#this drama is taking over my life for now

[missfertileandferal]

lowkey super anxious to post this but im missing you guys so much <3

i plan on a solid return soon! i just wanted to get off my chest whats been going on:

Earlier this year, I dealt with an awful situation of my kinky stuff leaking into real life. My insane coworkers found my content and as I was serving on the clock, proceeded to show my customers and all the staff. then i was fired. Im traumatized to say the least but I over came it.

Come mid summer, I planned so step back for a little bit to move apartments no more than a couple weeks. What happened was both my job (i worked with close family friends so stressful) and a really bad situation with a companion found about my kink stuff. i never expected or was prepared for the humiliation, deception, and pain that would come from my fetish journey

My last job was such a loss. I had been blessed with a cute job as a medical office assistant without any credentials (i wasnt doing anything out of my capabilities of course) it was so peaceful and perfect compared to the drama of my last gig plus working with familiar people felt just like home honestly. Then I got covid. I was out for 2 weeks, at the same time i was moving into my new place. I tried calling them back to let them know I was cleared and ready to get back to work. I received a humiliating text. I was dismissed. That turned into a crippling anxiety of them confessing to my family what I do in my past time

The following week I was met with more disappointment. Ive said this before but I dont have many people in my corner. It used to suck to admit but I stand with pride now knowing those who are around me love me 100% regardless what I do or dont do.

One of my dearest dearest friends, who I had previously communicated what I do (not to a full extent they always respected it) called me very dramatically only a week before I planned to see them (they live across the country and we ALWAYS visit each other when in our cities) It still doesnt feel real tbh, the call only last 40 seconds. I was informed that “I was going on the wrong path” and could no longer be associated with. That’s alls that happened. 8 years down the drain

I was informed by outside sources that my hometown opps had gotten hold of my content (who my ex friend still associate with but I despise bc they’ve always been obsessed with me but in a bad way) and they had confronted him about being my friend. he pussied out and cut me off. they also mass reported my last instagram account😡🤬

I had to take some time back to seriously debate if these loses were worth it. I was swallowed with so much anxiety knowing that an uncomfortable amount of people in my zip code knew what ive been up to. its already complicated being into this and while at the same time not being in a plus size body. thats another conversation tho

That debate has turned into me accepting these events as the universe weeding out people/things that no longer serve me. This has shown peoples true colors, if I am not to be associated with because of my sexual freedom, body acceptance, and undoing of fat phobia then PLEASE LEAVE ME ALONE.

Im recovering ❤️‍🩹 but my heart and hedonism can’t be helped. i love being a kinky lil gut slut. its helped me grow in so many ways from acceptance to living an esoteric dreamy life. i love all the hot girls and guys that i see on my timeline. they hype me up and vise versa. i love this little corner of the internet. my fellow freaks keep me going. i’ve been so on and off online but every time i come back to the sweetest words and support. thank you guys for your patience and consideration

my anxiety is to the roof as im typing. its crazy that these privacy problems havent been within the actual community. funny. if your still reading this I love you extra. ill be streaming on ig on my comeback day!

new ig acc @missfertileandferal💘

[cloudcountry]

SUMMARY: married life with eiland

COMMENTS: i've been thinking so hard about marrying this man i have two lawn chairs next to my mail box and a desk for him and a chest full of sweets for when we get married im planning ahead ahead i need him so bad

reader is compared to lady luck but they're not fem aligned.

It’s not uncommon for you to wake up in the morning to see Eiland curled up in bed, his reading glasses askew and a book opened over his face. You always remove the book gently, marking his page with a bookmark you keep handy on your nightstand and he thanks you profusely for it later. It’s not even that he stays up outrageously late, you just so happen to have a husband who is so dedicated to his research he can hardly put it down!

Although he would love nothing more than to have chocolate chip waffles with whipped cream and a hearty amount of syrup for breakfast, he is unfortunately bound by the knowledge that food like that has little nutrients and will not keep his precious spouse up and running throughout the day. Soft hands cut up fruits into hearts and stars, depositing them into one of your bowls with a proud smile as seasonal fruit pancakes sizzle on your stove. He takes pride in taking care of your needs. That is, after all, what a husband does! (Ignore the copious amount of times he messed up a dish...he's trying his best.)

Whenever he comes home after a meeting with his sister, he makes sure to ask your opinion on things. If it's something the two of you don’t agree on (much to his chagrin...yes, he pouts about it later) he will still report your honest opinion to Adeline. His sister can tell immediately if you agreed or disagreed with him based on his facial expression alone.

Eiland has a tendency to say things that can be taken in a flirtatious way, but are usually innocent. He still has not learned to watch his words with you even after years of marriage, calling you over to Louis’s stall to look at the beautiful wedding outfits and yapping about how lovely you would look in them. Oh Eiland, he has no idea what he’s implying!

Due to his hobbies, he is more of a help on the farm than some may think! You’re certainly going to have to walk him through ranching if he decides he wants to feed the animals, but he’ll pick up on how to plant seeds a lot faster. He’s quick work with a shovel and can figure out a hoe in no time flat! (He thinks you’re so cool and just wants to help out his lovely spouse, please let him.)

Without a doubt, you will get wrapped up in his Dungeons and Drama campaigns. He’ll be delighted if you make food based on the campaign and will brag for weeks about it. Be prepared to be referred to as the lovebirds when you come to the Inn on Friday’s! That’s simply how Mistria works I’m afraid.

Elsie is going to have the time of her life when the two of you get married. She’ll be on cloud nine, orbiting the two of you with well wishes and the most random gifts she insists you two need for your new life. It’s very sweet of her, even if you’re not entirely sure what you’d use a fondue pot for other than satisfying your husband’s raging appetite.

Daily trips to the Western Ruins and The Narrows are a must. Eiland likes to check in on the Museum, having been contributing to its upkeep for a long time now. If you find him starting a special set of armor tucked away in the back of the main area, don’t mind him. He’s just reminiscing on old times with you.

Eiland takes very good care of his skin and hair, and if you let him he’ll pamper you every morning and night. He tends to lose his sense of personal space when he does this though...his face will be very close to you. If you lean in to steal a kiss, he’ll jump and laugh, cheeks growing warm as you smile at him.

When he spaces out, he’ll reach out for your hand and start fiddling with your wedding ring. You’d think he’d fiddle with his own, but he likes feeling your knuckles under the pads of his fingers. Eiland will slowly come back down to Mistria at some point, his eyes focusing on his fingers against your skin and your soft smile shining upon him like Lady Luck herself. Truly, he got so lucky.

[fluentmoviequoter]

A Home to Thrive In

Pairing: Tim Bradford x fem!neighbor!reader

Summary: You still live next door to Tim Bradford's mother, and when he visits for the first time in years, you have to decide if you're willing to let go of the idea of him you fell in love with.

Warnings: spoilers/rewrite for 4x09 "Breakdown", angst, arguments, discussion of past abuse, r is Tim's childhood friend, fluff and comfort

Word Count: 3.5k+ words

A/N: It's late. This may be terrible. I will reassess tomorrow.

Masterlist Directory | Tim Bradford Masterlist | Request Info

“Have you talked to Mom recently?” Genny asks. When Tim doesn’t answer, she sighs and murmurs, “Don’t know why I thought you would.”

“Isn’t it bad enough that you’re dragging me back into the Tom Bradford-centric world I’ve been trying to outrun since we were kids? Now you want me to tell Mom about everything that’s happened,” Tim argues. “I’m already working on a murder case that Dad hid for decades. I don’t need more family drama right now, Genny."

“She worries about you, Tim. Just wants to be part of your life again.”

Tim's phone rings, a saving grace, and he excuses himself as he pushes his chair away from the table and leaves his sister.

“Tim,” Lucy greets. “I brought Monica Ochoa back in.”

“The woman who was killed by the gun I found in my dad’s house. Why?”

“Because I knew there was more to her story. You- you couldn’t see past the version that you wanted to see.”

“What’d she say?”

