#the whole plot is technically just family drama set to 100

[asilverspring]

17, 1, 2, and follow me on goodreads if u have 1

1. book you’ve reread the most times? already did this one but i remembered some more so: gone girl, sharp objects, where’d you go bernadette, me talk pretty one day, this is where i leave you.

2. top 5 books of all time? in no particular order:

1. sharp objects. i read this when i was 14 and at least once a year since and i adore it every time. i love everything about this, the creepy southern gothic atmosphere, the fucked up relationships, the narrator’s voice. my favorite genre of anything is insane dysfunctional family and this is like the pinnacle of that. amma crellin i love you.

2. when you are engulfed in flames. i’ve read all of david sedaris’s books and love all of them but this is probably my favorite, i’ve always loved the long essay about quitting smoking at the end. his books and 30 rock are honestly the basis for my sense of humor.

3. a feast for crows. it really should be the entirety of asoiaf, but i’m being literal. i don’t know if this book in and of itself is in my top five, but asoiaf has to be and this is the best of the series. it’s the jaime/brienne/cersei book, it’s the gender treatise, it’s no chance and no choice. i just love it.

4. master of the senate. this might be a little recency bias but this really is once of the best books i’ve ever read. the insanity of starting the third volume of the johnson series with 100 pages of the history of the senate in which johnson is never mentioned! it gave me a better understanding of the workings of the senate than any class i’ve ever taken and for a 1000 page book about the inner workings of the senate it’s incredibly engrossing and readable.

5. the story of a new name. again this is a stand-in for the whole series but this one is my favorite by a hair. it’s still a of a coming of age but more mature and a bit darker than the first book. and i loved the centerpiece of the soap operatic trip to ischia, something about the change in setting adds to the drama, though it’s still grounded in the neighborhood culture that makes the series.

17. top 5 children’s books?

1. mrs piggle-wiggle. never met anyone else who’s read these books but they are so special to me. it’s so important to teach your kids that if they don’t behave you will secretly give them unlicensed drugs from the lady down the street to make them behave. i think about the crybaby who nearly drowned in her own tears all the time. also all the kids have names like pergola wingsproggle which is fun.

2. the half magic books. my favorite was the first one where the kids find a coin that grants wishes but only by half so like they wish to go to a desert island and end up in the desert or wish to disappear and end up like half there, sort of incorporeal. i don’t fully remember the plot but i loved it.

3. little house on the prairie. technically not really children’s books but my mom and i read them together when i was 5 so i’m counting it. just really lovely books, taught me that bismarck was the capital of north dakota.

4. percy jackson. the original series not the spin-offs. i read it when i was 7 and that’s what got me really into mythology. it’s fun!

5. from the mixed-up files of mrs. basil e. frankweiler. this book is so fun and charming and forever made me want to live in a museum.

and i don’t have a goodreads but i do have a storygraph, idk if you do but mine is silverspringsmp3

[theflyindutchwoman]

I'm not sure if Tim and Lopez are "besties". I believe they are good friends and co-workes, but not the super best friends like the fandom thinks they are.

A recent exemple is in ep. 5x07 when Lopez and Grey got served on roll call about the Elijah Stone case. At no point we see Tim support Lopez through that. The one who supported her was Harper and that's the friendship I see being set up.

And Lopez teasing Tim about Lucy in episodes 5x01 and 5x02 seemed just that, teasing for a comedic bit. We never saw Lopez actually helping Tim navigate his situation with Lucy post Vegas.

Of course it all can change in the next episodes, but so far Tim and Lopez don't seem super close, and seem to interact only when convenient for the story.

Hi Anon,

Well, technically, since they are all characters, they will interact only when the writer thinks it's convenient ;)

Seriously though, since it has never been made canon, that is up to your interpretation. I personally just love their friendship and see them as best friends, who will tease and call lovingly the other dumb but will fight for each other. But that's just that, an opinion. Or a headcanon.

You underlined the problem with TV shows that have a huge ensemble cast. You have so many characters to fit in 42 minutes/episode. And at least 1/3 is going to be focused on the main character, Nolan. That means that as a writer, you have to streamline and pair up the characters in a way that makes sense for your story. Right now, the writers need Angela with either Wesley (her husband) or Nyla (partner at work). Hence them having more scenes together.

Now that's just season 05. The idea of Tim and Angela being besties far predates that. We did have important moments that highlighted their friendship throughout the serie. Admittedly, not as much recently. But that doesn't diminish the previous moments. Angela was there during the whole Isabel ordeal, to pick him up at the hospital after his gunshot injury, to be with him when Isabel was a CI… He was the one who always defended her when her career was in jeopardy after Jackson froze during a shooting or after he barely passed his 6 months exam. She was the first person he consulted on whether he should try to take the sergeant's exam. Or the first person he called for help when Lucy was missing. He's also the only one who picked on the fact Wesley was not fully OK when he showed up to help. He was there for her when everybody was trying to hijack her wedding and nobody was listening to her. He made sure she got the wedding she wanted and so she made him her man of honor. He didn't hesitate to go to Guatemala to rescue her (along with Nyla). Now all these elements were made possible because they were still working directly together (both being TOs). Once he got promoted to sergeant and she came back from maternity leave, their storylines diverged and that made any potential scenes harder to include. But she was still the one he confided after kissing Lucy. And she made sure to tease him for it. As best friends tend to do.

The reason we haven't seen Tim in the Elijah Stone case is because he was never involved in it to begin with : when Angela was made aware of the threat he posed to her family, Tim was on his day-off dealing with his own family drama. Since the 5x07 plot is a direct result of that, there was no reason to add him. On the other hand, Harper was part of the surveillance team and she had made a promise to Angela to make sure nothing happened to Wesley. So that made more sense to have her present and have Tim focused on the other plot. Now, yes, the show could have included a scene at the beginning / end with Tim comforting Angela (and not gonna lie, I wish they had)… But we're back at the original issue : too many stories for too little time.

Do I wish we'd see more of them? Yes! 100%. And hopefully we will. I also agree that they have started developing the Angela x Nyla friendship since mid-season 04. They are both working together, their husbands worked together for a while, they're both mothers… They just have more in common, but that doesn't necessarily make them besties either. Unless you see it that way.

I can't speak for the whole fandom. Like I said, I love Tim and Angela's friendship. And I'm sure a lot of people just started developing their own headcanons to fill the (many) gaps. However you can absolutely see them as just friends or co-workers. At the end of the day, those are just interpretations, there's no right or wrong answer.

I hope that helps.

[introvertguide]

The Sound of Music (1965); AFI #40

The next film that we reviewed from the AFI Top 100 was the most successful movie adaptation of a Hollywood play of all time, The Sound of Music (1965). The story was based on the 1949 memoir of Maria Von Trapp, who became a nanny for a retired naval officer and his children. They lived together in Austria and had to escape from the invading Nazi party right before the start of WW2. That story was turned into a musical by the dynamic duo of Rogers and Hammerstein and eventually translated to a Best Picture Oscar winner directed by the great Robert Wise. The film was nominated for 10 Academy Awards and won 5 of them. This truly is a phenomenal story with great music and I can't wait to get into the breakdown. Of course, I do need to mention...

SPOILER ALERT!!! IT IS NOT LIKELY THAT MANY PEOPLE DON'T HAVE AT LEAST AN IDEA OF THE PLOT OF THIS FILM, BUT I REALLY GO OVER THE DETAILS!!! MAKE SURE THAT YOU REALLY KNOW THE STORY AND HAVE SEEN THE MOVIE BEFORE GOING ANY FURTHER!!!

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The film opens on that iconic spinning shot of Maria (Julie Andrews) from a helicopter and establishes the beautiful hills of Austria. The whole movie is set on and around the city and hills of Salzburg, Austria. It is 1938, dangerously close to the rise of the the Third Reich and Nazi occupation, but Maria is not involved in such things at the time. She is young, enthusiastic, and completely lacking discipline. Turns out she is training to be a nun at the millennia-old Nonnberg Abbey and the Mother Abbess (Peggy Wood) is considering what to do with her. It is decided that Maria will leave the abbey for a time and work as a governess for one Captain von Trapp (Christopher Plummer) and his seven children.

On the day she arrives, Maria learns that the Captain cares for his children with strict military discipline and also that the kids have caused a lot of trouble for their previous governesses. It seems that their mother has died and their father is distant, so they act out to try and get attention. The kids put a frog in Maria's pocket and place a pine cone in her chair at dinner, but she instead thanks them for their warm welcome and they all cry out of guilt. That night, the eldest daughter Liesl (Charmian Carr) goes out and meets with a young suitor named Rolfe (Daniel Truhitte). They sing together in the rain and then she returns to the house via Maria's room. While there, a thunder storm begins and all the other children join out of fear. Maria sings with them about getting over their fears by imagining good things and the children begin to trust her. The next morning, the Captain leaves to go to Vienna giving Maria a chance to bond with the children even more.

While the Captain is away in Vienna, Maria decides she will teach the children to have fun and allow them to play. She tears down drapes and makes play clothes for the children, then takes them around Salzburg and the surrounding mountains. She teaches them how to sing, allows them to climb in trees, and piles them in a boat to go rowing. The Captain unexpectedly returns to the villa with rival love interest Baroness Elsa Schraeder (Eleanor Parker), a rich Viennese socialite and widow looking for a new husband, and mutual friend "Uncle" Max Detweiler (Richard Haydn). The Captain and his guests are greeted by Maria and the children returning from a boat ride on the lake that concludes when the boat overturns. Displeased by his children's clothes and Maria's impassioned appeal that he get closer to his children, the Captain orders Maria to return to the abbey. Just then, he hears singing coming from inside the house and is astonished to see his children singing for the Baroness. Filled with emotion, the Captain joins his children, singing for the first time in years. Afterwards, he apologizes to Maria and asks her to stay.

Impressed by the children's singing, Max proposes he enter them in the upcoming Salzburg Festival but the suggestion is immediately rejected by the Captain as he does not allow his children to sing in public. He does agree, however, to organize a grand party at the villa. The night of the party, while guests in formal attire waltz in the ballroom, Maria and the children look on from the garden terrace. When the Captain notices Maria teaching Kurt the traditional Ländler folk dance, he cuts in and partners Maria in a graceful performance, culminating in a close embrace. The children get together and sing a goodnight song to the party crowd and the impressed Max insists that Maria join the group for dinner. Confused about her feelings, Maria blushes and breaks away to change clothes. The Baroness, who noticed the Captain's attraction to Maria, hides her jealousy while convincing Maria that she must return to the abbey. Instead of joining the party, Maria leaves a note and runs back to the abbey.

Intermission

Back at the abbey, when Mother Abbess learns that Maria has stayed in seclusion to avoid her feelings for the Captain, she encourages Maria to return to the villa to look for her life. We get the very appropriate, but perhaps the most out-of-nowhere and cringy performance in the film, "Climb Every Mountain" sung by the Mother Abbess. It is convincing and Maria returns to the villa, only to learn about the Captain's engagement to the Baroness and agrees to stay until they find a replacement governess. The Captain's feelings for Maria, however, have not changed and he breaks off his engagement with the Baroness and proposes to Maria. The announcement of the first engagement, the return of Maria, the break-up, and the second engagement all happen in a single day in film and about 20 minutes of run time, so make sure to pay attention.

While they are on their honeymoon, Max enters the children in the Salzburg Festival against their father's wishes. When they learn that Austria has been annexed by the Third Reich in the Anschluss, the couple return to their home, where a telegram awaits informing the Captain that he must report to the German Naval base at Bremerhaven to accept a commission in the German Navy. Strongly opposed to the Nazis and the Anschluss, the Captain tells his family they must leave Austria immediately. That night, as the von Trapp family attempt to leave, they are stopped by a group of brown shirts waiting outside the villa. When questioned by Gauleiter Hans Zeller, the Captain maintains they are headed to the Salzburg Festival to perform. Zeller insists on escorting them to the festival, after which his men will accompany the Captain to Bremerhaven.

Later that night at the festival, during their final number, the von Trapp family slip away and seek shelter at the nearby abbey, where Mother Abbess hides them in the cemetery crypt. They are about to get cleanly away when the are discovered by the boy who was courting Liesl. Rolfe is sill a boy but is shouldering the responsibilities of a man. He lets the family get by because he can't bring himself to harm them, but he does call for backup. More brown shirts soon arrive and attempt to pursue, but they discover their cars will not start as two nuns have removed parts of the engines. The next morning, after driving to the Swiss border, the von Trapp family make their way on foot across the frontier into Switzerland to safety.

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I think the first thing to mention is the undeniably beautiful music. I absolutely love the music of this film and how each song starts off simple and just builds in complexity. The best songs either set the scene or progress the plot and are magnificently placed. From the opening song that sets the scene, to the discussion of how to deal with a woman that doesn't fit in, to the discussion of what to do when you are afraid, to putting your love and affection towards somebody who can't love you. The themes are incredibly deep when you consider the lyrics of the songs as foreshadowing the rest of the movie. The von Trapp family has to escape into the hills and they do it using their musical skills. When the family is trapped and has to keep quiet despite extreme fear for their lives, they are able to make it through because they have been taught to suppress their fear thinking of their favorite things. "Sixteen Going on Seventeen" has the young German boy talking about being a man because he is slightly older then the eldest von Trapp daughter, yet he is charged with finding the family and turning them over to the German military and he can't do it. The music serves a purpose and the movie would be far less palatable for it, despite the story being a truly fascinating real life drama.

The great actress Julie Andrews does such a good job as Maria. This was most definitely a perfect role for her and might be her greatest performance. It is between this role and the part she played in Mary Poppins the year earlier. In fact, Julie Andrews was much better known for her Broadway performances at the time of this film. Mary Poppins was the first feature film role for Julie Andrews and The Sound of Music was technically her third. She jumped on the Hollywood scene and was exceptionally lucky that musicals were popular and she was a beautiful young triple threat (acting, singing, and dancing). She is the perfect example of success being a mixture of preparation, luck, and opportunity.

One thing I forget about musicals from this time period is how quickly plot points (like falling in love and building relationships) happen. I don't mean in terms of run time, I mean in terms of time passing by in the story. Maria is sent to be with the von Trapp family and the children go from hating her to needing and trusting her in a single day. She goes from being a beloved nanny to running away to rejoin the nunnery in one evening. The captain goes from proposing to the Baroness to Maria returning to breaking off his engagement to asking Maria to marry him in a 48 hour period. The Captain and Maria return to Austria after their honeymoon and enter a singing competition to escape to Switzerland all on the same day. In terms of run time, that first day actually takes up the first hour of the film. That last night takes up the last half an hour. I doubled checked this just to make sure, but it is true: only 4 critical days are shown in the film. Maria leaves the convent and arrives at the von Trapp house. Time passes, The Captain returns to fire Maria but changes his mind and instead throws a party where Maria runs away. Time passes. Maria is convinced to return and arrives to find the Captain is engaged before he changes his mind to leave the Baroness and immediately proposes to Maria. We see them on their wedding day. Time passes. The Captain and Maria return and he is ordered to join the Navy, but he instead using the children's performance that night as cover to escape with his family. End of movie.

Despite the story being about a young family escaping the Nazis, this film has the lightest rating (G) of any best picture winner. Some films were not rated at the time that would now be considered a G rating and Oliver! in 1968 had a rating of GP (general public) that no longer exists. It seems like a movie that doesn't have at least a bit of a serious tone can't win a Best Picture and that comes with a heavier rating. It was funny that the Amazon Prime virtual copy that I saw most recently starts out with a screen that says rated G for violence, language, and adult situations.

There are some funny behind the scenes stories since there were many young children in the film. This means that many of them are still alive and can relive their memories with young fans. We are also lucky enough to have Dame Julie Andrews still working and sharing her experiences like a champ. She really is a treasure. The young girl who played the adorable Gretl von Trapp (Kym Karath) is only in her early 60s since she was only six in the film. it was actually her 4th picture, giving her more experience in film than Julie Andrews at the time. There were plenty of specials commemorating the 50th anniversary of the film back in 2015, so there are actually some really good interviews with the surviving cast that are relatively recent. I would highly suggest the 20/20 review of the film that can be found on YouTube:

NBC|ABC|20/20: The Untold Story of 'The Sound of Music - YouTube

There was some concern from the cast and the producers that a film version of a musical would not be financially viable. Other Rogers and Hammerstein musicals had been adapted to film and had not lived up to the success that was found on Broadway. Luckily, director Robert Wise used the natural lighting and countryside of Austria and Germany to slightly excuse the sudden singing of a musical that seems out of place in film. Also, he had recently directed West Side Story and knew how to best accomplish this. Then again, who wouldn't want to dance around and sing in those mountains? Wise did some things like lowering the tone of the song "Climb Every Mountain" and moving Maria through the countryside while she was singing "Confidence in Me." This helped reduce the cringe factor.

So does this film belong on the AFI top 100? Oh God yes. It is a great story adapted by the greatest American songwriting duo and directed by one of the great American directors who specialized in musicals. The list would be lacking if this film was not on it. Would I recommend it? Oh man, yes. Go watch it right now. Oh, you just saw it? Watch it again. It's that good.

[aylinaliens]

I am officially caught up on Oxygen and I started it yesterday, so that’s a new record. I’m so freaking obsessed! And, I’d love some recs because I need more to watch. My first step into the world of Bls came from My Engineer which was brilliant and frustrating, but I loved it. Now, I’m just looking for more and more and more, and this started in July 😂. I’d love some recs and to pop in randomly to chat about the bls if you’d be up for it because they all kill me ~♉️

Sorry for the delayed response but I wanted to take some time to compile a list of recs for you. I tried to mainly rec ones that are mainly available on YouTube, Viki, Line TV, and Netflix but if you need help finding links to watch them let me know!

I highly recommend these (based on the previous ones you’ve seen or ones that I personally loved):

Cherry Magic: This is a Japanese BL that’s currently airing but it’s so good and easily my favorite of the year. It has a wacky premise but it’s very heartwarming, realistic, and soft.

Like In The Movies (aka Gaya Sa Pelikula): This recently ended like a week ago but it was a masterpiece. GSP accurately depicts the struggle of being the LGBTQ+ community and is just generally really well made in terms of the script, cinematography, and OST. There were quite a few BL’s from Philippines released this year but IMO this was the best.

He’s Coming to Me: Incredibly underrated which sucks because it’s really good. The premise is very unique and it’s another accurate depiction of the struggles that LGBTQ+ individuals have to go through. This is pretty angsty but hilarious/heartwarming/adorable at the same time.

Theory of Love: People either absolutely adore TOL or absolutely despise TOL. I personally adored it because I’m a big fan of angst, flawed characters (oh boy were they flawed), and OffGun so it’s one of my favorites. But fair warning the characters are frustrating. So frustrating that you’ll probably want to reach through the screen to smack them but if you hang on till the end it’s worth it. Plus they just released a special episode like a month ago and it really improved any issues I had with TOL.

