc...) - they wanted YoI to not be a 'fujoshi-pandering anime', but 'a serious sport anime for everyone'.]

[jewfrogs]

sorry you will not convince me that tiktok popular romance novels are the downfall of civilization and literacy etc. you can simply choose not to read them. like they still make other books

[cod-rum]

watched a video on how and why Plastic Beach failed. had some Thoughts about it

[hella1975]

as if someone's eaten my cheese im about to kill bite maim

[starpros-sunshine]

NOT THE GLOBALIZATION ASSIGNMENT 💀 i just finished an essay on the pros and cons of globalization for a contemporary world class except i had to focus on writing the pros because my groupmate was writing about the cons and man i was fighting for my life

Head in hands I might have to write my Abitur about that I don't want to have to write five hours about politics I thought English class had you do more idk Literature or something "Oh but it's like German but in English" In German we are currently doing movie analysis I don't see how those two things are comparable.

But no genuinely I was sitting there an hour just staring at those two pages of text that were all just documenting the way globalisation under the hand of capitalism turns us all into miserable little creatures and nobody profits except the BIG firms and like. My teacher wants us to give quotes we are always supposed to give quotes I can not quote two pages worth of text. That was one of three parts of the assignment. The other two were to analyse how the author uses metaphors (????? We're there even any?????????? I'm supposed to give six examples I can't even remember one?????) And to comment on, explain and state my opinion on either "America first" or "Take back control" as slogans. This woman is just letting me write an exam at this point what even is this.

[ahaura]

i saw someone point out the frequency with which liberals back social justice movements... how, for instance, when ferguson happened under obama it was not popular and there were many, many liberals who found the blm movement, in a sense, "in violation of [liberal] sensibilities" (when liberalism as a rule does not challenge the status quo, only maintains it and sees any call for revolution or real change as disruptive or 'bad for optics' and therefore not acceptable) but then when trump became president and he opposed blm a lot more liberals decided that the blm movement had merit because they viewed it from a team-sports perspective rather than a worldview based on morals and an understanding of the systems in place in the U.S. - that it was more comfortable for them to operate from a "trump bad" basis rather than "the american justice system and the police are inherently white supremacist, which are inherently, automatically, and always violent"

+ that, if trump was president while israel is carrying out its genocide, liberals would have NO problem denouncing israel and demanding for a ceasefire because they're comfortable operating from the 2-party system basis, NOT from a framework based on material conditions or factors or any acknowledgement or analysis of imperialism, colonialism, or capitalism. but because biden is a democrat, and democrats are supposed to be "the decent party" "the lesser evil" "more respectable" when, in functionality - in real practice, they don't want to disrupt the status quo. (internally, maintaining systems of white supremacy and capitalism; externally, furthering U.S. imperialism by maintaining hegemony and continuing the practice of exploitation and extraction of labor+capital+resources from the global south)

which is why we're here, a month into a genocide, and liberals are so cowardly and gutless that, in the face of our democrat president allowing and funding the genocide of palestinians in order for the U.S. to maintain its military base in the middle east, liberals IMMEDIATELY jump to "well, you HAVE to vote for him still, because trump will be worse!" and go "well im powerless there's nothing i can do", immediately folding like a wet paper bag in the face of the american empire rearing its ugly head in the most blatant, naked way in years, instead of thinking "this is unacceptable, i should pressure my elected officials and do everything i can - be it combating propaganda, contacting my congresspeople or senators, protesting, or engaging in direct action - to ensure this stops as quickly as possible".

there are liberals STILL IN MY NOTIFICATIONS who go "well you'll be electing a fascist if you vote for trump" not realizing that YOU CAN'T SIMPLY VOTE FASCISM AWAY. (which is not to say you should vote for republicans; that's not what i'm saying. none of us have said it.) we're pretty much already there. it's 2003 all over again, with the patriot act and all. the american war machine is pumping out racist, orientalist, pro-colonial, pro-genocide propaganda on behalf of the ethno-state america and its allies have backed since the so-called state's inception. people are being doxxed, fired, harassed, and attacked for visibly supporting palestine/opposing israel. islamophobic hate crimes are on the rise; a 6 year old boy was murdered not one month ago, an arab doctor in texas was stabbed to death. antisemitism is on the rise as well, thanks to the conflation of antisemitism with anti-zionism (which nazis have and will attempt to co-op in order to 'justify' + then act on their antisemitism, racism, and genocidal worldviews). our government is silencing people, brutalizing protestors, and arming and funding an ethno-state committing genocide - everything that would have been called fascist if it was under trump. but because it's a *democrat* liberals place "vote blue no matter who" and "optics" over the extremely basic moral stance that "genocide is wrong and people have the right to self-determination, autonomy, and life". arabs and muslims are already so dehumanized in the west that liberals (whether they consider themselves liberals or not) consider it an inconvenience to talk about the ongoing genocide that is happening with the blessing of OUR government. in this they expose their selfishness, the shallowness of their morals, their chauvinism, and their racism/orientalism/islamophobia/et cetera.

for example, if you see israeli troops waving a gay pride flag and the israeli state touting its support of gay people while said iof soldiers are murdering men, women, and children en masse every single day and you somehow????? think that because gay people are the ones doing the killing or a state claims to support gay people is doing the killing is ok then 1) you have fallen for pinkwashing propaganda and 2) that you find the murder of palestinians, or any people, permissible by a colonial force that uses causes liberals may genuinely care about in order to disguise, whitewash, or "lessen" the severity of the injustices it does unto usually black and brown people outside of the U.S., then you are just as bloodthirsty and depraved as anyone you would personally assign those descriptors of.

once again, it goes back to resorting to a team-sport understanding of the world rather than approaching it from a material one.

[selamat-linting]

if there's one thing disco elysium taught me is that personifying the city for your mental health is a good thing actually

[tiktaalic]

catching fire dash simulator

finnicksgirl Follow

my streams have been cutting all season omfg what is going on

caps4finnick Follow

cinnagirl3000 Follow

anybody heard from cinna lately?

plutarcheology Follow

Plutarch Heavensbee circa 2282

revolutionarykatniss

As if it’s not ENOUGH that yall wanna fuck the most morally bankrupt man alive who is more than complicit because he gets paid to live in luxury to ORCHESTRATE the deaths of innocents so that they’re a spectacle and don’t have the option to die even semi peacefully. as if that’s not enough. You wanna fuck him when he’s ugly?

caesarflickerwoman Follow

anyone else still thinking about how caesar and peeta were kinda ..

czrflckmn

Aren’t you the one who had the week long meltdown about peeta being overfamiliar with him

caesarflickerwoman

Well you see I’m gay and a man now

theeclove Follow

already tired of this fucking season of everlark -_- idgaf about the fucking fog

siblingvictors

DISTRICT ONE GONNA SEND THEM A CANCELLATION NOTICE!! #CASHMEREGLOSS4EVER

czrflkmn Follow

everyone looooooves to act like NOTABLE cishet peeta is so gay w caesar as if his gay cohost isn't right there.... slaying in a wig..... sending yearning glances caesar's way right before the camera cuts......

johannadykeson Follow

tbh she’s got the WORST taste in allies idek why i continue to stan. girl MAGS?

#my girl going to get slorn :/

katnissgirlsmakedo

She is choosing with her HEART she chose to save peeta in the games REMEMBERRRRRRRR she’s literally a lovergirl to the core

#lovecore #heartcore #truelove

lucygraydotcom Follow

Caesar flickerman kidn if a laughing gnome. Reblog

finnickforever Follow

I’ve supported finnick through a lot and defended them and I’ve always been proud they're from my district but honestly they went way too far by doing the salute during the interview. I can only hope that they just got caught up in the moment with everyone else doing it and obviously it’s a stressful situation but I don’t think I can continue endorsing them. I’ll be changing my url this week.

divorceekatniss Follow

hey guys i know times are tough for everyone and the capital has really cracked down but my mutual @divorceepeeta got flogged the other day and could really use some help. v3nmo here. anything helps #signalboost #mockingjay

disabledmags Follow

Tbh the baby is the saddest thing I've ever heard </3

peetaspride

Another citizen falling for capital propaganda. It's so glaringly apparent that this is made up to draw in views. The tributes undergo extensive medical examination prior to the games. They would NEVER let a pregnant woman compete.

disabledmags

As if killing children has ever stopped them before?

#We all saw him fall to protect her stomach before they even started the victory tour #Is it that ridiculous to believe two newlyweds fresh out of a life or death situation would celebrate a little carelessly?

peetaspride

If you think even the marriage is real you're stupider than I thought. Peeta spends every interview begging us to see his truth. The capital is shamelessly silencing him and "the baby" is a distraction.

peetasbabymama Follow

URL CHANGE!! faggotpeeta->peetasbabymama

cupcakeeverlark

this isnt funny. peeta's a real person with real feelings. it will never be funny to call someone a f***** as a joke. how would you feel if my url was f*****peetasbabymama?

peetasbabymama

ok

district420

isnt cupcakeeverlark literally prez snow's 12 yr old granddaughter lol

tendinghiswounds

OOMF IS 12???????????

everlarklovechild

the age is the problem here?

marriedeverlark Follow

Canon url 🎉🎊💅😁🥰♥️

beeteemp3 Follow

New content of my favorite tribute 😁😁😁

3ffietrinket

Girl there’s a 96% chance they die ?

peenick Follow

getting reports from the presidential banquet that Peeta looks gay as fuck

3v3rlark Follow

ik peeniss has been flagging w the rehearsed speeches but did anyone else see the way they looked at each other in the censored district 11 speech

rues-song

you’re STUPID she’s a capital pawn AND i fucked your mom while you were busy looking for illegal streams

senecacraneofficial Follow

rip seneca you were so babygirl </3

plutarchbaby69

so now you think we can’t fuck old men?

#this fandom is so ageist #this is prob what I get for blogging about thg tbh since # it’s literally about kids. Some of you ppl need to grow up

[randomtasteinfandoms]

they weren’t the first part 2| finnick odair

part 2 of they weren’t the first

summary| finnick lost you in the 65th hunger games, but district 13 is full of many surprises

warnings| angst (ig), mentions of past hunger games, mentions of death, no smut but there is a makeup session, talks of Finnick’s past

A/N| glad yall liked the first one cause this was so much fun to write

__

you don’t know how you get here really. one moment a prisoner of the capital, the next a new member of secret district 13. you don’t really remember how you escaped, you don’t know how you ended up at district 13.

lately it’s been chaos. the bombing of district 12, the influx of survivors, the quarter quell, having to see Finnick’s face after all these years, for the first time in years. 

you wonder if Finnick ever thinks about you, about your games, about if you’re still live. did he feel you move before the peacekeepers dragged you both away from one another? because you remembered him, you’ll always remember him. he saved your life in your games, and you’ll never be able to repay him for it. 

as the quell dragged on, you couldn’t watch. you couldn’t watch cause at any moment your mentor Beetee could be killed, Finnick could be killed. you’d rather live in blissful ignorance for at least a little longer.

it was hot in that basement that day, you’re gray jumpsuit was half unbuttoned, tied around your waist, your top being able to breathe better through your undershirt. you’re hair, pulled back uptop of your head to keep the frizz out of your face. the last time you’re hair was this long it had been cut by finnick to keep you from overheating in the arena after your hair tie broke... you haven’t cut it since then.

you were working on some weapon suspended in the air rewiring part of it. once from district 3, always a smarty.. at least that’s what Coin thinks. Beetee would be proud, you think. When you refused to train during your games, Beetee taught you most thinks he knew because it made you happy. That’s all Beetee wanted to do before sending you into that arena, make you happy. 

It feels like a lifetime ago, being reaped, being thrown into that arena knowing you weren’t going to make it out, meeting finnick, being captured by the capital, escaping, being rescued by district 13. you don’t remember the majority of it all you remember is finnick, finnick, finnick. 

some all you dramatic. it was 10 years ago now, but while everything else feel like a lifetime ago, finnick feels like just yesterday. you’ll never forgot that moment you realized he wasn’t going to kill you when he caught you in that net. you were only 13, never even thought about the idea of love but something about looking at finnick made you fall. Never did you see someone and think of them as attractive, everyone to you was just another passing face, but not finnick. finnick, still to this day, was the most beautiful person you’ve ever seen. you understand why he was a capital favorite, he was sweet and put everyone he loved before himself... that’s why you jumped like you did. you knew finnick wouldn’t kill you and you weren’t going to kill him. jumping was your only option, and hey, you guess it worked out because you’re still here, at least you think finnick would like that. 