“Your dad… Tim, Monica confessed.”

Tim hangs up on Lucy, walks directly past his sister while ignoring her questions, and gets in his truck to visit his dad. To see if he’ll tell the truth when he has no other choice or if he’s really the terrible man Tim thinks he is.

“You didn’t kill Frank,” Tim states.

Tom sighs before he counters, “Sure I did. Now, come on. Cuff me. Let’s just get this over with.”

“Monica confessed.”

“Leave her out of this.”

“Frank was beating her. She fought back. She shot him. She was terrified, so she ran to you. You came up with the burglary story, helped her stage the house, then you hid the gun in case the cops got too close, and you needed to frame someone else.”

“He was brutal, abusive,” Tom explains. “She deserves a medal for what she did.”

“He was abusive?” Tim repeats.

“What? You think I’m like him? I was nothing like Frank. I taught you what you needed to know, son. You’re a man now because of me.”

“No. I’m who I am in spite of you,” Tim replies. His dad doesn’t speak, and Tim nods as he adds, “Goodbye, Dad. I hope it hurts.”

In the hallway outside his dad’s room, Tim pulls his phone from his pocket and calls Grey.

“Bradford,” Wade greets as the call connects.

“I need to take some personal time,” Tim says instead of a salutation.

“Lord knows you’ve stashed up enough of it. Where are you going?”

“To see someone I should’ve visited a long time ago.”

“You did the right thing, Tim. Take your time and know we’re here for you when you get back.”

Tim ends the call, then texts his sister that he’s taking her advice. He hasn’t been home to his mom’s house in years, and he needs her, needs space from his family and his station, and needs to work through the events of the week on his own. Though he isn’t sure if he’s welcome or if his mother's new home will feel the same as it did fifteen years ago, Tim gets in his truck and drives toward the last place he felt at home.

Your evening walk is refreshing, and the sunset helps you focus on the beauty of the day as you wind down.

“Sweetheart!” your neighbor calls, waving from her porch.

“Mrs. Bradford,” you greet with a smile as you step onto her walkway. “How are you today?”

“Good, good. Talked to Genny earlier, she’s visiting Tim.”

You smile and nod, unwilling to touch the sensitive subject of Tim. Growing up with him, you saw the worst parts of his childhood, home life, and father, but that never added up to you. He ran away from his mother, from love and home just to outrun bad memories. A task you know to be impossible.

“How was your book?” you ask, moving away from Mrs. Bradford’s stressful family life. “Did you finish it last night?”

“I did. You were right, the twist at the end was a shock. I thought the vigilante did it!”

“Interesting,” you muse. “I was torn between him and the builder.”

Mrs. Bradford hums before her oven beeps.

“You take care of that,” you say as you wrap your arms over her shoulders in a quick hug. “We’ll talk about the book and start the sequel on Saturday?”

“Count on it. Have a good night!”

“You too!”

Headlights reflect off your front door as you push it open, but you don’t bother to turn around and see who it is. Two of your neighbors get home around this time, and there aren’t many visitors or tourists in your area. So, when you’re closing the curtains and notice an unfamiliar truck in Mrs. Bradford’s driveway, you decide to watch and ensure everything is okay.

“Tim!” Mrs. Bradford calls excitedly as the driver’s door opens. She rushes out and pulls him into a hug, and from the way he grips her and buries his face against her shoulder like he’s eight again, you know that this isn’t just a sorry I stopped calling, Mom visit. Something happened and that’s the only reason he’s home.

“Welcome home, Tim,” you whisper before you pull the curtains together and put the distance you’re used to back between you and Tim.

You kneel by your front door to tie your shoes. Then you untie them and loop the laces differently. Knowing that Tim Bradford is next door makes you hesitate to go outside. Yet, you don’t want to let him impact your life more than he already has. It wouldn’t be surprising to learn that his mother already told him about your downward spiral, how you fell apart when he left without so much as a word. As a kid, you fell in love with Tim Bradford, and you stayed in love with the idea of him in high school. Then, when he disappeared without a word or trace, and you only found out that he was a cop for the LAPD through his sister, you decided that the idea of him was as good as you would ever get.

“You can do this,” you tell yourself as you stand and lay your hand on the doorknob. “It’s just the man who has occupied your every thought for years. Just walk by.”

The magnitude of your mistake hits you in full force when you’re nearly past Mrs. Bradford’s fence. Tim says your name and your heart clenches at the realization that you remembered his voice so well. Years of hearing it in your dreams will preserve your memory like that.

“Tim,” you reply, swallowing as you face him. “I didn’t know you were coming home.”

“It wasn’t exactly the plan. Genny showed up and everything just kind of blew up in my face.”

Kind of like what you put me through, you think. Rather than saying it, you nod sympathetically.

“Did my mom… did she tell you about my dad?”

“Tim, your mom tells me a lot. But no one close to your mom has brought him up in years.”

“Wish my sister had gotten that message,” Tim scoffs.

“I hope you enjoy the time with your mom,” you interrupt. “But I’ve got to get going.”

“Right,” Tim agrees. “I’ll see you around.”

You nod but feel your chest tighten as you hope he’s wrong. Losing Tim Bradford again is not an option, so you refuse to let him closer than he needs to be.

“I didn’t know she moved with you, still lived next door,” Tim muses as his mother ushers him inside for breakfast.

“You don’t know much,” she points out, not unkindly but not untrue. “She knows more than you. I’ve told her everything Genny passed along. You were so close as kids.”

“Yeah,” Tim agrees before he trails off. He remembers being friends, but not the kind of friends that would ask about each other. “I don’t think she wants to talk to me.”

“Well, you can hardly blame her.”

“What does that mean?”

Tim’s mother looks at him and presses her lips together. He has her eyes, but he doesn’t have her understanding or the intuition about people she tried to instill in him when his father wasn’t trying to teach him to be a man.

“If you can’t see it, Tim, it’s too late to explain it. She’s coming over for lunch and our duet book club tomorrow. You have thirty hours to read the book if you want to participate.”

“Thank you for letting me come home, Mom.”

She lays her hand on Tim’s shoulder and promises, “You’re always welcome here, Timothy.”

You knock on Mrs. Bradford’s door while Tim’s truck is gone. With one of her signature ceramic loaf pans in your hands, filled with your favorite cookies, you wait for the door to open to return her dish and offer some goodies.

“Sorry to…” you begin as the door opens. “Oh, Tim. Sorry, your truck was gone so I assumed your mom would be here.”

“She borrowed my truck to do something that she refused to have help for. Come on in.”

Tim opens the door for you, and for reasons beyond your comprehension, you accept his invitation and walk inside. After you set the pan on the counter, you turn around to leave, but Tim is leaning against the table and watching you.

“Enjoying your time off?” you question, wringing your fingers together behind your back.

“I am. Especially after the last case I worked on,” Tim answers. “My mom hasn’t told me much about you.”

You hum and look at your feet as you reply, “Not much to tell.”

“She seems to tell you a lot.”

“Look, Tim, I’m just trying to respect your boundaries. She told me that your dad was involved in something, a murder, but it’s not my business.”

“Frank Ochoa,” Tim interjects.

You furrow your brows as you ask, “Monica’s husband? But that was a robbery.”

Tim tilts his head to the side as he says, “My dad admitted to killing him. He was protecting Monica.”

You pull your bottom lip between your teeth and nod.

“But you knew that, didn’t you?”

“What?”

Tim stands from the table, his crossed arms falling to his sides. “You knew something and didn’t tell anybody, didn’t you?”

“Tim, I-“

“Look, I’ve been lied to by too many people this week. You still have the same tell you did in elementary school. What did you know?”

You clench your jaw and step to the right to go around Tim, but he moves to block you, and rather than running into his chest, you retreat further into Mrs. Bradford’s kitchen.

“This case – the people there – have been lied to, we’ve been wrong, there’s been no justice for decades. And you’ve known something the whole time? How can you live with that?”

