#the world needs more positivity in it

[koushuwu]

you know what? if you see this; would you mind sharing something nice from your day with me? it doesn’t have to be big. but i would love to hear it!

[tzarrz]

i listen to fog lake too much

[azulsejos]

s2 + golbetty centric episode prayer circle 🍎💝

[lovelystarship]

sibling f/os love ₊ ⊹

⌗ imagine your younger sibling f/o . . .

-> being eager to show off their new skills to you and lighting up the whole room with their smile once you praise them

-> making you read them a bedtime story but you can't even get through the first half since you keep finding funny details that send you both into hysterics

-> looking up to you and proudly going "thats my sis/bro/sib >:)" whenever someone brings you up in a conversation

-> cheering you up with a drawing or some of your comfort stuff (food objects music etc) and offering to beat up whoever made you sad

# imagine your sibling f/o . . .

-> already knowing not to look at you whenever some dumb shit plays out because otherwise you guys would be rolling on the floor

-> teaming up with you against a common enemy so you to get to be an evil duo (bonus points if one of you isnt confrontational or mean and the other proudly gets to see 'em go apeshit)

-> trying so hard not to seem suspicious while stealing bits of your food just because you got a different meal

-> seeing some of their mannerisms or quirks rub off on you and smiling the whole day about it

⌗ imagine your older sibling f/o . . .

-> being the first person people come to when youre upset because they know exactly what to do

-> letting you use their shoulder/lap as a free snoozing spot anytime or even carrying you to your bed after you fell asleep in an unconventional position somewhere else because of course they would

-> reacting to the agonizing memes you sent them while sitting across the room as the light slowly leaves their eyes

-> always subconsciously being on protection mode and getting worried when you're out of their sight for a little longer than you usually are (but they relax once you call them to ramble about todays adventures that kept you busy)

[uncanny-tranny]

I love you smile lines and worry lines and grey and white hair and wrinkles and purple spiderweb veins and the process of aging and living in a body that is standing the test of times. I love you experiences that make you wiser and stories that make you laugh, and every little process that happens to get to the point where you have so many memories because you have the fortune to be here and be so radiant

[gideonisms]

I still don't understand the appeal of femme clothing at all like I get intellectually that some people enjoy it but the textures....the fact that nothing stays in place....the fact that there are so many different kinds and it's based on the occasion but it's basically impossible to guess what's appropriate for where without googling it extensively even if you have been trying to figure it out for 20 years. anyway I won't be doing all that

[stars-self-ships]

This imagine goes out to the self-shippers who either choose not to associate with their family, or unfortunately are in a position where they may not have much of a family at all.

The latter half of the year— specifically, the holidays— can be a tough time for many for a myriad of reasons, but just know that throughout it all, your F/Os see you, are here for you, and will remain by your side no matter what.

Think of all of your F/Os not only as one big family, but your true family, whether or not the first paragraph of this post applies to you. If it all becomes too much and you are disillusioned by the notion that you're all alone— you're not.

Your F/Os couldn't be happier to have you in their lives and are so thankful for you. Romantic, platonic, familial or parental, just you being the person that you are makes them even happier than you could possibly fathom.

💞 Remember that. 💞

💖 Proshippers/Comshippers are not welcome to interact with this post. 💖

[mythalism]

what if we have no choice but to bring down the veil ourselves to free solas from his fade prison + freeing solas from his prison is the only way to defeat the evanuris

[variousqueerthings]

VERY RAMBLY BUT I think rose and martha are like the inverse of one another in terms of narrative, in that they both meet a doctor who is deeply deeply hurt, but the doctor interacts with them about it so differently, because of where they're at with that hurt, and the doctor is like "hey, I'm suave and vulnerable beneath the surface, which is quite attractive, want to travel in space and time in my whimsical timeship?" and they both go "oh heck yes!" and then it's like splintered glass from that point on, like martha lives in a funhouse mirror of rose's story -- up until she makes it her own of course and she does call the doctor out on it relatively early on, although rose continues to have that haunting effect

so rose has this bubble created around her that is perfect and unchangeable almost, in which nothing bad can ever happen (except for all the times it does but huuush, we'll be together forever forrealsies don't look at that big ol hurricane hurtling our way), which then inevitably bursts, but is always there-as-memory, because rose becomes something of an impossible ideal to some extent

and martha isn't protected at all, and has all the badness spilling out on her because the doctor is unable to contain any of it (and maybe is relieved to finally give up on being strong), and subsequently all of the promise of wonder has an air of sourness to it, and the doctor will always feel incredibly guilty about how it all ended

but crucially there's a lot they have in common, that is quite different to, say, donna (who is woven in in her own, interesting, way) -- they both become attracted to this powerful, interesting, and suuuper traumatised being, they're both taken along on a journey of promised wonders, they're both incredibly reliable to the point that the narrative is retroactively fitted around how much the doctor's belief-systems revolve around belief in their companions, with many others from the past given their dues (starting with sarah-jane), and they both do see wonders beyond their comprehension (and so does donna, but again, there's something a bit different there to poke at in another post...),

