#theo van de sande

[absencesrepetees]

blade (stephen norrington, 1998)

[cappedinamber]

Volcano (1997)

Directed by Mick Jackson

Cinematography by Theo Van De Sande

[genevieveetguy]

. - Sam, I don't know what to do with you. You're a nice guy. - Oh, what a thing to say. I'm wounded, I'm bleeding.

Crossing Delancey, Joan Micklin Silver (1988)

[brothertedd]

Wesley Snipes with cinematographer Theo van de Sande on the set of Blade (1998)

[destinationout]

“Let me bring you up to speed.”

Wayne’s World (1992) Directed by Penelope Spheeris Cinematography by Theo van de Sande

[facesofcinema]

Cruel Intentions (1999)

[nine-frames]

Volcano, 1997.

Dir. Mick Jackson | Writ. Jerome Armstrong & Billy Ray | DOP Theo van de Sande

[esqueletosgays]

CRUEL INTENTIONS (1999)

Director: Roger Kumble Cinematography: Theo van de Sande

[byneddiedingo]

Lindsay Duncan, Jeff Fahey, and Kim Delaney in Body Parts (Eric Red, 1991)

Cast: Jeff Fahey, Lindsay Duncan, Kim Delaney, Zakes Mokae, Brad Dourif, John Walsh, Paul Ben-Victor, Peter Murnik. Screenplay: Patricia Herskovic, Joyce Taylor, Eric Red, Norman Snider, based on a novel by Pierre Boileau and Thomas Narcejac. Cinematography: Theo van de Sande. Production design: Bill Brodie. Editing: Anthony Redman. Music: Loek Dikker. 

How can a movie with a car chase, a fight in a barroom, and an abundance of gore turn out so dull? Body Parts is based on an old trope, that of severed members taking on a life of their own. Adaptations of W.W. Jacobs's 1902 story "The Monkey's Paw" are so numerous they have a Wikipedia page of their own and Maurice Renard's 1920 novel Les Mains d'Orlac, about a concert pianist who receives the transplanted hands of a murderer, has been filmed several times, including Robert Wiene's 1924 silent The Hands of Orlac and Karl Freund's 1935 Mad Love, starring Peter Lorre. The many adaptations of Mary Shelley's Frankenstein also play on the notion of reanimated body parts. But it's not that the idea behind Eric Red's movie has been done to death, so to speak, it's that Red and the various screenwriters who worked on the movie find so little new and interesting to do with it. It's adapted from a 1965 novel, Choice Cuts, by the writing team known as Boileau-Narcejac, who provided the source material for some much better movies: Diabolique (aka Les Diaboliques, Henri-Georges Clouzot, 1955) and Vertigo (Alfred Hitchcock, 1958). The acting isn't bad. As Bill Chrushank, a psychiatrist who receives the arm of a murderer after losing his own in an auto accident, Jeff Fahey does a solid job of suggesting the ways the transplant brings out the worst in what may have been his own latent tendencies to violence. Lindsay Duncan plays the surgeon who does the transplant as a cold-blooded scientist with just a touch of hauteur that turns malevolent when her breakthrough technique is threatened. Brad Dourif overacts a little as the artist who receives the other arm and finds that it actually feeds his imagination and produces darkly disturbing paintings that sell. And Kim Delaney does what she can with the role of Chrushank's wife, who bears the brunt of his emotional transformation. But Red's direction never builds suspense, giving us time to anticipate the shocks we expect the material to provide. There's also a completely unearned "happy ending" that saps any lingering tension from what has gone before. 

[equestrianempire]

Conor Swail Recounts his successes with Matter Me In.

In the desert, Conor Swail ( IRL ) has a consistently successful season, and Desert Circuit 2024 is no exception. The Irishman had a strong performance on Thursday of Desert Circuit 9, presented by Kubota, and placed second and third in the$ 32, 000 Sandhaven Farm CSI3* 1.50m Speed aboard Count Me In and Theo 160, both, giving him great hopes for a solid end as the loop dries up. He reflected on his Thermal season and said,” Actually, all the animals have been great.” Crossby has had a fantastic circuits. He’s consistently quick and clear, and he has n’t yet knocked so many jumps down. That does give you a dozen rewards. After capturing several Li victories, Swift today has quite a few Bigfoot coolers in his possession.

It appeared that Swail’s occasion of 68.10 moments would be difficult to capture until he entered on his next support, Matter Me In, owned by Mannon Farms. Only Mathijs Van Asten ( NED ) managed to take the lead, pushing Theo 160 to third, and only Mathijs Van Asten ( NED ) did so in 67.33 seconds. It’s been crucial to give the animals adequate sleep and to mix up their opposition plan just enough to keep them on their toes in order to achieve Swail’s winning method. Swail referred to the different environments for upper-level leaping at DIHP as “it is wonderful that we do a little on the sand, a little on the turf, and under the lamps.” It does mix things up a small so that when you exit, the animals are freshened up a little bit. You have to make sure you do n’t use them excessively, which I believe I have done well. My people have just increased by two or three weeks overall.