“How can I live with it?” you repeat incredulously. “How was I – a child, Tim – supposed to go to the police and tell them that I saw Frank beating Monica over and over? They wouldn’t have believed me!”

“You didn’t try!”

“Yes, I did!” you yell. Wiping the single tear that managed to escape in your memories of the only time you tried to help your neighbors, you lose some of your fight.

“Doesn’t seem like you tried very hard,” Tim adds under his breath.

You laugh once and shake your head. “I told the police your dad was beating you, Tim. You know what happened? They came and asked him about it. He denied everything. After they left, he took you out into the backyard and demanded to know who you told. So, see if you can wrap your cop brain about why I was scared to tell on someone else.”

“I didn’t know you-“

“You didn’t know anything, Tim.”

Tim scoffs and argues, “Oh and you know so much about who I am now because of what my sister tells my mom?”

“At least I talk to your mom, Tim,” you snap. Immediately, you regret it. “I’m sorry,” you offer.

“I couldn’t,” Tim defends.

“Did you try?”

Tim’s truck rumbles as his mother returns from the store, and you hold Tim’s stare until the engine shuts off.

“Can I leave now, or do you want to blame me for something else?”

Tim steps back and opens his mouth, but you storm past him before he can say anything else. You return to your house after you hug Mrs. Bradford and tell her about the cookies. The idea of Tim Bradford that you’ve clung to since childhood is growing fuzzy around the edges, and alone in your house, you cry over what he told you today, the mistakes you made, and the loss of the Tim you were born to love.

Someone knocks on your door the following morning, and you stare at it rather than walking toward it.

“Sweetheart, it’s me,” Mrs. Bradford calls.

With a sigh, you stand and invite her in, not caring if she notices your teary eyes or unusual attitude.

“I thought you might want someone to talk to. Somewhere away from my son,” she explains as she leads you to your dining table. “So, I brought food and company. Choose what you want.”

“It’s not just Tim,” you explain. “I mean… he was right, but it’s different.”

“Different than when you fell in love with him?” she guesses.

You look up at her, wide-eyed at her question. She smiles and gestures for you to continue.

“I’ve been dreaming about him coming back, thinking that we could pick up where we left off, but he’s nothing like what I remember.”

“Time will do that,” she soothes, taking your hand over the table.

“It didn’t do it to me.”

“Sweetheart… you didn’t let it. I love you, you know that, but you cling so tightly to the past, to the familiar, that you haven’t allowed yourself to adapt to the beauty of the growth and changes around you. Haven’t even let yourself show the woman you’ve become.”

You lick your lips before sniffling and asking, “What if I don’t like it?”

“But what if you thrive in it?”

Wiping the back of your free hand across your face, you clear your tears and nod. You know that Mrs. Bradford is right, but you also know that there will be pain in the beauty when you choose to move forward.

“Does he hate me?” you whisper.

“Timothy? I don’t think he could ever hate you.”

“He can sure blame me for a lot, though,” you point out with a wet laugh.

“Beating himself up over that at the moment, if you’re wondering. And, when you’re ready to talk to him, maybe you should try getting to know who he is today.”

You nod and pull a homemade candy from her special-made meal. “Thank you.”

“Anytime. Now, are we going to keep crying over silly boys or try to solve a murder mystery on a pioneer plantation?”

Dressed in your favorite outfit, you shift from foot to foot on Mrs. Bradford’s porch as you try to get your courage up. Just as you lift your hand to knock, a throat clears behind you. You spin around quickly, then release a breath and press your hand over your racing heart.

“You could have told me you were back there sooner,” you point out softly.

“I wanted to see where this was going,” Tim answers, closing his tailgate. “Listen, about the other day-“

You raise your hand to silence Tim and shake your hand. “I came over here to talk to you. About more than that. Do you maybe want to go somewhere to do that?”

Tim nods and opens the passenger door of his truck, offering his hand as he helps you in without a word. The drive to the local high school football field is quick but silent, and when you exit the truck and join Tim on the tailgate to watch the sunset, you take a shaky breath.

“I’m sorry you had to go through all of that with your dad, the house, Frank, all that,” you begin. “But I’m sorrier that I didn’t do more back then.”

Tim nods and says, “You were right. They wouldn’t have listened, or it would’ve spooked my dad and made everything worse.”

“I guess we’ll never know.” You look at Tim’s profile and ask, “Are you okay?”

“No,” he admits without hesitation. “My dad was protecting Monica. He never did anything to protect us, but his mistress – broke half a dozen laws for her.”

“I knew that, too,” you whisper. “My mom made me stop sitting by the door after that year, which was probably a good thing. Uhm, are they going to prosecute your dad?”

“No. Not on his death bad. But it doesn’t matter. He’ll get judged soon enough.”

You nod, your eyes still on Tim rather than the pink sunset before you. His eyes have teared up, and everything inside of you begs for you to just let go.

“Tim, you’re nothing like him. You know that, right?”

Tim nods a tiny movement that breaks your heart. This isn’t the Tim you remember, not the Tim from elementary school or the one who was punished for your ill-conceived attempt to help. Most importantly, you realize, this isn’t the Tim you’ve dreamed of loving. Tim Bradford, the man before you, is who you can love, want to love, and desperately, wholly, devastatingly need to love.

With a deep breath, you release everything you’ve been holding onto. Your grip on your dreams, on your memory of Tim and what you thought you wanted, and the moment that trapped you in your position of being terrified to do the wrong thing in your efforts to do good weakens, and you feel like a flower in bloom. Everything seems new, the possibilities are endless, and you’re a new person who isn’t afraid to do right, even when it terrifies you and carries the potential to break your heart.

“Tim,” you whisper.

He turns toward you, drawn by the tone in your voice, and blinks past his tears. You shift on his tailgate and raise your arms toward his shoulders. Tim leans forward and meets you halfway, pulling you into his lap as you collapse into a hug that heals the broken edges of who you are. With Tim’s arms against your back and waist, you feel more at home than ever, and he feels the same. His mother’s house was never the home he was returning to, but a pursuit for this feeling, right in your arms.

“I’m so sorry,” you murmur against his shoulder.

He shakes his head, tightening his grip on you, and this version of you - unafraid, complete in Tim Bradford’s arms - is ready to thrive. You won’t heal overnight; neither of you will, but it’s a start.

His phone buzzes in his pocket, and Tim laughs against your neck before he pulls back gently to retrieve his phone from his pocket.

“My mom,” he tells you. “If you haven’t kissed her yet, what are you waiting for? Another set of wrinkles?”

You fail to stop the laugh that escapes at Mrs. Bradford’s bluntness. Then, you realize how glad you are that he’s reading her text messages.

“Well?” you ask. “Should we kiss or wait for more wrinkles?”

Tim pushes a stray hair out of your face and promises, “None of it was your fault.”

You nod and thank him, then brush your thumbs against his cheeks. “Last time we were on a field together, it was raining. I also wanted you to kiss me then.”

“You never told me.”

“How was I supposed to tell you that, Tim?” you ask. “I… I was caught up in an idea of who we could be, and I was scared to ruin it by doing something new.”

“And now?”

Rather than asking for what you want, you take it as you lean forward and kiss Tim. One of his hands moves to the back of your neck, and the first raindrop feels suspiciously like a teardrop as it runs down your face and onto Tim’s. You laugh as you run toward the truck doors, thunder rumbling as a storm approaches from the west. In the truck with Tim, you find yourself face-to-face with a better version of the dream life you craved in Tim’s absence.

Bonus:

“Get inside, it’s going to start raining again!” Mrs. Bradford calls from the kitchen when she hears the door open. “Don’t need you catching a cold on your time off, Timothy.”

You press your lips together and smile at Tim, who is drenched after offering you his jacket to hold over your head in a poor attempt to stay somewhat dry.

“She’s going to mother you, too,” he points out.

“Hey, I’m used to it,” you reply. “Like it, even.”

“Oh, dear,” Mrs. Bradford murmurs as she appears in the doorway. “Go get dried off and change, Tim.”

