#this is ONE movie not a franchise that has taken over the entire cultural landscape and perhaps irreparably damaged the film ecosystem

[shirkers2018dirsanditan]

barbie is greta gerwig’s redemption arc even if a lot of the people memeing barbie have no respect for her as a filmmaker and i’m happy and excited for that because i feel she’s been unfairly targeted by The Discourse. but one big thing that has bothered me more about the anti-barbie discourse is also the lack of respect for her as a filmmaker but it’s even worse because it punished her for having authorial intent while making a blockbuster based on existing IP, and trying to balance that as a filmmaker while adapting mattel’s very first live action barbie movie. nearly every review has noted that she was somewhat successful in this endeavor. but even if she wasn’t, she did what the generic male directors of male-led franchises rarely ever do, and in her very first blockbuster as well. whether or not it was intentional and whether one was even aware of it, a lot of the anti-barbie discourse was sexist, or became so quickly. and that’s not cool and is actually very annoying

[claraxbarton]

Probably literally no one wants to read this, but on the off chance anyone wants to CHOOSE to read my thoughts on fanworks in relation to traditional western culture and not merely be subjected to them via DM during an innocent (though angsty as all hell) convo on the parallels between Stucky and Destiel well, here’s 1700 words on it:

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Actually. And here’s the thing that works so damn well with both bucky/Steve and Dean/Cas is that there is no clear “damsel/hero” dichotomy that we see in classic heteronormative relationships.

But like.

The thing about fan fiction, and AO3 specifically, is that it primarily features homoerotic and homoromatic relationships between two cisgender white men. Yes that is changing- mostly thanks to the rise of KPOP (the surprise lord and savior of 2020) and Hulu and Netflix optioning East Asian movies and television series to spread those narratives. Which is an entire thing on its own because so many of those like- is it Untamed? Feature homosocial environments and thus- the point is. The landscape is changing and yay.

But AO3s success is largely predicated on two main ships: Stucky and Destiel. Yes there are others that are huge and continue to grow, but these are the two that I feel (with no data or research to support my assertion) helped AO3 take precedence over ffnet as THE site for fan work hosting.

Now, the contradictory thing about fan work, the thing that is so often described as hypocritical and/or fetishizing is that the majority feature two cisgender white men engaged in homoerotic and/or homoromantic relationships when the majority of the readers and creators of fan works are neither.

Data supports the supposition that most fan work creators and consumers identify as non-male. And in that subset the majority identify as female.

Simply based on generic population data, the correlation can be made (again no effort put into googling this because I have sewing to do) that the majority of this group is likely cisgendered heterosexual (white) women.

However, fan works and fan engagement are a proven community for fans who do not ascribe to the heteronormative gender binary or heterosexual and/or heteroromantic relationship structure and are, in fact, not just white. Again- imagine numbers that are factual because sewing.

Fandom is not unique to entertainment media. We can trace it back to, well, as long as we can trace it back. What are the Venus of Willendorf statues of not fanart? The Parthenon? Egyptian funereal pyramids and their contents? Renaissance art in general? Is the King James Bible not a “fix it” for the previously canonical literature (that’s a hot take don’t come for me.) (you could also consider the King James Version an attempt at song fic).

In more contemporary culture, we have sports fandoms- primarily male dominated. Primarily cisgendered heterosexual white male dominated.

The fandom culture of sports fans has been described as that of collectors and curators- they want memorabilia and statistics and gatekeeping actions often require proof of knowledge or commitment via possessions.

Meanwhile, entertainment media fandoms- such as those experiences on AO3- are more creative than curatorial. Instead of efforts to organize, delineate and create hierarchies within fandoms (yes this happens but is not the overriding force), these sorts of fandoms seek to create fanWORKS and fanCOMMUNITIES. Yes, fantasy sports leagues exist and so do sports teams fan communities. But I ask you, where in sports fandoms is there a GISH?Or an AO3?

The reality of contemporary western dominated culture (entertainment,sports,economic,political, artistic and philosophical) is one that features white cisgendered heterosexual men at the apex-

Both as creators and consumers despite prevailing realities in population and cultural zeitgeist.

As such, most western dominated fandoms are homosocial: dominated by one group, that of white cisgendered heterosexual men.

All that is to say, most star athletes are straight white dudes. Most movie stars are straight white dudes. Most politicians. Most wealth holders and distributors. Most creators.

Why? Because patriarchy. But the WHY isn’t the point of this long ass word vomit.

It’s the So What?

