#the word is criticism not commentary

[seaweedstarshine]

Late to the game as I’ve kinda been kinda non-here for a minute but I scrolled through the Dot and Bubble tag, and thought I wanted to write this post into existence.

There's this part in Doctor Who Unleashed where RTD says this:

“What we can’t tell is how many people will have worked that out before the ending. Because they’ve seen white person after white person after white person, and television these days is very diverse. I wonder, will you be ten minutes into it, will you be fifteen, will you be twenty, before you start to think, everyone in this community is white. And if you don’t think that — why didn’t you? So, that’s gonna be interesting. I hope it’s one of those pieces of television you see, and always remember.”

And I'm like. Yeah. But the reason this works even as well as it does is largely thanks to the work of the previous showrunner with the previous creative team, which was notably the first era to have any writers of color (amongst other firsts in terms of inclusivity in directors, composer, actors). While Chibnall fumbled whenever he tried to write about race himself, he did have the self-awareness to have Black and South Asian writers writing the episodes where race is the focus (and a female writer for the episode where sexism is a focus; my point is, he seemed to know his shortcomings).

I wonder what the current creative team looks like? (not really, but I wasn't 100% sure for all of them)

To quote RTD:

“...before you start to think, everyone in this community is white.”

This is pretty non-self-aware, right? It's pretty “It is said, and I understand this, there was a history of racism with the original Toymaker, the Celestial Toymaker, who had ‘celestial,’ and I did not know this, but ‘celestial’ can mean of Chinese origin, but in a derogatory way,” right? (from The Giggle Unleashed) It's pretty “and I had problems with that, and a lot of us on the production team had problems with that: associating disability with evil,” right? (from Destination Skaro Unleashed)

—none of which are issues that should be overlooked, but think how much exponentially better they might’ve been addressed if he’d consulted with Chinese writers and wheelchair-using writers before going straight to giving the Toymaker weird fake accents and making Davros walk?

How many Black or non-white people do we think saw the Dot and Bubble script before it landed in Ncuti’s hands?

And this just keeps happening.

And like, from some of the shocked responses I've seen from white viewers to the ending of Dot and Bubble, maybe the episode's unsubtlety was needed? From the way RTD talks about it in Unleashed, the episode was written with a white audience in mind, Baby's First Microaggressions (where of course the microaggressions come from people who are pretty self-admittedly white supremacists). Ricky September, a more seemingly normal depiction of someone in the racist bubble of Finetime, seemed like an interesting element, up until the way he died.

The ending worked for me, because I do think the Doctor's reaction is true to how the Doctor would react. I just keep thinking of how much better the core themes could've been handled by someone with actual lived experience on the subject matter.

[captainofthetidesbreath]

I feel like I need to be even more blunt bc a handful of people out in the wilds seem to not grasp this: Fjord is behaving in a way very consistent with an acute depression. Like, the symptoms are so classically checklist that it's basically a slam dunk. It's very much not hyperbole or a joke to say that this is Fjord Depression Hours, like, he's very much behaving in a way that is clinically depressed. He is, like, clearly having a depressive episode.

If I say it this many times in different phrasings, will it be clear? I think it is very much clear Fjord has fallen into a literal clinical depressive episode and that is why he is behaving the way he is, all withdrawn and demotivated and listless and disinterested and hopeless and barely responsive and unable to make decisions anymore, all classical symptoms of a depressive episode.

So, like, yeah, he is going to behave withdrawn and unresponsive and sulking and pessimistic, and he is going to have trouble engaging with the people around him and he is going to seem sad even when talking to those he loves and cares about—because these are, uh, depressive behaviors.

ETA: I am NOT talking about a chronic depressive disorder. I am talking about a single depressive episode that triggered by stress, trauma, anxiety, and all his other issues (including PTSD and what reads as ADHD).

[howifeltabouthim]

Look at what's happened to poetry! It's become quaint, cute, and 'accessible.'

Siri Hustvedt, from The Blazing World

[alynnl]

A litany against bad faith media interpretation:

"That isn't part of the story the creator was trying to tell."

[sarahreadstoomanycomics]

I just want to say I appreciate how you don't ever hate on characters. It's refreshing compared to a lot of people in this fandom.

Ah thank you. See the thing is for me I don't get why people spend so much of their time focusing on things they hate? To the point they have to announce it to the world constantly, and make sure you know that they hate this character, and the character they like is soooo much better, because they say so. People like that really need to stop in my opinion cause I don't get what they're accomplishing. Trying to start fights with the fans of the characters? Trying to make themselves feel better about themselves because they have superior taste in fictional people according to them? Some people spend their time trying to ruin other people's fun, and are simply being jerks imo. And I know some of it is venting out anger but some people do make hating on characters their entire personality, and it just is irritating in my opinion.

This is just for the people who needlessly hate characters and the fans of those characters on end. Because I do believe you are absolutely allowed to dislike things. Also I don't mind critical posts, if someone actually has well thought out arguments about the flaws of a character that's fine. It's just the this character is the worst, and the people who like them have bad taste posts that irk me so much. For me though I don't even really have many characters I actually do hate besides Deathstroke. I just almost never post about him. I know I made that photoset of him being beat up, but someone jokingly requested it after I said that I disliked him, and that's what I would do if I made a set for him. I just personally find as I said life is much more enjoyable when you spend time focusing on what you like. Fortunately for me I have a lot of characters I like too so plenty of things that make me happy to focus on instead.

[paragonrobits]

some important calvin and hobbes facts in case you haven't read the original comic strip in a long time or only absorbed stuff on it from memes and out of context bits on here:

Calvin's last name has never been given, and neither has any of his parent's names. This was actually why his uncle Max only showed up for a brief storyline; the creator of the comic, Bill Watterson, ultimately felt that while it was fine to have him as someone for his parents to talk to, it felt far too awkward to never have Max refer to them by name and he never made a return appearance.

The general tone of the comic is fairly light-hearted, with a big emphasis on goofy slapstick comedy contrasted by clever wordplay and often surprising adult-centered jokes that'll hit you like a slap. A big part of the comedy is, as Watterson put it (paraphrased) "It's really funny to me when people express deeply stupid ideas with really fancy terminology." One notable example you might have seen is that one bit where Calvin asks his mom for money to buy a Satan-worshiping rock album and his mom replies that there's nothing genuine about them and they're just putting on the attitude for shock value, and comisserates with Calvin as he deplores that mainstream nihilism can't be trusted. He concludes that childhood is disillusioning.

There is a LOT of criticism of the extreme materialism and selfish mentality of the late 80s, when the comic was initially written. This may go a long way to explain how its aged so well; much of what it criticizes resonates well with people today.

Bill Watterson views comic strips a legitimate form of artwork, and repeatedly fought to have more space to draw more beautiful and artistic backgrounds, which was a very hard fight and unpopular even with other comic strip artists. He eventually did win some compromises and a lot of Calvin And Hobbes' artwork shows it, with the use of space to indicate time as well as a sharp contrast between the often plain environments of mundane life contrasted by the wildly beautiful imagery of Calvin's imagination (which often sports realistic depictions in an art shift of sorts).

Hobbes is explicitly not an imaginary friend, by word of Watterson himself. We don't know WHAT he is exactly, and Hobbes is apparently unaware of the strange nature of his reality; people look at him and only see an ordinary stuffed tiger plushie, but he has a tangible effect on the world that would be physically impossible for Calvin to do on his own. He's apparently been around for a while, and was apparently around when Calvin was a young baby.

On that note; Hobbes has implicitly killed (notably treated as both a gag and also with the vibe of 'he's a tiger, duh') and while he doesn't do it again on-screen, he doesn't have any moral issues about it. Calvin claims that he's never had trouble bringing Hobbes to school because the last time he did, Hobbes killed and ate a bully named Tommy Chestnut and simply comments that it was gross and he needed a bath. Calvin's tried to repeat this again, but Hobbes was grossed out at the thought having to eat a kid raw and not being allowed to use an oven first, or complaining that children are too fattening.

Hobbes became gradually less human-like in body language and more like an actual cat in both body language and behavior; this was due to Watterson drawing more inspiration from his cat, who also inspired a lot of Hobbes' running gags, such as pouncing on Calvin when he got home. Several years into the syndication of the strip, Watterson's cat passed away, and he did a tribute to her with a comic strip of the two of them agreeing to try to dream together so they can keep playing when they have to sleep; Watterson's commentary (if I recall right), remarks on his cat: "We can see each other again in dreams."

[spite-of-the-grifter]

My actual thoughts under the cut because I don't want to take up your whole screen. Please watch this, it's so important.

This this this forever from someone who's been in love with reading since I was a kid. It uses books as a status symbol, intellectualism has ALWAYS been a status symbol. But now, times have changed and people from marginalized communities are able to educate themselves better than they ever could. Which is a good thing!! Critical thinking skills and knowledge are so, so imperative ESPECIALLY these days. Which is what makes the commodification and consumer culture of reading so scary. It dilutes it. It takes away the point of reading - the seeking of knowledge and different perspectives - and makes it about safe, samey, bite-sized tropes and discourages people who like reading to actually read and share their interpretations in fear of being "pretentious" or a "hater" which. Being pretentious is one thing, but the lack of openness to criticism is such an issue in the community and it hurts people.

As for the "let people enjoy things" side I do understand where the sentiment comes from. Especially, as said, when women have hobbies that are constantly belittled, it's understandable how every minor criticism about what they like can be read as that same belittling (see also; cringe culture) and I 100% get that.But this defensiveness does way more harm than good in my opinion, it contributes to the dillution of reading itself and increases the speed of rampant consumerism and commodification. Which in turn leads to more criticism, this time maybe more directed at the community, which only serves to solidify these people's feelings and it ends up repeating again and again until all nuance is lost. It's like a dog chasing it's tail. We get NOWHERE.

It turns it into a class thing, it shows that when we went two steps forward, we went a few steps back.

Also if you read smut, I'm not bashing you with this. Read what you want, I'm absolutely anti censorship and if you enjoy reading that, that's 100% ok and not the issue we have with the online book community. Just putting that out there. Don't hate the people in the community, hate the books and the systems that make up the community. Don't bash the people who like the books, bash the companies who blindly churn the stuff out so it dulls out all meaning TO the books.

Sometimes, the curtains are blue for a reason. (Same thing goes for the overconsumption behind annotations and over-analysis, but I'll let her explain that. Please watch this. It's so important.)

[lucyandthepen]

sweet cream, cold brew | lmh ( m )

something about mark lee keeps you up at night, and you’re pretty sure that it isn’t the lingering smell of espresso on his shirt.

alternatively: mark is shy until he isn’t.

read the second part here!

pairing: nerd!barista!mark x reader verse: college au rating: r ( minors, do not interact! ) warnings&tags: unprotected sex, oral (f!receiving), fingering, slightly possessive/jealous dialogue, mark has a thing for tummy bulges because why not, implicitly that also means he has a big dick, a slight???? exhibitionism kink (not actually something that happens, only talked about), johnny exists in this simply to trigger something vaguely feral in mark, reader is a little bit assertive and schemes to get mark's attention, jaehyun is a nosy lil eavesdropper, i think that should be it?? word count: 26.4k

a/n: hello so this was a mess and honestly not a fic i would say showcases my best plot-wise but… what can I say apart from booty wurk mark has me in a chokehold and I needed to release some thoughts and feelings !!! please do not expect too much from the development of the story; i fear it’s quite long and choppy because my ideas were all over the place and i was wringing my hands and brain constantly and i was eager to get to the spicy parts !! this is also not beta’d/proofread, it’s currently almost 1am, and i’ve been writing this on and off for a full week with very few breaks so it honestly felt like a fever dream for me LMAO please forgive any oversights and mistakes; i’ll try to go back on them another day and fix them little by little! finally and …most importantly belated happy birthday, my beloved morkly!

p.s. this will probably be flagged as ‘mature’ by tumblr, which means there’s a high likelihood it won’t appear in tags or searches. please consider reblogging to boost the fic, if you feel so inclined!

You’ve heard tell of how caffeine has inherently addictive properties. 

The more of it you have in your lifetime, the more likely you are to experience symptoms of withdrawal whenever you try to have orange juice for breakfast in its stead. It sounds bad, actually, considering most addictive substances are, but you suppose that its benefits somehow outweigh its milder drawbacks. You’re not much of a coffee connoisseur the way some people — see: your best friends, Yeji and Jisu — are, trying one cafe after the other in pursuit of being able to nominate the winning beans of 2023 (an annual heated debate they participate in for no better reason than their own slow and useless entertainment during their six-hour long breaks), but you do know you’ve only ever experienced good things from having a cup every so often: better energy, a more focused approach to mental activities, and the ability to drive through fifty percent of a road trip without needing pop punk music blasting out of your speakers to keep yourself alert. 

The three of you are generally particular about the coffee you drink, only in different ways. While your friends have a tendency to demand only the best from any establishment — lest the staff hear fiery commentary about the flatness of the brew or the evident coarseness of the grind — you, on the other hand, are a singular individual of rather simple tastes. All you need to survive long days is a glass of vanilla sweet cream cold brew. No modifications to the sugar level or fancy new milk types are necessary; you’ll drink it as it’s served in a grande cup (or a venti, when things prove particularly grueling). 

Of course, you’re strict about other things in the experience of consumption —  like where it’s served and, more importantly, who serves it to you. 

While Yeji and Jisu have rated the Liberal Arts building’s on-campus Starbucks branch as a five with the strict label of POEO — ‘passable on emergencies only’ — branding the menu as “nothing revolutionary” and criticizing most baristas for subpar brewery, you happen to be extremely drawn to the place. Initially, you may have argued that this has to do with the fact that it’s walking distance from most of your classes, confined to the same general compound on campus, so you can always grab a quick recharger whenever needed, no matter how short the timeframe to do so is. Sometime later on, you may have found yourself asserting that the layout of the cafe, albeit small, is very convenient, considering that every table is situated next to an electrical outlet, so you’re never out of battery (important to other students for their laptops and powerpoint presentations, important to you because you have an unhealthy obsession with passing time on TikTok, scrolling past video after video of ASMR girls clicking their twenty-inch long acrylics with their crazy candyland designs), and this makes you feel at ease. 

A month ago, you finally came clean to yourself and, soon after, to your friends, and they came to understand, albeit begrudgingly and with no small amount of amusement, what made this Starbucks unbeatable in your eyes; it had one thing no other coffee shop could lay claim to.

What you know of Mark Lee is accrued from two major sources: long, surreptitious glances in the Modern World History class you share, and irritatingly brief interactions when you place your order from the other side of the counter behind which he stands, long fingers always poised to punch in your order at the speed of light. Sometimes, those encounters get cut even shorter when irate upperclassmen start prattling their orders out before you can even say anything past your own, except even this has its own consolation prize — an apologetic smile at you that seems only for you, although you’re not sure how much of this assumption is true. You’ll just believe it as you feel it. 

And what you’ve learned about Mark Lee has funneled down into two key points for you: first, he is single, a fact you were clued into when a group of his friends came to the coffee shop and sat around the table next to you. You hadn’t been eavesdropping; they’d just been pretty loud, but you’d also perked your ears the moment the one everyone seemed to call “Hyuck” — you aren’t sure if it’s his full name or a nickname, and you don’t particularly care — had leaned in for a conspiratorial whisper about having a vague master plan to set Mark up with an old high school friend’s younger sister that he was just waiting to spring on said Mark, busy slaving away on their six impossible orders near the espresso machine. 

You don’t really know what became of that plan, nor if anyone had telepathically been on your side to outright call it crazy (someone should have had a better reason than you, anyway) since the next moment, Hyuck’s voice becomes significantly louder when it orders the one named Jisung to collect the completed coffee and snacks waiting for them on the counter. However, you feel safe in the assumption that even if it had happened, no repercussions had followed, seeing as Mark still presently comes and goes from his shifts alone and in no clear hurry to meet any cute girls that are sisters of high school friends of his friends. Or, maybe you’re just ignoring what could be truth, but that’s whatever. 

Second, you’ve learned that Mark Lee should not actually be your type — at least, in theory. 

Saying you’re out of his league would be a bit juvenile, but if you had only so many words to describe the situation, you’d say so under duress. It isn’t so much that he’s beneath you in any way, but your interests and general social circles run different routes. Yours tend to be more classically patterned after constantly changing trends, and the people you interact with all seem to have similar goals; you like to call it ‘vibe networking,’ which, from experience, involves connecting with both groups and individuals that are equally aware that they will benefit in some way from any resulting acquaintanceship — whether it be by climbing the social ladder a couple of rungs or being able to call in a quick, off-the-charts favor for something very important and/or very exclusive down the road. You and your friends spend a significant amount of time in a year watching your style and image, something quite a lot of kids in the first couple of years of college tend to do, which means that while you don’t particularly like to spend your time following your grade trajectory, you do have quite a lot of pseudo-friends that all seem to offer something entertaining or helpful to you. 

Mark, on the contrast, prefers to keep his circle very close to his heart, it seems — that which acts as a receptacle for all his interests. You can tell that he likes to be up to date less with trending movies and more with comic books, a separate beast of a world that’s rather unknown to you. More than once, you’ve overheard him chat with his friends about Spider-man Issue Number Whatever-It-Is or engage in somewhat lively (sometimes rowdy, thanks to the Hyuck fellow) discussions about some webtoon you’ve come to understand is called Solo Leveling, which seems to have to do with monsters and hunters — two things you know next to nothing about. You’ve also never seen Mark holding anything remotely close to a magazine; his hands are always filled with either a freshly opened comic or a beat-up textbook. Maybe once or twice, you’ve seen him on his phone, but when you peeked over (surreptitiously, of course) on those occasions, you were met only with brightly colored panels and a singular word: BAM. 

In conclusion — you and Mark Lee live very different lives, likely never truly meant to intersect. 

And yet, you want him — not even in a way that speaks only to your curiosity, but in a manner that feels slightly delusional. More than once, you’ve found yourself having to shut your jaw close after realizing you’ve been watching him steam milk with your mouth slightly agape. Maybe it’s his side profile, which gives you a great view of the way his jaw tenses every time he puts whipped cream on someone’s frappuccino. Maybe it’s his eyes, which always seem to twinkle like he’s harboring some special secret every time someone in line asks for his recommendation on how to spice their order up. Maybe it’s his hands, steady and agile, with just the right showing of veins through the skin to tell you they’ve probably got significant strength to them too. Or maybe it’s just his mind — that thing he always manages to show off in class, working faster than lightning even when the rest of you are in your natural eight-in-the-morning stupor.

Whatever the reason for your interest, Mark Lee makes sure the Liberal Arts building’s Starbucks has you as a regular customer. 

You’re fully aware that this is the twenty-first century, which is why you could, as Yeji and Jisu have so kindly made known, simply ask him out. Under normal circumstances, you would have.

Unfortunately, in this particular area of your life, separate from all others, you’re something of a traditionalist. 

Actually, you just want to know what Mark asking you out would look like. Curiosity has fully gotten the better of you — how can it not, with how he breaks eye contact with you the moment it happens by accident in class, or with how pleasantly and shyly he smiles when you say ‘hey’ to him once you’re about to order? You’d like to see, first-hand, as a recipient of the experience itself, what he would look like taking control of a particular situation like that — something someone like him, so mild-mannered and laid-back, never really seemed to do upfront. 

You’d like to think you’ve given him clear signs. There’s a reason you always come in during his shift times, and it’s the same reason for why you have the same damn drink from the menu over and over again despite not even caring too much about coffee in the first place (something he admittedly doesn’t know and probably wouldn’t puzzle out, given how often you’re in that Starbucks, anyway). It’s that you want him to remember you.

Selfishly, it’s that you want him to think just a little bit more about you every single day. 

But if he does, Mark has never made it very clearly known; apart from taking your order in his genial customer service demeanor or letting a look of brief recognition pass his face over when you cross paths in the hallways, he’s never really shown heightened inquisitiveness about you. For all your differences, only you seem to actually care.

Frankly, that frustrates you, because if you have to think about him unhealthily, it would only be right for him to do that for your sake too. Still, you’ll shrug that hit on your pride off for as long as you can get his attention one way or another.

All you really need is for your plan to pan out as well as you think — and hope — it will. 

The thing is, you’re not even that bad at math. You’ve never really excelled at it, of course, but you wouldn’t go so far as to say you’re in dire need of help from anyone — the kind of help that feels like babysitting, at least.