After he disappears into his room, Mrs. Bradford offers you a towel and a change of clothes. She smiles as she leans in and says, “Flowers that thrive need plenty of rain to grow, you know.”

[redrose10]

Since spooky season is among us 7 or 8 would set those vibes 👀

Here is #7 from the picture game! I was hoping someone would request a spooky season one with this photo. It starts off pretty spooky but there is a lot of humor and stuff in there too. Also it’s kind of loosely based on that drama My Demon.

Warnings: Death, demons, small unwanted advancements, mention of hospitals and cancer

You looked around the room taking in the scenery as if it was all new to you even though you’d spent plenty of time there. Your grandma was a sweet woman. She really was, but sometimes you wondered what had happened in her life that caused her to become the way that she was now. She wasn’t always like this. Then one day she suddenly adorned her home with dozens and dozens of various crosses and pictures of the Virgin Mary. A bowl of Holy Water sat in each room. She recited prayers on the hour like her life depended on it. Even on her death bed it seemed to be the last thing she could think of. She held your hand as you studied her face trying to memorize every wrinkle and hair.

She hadn’t spoken in several days at this point. The nurses warned you to prepare for the end as it was near.

“Y/N”, she suddenly whispered with what little strength she had left.

Immediately you leaned forward, “I’m here grandma. I’m here. What do you need?”

“Y/N, I see him. I can see him. Do you?”

You looked around the room but it was only you and her. The nurse already having left for the night.

One of the pamphlets you read had talked about how hallucinations were common in the final stages of death. You remained quiet as your grandmother continued to mumble.

“Y/N, don’t make the same mistakes I have. I’m so sorry for what I did.”

You shook your head, “Grandma everyone makes mistakes. It’s okay. You did nothing wrong.”

“No Y/N. You don’t understand. If he ever comes to you, you run. You run away as fast as you can and don’t fall for his tricks.”

You were startled by her words but tried to remind yourself that the nurses told you this was normal and that it wasn’t really your grandmother talking any more.

“Y/N if you don’t remember anything I’ve ever taught you just please at least remember this. The Devil is real. And he's not a little red man with horns and a tail. He is beautiful. Because he's a fallen angel. And he’s here now Y/N. He’s here for me and I can’t avoid him any longer.”

She began to cry as her breath became even more ragged.

“Grandma it’s okay. It’s okay”, you said through tears trying to soothe her. You grabbed your phone to call the nurse hoping they could come administer some more sedatives or something. You hated seeing your grandmother cry in fear. But by the time the nurse picked up your grandmother had passed.

The nurse was at your door in no time. She helped you make the necessary phone calls and waited with you until the funeral home arrived. Once they were all gone and you were left alone sitting in your grandmothers room you stared at the now empty bed. The thought that your grandma’s last moments were filled with fear was more heartbreaking for you than anything else.

“Your grandmother was a good woman. I almost feel bad.”, a deep voice spoke behind you. You shrieked in fear jumping back against the wall.

“Who are you and how did you get in here?”, you screamed while frantically searching for your phone.

“Your grandmother just warned you about me. Were you not listening?”, he smirked.

You looked over this strange man who was standing in your grandmother’s bedroom. He had raven black hair and sleek cat like eyes. He was dressed in all black. His long cloak hanging lazily off of him. Skin without a single blemish. He looked like an angel.

“I’m sorry I’m still confused as to who you are and why you’re here.”, you said while slowly inching towards the door hoping you could make a run for it.

“Y/N, I’m here to collect what is mine.”

Your skin turned ice cold. Was he the man that your grandma had been seeing in her final moments? And how did he know your name?

The man let out an annoyed sigh before snapping his fingers teleporting you to an unknown location. The room was filled with thousands and thousands of clocks. All ticking away. The sound was overwhelming. Under each clock was a name plate. You gasped when you read the name under the clock directly in front of you.

Unlike the others your grandmothers clock wasn’t ticking any more and instead of being a beautiful gold color like the rest, it was gray.

“What is all this?”, you asked.

“Well I grant wishes.”

“Like a genie?”

“Yes…wait no not like a genie.”

“Well genies grant wishes so…”

“You humans really are insufferable.”, he scoffed before pinching the bridge of his nose, “As I was saying, I grant wishes for people in need. I come to them when they are the most vulnerable and in exchange for granting their wish they sign a contract stating that at the end of their life their soul will eternally be mine.”

You looked over this man trying to make sense of what he just said and why it involved your grandma.

“So what does this have to do with my grandmother?”

He grinned as he was happy to relive the moment, “Many many years ago I was at a hospital. It’s one of the easiest places to make a deal. People are willing to sign away their eternity if it means saving their loved ones or even extending their own time on earth. I came across your grandfather. He had just been diagnosed with terminal cancer, given less than three months to live. He was worried how your grandmother would be able to survive without him. She had a young child at home, only working part time at a bakery. He was desperate to make sure she was taken care of. Soooo I made him a deal. At his next doctors appointment he would be magically cured and then would live the rest of his life cancer free and when he died as an old man warm in his bed, his soul would be mine.”

You stared at him in disbelief.

He continued, “When your grandmother found out she was livid. She tracked me down and begged me to make a deal with her. At first I declined because I make the deals, not some measly human. But she was relentless. I kind of admired her honestly. Finally I gave in and made her a deal. Instead of taking her husbands soul I would get hers. She spent the rest of her life thinking that cheap porcelain crosses and holy water would save her. She paid her dues and now her soul is mine for eternity.”

Tears brimmed your eyes as you shook your head backing away from him, “You’re a monster.”

“Well they don’t call me the devil for nothing babe.”, he smirked.

Your grandmothers words repeated in your head. The devil can be beautiful and here he was standing in front of you looking as bewitching as ever.

“So what happens to the souls after you take them?”

“They’re used to fuel the livelihood of hell. Kind of like you would put gasoline in a car.”

You scoffed, “Okay and what happens when people stop making deals with you and you can’t collect any more souls?”

The devil let out a loud laugh, “That will never happen. Humans are far too selfish and weak. They will always be willing to make a deal if it benefits them in some way.”

You glared at him as hard as you could but deep down you knew he was right.

“Well it’s been a pleasure Y/N.”

“Wait! How do you know my name?”

“Babe, I know everyone and everything.”

And with that he snapped his fingers and you were back at your grandmothers and alone and confused.

Tonight was going to be a good night. You were showered and moisturized and ready to go out and have a great time. You had just exited your shower and was walking your way to the bedroom when you were greeted by a familiar voice.

“Give it back.”

You jumped in shock making sure your were completely covered with the towel.

“Excuse me! You can’t just enter into people’s homes like this.”, you spat, “I could’ve walked in here naked.”

“And I could’ve just walked into your shower and saw you naked myself if I wanted to but I didn’t. So now give it back!”, he demanded really not in the mood for anything right now.

“Give what back?

“My powers?”

“You’re pow- What?”, you’d said walking into the living room.

“Where are you going?”

“To call the police like I should’ve the first time.”

The devil lunged forward and grabbed your wrist pulling you against him, “Y/N, you really don’t want to do that.”

“You smell like cinnamon and vanilla.”, you whispered.

His brows furrowed, “What am I supposed to smell like?”

“I don’t know. Smoke with a touch of sulfur.”

“Seriously? Do you also think I should have horns and a pointy tail?”

“Actually ye-“

He shook his head, “Never mind that. You’re getting me off topic. Give me back my powers.”

“What powers? I don’t have any powers. Trust me because if I did you wouldn’t be here right now.”

He ran a hand through his somehow still perfectly styled hair, “Ever since I met you my powers have been all out of sorts. You are the only thing that was different from my normal routine. So what did you do to them?”

“Listen devil boy, I didn’t take your powers. And I really don’t appreciate you thinking you can just show up here whenever you want either. You made a deal with my grandparents, not me.”, you said poking your finger into his chest.

He looked at you somewhat shocked. No one had ever had the nerve to speak to him like that and he had to admit that he kind of liked it.

