#the series is now complete

[kenstaroyco]

ANDREW GARFIELD in UNDER THE BANNER OF HEAVEN 1.07 (2022)

[gingermaple]

touché

(from joel's 5th episode of secret life)

[arealtrashact]

Second Verse

Part 1

[stil-lindigo]

how clare managed to lock down the two strongest warriors of her generation as mums.

a claymore fancomic.

[notachair]

thinking about how Sypha described Alucard like a "cold spot in a room" in S2, and Alucard showing up at the end of Nocturne S1 looking all desaturated, though yes ethereal, but also in a sense cold and ghostly, all buttoned up at the front. Sypha saying his sadness being like an icy well. And here he'd been so soft and happy by the S4 finale 😭 I'm nervous- but excited. And I fear the new groupie got some walls to tear down

[suntails]

⚔️🔥

[little-pup-pip]

Build-A-Bear Pompompurin!!

[sitzfleischh]

Okay inspired by this post by @irispurpurea and this post by @ouidamforeman (both of which are excellent, please read) I wanted to add some thoughts about the structural weirdness of season 2.

The reason season 2 feels so structurally WEIRD is that it's the second beat what is now a three act story, but that wasn't written as one in the first place.

Season 1 was a complete, self-contained story arc with completed character development, based on a complete, self-contained novel. The story of Good Omens is about an angel and a demon going from opposite sides to their own side, aligned with earth and its humans. And at the end of season one this story has been told! It's done!

If you want to keep the story going, then, you have two options -- either you find a completely new story to tell with these characters, or you do what Neil Gaiman et al have chosen to do and you complicate and unresolve the conclusion from the first story in order to tell the same story but in an even bigger and more nuanced way.

The challenge of season two, then, is to reframe the events of season one not as a completed story but as the first act of a three-act arc.

And genuinely I think this is just not the way that most TV shows tasked with writing their second season go about doing it. Not that this is a bad choice! But the reason it feels weird on first glance is because it's taking its structure from like... half of the sequel to a novel, not a TV show that gets a second season.

This is the point of all of the historical flashbacks in season 2-- to make us understand that Crowley and Aziraphale are not on the same page and haven't been for 6000 years, despite appearing to be by the end of the first season.

The other thing I think season 2 does is make the whole story about Crowley and Aziraphale's relationship in a way it just wasn't in season 1. Taken on its own, season one's A-plot is the apocalypse, and the B-plot is relationship between this angel and demon.

What season two does then is literally FLIP the importance of those two things structurally. Season one's apocalypse and various side characters now occupy the same place as the Gabriel mystery in season 2. Which is also why it feels so weird to be like "wait this thing that felt like The Big Important Thing before is now suddenly the background of something else."

All this to say, this season is SO structurally interesting because it's just straight up not like other TV shows in structure, and because of the way everything now has to be marketed and framed in trailers as one, more typical kind of story, AND because the first season was a complete story that has now been reframed as an incomplete story, Good Omens season two feels very weird but imo much less weird upon rewatching, and will again feel less weird once we have season 3 and the story gets to complete its arc.

[dramaism]

Don't try to hold it. I know you're suffering inside. Let it out.

[paintpanic]

[juneviews]

tenprem + stares

[solaireverie]

*taps mic* susie wolff being accused of leaking secrets to toto is a misogynistic attempt to diminish her to her marital status. *gets dragged off the podium by the fia*

[h0estar]

Yukine's journey toward acceptance of the life that was robbed of him, this time with finality, exemplifies the emotional and beautifully rendered arc that has defined his character.

Yukine finally accepting the reality of his death. Yukine stepping out from the fridge that contained memories of what was once his life. Yukine freeing himself from the shackles of his trauma. Yukine running to protect the person who cherished him the most in the world. Yukine standing up to an abusive father. Yukine wholeheartedly apologizing. Yukine's growth, and Yato tearing up as he stretches his little arms to pull him for an embrace.

Yukine's gratitude for what Yato did for him is evident throughout the series. He was given a name more precious than any other. He was treated like a human--an ordinary teenage boy. And life after that was one exciting journey after another. Now, Yukine can no longer be entirely consumed by the horrors of his past because he knows that his reality with Yato is so much brighter. Far brighter.

Yukine could break out from that refrigerator because of the true, sincere, and nurturing love shown by the only father figure in his life. Yato has said multiple times throughout the series that Yukine was his priority above all else, and Yukine was the only person he swore to protect the most. Hell, he even went straight to hug him after Yukine apologized for turning into that form! Yato did not need to summon Yukine. Yukine came to protect Yato on his own decision. As he always did.

The journey to their healing will be painful, and this chapter shows that Yato and Yukine will face it together. No more secrets and no more miscommunications. They will help and be by each other's side as they always have, not only as god and shinki but, this time, as family.

"I will not let him die. Not Yato. No matter what happens... I swear I won't let anyone take him from me!" -Yukine, Noragami Vol. 17 Chapter 67.

[sunshinechay]

I can’t help but wonder if, despite being in his thirties, this is Alan’s first time falling in love.

He has no idea what to do at any point and is generally acting like a love struck teenager with the added pressure that Jeff is just…so much younger than him. So now not only does he not know what to do, he seems well aware of the fact that way he would try going about it, is VERY different from the way people Jeff’s age would.

[front-facing-pokemon]

[thecleverqueer]

In a way, I kind of wish Shin would turn coat and follow Sabine and Ahsoka… mainly because it would be funny. Ahsoka would, at that point, be collecting obnoxious, feral force sensitive young(ish) adults like stray cats.