The Untamed: this is technically labeled as being a ‘bromance’ because of China’s censorship laws but like...it’s extremely obvious that the two ML’s are more than just platonic bros. In the book it’s based on they were together romantically and the drama does a good job of expressing the love they share with subtle (and not so subtle) looks, dialogue, cinematography, touches, and music. The Untamed is very long and at times confusing but 100% worth it.

History 3 Trapped: This was my first introduction to BL and it spoiled all other ones for me. It’s about a gangster and a police officer who go from enemies to lovers. The plot is messy but the chemistry between the leads + second leads makes up for that.

Where Your Eyes Linger: This is a Korean BL and almost everyone I talked to ended up loving this. Sadly this is really short (only 8 episodes that are 10 minutes long) but it’s worth it. It’s about two childhood friends—one of them is the son of a wealthy family and the other is his bodyguard. It handles the friends to lovers excellently and plus the leads have a ton of chemistry.

Mr. Heart: Another Korean BL that was produced by the same company that did WYEL. It’s also short but it’s fluffy and adorable which is a big shift tone from WYEL but I loved both equally.

Life Love On The Line: Another Japanese BL! It came out this year and I feel like it’s really underrated. It’s based on a short manga so the length of the series isn’t that long (4 ep that are 20-30 min long) but it still manages to effectively tell a beautiful love story.

Kinou Nani Tabeta? (What Did You Eat Yesterday): I’m only on episode 1 but...woah. People need to stop sleeping on this. It’s a slice of life drama centered around two men in their forties who are already together. It’s wholesome, soft, and makes me feel all warm inside. Please give this a chance okay?

I Told Sunset About You: I haven’t finished this yet but it’s honestly a masterpiece. The cinematography...the OST...the acting...the script...I’m in complete awe of the whole thing.

Gameboys: Another wonderful PINOY BL! It’s set during this year when the pandemic is going on and it was really good—so good that it got a GL spin off (Pearl Next Door, I highly rec this too even if it’s not BL) and a season 2 which comes out next year.

Hello Stranger: Honestly the Philippines are thriving this year because this was another stellar BL! It’s kind of like Gameboys in how almost the whole drama is filmed over video chat/social media but it was very cute. I believe Hello Stranger is also releasing a movie next year.

Ingredients: This is literally just a very long supermarket ad that’s been going on for 8 months now but it’s adorable. It’s a very low stakes fluffy BL where nothing happens plot wise yet you can’t put it down. Plus...they were roommates ;)

Sotus/Sotus S: not one of my favorites but it’s one of the OG bl’s for a reason. So many people loved the first season but didn’t care for the second (but it was the complete opposite for me). This is kind of the one of the most quintessential Thai BLs out there so feel free to give it a try.

History 2 Right or Wrong: Bls rarely center around mature individuals let alone parents so when I found out the premise of this I was sold. Its only 4 episodes so it’s not the most fleshed out thing ever made but it was incredibly adorable, fluffy, and as honest as they can to address LGBTQ+ parenting. Basically it’s about this college student who ends up as a babysitter for his professor (yeah okay that premise is not for everyone so just be aware if you don’t like that kind of thing) and they fall in love. The whole thing is so fluffy and heartwarming!

Ossan’s Love: This is a Japanese BL about this thirty year old office worker who finds himself in a weird love triangle between his married boss and roommate. I know it sounds like a mess and trust me it definitely is but it’s hilarious. It was a wild ride start to finish but I loved (and hated) every second of it.

Diary of Tootsies: Okay this isn’t a typical BL I guess but it’s about three gay men + their lesbian best friend so you know what? I’m including it on this list. It’s hilariously dumb yet also addresses serious topics like homophobia/sexually transmitted diseases. It’s underrated and I’m so sad about it because it’s genuinely a delight to watch.

YYY the Series: do you know those crack videos on YouTube full of memes and references? Yeah. That’s basically YYY summed up. The whole thing makes zero sense because of how chaotic it is but despite how it’s constantly makes everyone ???? it also has a TON of heart. It’s so dumb but it had me reflecting on my life all the time. I really rec this not just because of how hilarious it is but also because it breaks the mold of other BLs! Don’t ever let anyone tell you that you can’t have a comedic show and talk about consent and how important healthy communication is in relationships because YYY does it perfectly and so much more.

Dark Blue Kiss: I didn’t love this but you might. It’s a sequel/spin off to like two other series (Kiss Me & Kiss Me Again) but you don’t have to watch the others to understand this. Just know that the leads have been dating awhile before the start of the series.

Great Men Academy: People debate if this is a real BL because the main character is a girl who can transform into a boy but I think it still counts. I really enjoyed this and thought the whole cast had a ton of chemistry between them—it was sweet, funny, and had the right amount of angst.

HIS: this is a Japanese movie (I know you said dramas but I enjoyed this so I figured I would include it too). It’s beautiful, angsty, and sweet. There’s a prequel series this is based on but you don’t have to watch it to understand what’s going on.

I have way more recommendations but I figured I would stop there. Hopefully if you give these a go you enjoy this and my asks are always open if you ever want to talk about BL :)

[kittybellestark]

Hi guys I’m nearly at 100 followers so I think it’s time we discuss something important. I know I’ll probably lose followers for posting this but I think it needs to be said. I’m not going to add any tags and I don’t want any of y’all to get the wrong idea here, okay? So please read this through. I’m not trying to hurt anyone or come after them. I just want to give my personal opinion on this topic because as much as love the Irondad fandom and all the work here, there is a lot of drama too.

So let’s talk about Starker for a second.

First things first. I do not ship starker.

Obviously our fandom is most based on mcu canon. Where Peter is a minor throughout the universe and still is. I know that he is technically 21 in ffh and endgame, but we know because of ffh, that those who were snapped are still considered minors. (Flash ordering alcohol on the plane and them not serving him when it became known he was snapped)

For those who aren’t mcu but comic shippers, while I’m not certain on all the universes, I know there are a few where Peter is a full grown adult, so maybe he met Tony as an adult too. I’m not sure. Obviously that is a different story then mcu, so I’m not going to touch on that.

I personally do not ship the idea of Peter and Tony being together romantically or sexually. I don’t want them together or hope for them being together. I don’t think they’d be good together either.

But on that note, not everyone who writes or reads starker fanfic ships them. They are aware that it is wrong. Dark fics exist, non-con fics exist. For those who have followed me and read my work they know I canon that Skip sexually abused Peter at some point. There’s a rape scene in Peter Parker Went Silent, Straightening Things Out’s plot revolves around this unhealthy non-consensual relationship that Peter doesn’t feel he can escape because Skip is in a relationship with May. I don’t ship Peter/Skip but I use it to work through trauma and to create stories that others will read.

There are also so many people who are anti-starker but will also ship spideypool. Again another minor/adult situation. I know it’s canon established that Peter and Tony have a father-son relationship as it’s been confirmed multiple times over by RDJ and Tom Holland. But guys. Spideypool. In the MCU (as he is to be introduced soon, Ryan Reynolds is on the cast list for Dr Strange) DeadPool is an adult.

Again though, if you’re shipping based on comics where they are introduced as adults it’s a different story.

But to get back to my point, as writers we use these characters to project sometimes. I’ve projected on Peter in nearly all the fics and headcanons I’ve written. I’ve read dark fics too. At the end of the day it’s all art. People still read Lolita and the Handmaids Tale and all these other actual published works of fiction that have these terrible no good, should never be shipped relationships.

As a writer I use Peter to explore myself. He is based off what I am feel at any given time. While most of the things that I write about Peter don’t actually happen to me in real life, I use those situations I’ve written to deal with what has happened to me.

So maybe the people who write and read starker are also working through things. Maybe as a minor they were in an unhealthy relationship with an adult who should have known better. And maybe they see Peter and think ‘this character is relatable to him and I am processing things so this is what I will write about.’

The beauty of this app is we don’t know the people behind the screen.

I don’t ship Starker. I will never write starker. I don’t read Starker. Because I use mcu Peter and Tony and it makes me uncomfy.

We don’t know these other people. We cannot judge them. And we should never ever be rude and use words that can harm someone else, especially when we don’t know. We will never know what the writer is going through so we shouldn’t judge them.

If people actually, genuinely want Peter and Tony in and actual sexual and romantic relationship, that bothers me. But people who are writing things just to write and expand their abilities as a writer, or someone reading something because it shows up on their feed? I’m not going to attack them for it.

I don’t like Starker. I don’t ship it. People who do genuinely want them together sets off a red flag for me, especially when it’s mcu. To me it’s like wanting Lolita and Frank La Salle. Or June and Fred.

But guys. Not once have I ever been attacked for writing about Peter being assaulted by Skip. No one has sent me hate messages or wished the worst on me for writing Straightening Things Out, where Peter literally thinks Skip is helping him and doing the right thing. Not once have I felt unwelcomed to this fandom because I use Skip where another writer might use Tony instead.

So please, please do not wish harm on others. You can have your opinions. That is okay. We all have them. But don’t jump to conclusions that you don’t have any information of other than a tag. People pay and consume dark media, here people don’t pay and consume or write dark media.

I know it’s easy because you can’t see the other person. But please think before you post because sometimes ya’ll are saying things that are uncalled for.

I’m not condoning minor/adult relationships in real life. That is pedophilia and if you are a minor please know that adult who is telling you how mature you are and how much they love spending time with you and wants to be in a relationship doesn’t have your best interests at heart. No adult should ever call you hot or be turned on by you. A 22 year old should never be attracted to a 14 year old or 17 year old. That relationship is not consensual and please please please find an adult who can get you out of an unsafe relationship. And also a 14 year old and a 16 or 17 year old in a relationship genuinely a problem. Adults know relationships with minors are wrong. Even large age gaps in relationships can be extremely unhealthy

Leonardo DiCaprio never dating anyone over the age of 25, and knowing his last girlfriend since she was a minor for example. That is obviously very unhealthy pedophilic and of course grooming. Hugh Hefner having wives that are so much younger than him too. That’s not healthy, it’s scary.

But for those of you who have been in those situations as I know way too many people who when we were in highschool were in relationships with adults, you are allowed to write about it with any character you want, however you want. If you’re a person who hasn’t ever been in a relationship like that but wanting to expand on things you write and learn new skills to see if you can properly convey what is happening in a relationship such as Peter/Tony, you can do that too.

Wanting Peter and Tony together is the red flag, writing Peter and Tony together because you’re a writer and it’s hard to write a relationship where it’s obviously not healthy and Peter doesnt see the problem with it? That’s just writing. There’s trigger warnings and tags.

But let’s also be aware for those of us who canon Peter being Bi, there is also a pretty good chance that Tony Stark™️ was Peter’s sexual awakening. Like before he ever met Tony. I was 12 and in love with older male celebrities, it’s just a reality and maybe this was something that happening with Peter, it’s fiction who knows.

And on an unrelated thought if this irondad thing was real life we wouldn’t be romanticizing it. If this was Elon Musk who took on a personal intern, despite not being known for that, the intern is a child still in highschool, gets picked up from school by Elon to go to Tesla 3 days a week and then sleeps over at his house on weekends we would all be scarred. We would either think oh this child is Elon’s family, or we would think omg Elon is a sexual predator. Irondad is a weird thing for us to like. It is. We wouldn’t like it very much in real life. That’s a fact. But we are projecting. As writers and readers it’s what we do.

At the end of the day this is fiction and fan fiction. I’m not going to attack someone for liking something I don’t. I’m a full grown adult it makes my adult brain feel weird about the whole situation. That’s me. When I was in highschool I read adult/minor relationships even though I knew they were wrong and unhealthy because that’s what would show up on my dash. If any of my followers read/write starker it’s their business not my own, they like what they like and I like what I like. We interpret things differently and that’s okay.

Please stop attacking people, especially when you don’t have the full story. And also someone expressing their dislike to a ship isn’t an attack on those who do ship the relationship. So take a moment and breathe and think before posting anything.

To reiterate: this is just my opinion on things. Ships are complicated. I’m not trying to attack anyone or saying all people who write/read starker are doing it because they have trauma, there are many different reasons why a person may do so. There are also many different reasons why someone might ship starker. I don’t know these reasons but I don’t agree with the ship and that’s my own business. As a person who doesn’t ship starker I will never know some of these reasons and that’s okay. Just because I see shipping starker as a red flag doesn’t mean it is for everyone. Treat People With Kindness and please don’t attack or do anything that can be harmful just because someone’s views does not align with yours.

[midnight-marimba]

Mar’s DQXI Fic OCs

It’s Dragon Quest OC And NPC Week, and I’m going to approach it from the other direction than what’s described in the event proposal, because I rarely end up inventing a detailed character without context, but I often find a specific need for a character in a piece of fanfiction and build them up out of that prompt into something better than a footnote. So I’m going to take the opportunity to talk about some of my fics and the original characters and NPCs who wandered into them and made themselves interesting enough that I’m eager to share a little extra detail or commentary about them.  (Under the cut)

Hair Tie That Binds

A comedic story about Hendrik recruiting Erik for a heist to help fix his own mistake. (9k words)

I needed a minor villain, so I invented Lady Druzy (named off of an obscure corner of a gem list, so as to suit a minor Heliodoran noble).  She is petty, spiteful, vengeful, and apparently my favorite archetype of OC to write.  She is awful and I loved writing her.

After Rain, The Sun Will Shine

A Sylv/Hendrik one-shot involving Hendrik’s memories of Sylv’s mother. (8k words)

When I wrote this, I had not yet heard the detail from the voice drama (please somebody translate the whole thing?? <3) that Sylv's mom's given name was Gerbera and her stage name was Sylvia (that is, exactly the same stage name Sylv took in the Japanese version of the game).  I had only heard a broader rumor about the drama and Sylv choosing a stage name in honor of their mother.

So when I went to write a story about her, I looked at a list of Dutch names (to match Arnout and Hendrik — Zwaardsrust is Dutch) and hunted for one a name with a "Syl" sound.  I landed on Silke, which is also satisfying from a word association perspective (since it looks like "silk" which sounds highly appropriate for a "famous Zwaardsrustian beauty" — one of the few canon details we get for her).

I tried to make her stubborn and determined, inspiring and willfully optimistic for the sake of the people she had under her leadership.  Sylv-like, but with a slightly more intense philosophical flavor than canon Sylv, as she’s walking out of an arguably even greater tragedy (or at least more personal at a larger scale?)

Silk and Swagger

Faris/Reader, from the point of view of a Heliodor guard. (1.7k words)

The guard is nameless and the fic is relatively short, but my goodness it was fun inventing someone who is instantly smitten with Faris and believes the best of him at all times.

When Home Isn't Marked on the Map

A Sylv/Erik longfic set a couple years after the end of the game, in which Erik is coming out of a period of self-imposed isolation after a disastrous attempt at confessing his one-sided romantic feelings for the Luminary, and he begins by going looking for Sylv, the one old companion he dares hope won’t yell at him for his absence.  (74k words)

Since the ultimate seed of the idea behind this fic was "Erik would be protective towards orphans and Sylv would like that about him" I needed some kids to put in the story.  There are two sets of four that I named and included. 

First is the group from the rural area near Puerto Valor, and thus they have Spanish names: Isabella, Serafito, Paz, Ana.  I'm pretty sure I named the younger ones with shorter names to help myself keep them straight.  In my head, they have a darker complexion than the rest of the kids in the story, since I always wish the DQ world was a little more diverse on that front, but I fear that I forgot to actually write that detail in.  (Room for improvement...)

The second group is an expansion of the four child NPCs you can find playing hide-and-seek in downtown Heliodor.  I could only find a canon name for Cammo (the King of Hide-and-Seek) so I gave the rest of them stone related names, figuring the pattern from Cobblestone might extend around Heliodor into the poorer and less formal areas of the kingdom (Ruby the innkeeper notwithstanding). So they are Flint, Crystal, and Mica.

There are so many of them that it was tough to give all of them a lot of characterization, but I tried to distinguish each of them at least a little.  Isabella, the leader of her group, blunt in a way that reminds Erik of Mia and Veronica.  Serafito, a little bit of a self-sacrificing caretaker. Paz, young but outgoing, and Ana, even younger and a little shy.  Flint, the canny, cautious, and slightly manipulative leader of the Heliodor gang.  Cammo, sneaky and adventurous and clever.  Crystal, strong and brave and protective.  Mica unfortunately ended up being most notable for the ordeals he goes through.

My favorite among them ended up being Crystal, from the instant she decided she was after Hendrik's job.

Diamond

A Sylv/Serena and Sylv/Dave fic, from Serena’s point of view.  Set after Act 3 as Serena chooses a mission to research and perform healing around the world, travels alongside Sylv’s new circus troupe, and they both get to pursue some missing character development.  (118k words, technically 1 chapter short of an intended ending but may not be continued.)

Mind the tags and content advisory if you go into the fic itself, because (1) for reasons of 2020, a story about a doctor-hero was simply not an ideal story to begin in the year 2019, and (2) it is NOT a utopian style world — many characters have prejudices, others are closeted in some major ways, and not all of that is gone by the end of the story.  I 100% understand many folks not wanting to go roll around in that kind of fiction, and while there’s a discussion about Representation I could shoehorn in here, I’m going to set it aside for the sake of on-topic rambling about fun OC development.

For this fic, I wanted Sylv and Serena to be traveling the world together.  Serena was to be motivated in part by the allure of getting to meet more new people, and also, I think it’s useful for her personal growth to spend a little time away from her blood family and most of the people from whom she would naturally take direction.  I also wanted to explore Sylv as a leader in a way that’s not so easy within the canon party, and in general, I imagine Sylv both being friendly to every stranger and also having old friends pop up everywhere he goes.

Between the two of them, I ended up needing to plop in OC's left and right, both for Sylv’s new Act 3 circus troupe, and in every town they visited.  Because I’m a nerd, I expanded lore for some of the regions too, and I will mention some of those details here with the characters.

Sylv’s troupe:

Chill, a contortionist from Sniflheim, where people get kind of uncomfy about magic, especially when it looks too close to evil witchery.  Like, say, Zing.

Samir, a short, round bard from Gallopolis who can do amazing things with a variety of instruments, and his partner Grey, once a guard from Heliodor until he decided that job was even more bland than his name, and he ran off to Gallopolis to join the circus.

Maria and Mateo, a couple of quiet, short and slender dancers from Puerto Valor (in my head, Mateo is about 5 feet and Maria’s a couple inches shorter, though I keep gravitating away from talking in Modern Earth units of measurement when writing for this fandom).  Their kids, teenaged Leo and toddler Lena, aren’t (yet) performers, but are present because I thought it was interesting to plug some kids into a story about a traveling circus troupe, and because I wanted to give Sylv an excuse to interact with kids.