except where for rose this wonder helps her break out of the path that was set down for her and become who she always had the potential to be in a way that is mostly framed as a positive (although with some -- I think -- under-analysed caveats...) and she will be forever thankful for the doctor arriving in her life, martha's is more like an awe that the universe is so hostile and so lonely and so heartbreaking, and so she needs to become more resilient and more ready to make choices that are terrible (from travelling the broken world for a year to the osterhagen key....), and so there's another story about someone who becomes strong and tough (just like rose) but it's because the doctor wasn't really able to be there for her, and while I don't think the show (from memory) ever has her totally regretting the doctor dropping into her life, there for sure is some solemnity to how her story ends, a bit of a dampener in comparison (even tbh in comparison to donna, who yeah, gets her memory taken, but is suggested -- now confirmed perhaps? -- to get more of her life in order/feel more self-confident, also partially because of that subliminal influence of her time with the doctor)

and this isn't to say that it's all-bad for martha! her working for UNIT and Torchwood has a lot of very interesting facets to it, and she is fulfilling her potential to be this impressive, capable person, but the ways all of this was built up to is so heartrending

rose coming in and "saving" the doctor, except it was a bit of a lie, because the second she wasn't there they crashed even harder than before, and martha coming in with the idea that she could save the doctor and walking away when realising what it was doing to her life, and both rose and martha irrevocably changed to the point that the person pre-doctor is barely recognisable in them anymore, both take on the doctor's self-sacrificial traits...

and also the idea that rose gets the fantasy, but it's the fantasy a-bit-to-the-left (funhouse again) because there's always something a bit disconcerting about the lengths the doctor goes to to maintain the bubble, to the point of offering up the alternate-him/tentoo so that she can still have it, even though the actual physical doctor that shared it with her isn't actually there! and martha gets the glimpse of the fantasy, and then has to come to terms with the fact that she's not the person it's "for" and reassess her relationship to the idea of a fantasy in the first place (it helps that martha is an incredibly practical, pragmatic person, but it's still so... ouch)

I don't think it was intentional, but this also fascinating from the perspective of rose as a white woman and martha as a black woman -- who is the fantasy for, to the extent that strange and universe-breaking events go into maintaining it, and who has to be practical and pragmatic and self-reliant?

and also, it's got more tragedy in both cases -- rose as a spectre/haunter of the narrative is always a little bit intangible when she's looked back on (even though in the story she's in she's incredibly real and well-rounded, every time I go back to s1 I am struck by how grounded she is in reality), and I think that's something interesting in terms of her mother's warning in s2, how if she travels with the doctor "forever" she'll become something else, something not her

and martha's mother warns her as well, although she's not completely sure of what, and in contrast to rose this warning comes into very painful fruition, harming her entire family (except, maybe her brother? I wonder if there's anything written about that), but where rose is so omnipresent, martha tries several times to take herself out

(also something about both of their mothers being their anchor-points)

there's something there that's at the centre of both rose's and martha's arcs:

is the change they're going through because of the doctor... good? good for them? good for their families? good as in they're becoming better people than before? good for the world they inhabit? is it good for the person they used to be? did they become better than that person? can they ever truly deal with or even begin to comprehend how these events made them who they are? can they even connect who they are now to who they were then? was this good?

they both become these larger-than-life people, somewhat without noticing on both parts (but the narrative does notice), one of them a ghost, and the other a soldier -- one of them an increasingly intangible, ever-present idea, and the other someone who has to fight every step of the way

it's just a bunch of things I've had going through my head that I can't quite formulate in coherent essay-like sentences, but for sure it's there

opposite sides of the coin, rose tyler and martha jones

I do wish they'd had space in the story for them to talk

[doodle-birdo]

Day 13: Five Pebbles

Being able to call Pebbles on the drone would have allowed for some really funny scenarios, methinks.

[impostorsshow]

I'm actually so obsessed with him it's not even funny if i'm not listening to a TikTok or music directly related to him I can't focus free me free me

This is @/cherubpuppet's OC for a object show [au? pitch? wip show? How do I categorize this] and I've been destroyed by the fact that ruler art is infinitely superior [and 10x longer] and i don't have a good enough grasp on lip gloss's personality to make fanfiction so I am frozen in "want make fanart but fanart takes effort :["

[jascurka]

Re-reading a beloved fic and noticing things you didn't see before and it's even more beloved now.

[cryptidm0ths]

Vvvvvv messy doodles of magical girl au

[stagefoureddiediaz]

Something something about Buck and learning and or teaching.

Something something about Buck teaching when he really needed to be learning.

I just keep thinking about how the show has increasingly - especially last season - put Buck into the role of 'teacher' - including his coma dream. (i'm using teacher for the lack of a better term!) and how in the aftermath of the coma dream - he's been trying to teach but it hasn't worked - instead he's been learning.