Sports fandoms are the territory of these same homosocial networks.

But media fandoms are the territory of those NOT at the top of that hierarchy.

While the CONTENT and the original content creators remain part of that homosocial white cisgendered heterosexual group, the consumers of media are largely NOT OF THAT GROUP despite what the content creators may desire or believe (see: the creatives behind supernatural and their ridiculous ability to convince themselves that their core demographic are straight white dudes 15-40).

As such, content that features the patriarchy is primarily heterosexual, heteronormative, racist (acutely or passively), misogynistic, homophobic, homosocial and, well, lacking.

Take, for example, MCU and Supernatural as franchises. Our main characters are primarily white dudes. White dudes who mostly interact with other white dudes, whose “tribes” (brethren, compatriots, coworkers) are also white dudes. Yes, smurfs exist- the token woman or non-white person. Sometimes even a queer person (gender or sexual, though very, very rarely gender queer).

The fact that whenever our “heroes” interact with anyone outside their tribe or homosocial group they are almost inevitably evil, dead or about to die is telling. How many women die in supernatural? How many people of color? How many villains in the MCU (and while the X-MEN franchise isn’t necessarily within the MCU because Hollywood, the queer coding within X-MEN is encyclopedic) are queer coded?

Now, I’ve said repeatedly that heterosexual and heteronormative relationships are the mean within such media. Our white dudes bang white ladies, love white ladies, but act like manly white men and don’t put romantic feelings ahead of things like patriotism and pain unless they have “earned” the right to such (a trial that often involves a lot of deaths that are never addressed or given recourse. See:endgame)

Bros before hoes is more or less the rule of western mainstream media.

As such, relationships that demonstrate respect, trust, vulnerability, compassion and resiliency are almost always homosocial: or they are between two bros (no homo) and not between a man and a woman.

You trust the guy at your back, not the woman because you 1. Want to bang her 2. She’s probably going to die 3. She’s a damsel 4. Seriously she’s probably going to die.

Which all means: most of the well developed characters and relationships within mainstream western media are homosocial- they exist between two members of the same group. In our case, those straight white bros (which of course within supernatural can sometimes be taken literally in the case of Wincest).

Which means, the consumers of this media- mostly not white straight cisgendered dudes- are left with content that doesn’t represent who they are or what they want or even can aspire to.

So what’s the solution? Collect data and memorabilia? Sure why not.

OR: use your beloved media, those well developed characters and relationships, to create something new.

Fan work.

We circle back, at last, to the idea that fan work creators and consumers can be hypocritical or contradictory by creating works that feature that which they are not- these white dudes in love (romantic, sexual) with each other.

This supposition suggests that creators and consumers are using the characters and situations in fan work as replacements for what they lack in heterosocial relationships- either in media or in their own lives. Or, put another way, fans replace either Bucky or Steve with themselves and image the other to be their “love” interest.

To an extent, this may be true. That both parties are usually written to have male genitalia while most fans do not is where so many of the hypocritical and fetishization issues come into play.

But the reality is, fans are working with what they are given. Most fans don’t have dicks. A generous portion of fans don’t want to engage with dicks is sexual ways (or engage in sex at all) (and it must be emphasized that the majority of works on AO3 are rated T not E).

But the value in reimagining, subtextualizing, or deconstructing the mostly platonically presented homosocial relationships in western media as homosexual or homoerotic or homoromantic is not (for the most part) about fetish or about placeholders and substitutions for the fan.

It is about creating fanwork that reflects the society a fan lives in or wishes to live in.

Just as the sports fan will go to a bar and paint themselves blue and deride the Yankees because they want to envision a society that upholds a white cisgendered male patriarchy, media fanWORKS are created because we do NOT have a society that values romantic or erotic relationships between equals (for in traditional western society the only equal to a white cisgendered man is another white dude).

So, at last, a return to Stucky and Destiel.

The relationships created in fanWORKS between these two aren’t simply those where one is the “‘man” in the relationship and the other is the “woman”.

Yes those fanWORKS exist.

But most utilize the strong bonds of trust and respect and vulnerability and dare I say shared experience to create romantic and erotic relationships that are both more complex and more realistic than those actually portrayed in the same media.

In Stucky, we see Steve save Bucky and Bucky save Steve. We see Bucky hurt Steve and Steve hurt Bucky. We see their positions as EQUALS as a means by which to create a world where fulfilling relationships can exist that do not automatically restrict one (or more) parties to that of “chattel”.