Francine. A classically beautiful acrobat from Octagonia, where the only work she could find was being a bunny girl handing out flyers.  She’s had a crush on Sylv, which didn’t work out, and in the aftermath she’s a little bitter and is predisposed to dislike anyone else getting too close to Sylv.  She is rude and spiteful when she does not like someone (though she may do so in an overly-sweet tone), and she awkwardly overcompensates when she wants to prove she’s moved on from something, and she ended up being my favorite OC here.

Some other notable OCs in the world:

In Sniflheim: Healer Heather, the doctor who would really rather not have any magic in her house, so she doesn’t get a mob coming after her next time the tide of public opinion turns against witches.

In Lonalulu: Nohea, the charming and handsome hula dancer who isn’t quite as nice as he seems, and Pika, the shy, plain, and clumsy but kind-hearted net weaver.  Both are there as potential love interests for Serena (and for contrast against Sylv, of course).

In the Inner Sea: Coral the mermaid, a singer.  She's here for advancing Serena's character development, but it was fun to have other OCs react to a mermaid, and trying to write plot-advancing mermaid dialogue raised my respect for the localization team 1000%.

In Gallopolis: Doctor Zel, who is very scientific and good at her job, never makes eye contact, and lacks a comforting bedside presence.  (Happily they have Faris to help with public relations during a health crisis…?)

This is only about half of the OCs and NPCs named in the story, but they’re most of the ones with the most screen time, and most of the ones that stand out in my mind.  But the outgoing and friendly Sylv and Serena I was trying to write, both of whom wanted to engage with the people of the world at large, just spawned new characters around them as they went.  You know those stories about mythical people where flowers bloom after them everywhere they go?  This pair was like that, only with OC’s instead of flowers.

[whetstonefires]

whetstone/kieron fic hype post

joining the throng of people incited by @jerseydevious​ to talk ourselves up against our natural inclinations, here i go. 😅

Gonna stick with DC because that’s jersey’s bailiwick and I have 100 exactly of these on AO3 presently, though over half of them are in my Earth-3 series, and thus pretty niche. Popular multi-chap fics include:

The Till-Then From the Ever-Since, a Batman-and-all-Robins fic with lots of fluff and family drama and people being judged by their 13-year-old selves.

Pretty long and still, slowly, updating. Started as a challenge to myself but got a gratifying response and is just a lot of fun.

All The Roofs Of Uncertainty, a completed Jason Todd longfic drawing heavily on as much pre-Flashpoint continuity as I could pack in there. Starts with Jason getting a heavily injured Dick medical care and spirals into intense character development and hashing-out of issues, but not with Dick because he’s unconscious the whole time.

Wrote this one to channel all my Jason Todd feelings, and satisfy my need for a reconciliation fic where nothing gets swept under the rug to fester.

we’ll burn like fireflies, ongoing fic for which the working title was ‘the one where bruce and jason are the same age,’ though actually Jason is several months older, and launches into a career as protective brother figure by stabbing Joe Chill.

shorter fics include:

count the beats of leather wings, a fic starring Jim Gordon that plays with placing more modern characterization back in the original WWII era, after Bruce Wayne’s draft number comes up.

their faces turned to sunset, first in a series set in an alt future timeline where Carrie Kelley is Robin and the Oracle is an AI that insists it isn’t Barbara Gordon.

the tune without the words, in which Jim Gordon goes out for a drink and runs into a young man who’s clearly dealing with some trauma.

Things Fall Apart, a Dick Grayson angst followed by fluff piece with Bruce and Tim written for fuyu.

The Center Cannot Hold its spiritual companion, featuring Tim hitting a breaking point and Bruce trying to backtrack and be supportive.

Flash and Substance, one of my first DC fics, a humor fic set very roughly in the DCAU wherein the premise is technically that Flash has been turned into a girl, but the joke is that Bruce Wayne is Batman.

And Other Hazards of Heroism, in which Superman is a good and also pushy friend, Batman is a grouch, and I borrow a joke from Holy Musical Batman.

Talon Tomorrow, a character-exploration fic set in the technically canon timeline wherein Tim Drake is Batman and a different Tim Drake is dating the Joker.

(nothing new) under the earth or sky, in which the fact that Alfred technically did the basic plot of Under the Hood like 40 years earlier is treated as still canon, and he and Jason talk.

Wheel and Blade, a little relationship study of Damian and Dick set as Dick was leaving Batman, a period canon just sort of skated over.

grasp of ice, a fic originally on tumblr in response to kuppatan’s prompt for Tim & Damian unironic hand-holding. Damian pov of trying to stop Tim freezing to death under complicated supervillain-related circumstances and also the lake is full of bombs.

[murasaki-murasame]

Thoughts on Fruits Basket 2019 Episode 24: “Let’s Go Home”

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Thoughts under the cut [and spoiler warning for the whole manga. Also I’m gonna talk way too much about my own life and why I relate so much to this part, so be warned]

Oh boy, where to even begin with this one. The episode I’ve been waiting for pretty much ever since they announced this new adaptation last year.

Right off the bat I should make it clear that I loved and adored this episode and it exceeded my expectations. It was pretty much 100% perfect aside from one bit of awkward animation. But at least from a writing standpoint I dunno how they could have done it better than this.

For one thing, this was a very faithful adaptation of this part of the manga, which already makes it better than the 2001 version of this whole arc. Specifically this episode adapts chapters 32 and 33, plus the first few pages of chapter 34. So it’s pretty much the whole meat of the true form arc, but it’s not like they rushed it all in one episode. I was worried that they might try and cover too much in this episode, but this was a good middle ground between the idea of doing the entire thing in one episode, and stretching the arc into roughly three episodes like the 2001 anime did.

I actually appreciate the 2001 version of this arc more than most people do [though I understand why people with a longer history with the series resent it more], but this was so much better, lmao. I can understand where they were coming from with the 2001 version of it, but they went too far with trying to make it slow and depressing. It just felt way too drawn out in that version, not to mention the various changes to characterization that they did which are really jarring and weird if you’ve read the manga.

Some people might criticize this episode for being too fast, and not taking it’s time to get to the climax more, but it’s at least worth noting that episode 23 was more or less the first episode of this arc. A lot of it was about reminding you of Kyo’s issues, and making it as clear as possible that his secrets and insecurities were about to be brought to light. And then this episode just followed through on that. So it’s not like this arc just came and went in the space of a single episode. Plus there’s the fact that we still have chapter 34 to be adapted in the finale, which is where this arc winds down and we start setting up the rest of the story.

And honestly one part of this episode that I really liked was how slow and atmospheric it was. It was still adapting a little more than two chapters of content, but it felt very deliberately paced, and especially in the first half there were a lot of scenes that felt really tense and gripping because of how the pacing was done.

Mainly I’m thinking of the whole scene of Kazuma confronting Kyo and removing his beads, because holy SHIT that was way more tense and nerve-wracking than I expected it to be. It definitely felt longer than it did in the manga, but I really liked it. They went all in on the atmosphere with that one and it really payed off.

And then of course it ended with Kyo’s transformation scene, where similarly to the 2001 anime, they actually show him transforming instead of us cutting straight to the aftermath of it. I’ve been waiting to see if they’d be able to effectively get across just how viscerally shocking and horrific Kyo’s true form is, and oh boy they sure delivered. I bet most anime-only people weren’t expecting Kyo’s big secret to be THAT, lol. It’s the sorta thing where you naturally go into it thinking ‘surely it’s not gonna be that big of a secret, it’s just something that he THINKS he needs to hide’, but then you actually get to the big reveal and suddenly you realize just how big of a secret it actually is.

In general it’s representative of how this whole arc is where Fruits Basket starts to really show it’s true colours. Technically we don’t see anything quite like Kyo’s true form ever again, but this is where it becomes clear that the story’s not going to hold back with the drama, and that it’s willing to put it’s characters through some real trauma.

It’s still kinda funny that this arc being the end of the 2001 anime lead lots of people to thinking it was the end of the story, when in fact this is pretty much just the START of where things get real. Though it was still a good idea to make this the climax of the first season. It’s definitely the end of the first act of the story, which is even more clear with how the reboot’s been rearranging things. In the manga there’s a sort of transition period between this arc and the summer vacation arc where we get some more character introductions and stuff, but a lot of that’s already been covered in the reboot, so after this it won’t be long before we get into more plot progression.

Before I talk about the emotional weight of this arc and why it means so much to me, I just wanna say that I’m somehow still confused about exactly what the final episode is going to be covering now, lol. We’re definitely getting the rest of chapter 34 next week, but that clearly isn’t going to be the only chapter they cover. The episode title refers to summer starting, but I honestly can’t figure out which exact chapter that line’s being taken from. There’s a surprising amount of different chapters between now and the summer vacation arc where Tohru says stuff about summer coming soon, or already starting, or whatever. So there’s like several different chapters they might be ending this season on, and I can’t really begin to guess which they’re going for.

The obvious choice would be chapter 35, since that follows the immediate aftermath of this arc, but I looked back through that chapter in the manga and I don’t think Tohru says anything about summer during it. At least not that exact line.

I also thought it might be from chapter 48, since the last bit of that chapter would probably be a good way to end season 1 off, but that takes place when summer vacation’s already started, so I don’t think that’s it. Unless they change the context and timing of that part, though. Which is possible. I wouldn’t be too surprised if they basically cut most of chapter 48 for the anime since it’s so filler-y that it might be hard to find room for, so maybe they’ll just transplant the more plot-important part at the end of it into the end of season 1. Who knows.

Either way I think it’s more likely that they’ll just end things off with chapter 35. But I kinda don’t want them to, since it’d be a really good way to start season 2. It serves as a bit of a recap of the true form arc, while setting up some other long-term plot stuff as well. In general I just feel like it might feel jarring to have the last half of the season 1 finale suddenly switch to Yuki’s POV in a way that just raises more questions than answers. I think the end of chapter 48 is a much more fitting way to end the first season since it’s one big teaser for the summer vacation arc as a whole. And honestly even though it’d technically mean jumping forward like 12+ chapters, it’s not really that strange to consider, with how they’ve already covered a good chunk of the gap between chapters 34 and 48, with what I said before about the anime moving a lot of that transition arc to before the true form arc.

Though tbh I also just kinda want to see Rin in the final episode so I don’t have to wait until season 2 for her, lmao. 

And since I have far too much time on my hands at the good old time of 11am on a Saturday morning, I decided to comb through my Japanese volumes of the series just to be absolutely sure, and as far as I can tell the line used as the next episode title isn’t actually taken from anywhere from chapters 35 to 48. Which is weird, since I think all of the episode titles have been pretty 1:1 with lines from the manga. The most similar-sounding lines are the ones from places like chapter 48 where Tohru talks about how summer’s starting, but it’s still not quite the same.

So yeah I’m at least hoping it means that ep25 is gonna end on a modified version of the end of chapter 48 where instead of happening at the start of summer, it happens before it, but we still get that whole dramatic monologue from her about how it feels like things are about to start moving. But who even knows at this point.

Anyway, that was far too much of me talking about my predictions for the next episode, lmao.

Back onto this episode itself, I’ve always thought this was my favourite part of the whole manga mostly because it’s the part I relate to the most, to be blunt. Though really it’s more that Kyo’s my favourite character and his entire character arc is great and there’s so many elements to it that I relate to, but this is the most prominent part of it, and it covers a good chunk of what I relate to most about his character. But there’s definitely stuff I’m gonna wait to talk about until way later when certain other parts of his backstory are revealed.

Either way, even though it isn’t exactly the main thing that Kyo’s whole arc is meant to be a metaphor for, I’ve always thought this arc was intensely relatable and realistic to my experiences as a disabled person, especially when it comes to topics like my relationship with my parents, and my own self-perception.

In terms of personality I’m much closer to Yuki than Kyo overall [though not fully], but in terms of life circumstances I’m much closer to Kyo.

I dunno if I’ve talked about it in too much detail anywhere on my blog before, but I was born completely blind and deaf. My condition has improved since then, mostly with my hearing, but I still have enough issues with my vision that on top of wearing glasses I’ve spent the last year or so learning to use a cane to help me get around in public. But one way or another I spend the first few years of my life blind and deaf, and for obvious reasons that had some major impacts on my family, in ways that have had lifelong consequences.

My parents got divorced shortly after I was born, and until I was about 12 I only saw my father once every few weeks, and after that I made the choice to cut myself off from him once and for all. As time’s gone on I’ve gotten more sympathetic toward him, and the stuff he had to deal with on his side of things, but a part of me will never let go of my resentment toward the fact that one way or another he decided that he didn’t want me to be a proper part of his life. I always got the impression that for one reason or another he refused to engage with the fact that I was disabled. He never talked about it with me, and whenever I visited him, he never made any sort of accommodations for me. And I was always too ashamed and nervous to talk about it with him even when I should have.

On the other side of things, my mother is more on the over-protective side of the spectrum. Which I can’t exactly blame her for, since she was left pretty much on her own to raise me when she already had one other child with special needs.

She does her best to be constantly aware of my disabilities and to support me in whatever ways I need, but sometimes it feels like she just pities me. I don’t really know how to put it without sounding selfish or disrespectful.

I think that if she could keep me in her sight at all times and never let me go, she would. I know that she’s just worried about me, but sometimes I worry about what she thinks of me, and what she thinks when other people meet me. But I think that’s more just about me being self-conscious and paranoid about how other people see me.

I can tell that she’s had a lot of struggles with raising me that she’s mostly kept to herself because she doesn’t want me to feel bad, but it makes me feel uncomfortable. Part of me’s always worried that there’s a lot of emotions she’s bottling up which will one day explode, and ultimately I just don’t want her to leave me. Even if she doesn’t love every part of me, even if she doesn’t always enjoy the process of raising me, I just want her to be able to stay with me.

And then on the final point of this whole messed up trifecta, you have me and my own self-perception. Which is a whole iceberg of a topic that I’m gonna make no attempt to fully cover, lol.

In terms of how I relate to this whole part of Kyo’s arc, all of my self-consciousness and paranoia about my own status as a disabled person within society that’s been left to fester over the years has lead to me developing this irrational, warped, self-hating idea that at the core of who I am, I’m basically a catatonic vegetable who can’t survive on their own. I always worry about whether or not I ‘look disabled’ to people when I’m in public. I can’t help but worry about people see when they look at me. So in my own way I’ve developed this image of myself being some kind of hideous monster which I have to avoid people seeing. It feels like if people see the ‘true me’, they’d be disgusted, and so I try and act as normal as possible, while avoiding interacting with people as much as I can.

So you can probably get why the whole true form arc here kinda strikes a chord with me, lmao. It’s just such a raw and visceral depiction of the feeling of being exposed and made vulnerable in a way that shows everyone everything that’s wrong with you. But it’s also a representation of the sort of genuine, unconditional connection that you secretly want when you’re in that sort of situation. It’s not really about love or hate. It’s just about not wanting to be abandoned over something that you can’t even change.

In a lot of ways this arc is also why I love Tohru so much as a character, and why I think she’s so interesting. Her whole relationship with Kyo feels like a really realistic exploration of the fundamental anxiety of feeling like you don’t deserve true love and acceptance, that you’re asking for too much if you want that, and that anyone who gives you that is just ‘too perfect’, and they’re just pitying you, or whatever. But at the end of the day, their whole relationship is about how you always do deserve love, and that there’ll always be at least someone out there who will properly accept you. And on top of all that, there’s the fact that love isn’t a simple matter of just saying that you love someone and ignoring anything unpleasant about them or your own feelings. Love is a choice that you have to keep making.

Which is part of why I always felt annoyed and disillusioned at the idea that my father still loved me at the end of the day, in spite of everything. I can admit that for all intents and purposes that’s true, but it ultimately feels fake and hollow if you say that you love someone even when you hold them at arm’s length and choose to stay away from them.

On a more specific note, this arc in particular also touches upon the whole idea of physical contact and intimacy, which has always really resonated with me. In general the whole concept of ‘turning into an animal when you hug someone’ is used to surprisingly poignant effect across the whole series, and this is one of the best examples of it. The image of Kyo as a cat laying on Tohru’s lap and crying always gets to me.

And honestly, I think that the absence of physical contact can be one of the most painful signs of abandonment, especially to a child. It can make you feel alone even when you’re in the same room as that person. I distinctly remember that my father’s relative lack of physical affection with me was always one of the things that made me feel most uncomfortable and unwanted when I visited him. At this point I know that it was probably more about his personality in general, since he was a fairly closed-off person with everyone, but it still hurt.

What I’m trying to say is that everyone has a fundamental, primal desire to be hugged by somebody that loves them, which is why I like that that’s the big emotional climax of this arc. I actually prefer it this way, to if it we got a more conventional kiss scene or whatever.

Also I just wanna point out that literally one episode ago Kyo was being all tsundere about not wanting Tohru to hold him in his cat form and LOOK HOW THE TABLES HAVE TURNED NOW, CAT BOY :)

Yes, you better believe that I’ve been hugging my own cat whenever possible ever since I finished this episode, lmao. Everyone should go hug a cat. It doesn’t even have to be one you own, just go out and find one to hug, lol.

Anyway I’m one giant emotional wreck after this episode so I’m gonna go take a nap. See y’all next week when we have to face the even greater emotional pain of being faced with the wait for season 2 to come out.

[pass-the-bechdel]

Crazy Ex-Girlfriend season three full review

How many episodes pass the Bechdel test?

100% (thirteen of thirteen).

What is the average percentage per episode of female characters with names and lines?

41.16%

How many episodes have a cast that is at least 40% female?

Seven, so just over half. Three of those are 50%+.

How many episodes have a cast that is less than 20% female?

Zero.

How many female characters (with names and lines) are there?

Twenty-four. Thirteen who appeared in more than one episode, five who appeared in at least half the episodes, and two who appeared in every episode.

How many male characters (with names and lines) are there?

Thirty-nine. Eighteen who appeared in more than one episode, seven who appeared in at least half the episodes, and one who appeared in every episode.

Positive Content Status:

Not nearly as good as you might expect or hope. As with previous seasons, the show’s most impressive content is not the feminist stuff at all, and on the feminist front it feels sometimes as if the show spends more time denouncing different aspects of the feminist movement as ‘the wrong kind of feminism’ than it does declaring and upholding the aspects it does approve. I tend to feel that it spends time talking the talk on women’s issues, but doesn’t often get up to walk the walk (average rating of 3).

General Season Quality:

Easily better than the previous two seasons, despite a deflated ending. It takes a much more focused approach to its storytelling in the beginning of the season, in a manner which briskly becomes refreshingly confronting and leads in to a powerful middle. Unfortunately, it never sustains quality for very long, and overall the show still suffers for being too easily distracted. It’s not infuriating, but it can be frustrating.