Vital Chance de la Roque gives Conor Swail a Chance.

Conor Swail triumphed once more in the$ 25, 000 FarmVet 1.45m Open Classic aboard Vital Chance de la Roque when he ran from the grass field up to the Grand Prix Arena. Swail acknowledges that after a short fall in self-assurance, the horses has long been a reliable partner. With Vital Chance de la Roque up as a consistent contender, Swail explained,” I’m very glad for Vinny because I’ve been very careful with him throughout this circuit.” It’s been a thus since he’s been in great shape. He seems to be returning to his former home after a while of consistency below. Another example of how well maintained this position is. After in the attempt, Jill Humprey led with Chromatic BF, owned by Branscomb Farms LLC, and it’s giving the horses every chance to be as good as they can get. Savannah Jenkins took next aboard Vancouver SE, owned by Proper 12, LLC, while Swift just barely managed to get ahead of her.

Desert Circuit media release | 1. Count Me In and Conor Swail ( IRL ). High Desert Sport Photo in pictures

[thunderrabby-blog]

You'll Be Amazed By These Secrets About Cruel Intentions

You’ll Be Amazed By These Secrets About Cruel Intentions

Back in 1999, Gellar and Blair’s onscreen kiss was a big deal. And it won the award for Best Kiss at the 2000 MTV Movie Awards, with the pals recreating the kiss on stage. Not in the script? That iconic string of spit that follows their kissing lesson. “I forget who, but someone said, ‘We need to go again, there’s saliva connecting them.’ And [cinematographer] Theo [van de Sande] was like, ‘No,…

[steliosagapitos]

          “Marina In Saint Maries De Sea” by Vincent Willem Van Gogh.

       ~ “The life of Vincent van Gogh (1853-1890) was practically a single storm; it is all too obvious, reading his biography and his words: ‘In my brain fever or madness, I don’t know what to call it, my thoughts have sailed many seas; moments, like desperate waves crash on the cliffs indifferent, a tumultuous desire to hug something’.’The heart of a man is very similar to the sea, it has its storms, its tides and, in its depths, it also has its pearls’, wrote Vincent Van Gogh, who in this painting manages to capture all the shades of the sea and gives us serenity and at the same time time is energy. When the great Vincent van Gogh moved to Arles, in 1888, he also paid a visit to the borough of Saintes-Maries-de-la-Mer, a fishing village among the Camargue marshes, not far from the mouth of the Rhodanus. Here, the artist made some landscapes: it was marine and a view of the village, along with different drawings. This painting is one of the marines that van Gogh made in Saintes-Maries-de-la-Mer (some reproduced only the sea, others instead the beach): it is, on the other hand, the only sea views that the artist produced during his stay in Prov do it.Of the work in question he wrote to brother Theo in one of his letters: ‘I write to you from Saintes-Maries-de-la-Mer on the Mediterranean Sea, which has the colours of a mackerel - in other words, they are vivid colours - that is, you do not always have to know whether it is green or not’ purple - you can't always know if it's blue - because a second later the reflections gave it pink or grey intonations. The beach here is sandy, no cliffs or rocks like in Holland, no dunes and more blue.’ The artist therefore tries to make the changiantisms of the surface of the water ‘dirty’ the sea with touches of a brush of various colours: reds, oranges, yellows, gray, pink that overlap with the ‘overseas blue’ that he thought the color of d ominant of the Mediterranean, given also the clarity of the sky reflect. The work was certainly performed (at least in part) directly on the beach: grains of sand were found among the pigments. Vincent later sent this and other paintings to his brother. Today the work is at the Van Gogh Museum in Amsterdam instead.” ~

[cappedinamber]

Bad Santa 2 (2016)

Directed by Mark Waters

Cinematography by Theo van de Sande

[sine-cinematography]

BLADE (1998) DIRECTOR : Stephen Norrington CINEMATOGRAPHER : Theo van de Sande

[memoriastoica]

1988 Los Angeles in Miracle Mile (1988)

La Brea Tar Pits, 5801 Wilshire Boulevard

Pan Pacific Park (destroyed in a fire), 7600 Beverly Boulevard

May Company department store at the corner of Wilshire Boulevard and Faifrax Avenue

LACMA East, 5905 Wilshire Boulevard

Park La Brea, 6200 W. 3rd Street

Wilshire Boulevard at Fairfax Avenue

Johnie’s (now closed), 6101 Wilshire Boulevard

Art of the Americas Building (formerly the Robert O. Anderson Building), LACMA, 5905 Wilshire Boulevard

5900 Wilshire Boulevard

View of Mutual Benefit Life Building

[filmaticbby]

Cruel Intentions (1999) dir. Roger Kumble