“Y/N!” The voice of Boggs startles you, if it wasn’t for the cord holding you up you would’ve fallen. “Apologizes Y/N!” Gale chuckles as he apologizes besides Boggs for them scaring you. You couldn’t put your finger on it but Gale irked you, perhaps it was because he left so many behind in district 12 to die. you think you have a problem with all men near your age, because no one will live up to finnick. finnick would’ve picked up and carried as many children as he could if they didn’t automatically follow him, Gale didn’t. 

“What do you want? I’m busy here!” You call down, returning your gaze to your work, keeping your ears open to listen to whatever Boggs and Gale have to say... well mainly Boggs. “Come down Y/N, this is important.” You look down at Boggs again and the look on his face makes your heart drop. Finnick. you motion for the people on the ground to lower you, shaking you’re barely able to undo your harness. 

“Well speak!” You snap at the pair as you stand in front of them, neither say a word. “Katniss broke the arena.” “What?” “Katniss broke the arena, we sent in a recuse party, they just arrived, they’re in the hospital wing.” run. your brain says but you’re feet won’t move. If you run, and he’s not there, you don’t know what you’ll do. “Who- who did you recuse?” Gale and Boggs look at each other, and your heart sinks even more. “Katniss and Beetee but they’re unconscious.” you gasp at Beetee’s name. “and-” you snap your head to Gale as he begins to speak again, but Boggs elbows him. “and who? Boggs?!” “Finnick is conscious but he doesn’t know-” Without another word your feet finally listen to your brain. and you run.

“Finnick! Finnick!” “Y/N!” In the distance your name is called and the wind is knocked out of your body at his voice. he’s alive. he’s here. “Finnick!” you scream louder, booking it in the direction of his voice. as his calls get louder, you’re feet pick up speed until you freeze in place, almost falling over yourself and the momentum. Finnick Odair in the flesh. you both looked like idiots, just standing in the hallway of the hospital wing. Finnick slid out of a room, Haymitch quick behind him, but at the sight of you he retreated back into the room. 

it felt like you were 13 all over again, seeing finnick for the first time. he was taller, more broad, more built.. obviously he’s a 24 year old man and not a 14 year old boy anymore. however, his blue eyes and blonde hair is exactly the same as when you were just kids trying to keep each other alive... or him keep you alive more specifically, finnick never needed your help. 

“you’re alive!” you don’t know when you collided or who made the first move but you were wrapped in finnick’s arms. it felt strange, someone hugging you. after finnick, you never let other people touch you, let alone hug you. “you’re safe?” you were both frantic. pulling back, looking at each other, grabbing each others faces and bodies just making sure you weren’t going crazy. he was here. “I’m safe? you’re safe.” finnick hands couldn’t stop moving around your face and hair, he couldn’t actually believe it was you. you were here. alive. you looked so much different, but the same. 

your lips collided before you could even process him moving closer to you. last time his lips were on your he was bringing you back to life, you guess you could say the same for this time. finnick was bringing you back to life. a fire lit in you the moment his lips touched yours. the thought of it being your first kiss didn’t even run through your head until he pulled back, both of you smiling like idiots. 

“I guess I always knew you were going to be my first kiss.” you joke, tears of joy running down your face as you cling to him. Finnick laughs at you, his head falling into your hair, kissing your head. Tears falling from his eyes making your hair wet. He pulled back once again, cupping your face, pushing pieces of your hair back behind your ears. “I can’t remember the last time I saw your hair long.” you laugh at the ridiously statement. “you’re here.” you breath pulling him back into the tightest hug. He hugged back, lifting you slightly off the ground before returning you. “and I’m not going anywhere ever again.” 

___

“How is this even possible?” Finnick still spoke in disbelief as you laid between his legs in bed that night. his arms wrapped tightly around you, your hands tangled in your lap, finnick playing with your fingers. his chin rested on your shoulder, you never wanted to leave his position. 

“I don’t know, I honestly don’t remember.” you laugh at yourself, truly you have no idea how you got from point a to point b to point c. at your response, finnick turns you over to sit in his lap, face to face. 

“What happened Y/N.” finnick’s serenity startled you, and the tears forming in your eyes startled finnick. “I can’t remember.” he wiped the tears the fell into your cheeks, and you turn away quickly wiping them. “I remember hitting the water, and I remember being somewhat conscious when they got us from the arena. I remember this like- this white room and then boom. nothing.” 

“I’m glad you don’t remember anything.” “What?” “The capital is worse then if hell was on earth, trust me I know. I wouldn’t want you to remember anything that did to you or told you.” “What do you mean, you know?” Finnick’s eyes fall, he shouldn’t have said that. “Finnick? Finnick!” finally he looks up at you again, he looked broken and that broke you a little on the inside. “what did they do to you?” “Nothing you need to worry your pretty little head about.” Finnick deterred the conversation and you let him. He didn’t want to talk about it and part of you didn’t want to hear it. as you nod, pieces of your hair falls from your ponytail and onto your neck. you hated the feeling, you always have. before he could process it, you were up, across the room to your desk grabbing scissors. “cut my hair off.” “What?” “cut my hair off finnick. I never cut my hair since you did it in the arena, that was the last time I was with you. this-” you grabbed your hair, “isn’t me. so please, cut it off.” 

__

“I always thought you looked better with short hair Y/N.” you chuckle besides table where Beetee was. ever since he has woken up you and therefore finnick has been by his side. Beetee was the first and only father figure you’ve ever had, working besides him on new technology in district 13 was a full circle moment. “Thank you Beetee.” “I call it the Haymitch look.” Finnick and Beetee laughed as you threw a piece of food across the table at finnick. 

within the next second the sounds of their laughter was quickly covered by the sirens of an air raid. the noise send you into fight or flight mode and you black out of reality. “Y/N! Y/N!” you black back in to Finnick frantically shaking you, and Beetee nowhere in sight. “you’re okay, we have to go!” he grabs your hand and start running to the shelter as you make it through the door, finnick walks behind you, hands covering your ears. 

tucked up against finnick, you jump every time a bomb hits. finnick lays behind you, hands still cupped over your ears as some sort of protection from the noise. boom. “7″ boom. “8″ boom. “9″ as the bombs exploded, you counted. you didn’t realise you were safe, in your mind, you were back in the arena. 9 people dead, 10 people dead, you might be next. finnick caught on quickly to this as you shook more and more with each passing number. you open your eyes once and look to the ceiling, trying to bring yourself back down only to see cracks in the ceiling, quickly with a yelp you flip over, burying yourself in finnick’s chest. 

“you’re okay Y/N, I’m not going to let anything happen to you.” he whispered into your hair, arms wrapped as tightly as possible around you. “I’ve drown in water before I don’t wanna be buried in cement next.”

__

you were the love of Finnick’s life, he’s done this so many time before, so why can suddenly not stomach that fact that’s he’s doing it. 

“finnick.” your voice and hand pulling him closer by his belt loops pulls him back to reality. somehow a kiss turned into this, you below him in nothing but your his shirt and underwear and him with no shirt on. “mmh?” is all he replied, leaning down to kiss you again, but you turn away from him. he looks at you in confusion. “what’s going on inside your head finnick.” has he really been so far in his head he hasn’t noticed? “nothing, I’m okay I promise.” he kissed you again, this time lowering his hips to meet yours and you let a moan leave your lips, to your surprise. finnick knows you’ve ever done this, hell you never kissed someone until he came along. “finnick.” you voice again makes him pull back, you look nervous. “I’ve never done this before.” finnick chuckles lightly, “I know, it’s okay.” “Have you?” “with no one important.” you at up at his confession, pulling your knees to your chest. “what do you mean?” finnick sighed to himself, he had to tell you at some point. “come here.” he reached out, allowing you to climb into his lap, face to face. “after our games, Snow wanted to keep me in the capital. the people wanted me to themselves, so when I was 16 Snow started selling me to people in the capital for short periods of time. he said if I didn’t he would kill my family, and probably you.” without a word, you wrap your arms around him, hugging him. “Thank you for trusting me Finn, I love you.” at your words he relaxes into the hug, burying his face in your neck. 

“I love you so much Y/N, marry me.” 

___

5 years later

“Y/N are you okay?” finnick’s voice pulls to back to reality, just like it always does. you turn to see him coming to join you on the balcony of your shared house. it was summer and the other victors and friends were all in district 3 for a summer get together, a yearly thing. every year a new person hosts in a new district and this year it was your and finnick’s turn. 

5 years ago, after the death of Coin and President Snow, we were free to live for the first time in our lives. everyone returned to their home districts to help rebuilt it from the ground up, after finnick had district 4 in order he moved to 3 to be with you. 

your first child, a son, was born shortly after the war ended. not ideal, but it helped ground you both back into a reality without the games. his name, finnick jr, could not be more wrong as he looked identical to you and not finnick. ironically, 2 years later when your twins were born and named joule and techen,  district 3 inspired names, she looked exactly like finnick and techen was the perfect little mix. crazy how the world works. 

“Yeah, I just needed a minute.” you turn back to the view of the city, looking down into your backyard you spot Peeta running around with Finn, Joule, Techen and his and Katniss’s two kids, Ember and Mason. they were catching fireflies. you envied your kids, they got the childhood you and finnick never had.

“It’s hard to believe it’s almost been 5 years.” finnick spoke, placing his hands on either side of you on the railing, caging you in. “5 years since we escape hell.” “We did it together, and look, we bought those beautiful kids into a better world.” 

“I love you Finnick Odair.” “I love you too, Y/N Odair.” 

[poeticpascal]

Home (Joel Miller x Barbie!Reader)

Masterlist | Request here!

Summary: When a deep sense of loneliness overcomes Cowgirl Barbie, she leaves Barbieland to find whatever poor kid it is that's making her feel that way. Of course, she could never have expected just how much light Sarah would bring to her life, and she certainly didn't expect the things her grumpy father would teach her about love.

Word count: 10.6k

Warnings: Barbie movie spoilers, angst, angry Joel (he's insecure and protective), descriptions of loneliness, lots of fluff!

A/n: this is literally my Magnum Opus. Reader is Cowgirl Barbie. I truly hope you love this as much as I do 💖

Barbieland has been very different since Stereotypical Barbie left. Good different.

The Kens have jobs now, proper jobs, not just ‘Beach’ or ‘Surf’. They’re not the most competent workers Barbieland has ever seen; they get too distracted trying on new overalls at the building site or throwing paper aeroplanes at each other in the offices. But they’re trying, and you have to admit, it’s pretty adorable seeing them so excited to head off to work each morning.

Barbieland has laughter now, true laughter, not perfect giggles but the kind that brings tears to your eyes and makes your belly hurt. It has crying, proper full-bodied sobs that rack through your chest, aching in a good way. And it has life. Fervent, overwhelming, painfully brilliant life.

It’s magnificent, even the really hard bits. Which there are a lot of.

Like losing someone you really, really love.

Stereotypical Barbie - Barbara, as she’s known now - had been your best friend. Your Dreamhouse was right next to hers, and every morning you’d float down to the streets together, where she’d hop into her little pink car and you’d mount your pony and ride into town. It was perfect, a sweet little life surrounded by pinkness and joy, and if you’re being completely honest with yourself, you miss it.

You bonded over how displaced you both felt. Neither of you really had a thing, a specific job to do. She was Stereotypical Barbie, and you’re Cowgirl Barbie. Destined to wear dusty denim and cowboy hats for all of eternity; not a doctor, not a physicist, not an astronaut and certainly not the president. Just a cowgirl.

And there aren’t even any cows.

That was what brought you and Stereotypical Barbie together; you both felt slightly unsure of the world, however perfect it may be, and you found friendship in that.

So when she left, that hurt. 