He straightened up his jacket before stepping away to give you some space, “Okay first off my name isn’t devil boy. You can call me Yoongi. Secondly if you didn’t take my powers then what happened to them?”

“How the hell am I supposed to know? Maybe you got fired or demoted or something.”

He snorted, “I am great at my job and I’m like literally the king of hell. Who’s gonna fire me?”

Rolling your eyes you grabbed your bag and started heading towards the door, “Look Yoongi I certainly don’t have your powers but if I come across them I’ll give you a call.”

You left him standing there alone and speechless.

“No thanks”, you said to the same guy for probably the 10th time. He didn’t seem to want to take no for an answer. “Hey I think I’m gonna get out of here and go home.”, you said to your friend. The noise and the people getting to be too much. She asked if you were okay by yourself which you were so you paid your tab and headed for the front door. As you waited for your ride a presence walked up next to you. Before you could react you were being dragged away down a dark alley next to the club.

“Since you didn’t want to play nice, now

I have to forcefully take it from you.”, said someone. You recognized the voice as the man who was insistent in the club earlier.

You whimpered while trying to break free of his grasp but he was significantly stronger than you were.

“Mmm you smell really nice.”, he said running his nose against your neck.

A loud bang rang through the air and smoke began to fill up the space around you. In an instant the man was thrown back against the opposite wall. Intimidatingly Yoongi stood next to you. He stared daggers at the man as he was picked up nearly twenty feet int he air before slammed back against the ground.

“If you ever even think about her again you’ll die instantly.”, Yoongi growled as he kneeled down next to the man.

He took the hint and hastily sprinted out of the alleyway somehow still in one piece.

“I thought you lost your powers?”, you questioned.

“Oh gee thanks for saving me Yoongi. That was really sexy of you. How can I ever repay you for that?”, he mocked in a high pitched voice.

You ran your tongue over your teeth before sighing, “Thank you for saving me Yoongi. That was really ANGELIC of you. I’ll repay you by getting out of your hair and going home.”

You tried to walk past him but he grabbed your wrist, “Not so fast Y/N. It seems like my powers are only strong enough when I’m near you.”

“Alright so what does that mean?”, you inquired.

He moved closer to you. So close you could feel the warmth of his breath on your cheek.

“It means that you and I are going to be spending a lot of time together.”, he smirked, “And I hope you’re ready for it babe.”

[therealcocoshady]

https://www.tumblr.com/therealcocoshady/761142596922982400/fun-fact-in-her-book-debbie-nelson-eminems

Coming to ask what is amy story now I need to know

Ok, so it's actually something Debbie Nelson (his mom) wrote about in her book (chapter 14). Basically, Eminem & Kim had an on and off relationship for years, breaking up before getting back together, before breaking up again... Apparently, at some point, he dated someone else. A girl named Amy, who was apparently very sweet and worked with him at Gilbert's Lodge. Apparently, it didn't prevent our man to keep seeing Kim and, eventually, she ended up pregnant. It seems like, after learning that Kim was expecting, he dumped Amy. Here is a screenshot of the passage :

Obviously, that whole book is to be taken with a grain of salt. It was written by his mother, in the midst of their legal feud. It does paint Kim in a very negative light and some passages scream "I am a boy mom and I have attachment issues with my son".

That being said, I do believe that Amy story to be plausible. And most importantly : it would make one hell of a fanfiction idea. Absolutely angsty and dramatic and, boy, do I love it already ! ❤️.

Picture this : it's the 90s, you're working at a restaurant and dating Marshall Mathers. You are very smitten with him and he makes you really happy. The two of you are very close and he confides a lot in you, about his family issues, the drama with his ex. He is trying to make it as a rapper and you supper him. You think he is the love of your life and that, one day, the two of you will make it. He promises that, when he makes it, he will marry you and take care of you, and you won't have to wait on tables and deal with rude customers ever again. But one day, out of the blue, he breaks up with you without so much as an explanation. You try to deal with the heartbreak until, weeks later, you see him with his ex, who is noticeably pregnant. Before he can offer an explanation or apology, you walk away, visibly heartbroken. You decide to leave town, determined to start fresh somewhere else. You make a life for yourself and so does he. Years after the breakup, you see him on TV, promoting his Slim Shady LP. You knew he'd make it. You always believed in him and you wish you could say you're happy for him but you're not. You're bitter over your first love, who took your virginity, cheated on you and broke your heart. For almost a decade, you try to escape him, changing channels and stations every time Eminem is mentioned. It's not ideal but you make it work. You almost manage to heal and forget about him. Almost. Until, one night, Marshall fucking Mathers knocks on your door.

What do you think ? Should I give it a go ?

[novella-november]

This isn't going to be another "you hate fanfiction!!" because very obviously you do not, but it is prompted by the discussion of branching out into original work, since it's something I often struggle with when trying to make that jump. Do you or any of your followers have any good resources on beginner worldbuilding? I really struggle with it.

Thank you!

If you check out my post where I made a "Prep Calendar" for Outline October (Which is a November-prep alternative/ supplement to Ominous October, the spooky short story event), I actually made a rather rough calendar outline of how to go about world building in advance for November;

The basic first steps for me are usually just three things:

Who are your characters

What kind of world do they live in (aka setting)

Whats your main plot/conflict?

To start worldbuilding at its lowest level, start with number one and work your way up; figure out what kind of character you'd like to write, where they live, and go from there!

Here is the prep calendar I threw together in MS paint, I definitely reccomend downloading it on desktop to actually zoom in to see what all it says lol.

And as a bonus, I will even make a fun, silly little exercise for anyone who'd like to get some practice in!

If you want to join in, grab a pen and pencil, or open up your favorite note-taking app :D

Here we go....!

Let's start out by saying that my basic concept for a character is *spins mental wheel of random ideas*....... a talking deer! 1) So now that I have decided that I want a talking deer character, now I have to decide: A) do *all*deer talk? B) Do *all* animals? C) Or is it just this one singular deer who is special? 2) If it *is* just this one singular deer who can talk, are they: D) otherwise a perfectly normal deer who just happens to be able to talk? E) Can they talk because they used to be human? F) Can they talk because they used to be an Alien or encountered Alien Tech (scifi) ? G) Can they talk because they used to be a Magical Creature or ran into a Magical Spell (fantasy) ? 3) Now you get to decide, mostly if you chose A or B from #1 but also useful for C : H) Is your story a more personal nature documentary, with realistic interactions between predators and prey? I) Is your story going to be a unique world where deer have built a society with technology and know how to defend themselves from predators? J) Is your story a unique world where all animals can talk and are equally sentient, therefore predators are revered as gods or keepers of the dead, who bring all back to the circle of life and prevent the spread of illness and disease, with older animals proudly going "to the wolves" to give their life to their brethren who consecrate the bones of the dead and keep resources plentiful? K) Or are predators the monsters in the dark, the teeth that bite, the slavering jaws that kill to live and *cannot live any other way*, so has learned not to regret? L) Or even, predators who feed from the already-dead when they can, and eat their fill of berries, nuts and fruits when they cannot, because they do not wish to take the lives of others for their own sake?

*clears throat* ahem. Drama done (can you see why I love worldbuilding) ,

go ahead and pick a letter from each of the above options, and jot them down on your paper or note-taking app.

You now have: A basic character, their backstory, and a basic setting!

From three-ish questions from a basic idea, you can spawn multiple possibilities, each of which can branch off into their own unique iterations!

Here's a few more, if you'd like to continue the exercise as further practice:

What is your deer's name?

What do they look like / what kind of deer are they? (deer of various species are found over almost the entire world, so there is tons of variety! :D )

What kind of world do they live in?

How do they interact with humans?

*are* there humans in your story?

What kind of zany or terrifying adventures would your talking deer and a human go on?

What kind of adventures would your talking deer go on with other deer or other animals?

How does your deer get along with other species?

Do they have friends from other species?

Do they have rivals from other species?