However, Mark Lee doesn’t know that, and you’re not compelled to make that fact known to him when you notice that he’s leaning on the counter with his elbows, shoulders rolled forward and head bent down. He’s twirling his ballpoint in hand, wrist hovering over a worksheet, and you’re briefly distracted by the rapidly moving shadow underneath it.

His head snaps up when you gently knock on the counter, and the rest of his body follows suit, straightening as he shoves the paper away, one edge crumpling in on itself as it meets resistance in the form of the pastry display glass.

“Hey — hi, _________.” He knows your name, says it easily, and while you’d like to believe it’s because of his unprecedented interest in you, you know that it’s just because you’re always here and always having him write your name on the side of your cup. “Can I get you the usual?”

There’s no particular reason you order what you do; maybe it’s just rooted in the fact that when you first asked Mark for a recommendation, he said that the Vanilla Sweet Cream Cold Brew was pretty good, and you were inclined to believe him (while pointedly ignoring the fact that it was, at the time, a new item all of the baristas were required to push to indecisive, slightly moony-eyed customers such as yourself). Whatever the case, you found the drink generally palatable, and you were also able to score the first of many smiles that fed into your two-semester-long infatuation with him, so it was basically a win-win scenario for all. He even got to do his job by getting some rube (see: you) into trying a new product.

“Hey, Mark.” You’ve long since given up pretending that you don’t know his name and have to check the tag on his cute green apron (why is it cute? You don’t know. It’s the same, standard, Starbucks green, but Mark makes it look homely and natural, somehow). You’ve been here way too many times over the last academic year for a nonchalant, were you talking to me? approach to work, anyway. “That, plus a lemon loaf, if you don’t mind. What’ve you got there?”

His eyes follow the trail of yours over to his wrinkled worksheet. “Oh — no, sorry. It’s nothing.”

“Is it secret?” Your bottom lip juts out, and you see his Adam’s apple bob dangerously, a small telltale sign of minute nervousness before he lets out a short laugh. “Didn’t know we kept stuff from each other.”

You don’t know what makes you say that so naturally. The both of you don’t do much beyond exchanging pleasantries.

“We — uh, well, it’s just a worksheet. For Park Hyosung’s class. College algebra?”

“I’m in Kim Junghwa’s. Can I have a look? I want to know if you’re suffering just as much as I am.”

He pauses, considering your request for a moment, likely wondering if there’s any harm in it before he smooths the paper out and turns it towards you. His handwriting’s a little messy, but his solutions are extremely neat. You see, like, one erasure, max. You also don’t see anything that interests you — except the name written at the top. Still, you can see at a general glance that more than half of his answers are correct; the logic of his organization is way too elegant and his writing’s too sure to be anything else. You whistle low, and his eyebrows shoot up.

“Something wrong?”

“Pretty much the opposite. How is it that you’re doing this without breaking a sweat?”

“Oh, well — it’s not…” He doesn’t even know how to brag. Yet another item in the perpetually growing list of things you find cute about Mark Lee. “I mean, anyone… can?”

“I must not be anyone then.” You meet his quizzical look with a wry smile. “Either you guys are leaps and bounds ahead, or I’m really not going to make it through this semester.”

Another silence passes, just for a fraction of a second — short enough to be passable to others, but long enough for you to wonder if your humor code isn’t up to par with the rest of the world’s — before Mark’s chuckling lowly. His large palm comes down, covering a majority of his answers in the process.

“You’re kidding. I’m sure you’re doing just fine.”

“Mark, look at this face.” You gesture to your evidently dumbfounded, blank expression. “Does this look like the face of someone that’s doing just fine?”

You’re pleased to hear another laugh from him; you don’t know if he really finds you funny or if he’s just the type to be easily amused. You don’t want to know, anyway; assuming is better than actually finding out.

“That bad, huh?” He slides the worksheet away again, like he’s afraid his correct answers are going to offend you into leaving the cafe. Instead, his hands start working on your order, grabbing a cup and scrawling the shorthand of the drink on one of the little boxes. “Ever think about getting a tutor, maybe? If you really feel like you’re drowning, that is.”

“A tutor? I guess that depends. Are you free on weeknights?”

The marker makes a soft screeching sound as he drags it down with too much force, ruining the penmanship of your name. Mark takes a moment to stare at the mistake on the plastic before he looks at you, pointing the rim of the cup towards himself. “Sorry — am I free—?”

“You said I should get a tutor, right?”

“I thought — no, sorry, I was thinking more like one of those department-assigned tutors you can ask the faculty for, or something.”

“Oh. Are you not one of them?” You sigh, albeit a little over dramatically. Thankfully, he doesn’t really cotton onto your acting, too caught up in befuddlement at the turn of the conversation. “That’s a bummer. I was kinda hoping that if I was going to ask for help, I’d get an actual genius. You know — someone like you?”

You can tell by Mark’s expression that he’s torn between denying your compliment again and responding to your actual question; he looks both relieved and miffed when the student behind you clears her throat.

“Sorry, but— you know that there’s a line, right?”

You both apologize, Mark’s much more sincere than your own, and you step aside. His gaze follows you for a moment before it snaps back to the next customer, his voice abandoning that bemused uncertainty it had taken up with you. You don’t really mind; as far as you’re concerned, any dent in his barista persona when he talks to you is a step in the right direction.

You hang around the pick-up area, receipt in hand, watching Mark clear the line before moving to the actual stations near the kitchen area. There’s a concentration on his face that you find all the more attractive; he has a habit of chewing on his bottom lip when he’s trying to focus on getting the drizzle just right inside the cup’s cylinder.

He tends to try his best at everything, you figure. Not an unattractive quality — not by a long shot.

Mark finishes your drink first; the milk’s still only seeping, cloudy, into the coffee when he brings it over. He doesn’t even have to call your queue number, opting to meet your eye — albeit slightly nervously — instead. You reach out to hold the cup, a calculated move that allows you to brush hands against his without him being able to pull back on instinct. He doesn’t, nor does he really seem to want to, but his jaw tightens as a flush creeps along the curve of his ears.

“You really won’t help me?”

Your question’s abrupt, almost a little demanding, even if your voice is sweet. You’re not above asking this much, anyway, even if you technically want him to make the first move. The redness sinks down to his earlobes.

“I didn’t say that.”

“You didn’t really say anything,” you tease. The cup’s on the counter now, so he can easily relinquish it to you at this point, but he still hesitates, only one hand slipping out from under the heat of your palm. He uses it to rub the back of his neck, chuckling softly, and you take this as a green light. “What time does your shift end?”

“Five-thirty. You sure you wouldn’t want someone better?”

You pull your cup slowly to yourself, and his hand, still lightly trapped by your own, follows for a few inches before he’s withdrawing, the counter between the two of you forcing the distance. A smile follows the shaking of your head, and you take a small sip of the drink before you respond simply.

“There’s no one better than you.”

Mark is a prompt kind of person; you learn this when, at five-thirty, he comes over to your table, tugging his apron off over his head. Of course, you might attribute that to his overall personality, but the fact that you spend the remaining two hours of his shift casting him glances from the left side of the coffee shop might have also been a contributing factor. The looks you give him aren’t even furtive; they’re deliberately long, so you never miss whenever he looks over to you from time to time.

He doesn’t hold eye contact for very long (he does it well enough when he’s talking to customers, but it’s not like you’re ordering another cold brew from across the room at that point), but you can read snippets of his thoughts through the fleeting gaze exchanges. He’s curious as to why you’re asking for help, now, of all times, when the semester’s more than halfway over. He’s surprised that you asked him, of all people, because he just can’t conceive of a world that isn’t within a television show where this kind of abrupt, overt request makes sense. He’s flattered that you even asked him out of the blue. He’s equal parts anxious and eager to know what’s meant to happen after his shift, once he starts fulfilling your request.

Most of all, he’s unsure if he’s reading you right — if what it feels like you’re doing is something he’s attaching too deep a meaning to. If he’s right in reading your signs.

You don’t really mind it; you like knowing that Mark somehow wears his heart on his sleeve, even if he tries to remain neutral for the sake of appearances. You also bask quietly in the fact that he’s looking at you twice as much as he ever has in the time you’ve loosely known each other. Still, his bubbling confusion and inquisitiveness seem to be interfering with the rest of his work, especially when you notice that he’s been wiping down the surface of a table two down from where you are for more than seven minutes.

In the hopes of easing whatever tension might be in his heart, you offer him a small smile, but that’s only met with his eyes immediately glazing over and inching a couple of centimeters above your forehead, where the story of Starbucks’ origins is drawn out in a faux-manga style. He pretends to find it interesting, as if he hasn’t seen it a million times from coming into this establishment day after day — you know it well enough, and you don’t even have to, considering you don’t work here — and you can’t do anything but hold back your laughter.

A small part of you says you should just give him the affirmative answer to his biggest question, but every other cell in your body says that it’s no fun if he doesn’t ascertain it for himself.

He has his school bag and textbook in tow when he approaches, taking the seat across from you. There’s a steely resolution on his face, like he’s been emotionally preparing himself for such a daunting task, but it eases up the moment you laugh lightly.

“You don’t have to act like I’m going to eat you.”

“I’m still not sure why you’re suddenly asking me to help you,” he admits. He’s also very honest, you note. Again, not an unattractive trait. “I’m not complaining. I just didn’t think you even had an opinion of me.”

“Why’s that?” You’re genuinely surprised. Mark drums his fingers on the front of his textbook, thoughtful — less for the sake of thinking what to say and more for the sake of considering how to say it. It’s clear he wants to avoid calling attention to the fact that before now, you two have had no reason to run the same track, let alone sit together and talk at a coffee shop, as if you’ve always been the best of friends.

“Genuinely just thought I was the guy who gave you your afternoon coffee every day,” he finally settles. Your eyes widen, and another laugh escapes you — a little louder this time, enough to call the attention of a couple of jumpy freshmen nearby.

“Well — let me put it this way.” You lean over slightly, cupping your chin in your palm. “Was I just the girl you made coffee for every day until now?”

There are clear cogs turning in his head; his eyes unfocus slightly as he thinks of the possibilities. His silence suddenly makes you somewhat nervous; your tone had been confident, and you’d only said that to prove a point, to push him in the right direction, but you realize that you hadn’t previously factored in the possibility that he might simply say yes — or, worse, say no just to avoid hurting your feelings.

You watch his lower lip curl in; he uses his tongue to smooth out the skin that’s slightly dried from work fatigue. You would much rather it peeked out, so you could imagine it against your own. His response is mumbled in a lower register, but you catch some key syllables — didn’t… not … stranger — pretty … you?

“Sorry?” You ask patiently, but the fact that he turns red and laughs again — something you realize is not only a trademark of his personality but also downright delicious of him to be doing — is all the answer you need to let the apprehension seep from your shoulders. “I didn’t catch that.”

Mark clears his throat. “No, I… didn’t think of you that way. I mean… you’re my classmate.”

“Sure,” your tone’s breezy, but the somewhat sloppy confirmation of interest in you makes your heart soar. He just needs more of a push. “And we’re basically friends, right?”

“Yeah.” His voice is unsure at first, like he can’t seem to wrap his head around the concept. You can tell that Mark’s notion of friendship is likely based on shared interests, of which you admittedly have none. Technically, if you were his friend, you’d spend less time just telling him the exact same order every single day and more time sitting around a table trying to learn how to play Magic: The Gathering with him. Still, he takes one long look at your grin and suddenly gains confidence in his next words, as if it somehow convinces him that the briefness of your old conversations had been a mutually agreed-upon thing and not the product of social distance between the two of you. “Yeah. We’re friends.”

“Right. Friends help friends, don’t they? I’d definitely feel more comfortable having a friend teach me than some stuffy upperclassman I don’t know.”

You see Mark’s lips move slightly, in such small movements you could have imagined it as breathing if you didn’t care too much (which you do). He mouths, to himself — friends help friends. For some reason, that boosts his conviction even further, and he nods.

“Makes sense. Well — for as long as you don’t mind me, then.”

“Mind? I asked you, so I should be saying that.”

“I’d never mind — I mean, of course I don’t mind.” He’s quick to correct himself, and you have to stop your own hand from reaching out to try to satisfy your curiosity, the desire to know just how hot his cheeks get when he blushes. “More than happy to help, actually.”

“And I’m more than happy to be here.” You beam at him, and he mirrors your smile. You don’t know what it is about the look on his face — the brightness in his eyes, or the slight lift of his eyebrows, maybe — but it gives you the impression that he might be feeling at least a fraction of what you are: the feeling of your heart lifting off a few inches from your rib cage. “Since we’re on the same page, I hope — should we get to it?”

From the moment that Mark opens his textbook to a chapter on inverted parabolas, he assumes a personality you feel you haven’t seen from him before. You realize that you really do know him in only two limited capacities — his classroom persona that seems to really only view himself and the material, focused on the board and the professor’s words (even up until the useless anecdotes) to absorb as much information as possible, and his more genial customer service form, always happy to assist in the trained, easygoing way you’ve come to meet so often.

Right now, he’s a blend of both, yet somehow neither all at once. He’s quick to catch the parabolas you draw, either wrongly or downright poorly. Despite initial hesitation, he always manages to say something; there’s already a pattern to how he does it, from his slightly awkward, “Ah, sorry, actually —” to the way his finger traces over what you’ve written, outlining the right curve. You find his interruptions so endearing that you start drawing them wrong purposefully — not enough for him to realize your schemes in their entirety, but enough to cast you a few amused glances, like he can’t imagine why you’d map out such an absurd graph. You get the feeling he wants to actually laugh at how ridiculous you’re acting, but he can’t tell if you’re seriously struggling or not, so he settles for a smile he thinks he does well in keeping to himself, but that you catch anyway. He’s patient, even when you have to rip out pages from the back of his notebook because of your ‘mistakes,’ like he’s still catering to your request for an extra pump of syrup for your coffee on sleepy days.

But there’s also that side to him that comes out when he suddenly remembers the distance between you that, before today, had felt unlikely to be closed. It peaks at odd moments, like when you’re borrowing his pen because yours is currently holding your slowly unraveling bun up, and your fingers brush against his. It surfaces abruptly when you lean in to watch what he’s drawing until he realizes how close you are, arm lightly grazing his, and his pen freezes, ink blotting on the paper for a second. It’s in those times that you can almost hear his brain churning out questions — like he’s wondering if you’re just oblivious or if you’re doing something on purpose that he can’t quite believe. Like he wants to ask you what’s on your mind, but he just doesn’t know how.

If he asked, you would reply without missing a beat. The answer, after all, is simple (him). But Mark never raises the question, only does something without fully acknowledging what he’s doing — the adjustment of his glasses on the bridge of his nose, the ruffling of his hair as though to shake off his thoughts, the clearing of his throat to normalize his tone before he explains something you’ve just asked about. There’s always that light tinge of pink to his face that makes him look even more endearing, and it fades and returns every so often for the better part of two hours.

By the time he rubs oncoming fatigue out of his eyes, the sun has already set; there are far fewer people around you at this time, and for as much as you like spending time with him and breathing in the scent of his shirt — always a tinge of Downy, barely cutting through the much more overpowering scent of espresso and sugar — your back has begun hurting from your front-heavy posture and determination to have your face as close as rationally possible to Mark’s. Still, you don’t miss out on the fact that the act of him cracking his neck to relieve tension makes your lips curl inward, trying to stifle an inappropriate noise in reaction to the view.

“I feel like I talked your ear off,” he pipes up, sounding a bit sheepish. “Sometimes it’s hard to know when to stop once you’ve gotten started. I’m just hoping I didn’t bore you to death.”

“Meanwhile, I’m here hoping you aren’t sick of my questions already.” You smile, closing your notebook and hanging the clip of your pen on the spiral. Your arms stretch up first, followed by your back, a light twist to relax your posture into normalcy again. Mark’s breathing falls quiet, like he’d been preparing to say something in response but had let it die in the back of his throat instead. You let your eyes drop, expecting to see him looking at you, as he mostly has been — on and off — since his shift ended, but his eyes are far lower than yours, the telltale redness now growing in evident splotches across his cheeks.

The hem of your shirt has ridden up; while there’s nothing outrageous about it, there’s a short expanse of skin that it reveals, for a brief moment. His eyes are slightly glossy, brow furrowed like he’s trying to find a solution to something he can’t fully understand. You’re not even sure about what he could really be looking at, or if there’s something he’s just thinking of that caught his attention while his eyes focused on a rather unfortunate spot. To test your theory, you suck in your stomach slightly alongside an inhale.

It should be objectively funny to watch Mark blink unevenly, left eye going first before his right tries to catch up, but you manage to stifle your laughter — poorly, though, because you end up coughing a little and breaking him out of his strange trance. You avert your eyes quickly enough for him to look vaguely relieved that you hadn’t caught him looking. So he thinks, at least.

“Anyway.” You feel bad that you have to tear his mind away from whatever faraway land it must be trying to burrow a hole in; the dazed expression on his face dims into hastily hidden embarrassment. You don’t want him to feel awkward, so you just busy yourself with packing up, making an unnecessary show of stuffing your notebook back into your bag as if it isn’t half-empty at this point. “I really appreciate you taking the time to help me.”

“Any time.” His first attempt is a little raspy, maybe from overuse of his voice today, so he clears his throat and tries again. A slow smile builds on your lips. “Any time, really. I’m glad that this is actually helping you; you pick things up surprisingly fast.”

“Wait, really?”

“Yeah. Give it a couple of weeks, and you’ll probably be ready to tackle it on your own again, I’m sure.”

He smiles reassuringly, but all you can think about is how that’s not good. You should pretend to be a little dumber next time, or this will end much too prematurely.

The next five minutes pass in silence; you don’t expect to be knee-deep in conversation anyway since, as much as you try to convince him, you aren’t actually anywhere close to being those kinds of friends yet. There’s an unspoken rule to the give and take of things, where he pauses for you to get an item off the table and push it into your bag before he does the same with his own belongings. Neither of you really intersect paths, save for the moment you both grab your phones and stand at the same time.

His jaw falls open like he’s preparing to say something, then shuts as if he’s better decided against it. You decide to take the initiative to say what you’re assuming he wants to. “Same time, same table?”

“Oh — uh, yeah, for sure.”

You want to ask him to walk out with you. You want to lace your fingers with his, tug him out, and kiss him under the green and white glow of the sign outside. You want to know if kissing his collarbone means you’ll taste a hint of coffee. You think about doing it all somehow, especially since he’s fighting back a slight smile at the promise of tomorrow.

But it just isn’t the right time.

Instead, you place a hand on his shoulder, giving it a light squeeze. The slow movement of his throat — yet another hard swallow — isn’t lost on you, and his eyes land on where the two of you connect. With a grateful smile, you bid him a soft goodbye, taking your leave first.

You don’t look back — at least, not until you’re fully in the cover of the darkness outside. On the gravel path, just out of reach of the lamplight, you chance one last glance back into the store. Mark is still rooted to the same spot, his backpack slung over one shoulder, staring at the table like he’s dissociating from what just happened — like he can’t believe the last couple of hours.

Your smile grows when you see his own, and his hand comes around to the back of his neck, rubbing it lightly like it gives him small comfort to let him know that it was real.

Baby steps, you remind yourself. You’ve already got one foot in the door, after all.

As the days trickle by, you fall into a more comfortable standing with Mark; there’s a routine to your meetings that seems to eliminate the initial and abrupt awkwardness of that first day. You come into that Starbucks at four, greet Mark, who doesn’t ever have to ask for your order, and spend the next hour and a half slowly sipping on it until the ice has thinned and watered down your drink substantially. In that time, you allow yourself to do whatever you want (as if you’ve ever done otherwise anyway), and what you usually want the most is a good view of him. You therefore use most of the minutes you have on hand to regard him from different angles — from the side when he’s frothing milk, upfront when he turns to leave cups on the pick-up counter, from the back when he’s clearing tables — interspersed with moments of checking your TikTok feed, clearing group chat messages, and sometimes re-curling your bangs with a portable iron from the school’s co-op center, a relatively new purchase you tote around these days. You do essentially anything in between to avoid acting too suspicious while he works.

Sometimes, you catch Mark’s eye too; the more your meetings increase in number over the course of a few weeks, the more deliberately he looks over at you, and the longer it lasts. You feel like you’ve made significant progress when your gazes lock and he smiles slightly, albeit a bit unsurely, instead of turning away like he used to. The other day, he’d even passed by while apologizing for how long you always waited for him — not that you ever minded, something you made a point to clarify with him before he walked away, carrying a couple of chairs from the back room with him to replace rickety ones.