Because she found purpose.

Purpose in feeling, and knowing, and living.

Purpose in things you could only dream about. And what you hate the most is that she was right.

It feels good to hurt. It feels good to have that pain in your chest, that ache in your cheeks when you’re not quite done crying yet. That emptiness that fills the space where flowers had once bloomed.

It feels like shit to miss your friend, and it feels incredible to have loved someone so much that you miss them.

And that’s the beauty she brought to your life. To all the Barbies’ lives.

But it still goddamn hurts.

About as much as the strange thoughts of loneliness have hurt the past few weeks.

You’re never alone in Barbieland; there’s always someone there, a friend, a listening ear. A million other Barbies who genuinely care.

But the feeling is so strong, so heavy in your gut, that all the Barbies and Kens and Allens in the world can’t take it away.

Which only calls for one thing.

“Your friend had the same problem, you know,” Weird Barbie says, walking round you in circles like prey. You gulp; she’s significantly less ‘weird’ now, what with her fancy job at the Capital and the whole ‘awakened Barbies’ thing, but she certainly kept some habits that set you a little bit on edge.

“How do you mean?” You stutter, trying to keep up as she continues to stalk around you and make strange gestures.

“First came the depression-” she pulls down a presentation screen from god-knows where, one decorated with the typical Barbie anatomy and annotated with the same notes Weird Barbie is now recounting. She points to the head, ‘depression’ scribbled beside it, and stops in front of you.

“And then-” she moves again, rotating to the other side of the screen and pointing to the drawing’s legs. “-came the cellulite.”

She pauses, seemingly waiting for some big reaction, but you just stare. Sure, cellulite was feared back then, but almost every Barbie has it now, and it’s really no big deal. “...okay?” you posit, slightly more concerned as Weird Barbie’s face falls at your reply.

“Damn, I guess we really are doing things differently now.” Her surprise is dropped quickly, as she continues to explain what it means to be overcome with these awful feelings so quickly.

“In the end, sweetheart, there’s only one way to fix this.” She leans in uncomfortably close, making you gulp. “You gotta go to the real world.”

You had a feeling she’d say that. 

♡❀˖⁺. ༶ ⋆˙⊹❀♡

When you arrive in the real world, there’s really only one person you can go to. The one person you’ve missed more than anything.

She was your best friend, and yet standing here on the doorstep of an apartment that looks nothing like a Dreamhouse, you can’t help how nervous you feel.

She’d given all the Barbies her new address, in case any of them managed to sneak into the real world, so she mustn’t mind that you’re here. But she’ll be so different now, so human, and you’re still just a Barbie with a jaunty cowgirl outfit and a sunny disposition.

Your worries are immediately washed away when the door flings open, and before you can even see who it is, a pair of arms are tightly wrapped around your neck and you’re pulled in for a big, warm hug. But you know who it is, and you hug her back immediately, tears welling in your eyes as you finally hold your best friend again.

Barbara pulls back, holding your cheeks in her hands, almost like she didn’t think you were really there. “I can’t believe you’re here!” She grins, hugging you again with a giggle. “I missed you so much.”

“Oh, Barbara, I missed you too,” you cry, not wanting to let her go. 

“What are you doing here?” She asks, and you finally relax your arms, taking in how much she’s changed. She isn’t wearing anything pink, or sparkly, but a white blouse and nude pants that look very professional. Very human. Very different.

You don’t reply to her question, unsure of what the answer even is, and that alone makes her worried. So she takes you by the hand and leads you into her apartment, one painted white with sweet pictures on the walls of her with Sasha and Gloria, and some other women you don’t recognise. It makes you a little jealous.

She leads you to the kitchen, sitting you on a bar stool and pouring tea for you both. You go to drink it, holding the cup away from your mouth and tipping it, but she quickly jumps up shouting “no!” and pulling the cup down.

She laughs, making you laugh nervously too, and explains you need to hold the cup to your lips and sip. “Are you sure?” you ask, staring down at the liquid and tentatively trying to drink it, the warmth on your tongue foreign but sweet. 

“Yep! That’s how we drink here. I know it’s weird but once you get used to it, it’s so good.”

You smile, putting down the cup and looking back at your friend. “Things are pretty different here, huh?”

Barbara smiles, nodding her head and swinging her legs where they hang from the stool. “Yep! Isn’t it great?”

“Yeah, it is,” you reply, with a fraction of the excitement. You push a loose strand of hair behind your ear, knocking your hat slightly which you quickly correct into place, acutely aware of yourself in the presence of someone who’s changed so much. “Do… do you ever miss us? The Barbies?”

She grimaces, making you regret asking as soon as the words leave your lips. Her eyebrows sink into concern, and she sets her tea down beside yours, taking your hand and squeezing it tightly.

“Every single day. Of course I miss you - I even miss the Kens!” You both giggle, and you’re reminded of how things were before. 

You have to admit, you almost asked your Ken to come with you, but he was having so much fun in Barbieland now that you couldn’t bring yourself to take him away from it.

“I’m so sorry I made you feel that way.” Her eyes have welled up now, and guilt hits you like a truck.

“No, no, I’m sorry. You didn’t do anything wrong. I’m so happy for you, truly.” You smile, and you know she knows you mean it. “I just… I feel so lonely. It’s like a big hole in my chest, all the time. No matter what I do, no matter how many girl’s nights and big blowout parties and days on the beach, I just feel lonely. And it’s even worse without you here.”

Barbara holds your hand tighter, and something you said seems to have caught her attention. “You mean you felt like this even before I left? Before the Kendom?”

You nod, sheepish, and her eyes squint in thought. Then, as if a lightbulb has gone off in her head, she gives you her trademark big white smile and excitedly shouts, “I know what you need to do!”

She jumps off her chair, grabbing your hand and pulling you towards the floor-to-ceiling windows overlooking LA. You stand there for a moment, taking in the view, the overwhelming sights and sounds of rushing traffic below you. It’s beautiful and terrifying at the same time.

“You need to find the little girl who’s playing with you,” Barbara whispers, watching your amazement. 

“Isn’t that what you did?” You ask, finally pulling your eyes away to face your friend. She nods, her smile just as bright and honest as ever, and it makes the idea of facing this big wide world seem a little less scary.

“I’ll come with you, we’ll go find her, and we’ll figure out what’s been making her feel so lonely.” 

“Will you really come with me?” 

You already know the answer; of course she will. She’s the kindest person you know. Of course, all the Barbies are the kindest people you know, but that’s a technicality you don’t feel like getting into right now.

“You know it,” she grins, and you can’t help but grin back as you think about what an adventure this is going to be.

“How will I know where to find her?” You ask, looking back through the window at the huge world on the other side of the glass. How could you possibly find your kid?

Barbie tugs you to face her, straightens your hat and looks directly into your eyes, making you focus. “You gotta be really calm, okay? Just close your eyes, clear your mind, and find her memories. And then try to figure out where she is. That’s how I found Sasha!’

You nod, not quite sure how this is going to work, if this is going to work. But you try anyway, squeezing your eyes shut and doing your best to shush all the noise and confusion in your head, desperately searching for anything that could help you find your kid. You get nothing, ready to give up after a few minutes of emptiness, when suddenly - there it is, the faintest hint of a memory.

“Dad, can we have a movie night tonight?” Sarah asks, watching as Joel paces the room, frantically searching for his other shoe.

“Yeah, sweetheart, course,” he replies. She smiles, heading over to the TV stand and already searching for a film to watch, giggling as her Dad begins to lift up the couch cushions. 

She looks down, seeing the shoe hiding just behind the stand, and rolls her eyes as she picks it up and throws it at him. “How’d you find it?” He mutters, scoffing as she just laughs at him, though a matching grin is etching its way onto his lips.

He slides on the other shoe, grabbing his wallet and keys and heading over to give Sarah a kiss on the head. “When will you be home?” She asks, and he offers a guilty smile that doesn’t make her particularly hopeful.

“Soon as I can, Sarah. Around 8? 9 at the latest.” She nods, forcing a smile and letting him go, and Joel’s out the door in a flash with a final shout of “Love you, honey!” and a slam of the door.

The memory changes, then.

It’s nighttime, and Sarah lies alone on the couch, a movie playing that she doesn’t seem to be really watching. Her eyes flicker up to the mantlepiece, where the clock reads 10:13, and she sighs. 

Then she stands, traipsing into the hallway and towards the front door, where the key hangs in the lock. She turns it, unlocking the door and leaving the key on the sidetable, then picking up a piece of mail that had been left there.

“51 Mulberry Road

Travis County

Austin, Texas

Dear Mr. Miller, we are writing to solicit your contracting services for our new development…”

Sarah groans, throwing the letter back on the table and muttering “more work, great.” She retreats upstairs, slamming the door behind her and climbing into bed…

You’re pulled out of the memory by Barbara’s voice, filled with excitement. “Can you see her? Do you know her name? Do you know where she is?”

“Sarah” you mumble, still dazed. “Sarah, her name’s Sarah.”

Barbara squeals, clapping her hands together before calming herself and urging you to continue. “And? Where is she?”

You concentrate, trying to remember what was written on the letter you saw. “Er… Texas. Yeah, she’s in Texas. Mulberry Road. Is that close?”

She pulls a face, a yeah… no kind of face, then grabs a big book from under her coffee table and flips it open. You watch in amazement as she scans the pages and pages of maps inside, until she shouts, “a-ha!”, pointing to a spot on a page titled ‘The United States of America’. “Here it is. We’ll need to fly there.”

A nervous excitement brews in your tummy, your eyes glued to the little spot on the map labelled Texas. The spot where Sarah lives, with her Dad. The place you’re destined to find.

“Oh, and don’t get freaked out… but men fly planes here.” Your head snaps up, confusion painting your face, and Barbara just nods at your reaction.

“Seriously?” You ask, wondering if she was just playing a prank. “Is… is that safe?”

She giggles, putting the book down and grabbing your hand. “Yep, there’s a lot to get used to here. You’ll see. Now come on, we need to pack our bags!”

♡❀˖⁺. ༶ ⋆˙⊹❀♡

And so here you are, on a flight to Texas, on your way to find Sarah and bring an end to her loneliness. 

Barbara tells you all about the real world. How different yet wonderful it is, how much there is to do and see and feel. She’s at university now, getting qualifications to be a psychologist and work with young girls who are struggling. It’s brilliant, but strange, you think - qualifications aren’t needed in Barbieland - anyone can just do anything. Well, the Barbies can. And the Kens really do try.

The journey is filled with new and exciting things, but it’s scattered with memories of Sarah and her dad that pop up in your mind at random. You see everything; their best moments, their worst, the times they’ve laughed and cried and screamed. 

You can see the first time she chose you. She was smaller, much smaller than she is in the more recent memories, and her Dad seemed friendlier, then.

“Alright, honey. Which one d’ya want?” Joel asks, smiling as Sarah’s eyes scan shelf after shelf of Barbies. 

“You should get this one,” he jokes, picking up a doll labelled ‘Builder Barbie’. “She’s just like your daddy!”

Sarah giggles, shaking her head and crossing her arms. “You’re not a builder, daddy! You’re a cont-ac-er.”

Joel’s heart warms, both at how much she loves his job and won’t accept a vague similarity, and her attempted pronunciation of the word ‘contractor’. 

“Well then, which one, babygirl?”

She spends a few more moments looking at each option, before her eyes widen, landing on one a little further away to the left. She stands up on her tippy-toes, grabbing the doll and admiring it, giddy.

“This one, Daddy! I want this one!” She shows him the doll, waving it in his face but not letting him take it, protective already. It’s a Cowgirl Barbie, one clothed in denim and brown leather, with cliche cowboy boots and a hat. 

“She’s just like you, Daddy.”

Joel pulls a face, looking back and forth between Sarah and the doll. “How in the hell is she like me?”

Sarah scowls, pointing to the cowboy hat and explaining, “she’s a cowgirl! And you’re a cowboy!” 

“I ain’t no cowboy” Joel retorts, shaking his head and leading Sarah over to the cashier’s desk. “When have you ever seen me in one of them hats, huh?”