Do they have *sworn enemies* from other species?

Do they have a *love interest* from another species?

etc!

I am hoping this game/exercise is helpful, my brain being both autistic and ADHD means I am, at the drop of a hat, ready to start spouting more and more ideas sparked from a single concept at any given moment!

And yes, if you did this exercise, please feel free to use your deer character in a story, draw art of your deer character, etc!

If this exercise was helpful to you or fun, please feel free to tag any deer creations with "NovellaDeer" , I'd love to see them!

You can easily adapt this exercise to any story concept you need to worldbuild; pick what basic idea you have for a main character, and start asking yourself questions about them and their circumstances, and let yourself come up with multiple, contradicting answers for each question; the more the merrier!

After you've decided which starting answers you like the most, you can work your way down the list, asking follow-up questions, and before you know it you will have your very own original character :D

And do not feel like you need to keep your character exactly the way they start out as; characters evolve over time, and you may find yourself changing their "base" character to suit your story or to suit your tastes as you get more experienced with writing and world building!

[nitrateglow]

Spooky Season 2024: 12-22

Phantom of the Mall: Eric's Revenge (dir. Richard Friedman, 1989)

The opening of the new mall is hampered by one thing: a Phantom hiding in the air vents, and committing robbery and murder. It turns out this Phantom is really a teenager named Eric (Derek Rydall) disfigured in a fire set by the mall's developers to clear out any remaining houses impeding their dreams of commercial development. Now, Eric plans on having his revenge and watching over his girlfriend Melody (Kari Whitman), now an employee of the mall. But what will he make of her burgeoning romance with a journalist?

Talk about pure '80s cheese. This film feels like it was made to capitalize on the slasher cycle and the popularity of the Andrew Lloyd Weber Phantom of the Opera megamusical. It's not a particularly good movie, but it is dumb fun. I love how this Phantom makes free use of the goods available in the stores and how he spams his spin kick attack like he's in a video game.

Also, Pauly Shore is in this. He has a great scene talking about subliminal messaging in department stores, but is otherwise the usual Pauly Shore.

Hangover Square (dir. John Brahm, 1945)

Musician George Harvey Bone (Laird Cregar) is disturbed by long sessions in which he blacks out. He fears he may be committing murder, but is reassured by the police when he goes to them that isn't likely. Detective Dr. Allen Middleton (George Saunders) advises the overworked George take a break from composing. George does so by going to a pub where he meets the lovely Netta Longdon (Linda Darnell), a music hall entertainer who dreams of fame. George and Netta enter into a toxic relationship in which she uses him to advance her career while seeing other men on the side. When George discovers her treachery, his blackouts return-- this time in a far more violent form.

I'm starting to become fascinated by John Brahm, a director best remembered for his moody, macabre dramas in the 1940s. Hangover Square was his second and final collaboration with the talented but doomed Laird Cregar, who died two months before the film was released. It's as much a noir as a horror picture, drenched in that chiaroscuro lighting and urban dread so common to the classic cycle.

Cregar is astonishing in the lead role. Though handsome, he was a bigger man, so Hollywood refused to allow him to transition into leading man parts. He is marvelous here, passionate and sensitive, yet also sinister once his jealous rage takes over. I've seen Cregar in multiple films and he was truly fantastic, able to be comic as well as dramatic. Hollywood didn't deserve him.

Lastly, Linda Darnell's character sings this really catchy song when Cregar first sees her. I saw this film weeks ago but it is STILL STUCK IN MY HEAD.

The Sealed Room (dir. DW Griffith, 1909)

In some nondescript time period (everyone's dressed like it's either the early 18th century or the middle ages), a king (Arthur V. Johnson) learns his mistress (Marion Leonard) is smooching with a musician (Henry B. Walthall). Jealous to the point of rage, he has the couple sealed in a small room where they suffocate to death.

The Sealed Room is a gem from the nickelodeon era, though I admit my liking for it comes from how extra all the performances are, even by the standards of the early silent period.

It also has one of my favorite instances of what I like to call "silent film logic"-- that is, scenes featuring action that would be very loud in real life, but in a silent film, you may not think about it as much. Here, the king has the lovers walled up alive in a small room, where they lounge unaware. And yet, there's workers slapping up a brick wall not ten feet away from them! It's very amusing.

Frankenhooker (dir. Frank Henenlotter, 1990)

When his girlfriend Elizabeth (Patty Mullen) gets hacked to death by an automatic lawnmower he built, medical student Jeffrey (James Lorinz) decides to resurrect her by killing sex workers for their shapely body parts then sewing Elizabeth's severed head on top. He does this by having his victims smoke explosive crack.

No, I'm not making this up.

I first heard about Frankenhooker from James Rolfe of Angry Video Game Nerd fame. It sounded so insane that I knew I had to watch it. It's-- well, it's definitely a bizarre movie with lots of crude humor and pitch black jokes.

Would you believe me if I said it was kind of an unsung feminist work? I definitely did not expect THAT angle coming in, but that messaging is definitely there. Jeffrey is a villain-protagonist through and through, even before he starts committing murder. We learn he was already demanding Elizabeth modify her appearance to suit his tastes before she got killed. He views women as more a collection of body parts than proper people. However, his misogyny does catch up with him in the end and his fate at the resurrected Elizabeth's hands is the very definition of irony. I don't want to spoil it.

It's definitely not for everyone, but if you have a sick sense of humor and some friends that share that humor, you'll have a good time.

Friday the 13th: Part 2 (dir. Steve Miner, 1981)

A summer camp close to the infamous Camp Crystal Lake is about to open. Little do the young, horny counselors know, Jason (Warrington Gillette and Steve Daskewicz)-- the boy that allegedly drowned long ago-- is still alive and he's mad his mama got decapitated in the previous film. Lots of people die.

I confess I have a hard time getting into these Friday the 13th films. I've read it took a few entries for the series to find its footing as gloriously dumb schlock, but the first one and this sequel were mostly boring for me. About all I liked was the last twenty minutes, when the heroine's background in child psychology comes into play. Otherwise, this gets a big meh from me. Not horrible, but nothing I can imagine I'll ever rewatch.

Corridor of Mirrors (dir. Terence Young, 1948)

A party girl (Edana Romney) becomes involved with a Renaissance era-obessed artist (Eric Portman). Their fetishistic relationship leads to heartbreak and murder.

Already discussed this one is great detail at my Wordpress blog. It's a great romantic thriller in the vein of Vertigo and Rebecca.

The Old Dark House (dir. James Whale, 1932)

During a thunderstorm, a group of unwary British travelers are marooned at the crumbling mansion of the Femm family, a collection of eccentrics who may be insane. Everything goes wrong: the hulking butler gets drunk and preys on the women visitors, the area may flood, the lights go out, and there may be a homicidal maniac imprisoned in one of the rooms upstairs. Will anyone survive the night?

I have raved about this film for a long time now. It's truly a favorite of mine in general, not just for the Halloween season. Both witty and chilling, it's an atmospheric masterpiece. The damp and mold are palpable.

What fascinates me most is the Femm family itself and the gaps in their backstory. This is one movie where I feel like there's a Tolstoyan novel's worth of drama with the Femms. It's hinted that the 102-year-old patriarch of the house (played in drag by actress Elspeth Dudgeon) used to host orgies there. The death of the seductive sister Rebecca at the age of 21 may or may not have been due to inter-family foul play. Morgan the butler has a close, even weirdly tender relationship with the homicidally insane brother Saul, suggesting a myriad of possible connections between them. It's very interesting-- I like that the movie doesn't fill in all the blanks.

A Game of Death (dir. Robert Wise, 1945)

Don Rainsford (John Loder), big game hunter extraordinaire, finds himself shipwrecked on a mysterious island. The owner is Erich Kriegler (Edgar Barrier), an urbane German who also enjoys hunting, though with a slight difference-- he likes hunting humans. Teaming up with other shipwreck survivors Ellen (Audrey Long) and Robert (Russell Wade), Don tries finding a way to escape before they become Kriegler's next wall trophies.