That he’s able to transport them easily, as if he’s lugging a bag of apples from the grocery, does not escape your watchful eye.

What you like the most is that you start to learn more about him in a way that isn’t fueled only by your expectations and, therefore, limited by your imagination. You find out that he’s from a close-knit family with a rather cushy background, and this barista job is just for interest funding and experience, in that exact order. Most of his earnings are funneled into the things he collects, which apparently isn’t limited to comic books and special edition blu-rays with director’s cut but also a rather stupendous amount of PopMart blind box figurines. Apparently, he particularly likes the Skullpanda series even if he hasn’t completed it yet; your last session together had adjourned thirty minutes earlier than usual so that he could catch a pre-rush hour inner circle train to Hongdae, where the flagship store was set to open on that day. He’d promised to show you his pulls (as long as they weren’t embarrassing dupes). You learn that he likes to listen to loud music when he studies to stimulate his mind, and he has a playlist that’s just a jumble of songs from Punk Goes Pop volumes that makes him feel empowered for some absurd reason, like he’s going against the grain. You don’t really get it, but you do like that spiced-up rendition of Ariana Grande’s Problem that he let you listen to once.

Of course, there are things that you find out not through conversation but through continued, closer observation. You notice that he likes to put on chapstick even if his lips aren’t particularly dry, but he does worry on them often, most especially when he’s thinking hard about something. He has a habit of saying honestly… at the start of every other sentence, as if he’s concerned you won’t take his word on anything, even though he’s just talking about how unnaturally hot it was at noon despite it still being spring. He has long eyelashes that you’re equal parts attracted to and jealous of, and he bites the inside of his cheek whenever he wants to pep himself up after grueling shifts. He plays beats you’re not even sure he knows he’s creating against his knee with his fingers, so enthusiastic and consistent in this habit that you want to offer your thigh instead. His shoulders always go first before he laughs, and he does this thing where he raises his hand to cover his mouth at the start of it, which is a shame, because you’d do anything to keep seeing him smile like that — or, better yet, to be the reason for it.

Then there are those things you notice he tries to hide. He always turns his face halfway to the side when he blushes, something he seems to do without fail every time you smile at him. He has to temper the intensity of his grin when you take the time to compliment him on how cool his shirt is, or how nice his hair looks today, or how smart he is, like he doesn’t want you to know how good it makes him feel even if you want him to feel good about it, around you, because of you. Sometimes he denies it for the sake of responding, and his voice always lilts on the first syllable in his refusal to accept what you say, even though he knows you won’t take it for an answer.

And after a couple more careful experiments, you notice that Mark, out of the many things he’s interested in, seems to have a particular thing for your stomach.

You don’t know if it has anything to do with him not really seeing much of it in real life in his own time or if he just has his own kind of fixation on it, but you start to cotton on by the fourth time you meet. An hour of being hunched over a table that’s not at the greatest height in relation to your neck and torso has you stiff, and you’d leaned back in your chair, arms pulling to the air, hoping your spine might feel like realigning if you exerted enough tension pressure that way. Your shirt hadn’t ridden up this time, considering it had been tucked into your jeans, and it was because of this that you’d caught a flicker of something new in his face that you hadn’t seen before.

You could have sworn it looked like disappointment.

Of course, he hides it quickly, as he does with most of his emotional candor, but it’s enough to make you suspicious — enough to make you wonder if Mark is also just keeping something to himself. Or maybe you’re just projecting your own presently secretive nature onto him. Regardless, you think it’s odd that whenever you stand up or stretch, his eyes almost immediately fall to your midriff, like he wants to challenge your clothing into a staring contest before he thinks better of it.

You don’t mind, anyway. He can look as much as he likes. Maybe when the weather’s warmer, you’ll even cater to that interest and wear a crop top. Hopefully, that’ll be the push he needs to act on human instinct and ask you out or, like… bend you over. Maybe.

You’re often plagued with these kinds of thoughts in between the ones you try to keep as family-friendly as possible — now, more so than ever.

Sometimes, it’s easier, especially when you’re caught up in talks with him; despite the fact that he doesn’t seem like much of a conversationalist when it comes to generic matters, when either he or you are enthusiastic about a particular topic, he has a tendency to get carried away. There’s nothing impure about how his eyes light up when you remember to ask him about the movie he saw with his friends over the weekend or the way he hums old Nickelodeon cartoon theme songs under his breath whenever he’s looking for a page in the textbook. It’s more of a situation where you’ll observe something and immediately run with it despite it being an objectively normal action.

Like right now, as you’re watching him turn his pen between his fingers. Now, while he’s shaking his knee in mild impatience, as if he’s trying to will the answer to the worksheets you’ve both been trying to get through for the better part of the day faster. You’d made copies of the problems your professors had assigned and exchanged them under the premise of being able to practice more intensely.

However, whereas Mark is actually focused on solving, you’re just watching him out of the corner of your eye, wondering if he’s ever been told that his fingers are fuck-worthy on a singular, unique level or if it’d feel good for you to ride the thigh he’s currently moving, jeans and all. You consider the feeling of his warm palms on your bare waist as you do it, and you end up wondering if that’s what crosses his mind whenever he sneaks glances at you, too.

You’d know the answer to all those things if he’d fucking ask you out. Maybe you could do it after all. Maybe you should, instead of relying on slowly increasing the probability over such a long period of time. Maybe if you asked nicely, Mark might pull the shades down on the storefront windows and rail you against the glass.

You’re so lost in thought that it genuinely startles you when he plops his textbook over the worksheet, rattling your eraser dangerously close to the edge of the table. You’re still clutching your heart while he rubs his eyes a little too violently.

“Can’t,” he groans, and his neck gives into the weight of his head, allowing it to loll backward. “I feel like the numbers are just melting into each other. I swear, I thought I could read words out of them.”

“Maybe we were a little too ambitious with the double worksheet agenda,” you admit, even though you’ve barely gotten past half of yours and certainly haven’t touched a single item on his. “Should we call it a day for now?”

“Yeah,” he agrees, although he still takes the time to encircle his final answers before clapping his palms to his cheeks (an act that has your mind dangerously close to wandering off inappropriately again) to wake himself up. “Woah. I didn’t even notice how dark it is already. I’d say time flies when you’re having fun, but I’m not too sure about the ‘fun’ part of it…”

You trace his gaze towards the glass; the moon’s already out, surrounded by a smattering of low-light stars. You hadn’t realized how late it had gotten, probably because your mind had been on R-18 mode for most of the afternoon. Also, the days are getting generally shorter, but that fact doesn’t make you feel as embarrassed, at least.

“You got a ride?”

The question once again shocks you out of your small trance, and you turn back to him with wide eyes. “Well — no. Wait, I didn’t know you had a car. Why’d you take the subway, then?”

“Oh — no, sorry, I… don’t.” He looks suddenly sheepish, eyes dropping to the shiny surface of the table for a moment before they snap back up, as if he’s actually actively reminding himself to look at you. “I was wondering if you wanted me to — actually, more than that, are you going home already? Not that you need to stay; it’s not that important, but…”

You try to gloss over the fact that he had just been about to initiate another huge step in the right direction (i.e. offering to walk you home) by beaming at him, maybe a little too widely, if only to mask your disappointment at the sudden shift in conversation. “I have nothing waiting at home for me but a sandwich dinner and Singles Inferno, so hit me with whatever it is.”

“Oh, cool.” His lips turn up, and the corners shake, this show of happiness once again tamped down by his own inexplicable desire to maintain a safe distance. How are you supposed to tell him you’re desperate to bridge that gap without using those exact words? “I came from the flagship store yesterday — the one in Hongdae that I told you about?” He allows the smile to widen slightly when you nod in genuine understanding. “Got the last six boxes of the collection I’ve been trying to finish.”

You whistle appreciatively. “Can I ask you for a loan on my next phone bill? You know, once I’ve upgraded to something pricier.”

“Nah — just itching to complete the set,” he laughs. You wonder if he’s been doing that more often because he knows its crippling effect on you, though you doubt he’s that sly. Again, maybe you’re just projecting too much of your own motivations onto him. “This was probably about two months of saving up combined.”

“No new Iron Man issues to look out for, then?” Your voice is warm even though it takes on a teasing tone; Mark’s hand rubs the back of his neck, and his expression is a little sheepish, but you’re happy that the times he used to go completely quiet, opting only to blush at your attempts to act more familiar with him are pretty much gone now.

“Maybe next month.” You also like that he doesn’t really treat his hobbies as secrets, neither out of shame nor snobbishness. He explains these things to you the same way he does the topics you study — with an air of contentedness, like he’s happy someone listens to him without interrupting. On your end, you have no qualms with listening to his voice for hours, wondering when he’ll stop using it to greet you when you come through the door and when he’ll start saying your name in a way that makes you feel like you’re the only one he sees whenever you’re near. It’s a win-win situation (sort of). “I was actually debating between this collection and a really rare copy of Spi— well, never mind that. I just thought — since you were asking me a bit about blind boxes last time. You know, if you wanted to. With… me.”

As much as he’s become comfortable talking to you about things that don’t involve coffee orders and school, you can’t say that you aren’t doing your fair share of the work in connecting the dots; the demand for your efforts is exponentially higher in moments like this, when you think he’s trying to ask you something but can’t seem to find less-than-eager words to avoid what he thinks might spook you.

Luckily, he augments his fragments with action; reaching into his backpack — which you notice seems to be bulkier than usual — he starts extracting small brown boxes, all with the same design; it seems, for lack of better words, aesthetically gothic, and you reach out to pick one up, turning it over and examining the print on each side with vague interest. Mark starts laying them out on top of each other until there’s a small, somewhat unstable pyramid in front of him, then shifts his attention fully to you, just as you’re putting the box in your hand atop all the rest.

“I’d love to.” You beam as he does, and there’s a wondrous relief in his eyes that tells you he’s glad you manage to catch onto his words — or lack, thereof — surprisingly well. “For as long as you don’t blame me for any bad draws.”

“The contents have already been decided by my own hand — sort of,” he chuckles. “Point is, I would never do that to you. But I won’t lie; I kind of want to rely on your luck a little more.”

“What makes you think I’d have any of that running through my system?”

“Not sure — beginner’s luck, maybe? You just kind of look like one of those kinds of people to me — like… you’re just made of good things.”

You don’t know how to take this compliment; on the one hand, it’s easily one of the sweetest things Mark has ever said to you that doesn’t involve anything with actual sugar content. On the other, you know you’re not as lucky as he makes it sound, considering you’re still striking out on getting past the borderline of friendship with him. All you can do is smile, nodding and making to move closer to him by sliding into the next seat.

It’s hard to ignore the sight of him stiffening; something like surprise mingled with both fear and interest flashes strong across his face, but you don’t do anything to acknowledge the slight change in atmosphere, choosing to settle down comfortably and clap your hands. “So. What are the rules? What can I do, and what can’t I?”

“Uh.” His throat constricts at the right moment, the syllable getting caught and causing him to clear his throat. You know that this is the nearest you’ve ever been to him, the sleeve of your shirt tickling his arm. Upon closer, albeit brief inspection, you note that he’s also rather veiny. That doesn’t do your impurity any favors. “Not… really rules, or anything like that. Just — these are the ones I’ve been looking for. Not that you can really control it, but in case you were curious about that.”

You squint intently at the scaled-down images he points out. There’s one that looks like a penguin caught in an oil spill; another that seems to be in a polar bear costume, dozing; and — “What’s… halo? Halo…bios?”

“It just means marine life,” he answers quickly, like the thought means close to nothing to him to know something that obscure. Whoever said that smart is the new sexy wasn’t joking. “Like… all things that live in the ocean, that kind of thing.”

“And you know this because?”

He pauses, looking thoughtful. “I’m not sure. I guess I must have just learned it when I was curious about what it meant some time ago. Isn’t that how we all learn things?”

You shake your head incredulously, and he smiles a little apologetically. “You never cease to amaze me.” Your nail drums against the silhouette of one with a question mark on it. “What’s this supposed to be? Can you draw your own figurine, or something?”

“No.” He’s clearly amused, but his expression’s still patronizing enough for you to not feel too bad about saying something idiotic. “It’s a secret design — a money drainer, basically. You could buy a full set of this and still not get it. Some people will open hundreds without any luck, so it’s really rare.”

“You don’t want it?”

“I try not to get too caught up in the secret thing,” he admits. “Otherwise…”

“No rare print comic books for the rest of your life, basically?”

He taps his nose, and you both share another laugh. It’s nice, you think, to have come this far — to be someone Mark can share his interests and thoughts with. You may have been stretching the word to its limit when you first punched your way into his social life and called yourself his friend, but it feels more real now, more natural to think about and say. Even if he still sometimes seems to be hyperaware of the gap between the both of you, there’s no denying, at least, that it’s been significantly reduced, and this much is a testament to that.

“Well, leave it up to me. I’ll let all of this beginner’s luck rub off on you,” you announce with overflowing albeit unfounded confidence.

You both decide to open a box each at the same time; Mark suddenly panics and asks you not to unseal the foil bag right away without looking at the card inside first, earning him one slightly alarmed look followed by a burst of laughter at his pained expression when you pretend to rip open the packaging. Comparing pulls, you identify them using the set chart — your luck doesn’t seem to be operating at full capacity yet because you can only offer him the card of one that looks like a floppy pigeon, which he responds to with a slightly apologetic grimace before saying he’s already pulled that thrice in the past. He, on the other hand, is turning the card of the polar bear over in his palm, trying not to make you feel bad for your duplicate pull by slipping it under his textbook when your eyes land on it.

The second round isn’t much better; both of you manage to pull something he’s already added to his collection, and as you’re ripping the seal to your third box, he pauses and watches you. You think it’s because he’s concerned about the obvious shit luck you’ve had thus far and wants to snatch it from you before your negative energy transfigures whatever’s inside into something he doesn’t want, and you’re just about to offer the half-opened package to him before he pushes the one on his end to you.

“No way, Mark.” Your eyes are wide, a palm up to reject it. “If that turns out to be another dupe by my hand, I’m literally going to walk into oncoming traffic.”

He has to control his amusement at your words so that it doesn’t completely shake his voice into incoherence. “I picked all of these while I was there, so if anything, you’re only riding off my bad luck. Besides, this is your first time doing this. I want you to have fun.”

“But,” your voice is pained. “Your money.”

“It’s not a big deal. With how few I need to complete them, I was definitely bound to run into more repeats than new ones.” He taps the front of the textbook — or, at least, the part of it not buried under the figurines and sealing tapes yet. “Probability mathematics.”

“I thought we already ended the study part of the day,” you grumble but concede, putting aside the one you half-opened to tear the top of his. You’re careful when you shake out the foil packaging, making sure to place it upright on the table before extracting the card. Both of your faces fall — yours more than his — when you see it’s a repeat of the polar bear.

“Almost. It would’ve been a pretty lucky pull earlier, so it’s technically not bad,” he tries to reassure you, but you childishly feel like you’ve been the sole source of his disappointment thus far. “Try the last one.”

It’s irrational, but you’re suddenly anxious about it. For some reason, you’re worried that this will topple the carefully constructed ladder you’ve propped up against Mark’s tower of social defense. Even if he’s being genial about your rotten pulls, you don’t know how much of it is just resignation to dismay on his part.

You say a small prayer, then fully rip off the seal; you don’t even take out the packaged figuring anymore. You just shimmy the card out of the box, turning it over when you notice it’s upside down.

For a moment, your shoulders deflate. It’s closest to this pastel purple figurine in the middle of the line-up, its stupid puckered lips almost taunting you. He hadn’t even mentioned it as something he’s looking for, so you almost feel like this has come to a horrible full circle. But then he grabs the box, checks the list, and looks back at your card again. He looks shell-shocked, and you’re not sure if it’s the strong air conditioning directed towards the two of you or if it’s just his hands, but the image he’s holding is shivering slightly.

You look more closely at it, and something just doesn’t feel right. Color palette aside, there are notable differences — different colored lips, a more intricate ear design, and closed eyes. It’s…

“Dream eater,” Mark’s voice is hushed, almost reverent, and very, very close to your ear. “It’s the secret one. You’re… incredible.”

“What are you talking about,” your words are just as raspy; you’re not sure if you’re actually choked up with emotion or something — over a figurine, you have to remind yourself. “You picked all of this. I just ripped open the box.”

The hush that falls over the both of you feels very concrete, weighty on your shoulders. His fingers creep towards the foil packet — the only one he actually opens because there’s no way he’s not keeping it. The shiny purple head gleams under the fluorescent, the glitter around the star and moon designs catching the light as he turns it left to right, like he’s worried it’s a fake. You can tell why people want these things so much; there’s a thrill in you that lingers, makes you feel warm and alert. It’s anticipation, despair, excitement, and triumph all in one sitting.

You’re stroking the smooth curve of the design by the ears lightly when Mark speaks up again and says the most outrageous thing.

“I want you to have it.”

“What?” You actually have to pop your ear canal in front of him with your pinky to make sure he knows how ludicrous he sounds. “This is… you said it was crazy rare.”

“Yeah. And you pulled it, with your magic. That’s like… unimaginable luck. Even more than beginner’s luck.”

“Like I said, I literally just opened the box.”

“No — you have like… the golden touch.”

“Please,” you hiss, a genuine testiness to your voice. “Do not. I was just here for the ride — the experience, and all.”

“Seriously, take it.”

“Absolutely not—”

It’s a chaotic moment of him trying to hand you the figurine and you outright rejecting it, with both your palms working hard to push it back to him. Instead of nudging the plastic back, though, you end up placing the full force of your hands against his fingers.

There’s no actual spark when you touch, but your reactions make it feel like there might as well have been; you even lock eyes in startled unison, like you can’t believe that just happened, before you pull away quickly, Mark drawing the figuring back to his torso while looking away towards the counter, where a lowerclassman is wiping down the stains. You want to scream at your warped reflection in the window. You barely initiate contact with him, but you imagine that if you ever did, you would prefer to not be saying something as abjectly negative as absolutely not while doing so.

Your mind flails in an attempt to mitigate the issue and water down the embarrassment, and clearly he’s struggling to figure it out too, because he pipes up before you can piece your thoughts together.

“No, really.” His tone is a lot milder and, consequently, a lot more persuasive this way. “You should take it. I want you to.”

“It’s not mine. This is your thing — your hobby.”

“That’s why I’m giving it to you. I swear — I want you to keep it.”

“Why?”

He lapses into silence again, but his face is much redder than earlier. His mouth opens in an attempt to say something, but he just manages to uh his way back into a state of quiet, which gives you a chance to speak instead.

“We can… share it,” you suggest. “Shared custody…. ish.”

His eyebrow cocks involuntarily, and his jaw falls again, but all he does in actual response is nod — slowly at first, then with more sureness to the act.

“Yeah. We can share it. I’d… like that.”

You’re glad that the bulk of the awkwardness has fizzled out fairly easily, and when you think about it, this feels like a pretty good course of action; you like that it’s this little link between the two of you now — something you share that no one else can touch.

Mark, you notice, is smiling as well — more to himself than towards you, it seems. His thumb grazes across the face of the figurine, slow across the lips, and you’re once again falling into a pit of nonsense by wondering when he’d do that to you.

“Thanks for staying with me, _________,” he finally says, and your heart jolts and melts all at once. “And for… doing this. For chatting with me. And giving me your luck, and all that. Great way to end the day… with you.”

You say no problem, but you instantly regret it when you realize you could have just said it didn’t have to end just yet.

“__________? Hello? Come back down to Earth?”

“Shut up,” you sigh at the guy seated across you — Seo Youngho, an upperclassman, your Gender Studies classmate, and current project partner, waves in front of your face. You shoo his hand away, which only joins his other one as he throws them in defeat above his head. “Stop moving. Be quiet. Don’t talk.”

“That’s the same thing as shut up and be quiet. What’s up with you?” He demands. “Fifteen minutes ago, you were full of ideas. Now I feel like I’m talking to a wax figure.”

You’d been engrossed in your report for the last hour and a half, and the subject matter is admittedly something you enjoy — the role of gender in Twenty-First Century Korean marketing and advertisement, a title Youngho had taken more than ten minutes to type into the Google Docs header because he was pissed off at how the numbers looked like in the fonts he chose. He’s an enthusiastic classmate and someone you’ve come to be friendly with, not only because he’s genuinely approachable but also because he has fits of nosiness and talkativeness at the strangest moments, so a chunk of your relationship is mostly based on social terrorism on his part. You like him well enough most of the time — save for the last fifteen minutes of this hour.