MORE INFO (and potential spoilers) under the cut:

Ok, let me explain something about myself first, something I’ve mentioned in other (non-Crazy Ex) posts which have gone live long before this one will, but for anyone who missed it in any of those other places, here it is: I am, right now, pregnant. In fact, I am pregnant with a child conceived non-traditionally with a gay friend of mine, and as such, Darryl’s non-traditional quest for biological parenthood in this season struck a very personal chord (though, unlike Darryl, I used the phone-a-friend option as my first choice, not a fallback. Would recommend, if it’s ever relevant to your life). I bring all of this up because I can categorically declare that there are certain plot threads that you absolutely will NOT have the same reaction to if you don’t have that very personal chord being struck, and even moreso if that chord is relevant to your life right now, rather than being something that you’ve experienced in the past but has since slipped from the forefront of your attention. Thus, when I talked about feeling like the emphasis was in all the wrong places for Darryl’s part of the narrative, and expressed irritation with Heather’s pregnancy and birth? I sure ain’t mad about it for no reason. I am extremely, extremely aware of what those processes are actually like right the heck now.

I’m not going to linger on all the details, but I am particularly annoyed at the writers for dropping the ball on the pregnancy/birth part, specifically because it’s something which is so often badly dramatised in tv and film already, and the writers not only know that, they openly reference it as if they’re somehow doing better. The same way that medical professionals sometimes find it too frustrating to watch hospital dramas because of all their inaccuracies, or someone in law enforcement might cringe their way through all the egregious breaches in procedure in a cop show, there’s always a significant risk that anything depicted in fiction will make you want to tear your hair out over the way the plot warps or disregards reality that is pertinent to your life, either through a lack of proper research or understanding of the subject matter, or a conscious choice to prioritise desired storytelling beats/developments over actual logic and realism. Suffice to say there are a LOT of concessions Crazy Ex-Girlfriend asked me to make to their storytelling with this little subplot, some of which most people who have never been pregnant wouldn’t notice, and yes, some of which I would probably dismiss if I were not in the midst of the reality right now. I’m someone who has been present at actual births before and has been raised with an above-average understanding of what’s involved, so I’m used to gritting my teeth and hoping to just not be too annoyed by the way pregnancy and birth is typically depicted on screen. The fact that I am currently immersed in the reality of preparing to give birth makes me less forgiving of fictional contrivances, yes, but in the case of this show’s approach, it’s also more than that: it’s the fact that this show actively promotes itself as a feminist text. And if you’re gonna do that, and criticise the way other things (”written by men!”) depict labour, but then you also choose not to include any education/empowerment of your pregnant character, rattle off a variety of (uneducated, disempowered) cliches anyway, and then handwave it all with ‘nevermind, she just got an epidural!’ as if that ‘solves’ the difficulties of birth (and post-birth recovery, for that matter), frankly that’s just...a really unimpressive failure of feminist storytelling. Congratulations, you neglected the subject completely, at the same time as actively claiming your intent to do better than all that written-by-men schlock out there! What a tiresome charade this turned out to be.

Setting that aside though (difficult for me, as I am...very preoccupied with it), there was actually a good lot of things to like about this season, even if I do still feel that I ultimately have more criticisms than I do praise. Having Rebecca actually reach crisis point in the form of a suicide attempt, and consequently getting a diagnosis for her mental disorder and finally being able to move forward in learning to live a balanced life with BPD? Frankly, it’s not a move that I anticipated, and if you’d asked me where I thought Rebecca’s mental health plot was heading, I probably would have just shrugged it off as an unfocused thread where the ultimate goal was just ‘figure out how to be happy on your own terms instead of defining happiness through someone else’ (which is solid advice, but generalised advice, not something that would require the show to commit to a genuine mental illness). Acknowledging that Rebecca’s behaviour comes from a more distinct source than just the nebulous idea of being ‘crazy’ is a vitally important development, and it ushered in some of the best storytelling the show has offered thus far, at least when the plot maintained steady focus and made an effort to be responsible and mature in its exploration of the issue. As ever, there were still times when the show used Rebecca’s mental state for comic relief in a manner which made me uncomfortable, and times when I couldn’t interpret the intentions of the narrative - I have come to the conclusion that this show and I are on completely different wavelengths, which makes us a bad match, regardless of any elements which I do appreciate. 

On the subject of things I appreciate, I’m going to discuss the true character highlight of the show, someone I wanted to talk about after last season, not realising that if I held off until this review instead, he was gonna wind up so terribly underused in the meantime that it’s almost weird that he’s still technically part of the main cast at this point: Josh Chan. Josh Chan is...kinda the most believable part of this show, both in the bumbling good-natured balance of the character himself, and in other character’s feelings about him. Being able to buy the idea that someone would give up their whole life as they knew it to chase after this guy is kinda important to selling the concept of the show from the outset, and honestly, Josh Chan is the only time I’ve ever seen a central male love interest for whom the hype seemed to make sense. Is he perfect? Not by a long shot, but that’s fine because ‘perfection’ is as conditional as it is unattainable. The problem with male love interests, often, is that they’re written by heterosexual men who treat the character as some kind of masculine wish-fulfillment, a combination of ‘guy I wish I could be’ and ‘guy I think women should want (me)’. Josh Chan is a great example of a love interest written by women for women: he displays positive masculine-coded traits (protective, physically capable), while rejecting negative, toxic-masculine elements (aggression, possessiveness), and he embraces key ‘feminine’ traits (non-threatening, kind, soft, emotionally expressive, family-oriented), while his flaws are unobtrusive and potentially even endearing (the main one is that he’s quite stupid, which is something a lot of straight women will happily admit to liking (at least in theory), and other traits such as Josh’s childish streak can be a source of joy under some circumstances, as well as being something Josh mostly keeps a hold on so that it doesn’t become a burden to his partners). Also, it would be remiss of me to neglect to mention how refreshing and meaningful it is to have an Asian male love interest. I really enjoy not being bored to death by Josh Chan, and I am annoyed at how little of him we got this season while we wasted time with that generic slice of white bread, Nathaniel. Bring back the Chan plots, season four. Do it for me.

[sapphicdalliances]

Hi, Yuletide writer! First of all, my sincere apologies in my delay of getting this letter written up at all, and my enthused thanks for being here!

I’m a simple bitch with simple tastes; here is a general summary of my preferences, and fandom-specific notes and prompts can be found further down!

I very much enjoy:

Romance -- anything up to and including plotless shippy drivel

Short fics, or even collections of tiny fics

Long fics too, so I guess what I mean is, don’t feel pressured either way

Comedic tones, slice-of-life, lighthearted fun, any amount of improbable romcom tropes

Am also hella on board with misunderstandings, drama or angst as long as there is a happy ending!

I’m deeply okay with AUs, and most likely would be down for any modern, romcom, fantasy/fairytale, gender swap, or remix/crossover AUs you feel inspired to explore! My favourite settings include mundane/urban fantasy (witches! werewolves!), anachronism-stew-with-magic western fantasy jumbles, and disney’s Tangled.

Specific tropes I love:

Proposal fic

Wedding fic where the couple getting married is not the main couple

Outsider/third character POV of the main couple

Exes who are still in love/getting back together

Friends-with-benefits-with-feelings/did a bad job keeping it casual

Shipfic where two or more couples are contrasted

Oblique declarations of love/saying i love you without saying i love you

Provision and caretaking (acts of service!)

Aggressive matchmaking/wingmanning by an enthused friend

Hanahaki, or any other improbably dramatic instances of Cannot Spit It Out

Arranged marriage/fake marriage/fake dating

Epistolary fic

Regrettably I also love a/b/o, especially the kind that emphasises on scent safety and contains little to no actual sex

I’m not as into:

Political or social intrigue, mysteries, complex magical plots — by no means a dealbreaker, but not high on my list of priorities

Kidfic

First person narration

Soulmate AUs specifically

In general, please avoid:

Character death or serious/permanent injury

Animal abuse or death

Infidelity

Hopeless or downer endings

Fandom specific info starts here!

Princess Tutu - Ahiru, Fakir

I’ve loved Ahiru/Fakir for years and years — they are both very strong, willful but compassionate characters, and the way they intersect is just so sweet to me. While I would be ravenous for any tutu content, gen included, I really would be particularly delighted with some overtly shippy fic for this one, I hope that’s okay!

Suggestions:

Modern AUs: vet science major Ahiru + English major Fakir meet in theatre club?

Step Up-style remix where they become somewhat-unwilling dance partners because their regular partners are somehow indisposed and work better than expected

That one ending fix-it AU where Fakir writes her back into a girl and they retire into the village, the one we all have in our treacherous hearts, i will never get enough of these

Fakir and Ahiru’s relationship progression as observed by the other members of the school/town

Or mix it up with any of the tropes in my general list! For this ship, I would like a maximum rating of T, please!

Wotakoi

I love every ship in this manga equally but perhaps I love Kou/Naoya more equally than the other two? They are just so kind and so silly, and so sweet to each other in exactly the way both of them didn’t realise they were missing! Honestly, anything with these characters that’s along the lines of canon would be delightful; the particular energy of misfits realising that they don’t have to be alone is something very dear to me.

Suggestions:

Accidentally dating ft. Kou and Naoya, or, “and you’ve made out how many times now? Hmm. Yeah, that’s not technically a bromance.”

5 times Hirotaka and Narumi almost, almost kissed, and 1 time they did; the unresolved romantic tension may kill me and it would be worth it

What Hirotaka and Narumi taught each other (apart from the more mundane gaming and life skills, i believe that she taught him how to smile and be loved by others, and he taught her how to be loved by herself!)

Smutty domesticity ft. Koyanagi and Kabakura — a lazy Sunday, laundry in the sun, fucking on the couch, everything easy with familiarity

The fantasy/MMORPG AU, where Hirotaka is the lazy but brilliant crown prince, Naoya the hapless but beloved second prince, Koyanagi his spymaster and Kabakura the captain of the prince’s guard; Narumi his childhood friend-cum-betrothed, and Kou a mysterious archer who saves a distressed Naoya from bandits in the village?

The gang tries to play DND. We finally find a game that Naoya is good at.

Or mix it up with any of the tropes in my general list!

Nezha - Oubing

I feel 100 different ways about this movie and 88 of the ways are SO CHINESE. The filial piety, the familial sacrifice, the friendship! I do believe that Nezha and Aobing are in love, I hope this is a reading of the text that we share, but if not, gen about their friendship/rivalry would also be well-recieved.

Suggestions:

Aobing has been practicing bigu (a cultivation style that is meant to remove one’s need for food or water) since he was born; Nezha introduces him to food, and other creature comforts — do they have BEDS in the dragon palace for example?? Buddhist-style cultivation is very ascetic and difficult, but Nezha is so wild and full of feelings and love!!

Modern AU: delinquent Nezha and prim, proper exchange student Aobing

Modern AU addendum: nobody believes Nezha when he says he’s got a hot boyfriend in Taiwan and thinks that he has made Aobing up

Arranged marriage/political fantasy AU where the prince of dragons is given to the most controversial heavenly general in an effort to improve both families’ social standing

For a gen prompt, if you want to do something about Nezha and/or Aobing’s relationships to their fathers, debts and affections and resentments, that too would be lovely!

On the other end of the spectrum, i’m down for PWP with xeno tropes re: aobing’s dragon anatomy! So long as the top/bottom roles are not too strictly defined, i just like it when they’re equitable or switch!

And of course, feel free to mix it up with any of the tropes in my general list!

Kazetsuyo/Run with the Wind

I didn’t tag any characters because my favourites were not in the list, and of course because I do love everyone, but my personal priorities are in order: Shindo, Musa, Haiji, Kakeru, Nico-chan, Yuki, the bombastic twins, and then everyone else. The spaces between those positions are very small so if you happen to have a passion for a character/ship lower on the list, worry not, there is limitless affection within me for everyone!

Suggestions:

Shindo should get to take Musa to see the snow… he deserves that

He also deserves to run the ekiden again in his fourth year and not be sick and actually win section 5!

I do think Kakeru and Haiji are most definitely soulmates — if you choose to focus on one or both of them, I really do believe they are in the romantic kind of love, is the thing!

Perhaps their relationship, an inevitable drifting together, as perceived by everyone else in aotake?

Or Haiji comes to Kakeru’s graduation, all their tenderest affections still unspoken, and somehow, without any premeditation, by the end of the day they’ve kissed

You know what I think? I think Hana-chan likes and is capable of dating both of the twins, and I love that for her

Or gen canonverse with everyone (or just everyone you care about) taking turns caring for Nira and reflecting on the race!

As above, please feel free to mix it up with the tropes in my general list!

Gekkan Shoujo Nozaki-Kun

I only selected Seo and Waka because they are simply my top priority, but if you want to serve a side of Chiyo/Nozaki and/or Hori/Kashima and/or Seo and Kashima being beautiful best friends and/or Mikorin being a beautiful himbo who we are delighted to have here, i would not complain at all!

Absolutely anything about them being goobery oblivious idiots in love would be perfect, such as:

5 times they went on a date without realising, and the time they realised

Everyone else literally just thinks they’re dating and they are completely clueless

Or on the other end of the spectrum, everyone tries desperately to set them up/matchmake for them, not realising that they’ve been going steady for four months

A hanahaki AU would be particularly hilarious with these two, I feel

Urban fantasy AU where Waka is a hapless monster hunter and Seo is an annoying but deeply harmless werewolf who’s been terrorizing his town??

Regency or faux-regency AU where Waka is literally like “drive by your rival’s estate slowly so that she may seethe with jealousy at the loveliness of your new hat” and Seo is like “oh goodness, he is courting me. What a fool. What an absolute buffoon.” and challenges him to a swordfight

Fairytale AU where Seo believes she must rescue the prince from the tower and deliver him back to the kingdom capital, and the prince, who had not realised he’d been kidnapped, thinks Seo is a usurper from a rival kingdom who must be supervised all the way back to the kingdom capital to be served her justice

Or anything else equally romcom-y, and of course, as always, throw in as many tropes as you like!

Thank you for reading this whole mess of a letter, and I sincerely hope I haven’t bored you too much. The most important thing to me is that whatever you end up writing, you are able to enjoy the process at least somewhat, and deliver a fic that you like! I can also be found on twitter at @hawberries_ (for art) and @popplioikawa (for general ramblings), and if you have any desire to send an anon ask to this tumblr with questions, i’m actually not sure if that’s allowed but i’d be happy to get some! Thank you again, and happy holidays!

[halearp]

technically this is a more massive req than i intended, but we’ve got a lot of deveaux siblings and then his wife and kids!!!!   my discord is oh hi mark#9407 so if you have any questions or you wanna snag one and don’t have tumblr or whatever, hit me up!!!! also there will be a fam server (probably a main one and then a break-down for dexter’s branch).

ok hi pls go read about dex here, because there’s lots of family details in it!!! it’s mainly family details tbh ahahah but pretty much, dex is the sheriff and he needs his kids from his first marriage, then his step-kids (that he adopted and never saw them as anything but his kids), and then his three kids with his new wife.  i also need his new wife!!!! ok she’s not new, they’ve been together since 1992 lmao but still.

faces are all open, as are genders and occupations and locations and literally everything about them.  i’d love it if most of his siblings had families of their own, because i’m a sucker for family plots (obviously), including extended family!!!  esp with dex being the sheriff bc you know there’s at least one kid that acted out somewhere in this fam, hahah.  last name’s deveaux unless they married; in terms of names, i’m not picky, but please get at me if you’re interested in one so i can kinda have veto power on the name if necessary hahah

the deveaux siblings

first deveaux - 60-61 / face / player. first deveaux - 57-58 / face / player. dexter deveaux* - 55 / jeffrey dean morgan 1 / halea. first deveaux* - 55 / jeffrey dean morgan 2 / not currently open. first deveaux - 50-52 / face / player. first deveaux - 46-48 / face / player. first deveaux - 41-44 / face / player.

mrs deveaux

so lemme just tell ya, i’m really really liking the idea of ellen pomeo for the face for her, but i’m also open to hearing some other ideas.  i just .... really need this ship in my life and an excuse to stare at ellen more than just on my grey’s rewatch?? if you’re not a fan of hers, come @ me with suggestions or i can throw some other ideas your way!

she may not have been friends with his wife, but they at least knew each other -- having lived on the same street, it was impossible not to.  her first husband, truthfully, was a piece of shit; what level of that is up to you (i do get rita from dexter vibes from her though!!!) and she had two kids by him before he was carted off to jail for one thing or another.  most of her life was spent alone with the kids, raising them while he was in and out of jail.  in 1991/early 92, he was carted off to prison on a Big Charge, something that landed him with his lengthiest sentence yet (think 10+ years).  the two of them became close in fall of 92, married in fall of 93, and he adopted the two kids she already had as his own for christmas in 93.  like i said in his lil quick bio, they decided not to have any more kids and when she went for the procedure, found out she was pregnant with twins.  they have more than a full house but honestly dex wouldn’t have it any other way.

her occupation is up to you, and i honestly am fine with whatever for that, though i picture it as being something more her passion (like owning a shop or something!!! omg pls have her own a bakery!!!!)... same on up to you if she’s got siblings or if she’s from meridian or what!! tbh i want to build up a whole life together with them, because i’m a sucker for headcanons.  the two are 100% devoted to each other and the #1 thing i wanna say is that there’s no cheating -- they both had their own initial qualms about getting together because of their situations, but when they realized how they both felt, they went for it. (seriously, i could talk about these two forever)

i’m probably forgetting a million and one things, but this is getting long and i just wanna post it!!!  there’s the drama of if/when the husband got out of jail or if he died while in jail or what i just wanna discuss it ok?? fuuuuck!!!!

first deveaux - 51-54 / face / emilie

the deveaux kids

the first four kids were born to april and dexter deveaux, two high school sweethearts.  the second two kids were born between 1985 and 1989 to above deveaux and their father, and depending on if someone wants them before the above (wife) gets taken, there may be more specifics; dexter adopted them and they took on his last name christmas of 1993.  the last three kids were born to the wife above and dexter -- the twenty-four year old actually on dexter’s birthday.  

ages are set in stone (except for the two “stepchildren”), gender is completely up to you, as are faces.  i’m here to give any and all suggestions.  names-wise, i’m not picky but come to me with ideas and we can figure out if there’s a theme or anything??? the oldest male from the first bunch i would love if he was dexter deveaux jr.  

first deveaux - 36 (b. jan ‘83) / face / player. first deveaux - 33 (b. late summer-early winter ‘85) / crystal reed / courtney. first deveaux** - 31 (b. march 1988) / alexandra daddario / holly. first deveaux** - 31 (b. march 1988) / face (can be identical or fraternal) / keren. first deveaux - 30-34 / face / player. first deveaux - 30-34 / face / player. roxanne deveaux - 24 (b. sept 17, ‘94) / haley lu richardson / kate. jordan deveaux*** - 22 (b. april ‘97) / danielle campbell / celine. first deveaux*** - 22 (b. april ‘97) / (fraternal preferred - zoey deutch or timothee chalamet??!!)  / kiki.

this got a lot longer than i intended and i am very very much so fucking invested in this family, so please come at me and let’s build up this stuff!!!!  come at me on discord or on here, and i can get a discord made, and i just ... have A Lot of feelings and ideas and headcanons!!!!