This movie is a pallid, watered down, shot-for-shot remake of The Most Dangerous Game, one of the crown jewels of 1930s horror, so of course, I am not fond of it. And yet, I rewatch it every few years, so it must have something going for it. So instead of tearing into it as I normally do, I'll list a few things I think are actually good about it:

I like that the main character initially tries tricking Kriegler into thinking he will hunt people with him. Very pro-active.

I think Kriegler is a good villain. Not as memorably deranged and campy as Leslie Banks' Zaroff in the original film, but chilling in a more low-key way. His "the strong deserve to prey upon the weak" philosophy fits in nicely with Nazi ideologies-- no doubt what this wartime horror flick intended.

Um... I think Audrey Long is really pretty. I like her flow-y outfits.

... Yeah, that's it.

The Most Dangerous Game (dir. Ernest B. Schoedsack and Irving Pichel, 1932)

All-American big game hunter Bob Rainsford (Joel McCrea) is shipwrecked on the unlisted island of Count Zaroff (Leslie Banks), a Russian aristocrat and master sportsman who claims he now hunts "the most dangerous game" of all. Being a himbo, it takes Bob a while before he realizes that game is human beings. Unwilling to hunt alongside Zaroff when given the offer, Rainsford and fellow prisoner Eve Trowbridge (Fay Wray) wage a game with Zaroff: let loose into the island's thick jungle, if they survive the night without Zaroff or the terrain killing them, they'll go free. If not, Rainsford dies and Eve will become a rather different kind of quarry for the evil count.

Now, here's my favorite "hunter hunts people" movie! While "The Most Dangerous Game" has been adapted and ripped off multiple times for a century, the original is still hard to beat. The castle set drips with gothic grandeur. The jungle soundstage is thick and suffocating, and once the chase intensifies, it becomes like something out of a nightmare.

I actually think the climactic hunt is among the greatest sequences in all cinema. The editing is so dynamic and the images are brilliant. And when you consider this is still an early talkie, when films were still trying to rediscover their footing after silent cinema came to an end, it becomes even more remarkable.

Going on Letterboxd, I was shocked to find a lot of people on there have mixed to negative opinions about this movie, largely because they think it's too over the top and that it's messaging is too on the nose.

I mean-- yes, these things are true, but I don't see them as flaws. It probably helps that I love camp and melodrama, and am not ashamed to admit it. And regardless of the fervent camp on display, I still think the trophy room scene is creepy and the chase is super intense. I have probably seen this movie close to a hundred times and yet, the chase still has me shouting at the TV, willing the characters to run faster. That's damn fine filmmaking.

The Haunting (dir. Robert Wise, 1963)

A researcher of the paranormal brings a motley crew of ordinary people into the allegedly haunted Hill House. Both potential ghosts and the neuroses of the visitors bring on sinister events and ultimately tragedy.

I love this movie more and more. I already wrote a bit about my reaction this time around, though since then, I started rereading the source novel, Shirley Jackson's The Haunting of Hill House. Obviously, the book delves more deeply into Eleanor's psyche, but the film does a fantastic job of this as well. Given film is a visual medium, it can be a challenge to depict a character's interior state without delving into expressionism and this film does that well.

The Phantom of the Opera (dir. Terence Fisher, 1962)

Aspiring songstress Christine Charles (Heather Sears) and producer Harry Hunter (Edward de Souza) are drawn into a mystery at the London Opera House. A phantom is sabotaging any attempt to produce Joan of Arc: A Tragedy, a show allegedly written by the cold, snobby, rapey Lord Ambrose (Michael Gough). After some investigating, it turns out the Phantom (Herbert Lom) was once the meek-mannered Professor Petrie, whose music was stolen by Ambrose. Now, he wants only to see his opera done justice and only Christine's voice can make that happen.

I am very fond of this version of The Phantom of the Opera even though I think it has a myriad of dramatic flaws. Let's get the flaws out the way first. I think the film is a bit repetitive in retelling us Petrie's story over and over, at first through onscreen description and then through filmed depiction. I also think the ending is anti-climactic, like the writers didn't want to go the usual route of making the Phantom a homicidal maniac but they weren't sure how to make a properly dramatic finish without that characterization.

That out the way, this is a unique, even refreshing retelling in many ways. The Phantom/Christine relationship is no longer one of unrequited love-- in fact, Petrie seems wholly uninterested in romance or sex at all. He views Christine and himself as victims of the truly despicable Lord Ambrose: Petrie had his music stolen and Christine was sexually harrassed. Therefore, it is up to the two of them to wrest the opera back from Amrbose's influence and make it the production Petrie wanted. Petrie is one hard taskmaster. He is relentless in training Christine and at one point throws filthy sewer-water in her face when she faints.

But the Phantom is hardly an out and out villain here. He doesn't even kill people-- he has a convenient hunchbacked assistant to do that. No, the real baddie is Ambrose, among the nastiest villains in the Hammer canon. Ambrose never even kills anyone, yet he makes the blood boil with his wanton cruelty. Michael Gough (who I always remember best as Alfred in the Tim Burton Batman movies, as well as Batman Forever and Batman and Robin) is so good at being bad.

This version of POTO also has my favorite version of the Phantom's compositions. Usually, he writes a "burning" piece called Don Juan Triumphant, fitting his romantic obsession with Christine. Here, Petrie writes an opera about Joan of Arc, a virginal saint persecuted by powerful men-- a fitting subject for Petrie given his own persecution by an aristocrat. Joan's aria "I Hear Your Voice" is gorgeous and always brings me to tears, it's that beautiful.

Not a perfect film, but still a very good one.

[dramashii]

The romance is so good, it makes me want to believe in love again.

[icewindandboringhorror]

Some fantasy traveler inventory details (like what they would carry in their bags), based on two of the recent costumes I did.. love finding random little scraps and items and putting them together lol

[sangcreole]

.

[gilbirda]

watching house md in one go really makes you see when the writing went nosediving huh

[yohankang]

my daily routine: i'm extremely anxious for about 90% of the day and i feel like i can't do this anymore and then i get like. 1 hour of clarity (post-finishing a task) and i'm like okay maybe i'll get through this somehow. and then the horrors start again

[princema-k]

hey guys,

[princessmyriad]

.

[one-winged-dreams]

Wakes up in the middle of the night absolutely fucked up on three different sleep aids to rant about how people can not fucking put together the Final Fantasy VII + spinoffs lore and EVEN STILL try to vomit these useless opinions and what x character is the WORST and why y character is blah blah blah

ENOOOOOUGH

putting these supersoldiers on top of the fridge until y'all learn what a narrative is

[nikkento-writes]

Babysitter - Part 1

Pairing: dad!Toji x babysitter!reader

Rating: Explicit – MINORS DO NOT INTERACT

Word Count: ~1.7k

cw: age gap (reader is 21, Toji is in his 30s), language, cheating, smut – PIV sex (doggy style), breeding kink, daddy kink

Summary: You're hired to babysit little Megumi for the summer, but you end up taking care of his father, Toji, as well.

Author’s Notes: This is repost from my old blog! I initially got this as a request and it became my first Toji fic ever, and certainly not my last lol. I'm posting this again because I actually wrote a Part 2, check it out! Thanks for reading! Divider credit to @/fic-dumpster.

You stand in front of a quaint house, checking your watch for the time. It’s been almost ten minutes now since you knocked, no answer. You gave the number from the listing a call, still nothing. Rolling your eyes, you take a seat on the steps leading to the door, waiting.

It’s the summer before you head back to university for your senior year. In an attempt to make some extra cash, you took a job as a babysitter through local ads in the paper. The first two clients were completely normal; this one is already leaving a bad taste in your mouth. 

Fifteen minutes have passed. You try once more, pounding on the door with your fist as loud as you can. Heel turned, ready to leave, it suddenly swings open, revealing a muscular man with black hair, glaring at you. “What the fuck do you want?” 