Because Mark had just come in for his shift fifteen minutes ago, and suddenly Youngho is much too noisy for your taste, and his head is honestly way too big to the point that it gets in the way of your opportunities to see Mark behind the counter. You even resent him for choosing a booth instead of your usual table all of a sudden, because your view of the central barista’s area is much more limited from this angle, especially since the huge espresso machine is in the of your field of vision.

You’re also (currently and abruptly) mad at Youngho because you remember that he’s the reason you’ve had to skip out on a couple of sessions with Mark. Like, it technically isn’t his fault that you have a lot of research to do for the literature review section of the paper, nor is it his fault that this is your final requirement that comprises a whopping forty percent of your grade, but like… you’ll blame him anyway. So you’re much more irritable, and you’ve definitely been missing Mark’s presence. In fact, you kind of just want to shove Youngho’s balloon head away and call Mark over to sit with you, but you’re not that much of an animal to actually do that.

Probably.

There had been inquisitiveness across Mark’s face when he’d come in; his eyes had trailed to the table at which you usually sat, surprised to find two guys hunched over a single phone there instead of the usual you, waiting for him with your eyes bright and your smile wide. You’d like to think it’s because he’s gotten as used to seeing you as you’re used to waiting to see him — like he just expects you to be there.

You hadn’t really known how to call his attention to where you were, especially since Youngho was prattling very matter-of-factly about the academic journal he’d unearthed yesterday and how he thought it would be useful in reshaping the methodology of your paper (whatever). There was a moment in which you briefly considered ordering another cup of coffee just to get in line to talk to him, but your hands were already shaking from the venti you’d had to keep yourself from passing out in front of your partner.

So you’re more than relieved when, half an hour into his shift, Mark finally steps out from behind the huge machine, a mug of water for himself in hand, and turns away from the front of the store to drink it — only for your eyes to lock as he twists his torso in your general direction.

The mug stops just inches from his lips, but you could swear he smiles at you briefly when he recognizes you, so you return the favor. Youngho’s face contorts into abject befuddlement, turning around to see what you’re grinning at.

“Oh, you poor sap,” he snorts, finally letting the puzzle pieces fall into place.

“What?” You’re still distracted even if Mark has taken a gulp of water and is now attending to a gaggle of girls still in the throes of discussing what to order.

“What what? You gonna spend the rest of the day eyefucking Mark Lee from over here? At least let me get a different table.”

“Shut up,” you repeat sullenly, coming back down to his level and finally — albeit reluctantly — meeting his eye (just because Mark isn’t looking your way). “What were you saying about the sample size?”

“That it’s much too large to be feasible, a point we closed twenty fucking minutes ago,” he says pointedly. “Is it a thing for baristas or a thing for smart guys?”

“It’s a thing for Mark Lee,” you sigh, following Youngho’s suit and shutting your laptop close. You’re at least glad he’s not annoyed that you’re delaying work for a crush, or maybe he’s also just equally lazy at this point. “You ever look at someone and think you would give it all up for a chance to hit that?”

“No, because this isn’t a porn movie, and I’m clearly not the main character in whatever’s going on in there.” He jabs at your forehead; you swat his hand away again.

“Well, I would.”

He rolls his eyes. “So do it, dumbass.” He says this so simply, like he can’t imagine why you’d be holding yourself back, which is a valid thing to feel, except it’s not really any of his business.

“Can’t.”

“Because?”

“Because it doesn’t fit into my elegant master plan. Also because I want him to ask me out. I just want that victory.”

“Oh yeah, there it is.” Youngho leans over, wiggling his fingers at your ears like he’s greeting a next-door neighbor. “Hey, delusion. Good to see you. Do you even understand how crazy it is that you’re taking a Gender Studies class while waiting for your dick-in-shining-armor like a damsel in distress?”

“Asshole,” you grumble, violently opening your laptop monitor again. “Get back on Google Drive.”

Thankfully, Youngho complies, and the next two hours pass in relative silence and productivity, with you hammering out a vague references list that he promises to format in your stead so you can ‘spend more time dreaming about Mark Lee between your legs.’ You want to strangle him, but there are far too many people in the cafe for you to get away with it. Also, aforementioned Mark Lee would only be a witness to your criminal record, and while you think there’s something romantic in killing for love, or whatever, you’re not sure it’d make the best impression on him.

“Next week’s my birthday,” Youngho announces as he stands to tug on his jacket.

“Congratulations,” you say wryly, peeking over his bulletin board torso to see Mark tugging off his apron and picking up his school bag. Your heart hammers in your chest as he looks over at you briefly, and something like embarrassment passes over his face before he busies himself with neatly folding the fabric. “Go away.”

“Usually people look uncomfortable for not knowing and then start thinking about what gifts to get the celebrant, but I always felt you were kind of a revolutionary.” He snaps his fingers right in front of your eyes, and you look up at him, a little offended. “I’m having a get-together — and by get-together, I mean it’s gonna be a rager. You should come.”

“When?”

“Next Thursday.”

“Can’t,” you chew on your lip, wondering if Mark is leaving. His movements seem particularly slow, but you wonder if he’s just taking his sweet time because he has nothing better to do. Of course, he would have something better to do if Youngho stopped fucking obscuring you from him and vice versa. “Busy. School… whatever.” Not completely untrue. Most of what you do with Mark has to do with school.

“This moony-eyed thing is just not for you, I fear.”

“Are you going to be here all day?”

“Are you? Why don’t you just fucking ask him out, you lunatic?” You can’t imagine why he sounds so exasperated. It’s not like this is his problem — or his business, for that matter. “Maybe if you did, you could fuck him and move on with your life and be an actual contributor to society’s development.”

“Has anyone ever told you how nosy you are?”

“Constantly.” He brings his palms down on the table, the thud shaking you out of another oncoming stupor. “Think about it. Maybe it’ll make you stop making that stupid face.”

“You’ve got a stupid face,” you mumble, sulking as he pinches your cheek as a goodbye before heading out of the shop.

At least you finally get to see Mark in full, glorious view — and you get to watch him come closer, although his stride is somewhat cautious.

“Hey.” Even his voice sounds unsure — almost like the way he used to sound earlier in your friendship. “I didn’t want to interrupt you and… your friend?”

“Oh. Well, you wouldn’t have been interrupting,” you inform him, completely genuine. “He was spouting a lot of nonsense.”

“You guys seemed pretty close.”

“I guess it’s a proximity thing,” you sigh, and Mark raises his eyebrows slightly in question. “We’re partners.”

“Oh.” The way he draws out the syllable is slow. “That definitely makes sense.”

The silence stretches out between the two of you again, with Mark checking his shoelaces. You almost grab your head; it hadn’t occurred to you until now how damaging missing meetings with him would be to your friendship. You feel like you’re slowly being dragged back to square one, and you want to give him an explanation.

“He’s actually… I haven’t been able to see you because I’ve been working on something with him.” you offer, trying to answer a question he didn’t even ask. “Sorry about that. I swear I’ll be back on track tomorrow.”

“No, no — I completely understand.” He pauses thoughtfully. “Thank you… for telling me, though. I— uh, appreciate that.”

“I’d love to see you tomorrow, though.” You try injecting more pep into your voice. “I’ve really been behind on my algebra. I’ve definitely been drowning without you.”

“Oh, yeah.” A small smile graces his lips, but you can’t tell if the reluctance behind it is from fatigue or something that looks oddly like sadness. “I’m down for tomorrow. Same time, same table, right?”

“Yeah, for sure.”

“Cool. See you, _________.”

You watch him turn on his heel, walking to the front door, and something like fear mingled with desperation clutches your heart. Fuck the traditional route, you think. You don’t know what it is about how he’s acting now, but it’s making you feel like he’s slipping through your fingers. All that hard work — there’s no way you’re letting him go.

“Mark, wait.”

You’re at his side, fingers curled into the sleeve of his jacket before you can figure out exactly what you want to say. You feel as surprised as he looks at your sudden liveliness in action, and his gaze trails from your clenched fist to your face slowly, like he’s trying to memorize this whole position.

Your exhale’s shaky, but even still, you try not to sound overtly self-conscious when you ask, “Do you like Chinese food?”

Something in the furrowing of his brows tells you he can’t seem to see where this conversation is headed, and that slightly bothers him. “I like it well enough. Why?”

“There’s this really good dim sum buffet near my mom’s office. We tried it before — the Xiaolongbao is awesome.”

“Hey, that sounds pretty cool. I love Xiaolongbao. I’ll definitely have to check it out then.”

You want to tear your hair out. “How about — you know, checking it out with me? Tonight? You know… together. With me.” You already fucking said that.

You’ve never seen Mark blink this rapidly; he looks like he’s trying to crunch large numbers in his head. A small part of you actually worries that he’s malfunctioning, but just when you think he’s going to glitch out completely, he clears his throat. It bothers you how uncomfortable he looks. “Tonight? Oh man… it’s my cousin’s birthday tonight. I can’t… reschedule. Well, obviously. Maybe some other… time?”

Your ‘oh, yeah’ is small, and so is the ghost of Mark’s smile. You can’t help but feel like he’s pitying you a little, although he doesn’t seem like the type, but the thought of it alone makes you want to puke. He makes no motion to move, and you think he’s extending this awkward moment out on purpose until you realize you’re still hanging onto him and he has no way of telling you to let go nicely.

Fingers unfurling from his sleeve, you take a careful step back, but when he walks away, it feels like you’ve gone much, much further away.

The worst part is that you can’t even figure out why.

Luckily, the next few times you see Mark, you manage to rebuild a rather shaky bridge back to where you had been. You even manage to strong-arm him into sharing an apple fritter one afternoon, and you know it’s a bit sad to think about it a particular, untrue way, but you can’t help but pattern what you’re doing into some kind of pseudo-date. Pathetic isn’t a word you normally associate yourself with, but you’ve been borderline desperate for progress where there seems to be none, so you take small victories where you can get them.

Unfortunately, you haven’t been able to revisit your stupid dim sum plan; sometimes, he says he has somewhere important to be, but most of the time, it’s actually your fault. No — it’s Youngho’s fault, because he keeps bothering you to finish the project. You’re aware that he can’t do it himself, but since he’s informed of your current plight, he could at least stand to be more sympathetic.

And you hate the way Mark looks every time you splutter out that you have to take a rain check for that reason; it’s not even disappointment, or something, which would be much more understandable. It’s this mysterious kind of faraway look, where his eyes glaze over a bit and he seems suddenly very lost in thought — or completely dissociated. He never strays away from his normal response of “next time, then,” but that ‘next time’ fades into the weekend and into the start of next week, and you have to spend every other evening with an annoying Seo fucking Youngho on a Google Meets call instead of eating soup dumplings loveshot style with Mark Lee.

Thursday night rolls around, and the former performs the most irritating stunt yet: blowing up your phone with so many KakaoTalk messages that it almost buzzes off the table during your session with Mark. Luckily, he seems to have learned a thing or two from his comic books, catching it before it hits the floor.

“You sure you don’t want to answer it?” He asks, gingerly handing the phone to you like he’s afraid it’s going to explode from all the pinging.

“Without the shadow of a doubt,” you sigh, flipping the screen downwards. Buzz.

“It kind of seems important. Or, like… urgent.”

“He’ll live. Unfortunately.”

Mark falls silent, fiddling with the page he’s on. He’s neatly highlighted the formulas on the page with blue ink, and his finger keeps scratching at the slightly wet paper. Buzz.

“Didn’t you say you two were partners?”

“Yes. Also unfortunately.” Youngho is actually a great person, but you kind of hate how Mark’s paying more attention to his texts than to you right now. “What did you get for number ten?” Buzz.

“A hundred and twe— are you really just going to let it keep ringing like that? What if he’s… I don’t know. In trouble? Like, he needs you?”

You smack your phone on its back, hoping that the punishment reaches Youngho because he absolutely is in trouble — only with you. “He’s just making a racket because it’s his birthday and he probably wants a bunch of people to trash his parents’ house, or something.”

“Sounds like fun.” The dubious tone in Mark’s voice indicates that his idea of fun definitely isn’t that. Buzz.

“Not really, but I assume he’ll only pipe down if he manages to get his way.”

“He must really want you there.”

There it is again — that weird, distant expression that makes you feel like he’s trying to free himself from the tethers of the earth. You close your textbook in defeat; it wasn’t even like you got the answer to number ten correct anyway. Buzz.

“He just wants everyone there, I bet. But I probably should show up so he shuts up.”

“Oh — yeah, okay. We’ll call it a day, then?” He’s avoiding your eye as he starts packing his things, which is actually impressive because you have practically nothing but your book to keep in comparison to his pencils and protractor, so you just stare, willing him to look at you.

You want to know what’s going on in his head. You want to know what’s going on in his heart — what he thinks of you, why he seems warm one second then almost like a stranger the next. You want to know if he knows you like him and if him not doing anything even if he knows is a sign that he doesn’t like you back. You want to know if he’d let you kiss him, if he’d kiss you first, if you can meet not because of sweet cream cold brews or algebra but because you just want to be together.

You just don’t know how to ask. For as much as you like him, for as much as you want him, you haven’t figured out the most basic part of this — if you mean anything more than a two hour talk to him at all.

“Mark.” This feels awfully like the dim sum conversation, only somehow ten times more disastrous. “Come with me.”

“Sorry?” The appalled look on his face makes you squirm in your seat.

“I don’t really want to go, but maybe if we go together… we can just hang out a bit and leave once it’s boring… I think it’d be fun,” you explain lamely, deciding at the last second to drop the with you that had originally come with your sentiment.

“I don’t think your… partner will like someone uninvited showing up.”

“I’m inviting you.”

“I’m pretty sure that’s not how it works.”

“You’d be, like, my saving grace or something — my excuse to scram. We’ll say we came right from a study session; we only popped in halfway through for the sake of greeting him a happy birthday. Then we can just go. We can say — uh, we’ve got more work to do.” You’re practically begging him at this point, and you don’t even get why. You just don’t want him to leave looking the way he does — confused and a little detached. You want the Mark that had smiled at you while giving you your coffee — the one that had kindly pointed out an arithmetic mistake in the most gentle way possible. You want to open blind boxes with him, whine about your rotten luck, and part ways with his warmth still against your coat sleeve.

You don’t know what comes over you then, but you pluck up the courage and initiative to slip your hand in his. He stiffens a little, but you don’t care; your fingers squeeze his in urging.

Something in his expression breaks — cracks first, then falls away, before he’s nodding, still looking vaguely thoughtful.

“If you think it’ll help you, then… okay.”

The bus ride to Youngho’s neighborhood is uneventful because it’s quiet. You stand close to Mark at all times, but you barely touch, save for the times your knuckles accidentally brush his when you lurch forward slightly as the vehicle comes to a dangerously abrupt stop. He doesn’t ask anything about the party or the company that’ll populate it, which is just as well, because you don’t have a clue.

You know it’s the right house because the door’s wide open and there’s music coming from inside; you can’t make out much more than the deep bass pumping through the concrete, but you’re pretty sure it’s making your heart jump in your chest even more than it already is. There are quite a few people you vaguely recognize on the lawn, and even more that you absolutely don’t; a good number of them glance at you and Mark as you step through the threshold then look away, probably deciding you’re of no real consequence or harm to their moods.

Youngho’s easily spottable because of his massive height; he towers over the rest of his guests, and the red plastic cup in his hand calls even more attention because he’s lifted it over everyone else’s heads. You throw Mark an apologetic glance that he responds to with a short nod before you dive into the crowd alone, trying to weave your way to where you’d last seen Youngho.

“Bro, finally!” Youngho greets you, pretty much shouting over the music. “Where’s the gift? Did you leave it on the table?”

“Happy birthday, Youngho. Do you know how close you were to being blocked?”

“I see you brought mister espresso with you,” he ignores your comment completely, nodding to Mark. When you turn back to see him, you notice he’s squishing his arms closer to his sides, trying to minimize the space he takes up. “So what? Y’all get to hook up already?”

“No. I brought him here because we were in the middle of something and someone,” you stop, offering him a pointed look that’s also ignored. “Wouldn’t stop texting.”

“Cockblock,” the guy next to Youngho, who you now realize has been eavesdropping, singsongs. “Oh, sorry. You looked angry when you stomped through the crowd, so I wanted the juicy details. Name’s Jaehyun.”

You take the hand he offers you briefly, introducing yourself. When you say your name, realization dawns on his face, and he jabs his forefinger at you.

“Oh, dude. You’re that girl — the Starbucks Showstopper.”

“The what?”

“That’s what his friends call you.” He scratches his ear, seemingly racking his brain for more information. “I’m with Mark and a couple of his friends — Lee Donghyuck and Na Jaemin — in College Algebra.”

You completely gloss over the fact that you’ve finally found out the real government identity of the mysterious figure named ‘Hyuck.’ “They… talk about me?”

“From time to time. Not really. Once or twice. Donghyuck only calls you that because Mark apparently keeps blowing them off to hang out with you.”

“How do you know this?”

“I have ears. It’s not hard when they talk like no one’s around.”

You shush Youngho’s exclamation of and you’re saying I’m nosy?, your heart hammering hard in your ears, practically drowning out the music. “What… what else did they talk about?”

“Not sure. Something about not seeing you that often these days. Jaemin teasing Mark about getting dropped now that you don’t need his help anymore. Donghyuck piling on and saying you’ve got a boyfriend.”

“What?”

“Don’t shoot the messenger.” Jaehyun still inches away from you when your voice rises in pitch and decibel. Some people around you start, then move away as well, as if scared you’re going to incinerate them. “They were just teasing him that you probably ditched him after you started dating someone. Your partner in some project, or what.”

“Oh gross.” The realization hits you like a speeding truck. Youngho’s expression is affronted.

“First of all, you bitch. Second of all, as if I would date someone who didn’t even buy me a gift. Or want to come. Or yelled at me after coming. Wow — now that I think about it, you’re terrible, _________.”

“Oh, shit; that someone was you?” The only person that isn’t tense in this conversation is Jaehyun, who laughs point blank at Youngho’s sour face. “I think they were offering to put you into one of their Death Note notebooks. Sucks for you, hotshot.”

“What a smudge on my good name,” Youngho sighs mournfully. “On my special day, too.”

“I desperately need you two to be quiet for one second. I have to — where’s Mark?”

Even when you stand on your tiptoes, you’re not nearly as tall as the two of them; it’s Youngho, with his freakish height, who manages to spot Mark by the bowl of nachos, looking as though he’s trying to decide if they’re safe for consumption. You hardly excuse yourself; actually, all you say is a distracted “later” that dismisses Jaehyun’s cooing that something’s going down and you should clue him into all the mess later as a thank you. Your appreciation of his sudden and somewhat short-lived presence in your life is still up in the air.

Mark’s busy making a sour face at the sip of punch he’d just taken; he only straightens up when you’re right in front of him, putting his cup down next to the nachos. “Hey. Did you get to find… um…”

“That’s not important.” Your hand bunches the fabric of his jacket in a death grip, something he barely has time to register, let alone question, before you’re tugging him through the throng of people. You want somewhere quiet, somewhere private, and you initially consider the lawn, except you know it’s strewn with cups and has stragglers debating whether to go home or not. You can’t risk any of them being expert eavesdroppers like Jaehyun, so you make a beeline for the stairs instead.

“We’re not leaving yet?” He has to shout over the music, but there’s no resistance in his stride; he follows you up and waits patiently, although a little perplexed, as you check the doors on the second floor. Two are locked, one is a bathroom, and the other is a messy, musk aftershave-scented place you can only presume is Youngho’s room. Talking in front of a sink and a toilet doesn’t feel like it’ll be very productive, so you just drag Mark into the bedroom, kicking aside the crumpled shirt on the floor — which you could’ve sworn you’d seen Youngho wear for class yesterday. “_________, what’s going on?”

“Mark Lee,” you burst out, ignoring the fact that his eyes widen slightly at your tone. “What’s your fucking deal?”

You don’t think you’ve ever sworn in front of him before; that much is evident when he continues to gawk silently, unable to find words to respond to your question. Or maybe it’s just the volume and force with which you demand an answer. The problem is that you don’t even know what kind of reply you want. A small part of you nags that this is uncalled for, especially at this level, with you practically caging him into an unknown room. In fact, even now, you’re still embarrassed at your behavior, wondering if you’ve gone too far and stepped over a line between you.

But the source of all your frustrations is, in fact, that line — one so strangely drawn, clear at some points and almost invisible at others. Sometimes, he seems simply content with the barest minimum of friendship: talking to you, helping you, politely laughing at your (terrible) jokes. But there are also times he blushes too hard for it to not mean anything, times that he makes you feel like you could mean a little something more to him too.