[eugene-my-love]

@mostlydaydreaming. we were limited to the number of pages we could write. i could have gone on for so much longer

This is my argument paper from writing 2 I took in the spring. Enjoy!!

Singin’ in the Rain:

Putting Smiles on Faces for More than 60 Years

Kandace Feorene

“I like old movies too! My favorite oldie is Pulp Fiction/Forrest Gump.” These are the words every classic film lover despises. My blood boils every time I hear similar phrases. The bubbling is new, yes, I will admit that, but it is genuine. I got into classic movies in July of last year, and I hope I never see the light at the end of this sometimes black and white, sometimes silent tunnel. Movies have been around for over 100 years, and the golden age of them is just that, golden! It started when the talkies were introduced in 1927, and there was no stopping them from there. That is of course until television came along and put an end to it slowly but surely (but let’s not open up that wound). Yes, films still have a significant role in today’s world, but the 30s, 40s, and early 50s were special to the industry. The studio system was roaring as though it would never end. Great characters who deliver beautiful words were the focus in the movies. Good stories were prominent because they couldn’t blow up buildings. The movie musical was big and beautiful being filmed on huge studio lots. There were many made in the golden era of Hollywood, but the best musical and movie ever made is Singin’ in the Rain.

If you’ve never seen it, get a hold of it as soon as possible and watch it. Make sure there are no distractions around. Tell people around you to be quiet. This masterpiece demands your undivided attention. Also, if you haven’t seen it, the title is referencing the title number. I would agree that not all old movies are accessible to most audiences. Some are slow and boring, as are some today. But Singin’ in the Rain is the best example of how people can enjoy movies that are over 60 years old. It is a classic in the true sense of the word.

Singin’ in the Rain was released in 1952 by Metro-Goldwyn-Mayer and is number one on the American Film Institute’s (AFI’s) list of Greatest Movie Musicals of all Time (American Film Institute, 2006) and number five on their list of 100 Greatest American Films of All Time (American Film Institute, 2007). It was inducted into the National Film Registry in 1989 (its first year) for being “culturally, historically, or aesthetically significant” (Library of Congress). Starring Gene Kelly, Donald O’Connor, and Debbie Reynolds, with supporting cast members Jean Hagen, who was nominated for an Oscar for her role as the screeching star, and Millard Mitchell, the plot is simple: “talkies” are introduced into Hollywood, and a fictional silent film production company (Monumental Pictures) must convert. Their problem is Lina Lamont, a gorgeous star whose voice rivals nails on a chalkboard. Laughs ensue as producer R. F. Simpson tries to hold on to Lina’s star status through filming her first talking picture, The Dueling Cavalier. Monumental Pictures replaces Lina’s voice with Kathy’s. Hollywood icon Debbie Reynolds was 19 while filming Kathy Selden’s journey from, in the words of Don Lockwood, “humble player” to star. Life imitated art after the picture was released, because Singin’ was Reynold’s breakout role.

Classics are hard to define, but easy to recognize. Singin’ in the Rain is, obviously, also the best classic movie ever made. The title number is often regarded as the most recognized dance sequence in all of film. Audiences appreciate it even more when they learn that Kelly had a fever of 103 while filming it (Ward Kelly, 2016). The script is unlike most musicals. The lines are witty and smart. One of my favorites is when a member of the publicity department says “Lina, you’re a beautiful woman—audiences think you’ve got the voice to match. The studio’s got to keep their stars from looking ridiculous at any cost.” O’Connor’s character responds with “No one’s got that much money” (Comden and Green). There is a story, and it interests the audience. Most musicals just have some scenes in between numbers that distract from the singing and dancing, but the scenes and numbers combine beautifully to create the perfect film that never skips a beat. The story is also educational. Writers Betty “Comden and her long-time writing partner, Adolf Green, interviewed washed-up silent film actors, read old magazines and viewed archival films during their writing process” (Laffel, 1992). So, the comical situations throughout the movie are true on top of hilarious. Jean Hagen’s comedic timing is gold. Similarly, Donald O’Connor’s, who won a Golden Globe for Best Actor in a Musical or Comedy, humor is never distracting from the story. His iconic Make ‘Em laugh number makes audiences of all ages light up. The 17-minute Broadway Melody number is a sight to behold. The colors are bright and exciting. The sets provide for lavish sequences. Each dance number, choreographed and staged by Gene Kelly and Stanley Donen, is special in its own right and doesn’t let you take your eyes off the screen. “Each draws from a different technical and aesthetic base: the traditions of lyrical ballet, modern dance, theatrical dancing, exaggeratedly hackneyed tap, familiar social dances, Euro-western folk steps, and a light feathery tap style form an elaborate grammar, the breadth and mastery of which was unique to dance” (La Pointe-Crump, 2004, 66). Kelly and O’Connor’s tap sequence Moses Supposes is very often regarded as the best tap number on film. Singin’ created a star out of Reynolds. She had no previous dancing experience, so Kelly had to teach her from scratch. She was a gymnast, so she knew a little bit about physically working hard, but dance is a whole other ballgame when it comes to technique. Future EGOT recipient Rita Moreno was also a player in the film’s success playing the “Zip Girl of the screen” Zelda Zanders (Comden & Green). Its influence is startling. Let’s take me, a pessimist. I want to sing in the rain now. A self-proclaimed pessimist is happy when it rains because I can play the song and sing along to the greatest classic film ever made.

I am not the only one in the world who has been impacted significantly by this glorious movie. I have met others online who share my thoughts. We talk occasionally, and they were nice enough to give me quotes on their thoughts on the film. Sherrie (2018) perfectly summarizes why people should watch it:

“I think it is the perfect introduction to movie musicals. It’s the first time I really appreciated all the time and skill that went into them. Most modern type musicals are mostly sung (and many auto-tuned) with maybe a few simple dance steps put in. Singin’ in the Rain is just a showcase of “triple threat” performers tied together by a brilliantly written script managing to combine heart and humor without being dated. The supporting characters are solid and memorable. The musical numbers are so well put together sometimes I’ll just watch them back to back and marvel at how all these came from the same movie. This coming from someone who, with a few exceptions, didn’t even like most old movie musicals.”

Sherrie mentions the most amazing feat of this film: the fact that there are so many iconic numbers. Almost all of them are extremely recognizable to people. The title number is the obvious one. It is the most recognizable dance number in all of film, and for good reason. Kelly exudes joy and love, and even though the steps are some of the easiest for a skilled dancer, he makes each special with a different splash in a puddle or shrug of his shoulders. My other friend Lena (2018) explains a concept that is talked about a lot with Singin’:

 “It’s special to me because it was my first introduction to Old Hollywood movies. My family is full of movie buffs, and Old Hollywood movies are a staple for references we all make. When I was ten, my mom told me she thought I was old enough to appreciate it. I don’t think I’d ever laughed so hard at a movie up until that point! The colors, the music, the humor, the romance, it all got to me! Its quality and story still hold up to this day! And it stuck because Old Hollywood is a huge part of my life now, and it’s all because of Singin’ in the Rain!”

If you were to ask people what their first Old Hollywood movie was, a good amount would say Singin’ in the Rain. I showed the film to my best friend a couple of months ago (it was her first Old Hollywood film too) even though she insisted on not watching it. When it was over, she just stared at the screen and apologized to me for saying she did not want to try it. It really is the perfect combination of most genres. There is humor, romance, drama, singing, dancing, and even a little bit of action! If you want to start watching classic films, there is no better movie to introduce you to them while meeting your needs of different movie genres.

The film earns the title of best picture ever made for not just what you see on film, but for the dedication that went on behind the camera as well. The film was directed by Gene Kelly and Stanley Donen, and the witty screenplay was written by Betty Comden and Adolph Green, who were legends in their field. Singin’ was Kelly’s second directing venture. He and Donen directed On the Town in 1949, which was a huge success. MGM was happy to see the two team up again since On the Town resulted in a healthy profit. Kelly was involved in practically every aspect of filming. Rita Moreno (2013) remembers filming, "I visited the set every single day. I did maybe, oh, a week and a half's worth of work on that show. But I visited all the sets every single day.” She only had a few scenes, so she could spend her time observing a legend creating his masterpiece. Kelly even had input in the wardrobe. For the iconic Broadway Melody sequence, he cheated the despised Hays Code, which was the code movies had to follow so films were family friendly. He told the wardrobe department to put slits in Cyd Charisse’s bright green flapper dress because a dancer’s lines should be seen (Ward Kelly, 2016). The slits disobeyed the Hayes Code’s rules on how short a dress can be, but since the material met the requirements, the censors couldn’t touch it. It is worth noting that Charisse had given birth just a few months before shooting her scenes. Kelly’s directing style was unique. He wanted the camera to dance along with the dancers, so the audience didn’t miss a single move. This is evident in Kelly’s part in Broadway Melody before he dances with Charisse. As an audience member, you feel as though you are dancing with him. Kelly’s service in the photographic unit in the Navy gave him the opportunity to explore the filmmaking process. Before the Navy, he was mostly interested in choreography, but after leaving the service, his interests in the movie making process as a whole grew. The Broadway Melody sequence is 14 minutes long. The studio had no problem with the number, since Kelly’s An American in Paris won best picture the year before. An American in Paris had a 17-minute-long ballet sequence, also directed by Kelly, that is also spectacular and should be watched by everyone. Kelly wanted Donald O’Connor for the part of Cosmo Brown. Rita Moreno (2014) said she once told Kelly, “I hope finally people will recognize what a great talent this man is, and he said that’s precisely why I had him in the film.” For his solo number, the film was lost so he had to do the whole energetic sequence again. Since he smoked many packs a day, he had to rest for a few days because the tricks took so much out of him.

This film has brought so much happiness into my life, and I know it will do so for others. If you are sad, the song, dances, and jokes will bring out of your slump. If you are happy, it will enhance your mood. Adolph Green once said, "You know what's wonderful. To be somewhere strange in a foreign country where no one knows you and to be introduced as the people who wrote Singin' in the Rain and to watch the people smile. It's a favorite film the world over. There and here people are always telling us that the family sits together to watch it” (as cited in Laffel, 1992). This quote was from the 90s, but it is due to this day. The dialogue, performances, music, and moves make Singin’ in the Rain the greatest motion picture of all time.

[nctaezen]

Happy valentine day aka both the lovey dovey holiday and our bday bpy himself, I saw your gifset and 100/10!! Amazing work, please frame that gifset in a museum pronto!! It sounds like your valentine's day was fun ^_^

But yes I am from Chicago haha, it doesn't seem fancy to me being in Chicago with how expensive downtown can be at times (but then again, when is downtown in ANY big city not expensive?) But it is a lovely place nonetheless, granted don't come now because its cold like the northpole xD but very much recommended the spring time personally! I do hope you have the chance to come to Chicago when things calm down

Ooohh same lol, I can do my nails like a pro but eyeliner ??? I struggle lol. I watched videos on tips but I still can't figure how to not stop my hand from shaking =/ (if any of your followers know a trick do share! Help this noob anon out, i will pay with cookies!) I can do it decent line but its always thick for some odd reason lol. It starts off good in the beginning with a nice thin line but then I go full raccoon mode xD I have big eyes as well so technically not good for my eye shape but it is what it is haha. I do prefer pencil since its easier but I do enjoy the liquid eyeliner look. My current makeup look is eyeliner, mascara and some lip product. I do eyeshadow if I want to be fancy haha but for sure need to look into getting some better products. The ones I do have my eye on are nyx because we love a good mix of free of animal products and cheap, bare minerals is nice as well as well as color pop! For the pricier end fenty and rare beauty are on my list (especially rare omg the lipstick shades are so, so pretty! Especially the color you mentioned ^0^) but ooh we love pinks and orange shades! We love the soft, spring romantic vibes! For me. I like a bit of everything but i do find myself leaning into red, pink, orange shades with a mix of dark tones like a dark wine shade or even black djaksja. My favorite lippie i own is this beautiful orange/brown color? Idk if that is the right way to describe it but it is a pretty color! Jdkandks @ that large lipstick collection, respect haha. I enjoy the old school lip gloss look because i like pretending to feel like an Bratz doll lol.. bb creams are good and I may go with one in the future since it seems a good product to use if you don't want to dive into foundation and such c:

Now skin care wise, I agree! Not all pricey products are better. You can find good products for half the price that works for your skin! It is a trail and error sadly but eventually you will find something that works best for you c: and ooohh i think i have heard of those brands! I'll look at them later to see what they have so thank you for the suggestion!! Lol maybe that's a good thing the brand isn't around where you live xD but true, it is best to not continue with using the products so I will sadly throw them away. I feel bad since I did spend money but if it isn't doing me good skin wise well why ruin my skin more? Garnier is great for sure! I love their micellar water so I may invest in some of their other products! When I will do that, not sure because my parents are a bit strict when it comes to makeup/skin care stuff *sigh*

Oof I do feel like there have been alot of romance plots so we do need a break with some other plot ideas like a good mystery drama for example like let me feel like Sherlock when watching the episodes haha. But ahh it be like that xD sometimes you start off watching a video or two and then you are spending half the night watching funny edits of nct lol and idk how he can be calm like jaehyun is so calm in the most chaotic moments. Like he didn't even flinch when the boxes exploded in nct world!! Teach us your calm ways jaehyun. But I do love his dad ways from the humor he has or his dad sneeze (I will admit some fans do take the "jaehyun dad" narrative a bit too far sometimes or maybe its just me? Thoughts love?)

Oof until april!? Oh no D: I hope the numbers slow down during then, sending good vibes to your family as well during these times! You also stay safe! As for me, yeah just have been staying inside. Not much to do sadly but I'm being well fed with kpop so not complaining haha

Hey hey! How was your week/days so far since Valentines? 

Well I had a lot to do and I was mainly busy with work (once again). I am remodelling/redecorating my room as well and I still have lots of plans on it, let’s see how the things end up because I will do it all alone (wish me luck).

Happy you loved that set and I hope you will anticipate my Ten set as well (it’s a secret, not secret anymore but I still haven’t started with it yet I have lots of notes and ideas saved, I just need the courage and time for it).

Oh yeah I knew it hehe as far as I know Chicago looks very modern and seems a bit luxurious, indeed should be a bit expensive in the downtown, but even in my country, downtown is something I usually avoid for hanging out because it’s super super pricy. 

I came across a few fun videos on tiktok and there was a girl doing her eyeliner in one go, like less that 1 second and I was like?? she’s not from this world. I had the chance to try my new bb cream and corrector from nyx and so far I love it, it doesn’t feel heavy or itchy on my skin, also knowing it’s cruelty free, it’s something that stands on my top buy makeup brand list. I used to love lipgloss when I was a child/teen, but not anymore, I wear my hair down and if go out. Forget about it, especially since I live in a windy area. And now with masks I can only wear a no-transfer lipstick or simply lip balm. A brand I think I will try soon will be Cerave, I heard only good things about it and Wayv also promoted it in the past. At that time the brand wasn’t available in my country, now it become quite popular and if the lockdown ends next month, I’ll go to a pharmacy to test the products and (hopefully) buy some. 

As for my drama experience, I started to watch Vincenzo since it’s on Netflix it’s much easier to watch but I didn’t expect the whole comedy twist, I thought that drama was based on a dark-crime-mafia plot, yet I was once again fooled by the trailers. Anyway he looks sooo good for his age, I thought he was in his twenties, just wow! We’re a decade apart, and man! he looks so young, maybe even younger, insane! I should drink more ginseng tea for infinite youth haha Anyway the drama is a stay because I love him so much, he is a very talented actor and hopefully the plot will change as the history will go on.

About Jaehyun and that dad narrative, well yes. Things go out of hand for everyone else not only for him, especially in cases when these words are shoved right into their faces, I would never dare to comment anything like that under their social media or even on personal-interactions, it just seems uncomfortable on many levels. If someone looks hot and sexy, this is what he is and this is what we call them for, magazines and articles describe idols a lot these days with these words and that is ok because it means they have an attractive image that everyone wishes to have or achieve, yes I do get jealous sometimes even if they are men so 😂 but those type of whatever role-playing words, no, niet, nein, não, non. Out of question.

Meanwhile a few comebacks happened and I was excited for it, Shinee’s title song is sooo good and I love the savage lyrics. The rest of the album is also amazing, I have like 3 top favorites. Now I am waiting for Wayv comeback that will happen soon, hope SM won’t disappoint with another low-budget MV, I know we are in a pandemic situation rn but even inside the box, a MV can look stunning. SM take notes from “Make a Wish”, that was simply beautiful and almost everything was shot indoor, stunning effects I want to see again.

And I don’t think I had the chance to ask you, how did you like 127′s Japanese album? I love all the songs and there is non I skip when I play the whole album. I love how different hits from their Korean albums, there is something alluring about it, well the lyrics also suggest that so- I couldn’t miss that huge album that looks like an A3 portfolio so I already ordered one, hopefully by the end of the March I’ll get my hands on it, I can’t wait because the pictures are simply stunning!

Hope so far you have been fine, stay healthy and take care of yourself, and hope to hear from you back soon ❤️

[aion-rsa]

Upcoming Must-See Movies in 2021

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It’s 2021. Finally. If you’re reading this, it means you’ve hopefully gotten through the wreckage of last year unscathed and are ready for a brighter future. And if you’re also a movie lover, this certainly includes a trip (or 20) back to the cinemas.

Sure, theaters were technically open in some places last fall, but the moviegoing season has largely remained dormant since March 2020. Yet given good news about vaccines starting to become available, and an absolutely stacked 2021 movie release calendar, we have reasons to be cautiously optimistic.

Indeed, 2021 promises many of the most anticipated films from last year, plus new surprises. From the superhero variety like Black Widow to the art house with Wes Anderson’s The French Dispatch, 2021 could be a much needed respite. So below is just a sampling of what to expect from the year to come…

The Little Things

January 29

One of the year’s earliest high profile releases is also the first of WB’s film slate on HBO Max. The Little Things is a serial killer thriller in the old school mold. It also boasts a brutally talented cast that includes Denzel Washington and Rami Malek as the detectives, and Jared Leto as the killer. As the latest movie from John Lee Hancock (The Founder, The Alamo), this looks like the type of star-led seediness that used to dominate the multiplex.

Maclolm and Marie

February 5

Assassination Nation writer-director Sam Levinson returns for a decidedly stripped down and intimate character study about two people on the threshold of their lives changing–and perhaps splitting apart. With Zendaya and John David Washington in roles unlike anything we’ve seen the pair in before, they play a couple returning home after the premiere of Malcolm’s (Washington) first movie. He’s on the cusp of life-changing success as a director, but when confronted by Marie about past secrets and hard truths… the night takes a turn.