Sarah giggles, itching to take the doll out of the box, and Joel knows she’ll do it the second he’s paid. “Maybe you can borrow hers, daddy, and be a proper cowboy.”

He rolls his eyes, though the smile hasn’t fallen from his face for even a second. He pays, watching with joy as Sarah scrambles to rip open the plastic, finally pulling out the doll and hugging it the whole way home while making up stories of ranches and horses and pistol duels - she was certainly her father’s daughter.

“Barbie? You there?” Barbara pulls you out of your thoughts, staring at you as you finally turn to look at her. 

“Sorry, I’m here. Just…”

“Keep getting memories, huh?” 

You nod, looking out the plane window and into the skies. She still seems concerned, but lets it go, returning to her magazine and letting you be with your thoughts. 

More memories swirl in your mind; you can see Sarah’s first days of middle school and high school, her most vulnerable moments of crying in her room and talking to you like you were the only one who’d listen, her relationship with her dad and how he’s become more and more distant over the years.

Sarah slams her bedroom door behind her, falling on the bed with a sigh. She sits back up, her eyes falling on the Cowgirl sat on the shelf across from her, growing dusty as she plays with it less and less.

She’s 14 now, too old for dolls really. And yet, that Barbie had been there with her through her toughest moments, and even now, it was comforting to have her there.

“Dad’s at work. Again.” She says, half to the doll, half to herself. “It sucks.”

She dives into her backpack, pulling out a small box and opening it up, the newly-polished watch inside glistening in the light from the window. 

She takes it out, delicately, and turns it around to see the engraved lettering on the back. 

‘No matter what, we have each other. I love you, Dad. From Sarah x’

She smiles, quickly placing the watch back in its box, not wanting to damage it before she could even give it to her Dad. “You think he’ll like it?” She asks the doll smiling at her from the shelf.

“I just… I just want him to know I love him. And that I know he doesn’t mean to be gone all the time.” 

She stands, picking the doll up from the shelf and brushing the dust away, carefully readjusting her little hat and smiling at the piece of her childhood. 

“I’ll give it to him tonight. If he ever comes home,” she sighs, lying down beside the Barbie and taking a nap, knowing she had a long wait ahead.

♡❀˖⁺. ༶ ⋆˙⊹❀♡

“Alright, here we are!” Barbara chimes, pulling up to the house you’d been looking for. 51 Mulberry Road. 

“Are you nervous?”

“Hell yeah I’m nervous,” you quip, the fear plainly stated in your wide eyes. What if she doesn’t like you? What if you can’t help her feel less lonely? What if this just doesn’t work?

“Look, I’ve been there,” she replies, knowing exactly how you feel. “You’ve gotta remember that you’re her Barbie. You’re her friend, and she’s yours. It’s all gonna work out. My only advice? Don’t expect her to thank you for making everything amazing for women. Trust me, it does not end well.”

You giggle, remembering the story of when she first met Sasha, and hope Sarah won’t be quite as mean. You feel a little better, and thank Barbara for her support, grateful to have your friend back.

“Alright, I’m gonna go and get a coffee. If you need anything, call me, okay?” She hands you the little flip phone she bought, having shown you how to make texts and calls on it to her iPhone. You nod, thanking her again and stepping out of the car, the nerves building up as you hear her drive away and you’re left alone in front of the house.

You take a deep breath, your boots clicking on the path as you make your way up to the door, supported by a big wooden patio and a bench out front. It reminds you of home a little; your western-themed Dreamhouse, clad with old wooden floors and southern-style windows.

Before you can talk yourself out of it, you raise a hand and knock, waiting with baited breath before you hear footsteps on the other side and the door swings open.

And there she is. Sarah.

She’s a little older than she was in the most recent memories you saw, around 16 now. She’s tall, with a purple cardigan on and pretty blue jeans that you’re jealous of already. Her smile is bright, precious, and if you didn’t know better you’d think she was a Barbie herself.

“Can I help you?” She asks, looking you up and down with a slightly confused, but still polite expression. 

You stall, the introduction you’d prepared completely forgotten, your mouth just opening and closing like a fish out of water. Sarah’s expression becomes one of concern more than anything, and she reaches out a soft hand to touch your arm, making you jump.

“Oh! I’m sorry, I didn’t mean to…” she pauses, looking you over again. “Sorry, do I… do I know you?”

You stumble again, trying to find the right words, and she must see how genuinely nervous you are because she searches behind you into the street, then pulls you inside and shuts the door. “Come on, you need something to drink.”

She leads you to the kitchen, a beautifully decorated but old fashioned room with porcelain tiles and wooden beams across the ceiling. You trace your fingers across the counter top, looking around in awe while Sarah pours you a glass of lemonade. 

Your eyes fall to the corner of the room, where her school bag sits, and a familiar-looking cowboy hat pokes out. You walk towards it without thinking and pull out the doll, admiring the little plastic version of yourself.

“Oh, that’s - that’s not what it looks like. I’m not… I don’t play with dolls anymore, obviously, I just…”

Sarah’s voice trails off, and you assume she’s embarrassed, but when you turn to face her you realise it’s not that at all. She’s staring at you, then the doll, then back at you, with a cocktail of confusion and realisation on her face. 

“You’re dressed… you look exactly like her. What -“ She’s cut off by the front door slamming shut, and a familiar voice shouting down the hall, “Sarah? I’m home.”

Her eyes widen, quickly looking for somewhere she to hide you, the stranger she’s invited in, panicking as her Dad’s footsteps get louder.

But it’s too late. Joel stands in the door frame, staring at you, then shooting Sarah a look that says, ‘the fuck is this?’

“Dad, I can explain-“ he cuts her off, staring you in the eye and taking a step towards you. He looks older than he did in your memories - not in the way that Sarah does, but in a tired way, like he’d worked a hundred years and counting. Grey curls wash over his head, matched by a silvery beard and sunken eyes, and for all the Kens you’ve known in your life, you don’t think you’ve met anyone as handsome as him.

“Who the fuck are you?” He asks - no, demands, one arm protectively stretched in Sarah’s direction.

“I- I’m- Barbie. I’m Barbie.” You stutter, clutching the doll a little tighter in your hand. Joel’s face scrunches angrily, and he looks at Sarah again, who just shrugs.

“You’re fuckin’ what?” He asks, clearly unimpressed.

You panic, holding up the doll to your face, showing him the obvious similarities between you. The same clothes, same hairstyle, same eyes. 

“You know, Cowgirl Barbie. Sarah’s Barbie,” you explain, a little more confident now, hoping they’d accept your explanation.

Your hopes are quickly dashed as Joel asks Sarah, “do you know this clown?” 

His arms are clenched, and you try not to worry about what’s coming next.

“No, Dad, but-“

He cuts her off. “So you just invited this crazy person into our home?” 

He’s shouting now, and you recoil, remembering Barbara’s first experience meeting Sasha. You wonder if this is worse.

“Dad, don’t talk about her like that,” Sarah shouts back. It makes you feel at least a little better, but it’s too late. Joel’s incensed, shouting about stranger danger and how you’re probably an escapee from some mental asylum, how weird it is that you know what dolls she owns and how to dress like them. 

“- and you” he looks directly at you now, pointing. “You get the hell out of my home and you don’t speak to my daughter ever again, you hear me?”

Tears stream down your face as you nod, throwing the doll onto the counter and running past Sarah and Joel and out of the house. You can barely make it out the front door, stumbling against the columns on the patio, before making it just far enough onto the grass outside to stumble to your knees and let yourself cry properly.

That same, overwhelming loneliness fills you again, tearing deep into your chest and only adding to your pain. Your shoulders shake, and you try to remind yourself of what they teach you at Barbieland; crying is good, hurting is good. It means you’re alive.

But it really doesn’t feel good right now.

You can hear the faint sound of the door opening and closing, but you don’t really register it, not until you feel a soft hand on your shoulder.

You look behind you, meeting Sarah’s apologetic eyes, and you try to wipe your own of their flood of tears. 

“Oh no, I’m sorry, I must look horrible,” you laugh, though it’s forced.

Sarah smiles, sitting down in front of you, knees crossed. “I think you look beautiful.”

And that makes you really smile.

You giggle, pulling off your cowboy hat and setting it on the grass beside you. Your denim jacket feels a little hot now, too tight, but you try to ignore the feeling and focus on getting your breathing back to normal.

“Is it true? Are you really… her?” 

Sarah’s question is soft, like she doesn’t know quite which answer she wants. You only nod, fiddling with your hands in your lap.

“You’re Barbie?” She asks again, and you can tell she’s expecting a reply this time.

“Cowgirl Barbie,” you answer, still only looking at your hands. 

“God, you know, when Stereotypical Barbie came here, she had such a good time. Mind you, that was in LA, so -“

Sarah cuts you off with a gasp. “Wait, that was real? I heard about that! It was all over Twitter - Barbie and Ken on roller skates in LA, Barbie in a pink cowboy outfit-“

“Yes!” You exclaim, excited - “she told me all about it! She chose the cowboy outfit ‘cos it reminded her of me, you know. We’re best friends.” 

You’re showing off a little now, but you don’t care - it feels good to talk, to be believed.

Sarah watches you in awe. “Wow. So this is, like, real. This is real? You’re Barbie. Where’s Ken?”

“Oh, he had to stay back at home. Well, he didn’t have to, he would’ve come if I asked him to. He’s really sweet. I just… I didn’t wanna be a burden.” You explain, grateful he hadn’t seen you crying like this now you think about it.

“But isn’t he, like, your boyfriend? I’m sure he wouldn't mind.” Sarah replies.

“Oh, he isn’t my boyfriend,” you giggle at the thought. “No, no, we don’t really do that in Barbieland. Everyone’s their own person and makes themselves happy, no need for boyfriends and girlfriends. Even the Kens!”

“Rad,” Sarah grins, liking the sound of Barbieland. “So… why are you here?”

You reply honestly, there’s no use in skirting around it anymore. “Well… I feel what you feel, Sarah. And when you’re sad, and lonely, I feel that too. That’s why I came, to help you feel better.”

“Oh.” It’s all she says.

“Why do you feel like that?” Your tears have stopped by now, your face left red and puffy. You try not to start up again as you watch her face twist at your question.

“Just… stuff. With my dad. He’s never here anymore, always at work. It used to be just me and him against the world, you know? And now it feels like… like it’s just me.”

You pout, rubbing a hand on her knee. “I’m sure he doesn’t mean it, Sarah. You always have each other, just like the watch says.” 

You smile, trying to be as comforting as possible, but it’s quickly wiped away by the look of shock on her face. 

You’re about to ask her what’s the matter when a southern drawl sounds from behind you, “how do you know that?”

You turn, facing Joel who stands on the steps of the porch, a hand on the railing. Your nerves set in again immediately, and you turn in on yourself, trying not to cry.

“Um, the watch, the one from Sarah. That’s what it says, right?” You can see that very watch strapped to Joel’s wrist, the glass broken, and he brings his other hand to touch it. 

“No one else knows what’s written on that watch,” Sarah says, and you whip around to face her, “holy shit, this is really, really real, isn’t it? You’re her?”

You just nod, and she lets out a laugh, springing forward to hug you. You yelp in surprise but hug her back immediately, revelling in the feeling of wet grass hitting your back. Sarah pulls away, looking up at her Dad with pleading eyes, “come on Dad, you know this is real. She’s real. We have to let her stay.”

You sit up again, grabbing your hat and standing, facing Joel though your eyes stay trained on the floor. He’s silent for a long time, thinking, before he grunts and you can just about make out a whisper of “fine” as Sarah celebrates and leads you back into the house.

♡❀˖⁺. ༶ ⋆˙⊹❀♡

You stay there a few days, mostly keeping out of Joel’s way. They set you up in the spare bedroom, but Sarah comes to get you most nights, and you stay up together having sleepovers and telling stories.

You tell her all about Barbieland, about the beautiful beaches and all-woman Supreme Court, the Dreamhouses and the perfectly blue skies. She tells you about her life, the latest drama at school, about Brad the boy who won’t leave her alone and Jenny, her best friend who definitely fancies Brad. It’s incredibly exciting, and you wonder why you never left for the real world sooner.