Yet, from there, he wavers, stepping back so as not to get entangled in something you don’t understand — like when he grows distant every time you mention Youngho to him. You don’t understand why he would unless he echoed, even just a little, the longing in you. But you also don’t get why he stays and builds more walls around himself, like he’s determined to ignore all the other signs — like he doesn’t want to know if it’s really true and will just accept the assumption that it is. You hate not knowing where you stand with him, and while you could easily ask, you know you don’t want to.

And for a long time, you’ve convinced yourself that it’s because you want to see Mark step out of his comfort zone and initiate something, but the ugly truth is staring at you: it’s simply just that you can’t stand the idea of seeing him come to the conclusion that you can’t be anything more to him than someone he makes a sweet cream cold brew for every so often.

There’s a moment of tense silence between you two, where you’re just staring at each other — him, perplexed, and you, agitated — and the only sound that passes is the faint but unmistakable voice of Youngho going who has the cake cutting knife? from somewhere down below. You try not to get caught up in the fact that Mark still looks cute when he’s dumbfounded.

“Sorry?”

“What,” you repeat pointedly. “Is your deal? Why have you been acting so weirdly around me these days? I thought — I thought we were… getting closer. I thought… we…”

You’ve confirmed it now; you’re the epitome of cowardliness. You can’t even say I thought we liked each other — because you know that you do, but you still can’t honestly, assuredly tell if he does. Maybe you just read too deeply into the smallest things — smiles before he asks for your order, glances at you when he thinks you’re not looking, sharing the dream eater figurine — to fuel your own emotions without really checking the depth of his.

“I thought we were cool,” you reroute your words, and they come out flat and lame. “But just when I think you’re warming up to me, you suddenly pull away. Like… you’re afraid of me. Or you don’t like me. I don’t know.”

“It’s not — I don’t — I’m not afraid of you,” he stumbles over his words, and even in the darkness of this space, you see his face turn bright red, very quickly. His feet shuffle, not because he’s lost his balance but because he seems to want to get rid of a sudden restlessness. “I do like you. We are — we were getting — we’re close. We — we’re friends. You said that, and we are.”

“Is it only because I say we are that you agree?”

“What? No, I—” His hand passes over his face, slowing at the curve of his chin. “I really like being friends with you. I like being around you.”

“Then why do you act so weird these days? Like — you’ll be fine one moment, then you’ll back off, like you suddenly remembered you don’t want to be around me.”

“It’s not like that. I’m — I don’t get…” He takes a deep inhale, recalibrating himself for a moment before his voice comes out again, less strained this time. “I just don’t want you to feel uncomfortable around me.”

“How could I?” There’s something more than confusion coloring your voice; there’s hurt, too, and he looks as surprised as you feel at hearing it. “I wanted to be your friend. I was the one that asked you to hang out. I was the one who wanted you to talk to me, to help me, to go to a goddamn dim sum place with me. Why would I feel uncomfortable? Or are you just using this as some roundabout way to say you feel uncomfortable?”

Mark falls silent, and you don’t know why this speaks volumes all of a sudden. His eyes are trained to the tips of his sneakers, which are rising in soft bumps every few seconds; he’s curling his toes inside them. You feel like you’ve gotten the worst answer possible, and something grows cold in your chest.

“You feel uncomfortable around me.” You rehash, but it’s no longer a question. “You don’t know how to get rid of me.”

“No, it’s not that.”

“You think I’m only using you.”

“No.”

“Then what?” Your voice breaks, no longer out of anger, but a desperate sadness. The moment your eyes feel hot and prickly, you decide you want to end the conversation. It’s embarrassing, you think, for someone like Mark Lee — whom you like, who only ever sees you as a friend — to see you get choked up at a fucking birthday party at someone else’s house.

A beat later, you’re mumbling a half-hearted forget it, and you detest overdramatics, but you hate the idea of being in a room with someone who’ll never return your feelings even more right now; you push past him, already on the thought of calling a cab home instead of taking the bus so that no half-drunk businessmen coming from their company dinners see you crying.

But something warm wraps around your wrist, then closes over your hand, and you’re unable to move, Mark’s palm pressed against the back of yours. When you look back, you notice he’s still not looking at you, but his ears are practically on fire with how red they are, and you feel his fingers tighten slightly, tremble slightly against yours.

“It’s not that. I didn’t ever want you to think — I heard about you two. That you were dating someone. Seo Youngho.”

“What does that matter?” Your words come out a little more bitterly than you expect, and you have to remind yourself to reel it in. “That doesn’t explain your discomfort.”

“I didn’t want to make you uncomfortable,” he repeats, still evidently careful in choosing his words. “Because you wanted to be friends.”

“I don’t understand,” you state bluntly. In the back of your mind, you note that Mark’s grip keeps tightening and loosening, unsure of whether to keep holding on or let go. But there’s something else, too — the soft graze of skin against yours, his thumb gliding over your knuckles.

“That was all you said you wanted to be, right?” He waits for a response, but when you don’t give him one, he lets out a shaky breath and continues. “You kept saying — we were friends. You wanted us to be close like that. I just wanted to respect it, even if…”

“Respect what?”

“That you didn’t want… anything else.”

The music downstairs is a bit tamer now; you hear the door opening and closing every so often, signaling guests leaving here and there, but there are still enough footsteps downstairs for you to know that there’s a crowd Youngho hasn’t gotten rid of and therefore has to attend to. That much is good; you’d get slapped with a homicide charge if he came up here all of a sudden.

“You were jealous.”

Mark’s fingers pinch the bridge of his nose for a moment. “I tried to stop. I don’t have a lot of practice with — well, I didn’t know how to approach the situation. I thought I was still acting normally; I didn’t think… I didn’t want you to feel weird and stop hanging out with me just because… I couldn’t fix it.”

“Your friends are assholes,” you mumble, and he finally meets your eye, equal parts startled and amused. “We aren’t. Weren’t. We never were dating.”

“Even without that, I thought… it was a bit embarrassing. Liking someone like you — someone as pretty as you, as nice as you — I thought it would make you feel weird. Then you’d start avoiding me too. Or, worse, you’d keep doing it just because… you… felt bad for me.”

You don’t know what you find more ridiculous — that you hadn’t seen figured it out or that you could have avoided all of this if you’d just been a little more honest with him too. Mark’s hand starts loosening around yours, a little too much, and you turn your palm and grip his hand before he can escape. He stiffens again, just like earlier, but you now understand better why he does.

“I just wanted to keep hanging out with you as much as I could. I thought… It’d be fine, just spending time with you, and I’d be able to like you for a while, on my own, then…” He looks a little pained. “Then just let you go. I’m sorry.”

“Sorry you couldn’t let go?” You sigh softly, your palm guiding his until they connect, face to face, and you can finally lace your fingers into his. There’s no resistance, but his hand trembles slightly in yours still. “If there’s anything you should be apologizing for, it’s that you ever thought of doing it.”

Something clears in the air, lightens in his expression, and he chuckles, albeit a little shyly still. “It’s because I never thought someone like you would like someone like me.”

“I like you.” And it feels right to say it now, not at all out of the blue, never in fear of an answer he’s already given. “I like you when you smile at me every time you ask for my order. I like that you never get impatient when I’m getting my answers wrong. I like seeing you excited when you talk about a new series you’re looking forward to — something new you really want to collect. When you blush, when you laugh loudly, when you spin your pen in your hand — I like you in all those times.”

“Even when I’m jealous?”

“Especially when you are.” Your free hand comes up to cup his jaw, and you’re reminded of the fact that you’ve wanted to feel the strength of the angle under your palm for ages now. It’s not at all a disappointment, and your heart flutters irregularly in knowing you could’ve done this a long time ago, but it doesn’t matter because you’re doing it now, and fuck if Mark Lee doesn’t look good this close to you. “So be jealous — because now, you know you can be.”

Kissing him is better than you imagined, and you’ve imagined a little too much to be embarrassed at this point; there’s a heat to his lips that matches the one across his face, an upturn to them that makes you smile too. The setting’s not at all an expected one, but you’ll take it, not because it’s dark or because it’s private but because Mark’s in here with you, and you would have kissed him in a brightly lit football field full of people for as long as he’d let you.

You’d like to think he’s flushed for a reason other than shyness when you pull away, even if his laugh is quiet and breathy. In fact, when you murmur not enough, he’s the one that closes the gap this time, offering freely what you ask for with such little eloquence. The natural trepidation in his mouth relaxes, gives way to a curiosity that keeps you locked for so long that you forget you need to breathe, much more intent on finding out if Mark’s tongue tastes as good as you’ve imagined for so long.

It doesn’t; it tastes even better.

It’s still not enough, not by a long shot, but you have to resurface before you pass out like this, and even he looks a little dazed when you pull away — not in a bad way, with a grin on his face that you can only classify as endearingly goofy: slightly lopsided and a little shy, but with an unmistakable air of satisfaction.

“Months,” he mumbles, his lips still dangerously close to yours. Your eyebrows rise in questioning, and he laughs in that infectious way that makes you want to join in without even knowing what the punchline is. “I’ve been thinking of kissing you for months.”

And you do share the laughter this time, not out of amusement but of a happiness that spills without restraint. “But you’re suddenly holding back now?”

“Just letting myself bask in the moment, I guess. Letting it sink in so I remember everything.”

The two of you stand there quietly, still trying to fully parse the progression of events, and a small part of your mind registers that Mark’s thumb is still drawing circles on your skin. It’s also not enough — this touch, this closeness. You know now that he’s been thinking of you for months, and it reminds you that you spent that time dreaming of him too. And you remember you’ve always wanted to be even more familiar with him, and suddenly the desire is overwhelming; he’s right here, and you don’t ever want him out of your grasp again.

“Where are you going?” He’s only curious for the sake of it; there’s no alarm in the question because you keep your fingers tightly woven in his, tugging him along as you walk past him to the door. He’s still staring in wonder after the lock clicks shut. “What’s… happening now?”

“You waited months to kiss me, right?” He nods in response at your question. “I’ve been waiting just as long to have you too.”

His mouth falls open, but he doesn’t manage to say anything; his jaw tightens just as quickly when he feels your free hand trail down his chest, feather-light and asking for a green light. Your index finger stops just above his navel and draws back slowly, but not before you feel the shiver that runs down his torso.

“We don’t have to if you don’t want to,” you murmur, giving his hand a little squeeze. “But I just want you to know — I want to. I want you.”

A thoughtfulness settles on his face, and his eyes graze over yours, trying to read your seriousness. You don’t know how honest you look, but your words hold enough truth in them. A silence stretches over the next minute, but to you, it feels like an eternity, and you lose the test of patience somewhat, smiling softly at him.

“You don’t want to?”

“I—” His tongue peeks out, running over his bottom lip. “I do. It’s not that I don’t want to, but…”

“You seem worried.”

A hesitant nod. “I’ve never — well, no, I have, but not — with someone like you.”

“What’s someone like me?” You laugh airily.

“Someone pretty like you — I don’t know. Someone who seems to know exactly what they want. Someone who seems like… they could do better than me.”

“Mark.” You can’t keep the incredulity out of your voice. “I do know exactly what I want. I want you. The rest — I don’t care about. As long as it’s you, I want it.”

He cracks a smile, half of relief, half of disbelief. You don’t miss his hand coming up to press, warm, against your waist. “For real?”

Your fingers curl into the front of his shirt — an anchor to bring you closer, until the tips of your noses are brushing. “For real.”

The third time you kiss is slow, almost careful; there’s lingering worry in the line of his mouth that your lips try to ease until his slightly part under the movements of yours. You feel the tension leave his form in waves — first in his shoulders, then in his arms, until you’re able to press yourself closer and feel the slight give of his frame against your smaller one. He’s radiating an immense amount of body heat that’s pricking your skin and keeping you alert, and you’re hyperaware of the smallest things — the weak tremble in his mouth, the slight roughness of his teeth under your tongue, the ridges of his palate above it.

He tastes nothing like what he smells, you learn. Instead of the air of earthy coffee stuck to clean linen, you inhale a combination of spearmint and mild saltiness that’s made slightly sharper by the lingering splash of alcohol from his accidental sip of punch earlier. You decide then and there that this disparity is important to you; it makes you feel like you’re the only one who can have this experience — that everyone else can know his scent, but now, only you can know what Mark Lee tastes like.

You have to keep your wits about you to avoid this addictive stimulation of your senses; you let go of his hand only to lock your fingers around his neck, and there’s a show of trust in how he lets you lead him backwards, until his knees are hitting the edge of the unmade bed. The kiss breaks as he’s forced to settle on the mattress, and he looks up at you in what can only be described as a quiet kind of awe. He doesn’t complain when you place your hands, heavy, on his shoulders, using his sturdy form to keep you stable as you move to straddle his lap.

“I feel like,” his voice is hoarse as he speaks up. “We should have picked a different location. Someone… could walk in.”

“I locked the door,” you remind him, a light reassurance in your voice. He doesn’t say anything immediately, but it’s clear there are cogs turning in his head, and you think it’s unfair that he’s thinking way too hard about something else that isn’t you, right now, in this position. In a bid to rectify this, your face presses into the side of his neck, breathing in that familiar scent and leaving a light kiss on his skin right after. Your lips mark the moment he swallows hard at the contact. “Besides, would you really be that unhappy if someone did?”

His hands tighten against your waist, prompting you to leave another kiss against his collarbone. “What — what do you mean?”

“You wouldn’t like it if someone — say, Youngho — walked in to see me on your lap like this?”

The silence that follows your words is tense, and you can tell that Mark’s breathing has become shallower. Again, you can feel his throat constricting slightly, and you can’t help but laugh breathily as you nip at his skin, just under his Adam’s apple. He’s surprisingly easy to tease, you realize — quick to turn speechless and prone to hanging onto your words.

To say that you wouldn’t want to use that to your advantage would be a downright lie.

“Tell me,” you urge, your tone deceptively gentle. “You wouldn’t want him to see you kissing me like this? To see me wrapped around you, begging for more, saying your name over and over? You don’t want him to watch you take me — so he knows you’re the only one that can?”

A strangled groan punctuates your words, but it comes from him; his fingers dig hard into your side with barely constructed restraint. “What do you want from me, _________?”

“I want to know if kissing me was the only thing you wanted for months.”

You pull your head away, nudging his chin with the tip of your nose. Another groan escapes him, and his head tilts back slightly, almost like he’s praying. But when his gaze comes down to meet yours at your level again, you see a firm resolution in his eyes that stirs your heart — which takes off the moment he shakes his head, slowly but surely.

“Then,” you whisper. “What do you want from me?”

He doesn’t say so much as shows; he takes from you your breath, steals another kiss that’s now firmer and more openly demanding. Suddenly, his mouth can’t seem to stay still, trapping your lower lip in between his, drawing out your taste until it mixes with his against his teeth. You feel your head growing light again, and you’re pleasantly surprised that it’s suddenly become difficult to keep up with his lips, asking more from you without restraint. A hum of need sounds in the back of his throat, vaguely dissatisfied, and he’s telling you wordlessly that it isn’t enough right before he attaches his lips to the base of your neck, just above your collar. You think he’s just about to return the favor, but a laugh leaves you when you realize he’s taken it a step further, his teeth grazing your skin lightly, soft nips signaling how eager he is to sink his teeth in with only his slowly weakening self-control stopping him from doing it. Mark’s breathing is slightly labored when he pulls his lips away, warm breath fanning over your chest.

“It’s crazy — and stupid,” he croaks out, voice slightly raspy. “But I want it, and I don’t.”

“What do you mean?” Your fingers drag into his hair, combing it upward messily from his nape. He leans in for a quick kiss that’s somewhat misplaced, landing on the corner of your mouth instead of squarely atop it.

“I want them — him to see us. To see me with you, kissing you — fucking you, too. I want everyone to know we’re like this.”

You’ve never heard Mark say anything so forwardly before; a sweet, warm flush builds in your face, pleased at how comfortably he manages to say it — pleased that he’s saying it to you. “Then what’s the problem?”

“I don’t want him to see you.” There’s a bluntness to his words, but hiding behind them is an undertone of pleading — a serious request. “I don’t want him to see how pretty you look. I don’t want him to see you when you’re bare, or how you look when I’m inside you. I don’t want him to see—”

His voice wavers and dies, and you wonder if he’s embarrassed, but when you read his expression, you see an unyielding longing. A smile tugs at your lips, and your hand comes around to cup his chin, thumb extending upwards to drag his lower lip down.

“You don’t want him to see what’s only yours.”

He swallows hard again, but he doesn’t wait long to nod. Understanding passes between the both of you, silently but completely, and Mark presses his face to your throat, feeling the hum resonate as he places another long, firm kiss there.

“You’re mine,” he whispers, in a way that almost feels like he wants to convince himself of something impossible to believe. He doesn’t even wait for your affirmation, prefers to read it in the way you shiver lightly once his lips travel further down. His kisses trail past the collar of your shirt, and his hands are unabashed in how they seek skin, pushing the fabric upward so he can settle the palms of his hands, warm against your waist. Oddly, they don’t travel upwards; they only brush against the dip, down slightly over the upward rise of your hips, then upwards again, almost soothingly. It’s almost like he wants his mouth to meet them, but he stops halfway, sidetracked by the curve of your breasts.

He barely pulls away, only does for a moment, enough to meet your eyes.

“You’re only mine,” he repeats, his voice softer now. You realize he’s still waiting for some confirmation, and when you do, you’re quick to give it to him — quick to erase any doubt.

“I’m yours,” you affirm in the same tone, in the same careful volume. “Only yours, Mark.”

Whatever else he wanted to ask for, he knows you’ve given assent; that much is clear when he buries his face between your tits, inhaling your scent. You briefly wonder if he might feel just as intoxicated around you as you do around him, if your pleasant dizziness in being this close to him, in tasting and smelling him is something he experiences too, but you don’t get much time to dwell on it the moment you feel his lips part, a slight wetness seeping through the fabric. He’s kissing your chest, teeth grazing just above the cup of your bra, nipping without any real objective other than to feel the pad’s slight resistance to his mouth.

You almost miss what he says as he shifts his head, lips brushing over the curve of your breast — another breathless ‘mine’ that isn’t ever punctuated; his lips still stay parted, mouthing at the cloth, like he’s desperate to feel what’s underneath through it. There’s pressure where his tongue presses flush against the shape of your tit, tightness whenever he chooses to nip, attempting to take the flesh and all that’s between you and him between his teeth.

Not enough, you think, even when a whimper of need bubbles out of you; you want to be closer, your thighs pressing against the sides of his. You’re close in almost every way, but you still inch yourself further forward, enough to feel the taut hardness in his jeans. Your hips settle right there, letting fabric ride against fabric as you center yourself.

No sooner do you press yourself flush against him do you gasp; the light sting sends a jolt up your spine when his teeth close around your nipple through your bra, and when you look down at him, you see the corners of his mouth pulled up in evident satisfaction. He’s quick to atone, his tongue dragging your shirt slightly upwards in his attempt to soothe, and for some reason, the push of fabric and the barely-there feeling of motion leaves you tingling.

“Mark.” Your voice comes out in a whine, but in the haze you’re in, you don’t really have a clear idea of what you’re asking for. All you know is that you want more of him, and for as much as he’s already given you in kisses and words, you aren’t even halfway down the list of everything else you wish you could demand from him. You say the only thing that comes to mind — the only thing that really encompasses what you feel. “Mark, I want you. I want more of you.”

His hands on your waist are replaced by the significant tightness of his arms, locked around your torso; you don’t even have the time to take in your awe at the fact that he can easily carry you, turn you over until you’re on your back, until he’s already eased one knee between your legs.

The way he looks down at you is a mixture of hesitation and desire, but the former’s erased when you reach out for him, murmuring another ‘more’ so you can pull him in. With one palm pressed against the mattress, he lets his free hand graze against your side again, bolder in its movements, and his fingers trace a path up to your breast, squeezing the soft flesh through layers. Your back arches upwards in response, eager for more contact, for touch that’s almost there but not quite, and he smiles when you make a noise of frustration from his fingers tweaking the soft nub of your nipple.

“Mark, please—”

“Would you really let him see you like this?” His thumb’s still idly grazing over your breast, following the rise and fall of its curve. You swallow hard, trying to keep your voice level despite the growing want that threatens to break through it. “Would you really let him watch you… get fucked?”

You shake your head, and his brow furrows.