Judas and the Black Messiah

February 12

It’s kind of hard to wrap one’s head around the annual “Oscar race” in a year when little trophies don’t seem so damn important, but Warner Bros. feels strongly enough about this movie that it’s getting it into theaters and on HBO Max right in the thick of the pandemic-delayed awards season. And judging by the marketing, it’s bringing heat with it.

Shaka King directs and co-writes the story of Fred Hampton (Daniel Kaluuya), who became the chairman of the Illinois chapter of the Black Panther Party in the late 1960s and was murdered in cold blood by police in 1969. LaKeith Stanfield plays William O’Neal, a petty criminal who agreed to help the FBI take Hampton down. This promises to be incendiary, relevant material — and it’s almost here.

Minari

February 12

Lee Isaac Chung directs Steven Yeun–now fully shaking off his years as Glenn on The Walking Dead–in this semi-autobiographical film about a South Korean family struggling to settle down in rural America in the 1980s. Premiering nearly a year ago at the Sundance Film Festival, where it won both the U.S. Dramatic Grand Jury Prize and the U.S. Dramatic Audience Award, Minari had a quick one-week virtual release in December, with a number of critics placing it on their Top 10 lists for 2020.

Its story of immigration and assimilation currently has a perfect 100 percent score on Rotten Tomatoes, with critics lauding its heart, grace, and sensitivity. A few of ours also considered it among 2020’s best.

Nomadland

February 19

Utilizing both actors and real people, director Chloé Zhao (The Rider, Marvel’s upcoming Eternals) chronicles the lives of America’s “forgotten people” as they travel the West searching for work, companionship and community. A brilliant Frances McDormand stars as Fern, a woman in her mid-60s who lost her husband, her house, and her entire previous existence when her town literally vanished following the closure of its sole factory.

Zhao’s film quietly flows from despair to optimism and back to despair again, the hardscrabble lives of its itinerant cast (many of them actual nomads) foregrounded against often stunning–if lonely–vistas of the vast, empty American countryside.

I Care a Lot

February 19

A solid cast, led by Rosamund Pike, Peter Dinklage, Chris Messina, and Dianne Wiest, star in this satirical crime drama from director J. Blakeson (The Disappearance of Alice Creed). Pike plays Marla, a con artist whose scam is getting herself named legal guardian of her elderly marks and then draining their assets while sticking them in nursing homes. She’s ruthless and efficient at it, until she meets a woman (Wiest) whose ties to a crime boss (Dinklage) may prove too much of a challenge for the wily Marla. It was one of our favorites out of Toronto last year.

The Father

February 26

Anthony Hopkins gives a mesmerizing, and deeply tragic, performance as Anthony, an elderly British man whose descent into dementia is reflected by the film itself, which plays with time, setting, and continuity until both Anthony and the viewer can no longer tell what is real and what is not. Olivia Colman is equally moving as his daughter, who wants to get on with her own life even as she watches her father’s disintegrate in front of her.

We saw The Father last year at the AFI Fest and it ended up being a favorite of 2020; Hopkins is unforgettable in this bracing, heartbreaking work, which is stunningly adapted by first-time director Florian Zeller from his own award-winning play.

Chaos Walking

March 5

This constantly postponed sci-fi project has become one of those “we’ll believe it when we see it” films until it actually comes out. Shot nearly three and a half years ago by director Doug Liman, Chaos Walking has undergone extensive reshoots and was at one point reportedly deemed unreleasable.

Based on the book The Knife of Letting Go, it places Tom Holland (Spider-Man: Far From Home) and Daisy Ridley (The Rise of Skywalker) on a distant planet where Ridley, the only woman, can hear the thoughts of all the men due to a mysterious force called the Noise.

Raya and the Last Dragon

March 5

Longtime Walt Disney Animation Studios head of story, Paul Briggs (Frozen), will make his directorial debut on this original Disney animated fantasy, which draws upon Eastern traditions to tell the tale of a young warrior who goes searching for the world’s last dragon in the mysterious land of Kumandra. Cassie Steele will voice Raya while Awkwafina (The Farewell) will portray Sisu the dragon.

Disney Animation has been nearly invincible in recent years with other hits like Moana and Zootopia, so watch for this one to be another major hit for the Mouse.

Coming 2 America

March 5

The notion of whether nostalgia-based properties are still viable has cropped up repeatedly in the last few years. However, streaming, which is where Coming 2 America finds itself headed post-COVID, makes golden oldies much safer. This sequel—based on a 32-year-old comedy that was one of Eddie Murphy’s most financially successful hits—sees Murphy back as Prince Akeem, of course, along with Arsenio Hall returning as his loyal friend Semmi.

The plot revolves around Akeem’s discovery, just as he is about to be crowned king, that he has a long-lost son living in the States (we’re not sure how that happened, but let’s just go with it). That, of course, necessitates another visit to our shores—that is, if Akeem and Semmi presumably don’t get stopped at the border. The film reunites Murphy with Dolemite is My Name director Craig Brewer, so perhaps they can make some cutting-edge social comedy out of this?

The King’s Man

March 12

This might be a weird thing to say: but has World War I ever seemed so stylish? It is with Matthew Vaughn at the helm.

An origin story of sorts for the organization that gave us Colin Firth and the umbrella, The King’s Man is a father and son yarn where Ralph Fiennes’ Duke of Oxford is reluctant about his son Conrad (Harris Dickinson) joining the war effort. But they’ll both be up to it as the Duke launches an intelligence gathering agency independent from any government. It also includes Gemma Arterton, Matthew Goode, and Aaron Taylor-Johnson as charter members.

Oh, and did we mention they fight Rasputin?

Godzilla vs. Kong

March 26

Here we are, at last at the big punch up between Godzilla and King Kong. They both wear a crown, but in the film that Warner Bros. and Legendary Pictures have been building toward since 2014, only one can walk away with the title of the king of all the monsters.

Admittedly, not everyone loved the last American Godzilla movie, Godzilla: King of the Monsters, but we sure did. Still, Godzilla vs. Kong should be a different animal with Adam Wingard (You’re Next, The Guest) taking over directorial duties. It also has a stacked cast with some familiar faces (Kyle Chandler, Millie Bobby Brown, and Ziyi Zhang) and plenty of new ones (Alexander Skarsgård, Eiza González, Danai Gurira, Lance Reddick, and more).

It’ll probably be better than the original, right? And hey with its HBO Max rollout, questions of a poor box office run sure are conveniently mooted!

No Time to Die

April 2

Nothing lasts forever, and the Daniel Craig era of James Bond is coming to an end… hopefully in 2021. In fact, delays notwithstanding, it’s a bit of a surprise Craig is getting an official swan song with this movie after the star said he’d rather “slash his wrists” before doing another one. Well, we’re glad he didn’t, just as we’re hopeful for his final installment in the tuxedo.

Director Cary Joji Fukunaga is a newcomer to the franchise, but that might be a good thing after how tired Spectre felt, and Fukunaga has done sterling work in the past on True Detective and Maniac. He also looks to bring the curtain down on the whole Craig oeuvre by picking up on the last movie’s lingering threads, such as 007 driving off into the sunset with Léa Seydoux’s Madeleine Swann, while introducing new ones that include Rami Malek as Bond villain Safin and Ana de Armas as new Bond girl Paloma. Yay for the Knives Out reunion!

Mortal Kombat

April 16

Not to be deterred by the relative failure of Sony’s Monster Hunter in theaters at the tail end of 2020, Warner Bros. is giving this venerable video game franchise another shot at live-action cinematic glory after two previous tries in the 1990s. Director Simon McQuoid makes his feature debut while the script comes from Dave Callaham (Wonder Woman 1984, Shang-Chi and the Legend of the Ten Rings) and the cast includes a number of actors you’ve seen in other films but can’t quite place.

The plot? Who knows! But we’re guessing it will feature gods, demons, and warriors battling for control of the 18 realms in various fighting tournaments. What else do you want?

A Quiet Place Part II

April 23

The sequel to one of 2018’s biggest surprises, A Quiet Place Part II comes with major expectations. And few may hold it to a higher standard than writer-director John Krasinski. Despite (spoiler) the death of his character in the first film, Krasinski returns behind the camera for the sequel after saying he wouldn’t. The story he came up with apparently was too good to pass up.

The film again stars Emily Blunt as the often silenced mother of a vulnerable family, which includes son Marcus (Noah Jupe) and deaf daughter Regan (Millicent Simmonds). However, now that they know how to kill the eagle-eared alien monsters who’ve taken over their planet, the cast has grown to include Cillian Murphy and Djimon Hounsou. While the film has been delayed due to the coronavirus outbreak, trust us that it’ll be worth the wait. Is it finally time for… resistance?

Last Night in Soho

April 23

Fresh off the success of 2017’s Baby Driver (his biggest commercial hit to date), iconoclastic British director Edgar Wright returns with what is described as a psychological and possibly time-bending horror thriller set in London. Whether this features Wright’s trademark self-aware humor remains to be seen, but since the film is said to be inspired by dread-inducing genre classics like Repulsion and Don’t Look Now, he might be going for a different effect this time.

The cast, of course, is outstanding: upstarts Anya Taylor-Joy (Queen’s Gambit) and Thomasin McKenzie (Jojo Rabbit) will face off with Matt Smith (Doctor Who), and British legends Diana Rigg and Terence Stamp. And the truth is we’re never going to miss one of Wright’s movies. Taylor-Joy talked to us here about finding her 1960s lounge singer voice for the film.

Black Widow

May 7

Some would charitably say it arrives a decade late, but Black Widow is finally getting her own movie. This is fairly remarkable considering she became street pizza in Avengers: Endgame, but this movie fits snugly between the events of Captain America: Civil War and Avengers: Infinity War. It also promises to be the most pared down Marvel Studios movie since 2014’s Captain America: The Winter Soldier, and that’s a good thing.

In the film, Scarlett Johansson’s Natasha Romanoff is on the run after burning her bridges with the U.S. government and UN. This brings her back to the spy games she thought she’d escaped from her youth, and back in the orbit of her “sister” Yelena (Florence Pugh). Old wounds are ripped open, old Soviet foes, including David Harbour as the Red Guardian and Rachel Weisz as Nat and Yelena’s girlhood instructor, are revealed, and many a fight sequence with minimal CGI will be executed.

How’s that for a real start to Phase 4? Of course that’s still assuming this comes out before The Eternals after it was delayed, again, due to the coronavirus pandemic.

Spiral

May 21

Chris Rock has co-written the story for a new take on the Saw franchise. Never thought we’d write those words! The fact that it also stars Rock, as well as Samuel L. Jackson, is likewise head-turning. It looks like they’re going for legitimate horror with Darren Lynn Bousman attached to direct after helming three of the Saw sequels, and its grisly pre-COVID trailer from last year.

Hopefully this will be better than most of the franchise that came before, and given the heavily David Fincher-influenced tone of the first trailer, we’re willing to cross our fingers and play this game.

Free Guy

May 21

What would you do if you discovered that you were just a background character in an open world video game—and that the game was soon about to go offline? That’s the premise of this existential sci-fi comedy from director Shawn Levy, best known for the Night at the Museum series and as an executive producer and director on Stranger Things. Ryan Reynolds stars as Guy, a bank teller who discovers that his life is not what he thought it was, and in fact isn’t even real—or is it? We’ve seen a preview of footage, so we’d suggest you think Truman Show, if Truman was trapped in Grand Theft Auto.

F9

May 28

Just when you thought this never-say-die franchise had shown us everything it could possibly dream up, it ups the stakes one more time: the ninth entry in the Fast and Furious saga (excluding 2019’s Hobbs and Shaw) will reportedly take Dom Toretto (Vin Diesel) and his cohorts into space as they battle Dom’s long-lost brother Jakob (John Cena, making a long-overdue debut in this series). Michelle Rodriguez, Tyrese Gibson, Chris “Ludacris” Bridges, Jordana Brewster, Helen Mirren, and Charlize Theron all also return, as does director Justin Lin, who took a two-film break from his signature series. Expect to see the required physics-defying stunts, logic-defying action and even more talk about “family” than usual.

Cruella

May 28

Since Disney has already made an animated 101 Dalmatians in 1961 and a live-action remake in 1996, it is apparently time to tell the story again Maleficent-style. Hence we now focus on the viewpoint of iconic villainess Cruella de Vil, played this time by Emma Stone. She’s joined in the movie by Emma Thompson, Paul Walter Hauser, and Mark Strong, with direction handled by Craig Gillespie (sort of a step down from 2017’s I, Tonya, if you ask us).

The story has been updated to the 1970s, but Cruella–now a fashion designer–still covets the fur of dogs for her creations. This is a Mouse House joint, so don’t expect it to get too dark, and don’t be completely surprised if it ends up as a premium on Disney+ in lieu of its already delayed theatrical release.

Infinite

May 28

This sci-fi yarn from director Antoine Fuqua (The Equalizer) stars Mark Wahlberg as a man experiencing what he thinks are hallucinations, but which turn out to be memories from past lives. He soon learns that there is a secret society of people just like him, except that they have total recall of their past identities and have acted to change the course of history throughout the centuries.

Based on the novel The Reincarnationist Papers by D. Eric Maikranz, this was originally a post-Marvel vehicle for Chris Evans. He dropped out, and the combination of Fuqua and Wahlberg hints at something more action-oriented than the rather cerebral premise suggests. The film also stars Sophie Cookson, Chiwetel Ejiofor, and Dylan O’Brien.

The Conjuring: The Devil Made Me Do It

June 4

James Wan is already directing a new horror film this year so he’s stepping away from the directorial duties on the third film based on the paranormal investigations of Ed and Lorraine Warren (Patrick Wilson and Vera Farmiga). That task has fallen to Michael Chaves (The Curse of La Llorona), so expect plenty of the same Wan Universe touches: heavy atmosphere, superb use of sound, and shocking, eerie visuals.

Details are scarce, but the plot—like the other two Conjuring films—is taken from the true-life case of a man who went on trial for murder and said as his defense that he was possessed by a demon when he committed his crimes. That’s all we know for now, except that, intriguingly, Mitchell Hoog and Megan Ashley Brown have been cast as younger versions of the Warrens.

Ghostbusters: Afterlife

June 11

With the 2016 Ghostbusters reboot criticized (fairly) for its lack of imagination and castigated (unfairly as hell) for its all-female ghost-hunting crew, director Jason Reitman–finally cashing in on the family name by returning to the brand his dad Ivan directed to glory in 1984–has crafted a direct sequel to the original films.

Read more

Books

Ghostbusters: Afterlife – Who is Ivo Shandor?

By Gavin Jasper

Movies

The Greatest Movie Sequels Never Made

By Jack Beresford

Set 30 years later, Afterlife follows a family who move to a small town only to discover that they have a long-secret connection to the OG Ghostbusters. Carrie Coon (The Leftovers), Finn Wolfhard (Stranger Things) and Paul Rudd (Ant-Man and the Wasp: Quantumania) star alongside charter cast members Dan Aykroyd, Ernie Hudson, Sigourney Weaver, Annie Potts, and, yes, Bill Murray.

In the Heights

June 18

Lin-Manuel Miranda’s first Broadway hit musical gets the big screen treatment (by way of HBO Max) from director Jon M. Chu (Crazy Rich Asians). Set in Washington Heights over the course of a three-day heat wave, the plot and ensemble cast carry echoes of both Rent and Do the Right Thing. While a success on the stage—if not quite the cultural phenomenon that Miranda’s next show, Hamilton—it remains to be seen whether In the Heights can strike a chord with streaming audiences.

Luca

June 18

Continuing its current run of all-new, non-sequel original films started in 2020 with Onward and Soul, Pixar will unveil Luca this summer. Directed by Enrico Casarosa–making his feature debut after 18 years with the animation powerhouse–the film tells the story of a friendship between a human being and a sea monster (disguised as another human child) on the Italian Riviera. That’s about all we have on it for now, except that the cast includes Drake Bell and John Ratzenberger.

Pixar’s recent track record has included masterpieces like Inside Out, solid sequels like Toy Story 4, and shakier propositions like The Incredibles 2, but we don’t have any indication yet of what to expect from Luca.

Venom: Let There Be Carnage

June 25

Can anyone honestly say that 2018’s Venom was a “good” movie? A batshit insane movie, yes, and perhaps even an entertaining one in its own nutty way, but good or not, it made nearly a billion bucks at the box office so here we are.

Tom Hardy will return to peel more scenery down with his teeth as both Eddie Brock and his fanged, towering alien symbiote while Woody Harrelson will fulfill his destiny and play Cletus Kasady, aka Carnage, the perfected hybrid of psychopathic serial killer and red pile of vicious alien goo. Let the carnage begin!

Top Gun: Maverick

July 2

It’s been 34 years since Tom Cruise first soared through the skies as hotshot pilot Pete “Maverick” Mitchell, and he’ll take to the air once more in a sequel that also features Val Kilmer, Jennifer Connelly, Miles Teller, Jon Hamm, and more. The flying and action sequences from director Joseph Kosinski (who worked with Cruise on Oblivion) will undoubtedly be first-rate, but the studio (Paramount) has to be nervous after seeing one nostalgia-based franchise after another (Blade Runner, Charlie’s Angels, Terminator, The Shining) crash and burn recently.

Shang-Chi and the Legend of the Ten Rings

July 10

With Shang-Chi, Marvel Studios hopes to do for Asian culture what the company did with the groundbreaking Black Panther nearly three years ago: create another superhero epic with a non-white lead and a mythology steeped in a non-Western culture. Simu Liu stars in the title role as the “master of kung fu,” who must do battle with the nefarious Ten Rings organization and its leader, the Mandarin (the “real” one, not the imposter from Iron Man 3, played here by the legendary Tony Leung). Director Destin Daniel Cretton (Just Mercy) will open up a whole new corner of the Marvel Cinematic Universe with this story and character, whose origins stretch back to 1973.

The Forever Purge

July 9

One day nearly eight years ago, you went to see a low-budget dystopian sci-fi/horror flick called The Purge, and the next thing you know, it’s 2021 and you’re getting ready to see the fifth and allegedly final entry in the series (which has also spawned a TV show). Written by creator James DeMonaco and directed by Everardo Gout, the film will once again focus on the title event, an annual 12-hour national bacchanal in which all crime, even murder, is legal. How this ends the story, and where and when it falls into the context of the rest of the films, remains a secret for now. Filming was completed back in February 2020, with the film’s release delayed from last summer by the COVID-19 pandemic.

Space Jam: A New Legacy

July 16

There are two types of folks when it comes to the original Space Jam of 1996: those who were between the ages of three and 11 when it came out, and everyone else. In one camp it is an unsightly relic of ‘90s cross-promotional cheese; in the other, it’s a sports movie classic. Luckily for kids today, NBA star LeBron James was 11 for most of ’96, and he’s bringing back the hoops and the Looney Tunes in Space Jam: A New Legacy.