The same is true of Destiel.

And both relationships feature key similarities within the original media that make for such rich possibilities.

Castiel saves Dean from hell. Castiel is brainwashed by the patriarchy to view Dean as lesser and even to kill him (this happens multiple times).

While Steve saves Bucky from Azzano, it is Bucky who saved Steve for almost their entire lives before that point. And after that point the two go back and forth to save each other. And let us not forget that Bucky was ordered to kill Steve but “he knew me”.

Dean and Castiel go through a similar ping pong match of saving each other.

This isn’t just about being equal in strength- it’s about being equal in vulnerability.

Which, to belabor the point, doesn’t exist in mainstream media’s romantic or erotic relationships nor is it widely taught or reinforced in western culture as a whole.

In conclusion.

Stucky and Destiel can save the world.

But probably KPOP would do it better and faster and cooler.

—-

Totally feel free to engage with your own opinions. Because I have to go sew now but later? Later we should talk friends and foes.

[nightmareonfilmstreet]

The Shape of Waiting: 7 Guillermo Del Toro Films Stuck In Development Hell

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The Shape of Waiting: 7 Guillermo Del Toro Films Stuck In Development Hell

The Shape of Water, which finally gets its worldwide release this weekend, has already stolen the hearts of many. With near unanimous praise from critics, Guillermo Del Toro’s gothic romance is prime for a busy awards season. The Shape of Water leads the Golden Globes with 7 nominations, which is the icing on the cake of a year dominated by genre film. Taking home some hardware would be a much deserved cherry atop Del Toro’s incredible career, who is widely regarded as one of the most imaginative filmmakers working in Hollywood today. In the wake of his new film, there have been many articles chronicling Del Toro’s career and ranking his filmography. Instead of contributing another, we’re venturing into a world of what could have been.

Though Del Toro has a decent sized filmography, the list of films he’s almost created is three times as long. The Mexican director has a relentless work ethic and more ideas than he knows what to do with. He’s infamous for being attached to many projects whether it be via writing, producing, or directing. I’m sure we all wish Del Toro had the time and resources to make every film his heart desired but alas, some projects will never come to be. In the spirit of the holidays, let’s visit some of the ghosts of movies’ past. Here are 6 films that Guillermo Del Toro almost brought to life!

1. Hellboy 3

I have to get this one out of the way first because it hurts the most. Del Toro was already well known in the film community for The Devil’s Backbone, but it was Hellboy that brought him into the mainstream spotlight. Hellboy was a unique, gothic superhero film released towards the beginning of the comic book movie boom.. It was our first taste of Del Toro’s insane world-building abilities, blending fantasy with the paranormal. This world was then expanded upon in Hellboy 2: The Golden Army, elevating everything from the first. Del Toro imagined the franchise as a trilogy, but ran into trouble getting the third into production reportedly due to conflict over budget. But the franchise gained a strong fanbase, banding behind Del Toro and Ron Perlman. Back in January, GDT took to Twitter to see if the fans could help. Despite efforts from passionate fans, Del Toro later confirmed in February that film was 100% not going to happen. But, it didn’t take long for Lionsgate to announce a Hellboy reboot for 2019.

2. I Am Legend

We all know Guillermo Del Toro loves working with creatures and monsters, including his vampires of Blade 2 and The Strain. So to little surprise, Del Toro was approached to direct the zombie-vampire thriller I Am Legend by Will Smith himself. He expressed a lot of interest in the film, being a big fan of the Richard Matheson novel. Del Toro ultimately had to pass in favor of Hellboy 2: The Golden Army. There was a small silver lining though, GDT stated in an interview with TIME that his influence still made its way into the film:

Some of the notes about their biology actually came from me going to Warner Bros. to show them my ideas. I found it quite nice that visually the vampires in that movie had some passing similarity to those from my movie Blade II. The way they move, the fact that they all lose their hair and become these pale creatures.

3. Harry Potter and the Prisoner of Azkaban

blad

It’s a little hard to imagine Guillermo Del Toro working within an established franchise despite the fact that the Harry Potter is practically a gothic fairy tale centered around a school of children. That said, one word makes it easy to see why GDT almost directed Harry Potter and the Prisoner of Azkaban: Werewolves. But let’s be real, it would have been DOPE to see a practical effects werewolf (performed by long time-collaborator Doug Jones, maybe?) on screen rather than the mediocre CGI lycan we were given. Del Toro passed on the project to direct Hellboy and Alfonso Cuarón (Gravity, 2013) went on to direct the well-received Harry Potter film. So everything worked out in the end I guess.