“I’d let him watch you fuck me,” you correct him, and the confusion in his face gives way to pure satisfaction the moment you make this nuance clear. “It has to be only you.”

His grip tightens briefly against your breast again, and he leans down, pressing a surprisingly chaste and brief kiss to your lips.

“Then I’ll unlock the door next time and give him a show.”

You don’t know if it’s what he says or what he does after — his hands bunching your shirt upward until the hem’s just below your neckline — that makes your breath hitch, but you decide it doesn’t matter when you realize you’d much rather be focusing on the journey his lips take, slick against your stomach as he presses languid kisses down to your navel. His fingers hook into the waistband of your jeans, the weight naturally pulling them down, and you see his muscles tighten for a moment as he stops himself from tugging them off completely.

Mark’s mouth is unparalleled in its attentiveness, seemingly intent on making sure he’s covered every inch of your stomach in warm kisses, but you only realize he’s somehow stalling when he starts the cycle again, his nails digging into the taut elastic of your jeans as though to remind himself to curb his desire.

You take the initiative instead, raising your hips slightly to signal your want, acutely aware of the fact that you brush lightly against his thigh when you do so. His eyes lift first, followed by the rest of his face, and he’s watching you quietly. You might have thought he was unsure of what to do all of a sudden again, but his knee pressing closer, an unmistakable pressure against you, is enough to tell you that he’s only curious to know what else you’ll do.

The second time you grind against his thigh, his hands catch your hips, keeping them aloft just long enough for him to tug the band of your jeans downward; he peels them off you with surprising ease, returning to the same position between your legs, hands still firm on your waist. With that done, he only has the thin garter of your panties left to curl his fingers into, bunching it into his fists when you roll your hips up one more time. You manage a shaky noise when you feel the stark difference — the roughness of the denim against you, the stick and drag of flimsy cloth. Mark lets out a low but unmistakable hiss.

“I can’t believe—” his idea is cut short by the movement of your hips again, and his grip tightens, knuckles pressing into your skin. “Can’t believe you’re here. I can’t believe we’re doing this.”

“What am I supposed to do,” you breathe out, the sound momentarily getting stuck in your throat. “So that you know it’s real?”

His fingers relax their hold, palms now pressed against your thighs; they travel between your hips and your knees, a soothing and thoughtful motion. “God — I don’t know. I just want — I just want you so badly. Like… I’m going to go crazy if I don’t have you now.”

You lean up, your weight resting on your elbow, and your other hand reaches out; Mark meets you halfway, bending just a little lower to press his cheek against your palm. There’s something intimate, something so giving about the way he turns his face to your fingers, pressing a fluttering kiss just under your thumb. The tips of your fingers trace the shape of his lips, even when they pucker again under your digits.

“Take me,” you murmur quietly. “Right now — from now on, every part of me is all for you.”

His exhale is shaky, but his fingers have a sureness to them; they slip under your thighs, cradling the backs of your knees, and lifting until they’re folded over your chest. You don’t even have the time to wonder if you should feel exposed all of a sudden; his breath warms the inside of your thigh as he presses his lips there — not a kiss, just a touch as he speaks.

“I want to taste you,” he mumbles, partly distracted with the act of inhaling the mild scent off of your skin. “Every inch of you — I want to know just how sweet you are.”

He lets his hold on your thighs relax, letting them fall apart; he busies his hands with your panties instead, hooking a finger into the strip of cloth just covering you. It’s clear you’re both aware that the fabric sticks light to your skin, poorly masking your wetness, and interest mingled with hunger flashes across his face as he pulls it aside.

“You’re so pretty,” he says, sounding like it’s a comment more for himself than anything else. His gaze flickers to you for a moment before it moves back to your pussy. “The prettiest fucking girl in the world.”

The pressure of his thumb between your folds causes you to forget what you wanted to say, and you know Mark had been nervous, but you realize that it doesn’t mean he’s supremely inexperienced by any means; there’s a quiet, understated confidence in the way he rubs slow, thorough circles, moving upward towards your clit. Your face, your neck, your whole torso feels flushed, but you power through the instinct to tilt your head back so that you can keep watching him — the minute changes in his expression, the slowly building strength in his touch.

“I want to taste you,” he repeats, looking up at you. “I want to know what you taste like when you cum against my mouth.”

You’re not sure if you’re gawking because you can hardly believe Mark Lee — your eternally blushing, mild mannered campus crush — had said all those words strung together into such a lewd sentence, but you’re sure as hell not going to deny him. Your hand travels down your torso, and he watches, curious at first, then awestruck when your index and forefinger settle against either side of your folds, pulling them apart in offering.

His eyes end up transfixed on your pussy again, observing how your fingers ease your folds further apart the more he massages his thumb against your slit. His mouth is slightly agape, intent on drinking in the sight, unaware that you’re trying to memorize this view of him too — Mark Lee, touching you, wanting you, eager to take you fully.

“I’ve always wanted to see what it’d look like with your face between my legs,” you say in a hushed tone, but he catches it anyway, briefly looking up at you again. “I’ve always wanted to know what your tongue would feel like against my pussy.”

Your index finger bumps against the tip of his thumb, and he stops its motions, allowing you to move his digit down until the pad of it hovers just in front of your tiny hole. You can see one cheek tucked between his teeth, bitten to muffle the groan you wish you’d heard louder.

“Won’t you show me?”

You think you hear him rasp out a ‘fuck yes’ before he bends down, pressing his half-open mouth against your pussy. The squeal of delight that leaves you is half-strangled as his thumb curls, hooking into your entrance. It starts a shallow, distracted motion, with his attention funneled much more clearly into keeping his tongue working. Flush against your slit, it drags up, and he releases a guttural noise at your taste, lips pursing slightly on the way back down — like he can’t stand not trapping every drop of wetness with his mouth.

The intensity of his tongue, the idle thrusting of his thumb — you’re not sure what you want to focus on more, and the result is you whimpering incoherently at the starkly contrasting combination of the two. Mark moves his mouth like he’s never tasted anything as good in his life; the sounds between your thighs are wet, sloppy — almost embarrassingly so — but you don’t have the presence of mind to dwell on that because Mark Lee is eating you out and that’s really all that you can think of.

The tip of his tongue suddenly flicks upwards; you keen, long and low, when it starts to circle your clit in that same intense, circular movement his thumb had gotten you used to. Your sensitivity skyrockets, and you’re completely unable to control the upward bucking of your hips, but Mark stays supremely unperturbed, his free arm winding under your thigh to keep the both of you steady. Your noises are growing embarrassingly loud, and you realize just how needy you’ve become when you vaguely notice that there’s a pattern in what you’re saying — his name, over and over again.

“Did you do that too?” He asks softly, his words slightly muffled against you. “Say my name, I mean — when you thought of me.”

“God, yes.” Your voice comes out strained, teetering on the edge of slurring. “So many times — every single fucking time.”

“Promise me something.” He lifts his head, and you see a fieriness in his gaze.

You nod — at this rate, whatever he’d ask you to do, you would without question. “Anything.”

His thumb presses in deeper, up to his knuckle and you reflexively tighten around his digit, but he keeps it anchored there, pushing down against your walls. He drinks in your gasp, the widening of your eyes, the way you chew on your lip with a singular kind of contentment on his face.

“Promise me — from now on, you’ll make sure I’m always there to hear it.”

The only kind of assent you’re able to make is a moan as he dives down again, mouth buried in your warmth, his nose pressed tight against your clit. His tongue moves in strong strokes, broad swipes that push your folds apart further, and his thumb, while not moving, increases in pressure to the point that you feel a heaviness adding to the growing pleasure. Your hands fly down, seeking some kind of sense and reason, and you thread your fingers into his hair, grip tightening as your climax builds in stride.

“Mark, I’m—” close, you want to say, embarrassingly so, but the moment he hears his name, his lips attach to your clit, and there’s suddenly so much more pressure as he sucks, almost like he’s desperate to draw out your orgasm. He chooses this of all time to start moving his thumb again, and this time, his movements are anything but slow and idle; they’re filled with the intent to drive you over the edge. “Fuck me, oh my god—”

“I want to,” he murmurs, pausing for just a moment to drag the tip of his tongue around the nub. “God, I want to. Let me see you cum first; let me taste how sweet you are.”

His thumb stops, buries deep into your pussy, and you’re not sure why this, of all things, is what pushes you beyond control; you’re only half-sure you say his name when your orgasm hits, the rest of your consciousness much too clouded by pleasure. He doesn’t stop, revels in the way you squirm under him as he hums low and keeps his tongue working against your clit. His licks become longer, more thorough as you come down from your high, your cries softening into whimpers as his tongue both attempts to clean you up and makes you messier in the process. His arm is still curled around your thigh, keeping you from inching away from him, even if instinct and stimulation are telling you to.

You’re barely lucid when you sit up, and Mark inches back, somewhat startled; you grab the front of his shirt, and the sight of his mouth, slick and glistening from your wetness, only makes you more curious to know what you taste like on him. You find out how tangy it is, how rich the two of you are together on his lips, and you’re able to fully appreciate the skill of the mouth that kisses you deeply, leaving traces of you against your tongue and teeth.

“Please — fuck me.” It’s the only thing you can say at this rate, only half-coherent and still trembling with desire, but Mark doesn’t seem to care that you’re stuttering over such a simple request. His thumb wipes traces of saliva off the corner of your mouth, kisses it clean for good measure, then straightens up, his hands working at his belt. You almost miss the fact that his hands are shaking slightly as he undoes the buckle and tugs it out from the loops.

You want to help — it’s the least you can do, after all, and your fingers push the button of his jeans out through the hole, his hands working in tandem to tug the zipper down. However, your movements falter when you hear a noise from just outside the room — the sound of the doorknob being jangled, the thud of a body gently hitting the door, as though worried it’s stuck. You glance up at Mark, ready to reassure him, but he either hadn’t heard or doesn’t care because he’s too busy stepping out from the pool of denim at his ankles, and you get completely sidetracked by the bulge straining against his boxers.

You almost ignore Youngho’s voice grumbling ‘Jesus Christ, now of all times? from behind the door, but you leverage it instead.

“Should we let him in?” You ask, tone innocent despite the evident deviousness in your words. It pays off, though; Mark’s cock twitches unmistakably under thin fabric, and he actually looks like he’s considering it. “You’re just about to fuck me, after all. Weren’t we going to — what did you say? Put on a show?”

He worries on his bottom lip, like he’s unsure if you’re serious, but in the end, he shakes his head, reaching out to smooth your hair away from your face and ushering you to lay back down. The lips that meet your forehead are gentle, almost apologetic.

“Not now,” he murmurs against your skin. “Right now, you’re all mine.”

You laugh lightly, nodding, and he chuckles too, but the sound of it slowly dies down when your finger hooks into the garter of his boxers. You can feel his breathing hitch as you tug it down, the elastic catching when it meets the shape of his cock, but you don’t make any move to free it just yet — for some reason, you want to see him do it.

“Show me.”

He complies without hesitation, one hand dragging the elastic down over his thighs, the other curling around the base of his length, and your face flushes as satisfaction works through your system at the bare sight of him.

Mark Lee is big — not monstrously so, but enough for you to make a pleased noise as your hand joins his, fingers barely wrapping around his girth. You give his shaft a gentle squeeze, and his exhale stutters, watching you stroke him, long and thorough in your movements. Your palm swipes over the tip, leaking precum, allowing it to slick up your hand enough to keep your movements smooth. You’re fixated on the tension in his lips, the throb of his cock against your palm, and the way his gaze never leaves your face, like a small, amazed part of him still can’t believe what you’re doing, even if you’re both half-naked already.

“I want to suck you off,” you plead, grip tightening slightly. He grits his teeth, stifling another groan, but he shakes his head clearly enough for you to slow your movements in mild surprise.

“Can’t — not now. I need to be in you so badly.” His breathing’s sharp and heavy, like he’s trying to keep himself in check. “You don’t even know — how long I’ve wanted to feel you.”

Your hold relaxes, and you let him maneuver you, his renewed hold on your hips dragging you closer to the edge of the bed. In this position, he can spread your thighs further, and you angle yourself optimally — enough for him to get a full view of your pussy, wet and still aching from your last orgasm.

“You don’t know how badly I’ve wanted to know how tight you are,” he continues, and there’s a faraway look in his eyes that makes you think he might be entrenched in fantasy. “How much I would have killed to see you — have you like this. I’m not gonna be able to wait anymore.”

His fingers dig into your sides, thumbs stroking your stomach in a weak pattern. The underside of his shaft presses against your folds, still half obscured by your panties, in a way that’s heavy enough to make you mewl, your hips reacting before your mind can, and he hisses softly as he feels his length glide along your slit before you relax your stance again.

“I can’t wait,” he reiterates, a breaking in his voice that sounds almost tortured. You don’t want him to either, want to see him buried to the hilt inside you, and you raise your hips again in need. “I want you so much it’s driving me crazy.”

“Then take me.”

And you’re not sure if it’s a demand or a plea, but he no longer stops himself; his hand fists his cock a few times, coating the slick of precum along his length before he lines the tip up with your entrance. His other hand’s flush against the inside of your thigh, a light pressure ensuring he always has enough space to fit himself between your legs — enough space to bottom out completely.

Mark’s considerate in his pace — maybe he knows he’s big, or maybe he’s just naturally careful, but he allows you the time to adjust to the stretch. Your nails almost puncture holes into the sheets, your grip so tight you wonder if it’s just to brace yourself or to hang onto the last threads of your sanity. He’s only halfway in, but you’re pushing fullness already, and he stops when his cock meets slight resistance, looking up at you in concern.

“You’re not—?”

“It doesn’t hurt,” you reassure him softly, and it’s true; the adjustment brings about slight discomfort, but it’s almost nothing to you — not compared to how much more you want. “Give me everything; I want all of you inside me.”

He pauses still, trying to read your expression for any lies, but when he can’t find any, he nods, his jaw tensing as he presses both palms against your thighs, keeping you open as much as possible to accommodate him. He doesn’t even stop when you whimper, feeling a tightening twitch in your pussy that also causes him to groan, until inch by inch, you’ve taken him, his hips flush against yours.

He doesn’t move — not yet, his eyes trained to where you’re connected like he’s once again unable to believe what he’s doing. You hear him mumble something to himself that you want to hear too; you squirm slightly, and he hisses through his teeth, looking up at you and finding the questioning in your face. He offers you a small smile, albeit somewhat strained.

“You’re tighter than I thought.”

“You’re bigger than I thought,” you hum, and neither of you is really to blame; the tight fit, the slight breathlessness it leaves you with, is perfect, you think — just what the both of you need. “Did you often think about fucking me?”

“Probably just as often as you’re making it sound like you thought about having me fuck you, I think.”

“Don’t get cocky,” you warn, but there’s no real heat in your voice.

“I won’t. But it makes me feel good — knowing you wanted me just as bad.”

“I still do.” Your gaze is lazy, a little hazy, even if you’re anticipating so much. Even just the feeling of Mark, throbbing inside you, is already slowly building the pleasure in your stomach again; you wonder if you could cum like this, given enough time, given enough patience. “I’m still waiting for you to fuck me. God, Mark— please.”

He chuckles good-naturedly, but even that’s drowned out by the long moan that leaves you once he draws his hips back; your body’s mildly shocked into a new adjustment, feeling a sudden emptiness that’s quickly mitigated by him filling you back up again. The pace is slow, almost torturous, although you know he isn’t doing it to get a rise out of you. He wants to ease you into speed, careful to help you adjust fully; his restraint in his movements is all the more evident on his face, in the furrowing of his brow and the determination in his gaze. Even with that, he can’t help what he says, so intent on controlling everything else he does that he lets his words spill out over your noises.

“Pretty,” he grunts out, and when your walls twitch around him, he accidentally thrusts sharper — just enough for you to whimper a little more loudly, and he has to reel his strength back again. “God, you’re beautiful. I should’ve told you sooner how much I wanted you. All those times I had to imagine you wrapped around me like this, wondering how much tighter you’d get once you came on my cock. All those times you drove me crazy while I was alone, when I could have been in you— I could have found out how good you felt. How pretty you’d look under me. And you’re still even prettier, even better than I ever dreamed.”

There’s an erratic melody of moans under his words, spilling from your mouth, and the fact that he riles himself up enough to increase his speed slightly doesn’t escape you. He’s a little less careful now, seemingly entranced by the view he gets, watching his shaft disappear into you only to come out glistening, and a part of you hates the idea of snapping out of his reverie, but the majority of your thoughts now lean towards wondering how much more you can get him to break free of his own self-imposed restrictions.

“I wanted to ask you so many times.” His eyes snap up, coming back into focus as he takes in the sight of you, flushed, hair tousled, gaze darkened. “Almost every day — I sat there, thinking about how all I could do was go home and fuck myself, frustrated you weren’t doing it for me. I should have taken you home with me right then and there — should have let you watch me touch myself thinking of you, should have let you touch me into cumming on your fingers.”

His breathing staggers as he leans in, eager to see you clearer, to hear your words, slowly becoming airier as they come out. For a moment, his gaze falls, torn between watching him move into you and meeting your eyes, but he ultimately chooses the latter once you speak up again, your tone even more hushed than before — like it’s meant to be a secret between just you and him.

“But there were times I wanted you even more than that, to the point that I almost felt like I couldn’t wait.” His eyes widen slightly, a few precious seconds of wondering if he understands what you mean, right before you confirm what he thinks. “I thought about making a move right then — I should have kissed you. I should have asked you.”

“Asked me what?” His voice is gruff with the effort to keep himself in check despite the fact that it’s clear to the both of you that it won’t last.

Your lazy smile’s illusionary; it hides the triumph swelling in your chest at knowing that he asked exactly what you hoped him to.

“I should have asked you to fuck me in front of everyone there.”

“God,” his eyes squeeze shut, his grip tightening. “Please. I can’t—”

“I should have bent over for you there, begged you to stretch me out right after our session,” you continue, bordering on merciless. “Mark, you don’t know — how badly I wanted to be on your lap, your cock in me, with everyone watching. How much I wanted you to fold me over that table, have people watch you pound me, have them listen to how good you make me feel. No one would ever even wonder; everyone would know I’m yours.”

You pause, allowing his eyes to fly open once again, and there’s a pleading in them that’s begging for release. Your eyes soften along with your voice, but you’re this far gone; you should at least see it through.

“And everyone would know you’re mine too.”

“Fuck,” he growls, and his hips stutter before new resolve fills him, his hips driving into you with the force of a strength you didn’t even know he had in him; your thighs tremble at the intensity, at the renewed impact, and feeling him drive his cock deeper into you has you crying out somewhere between a moan and a sob. “Fuck, _________. If I had known you’d thought about me like that — God.”

It’s your turn to shut your eyes for a while, allowing yourself to focus on his movements, breaching your tightness even faster now. You feel his hands skim up your sides again, fingers digging into the fabric of your bra and pulling them down until your bare tits are cupped in his hands. You shiver as his thumbs pass over your nipples, toying them into firm nubs.

“One day,” he hums out, his voice giving way to a slight hoarseness again. “I’ll do it. I’ll fuck you in front of him — in front of Youngho, in front of everyone. I’ll let them wonder how tight you are, how fucking warm you are, and I’ll let them leave knowing no one can know but me.”

It’ll never happen, you both know, but something about agreeing to something so absurd is what has your body almost shaking in longing, and it’s what causes him to press in deeper, folding your legs closer to your torso. Your hands do what little they can to help, keeping your thighs apart so as not to obstruct his view. You can tell it’s somehow not enough, not really all of what he wants when his brow furrows, and he shifts his weight, pushing into you at a new angle.

The stark difference has you gasping before you can control it. Immediately, Mark stops, and you’re already shaking your head before you even hear him say anything, presuming he’s paused out of concern. But before you can say you’re fine, his hushed voice cuts through the silence.

“Do that again.”

“What?”

“Do it again,” he mumbles, sounding distant. “Breathe in. Suck in your stomach.”

You’re not one to complain at such a simple request, albeit a little odd, so you comply, inhaling enough to tighten your torso. You’re surprised when you feel his cock twitch inside you, and you blow out the air alongside your question. “Mark, what are you—”

“I can see it,” he says in utter disbelief. “When you’re like this, I can — I can see my cock inside you. Just a bit.”

Your eyes follow his gaze, fixed just below your navel. From this angle, without any movement, you can’t see a thing, but you assume he’s not one to abandon fucking you so intently without good reason, so you press your palm against your stomach, just above your pelvis. Nothing really feels significantly out of place — up until the point when Mark draws his hips back again, and you feel the backward slide of his cock.