The film will be among the many Warner Bros. pics premieres on HBO Max and in theaters this year, and it will see King James share above-the-title credits with Bugs Bunny. All is as it should be.

Uncharted

July 16

An Uncharted movie has been a long time coming. How long you might ask? Well, when the idea of an Uncharted movie first started getting bandied around Hollywood, the earliest game in the series just launched to rave reviews in the PlayStation 3’s first year. We’re now on PlayStation 5(!), and Mark Wahlberg has gone from angling to play young hero Nathan Drake to starring his wisecracking sidekick, Victor “Sully” Sullivan.

Still, we’re here with an Uncharted movie finally in the can. Directed by Ruben Fleischer (Zombieland, Venom), the video game movie stars everyone’s favorite web-head, Tom Holland, as Drake, a pseudo-modern day Indiana Jones. Whether it lives up to that older franchise’s storied legacy remains to be seen (especially given its gaming roots), but one thing’s for sure, Holland will get to show off more gymnast skill thanks to Uncharted’s famous parkour iconography.

The Tomorrow War

July 23

An original IP attempting to be a summer blockbuster? As we live and breathe. The Tomorrow War marks director Chris McKay’s first foray into live-action after helming The Lego Batman Movie. The film stars Chris Pratt as a soldier from the past who’s been “drafted by scientists” to the present in order to fight off an alien invasion overwhelming our future’s military. One might ask why said scientists didn’t use their fancy-schmancy time traveling shenanigans to warn about the impending aliens, but here we are.

Jungle Cruise

July 30

Disney dips into its theme park rides again as a source for a movie, hoping that the Pirates of the Caribbean lightning will strike once more. This time it’s the famous Adventureland riverboat ride, which is free enough of a real narrative that one has to wonder why some five screenwriters (at least) worked on the movie’s script.

Jaume Collet-Serra (The Shallows) directs stars Dwayne Johnson and Emily Blunt down this particular river, as they battle wild animals and a competing expedition in their search for a tree with miraculous healing powers. The comic chemistry between Johnson and Blunt is key here, especially if they really can mimic Bogie and Hepburn in the similarly plotted The African Queen. If they can sell that, Disney might just have a new water-based franchise to replace their sinking Pirates ship.

The Green Knight

July 30

David Lowery, the singular director behind A Ghost Story and The Old Man & the Gun, helmed a fantasy adaptation of the Arthurian legend of Sir Gawain and the Green Knight. And his take on the material was apparently strong enough to entice A24 to produce it. Not much else is yet known about the film other than its cast, which includes Dev Patel, Alicia Vikander, Ralph Ineson, and Kate Dickie–and that it’s another casualty of COVID, with its 2020 release date being delayed last year. So this is one we’re definitely going to keep an eye on.

The Suicide Squad

August 6

Arguably the most high-profile of the WB films being transitioned to HBO Max, The Suicide Squad is James Gunn’s soft-reboot of the previous one-film franchise. It’s kind of funny WB went in that direction when the first movie generated more than $740 million, but when the reviews and word of mouth were that toxic… well, you get the guy who did Guardians of the Galaxy to fix things.

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TV

Peacemaker: Suicide Squad Spinoff With John Cena Coming to HBO Max

By Mike Cecchini

Movies

The Suicide Squad Trailer Promises James Gunn’s “1970s War Movie”

By David Crow

Elements from the original movie are still here, most notably Margot Robbie’s Harley Quinn and Viola Davis’ Amanda Waller, but the film promises to be weirder, meaner, and also sillier. The first points are proven by its expected R-rating, and the latter is underscored by its giant talking Great White Shark. Okay, we’ll bite.

Deep Water

August 13

Seedy erotic thrillers and neo noirs bathed in shadows and sex are largely considered a thing of the past—specifically 1980s and ‘90s Hollywood cinema. Maybe that’s why Deep Water hooked Adrian Lyne (Fatal Attraction, Indecent Proposal) to direct. The throwback is based on a 1957 novel by the legendary Patricia Highsmith (The Talented Mr. Ripley), and it pits a disenchanted married couple against each other, with the bored pair playing mind games that leave friends and acquaintances dead. That the couple in question is played by Ben Affleck and Ana de Armas, who’ve since become a real life item, will probably get plenty of attention close to release.

Respect

August 13

Respect is the long-awaited biopic of the legendary Aretha Franklin, with the Queen of Soul herself involved in its development for years until her death in August 2018. Authorized biopics always make one wonder how accurate the film will be, but then again, Aretha had nothing to be ashamed of. Hers was a life well-lived, her voice almost beyond human comprehension, and the only thing now is to see whether star Jennifer Hudson (Franklin’s personal choice) and director Liesl Tommy (making her feature debut) can do the Queen justice.

Candyman

August 27

In some ways it’s surprising that it’s taken this long—28 years, notwithstanding a couple of sequels—to seriously revisit the original Candyman. Director Bernard Rose’s original adaptation of the Clive Baker story, “The Forbidden,” is still relevant and effective today. Back then, the film touched on urban legends, poverty, and segregation: themes that are still ripe for exploration through a genre touchstone today.

After her breathtaking feature directorial debut, Little Woods, Nia DaCosta helmed this bloody reboot while working from a screenplay co-written by Jordan Peele (Get Out). That’s a powerful combination, even before news came down DaCosta was helming Captain Marvel 2. And with an actor on-the-cusp of mega-stardom, Yahya Abdul-Mateen II, picking up Tony Todd’s gnarly hook, this is one to watch out for.

The Beatles: Get Back

August 27

Peter Jackson seems to enjoy making films about what inspired him in his youth: The Lord of the Rings, King Kong, his grandfather’s World War I service informing They Shall Not Grow Old. So perhaps it was inevitable he’d make a film about the greatest youth icon of his generation, the Beatles. In truth, The Beatles: Get Back is a challenge to a previous documentary named Let It Be, and the general pop culture image it painted.

That 1970 doc by Michael Lindsay-Hogg zeroed in on the band’s final released album, Let It Be (although it was recorded before Abbey Road). Now, using previously unseen footage, Jackson seeks to challenge the narrative that the album was created entirely from a place of animosity among the bandmates, or that the Beatles had long lost their camaraderie by the end of road. Embracing the original title of the album, “Get Back,” Jackson wants to get back to where he thinks the band’s image once belonged.

Death on the Nile

September 17

Murder on the Orient Express (2017) became a surprise hit for director and star Kenneth Branagh. Who knew that audiences would still be interested in an 83-year-old mystery novel about an eccentric Belgian detective with one hell of a mustache? Luckily, Agatha Christie featured Poirot in some 32 other novels, of which Death on the Nile is one of the most famous, so here we are.

Branagh once again directs and stars as Poirot, this time investigating a murder aboard a steamer sailing down Egypt’s famous river. The cast includes Gal Gadot, Armie Hammer, Letitia Wright, Tom Bateman, Ali Fazal, Annette Bening, Rose Leslie, and Russell Brand. Expect more lavish locales, scandalous revelations, the firing of a pistol or two, and, yes, more shots of that stunning Poirot facial hair.

The Many Saints of Newark

September 24

The idea of a prequel to anything always fills us with trepidation, and re-opening a nearly perfect property like The Sopranos makes the prospect even less appetizing. But Sopranos creator David Chase has apparently wanted to explore the back history of his iconic crime family for some time, and there certainly seems to be a rich tapestry of characters and events that have only been hinted at in the series.

Directed by series veteran Alan Taylor (Thor: The Dark World), The Many Saints of Newark stars Alessandro Nivola as Dickie Moltisanti (Christopher’s father), along with Jon Bernthal, Vera Farmiga, Corey Stoll, Ray Liotta, and others. But the most fascinating casting is that of Michael Gandolfini—James’ son—as the younger version of the character with which his late dad made pop culture history. For that alone, we’ll be there on opening night… even if that just means HBO Max!

Dune

October 1

Could third time be the charm for Frank Herbert’s complex novel of the far future, long acknowledged as one of the greatest—if most difficult to read—milestones in all of science fiction? David Lynch’s 1984 version was, to be charitable, an honorable mess, while the 2000 Sci-Fi Channel miniseries was decent and faithful, but limited in scope. Now director Denis Villeneuve (Blade Runner 2049, Arrival) is pulling out all the stops—even breaking the story into two movies to give the proper space.

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Movies

Dune Trailer Breakdown and Analysis

By Mike Cecchini

Movies

What Alejandro Jodorowsky Thinks of the New Dune Trailer

By Mike Cecchini and 1 other

On the surface, the plot is simple: as galactic powers vie for control of the only planet that produces a substance capable of allowing interstellar flight, a young messiah emerges to lead that planet’s people to freedom. But this tale is dense with multiple layers of politics, metaphysics, mysticism, and hard science.

Villeneuve has assembled a jaw-dropping cast, including Timothée Chalamet, Rebecca Ferguson, Oscar Isaac, Josh Brolin, Stellan Skarsgård, Dave Bautista, Zendaya, Charlotte Rampling, Jason Momoa, and Javier Bardem, and if he pulls this off, just hand him every sci-fi novel ever written. Particularly, if relations between the director and WB remain strained…

Morbius

October 8

Following the monstrous (pun intended) success of Venom, Sony Pictures is making its second attempt to mine Spider-Man’s universe of villains with the dark tale of Dr. Michael Morbius (Jared Leto), whose efforts to cure himself of a fatal blood disease turn him instead into a blood-drinking anti-hero. Morbius has been lurking around the Marvel Comics canon since 1971, often either sparring or teaming with Spidey, and it remains uncertain whether he’s got the cache to carry a movie on his own. In addition, can Leto wash away the bad taste left behind by his tattooed and grilled Joker in Suicide Squad?

Halloween Kills

October 15

2018’s outstanding reboot of the long-running horror franchise—which saw David Gordon Green (Stronger) direct Jamie Lee Curtis in a reprise of her most famous role—was a tremendous hit. So in classic Halloween fashion, two more sequels were put into production (the second, Halloween Ends, will be out in 2022… hopefully).

Read more

Movies

Halloween: A Legacy Unmasked

By David Crow

Movies

How Jason Blum Changed Horror Movies

By Rosie Fletcher

Curtis is back as Laurie Strode, along with Judy Greer as her daughter, Andi Matichak as her granddaughter, and Nick Castle sharing Michael Myers duties with James Jude Courtney. Kyle Richards and Charles Cyphers, meanwhile, will reprise their roles as Lindsey Wallace and former sheriff Leigh Brackett from the original 1978 Halloween (Anthony Michael Hall will play the adult version of Tommy Doyle). The plot remains a mystery, but we’re pretty sure it will involve yet another confrontation between Laurie and a rampaging Myers.

The Last Duel

October 15

What was once among the most anticipated films of 2020, The Last Duel is the historical epic prestige project marked by reunions: Ridley Scott returns to his passion for period drama and violence; Matt Damon and Ben Affleck work together for the first time in ages as both actors and writers; and the film also unites each with themes that were just as potent in the medieval world as today: One knight (Damon) in King Charles VI’s court accuses another who’s his best friend (Adam Driver) of raping his wife (Jodie Comer). Oh, and Affleck plays the King of France.

With obviously harrowing—and uncomfortable—themes that resonate today, The Last Duel is based on an actual trial by combat from the 14th century, and is a film Affleck and Damon co-wrote with Nicole Holofcener (Can You Ever Forgive Me?). It’s strong material, and could prove to be one of the year’s most riveting or misjudged films. Until then, it has our full attention.

Snake Eyes: G.I. Joe Origins

October 22

While the idea of a Hasbro Movie Universe seems to be kind of idling at the moment, corners of that hypothetical cinematic empire remain active. One such brand is G.I. Joe, which will launch its first spin-off in this origin story of one of the team’s most popular characters. Much of his early background remains mysterious, so there’s room to create a fairly original story while incorporating lore and characters already established in the G.I. Joe mythos.

Neither of the previous G.I. Joe features (The Rise of Cobra and Retaliation) have been much good, so we can probably expect the same level of quality from this one. Director Robert Schwentke (the last two Divergent movies) doesn’t inspire much excitement either. On the other hand, Henry Golding (Crazy Rich Asians) will star in the title role, and having Iko Uwais (The Raid) and Samara Weaving (Ready or Not) on board isn’t too bad either.

Eternals

November 5

Based on a Marvel Comics series by the legendary Jack Kirby, the now long-forthcoming Eternals centers around an ancient race of powerful beings who must protect the Earth against their destructive counterparts (and genetic cousins), the Deviants. Director Chloe Zhao (fresh off the awards season buzzy Nomadland) takes her first swing at epic studio filmmaking, working with a cast that includes Angelina Jolie, Gemma Chan, Kit Harington, Salma Hayek, Richard Madden, Brian Tyree Henry, and more.

Read more

Movies

Upcoming Marvel Movies Release Dates: MCU Phase 4 Schedule, Cast, and Story Details

By Mike Cecchini and 1 other

Movies

The Incredible Hulk’s Diminished Legacy in the Marvel Cinematic Universe

By Gavin Jasper

In many ways, Eternals represents another huge creative risk for Marvel Studios: It’s a big, cosmic ensemble film introducing an ensemble that the vast majority of the public has never heard of. But then, it’s sort of in the same position as Guardians of the Galaxy from way back in 2014, and we all know what happened there.

Elvis

November 5

Obviously we’ve all seen musical biopics before—too many after Walk Hard broke the formula down—but Elvis promises to be something different. A new passion project from Baz Luhrmann, the filmmaker behind Moulin Rouge!, Romeo + Juliet, and The Great Gatsby, Elvis is expected to be a radically stylized account of Elvis Presley’s rise to all shook up fame. With an impressive cast that includes Tom Hanks as manager “Colonel” Tom Parker and Kelvin Harrison Jr. as B.B. King, and with up-and-comer Austin Butler as the King of Rock and Roll himself, it should be a hell of a show.

King Richard

November 19

Will Smith’s King Richard promises to be a different kind of biographical film coming down the pipe. Rather than being told from the vantage of professional tennis playing stars Venus and Serena Williams, King Richard centers on their father and coach, Richard Williams. It’s an interesting choice to focus on the male father instead of the game-changing Black daughters, but we’ll see if there’s a strong creative reason for the approach soon enough. The film is directed by Reinaldo Marcus Green (Monsters and Men, Joe Bell).

Mission: Impossible 7

November 19

Once upon a time, the appeal of the Mission: Impossible movies was to see different directors offer their own take on Tom Cruise running through death-defying stunts. But then Christopher McQuarrie had to come along and make the best one in franchise history (twice). First there was Mission: Impossible – Rogue Nation and then Mission: Impossible – Fallout. Now McQuarrie and company have set up their own separate quartet of films with recurring original characters like new franchise MVP Ilsa Faust (Rebecca Ferguson) across four films.

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Movies

Audio Surfaces of Tom Cruise Raging on the Set of Mission: Impossible 7

By Kirsten Howard

Movies

Mission: Impossible 7 – What’s Next for the Franchise?

By David Crow

Thus enters M:I7, the third McQuarrie joint in the series and first half of a pair of incoming sequels filmed together. The first-half of this two-parter sees the whole crew back together, including Cruise’s Ethan Hunt, Ilsa, Benji (Simon Pegg), Luther (Ving Rhames), and CIA Director Erika Sloane (Angela Bassett). They’re also being joined by Hayley Atwell and Pom Klementieff, but really we’re all just eager to see what kind of insane stunts they can do to top the HALO jump in the last one.

West Side Story

December 10

Steven Spielberg has just two remakes on his directorial resume: Always (1989) and War of the Worlds (2005). While the former is mostly forgotten and the latter was an adaptation of a story that has been filmed many times, his upcoming reimagining of West Side Story will undoubtedly be directly compared to Robert Wise’s iconic 1961 screen version of this classic musical.

A few numbers in previous films aside, Spielberg has never directed a full-blown musical before, let alone one associated with such powerhouse songs and dance numbers. His version, with a script by Tony Kushner, is said to stay closer to the original Broadway show than the 1961 film—but with its themes of love struggling to cross divides created by hate and bigotry, don’t be surprised if it’s just as hard-hitting in 2021. Certainly would’ve devastated last year….

Spider-Man 3

December 17

Sony has finally gotten to a “Spider-Man 3” again in their oft-rebooted franchise crown jewel (technically though this film is still untitled). That proved to be a stumbling block the first time it occurred with Tobey Maguire in the red and blues, but the company seems undaunted since Tom Holland’s third outing is expected to bring Maguire back—him and just about everyone else too.

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Movies

Spider-Man 3: Charlie Cox Daredevil Return Would Redeem the Marvel Netflix Universe

By Joseph Baxter

Movies

Spider-Man 3 Adds Benedict Cumberbatch’s Doctor Strange

By Joseph Baxter

With a multiverse plot ripped straight from the arguably best Spidey movie ever, 2018’s Into the Spider-Verse, Holland’s third outing is bringing back Maguire, Andrew Garfield’s Spider-Man, Alfred Molina as Doc Ock, Jamie Foxx as Electro (eh), and probably more. It’s a Spidey crossover extravaganza that’s only missing a Spider-Ham. But just you wait…

The Matrix 4

December 22

Rebooting or continuing The Matrix series has always been a tough proposition. While the original Matrix film is one of the landmark achievements in science fiction and early digital effects filmmaking in the 1990s, its sequels were… less celebrated. In fact, directors Lily and Lana Wachowski were publicly wary about the idea of ever going back to the series. And yet, here we are with Lana (alone) helming a project that’s been a longtime priority for Warner Bros.

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Movies

The Matrix 4: Laurence Fishburne “Wasn’t Invited” to Reprise Morpheus Role

By John Saavedra

Movies

The Matrix 4 Already Happened: Revisiting The Matrix Online

By John Saavedra

The Matrix 4 also brings back Keanu Reeves, Carrie-Anne Moss, and Jada Pinkett Smith. This is curious since Reeves and Moss’ characters died at the end of the Matrix trilogy—and also because Laurence Fishburne’s Morpheus did not, yet he wasn’t asked back. We cannot say we’re thrilled about the prospect of more adventures in Zion after the disappointment of the first two sequels, but we’d be lying if we didn’t admit we’re still curious to see the story that brought Lana back to this future.

The French Dispatch

TBA

Wes Anderson has a new film coming out. Better still, it is another live-action film. While Anderson’s use of animation is singular, it’s been seven years since The Grand Budapest Hotel, which we maintain is one of the best movies of the last decade. Anderson  is working with Timothée Chalamet and Cristoph Waltz for the first time with this film, as well as several familiar faces including Saoirse Ronan, Willem Dafoe, Tilda Swinton, Léa Seydoux, Adrien Brody, Owen Wilson, Jason Schwartzman, and, of course, Bill Murray.