Barbara’s ecstatic for you, of course; she’s staying in a nearby hotel for as long as you need her there, you even plan to introduce her to Sarah soon.

You wake up one morning, covered in a duvet somewhere in the corner of Sarah’s room, a host of her other old toys laid out where she’d been explaining each one to you last night. You wondered if there’s a Thomas The Tank Engine Land, too.

There are voices downstairs, and for all the rules of politeness and social expectations you’ve learned, you can’t help but tiptoe to the top of the landing and listen in to the conversation. To make sure Sarah’s okay, more than anything.

“Oh come on, Dad. It’s just one day!” Sarah almost shouts, though it’s obvious she’s trying to keep her voice down. They both are.

“Sarah, I gotta go to work. How the hell am I meant to keep a walking-talking Barbie doll entertained for 7 hours, huh? You want me to talk about makeup and glitter?” Joel’s voice is thick and annoyed, though he’s noticeably gentler when he talks to her.

Sarah scoffs, and you can’t see her, but you know she’s rolling her eyes. “She’s more than that, Dad. She’s smart, and she’s caring. Just - just do this for me, okay? And as soon as I’m back from school, I’ll take her off your hands.”

You can’t see them, but you hear their footsteps walk a little closer to the stairwell. “Fine, fine. Whatever. You better go and wake her up then, cos I gotta leave in 20,” Joel resigns.

You see the top of Sarah’s head from your view between the bannisters, and quickly hurry back to her room and under the sheets. She enters, sitting beside your spot on the floor and whispering, “Barbie? Hey Barbie, wake up!”

You feign tiredness, lifting your head and smiling at the girl. “Oh hey, Sarah, good morning.”

She giggles, and you’re quickly aware of your bedhead, something you never experienced in Barbieland. She talks as you grab a brush and fix yourself up.

“So look, I gotta go to school today. But my Dad agreed to take you with him to work so you’re not on your own… is that okay?” 

She must see the slight panic in your eyes,  as she quickly scrambles to reassure you. 

“I know he was a bit of a hot head when you first met him, but he’s just… protective. But he’s sweet, really. Just give him a chance.”

You think about it for a moment. Barbara is still staying nearby, and you know she’d come and hang out with you while you wait for Sarah to come home if you asked. But then again, maybe it’d be good to spend some time with Joel/ It’s obvious that a lot of what brought you here comes down to their relationship, and if you can help to fix that even just a little bit, then your journey will have been worth it.

“Okay,” you answer, giving Sarah a small smile. She grins, standing up and grabbing her school bag before shouting over her shoulder as she leaves the room, “great! He’s going in 20 minutes… better get ready!” 

You gasp, jumping up from your little nest on the floor and searching through the duffel bag Barbara packed for you of outfits to wear, all western-themed of course.

♡❀˖⁺. ༶ ⋆˙⊹❀♡

Car rides with Joel are… awkward, to say the least. 

He drives in silence, no radio, just the slow drone of traffic outside echoing between you, whistling through the open windows.

His car is very different to the ones in Barbieland. It doesn’t have an open top, the seats are worn and rough to the touch. The smell of coffee and cigarettes hangs in the air, and though you’re not used to it, you still find it comforting. Safe.

You reach for the radio, looking for a tune to play and maybe even sing - you’re sure that’ll cheer him up. But he stops you, not hurting you at all but batting your hand away and finally taking his eyes off the road.

“Don’t touch that,” he grunts, and you shrink back in on yourself again. He recoils a little, like he’s trying to appear less aggressive, and refocuses on the road.

“Sorry,” you mutter, shy.

He shakes his head, resting his elbow on the window beside him and readjusting himself, clearly uncomfortable. Whether it’s you or just the way he’s sat, you don’t know.

“‘S fine,” he mutters, barely audible. You nod, unsure of what else to say after that. You’re not looking at him, though you can see his movements in the edge of your peripheral, and you’re certain you can see him glancing at you every couple of minutes.

He finally speaks again after a long span of silence. 

“So…” he starts, tentative. “Is it hard to get here? From- from Barbieland?”

You turn, though he isn’t facing you, eyes trained on the road. You keep looking at him anyway - this is progress at least.

“It’s pretty simple. First you drive, then you cycle, then take a boat, then a rocketship, then you stay in a campervan for a little while, then a snowmobile and voila! You’re rollerskating into LA.” You grin, recounting your adventure into the real world, happy to be able to share it with him. You’re not sure what it is about him, but there’s just something inside of you that’s desperate for him to get you. To care. 

Joel just grunts, rubbing his thumb and forefinger between his brows, and you’re worried for a second that he doesn’t believe you, again. But he doesn’t press, instead he seems to be thinking, and then he asks another question.

“How do you get back?”

“Gotta do all that in reverse,” you answer, giggling. You’re sure you can see the slightest pull of his lips, the hint of a smile, but it’s gone just as quickly as it appeared.

You decide to try and engage him, let him talk. “Do you like what you do? For work?”

He just grunts again, and your shoulders sink, giving up. He doesn’t want to talk to you. 

You decide not to press him further, but you can see him continue to glance at you a few times out of the corner of your eye, and there must be something in the air because he sighs before talking, a vulnerability in his voice.

“I used to. My Dad did it, contracting. Used to take me and my brother out every weekend and show us the trade. And when I started my business, that was good. Things were good. Now…” he trails off with a sigh.

“Things aren’t good?” You ask, trying to be careful. Trying to encourage him. 

He nods. “Things are different, now. Busy. It’s a hard business.”

You don’t reply, not because you don’t want to, but because you’re not sure how. Joel doesn’t seem to mind. After a few moments, he pulls up at a red light, switching gears and finally looking at you properly. 

“What do you do? In Barbieland?”

“Cowgirl,” you reply, being the one to avoid his gaze now.

“Cowgirl?” He repeats, and you only nod, offering a small smile and waiting for his reaction.

“So is that, like, on a ranch?” 

He’s switching gears again, cruising through the now green light and continuing the drive, muttering something about ‘almost there’ as you arrive in an upscale neighbourhood, lined with huge houses and cars that even the Barbies don’t have.

You shrug, self conscious, but you answer him. You owe him that. He did it for you. 

“No, just… you know. I wear the hat, and the denim and the boots. And I just… cowgirl. That’s what I do.”

He nods, and for the first time since you met him, you’re not nervous about what he’ll say next. You feel comfortable with him, safe even, and you’re not sure what it is about this little drive that’s flipped that switch, but you think he might feel the same way.

“Does it pay well?” He asks, a playfulness in his tone that you haven’t seen in him before. It’s like he’s lit up over the course of your conversation.

You grin, meeting his eyes properly now, where he draws away for a moment at a time to check the road but lets his gaze fall back on you straight after. 

“Better than contracting,” you sass. You’re not sure where the cockiness comes from, whether you’re matching his tone or you just feel that comfortable with him, and for a moment you’re worried you’ve offended him with the joke.

But then he laughs.

It’s not hysterics, but it isn’t an amused ‘huff’ either. It’s like a giggle, a bright, giddy laugh that spreads across his face and makes his eyes light up like stars in the sky. It’s beautiful. It’s sweet.

You tell him as much.

“You have a pretty smile.”

He slows a little, his mouth quickly reigning in its smile and his chest no longer bubbling with that sweetness it had before. But he doesn’t look angry, or offended. He looks as though he’s not quite sure what to do. Like no one’s ever told him that before.

“Thank you,” he whispers, the words quickly blowing away with the wind through the open window. You smile in reply, and he watches, neither of you seeming to notice that he’s stopped the car and you’ve reached your destination. Neither of you move.

And then he says the sweetest words you’ve ever heard. 

“So do you.”

It’s gentle, mumbled so lowly you almost think he doesn’t want you to hear it, and yet it hits you in the chest like a lorry. 

You’ve been told that before, of course you have. You’re a Barbie. Whether it’s the other Barbies complementing one another, or the Kens trying to flirt, or Allen just being the nice guy he is, you’ve heard those words before. 

But you’ve never heard them like this, like they’re hard to say, but they need to be said anyway. 

It’s powerful.

You smile again, so does he. You stay in the car a little while longer, in silence again, but it’s a silence laced with comfort and feelings you don’t know how to label. Until he finally breaks the spell, climbing out of the car and helping you out on your side.

He spends the day showing you his work, how to plan builds, how to measure up wood and mark all the right places to cut it. You learn there’s a key named after Allen, and Joel snorts when you tell him how excited you are to let him know that. He even lets you hammer a few nails, and you’d be lying if you said it didn’t make your heart flutter when he puts his arms around you to guide your movements, his breath in your ear.

And things are good after that day. Really good.

The three of you spend time together, as much as you can, almost like a family. You’ve never experienced family before, true family, but when you’re sat on the sofa with Sarah on a cushion on the floor and Joel to your side, just out of reach, you wonder if this is what it means to be home.

Of course, you quickly understand what Sarah means when she says she’s lonely. You know exactly where that feeling in your chest is coming from, because the times he’s with you are so fleeting, so far and few inbetween, that it feels like gold dust when you have him and like a black hole when you don’t.

And it’s only been a week before you realise just what it means, these feelings, and how they’re not like anything you’ve felt before.

Sarah reads you like a book, cornering you one day as you play dress up in her room. 

“So, you like my Dad?” She asks, a knowing smirk already painted on her lips.

You splutter for a moment, trying to think of a rebuttal, but you give up because you know she has you nailed down. You know she knows.

“Is it that obvious?” You wince, making her grin spread even further. 

“Only, like, all the time,” she laughs, and you flip down on the bed dramatically, making her laugh more. “You know he likes you too, right?”

You sit up again in a flash, eyes wide and searching hers. She raises a brow as you stare, your mind racing - she wouldn’t joke about that, would she? “How do you know?” You ask.

She rolls her eyes, taking a seat beside you on the bed. “Oh come on, man. It’s so obvious. He always talks about you, Barbie said this, Barbie did that’.” She mocks his deep southern drawl, making you giggle. “And he’s always looking at you.”

You blush - you’d be lying if you said you hadn’t noticed. You suppose a part of you just never let yourself believe he could feel the same way.

“What do you think I should do?” You’re nervous now, unsure of yourself. Unsure if this is real.

Sarah smiles, a cheeky sort of grin that doesn’t make you feel particularly at ease, and pats your knee with her hand. “Leave it with me.”

♡❀˖⁺. ༶ ⋆˙⊹❀♡

She calls you down that night, late, not long after Joel came home from work. You switch off the documentary you were watching, something about the animal kingdom, one that amazed you with all the creatures that walk the earth around you. 

You tiptoe down the stairs, calling out Sarah’s name when you can’t find her in the front room, confused. You hear her again, distantly, like she’s outside, and you follow the sound through the kitchen and out the back door, where you’re greeted with the alluring smell of a sizzling barbecue.

“What is this?” You ask, stepping fully outside and taking in the scene. The backyard, usually overgrown and unkept, is littered with fairylights that wrap around the patio columns and line the fence right down to the end. The Miller’s barbecue is fired up, with an array of vegetable skewers and sausages and burgers cooking on top, Sarah proudly stood beside it in her apron while Joel watches, concerned.

Joel. He’s sat at the little table she’s put together, a round glass one with mismatched chairs on either side. He’s dressed up - his hair looks neater than usual, like he’s put extra care into styling it properly. His shirt isn’t plaid, or denim; it’s a light blue colour that matches the brown of his eyes so wonderfully. He looks nervous.

“Hi,” he says, gentle and soft. Your eyes must be wide and confused, because he doesn’t say anything else, just looks at Sarah for support. She rolls her eyes - again - and puts down the tongs she’d been using to flip the burgers. 

“You two are so boring pining over each other. So, I’ve set up a date!” She grins, turning back to the food without a care in the world.

You nod, taking another step forward, looking back toward Joel and not bothering to fight the smile that spreads on your face. 

He doesn’t fight his, either. 

You reach out for the chair opposite him, but before you can, he’s standing up and pulling it out for you, his eyes meeting yours.