Your throat tightens, and you don’t really understand the feeling that spreads in you — a unique kind of arousal, knowing how deep he is inside you and how you’re taking all of him in despite the fit, because of the fit. Your hand falls away, allowing Mark’s to take its place, and he exerts just a little more pressure against your stomach in an attempt to get the most out of the experience when he thrusts back in. He groans, feeling the bulge push back up, and he quickly picks up the same pace, renewed in intensity so he can experience the rapid rise and fall he creates under his palm.

The faster he goes, the harder he presses, and you’re not sure if he knows it, but the onslaught of friction is what’s making you whine and squirm even more; you’re trapped, in the best way possible, in his hold, your hands back to clinging to the backs of your knees like a lifeline. Pressure from the outside builds on the slowly growing pressure inside, a knot in your pelvis that’s coiling so tightly you feel like you can’t breathe. If Mark notices how close you are, he doesn’t make it known; he’s busy feeling the outline of his cock against your stomach, and when he looks up at you again, his eyes are hazy.

“I would fuck you every single day, every single hour if I could feel this every time,” he whispers in a way that’s almost reverent. “Let me — I want to keep seeing you like this. I want to feel how deep I am inside you, too. Let me fuck you all the time.”

You nod, and your first attempt to say something is just another choked sob. When you do manage to get something out, it’s broken in tearful stutters. “M-Mark, I’m s— I’m so close… I’m — fuck—”

“Do it.” It’s not a harsh command but an urging made on short breath; through your misty vision, you see tension in Mark’s face and shoulders, like he’s bracing himself for something too. You barely register the ping in the back of your mind, too focused on the way he’s pressing his palm harder on your stomach, the way his hips quicken their pace — he’s close too. “Let me feel you — want to feel you cum all over my cock.”

You inhale, not to speak but to let out a loud whimper; your teeth dig into your lower lip as you try to stifle the moans that threaten to follow, but in the end, you whine out his name. Your thighs threaten to close, trembling as you finally reach your climax, an impossible explosion of pleasure, and you have to squeeze your eyes shut so that you don’t get dizzy from the stars that burst around your vision.

“Fuck.” Mark’s voice is strained, his one hand still firm against your stomach, the other sliding against the inside of your thigh. “You get even tighter — you feel even better when you cum.”

“Mark,” you hiccup, unable to do anything but flutter around him as he pistons harder into you. You don’t even know what you’re asking for when you say ‘please,’ but he somehow seems to, and you trust that your body’s saying something you can’t fully detect in this state, with your mind floating in the aftermath of ecstasy.

“I know,” his tone is soothing in contrast to the intensity of his thrusts. “I’ve got you. Just a little more — where do you want—?”

You blink slowly, his words sinking in at too leisurely a pace; his hips stutter dangerously before you’re able to respond. You barely even do that, your hand gently brushing over the one against your stomach, but he catches onto the meaning quickly enough.

You’ve never heard your name said in such a beautiful way; hearing him moaning it lowly is enough to make you whine again, and that noise is drawn out when he shifts and slips out of you fully. Your brain’s fuzzy, but your senses are at least sharp enough to drink in the perfect sight of him cumming — the way he leans his head back, jaw taut and eyes shut, as he pumps his cock and the heat of his release against your skin, pooling against your stomach once he finally cums. You see a shiver run through him, and then he’s still for a while in this position, the both of you basking in the afterglow of your highs.

You’re still weak and sensitive when Mark finally comes back down, a lucidity you don’t have right now coming back into his gaze. All you can do is smile when he leans in, catching your lips in another kiss — one that’s surprisingly soft and slow in comparison to everything else, but still leaves you breathless when he pulls away.

“Let me clean you up,” he murmurs, and you hum in agreement, your body limp as you watch him move off the bed and pull a handful of tissues from a box on the desk on the opposite wall. Even his hands are gentle when he scoops you up, shifting you until your head can lean against the pillows. They carry a scent you’re not used to, and your nose scrunches, rejecting the change, but that’s quickly overpowered by Mark’s familiar coffee-and-linen one when he presses next to you, careful as he wipes his cum off your stomach and thoroughly cleans between your thighs. From somewhere down below, you still hear hushed voices, and the front door slams shut again. People are still in the middle of leaving, but you know Youngho will likely run out of guests soon, and this makes you feel like the timing’s suddenly become urgent.

“I want to date you properly,” you start, slightly slurred but unmistakably blunt. Mark’s gaze snaps to yours, slightly amused, as he balls the tissues up in his fist. “You never asked me, so I’m asking you.”

He looks perplexed. “I just never thought you wanted me to, so I didn’t try.”

You reach up, locking your fingers into his hair and using your grip to pull him down. Your kiss is a little demanding, with a tinge of excess frustration, and he pulls away laughing lightly.

“Do you still think I don’t want you to?”

Mark hums thoughtfully. “I think you made a lot of things clear tonight. On my end, I was happy enough to be near you.” He smiles down at you, and in the faint light, you can see the flush slowly return to his cheeks. “Having you like this — dating you… there’s no way I’d say no.”

Your shoulders relax, satisfied with his answer, and you beam up at him — an act he easily returns, breathtaking and endearing all at once.

Moments later, you feel his arm wind around your waist; he allows you to lean into his side, his other hand crossing over his lap to stroke your thigh. His face turns, pressing a kiss to your hair, and you feel his lips move, hear the quick rush of a whisper. You tilt your head, eyes slightly wide in questioning. “What was that?”

He shakes his head at first, trying to pass it off as nothing. But when it’s clear your curiosity won’t abate, he chuckles softly, his hand gently cupping your chin so that you can only look at him. His thumb strokes your bottom lip gently, as if trying to coax the same words out of your mouth before he murmurs them to you one more time — and this time, he sounds fully convinced of them.

“You’re all mine.”

[miraculouslbcnreactions]

Since you've mentioned Scarlet Lady in one of your posts, what's your opinion on it?

I've mentioned before that I'm a big Scarlet Lady fan, which is the only reason that I'm comfortable answering asks like this one. I don't publicly criticize the content of hobby creators. That's wildly inappropriate! Punch up, not down.

The linked post was a general discussion of the adaptation process and how @zoe-oneesama did a fantastic job, so for this one, I'm just going to do some general gushing because I do actually like praising and enjoying things!

Scarlet Lady's chosen format (comic) allows it to have this wonderful conversation with canon where it can rely on the framework of canon to tell it's own story while also using canon for jokes and meta commentary. This means that Scarlet Lady is about as close as fan content can get to a direct reboot because it's able to have moments like this one from the comic's first post:

[Image description: Adrien standing in his room after transforming into Chat Noir for the first time. He is beaming and his eyes are shining with excitement as he exclaims, "This is gonna be awesome!"]

A single picture that communicates everything we need to know about Adrien getting his miraculous. When I've done this same thing in fanfic, I had to write out the full scene because that's how novels work. You have to give the full picture. With a comic, you can just quickly acknowledge this thing that we all already know and then move on to the new stuff. A picture really is worth a thousand words! (Or, in my case, more like two thousand...)

This allows Zoe to keep the same akumas that we get in canon without her story feeling like a boring rehash because she can focus on what's different in her version. A novelization of the same content would have to show both the stuff that stays the same and the stuff that changes for it to be coherent. That's a lot less fun to read and write. It's why I basically never revisit canon akumas in my own stuff. It's just too derivative for the written word.

This is one of the big reasons that I loved Scarlet Lady. Because it was able to have that more directly conversation with canon, it was able to take canon and say, "hey, why don't we embrace the tone that you established in season one and retell the story with that vibe?" That's something that I desperately wanted to see, but that is totally unsuited to my chosen artistic form. It couldn't be a novel. It had to be a comic.

If you want to know what a true formula show version of Miraculous would look like, Scarlet Lady is it. It does everything that Miraculous should have done:

Sticks to a lighthearted tone where nothing is ever super serious

Keeps Gabriel entirely unsympathetic

Has slow character development and background hints at a bigger plot as the only serial elements, allowing the individual episodes to be their own story while never feeling incomplete or rushed

Allows characters other than Marinette to shine while keeping Marinette as the clear main character

Makes Adrien narratively important

MAKES THE LOVE SQUARE CUTE SO I CAN ACTUALLY SHIP IT

Understands that Lila and Chloe can't coexist as antagonists

Reverses the love square, which is the best way to tell their story. Yes, I will die on my "love diamond" hill. It's a good hill. Come join me. I'll bring cookies.

I could keep going, but you hopefully get my point. While Scarlet Lady is certainly not the only way to do a formula version of canon, it's proof that a formula version does work! You don't have to go the serious route for Miraculous to be successful.

I want to take some time to gush about the ending, but I don't want to spoil it, so I'll put that gushing under a "read more" in case anyone hasn't seen it. I'll finish out this less spoilerish section with this:

I feel like some people are surprised when they learn that I love Scarlet Lady because - as some of you have probably picked up - it is quite different from my ideal version of canon. I'm not sure why that would stop me from enjoying a thing, though. It's important to remember that our personal ideals are not the only way to tell a good story. There are lots of ways to take what canon gave us and make something wonderful! It's part of the reason that I enjoy being in a fandom.

If I only wanted to see my ideal take on canon, then I'd stick to writing/imagining my own stories. But I don't want that! I like seeing alternate takes, too. Scarlet Lady is one of my personal favorites. It's completely different from anything that I'd ever think to write and that's why I'm so glad that it exists! I like being entertained just as much as I like creating my own entertainment and I don't want to only read stories that look like something I'd write. That's boring!

Spoilers below:

I've mentioned before that there are many, many ways to properly handle Chloe's character and Zoe did such a good job with her take on that! Chloe isn't absolved of all the things she did wrong, but she's also treated as a young woman with the ability to change.

While the comic bares the name of Chloe's alter ego, she was the never the main character. She never went on a journey. The story kept her to her shallow season-one self: a petty brat who just wanted attention. It did this because that's who Chloe was in canon and who Chloe needed to be for the comic to work.

The first time we see any complexity from Chloe is in the comic's final few episodes, which was absolutely the right call for Zoe to make! In a recent post, I talked about how the end of a formula show is the only time when you can break the formula in catastrophic ways and that's what Zoe did. She kept Chloe static until it was time to end the story and that's when the formula breaks. That's when Chloe gets depth because, once she has depth, the formula doesn't work.

That depth is not used to redeem Chloe, but to show us that there's hope for Chloe. That this petty brat who we've been dealing with has some serious issues and needs help. Help that she's going to get far away from the people that she's hurt because her issues aren't an excuse for what she's done. They don't erase the harm that she caused. At the same time, understanding her issues makes us hope that she can be better now and Scarlet Lady took a moment to give us that hope. To show us the START of Chloe's true story.

That is the kind of ending that I have wanted to see in so many properties!!! It was so wonderful to finally get one that did this right. A story that understood that full redemption to the team and damnation to death/suffering are extremes on a scale of possibilities. You don't have to go to extremes! You can fall in the middle and the middle is a perfect, natural place for Chloe to land in this kind of story. Fully redeeming or even fully damning Chloe simply doesn't work in lighthearted formula content. It's too big a lift as canon has already demonstrated.

I also loved Zoe's take on Emilie. I've mentioned that I don't like evil Emilie in part because it makes her revival feel like the start of a new story. She's back and she'd bad, so we have to take her down now! But I don't want that. I want the story to end when Gabriel is stopped. Zoe does this by giving us an Emilie that is another perfect middle ground. She matches canon's uncomfortable implications without feeling like a true villain who is a threat to society.

[dughole]

radiohead’s complicity in israeli-occupied palestine

my feelings on radiohead are complicated these days, as i’m sure they are for many. i'm using this post as a method of sorting out my own thoughts & to provide sources.

for me, the bottom line is this: radiohead is both a brand & a musical group. the brand of radiohead has always had deep roots in the israeli colonial project - they have played many, many shows there throughout their career. their breakout single - creep, was intially only a hit in israel (x, x) & the personal choices of some of radiohead's members remain just as involved. jonny greenwood met his future wife - the israeli artist, antivaxxer & vehement zionist (x) sharona katan - at a show radiohead played in israel in 1993 (x). jonny consistently collaborated with zionist musician shye ben tzur & his projects continue to tour in tel aviv as recently as last september. as for jonny himself - his only statement in regards to the war on gaza has been in mourning for the israeli concert goers on october 10th - w no such empathy spared to the 100,000 palestinians dead, injured, or missing. as for thom, while he’s thrown a few bitchfits (x) through the years abt criticism of radiohead’s shows in israel, he has imo - only paid lipservice to the criticism, saying “playing in a country isn’t the same as endorsing its government” going against the pleas of his peers & coworkers in the music industry. as well as the pro-palestine activism undertaken by his long term friend micheal stipe (x & x). (note: stipe stood by radiohead’s performance in israel in 2017, but his current political choices suggest his understanding of the situation has evolved). even his own son - noah yorke, a fellow working musician, has voiced his opposition to the genocide in gaza via instagram stories. as for the other members, rhythm guitarist ed o'brien has called for a ceasefire, as well as making a few tweets about "solidarity with palestinians & israeli peacemakers". while bassist colin greenwood reportedly refused to accept letters of dialogue from the fan-run organization radiohead fans for palestine. drummer phillip selway's commentary is similarly brief but defensive, saying radiohead's 2017 tel aviv concert "felt right"

to me, this paints a picture of a band who's members stances on israel range from abhorrent to simply not enough. & as a brand, their particular combination of action & inaction amounts to a fundamentally zionist perspective. you cannot separate radiohead as artists from radiohead as a brand name.

i've loved radiohead since i was 14. i was brought into it by another longtime fan. i cried & danced when i saw them live back in 2017 - it was, & remains, a moment that allowed me to live through the hardest parts of my life. i felt for the longest time, that radiohead's music & political positions encouraged my empathy - my questioning of conservative political authority. & while all celebrities are failures in some sense - it is still heartbreaking to know how wrong i was.

i don't think it's possible to disconnect the decade of connection & love i have for their music - I won't ask that of myself or anyone else. & the idea of scrubbing one's taste of the "morally impure" is useless effort & an inappropriate simplification of both art & our conceptions of what makes someone "bad". but i can say with certainty - i will not be giving them any more of my money, whether that be streaming their music or buying their merch - & i encourage you to do the same. silence is complicity - this is beyond silence.

in the words of nina simone - "an artist's duty, as far as i'm concerned, is to reflect the times. how can you be an artist and not reflect the times? that to me is the definition of an artist."

[iwanthermidnightz]

When I think back on the Speak Now album, I get a lump in my throat. I have a feeling it will always be that way, because this period of time was so vibrantly aglow with the last light of the setting sun of my childhood. I made this album, completely self-written, between the ages of 18 and 20. I've spoken about how I feel like those ages are the most emotionally turbulent ones in a persons life. Maybe when I say that, I'm really just talking about myself.

I think they might just be the most idealistic, hopeful years too. At this point in my life, I had released my second album, Fearless. It became the breakthrough moment I'd always dreamt of, one that catapulted my career to new realms of success. It had brought with it a tidal wave of pressures and pitfalls and growing pains. All the while, I was encountering the milestones and checkpoints of normal teenage growth. I had cataclysmic crushes and brushes with heartache. I moved out of my parents' house and set my bags down in a new apartment. I hung photos on my own walls and decorated the space where I would sob and cackle and shatter and dream. Sometimes I felt like a grown up, but a lot of the time I just wanted to time travel back to my childhood bed, where my mom would read stories to me until I fell asleep.

In my darker moments, I was tormented by the doubt that swirled loudly around my ascent and my merits as an artist. I was trying to create a follow up to the most awarded country album in history, while staring directly into the face of intense criticism. I had been widely and publicly slammed for my singing voice and was first encountering the infuriating question that is unfortunately still lobbed at me to this day: does she really write her songs? Spoiler alert: I really, really do.

In the years since, I've developed a thicker skin about public criticism and the cynicism with which some people approach the music I make. At that time, it leveled me. I had these voices in my head telling me that I had the perfect chance and I blew it. I hadn’t been good enough. I had given it all I had and been found wanting.

I wanted to get better, to challenge myself, and to build on my skills as a writer, an artist, and a performer. I didn't want to just be handed respect and acceptance in my field. I wanted to earn it. To try and confront these demons, I underwent extensive vocal training and made a decision that would completely define this album: I decided I would write it entirely on my own. I figured, they couldn't give all the credit to my cowriters if there weren't any. But that posed a new challenge: It really had to be good. If it wasn't, I would be proving my critics right.

I had no idea how much this pain would shape me. That this was the beginning of my series of creative choices made by reacting to setbacks with defiance. That my stubbornness in the face of doubters and dissenters would become my coping mechanism through my entire career from that point forward. This exact pattern of enacting my own form of rebellion when I feel broken is exactly why you're reading these very words, and I'm re-releasing this album now.

I went through my first worldwide scandal (the mic grab seen around the world). I experienced the weirdness of trying to get to know a boy while a swarm of paparazzi surrounds the car. Media contacting my publicist for an official statement on why two teenagers broke up. These are weird experiences to have at any age, but even more surreal when you're 19.

I had the nagging sense that in the most intense moments of my life, I had frozen. I had said nothing publicly. I still don't know if it was out of instinct, not wanting to seem impolite, or just overwhelming fear. But I made sure to say it all in these songs. I decided to call the album Speak Now. It was a play on the speak now or forever hold your peace' moment in weddings, but for me it symbolized a chance to respond to the chatter and commentary around my own life.

Some of these emotional revelations were surprising to people. Some expected anger and instead got compassion and empathy with 'Innocent'. Some expected a kiss-off breakup song but instead got a hand-on-heart apology, 'Back to December. It was an album that was the most precious to me because of its vast extremes. It was unfiltered and potent. In my mind, the saddest song I've ever written is 'Last Kiss'. My most scathing is 'Dear John' and my most wistfully romantic is 'Enchanted'.

I'll be forever proud of setting a goal and seeing it through. I'lI always feel shivers all over when I remember singing 'Long Live' to close the show every night on tour. The outstretched hands of those bright and beautiful faces of the fans. Their support was like an open palm that reached out and helped me up off the ground when others were, frankly, mean.

These days I make my choices for those people, the ones who thought I had been good enough all along. I try to speak my mind when I feel strongly, in the moment I feel it. I'm still idealistic and earnest about the music I make, but I'm less crushed when people mock me for it. I know now that one of the bravest things a person can do is create something with unblinking sincerity, to put it all on the line. I still sometimes wish I was a little kid again in a tiny bed, before I ever grew up.

I always looked at this album as my album, and the lump in my throat expands to a quivering voice as I say this. Thanks to you, dear reader, it finally will be.

I consider this music to be, along with your faith in me, the best thing that's ever been mine.

Yours,

Taylor

[kawamagi-crow]

One important thing i found in the Hbomber vid i dont see mentioned a lot is how often Jame's stealing of content erased the unique experiences and views of the original writers.

Example: The Mulan review.

The original text provides a unique reflection based on the experiences of a Transmasc Asian. the CORE of the whole review is relating said real life experiences and the movie, and how they interact, and the authors perspective as a Transmasc asian.

And what James did? He removed it. not only the important commentary but also the whole mention of the trans experience?? (Changing trans to Lgbt community), He stole other person's words and wrangled them out of any meaning it had.

If i was the Author, i would be fucking pissed.

And I could go a step further and said its VERY ODD AND TOTALLY A COINCIDENCE (/S) how Jame's chooses to change with words (Changing trans to LGBT community), Erasing parts of the community. For someone who criticizes so much "the straights" for erasing gay culture, he seems to be pretty fucking happy in Erasing Trans culture (Or Trans identities!).

James Somerton is not changing words to try to hide his clear Plagiarism. He is changing words to tell his own message. one that does not care for anyone who isn't the perfect image of the Gay man he wants (because not even gay men are safe, Since he throws them under the bus too if theyre "too boring").

I beg for anyone who reads this to read the original Mulan article. Linked below:

[howifeltabouthim]

It was the kind of story everybody likes, about a tough girl who becomes a truer version of herself by uncovering her vulnerability. It was the kind of story people like because its universe is played out in the story of one person. It was the kind of story (dare I say it?) that women're supposed to write because all its truths are grounded in a single lie: denying chaos.