The French Dispatch is set deep in the 20th century during the peak of modern journalism, it brings to life a series of fictional stories in a fictional magazine, published in a fictional French city. We suspect though, if Anderson’s last two live-action movies are any indication, it’ll have more than fiction on its mind–especially since it’s inspired by actual New Yorker stories, and the journalists who wrote them! We missed it in 2020, so here’s hoping it really does go to print in 2021!

Other interesting movies that may come out in 2021 but do not yet have release dates: Next Goal Wins, Don’t Worry Darling, Nightmare Alley, Antlers, Blonde, The Northman, Resident Evil, Red Notice, Those Who Wish Me Dead, Army of the Dead.

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The post Upcoming Must-See Movies in 2021 appeared first on Den of Geek.

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[clive-owen-and-the-knick]

A parlor game to try at your next dinner party: Mention the name Clive Owen in the company of otherwise sophisticated, polite, culture-loving adults and watch as the heat in the room starts rising.

I casually noted to a group of friends over drinks that I would be interviewing the English actor, most recently seen opposite Will Smith in the sci-fi action movie Gemini Man and best known for films such as Mike Nichols’ Closer (Owen received an Academy Award nomination for that 2004 romance drama), and Alfonso Cuarón’s political thriller Children of Men. The response required everything in my arsenal to stop blushing.

“Oooh, I’ve been in lust with that hot man since those BMW commercials,” one woman (OK, it was my own wife) said, referring to an early 2000s series of ads in which Owen smoldered magnetically at the wheel of a Z4 roadster. Owen was the face of Lancôme men’s products, too, for a while.

“We need him to be James Bond,” my friend Lennon said, as if the future of the polar caps depended on it. To be fair, Owen has spent 20 years saying he’s not interested in being 007 (“For me, Sean Connery is the real James Bond,” he likes to say).

“Ask Clive-y”—Clive-y?!—“what it’s like being the sexiest man in the world,” Lennon’s sister chimed in, and she was 100% not kidding. That prompted a brilliant new request from Lennon:

“Ask him to take off his freaking shirt!”

One might think that at 55 Owen would be at ease with such fuss. In an early aughts review of Croupier, the noir-ish casino drama that first brought the actor to attention in the United States, The New York Times praised the “sharp, cynical intelligence that rolls off the screen in waves whenever [Owen] widens his glittering blue eyes.” (For the record, Owen’s eyes are mostly green, but still. The same review likened him to Michael Caine in his prime.) And that was tame. Another critic once dubbed Owen a “super tiger sex commando” and “brusquely gentle British love ninja.” Then there was the moment in New York a couple of years ago when a public figure accustomed to far greater hysteria broke protocol to out himself as an Owen fanboy.

“I was at an event with Barack Obama and when I walked over to shake his hand, he pulled out his phone and took a selfie with me, even though there was a no-selfie rule,” Owen says, still stunned even now. Apparently, the former president is a huge admirer of The Knick, the Cinemax series set in gas lamp-era Manhattan in which Owen plays an opium-addled surgeon. Owen has a selfie somewhere on his phone, too, but he’s not happy with it. “My family wanted to kill me because Obama’s selfie looked great, and mine looks insane. The whole thing felt insane.”

Which is to say that Owen cannot quite comprehend how a working-class kid from the British Midlands ended up doing head tilts with the ex-leader of the free world. Even without a gigantic standout blockbuster or a scandal dogging his name (he’s lived quietly in London with his wife, Sarah-Jane Fenton, since his early 20s, and they have two grown daughters; the family’s big indulgence: watching tennis), Owen has a way of charging the atmosphere wherever he pops up. He recently wrapped his first big onstage role in 18 years on London’s West End in the Tennessee Williams play The Night of the Iguana, which sold out practically every night. Variety called it “quietly devastating.” Owen saw the gig as “another surreal experience” in a career he’d never anticipated would go so well.

Suit, Giorgio Armani; shirt, Tom Ford; Reverso Classic Large Duoface watch, Jaeger- LeCoultre.

He grew up the fourth of five boys in England’s Coventry area. His father was a country and western singer who left the family when Owen was 3. His mother remarried a railway clerk, and money was never an issue because there was never very much of it. “I came from a tough upbringing, but I wouldn’t say I was a tough kid,” Owen says. He always liked sports; he is a lifelong Liverpool Football Club superfan. But makeup and costumes are what did him in. “I think it was one school play at age 13, and from then on, acting is all I wanted to do.”

For a long time, Owen was British TV famous. After graduating from the Royal Academy of Dramatic Art (“Ralph Fiennes was a year ahead of me and definitely got all the attention,” he says), he did Shakespeare at the Young Vic before landing his first big break playing a stylish, overconfident con in the title role of Chancer. That early 1990s TV crime series made him a national heartthrob, though it would be another decade before U.S. audiences paid much attention.

“I was never the sort of actor who plotted my next move and thought, ‘Oh, here’s where I want to be in five years,’” he says. Owen is serious, and even a little dour (“I’m probably more of an introvert, yes,” he admits). He speaks quickly in short matter-of-fact sentences. If he wasn’t an actor, you might think you were talking to an athlete in the locker room after a difficult game. “I work and that’s most of it. A lot of actors will say, ‘I hate not knowing what’s coming,’ even people who’ve been successful for years. In a weird way, I love the hovering potential of whatever’s on the horizon. You keep waiting for the next challenge, the next script. It keeps you excited and alive.”

In 2004’s Closer, Owen’s ferocious but tender performance as a deviant dermatologist in a movie about sex and strippers (with costars Julia Roberts and Natalie Portman) earned him an Oscar nod and a Golden Globe win for his supporting role. He was officially every thinking moviegoer’s English stud muffin; an impressive run of big-budget popcorn releases followed: King Arthur (the title role), Sin City, The Pink Panther (he played Agent 006 in a kind of self-parody) and Inside Man. The 2006 dystopian sci-fi thriller Children of Men, about oppressive immigration laws that keep immigrants out of the United Kingdom, all but predicted the current migrant crisis in Europe and the U.S.

Jacket and shirt, both by Giorgio Armani.

In Gemini Man, Owen is on the cutting edge again. He plays a brutal boss in a space epic in which Smith’s character is being hunted by a younger, faster cloned version of himself. Owen says director Ang Lee is “leading things forward with everything that’s possible technically in a huge big-budget film, yet at the same time he’s so particular about character and details that the bigness of the movie melts away and, as an actor, you’re focusing on the tension and the intensity.”

Speaking of tension, I decided to tell Owen about the tsunami of libidinousness I unleashed simply by uttering his name in mixed company over cocktails. A sex symbol! Five years shy of 60! “Doesn’t that warm your heart a little when you look in the mirror in the morning?” I asked, and I could tell I’d broken protocol myself the moment I said it.

“Oh, no, no, no, no, no, no, no,” Owen says. “If I ever said, ‘Hey, wow, look, there’s a sex symbol in the mirror,’ you’d just have to shoot me. I might be an OK actor, but that’s not a performance I could fake.”

[cupkayke]

For the fanfiction questions thing: 1, 3, 6, 11, 17, 21, 25, 27, 36, 40, 41, 46, 50 and 51 (I hope these aren't too many)

 Not too many at all! I like talking about myself lol.

Under a cut because longggggg.

1) What was the first fandom you got involved in?

Oh gosh, definitely Tokyo Mew Mew. I never wrote fanfics for it but I co-owned and then owned an Avidgamers RP site for TMM called MewUSA back in like 2004-2006. Avidgamers was a forum site engine that was pretty damn nice for its time (also FREE, that was a plus) and I spent HOURS creating characters, storylines, and layouts for it. There were TONS of individual in-character boards and I think we may have had up to 100 unique users at one point. The detailed characters/plotlines were BASICALLY fanfiction- I think I did an entire rp with myself between a few of my characters once- and it was a whole lot of fun. Some of the OCs from that site were repurposed into a longrunning rp I have with @liarino on AIM and I am FOREVER grateful that I met them through that site

Fanfic-wise, it was Full Metal Alchemist. I had a horrendous LITERAL self-insert OC fic called ‘Nice of Me to Drop In’ that was based on an RP I did with a different friend. Plot? ‘Fangirl of FMA LITERALLY FALLS INTO HER TELEVISION AND WAKES UP IN THE UNIVERSE AND FALLS IN LOVE WITH ALPHONSE’. The end. I never finished it but holy shitballs it got SO MANY REVIEWS. I’m surprised how many people actually enjoyed it- I did get some criticisms but despite the fact that it was so cringe-worthy that I took it down it still got sooooo much positive feedback. I sometimes wonder if people would still be reading it on ff.net if I hadn’t taken it down the last time I overhauled that account. I still have some Ouran oneshots on there that I wrote TEN FUCKING YEARS AGO that still get reviews. Dayum. 

3) What is the best fandom you’ve ever been involved in?

I have to say it’s a tie between the Tokyo Mew Mew fandom circa 2003-2006 and the Ouran fandom from about 2006-2008. My experience with them was limited to RP boards but I had the MOST FUN running MewUSA and a long-running Gaia RP ‘Hosting the Hosts’ because of the warm response to the concepts. The TMM fandom especially was super creative even back in the day- there were so many fan mew mews because the formula was so easy and that was one series that I didn’t mind OCs because the concept was easily applied. In-universe, the creator could have easily made more Mew Mews. So the possibilities were endless. That’s also the fandom I learned the majority of my writing skills from, even if I did get called out a couple times for shitty RPing. I got better and I was so sad when the engine finally kicked the bucket. Aside from the RP sites the TMM fandom had sooooo many fansites dedicated to the show- my other favorite being Neko Tokyo. I think that site might still be up… 

Ouran was limited to that RP I ran but damn I never had one so fun. That group of writers was hysterical and I actually met one of them in person because by sheer coincidence she lived near me. She moved soon after we figured it out but she came back for a convention and we hung out all weekend. Unfortunately I don’t remember her name and I lost her phone number T_T I wonder where she is sometimes. I wonder where a lot of my fan friends from back then are. The problem with early 2000s internet.

Tho I think Boueibu will be my new modern fave fandom.

6) List your OTP from each fandom you’ve been involved in.

 Ohhhh dear. I’ll keep it to ones that I actually ship characters in because a lot of my early fandoms were MYSELF AS AN OC X HOT MALE CHARACTER. OTL. I was a weeb. Most of these are fandoms I’ve rped in rather than written fanfiction for, however.

Tokyo Mew Mew- PuddingxTart. I like to read IchigoxKisshu fanfics sometimes but that ship is highly problematic looking back on it lol

Code Lyoko - THROWBACK. JeremiexAelita. Adorable.

Ouran HSHC - I’m fond of HunnyxHaruhi (as evidenced by my mostly abandoned ff.net account) but basically AnyonexHaruhi is super cute. I think I read a fic once where Haruhi was in a relationship with ALL of the guys and it was actually super interesting. I don’t think I can find it again, tho.

Harry Potter - Drarry.

Walking Dead - CarolxDaryl FTW. and Richonne. I’ve toyed with the idea of writing fanfics for WD but never quite get up to it.

Mass Effect - Shakarian. Fuck yes. Fun fact I have an unfinished smutfic on the mass effect kinkmeme livejournal that I will EVENTUALLY FINISH ONE DAY AND PUBLISH UNDER MY NAME buuuut for now it will remain an anonymous abandoned fic.

Boueibu - …All of them? OTL I can’t pick one ship… tho if you force me… IoRyuu and BeppuMoto OT3.

YOI - I think everyone’s OTP is Victuuri.

11) Who is your current OTP?

Victuuri.

17)  Who was your first OTP and are they still your favourite?

Since Boueibu is my current fandom- I immediately was drawn to Enatsu since s1 had a relatively large focus on them but I’ve kind of fallen out of actively shipping them. I like them as a couple and I think they’re def boyfriends material but they’re definitely a comfortable ship. Their personalities are just… drama-free, so their relationship to me just seems like a quiet background relationship. IoRyuu is a little more volatile and I really like ships where there is a lot of between-the-lines interpretation and potential for conflict. Also I just really like the Beppus

21) What was the first fanfic you ever wrote?

AHAHAHAHAHAHAHA. The aformentioned ‘Nice of Me to Drop In’ FMA OC Mary Sue Self insert fic. Definitely the first one I ever published on the interwebs. Although I think TECHNICALLY my very first one was a Pokemon story that I was writing for a little kid neighbor of mine back when I was like… 11. I think I had just gotten a computer in my room and I remember typing it up and drawing some cover art for it… it was basically an expanded version of the episode where Meowth and Pikachu were handcuffed together or something… except there were more Pokemon involved and ALL of the characters were friends. Like Brock and Tracey were both with Ash and Misty and all of the Team Rocket people were friends for some reason. Idk I was a weird child.

Ohhh maybe a tie for the FMA fic was a Code Lyoko one I wrote around the same time called ‘Desert Rose’. I can’t remember now which was published first because I deleted them all. Another Mary Sue OC fic but I actually am still kind of proud of how I expanded the Lyoko universe in my head. I came up with new areas to Lyoko and like a central region and how they all connected. Nevermind the fact that the girl with a CAT THAT COULD OPERATE THE COMPUTER was the main character and obviously I shipped her with Odd because YumiUlrich and JeremieAeilita were OTPs. It was weird.

25) What’s your most popular fanfic?

If the story was still up it might have been ‘Nice of Me to Drop In’ because that fic still haunts me. Buuut it’s either ‘Naptime’ or ‘Desire’, one of my two Hunny x Haruhi fics from my Ouran days that I left up on ff.net for posterity. I have no desire to go read the cringe and find out which one has more hits but I bet it’s the G-rated ‘Naptime’ cuz ‘Desire’ is a) the first M rated Hunny x Haruhi fic on ff.net EVER and b) really really bad porn written by like, 16-year-old me. Oops. It’s a smidgen OOC on the part of Haruhi if I remember right buuut I actually still stand by the idea that Hunny is not as childlike as he seems.

Oh dear maybe that’s why I like Yumoto so much. Similar character type. OTL

27) What do you hate more: Coming up with titles or writing summaries?

I feel like I’m horrendous at both but lately it’s titles that are giving me trouble. 2 of the 3 Boueibu fics I’ve written had different working titles that got changed the second the story went up to be published. I’m having a brain fart and can’t remember them but both ‘All the Pretty Little Horses’ and ‘Completely’ were titled something really stupid. And your giftfic was ‘?’ until I decided on the central theme lol.

36) What’s your favourite genre to write?

I don’t like reading romance novels but I love writing shippy stuff. Tension, build….smut

40)  What do you struggle the most with in your writing?

Pacing in longer works, definitely. Also just… keeping up with it. I am a horrible procrastinator and if I don’t actually have a deadline with external consequences then I never get anything done. I can’t set my own deadlines because I can always move them. I can’t get my family or friends to set them for me because I know they’ll forgive me if I fail (how horrible lol). I have tons upon tons of unfinished fics from fandoms past sitting somewhere in the depths of my word documents folder and about as many original short stories. I have so many ideas but because I get easily distracted and also because I am now working full time and suffer from typical adult exhaustion I can only put a fraction of them on paper. 

My inner critic is also a fucking bitch. I can’t get her to shut her face long enough to write a sentence sometimes. Again, I have to have a deadline looming before I can put her on mute most times. If I have infinite time, she doesn’t shut up and makes me rewrite a sentence 100 times because it sounds stupid.

41) List and link to 5 fanfics you are currently reading:

Ahahahaha… I don’t have 5 simultaneously because I can’t just… not finish reading something before moving onto the next one. I don’t also read things that are unfinished unless they sound REALLY interesting because I’m stupid impatient. But I guess for my current fandom (Boueibu) I’ll link 5 fics I read recently that I liked! 

1) Pink Blood - @magiccatprincess (okay actually this is one I’m going to read soon because it looked interesting… so it fits the question lol)

2) tuesdays - @vagarius (because how can I not love something written for me?

3) Liar - BlackJoker77 (A whoooole lot accomplished here in not a lot of words. Also, Yumoto character study/reading between the lines? Yush.)

4) ….. ok I ran out of ideas. I don’t bookmark anything OTL. I’ll come back to this question at another time with an ACTUAL answer.

46) If someone was to read one of your fanfics, which fic would you recommend to them and why?

I’m most proud of ‘Completely’ at the moment- I really like how I pulled off Ryuu’s voice and it’s most definitely a scene I wanted to see written… so I’m happy that I was able to provide that scene

50) How did you get into reading and/or writing fanfiction?

It was basically an extention of RPing for the writing portion of it- ‘Nice of Me to Drop In’ was basically a cleaned up RP and when it wasn’t rping it was fan gratification for the other early fics I did. As a kid I used to (and still sometimes do) make up stories in my head when I was about to go to sleep, and a lot of them were episodes of my favorite shows that I wanted to see. So I’d put some of them on paper. And then it moved into the ~romance~ category; I was a hopeless romantic as a teenager and like a lot of teenage girls I was kind of horny so fanfiction was a way to explore my sexuality in the comfort of my own head, basically. I still like me a good smutfic and bonus points if it’s romantic AND smutty. My bf can definitely tell when I’ve been reading something naughty….

51) Rant or Gush about one thing you love or hate in the world of fanfiction! Go!

Okay, Imma do both! And I have 2 things to rant about because I can’t shut up.

Rant: This is more of a thing that I hate about MYSELF reading fanfics, but I hate that I get turned off of fics so quickly because of writing style. When I can push past beginners writing mistakes or mediocre quality writing I can sometimes find gem fics with plots/characterizations I find adorable, but more often than not I click out of fics after just a few sentences because I can’t stand poor writing. And I feel so elitist about it! Fanfics are free, fan-generated content. A lot of fanfics are written by kids or beginner writers. I have to keep reminding myself that not every fanfic author has gone to school for writing. They may not know the conventions of literature. They may not realize that they’re head-hopping in the middle of paragraphs. They may not know the proper way to punctuate dialogue (and I DIDN’T EVEN KNOW until grad school!!!!). If I let mistakes get in the way of content I may miss out on an up and coming writer. And lord knows I was horrendous when I first started. Everyone starts somewhere. I hate that it takes me so long to get out of teacher/writing student mode and truck through some writing that may not technically be the best but their heart is in the right place. 

Rant2: I don’t like how isolated fanfiction can feel sometimes. It seems like people don’t comment on fics as much as they used to, and I see these posts going around on tumblr about how authors LOOOOOVE comments and want more of them but then comments just… don’t appear. It’s not so hard to post one thing you really liked about the story, and even one thing you didn’t like. Comments help authors grow.I also don’t like how it’s so hard to find a beta reader or three to bounce ideas off of and proofread your work.

Gush: I love communities. I love the events fanfic authors put together. I love how when communities get tight-knit how everyone builds each other up and gives one another ideas. I just love fanfiction in general, really

aaaaaand SHEW. That was a lot. BUT DEF NOT TOO MUCH