Not one of the Kens have ever pulled out a seat for you, you think, thanking Joel and sitting on the little chair. He returns to his own seat, clearing his throat and pouring you a drink; red wine, a new favourite of yours since he introduced you to it. 

Sarah plates up the food, setting it down in front of you in a dramatic waiter-style fashion. 

“You’re certainly my daughter, huh?” Joel asks, pride in his eyes as he looks at the food, which you have to admit looks pretty damn good.

“The student has become the master,” she quips, and your heart melts at the sweet moment between the two. 

“Now, you two enjoy. I’ll be in my room. If you need anything… get it yourself. The kitchen is literally right there.”

You and Joel roll your eyes as Sarah bows out, laughing at her own jokes and giving a final wave as she heads into the house, leaving you both alone.

“So,” you begin, unsure of what to say.

“So.” Joel mimics, though you don’t think he plans to say anything after that. He’s not one to initiate conversation.

But then again, people can change. 

“You look really nice,” he says, his eyes so heavy set on you that it makes you feel flush. You look down, at the old baggy top you’re wearing over grey sweats, and you’re suddenly self conscious compared to his nice shirt and carefully-put hair.

“I don’t,” you reply, embarrassed. “I look like a mess.”

He interjects immediately. “No. You don’t. How could you? I mean you’re literally - you’re -“ he can’t find his words.

You finish the sentence for him. “A Barbie.”

“Yeah.”

You’re not sure why it makes you feel the way that it does. Sad. Like you’re not quite real to him, a novelty. He sighs, and for all the time you’ve spent with him by now, you can’t read what’s going on behind the man’s eyes at all.

You sit in silence for a short while, enjoying Sarah’s food, drinking wine. There’s something hanging in the air, heavy and strange, and neither of you know how to address it.

It surprises you when Joel finally breaks the silence again. “Do you miss home?” He asks, pouring you another glass.

You think for a moment. You answer honestly. “I don’t know.” His eyebrow quirks, motioning for you to continue.

“There was a time when I’d have never even dreamed of leaving Barbieland. When I didn’t want anything to change. But things are different now, since Ster- since Barbara left. Everyone thinks differently, feels differently. It’s a very different place. And suddenly everything that made me love Barbieland doesn’t matter to me anymore. The perfect wardrobe, the perfect house, the perfect life. None of that matters. It’s the things here, in this world, that matter.”

“What things?” Joel asks, and it’s only now that you notice his hand has migrated across the table, holding your much smaller one. You wrap your fingers around his, revelling in the small squeeze he gives you, fighting back a smile.

You’re staring at your interlocked hands when you answer. “Family. Purpose.” 

You look at him. “Love.”

He breathes out, like he’s letting something go, something that made him scared but doesn’t anymore. You squeeze his hand.

The rest of the night goes smoothly. It’s sweet, comfortable. It’s nice. 

Until you put your foot in it.

“Do you still feel lonely?” Joel asks, the buzz of red wine making his drawl even heavier.

You smile, glossy eyes doting on him, hands still intertwined. “Well, I felt lonely because Sarah felt lonely. So… no. I feel good.”

Joel frowns, his head tilts. “Do you know why she felt like that?”

You’re not sure how to approach this with him. It’s something you’ve thought about, pondered for days, turned over and over in your mind with no good resolution.

You know exactly why she felt like that. She told you as much.

My Dad’s never here. He’s always away, working. I don’t see him.

But you also know it’s a truth he won’t accept. Not easily, at least.

“Well,” you begin, treading lightly. “I think she just… misses you, Joel. Misses her Dad.”

He’s confused. He pulls away from you, his grip on your hand loosens. “But I’m here.” It’s an assertion, challenging your suggestion.

“I know, I know. But you’re not… you’re not here. You come home from work late, you’re tired, you go to bed. You wake up and before we can even say ‘good morning’ you’re out the door again, going to work.”

His jaw flickers, in that same way it did when you first met. He’s angry. 

“I do what i have to do to support my family,” he grumbles, fully retracting his hand now. You feel the loss of his touch instantly, in your heart. 

That same loneliness sets in again, but it’s not Sarah’s anymore. No, it belongs solely, wholly, to you.

You try to placate him. “I know, Joel, I know. I get it. I just -”

“Just what?” He interrupts you, and you pause, scared to speak. Scared to mess this up.

“She needs you to talk to her. She needs you to listen to her. She needs you to hold her and let her know she’s not alone. She doesn’t see that right now, Joel.”

He doesn’t reply, just stares into space, arms folded. Guarded.

“I’m sorry,” you whisper.

“‘That how it works in Barbieland? Everyone gets what they want, everyone’s happy?” He asks, agitated.

You shake your head. “No, Joel, I-”

“‘Cos that’s not how the real world works, sweetheart. Everythin’ ain’t perfect. The trees ain’t made of cotton fuckin’ candy.” He sneers, mocking you, and the words pierce through you like knives.

“And I ain’t taking parenting advice from no Barbie doll.” 

That really, really hurts.

And it makes you angry, because for all your faults and weaknesses, being a Barbie certainly isn’t one of them.

“Why are you being so defensive?” You ask, your tone rising to match his. “You know I'm right. All that girl wants is her Dad, not a stranger who’s barely there, not a ghost that puts food on the table but won’t even come home on time for her. She wants her Dad, Joel.”

He stands, slamming his palms on the glass with so much force you fear it’ll shatter. He doesn’t shout, but his words are sharp, pointed, and they land exactly where he intended them to.

“You have no idea what it’s like. You’re stuck in your fantasy world, where everything’s pink, but you haven’t got a clue what it’s like to live in the real world. So why don’t you head back to your special Barbieland and leave the actual living, the hard parts, to the rest of us, huh?”

Tears threaten to spill on your cheeks, your eyes burning from the strain of holding them back. “Joel, you don’t mean that-”

“Yes, I do. Just… just get out of my house.” 

He walks away from the table, crossing his arms and facing away from you, staring out into the night. You nod, to yourself if no one else, breaking your strength as a sob racks through your body. You clasp a shaking hand to your mouth, not wanting him to hear you, but you see the way his shoulders clench. He heard. 

He doesn’t react further, though. Doesn’t turn. Doesn’t make sure you’re okay.

So you do what he said. You leave.

You stalk past Sarah, wiping away the onslaught of tears that have taken hold now, ignoring her as she shouts between you and Joel. “Guys? What’s going on?”

She doesn't follow you upstairs, choosing to give you space and speak to her Dad instead, you think. You text Barbara, asking her to pick you up, and shove your clothes into your bag as quickly as you can in spite of your blurred vision and the messy hair that covers your face. 

You’re not sure how long it’s been, you’d have only thought seconds if you didn’t know Barbara’s hotel was at least 10 minutes away, but you hear her beep the horn from outside and follows its direction.

Sarah’s waiting for you at the bottom of the stairs. You look down the hall, where Joel sits at the kitchen counter, arms still folded and head down.

“Please,” Sarah begs, “don’t go.” She’s crying, and it makes your heart hurt more.

“I have to.” 

You try to move past her, but she stops you, blocking the way with her body. “Sarah, I have to,” you repeat, choking on your own sobs.

“Why?” She shouts, hot tears staining her face. “My Dad told me what happened. You’re right. He’s wrong, he’s always wrong. He’s never here, but you are, and now you’re leaving me like everyone else. Like my Mom.”

Your nose scrunches. More tears fall. Your chest hurts. “I’m not your Mom, Sarah. And your Dad… he loves you. He loves you so much. Promise me you’ll remember that, okay? He loves you. I love you.”

She doesn’t stop you when you try to leave again. You all but run out the door, the once comfortable night air now painful as it hits your wet cheeks, ice cold. Barbara looks at you with more concern than you’ve seen her with before, more than when she discovered the Mojo Dojo Casa Houses, but you say nothing as you get in the car. You just stare straight ahead, and she drives.

♡❀˖⁺. ༶ ⋆˙⊹❀♡

“I’m so sorry, Barbie. I never thought it’d end like this.”

Barbara’s holding your hands, reluctant to let go. You don’t know when you’ll see her again. “It’s not your fault,” you reply, and it’s true. It’s not her fault. It’s yours.

“And it isn’t yours, Barbie,” she retorts, like she can read your mind. You just nod, unconvincing, but she doesn’t push it.

You hug her, for the millionth time since she took you home from Joel and Sarah’s house, since she flew back to LA with you. And now here you are, at Venice Beach with your roller skates on, going back to the place you’ve always called home.

So why does it feel like you’re going anywhere but?

“Thank you for everything, Barbara. I mean it.” You pull back, wiping a tear from her cheek and smiling the best you can, your own tears rolling down your face like the skaters behind you.

She smiles back, and though she doesn’t say anything, she doesn’t need to. You know she loves you. You know she’ll miss you.

And with that, you pull away, pushing on each skate until you’re rolling away from the real world and back into your own. Back where you belong, where you’re supposed to be. Where you’re actually wanted.

There are people pointing, laughing at you as you skate past them, but you don’t care. You haven’t cared about anything since last night.

You can see the snowscape ahead, the next part of your journey. Your next step towards Barbieland and a world of pink perfection.

A world that isn’t the same to you now.

You’re nearly there, about to switch skates for the snowmobile, when a familiar, desperate voice comes from behind you.

“Barbie! Barbie, wait!”

You brake, skates screeching on the ground, as you turn to search for him in the crowd.

And there he is, Joel, clinging to a ramp on the left side of the park with the most ridiculous pair of neon green roller skates you’ve ever seen.

“Joel?” You call, immediately rolling over to him when you realise how much he’s struggling. If you weren’t so filled with the joy of seeing him here, you’d laugh at the state he’s in; eyes wide and legs falling beneath him, clearly not used to roller skating. “What are you doing here?”

“I- I wanted to- jesus, if I could just stand up-” You giggle, and he shoots you a look, which just makes you laugh harder. You help him up, laying a gentle hand on his chest as he nearly falls again, your other hand clinging to his waist as he finally finds his balance.

He’s blushing, embarrassed, but there’s something else in his eyes as they finally settle on you and he sighs. “Barbie, I’m so sorry.”

You’re not sure where to look. At him, at your hands, at those ridiculous roller skates he’s wearing. Of course, you can’t pull your eyes from him, anyway.

“It’s - it’s okay. You were right anyway, I’m not-”

“No, no,” he interrupts, placing both hands on your cheeks and quickly stumbling as he loses his balance again without the support of the rail. You hold him, giggling as he almost brings you both down, though you manage to keep him upright and he laughs right there with you.

“Jesus, this is embarrassing,” he finally huffs, and your head falls against his chest. When you raise it again, he’s already looking at you, with those big brown eyes that you never want to forget.

“I wasn’t right. I was an asshole. A huge, insecure asshole.” You try to shake your head, to disagree, but he doesn’t let you. “Just let me say this,” he begs. You let him.

“You were right. I haven’t been there for her. I haven’t been the Dad she needs me to be. I’m just… I’m just scared. Of not being good enough. Of letting her down. So I work, and come home late, and leave early, and I convince myself it’s the right thing to do. But I’m hurting her. And I hurt you.”

There’s pain in his eyes, and it pains you as if they were your own. 

“I haven’t seen Sarah this happy in a long time,” he continues, resting a hand on your cheek again, carefully this time. “Barbie, I haven’t been this happy in a long time.”

You don’t know what to say. You take your hand from his waist, tentative, making sure the other one is stable on his chest. You place it over his where it rests on your cheek, folding your fingers around his own, and turning to press a gentle kiss into his palm. He mumbles something, you don’t hear what, but from the look in his eyes you think you know.

“Don’t go,” he begs. “Don’t - don’t go back there. I want you here. You belong here.”

You look into his eyes. You know he means it. 

And so you do the only thing that makes any sense in this moment. 

You kiss him.

You’re careful to keep him upright, but he seems to have stopped caring about that; instead both hands are on you again, frantic, holding you tight like he never wants to lose you again.

When you finally break the kiss, neither of you pull away from one another, your foreheads connected and breaths intertwined. 

“Okay,” you gasp, pulling on his shirt. “Okay. I’ll stay.”