Chris Kraus, I Love Dick

[meazalykov]

the critic

lena oberdorf x commentator!reader

summary: when lena gets tagged in a video clip, she approaches you

before the cameras, before the viral clips, before the edits, before your voice became synonymous with women’s soccer commentary, there was your games itself.

you used to play, back in the day. soccer was your life—practices in the morning, matches on weekends, hours spent refining your craft, the feel of the ball at your feet something almost sacred. 

you had dreams, big ones, of playing at the highest level, maybe even for the national team. but that all came crashing down when a spinal injury took you out of the game. 

one bad fall, a rough tackle by three players at once in a crucial match, and suddenly, everything you had worked for was gone. 

the doctors said you were lucky to be walking and running again, but for a long time, it didn’t feel like luck. 

it felt like a curse, like soccer was ripped away from you when you were just starting to get your footing in the world of professional sports. 

lyon was close to signing you from your childhood club. however, that changed. the deal had to fail and so did your dream.

so you had to shift gears. you couldn’t play anymore, but you could talk about the game, share your insights, your passion, your love for it with the world. 

and, as it turned out, people loved listening to you. your analysis was sharp, your delivery honest, your humor was sweet, and soon enough, you became a well-known voice in women’s soccer commentary. 

you poured everything you couldn’t put on the pitch into your work, and it paid off.

now, here you are—2023, world cup, germany vs colombia. the stadium is electric, fans buzzing with anticipation. 

it’s your job to capture all of it, to bring the game to life for those watching at home. 

alongside you in the commentator’s booth is tyrell, your close friend and co-host for one of the biggest sports streaming sites in the world. 

you adjust your headset, eyes scanning the field as the camera pans over the players. 

"alright, tyrell, we’ve got quite the matchup today," you say, your voice carrying across the broadcast. 

"germany is looking to bounce back after their last game, and colombia has been on fire in their latest matches with caicedo. it’s anyone’s game today."

"no doubt," tyrell agrees. 

“but you know i’ve got my eye on germany’s midfield. lena oberdorf, she’s got a lot of weight on her shoulders in this one. one of the best defensive midfielders in the world is on the pitch tonight." he finishes. 

you nod, your gaze locking onto oberdorf as she moves across the pitch. 

she’s been a standout for years—strong, composed, a true force in the midfield. 

you’ve always admired the way she plays, the way she commands respect on the field as she will roughly stop any opponent attack. 

but today, something feels off. you’ve been watching her closely during the first half, and you can’t help but feel like she’s holding back.

"honestly," you start, pausing to gather your thoughts, "i expected more from oberdorf during that first half."

there’s a brief silence as tyrell turns to look at you, his eyebrows raised in surprise. 

it’s not often that you call out a player like that, especially someone as highly regarded as oberdorf. 

"really?" he asks, curious. "what do you think’s going on with her?"

you lean forward slightly, watching as the replay of germany’s midfield play rolls across your monitor. 

"she’s not playing with her usual aggression. oberdorf is known for her ability to dominate the midfield, to break up play and transition quickly. but today, she’s been hesitant. this can’t continue if they don’t want someone like caicedo to get in their box. oberdorf needs to press harder, get more involved in the attack. if she steps it up in the second half, she can make the difference that germany needs."

your words hang in the air for a moment before tyrell responds, and the conversation shifts back to the overall match. 

but you can’t shake the feeling that your comment will stir something up. 

sure enough, by the time the game is over—colombia managing to scrape by with a fantastic win—your phone is buzzing nonstop. 

social media is ablaze with the clip of you critiquing oberdorf, the internet having latched onto the rare moment where you offered up something negative about a player you so clearly admired.

fans of both you and lena are eating it up, dissecting your analysis, making memes, and some even suggesting you had ulterior motives. 

it doesn’t help that you’ve been vocal in the past about your respect for oberdorf’s game. 

and maybe, if you’re being totally honest, there’s more to it than just respect. 

you’ve followed her career closely, always a little more interested in her games than others. not that you’d ever admit to having a bit of a crush on her—not publicly, anyway.

across the city, at the team hotel, lena oberdorf is stretched out on her bed, headphones in, trying to decompress after the match. 

her body is exhausted, germany didn’t get the result they needed. her phone buzzes with notifications, but she ignores it for now, lost in her thoughts.

that is, until laura freigang walks in, a mischievous grin on her face and her phone in hand. 

"lena," she says, her voice sings, "it looks like someone’s got their eye on you."

lena sits up, raising an eyebrow. "what are you talking about?"

laura tosses her phone onto the bed, and lena catches it, her eyes narrowing as she watches the video that’s already queued up. 

it’s you, sitting in the commentator’s booth, talking about her. her. 

"honestly, i expected more from oberdorf during that first half."

lena blinks, her mind processing the words. she’s used to hearing praise, especially from someone like you, who’s usually more positive in your analysis. 

but this? it feels different. not harsh, but… honest. like you know she could do better, and that, in a weird way, feels almost flattering.

"see?" laura says, flopping onto the bed next to her. 

"she noticed you. she expects more from you, lena."

lena rolls her eyes, but she can’t hide the faint smile tugging at her lips. 

it’s no secret, at least among her teammates, that she’s always found you attractive. she’s mentioned it once or twice—half-joking, half-serious—how she watches your broadcasts not just for the analysis but because, well, you’re easy on the eyes. 

but she never thought it would go beyond that. you were based in new york city, worlds away from her, and probably didn’t even know she existed outside of your job.

but now? maybe things have changed.

"i don’t want to get your hopes up because it could’ve been a simple analysis but maybe this is your shot," laura adds, nudging lena with her elbow. 

"go for it. what’s the worst that could happen?"

lena hesitates, the idea forming in her mind. it’s bold, sure, but she’s never been one to shy away from taking risks. "yeah… maybe i will."

later that night, you’re sitting in the hotel bar, winding down after a long day of commentary in australia. 

the buzz from the viral clip still lingers in the back of your mind, and you’re half-expecting to get some flak for it. but instead, it seems like people are more entertained by the whole thing than anything else. 

you take a sip of your drink, eyes scanning the room, when you hear a voice behind you.

"hey y/n-- I'm sorry, uh I hope i’m not interrupting."

you turn, and your breath catches in your throat for just a second. it’s lena oberdorf, standing right in front of you, looking a little nervous but still carrying that air of confidence she always has on the pitch.

how did she find you? maybe the german national team stayed nearby? i mean, you were told this was a popular bar in sydney.

however, why would lena go to a bar if she has to prepare for the important match against south korea?

"not at all," you manage, trying to keep your cool despite the sudden rush of nerves.

"what’s up?"

"i, uh, saw the clip," she says, rubbing the back of her neck. "the one where you talked about me."

you chuckle softly, feeling a slight flush in your cheeks. "yeah… i didn’t mean to come off too harsh. just being honest, you know?"

you didn’t know how to react, so you smile. no player has confronted you about your comments before. this is a first.

"no, i get it," she smiles, her eyes locking onto yours. 

"honesty’s good. i just… wanted to ask if you’d like to grab dinner sometime. maybe when you’re in germany next? i’d love to take you out." lena speaks in perfect english. 

you blink, surprised by the offer. of all the things you expected tonight, this wasn’t one of them. but looking at her now, her smile genuine and her eyes soft with hope, you can’t help but smile back.

"yeah," you say, heart racing just a little. "i’d like that."

you were a little older than her, older by two years, but she carried herself in a way that pulled you to her.

the world feels a little smaller, the distance between you and lena shrinking with a single conversation. 

you think that maybe you should critic her more often, kidding— of course.

my masterlist is here if you want to read more fics <3

[lilacsupernova]

*Note: Tumblr might say reblogs have been turned off for this post. They haven't!*

(Also: I have a deeper, updated dive coming soon!)

Some commentary on the Imane Khelif & Lin Yu Ting boxing situation

I read these two as male. Nothing has indicated they are trans-identifying but the image of Imane Khelif as a child might indicate him being raised as a girl due to having a DSD. This is irrelevant to whether he should compete as a woman though. Both athletes have XY chromosomes – which if untrue they could do a simple cheek swab to prove they're women (as if they wouldn't already know from not having periods etc.). This would only need to be done once, and is less invasive than regular doping tests all athletes do! If XY chromosomes are found (as they already have been), they should do as Erik Schinegger did in 1968 and refuse to compete in the women's category anymore.

Claims this is a big conspiracy where the IBA are lying due to corruption are illogical. The claim they only disqualified Khelif and Yu Ting so they couldn't beat Russian boxers is false. While it sounds like they are corrupt due to Russian influence, and they ordered the DNA tests, the tests themselves were performed independently and showed they had XY chromosomes. Based on this info, and their women-have-XX-chromosomes policy the IBA banned them from competing in the women's category. Think about it, how bold (and stupid) would it be to falsely claim these two aren't female, given how easily that claim could be disproved?

Plus, if we're going to throw around corruption claims, how about the IOC? Who we know are happy to allow men to compete in the women's category based on their baffling and nonsensical rules (including no presumption of advantage based on sex)? Who ended sex-verification screening in 2000? Something Independent Council on Women’s Sports (ICONS) co-founder Marshi Smith has condemned, saying it allows the Yu Ting/Khelif issue to even be a thing. The IOC who decided they could compete as women based on passport sex markers? (Which we know can be legal fictions). Who previously allowed Caster Semenya - a man with a DSD, XY chromosomes and undescended testes - to compete as a woman? Who allowed Semenya, Francine Niyonsaba and Margaret Nyairera Wambui to take all three medals at the Rio 2016 women's 800m? I see far more evidence for how corruption is affecting the IOC's view in this matter than the IBA's.

I will also remind everyone (including radfems) that all because a corrupt/'bad'/bad person said something, it does not necessarily mean what they're saying is false! We know the words of radfems/GC people/anyone can be disregarded and derided because they've been branded a 'TERF', but that does not indicate the veracity of their words! The strength of their claims / arguments do. (I wish I could find that meme about a priest saying the sky is blue or something like that). I'm not telling you to believe what I'm saying because I'm saying it; do your own research, think critically, and make up your own minds based on the evidence.

The boxers in question:

Lin Yu Ting is guaranteed a bronze medal at minimum in the Women's 57kg due to making the semifinals (both boxers who lose the semis get bronze, the winners compete in the final for gold). His semi is 7 August at 9.30pm (all times Paris time) against Turkey's Esra Yildiz Kahraman, and the final will be 10 August at 9.30pm (worth watching anyway to support the women!).

Imane Khelif is also guaranteed a bronze minimum in the 66kg Women's category. He plays Janjaem Suwannapheng from Thailand on 6 August at 10.34pm. If he reaches the final, it's 9 August at 10.51pm.

What other boxers have said:

Svetlana Staneva of Bulgaria protested by refusing to shake Lu Ting's hand and making an X symbol after she was defeated by him 5-0.

Angela Carini burst into tears and refused to shake Khelif's hands after choosing to forfeit the match due the fearing for her safety due the strength of his punches. She later issued an apology, which frankly I suspect she was pressured into in order to be allowed to continue to box.

Brianda Tamara from Mexico also alluded to the strength of Khelif's blows, saying "when I fought with her I felt very out of my depth. Her blows hurt me a lot, I don’t think I had ever felt like that in my 13 years as a boxer, nor in my sparring with men. Thank God that day I got out of the ring safely, and it’s good that they finally realized."

Caitlin Parker, the Australian boxing captain says "I don't agree with [Khelif and Yu Ting] being allowed to compete in sport, especially combat sports. It can be incredibly dangerous. It's not like I haven't sparred men before. But you know it can be dangerous for combat sports and it should be seriously looked into. Yes, biologically … genetically they are going to have more advantages. I really hope the organisations get their act together so that boxing can continue to be at the Olympics. It's the oldest Olympic sport. Women's boxing was only introduced in 2012 and I want to see it for the next 100, 200 years to come." (She competes in the 75kg semifinal on 8 August at 10.02pm).

Santiago Nieva, an Australian boxing coach, and Marissa Williamson, who could have met Khelif in the 66kg category disagree. Only the male coach is quoted, however.

Hergie Bacyadan, a female Filipina boxer who identifies as a trans male (but hasn't taken testosterone) on the other hand agrees with Parker, saying through a translator "in sparring it's OK, but if they have XY chromosomes in competition, they should abide by the rules."

Former women's world champion Mária Kovács has wryly remarked that in modern women's boxing "there is a 20 percent chance that one of the athletes will suffer a testicular injury." She also discouraged Hungary's Anna Luca Hámori from competing against Khelif. Hámori posted an AI picture on Instagram of a female boxer fighting a devil and referred to Khelif as a man, for which the Algerian Olympic Committee submitted a complaint to the IOC, and forced her to delete it and apologise to Khelif. She was then defeated by Khelif 5-0 in the quarterfinal, hugging him afterwards. (Similar situation to Carini?)

What others have said:

An open letter calling for the IOC the reverse its decision to allow Yu Ting and Khelif to compete, and to reinstate sex screening has been signed by the likes of: Sharron Davies, Riley Gaines, Martina Navratrilova, Fair Play for Women, Save Women's Sport Australasia, Women's Declaration International, and more.

Dr Emma Hilton, a developmental biologist, has done research which found "a male boxer's punch is 160% more powerful than a woman's". (Unfortunately the article doesn't cite which study, and I don't have access to her articles to determine which one it is). She considers "this decision to include two men (Khelif and Yu-ting) in women's boxing to be extremely worrying, both for the safety and well-being of the female boxers against whom these two men will be competing."

Lastly, the UN's special rapporteur on violence against women and girls Reem Alsalem has said Carini "rightly followed her instincts and prioritised her physical safety, but she and other female athletes should not have been exposed to this physical and psychological violence based on their sex."

Other commentary:

Here is some commentary from IreneBritUSA, Karen Davis of You're Kidding, Right?, Aja the Empress, Marshi Smith (co-founder of ICONS), Jennifer Sieland, Anna Slatz, Dr Colin Wright (an evolutionary biologist), Meghan Murphy and Mary Lou Singleton (upcoming), and Doriane Lambelet Coleman. Note several WoC are speaking out!

[mixtape-timeout]

This is the last post I will be making on this topic. Since gimmeurtmi is back and posting again, here is yet another reminder for you that she is a Zionist. She is trying to spin the story and claim that people are witch-hunting her for being Israeli, which is just another excuse to deflect from her disgraceful behavior. Since she wants to say that we are spreading misinformation, please look at the screenshots in the link. These are screenshots of posts SHE made herself. Not my words, just hers. Read her posts without any of my commentary, and come to your own conclusions about her beliefs. Her posts speak for themselves.

((More below))

She can say she's Pro-Palestine all she wants, but her actions do not reflect that. I can't prove if she is attending peace rallies like she says she is, but what we do know is that the things she says and does are in direct contradiction of this. Please look at the tags of the original callout post and see the sheer number of bloggers (including other authors) she had blocked for being Pro-Palestine. She claims she blocked people for being Anti-Semitic, but what she perceives as "Anti-Semitic" is anything Anti-Zionist. The testimonies from people who used to follow her and used to be very close friends with her all say she is a very manipulative person who always makes herself the victim. She has repeatedly made Zionist posts, deleted them, pretended to change her views, post "Pro-Palestine" things, then go back and show her true colors once the accusations blow over. She had reblogged fundraisers for Rafah weeks ago on her blog @stuckonspidey after being called out that are now nowhere to be found. She is a liar and a manipulator who has repeatedly said things that contradict her actions just to save face.

If she's Pro-Palestine, why does she make posts sympathizing with the IDF? Why does she support the occupational force that kills Palestinians for fun, undresses hostages to humiliate them (including CHILDREN), beats hostages to death with hammers in their captivity, disguises themselves as HUMANITARIAN AID to kill hundreds of refugees, takes pictures with hostages/dead bodies and posts them on social media, steals Palestinian women's underwear and takes pictures with it after killing them/ransacking their houses, targets journalists and humanitarian aid workers, straps injured Palestinians to their trucks and uses them as human shields? This is the army that fired 355 bullets at the car that 6 year old Hind Raghab was in while she was surrounded by her dead family members, KNOWING she was in there. They are a depraved, violent occupational force that kills and tortures civilians, and one of the most basic pillars of being Pro-Palestine is opposing the IDF. You cannot be Pro-Palestine and have sympathy for the army that is killing and oppressing them. You cannot say you stand for Palestinian liberation and peace, yet mourn for their oppressors when the resistance fights back. There is proof all over the internet of the IDF's war crimes because they post it themselves. Here are a few links if you don't believe me. LINK LINK LINK LINK. Please research it yourself, too. You'll find no shortage of it.

If she is Pro-Palestine, why does she refuse to acknowledge it as a genocide? Why does she call it a "war"? Why does she call the International Court of Justice's decision to take Israel to court for its war crimes "questionable"? If she believes what Israel is doing is wrong, why would she criticize it being held accountable for its crimes against humanity? If she is Pro-Palestine, why would she call an Israeli propaganda movie that paints Arabs as barbaric savages her all time favorite and complain that it's getting RIGHTFULLY negative reviews for its blatant racism, glorification of war criminal Golda Mier, and historical misinformation? Her excuse was that "she posted about a movie because she likes movies." That is an absolutely pitiful reason and being deliberately obtuse to distract from the actual issue. When you say it like that, of course it sounds harmless, but the CONTENT of the movie matters. For example: Would you call "The Birth of A Nation", a disgustingly racist white supremacy propaganda movie your favorite? Absolutely NOT. And if you did, people would rightfully question you for that. If she's Pro-Palestine, why didn't she boycott LMB when there are two Zionists on it? One of which (Johnny Goldstein) is a former IDF soldier and attends Pro-Israel events? If she's Pro-Palestine, why would she use the well-known Zionist talking points, conflating Judaism with Zionism, and saying that when people say "Zionist" they really mean "Jew"? If She's Pro-Palestine, why would she have such an issue with Stays trying to inform Felix about the Coca-Cola boycott and say they are bullies? Do you notice a pattern here? Her labeling ANY attempts at calling out Zionism to be "bullying" or "Anti-Semitic"? This is the exact rhetoric Zionists use. Once again, she can say she's Pro-Palestine, she might even actually believe that she is, but her behavior does not reflect this. Saying "My posts aren't Anti-Palestinian because I'm not Anti-Palestinian" proves absolutely nothing. Someone who can't even call the genocide a genocide is not an ally to Palestine.

She continues to hide behind "Anti-Semitism" despite me and many of my friends who called her out being Jews or of Jewish ancestry ourselves. If you look through my blog, you will see a majority of my posts are dedicated to dismantling the idea that Jews = Zionists. I have worked so hard in my community to do this in real life, and it's incredibly frustrating to see her perpetuating this harmful stereotype when us Anti-Zionist Jews are doing everything we can to separate Judaism from Zionism. She is also saying we are racist against Israelis, which is an absolutely ludicrous claim. Israeli is not a race, just like American isn't a race. Israeli is a Nationality. 75% of Jewish people are Ashkenazim, meaning European/White, and about 50% of Israelis are White. Nationality =/= Race. Her claims of racism are, again, her using terms of discrimination to distract from her blatantly Zionist posts.

Furthermore the claim that we are attacking her simply for being Israeli is not only wrong, it makes no sense. I was not aware that she was Israeli before suspecting her of being a Zionist. A huge chunk of Zionists are actually Western Christians who support Israel for Anti-Semitic reasons, and I would NEVER sabotage a fellow Jew for their identity. I went out of my way to emphasize this in the first post. Gimmeurtmi was called out for Zionism that me and several other people in the community recognized, point blank period. We are not "painting her in a specific light", we are bringing attention to harmful, dangerous things SHE said. If I presented her posts to you without commentary, even in context, you could come to the same conclusion. The original callout post was edited many times with many additions as new screenshots/information came forward, and it was through the comments from other people talking about their experience with her that we found out that she was Israeli and had made those Anti-Palestinian posts on October 7th (which she deleted). It was her thinly-veiled Zionism that originally raised our suspicions, the knowledge that she's Israeli came after.

I know gimmeurtmi will continue to see herself as a victim no matter what. I know she will keep pretending she's being attacked for her identity just as all Zionists do. This post is just to disprove her accusations that we called her out on the basis of "racism", when the callout for her was a result of HER racism herself. I never had any problem with gimmeurtmi before she blocked me, I enjoyed her fics and looked up to her, as many others in the community did. She gave me no reason to dislike her before this. The only reason my friends and I put that post together was because we felt it was imperative that someone like her, who uses her SKZ blog to normalize Zionist ideology amidst a genocide, gets de-platformed. I cannot tell you what to believe, but I urge you to be careful and understand what a manipulative person she is. I urge you to read the screenshots of her posts for yourself and come to your own conclusion.