4. Justice League Dark

Of all the movies on this list, Justice League Dark was the closest film GDT came to actually making. The film is currently in development hell, as many other directors such as Joseph Kahn (Detention, Bodied) have also dropped from the project. Del Toro was attached all the way back in 2012, with a penned script that was completed in 2014. For those who aren’t comic book nerds, Justice League Dark is a team of superheroes/antiheroes who deal with the darker paranormal threats of the DC universe. The team is comprised of: a dead guy, a demon, an occultist detective, a magician, and a character literally named Swamp Thing. Everything about the team and premise begs for Guillermo Del Toro to bring it to the big screen. A comic book movie seen through a horror lens with a unique story and killer effects could have been a game-changer. Del Toro was incredibly passionate about the material and we’ve already seen what he could do with dark superhero franchise. Unfortunately, due to scheduling conflicts with Pacific Rim 2 and the rise of the DCEU, Del Toro had to step away from the project.

5. Pinocchio

It’s been a grueling 10 years of development hell for Del Toro’s imagined stop-motion take on Pinocchio. And of course whats holding it back, as the case with a few other unrealized projects, is getting it financed. GDT is a true artist in the sense of the word, he won’t make something unless it’s exactly his vision. Del Toro’s dark take on the classic tale would would be a Frankenstein twist on the original fairy tale, utilizing a combination of stop-motion and live puppetry. Though ambitious, the heavily practical production would be expensive, with a proposed budget of aprox $32 million. All the pieces are in place from the script to the production team, we’ve seen promo art and even a short clip. All that’s missing is the money to make it happen. Hopefully The Shape of Water‘s box office performance makes the nice list this Christmas and we get one step closer to seeing the film brought to life.

6. The Wolverine

Fans really enjoyed James Mangold’s The Wolverine, but it’s hard not to think of what it would have looked like through Del Toro’s eyes. GDT has been connected to several superhero films over the years, including Thor and the above mentioned Justice League Dark, but this one fascinates me the most. In an interview with Collider, Del Toro revealed he actually sat down with Fox Executives and Hugh Jackman about directing the film. It would have been cool to see him take on a story set in Japan, as Del Toro often drenches his films in culture like Pan’s Labyrinth  or even Crimson Peak. Logan and Hellboy share a lot of similarities, so I could see why this was an attractive project to him. Two things I desperately wanted from The Wolverine was more body horror with Logan losing powers and a practical Silver Samurai. Had GDT taken on this project, perhaps I would have gotten my wish. Del Toro eventually passed the project along to Darren Arronofsky, who then passed it on to Mangold. How cool would it be too see each director’s different vision on the iconic character.

7. At the Mountains of Madness

Lastly is Guillermo Del Toro’s passion project, the classic H.P. Lovecraft novella At the Mountains of Madness. The story is a connected anthology of sorts, a professor recounts stories during an Antarctic expedition. Del Toro has been trying to get this movie for over a decade, with the project being cancelled in 2004 by Dreamworks and then again in 2012 when he refused to make it PG-13. The second time around came pretty close: the script was complete, James Cameron was on board to produce, and Tom Cruise was in talks for the lead role. The film was denied once again over funding and the creative differences in tone, but as of 2013 Del Toro has stated he would try one more time. The film sounds like a terrifying thriller and the story would be treated with the highest respect, Lovecraft is a clear influence in Del Toro’s work. Hopefully with his relentless passion, the film will eventually get made and see the light of day.

  There are plenty more unrealized or up-in-the-air projects in Del Toro’s catalog including Godzilla, Beauty and the Beast, and The Haunted Mansion. At one point, he was even offered the entire Dark Universe! The talented director can only do so much, but with a mind like his can you blame the world for wanting as many Del Toro movies as possible? Today’s film landscape is so saturated with reboots and remakes, every Guillermo Del Toro project is a breath of fresh air. It’s unfortunate we can’t get more unique and imaginative films like Pacific Rim or Pan’s Labyrinth. To heck with the Dark Universe and the DCEU, I’m putting the GDTEU (Guillermo Del Toro Extended Universe, working title) on my Christmas List. One thing is for sure, at least The Shape of Water isn’t a project on this list. Go and support the film so we can get even more from Del Toro, perhaps At the Mountains of Madness if we’re lucky.

Which Guillermo Del Toro dream project do you most want to see on the big screen? Let us know in the comments below!