I've been musing on the fact that even back in season 1 Buck has been in a teacher role -

Abby learning to chose herself and go for her happiness,

Bobby learning to let people in and Buck being a major part of that because of their developing father-son type relationship

'teaching' Eddie that he could rely on other people for help

Maddie learning at Bucks hand that she didn't need to keep running, that she could lean on him for support and build a new life for herself

Ravi being tutored by Buck in the fire house

even Lucy being given advice by Buck - teaching her through his own experiences in dumb luck

Buck making himself into a teacher in his coma dream and the idea that all these people he has helped teach teaching him that he has a place with them and that he is important

and so many more examples through the seasons that I won't list or I'd be here forever!

Because there has been a lot of emphasis on teaching and learning since Buck woke up from his coma - he learnt he was good at maths, but then wasn't allowed to help Chris with his maths homework because it would be cheating.

used his maths skills to win at Poker - but got taught lessons even in victory - rather than teaching others lessons (whatever they might have been)

Natalia being interested in him because he could teach her about death and things going south pretty quickly when it became evident that Buck needed to learn how to live again rather than be stuck in death

And now we've had several mentions by Tommy of him teaching Buck things - teaching him to fly, teaching him Mauy Thai, all the way to him being his bi awakening is teaching him about a part of himself he didn't know. Things are turned on their head - Buck is the student not the master now

Even with Eddie this season, we've seen him teaching Buck things - rather than Eddie learning from him - Eddie handing over this really important thing going on with Chris - Eddie knowing that Buck would be a better option - that Chris would open up to him more - is teaching Buck about his importance in the Diaz family - re-enforcing that he is part of their life. Its also Eddie who has had the good advice for Buck this time rather than the other way round.

Something something about 'you like to be the guy with the answers' to Buck becoming the guy with the (maths) answers - only for it to fade away and now he's having to learn

Something something about the tie to Buck and death and the resurrection and how Christ was the teacher up to and immediately after his death and resurrection when he left others on earth to spread his teachings and he ascended to learn at the right hand of god

Something something about how that is the key to happiness and that is what Buck has figured out and that is why his journey to figuring that out has had him wearing the bright blue - because in Christianity - that shade of blue is the colour of the kingdom of heaven (because it is the colour of the sky!) so putting Buck in it at all these key markers of his journey is showing him as being on the road to ascension.

This post is a mess - I don't even know what it is any more! I started with one idea about teaching and Tommy and then more kept coming and we ended up here!!!!

[boiled-bronze]

I have finished translating to spanish and posting all of Heist, the first comic in the Rain World Anthro AU series made by @pansear-doodles so here's a little drawing I made as a celebration, based of one of the comic pages

[specialagentartemis]

Chaco as a military state- what?? What grounds is that theory using??

Steve Lekson is a genuinely respected Chaco archaeologist with a... very idiosyncratic proposal about its social organization, which I am never sure how much he seriously believes and how much he puts forward to be provocative on purpose.

I think he put forward his idea of Chaco Canyon as the seat of a true state with the ability to muster a military to enforce the alliances with other Great House outliers back when it was more popular to view Chaco as a much more communal religious pilgrimage location. He posited the Great Houses as elite spaces akin to palaces, with their displays of wealth and power and evident ability to organize vast amounts of labor to build them, and the Chaco Roads serving a similar function as Inca or Roman roads: allowing the ability to muster forces and move people and supplies across the landscape quickly. He interpreted elite control over exotic and valuable goods as evidence of a much stronger and more centralized control over the political sphere, and outlying Great Houses not as individual organizations mirroring and claiming Chacoan power for their own communities but impositions of a Chaco worldview from the Canyon as center. and this was even before the DNA study where we learned about matrilineal elites/rulers!

Genuinely can't tell how much he believes it, vs. how much it's the academic version of performance art where he' says's saying to the Establishment, "you wanna believe in hippy-dippy Chaco soooo bad. What if they were a state? What if they did rule by imposed hierarchical coercion? What if the outlying Great Houses weren't a voluntary alignment with Chacoan ideology but an imposition of it by force? Why do you think there couldn't be a North American empire? Does that challenge your ideas of Chacoans as peaceful religious noble savages too much?" He has a very well-written and thought-provoking chapter in The Oxford Handbook of Southwest Archaeology about the need for scientific imagination and narrative history. It begins like this:

A colleague once told me that it was impossible to write a narrative history of the ancient Southwest. So I wrote one. In my narrative (Lekson 2009), there were rises and falls, triumphs and tragedies, nobles and commoners, war and peace, cities and countrysides—tropes of history everywhere in the world—but these almost never appeared in scholarly accounts of the ancient Southwest. And that was the polemic of my history: American anthropological archaeology denies to Native societies north of Mexico any significant history (Lekson 2010). Just a few notable events, mostly natural: a drought here, a collapse there, a migration or two, and so forth—but no kings-and-battles history, nothing for narrative.

It's a political stance as much as it's an archaeological claim, and he has been annoying other Chaco specialists for decades with this.