Joel closes his eyes again, sighing in relief as you finally release your other hand, touching it to his neck and feeling the rapid pulse that beats against it. You’re holding one another so closely, so tightly, that there’s no way he can fall now.

“You’ll come back to Texas?” He asks, like he still doesn’t quite believe you.

You nod again, giggling at the joy that spreads on his face, though it’s quickly muffled when he kisses you again. And again, and again and again until you’re breathless and sweaty and no longer sure which of you needs help staying upright the most.

You help him turn, wrapping your arms around his waist and supporting him as you try to make your way back across the park, and only then do you see Barbara and Sarah stood to the sidelines, watching, smiling.

You realise Sarah has her phone out, pointed at her Dad, and you’re pretty sure Joel sees it too but before he can say anything, he slips again and falls flat on his bum on the floor, bringing you right down with him.

You gasp, cushioned by his chest and his protective arms around you, laughing hysterically as he groans and sits up. You watch as his face turns from pain into anger, his eyes fixated on something ahead, and you think you know what it is-

“Sarah! Delete that video right now!”

♡❀˖⁺. ༶ ⋆˙⊹❀♡

Tag list: @vickie5446 @skysmiller @none-of-this-makes-any-sense @letmehavemyfictionalmen

[drchucktingle]

Mr Chuck, wizard of gay romance, I consult ye. Without knowing a damn thing about the plot of the book I'm writing other than it is gay and has themes of hunger, consumption, joy in spite of suffering, and the fleeting nature of life, how should my story end?

well to create we need to consume, this is how we produce energy and multiply and build. since beginning of time from frothing volcanos to tiny microbes CREATION and CONSUMPTION are linked. in addition an act of creation is an act of love, it is filling the empty void with SOMETHING and that is as powerful and important as it gets

i think what confuses MANY buckaroos is they get caught up by the consumption part. they see this equation i have laid out and say 'well if consuming leads to creation and creation is to point then we must consume everything as a moral imperative.' i mean HECK that is capitalism in a dang nutshell right there. if you trot this path it says the bigger fish should eat the little one, and that war and power are sort of innate. you see a lot of goofball conservative philosophers with melted brains stop here and set up shop to peddle their sad wares

THE PROBLEM IS consuming everything that you can DOES NOT ACTUALLY LEAD TO MORE CREATION IN PRACTICE. maybe sometimes in the very short term, but at the end of the dang trot it leads to destruction on a massive scale. if the biggest fish eats ALL the little fish then it is not just the little fish who dies it is BOTH of them. if you seek power through TAKING AND CONSUMING all that you can you will do more harm than good. you may puff up your chest for a little while but eventually you will go beyond your means and crumble.

consuming yields the best results when you do it in sustainable way, when you share with your neighbor, when you build a community. this is because LOVE is the best fuel and love thrives when buds work together to create a greater whole than themselves. even if you use example of TAKING through violence, ten little cave buckaroos as a team will always take down one big cave buckaroo. COMMUNITY PROVES LOVE. TEAMWORK PROVES LOVE. CONNECTION PROVES LOVE.

fortunately, as much as scoundrels want to convince us that fighting and violence and TAKING is the best way to grow as a dang species, it is not. humans thrived not because of some primal hierarchy (as goofball conservatives say) but because we started villages and societies and systems of working together. the buds who put their chips behind the BIGGEST FISH are only seeing one part of the picture. YES sometimes in the animal kingdom the biggest beast will win the fight, but that is why THEY ARE BEASTS AND WE ARE PEOPLE. we evolved to greater heights as we grew bigger brains for sharing and empathy and love and complexity. WE STARTED COMMUNITIES, BECAUSE WITHIN COMMUNITY CREATION AND LOVE THRIVE. THE 'REAL' BIGGEST FISH IS KINDNESS.

so hunger and consuming are ACTUALLY an important part of creation. they are part of bringing joy to this timeline, so long as you are not endlessly hungry even after you are full, and so long as you are not consuming what could be better shared with a bud.

hope that helps with your story buckaroo

[bowtiepastabitch]

Historical Analysis: class and injustice in 'The Ressurrectionists' minisode

Alternate title: why we're tempted to be upset with Aziraphale and why that's only halfway fair

Okay so first off huge thanks to @makewayforbigcrossducks for asking the question (and follow-up questions lol) that brought me to put these thoughts all together into a little history nerd ramble. That question being, Why is Aziraphale so clueless? Obviously, from a plot perspective, we know we need to learn some lessons about human moral dilemmas and injustices. But from a character perspective? A lot of this minisode is about Aziraphale being forced to confront the flaws of heavenly logic. This whole idea that "poverty is ineffable" basically boils down to 'yeah some people are poor, but their souls can be saved just as if not more easily that way, so it's not our problem and they probably deserve it anyway for not working hard enough,' a perspective that persists in many modern religious circles. Aziraphale isn't looking at the human factor here, he's pretty much purely concerned about the dichotomy of good and wicked human behavior and the spiritual consequences thereof, because that's what he's been told to believe. His whole goal is to "show her the error of her ways." He believes, quite wholeheartedly, that he's helping her in the long run.

"the lower you start, the more opportunities you have"

So here's what we're asking ourselves: Why did it take him so bloody long to realize how stupid that is? Sure, he's willing to excuse all kinds of things in the name of ineffability, but if someone in the year of our lord 2023 told me he was just now realizing that homelessness was bad after experiencing the past two centuries, I'd be resisting the urge to get violent even if he WAS played by Michael Sheen.

Historical context: a new type of poverty

Prior to the 19th century (1800s), poverty was a very different animal from what we deal with now. The lowest classes went through a dynamic change leading up to the industrial revolution, with proto-industrialization already moving people into more manufacture-focused tasks and rapid urbanization as a result of increasingly unlivable conditions for rural peasantry. The enclosure of common lands and tennancies by wealthy landowners for the more profitable sheep raising displaced lots of families, and in combination with poor harvests and rising rents, many people were driven to cities to seek out new ways of eeking out a living.

Before this, your ability to eat largely would have depended on the harvest in your local area. This can, for our purposes, be read as: you're really only a miracle away from being able to survive the winter. Juxtapose this, then, with the relatively new conundrum of an unhoused urban poor population. Now if you want to eat, you need money itself, no exceptions, unless you want to steal food. Charity at the time was often just as much harm as good, nearly always tied deeply up in religious attitudes and a stronger desire to proselytize than improve quality of lie. As a young woman, finding work in a city is going to be incredibly difficult, especially if you're not clean and proper enough to present as a housemaid or other service laborer. As such, Elspeth turns to body snatching to try to make a better life for herself and Wee Morag. She's out of options and she knows it.

You know who doesn't know that? Aziraphale.

The rise of capitalism

The biggest piece of the puzzle which Aziraphale is missing here is that he hasn't quite caught onto the concept of capitalism yet. To him, human professions are just silly little tasks, and she should be able to support herself if she just tried. Bookselling, weaving, farming, these are all just things humans do, in his mind. He suggests these things as options because it hasn't occurred to him yet that Elspeth is doing this out of desperation, but he also just doesn't grasp the concept of capital. Crowley does, he thinks it's hilarious, but Aziraphale is just confused as to why these occupations aren't genuine options. Farming in particular, as briefly touched on above, was formerly carried out largely on common land, tennancies, or on family plots, and land-as-capital is an emerging concept in this period of time (previously, landowners acted more like local lords than modern landlords). Aziraphale just isn't picking up on the fact that money itself is the root issue.

Even when he realizes that he fucked up by soup-ifying the corpse, he doesn't offer to give them money but rather to help dig up another body. He still isn't processing the systemic issues at play (poverty) merely what's been immediately presented to him (corpses), and this is, from my perspective, half a result of his tunnel-vision on morality and half of his inability to process this new mode of human suffering.

Half a conclusion and other thoughts

So we bring ourselves back around to the question of Aziraphale's cluelessness. Aziraphale is, as an individual, consistently behind on the times. He likes doing things a certain way and rarely changes his methodology unless someone forces his hand. Even with the best intentions, his ability to help in this minisode is hindered by two points: 1)his continued adherance to heavenly dogma 2)his inability to process the changing nature of human society. His strongest desire at any point is to ensure that good is carried out, an objective good as defined by heavenly values, and while I think it's one of his biggest character hangups, I also can't totally blame him for clinging to the only identity given to him or for worrying about something that is, as an ethereal being, a very real concern. Unfortunately, he also lacks an understanding of the actual human needs that present themselves. Where Elspeth knows that what she needs is money, Aziraphale doesn't seem to process that money is the only solution to the immediate problem. This is in part probably because a century prior the needs of the poor were much simpler, and thus miraculous assistance would never have interfered with 'the virtues of poverty'. (You can make someone's crops grow, and they'll eat well, but giving someone money actually changes their economic status.) Thus, his actions in this episode illustrate the intersection of heavenly guidelines with a weak understanding of modern structures.

This especially makes sense with his response to being told to give her money. Our angel is many things, but I would never peg him as having any attachment to his money. He's not hesitant because he doesn't want to part with it, he's hesitant because he's still scared it's the wrong thing to do in this scenario. He really is trying to be good and helpful. So yes, we're justifiably pretty miffed to see him so blatantly unaware and damaging. He definitely holds a lot of responsibility for the genuine tragedy of this minisode, and I think Crowley pointing out that it's 'different when you knew them' is an extremely important moment for Aziraphale's relationship with humanity. Up until now, he's done a pretty good job insulating himself from the capacity of humans for nastiness, his seeming naivity at the Bastille being case in point.