You step back, startled by his intimidating presence. Stuttering, you answer, “I’m the babysitter.”

He continues to stare at you, eyes following your body up and down, studying it. “Babysitter?”

Before you can explain any further, you hear a car rolling into the driveway. A woman in professional attire steps out quickly. “I’m so sorry I’m late!” She rushes towards you, holding her hand out to shake yours. “We spoke on the phone. I got stuck in traffic, I’m so sorry.”

You smile at her. “It’s okay.”

She faces the man, expression switching from cheery to dreary in an instant. “Toji, where is Megumi?”

He scratches his head. “Huh?”

“Megumi. Our child.”

He sighs. “Right. Uh, I’ll go get him.” 

While he’s gone, the woman pulls you aside, speaking in a hushed voice. “That’s Toji, my husband and Megumi’s father. Unfortunately, he’s a complete deadbeat. That’s why I want to hire you. I started my new job and I need someone to take care of Megumi while I’m gone during the day.”

She swallows hard, blinking to fight off oncoming tears. “I have no one. I’ve been shunned by my family, my husband doesn’t give a shit about ours, and I’m all alone trying to give Megumi a good life. I know this is a lot to ask, but I’m desperate. This is just until I can save enough money to hire a full-time nanny.”

She grips onto your wrist with both her hands, begging for help. Truthfully, it’s a lot to unravel, more drama than you anticipated. But the anguish in her eyes tugs at your heartstrings. Plus, knowing it’s temporary doesn’t make it seem so difficult. How bad can it be? “Okay. I’ll do it.”

Relief washes over her. “Oh thank god. Thank you. Thank you. Let’s go inside and I can give you a tour.” She leads you through the entrance, removing her shoes as you follow her. “Oh, and one more thing.”

“Sure.”

“Toji is home most of the day, but he’s always couped up in his room, doing god knows what. Just leave a meal or two outside his door twice a day. That should be enough.”

“Huh?!” 

She glances at you with a nervous smile on her face. “Yeah. I told you, he’s good for nothing.”

You don’t respond while you maneuver through the house, barely paying attention while she shows you around. It almost sounds like you’ll be babysitting two children…

~~~

The first two weeks of your new job go by smoothly. Megumi is an adorable baby; he’s almost two-years-old with hair as black as his father’s. While he never really smiles, he doesn’t cry either, expression usually stern, unless he needs a diaper change. He’s self-sufficient, always immersed by his own toys until it’s time to eat. Overall, he’s easy. 

Toji, on the other hand, is another story. 

You follow his wife’s instructions, leaving two meals outside his door, breakfast and lunch. And this asshole has the audacity to critique it! The bread wasn’t toasted enough. The eggs were too runny. There wasn’t enough seasoning on the meat. All this criticism while each plate is licked clean, not a crumb to spot. He’s never even uttered a simple thank you. 

But what he lacks in social skills or personality, he makes up for in his physique. In between meals, he works out in the living room lifting weights, doing push-ups, sit-ups, and pull-ups at the frame of the door. It lasts for over an hour, and by the end of it, he’s shirtless, dripping with sweat. You’ve done everything in your power to avoid staring but it doesn’t prevent your mind from conjuring all types of lewd thoughts about him. You’re ashamed to admit that he is physically attractive, only because everything else about him is utter trash. Still, it doesn’t hurt to look, right?

On the third week, there’s a shift in energy between you two. When he isn’t working out or going out to meet with his sketchy friends, he’s usually couped up in his bedroom, ignoring you and Megumi. This morning, he actually joins you in the kitchen. You stare blankly at him, stunned by his sudden appearance. Megumi is unfazed by his father as he tries to pull your wrist towards him to get a spoonful of mushed up peas. 

When he catches you, Toji glares. “What?”

“Um, nothing. Just surprised to see you here.” You clear your throat, focusing back on the baby. 

He rolls his eyes. “This is my house. I can do whatever I want.”

“Yes, of course. Sir.”

For some reason, this triggers him. He stands up abruptly, stepping to you, leaning his face towards yours. The scar on the corner of his lip twitches when he gives you a wicked grin. “That’s right. I’m in charge here.”

You flinch from him, scared, maybe even slightly aroused. He’s intense, that’s for sure. But part of you finds it exhilarating to be in his presence. 

Megumi whines for more food, to which Toji grabs the utensil from your hands to start feeding him. “Damn kid, he’s hungry all the fucking time.”

You sit up in your seat, regaining your composure. “You shouldn’t curse in front of children.”

He faces you, chuckling. “Curse? Seriously? What are you, five?”

You cross your arms, answering, “I’m twenty-one.”

“Interesting.” There’s that naughty smirk again, as if he’s thinking something obscene in that twisted head of his. And while you should be turned off, you’re not. You squeeze your legs together, pussy throbbing between your thighs. And of course, he notices this. He must, because he leans forward, lips grazing your ear, whispering, “Come by my room whenever Megumi is taking his nap. That’s an order.”

~~~

This is bad. Very, very bad. 

You're supposed to be better than this. Clearly, you aren’t, because you’re currently getting railed by your employer’s husband while his child sleeps peacefully in the next room.

“Fuck, this pussy is tight,” he groans, pumping his thick cock in and out of you. You’re bent over the edge of the bed, his hips smacking against your ass as he thrusts into you. He’s got a tight grip on your hips, nails digging into your flesh, pounding away at your greedy pussy, absolutely drenched with arousal and lube. Your face is sticky with perspiration, pillow soaked with sweat and drool. It’s a fucking mess, but it doesn’t matter, because all you can think about is Toji fucking you until you’re seeing stars. Until your head is empty and nothing but his fat cock is occupying your thoughts.

“God, you’re squeezing me so fucking hard, princess. You gonna come again?”

You nod erratically, reaching your fingers to your clit. He smacks it away, doing it himself, his thumb flicking against your swollen bud. “Fucking come on my cock then. Make it nice and creamy for me, got it?”

His cock is buried deep inside you, hitting your sweet spot over and over until you unravel, gushing around him once more. You’ve lost count on how many orgasms you’ve had in this short amount of time. 

After your climax, he doesn’t pull out, fucking you even rougher. Your body is pliant around him, yielding to his every touch like putty. You’ve lost control of yourself, completely enraptured in the intense pleasure he surrounds you with. 

He leans forward, chest pressed to your back, lips brushed to your ear. “I’m gonna knock you up. Give Megumi a little brother or sister. Would you like that?” He’s crazy. Completely unhinged. Absolutely fucking psycho. 

“Fuck yes, I want that,” you moan. “Give it to me, daddy. Breed me.” 

And apparently, so are you. 

“Oh fuck yeah, take my fucking cum then,” he growls. The bed creaks violently below you, his backshots brutal and frantic now, cock desperate for release. “I’m gonna get you fucking pregnant. Make you mine.”

He shoots his hot load inside you, stuffing you full of his cum. He doesn’t stop until he’s fucked it deeper into your pussy, watching with that sexy look on his face as his creamy cum leaks out of your slit.

Lifting you up to lay comfortably on the bed, he rolls beside you, kissing you sloppily until Megumi’s whimpers blare through the baby monitor, indicating that he’s awake. Toji laughs, smacking your ass as you crawl over him to return to your real job. 

~~~

You spend the remainder of your summer employed at the Fushiguro household until you have to go back to school. You and Toji continue to fuck each other silly every day that you’re working. 

The day before you leave for college, you say your goodbyes to the family. Megumi’s mom, who remains blissfully unaware of your sins, hugs you tightly. “Thank you so much for all your help. I’ve finally saved enough money to afford a full-time nanny, so we’ll be fine.” 

“It was my pleasure. I had a lot of fun. With Megumi,” you clarify, avoiding Toji’s gaze as he watches from the kitchen. 

“Seriously. You’re a good person. I hope you know that.” She smiles, truly grateful. “And thank you for taking care of my good for nothing husband too.”

As the guilt of this dirty, filthy secret eats away at you, Toji stares at you from across the room, smirking.