In the end, I think Aziraphale's role in this minisode is incredibly complex, especially within its historical context. He's obstinate and clueless but also deeply concerned with spiritual wellbeing (which is, to Aziraphale, simply wellbeing) and doing the right thing to be helpful. While it's easy to allow tiny Crowley (my beloved) to eclipse the tragic nature and moral complexity of this minisode, I think in the end it's just as important to long-term character development as 'A Companion to Owls'. We saw him make the right choice with Job's children, and now we see him make the wrong choice. And that's a thing people do sometimes, a thing humans do.

~~~

also tagging @ineffabildaddy, @kimberellaroo, and @raining-stars-somewhere-else whose comments on the original post were invaluable in helping me organize my thoughts and feelings about this topic. They also provided great insight that, in my opinion, is worth going and reading for yourself, even if it didn't factor into my final analysis/judgement.

If I missed anything or you have additional thoughts, please please share!!! <3

[minhosimthings]

love.

Synopsis: in which Hyunjin comforts you on a hard day

Warnings: fluff fluff fluff, heavily self indulgent because I can, hurt/comfort, reader cries, mention of food

A/N: yay I did this finally it's out of my notes Woohoo! Idk when this idea came into my brain but it did and I couldn't stop thinking about it so now it's here. For my loves @chlorinecake and @astraystayyh they are my Hyunjins

Song rec: love by Wave to Earth

The weight of the world on your shoulders.

You had often heard that phrase as a child. It was ridiculous, initially.

The world can't possibly weigh that much.

You were the smartest in your class, you knew the multiplication tables by the time you were five, the capitals of the world by eight, and by fifteen, the weight of nothing but your own shoulders dragged you behind everyone.

University was an easy affair, that's what you told everyone. Someone's got to keep up the smart girl, book child status up right?

Studies were easy, just understand it, write it down better. Yet, fuck, you could feel the words fading by, was it a stalactite or a stalagmite?

Graduation was easy, you were peaking and nothing was in your way!

Then you realised something.

The world did weigh too much.

Everyone weighed too much.

Your mind weighed greater than your heart, something you fought off for eons now.

And diamonds are formed under pressure, but hadn't you learnt that diamonds turn into graphite every now and then too?

You were so smart as a child, what happened?, You wished ever so fervently that you could tell them that you weren't a child anymore.

No longer the child that thought the only thing that she needed to do to be loved was to get a good grade off her papers.

Or was that love starved part of you still inside?

"Rough day, love?"

Love. It was the nickname you most adored. Lucky for you nicknames were Hyunjin's personal favourite job.

"Fuck..." You swore softly, immediately collapsing onto your couch, and wrapping yourself into the warm cocoon that was your boyfriend's arms. You swore you would become a butterfly from your current catterpillar state one day.

The gruesome world always seemed to calm down on its axis of rotation as soon as you reached Hyunjin's touch. As if he was the petals of honeydew calming down the speed of a hummingbird. Would you have been the overactive bird rushing around to cater to the needs of everyone around her?

You could hear your own heartbeat in the moments of silence, when the dust seemed to still and the winds seemed to wait, eavesdropping on conversations old and new. The hauntedness of the thumping sound made you shiver.

The tightness around your throat felt tighter by the moment, like an invisible rope hanging round it. Your heart felt too heavy too for some reason. It's a heart, you tried to convince yourself, you need it to live. But you knew that you could rip it out of your chest at this moment, and you would still keep living on. But did you really have to-

"Want to talk about it, love?"

That was the straw that broke the camel's back.

A loud sob ripped through the thick air, coating the curtains of the atmosphere in a blueish paint that seemed to have rotted inside it's bucket far too long. Hyunjin was quick to bury your head further into his chest.

You know you smell really comforting?, that went on in his mind, the thing you said on your first cuddle session, in which, he remembered fondly, you described his scent a bit further than most people usually did.

Broken strings of words escaped your lips, I'm sorry—im so sorry! Guilt always flowed through your veins whenever anything like this happened.

But Hyunjin understood, he always understood. And fuck, you both hated and loved that he understood.

One hand lay on the back of your head, while his other caressed your back, rubbing circles on it. As if a magical void would appear and take all your problems away.

Hyunjin was your magical void.

"Can you talk to me?" Hyunjin asked quietly. He felt you shake your head against his shoulder, causing him to tighten his hold on you.

"It's going to be okay love. I promise you."

Another wave of tears surged through you, nearly making you double over at the rush of fresh emotions popping off in your brain, your jaw tensing as you tried to stifle the illegible babbling falling from your lips. 

Hyunjin's words in your ear and his hand rubbing ribbons of comfort onto your back made you catch your breath, and slow down. Silence rose once you had stopped crying, you felt even more tired now and you had to admit, Hyunjin was a nice pillow.

The occasional sniffle and tired breath from you, broke Hyunjin's heart even more. He hated seeing you cry, so much so, he'd always distract you if he ever sensed you were in a depressed mood. Even if there were times that you poured your entire heart out of him in tears, he'd always shed his own tears in private, sometime later.

"Love?"

"Hmm?"

"Want me to run you a bath?"

"With the candles and everything?" You managed to say in a quiet, exhausted voice. Your throat was tired from all the crying.

"With the candles and everything." Hyunjin smiled down at you, pushing back stray strands of your hair behind your ear, "Can we go up to the bedroom, love? Can we do that?"

He was speaking so softly to you, and it was making you want to sob rivers again.

Silently nodding, you felt yourself droop down all over again as soon as Hyunjin got you up, strong arm wrapped around your waist, hugging you to his side.

Pressing a sweet kiss to the side of your head, Hyunjin started with shuffling moments upto the bedroom, which you followed, not even being able to lift your head up from the pure exhaustion.

Sitting on the bed felt like you were hung down by iron nails, while Hyunjin prepared the bath for you. Even a moment without him felt down, and even if it was a bit dramatic , you were willing to admit it.

"Hands up?" Hyunjin looked at you softly, taking off your shirt for you and discarding it in the empty laundry basket, "You did the laundry yesterday? Wow, I'm proud of you baby."

You let out a breathy giggle at his words. Hyunjin somehow always knew every word in the instruction manual of how to make you laugh.

"Is the temp alright?"

You couldn't get yourself to say yes so you hummed what seemed to have been a 'yes'. Your throat was raw, and your face was congested as well as your chest. You sounded like you swallowed a frog, and the frog was also now sick and subsequently congested.

The water truly didn't have any texture or temperature to it when you got into it. The world felt numb again as you relaxed into the tub, which, evident from the scent, Hyunjin had filled with your favourite bath salts.

What seemed like a year's worth of time, passed in silence, as Hyunjin quietly stroked your skin with soap, was it the lavender one or the tea tree one? You couldn't tell, remembering how you often joked that both of them gave off the same perfuminous vapours and that Hyunjin should just buy one of them. The water seemed more mellow now.

"Love, look at me?" Hyunjin's voice broke you out of your seemingly never-ending stupor. Like it always did.

You turned your head and rested your eyes on Hyunjin's softened ones, and you felt that familiar tightening of your throat again.

"Hyun I-"

"Don't you dare apologise." Hyunjin said before you could even get a word out, "You never have to apologise to me. Not for this."

His hands were sickeningly sweet as they ran over your back, washing lathers of soap off of your back, his voice even more so.

“You deserve to relax, you know that right?" Hyunjin said, as he wrapped you up in your purple coloured towel, "“You did so well today and you do so well everyday and you deserve to rest for a while."

Hugging you into his arms again, Hyunjin provided you with a little den, a cave where you could settle into whenever you felt that you were too tired for a lion's hunt. And you were forever grateful to him for him.

"Now-" Hyunjin looked down at you with a cheeky smile, "You are not allowed to leave the bed until you finish every single cupcake I got you."

"You got me cupcakes?" Your lips broke into a smile, a genuine one this time, "What flavour?"

"Beef." Hyunjin joked, sending both of you into a frenzy of laughter, as you pressed a kiss against his nose, making it turn the touched skin like a tomato.

The one thing that you'd have never admitted to anyone when you were younger was the fact that you wanted to be loved. That was a silly notion to you.

But maybe now, under the watchful gaze of Hyunjin as he saw you devour the cupcakes, you'd admit it.

You'd want to be loved, even if it was another weight on your shoulder.

Maybe that'd be a weight you'd like to ephermally lift.

[kcrossvine-art]

Hi friends! Just a day after this years Yule and a few days out from Christmas, regardless of what you celebrate during this winter months, we're gonna be cooking a tangy tango between two traditional english staples-

Yule Plum Pudding and Wassail from Lord of the Rings Online!

(You can find the cooking instructions and full ingredient list under the break-)

MY NAMES CROSS NOW LETS COOK LIKE ANIMALS

SO, “what goes in to this Yule Plum Pudding?” YOU MAY ASKPlum Pudding is not a "pudding" as us americans think of it; its closer to a fruitcake but less shit.

Cranberries

White raisins

Macerated prunes (in brandy)

Chopped candied peel

Blanched almonds

All-purpose flour

Cinnamon

Nutmeg

Cloves

Sugar

Breadcrumbs

Lemon zest

Unsalted butter

Eggs

Whole milk

Half a bottle of brandy

It also doesnt contain any capital-P plums! it actually does contain plums im so fucking stupid i never connected the dots that prunes were dried plums oh my god. But they still ued any dried fruit, and "Plum" here is just referring to any dried fruit. And what about the birth of todays wassail?

4 cooking apples

2 pears

Brown sugar

Cinnamon sticks

2 lemons

A bottle of sherry

The other half bottle of brandy

Wassail is very similar to apple cider drank in the fall, with a few differences like the addition of pears and different alcohol source. It was commonly drank while "wassailing" which was a Yuletide predecessor to christmas carolling. People would go door-to-door with a big bowl of wassail, play music, and give well wishes- offering drinks from the wassail in return for small gifts!

AND, “what does Yule Plum Pudding and Wassail taste like?” YOU MIGHT ASK

The puddings like a fruitcake but if a fruit cake tasted good and wasnt a brick

Its thick and rich, and somehow actually tastes like plum despite that not being intended or making sense

I love the macerated prunes so much. Juicy berries to forage for. Enrichment

The icings reminiscent of buttercream but more savory than sweet

The wassail is like drinking the golden edges off the clouds at sunset

Its got a little bit of the dryness from the sherry that makes your mouth water the moment you stop drinking it

You just want to keep drinking more to sate yourself

Even without eggs its surprisingly full bodied and thick

I had to make a few substitutions from traditional elements due to either being not available or too expensive, but with a little problem-solving nothing was too hard to do.

. Used a bundt cake pan instead of a pudding tin .  Suet (animal fat) was historically used for plum pudding. I couldnt find any and used butter instead . Used golden delicious apples when called for . Used concorde pears when called for . Some wassail recipes fold in egg whites before serving, to make the drink creamier. I didnt do this, but if you do, the recommendation to drink it fresh still stands (and strongly)

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I gotta admit, I was nervous approaching this recipe. Not only because I didn't own and couldnt find a "pudding tin" without ordering online, or because the concept of steaming a pastry(?) feels foreign and odd, but also because of how old and storied this dish is. You always run into the issue with historical foods who date back to the times where oral history was the only history. The issue of people being combative that their recipe is the only true variant of the recipe, and all the others are mucking the whole thing up.

Its good to remember that like with most dishes, cooking is something that evolved and continues to evolve overtime. Unless someones trying to rewrite history and claim that ants on a log is a creme brule in which case you should run them over with a '98 Pontiac Sunfire.

Theres a few things I'd do differently when cooking again, like chopping the blanched almonds. They were a bit too big when left whole. And adding some amount of heavy cream to the icing? Maybe? To give it a fluffier/milkier feel? But the proces of cooking itself was very straightforward and I have no real complaints or modifications to make. When having leftovers of the pudding it did seem to "mature" and taste better and better the more days i kept it in the fridge, so thats something to keep in mind! But it tastes great a day after all the same.

I give this recipe a solid 10/10 (with 1 being food that makes one physically sick and 10 being food that gives one a lust for life again.) Happy winter everyone! Congrats to another year of staying alive!

🐁 ORIGINAL RESIPPY TEXT BELOW 🐁

Yule Plum Pudding Ingredients:

16oz cranberries

12oz white raisins

9oz macerated prunes

4oz chopped candied peel (any fruit)

2oz blanched, chopped almonds

4oz all-purpose flour

Measure spices with your heart (cinnamon, nutmeg, and cloves)

8oz granulated sugar

8oz fresh white breadcrumbs

lemon zest (one lemon)

4oz grated unsalted butter

4 eggs

8oz whole milk

Pudding Icing Ingredients:

1½oz unsalted butter

1½oz all-purpose flour

10½oz whole milk

3oz granulated sugar

2 tablespoons brandy

Yule Plum Pudding Method:

A week before making, macerate your prunes in brandy.

Mix together all the dried fruit, peel, and almonds. Sieve flour and spices together then add to the fruit mixture along with the sugar, breadcrumbs, rind, and grated butter.

Beat eggs and then blend with 8oz of milk.

Stir the egg/milk mixture to incorporate into the dry ingredients. Add prunes, and stir some more.

Put batter into a well-buttered pudding basin, with parchment paper to cover.

Get a large pot and place a kitchen towel or something similar at the bottom- then place the pudding basin on top of the towel, inside the large pot.

Fill the outer pot with water until it’s halfway up the side, cover the pot with a lid (or foil).

Steam on the stovetop at 210f for 4-6 hours depending on size of pudding basin. If the water gets too low, add a bit more.

After steaming, uncover and allow to cool to room temperature. Do not remove it from the pudding basin! Cover with fresh parchment paper and foil and store in a cool, dry place for at least a day.

(optional) to reheat; steam for 40-80 minutes, until warmed through.

Pudding Icing Method:

Place butter in a medium saucepan with the flour, pour in the milk then whisk everything vigorously together over a medium heat.

As soon as it comes to simmering point and has thickened, turn the heat to its lowest setting, stir in the sugar, and let the sauce cook for 10 minutes.

Add the brandy and stir to mix. Keep warm until required.

Wassail Ingredients:

4 cooking apples

2 pears

Brown sugar

4 Cinammon sticks

2 lemon

1 bottle of Sherry

½ bottle of Brandy

Wassail Method:

Core the apples and pears, leave the rest intact, and set in a baking pan. Fill the hollow centers with brown sugar.

Add about an inch of water to the pan and bake at 350f for 30 minutes, or until the fruit is soft.

Move the fruit to a large pot, add a bottle of sherry, half a bottle of brandy, lemon peel, and 4 large cinnamon sticks. (Feel free to use less booze!)

Bring the pot to a simmer for about 45 minutes, stirring occasionally. Strain before serving!