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#this is heavily inspired by twd
nobodyproblematic · 10 months
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Jaylan TWD headcanons: (Telltale version)
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(Story plan in small details)
* Jacob was originally a high schooler finishing up his senior year before everything went to shit.
* Him and his family eventually drive to his grandparents farmhouse to keep hidden from the walkers, but that doesn’t last.
* Eventually a herd of walkers gather around the farmhouse and Jacob makes a run for it, leaving his family behind. (Cuz he’s a pussy lmao.)
* While running through the woods, he eventually spots a walker that isn’t like the others.
* Just as he’s about to stab it, the “walker” grabs Jacob’s arm and glares at him.
* Turns out, the supposed walker is actually a young man by the name of Dylan.
* Dylan nearly bashes Jacob’s head in after he manages to disarm him. Not because he thought Jacob was a threat but because he was wearing basketball shorts in the middle of October and Dylan saw that as a crime itself.
* Dylan eventually takes off his walker mask to reveal his face to the other, which makes Jacob feel MANY things at once.
* Dylan originally wanted to ditch Jacob since he thought he’d be a liability.
* He ends up putting up with Jacob’s shenanigans until he grows close to him.
* He also tries to teach Jacob how to distract walkers instead of killing them.
* After a while, Dylan eventually opens up to Jacob about once being apart of the group called the Whisperers.
* The day Jacob finds out that Dylan is gay is when Dylan accidentally calls Jacob Ryan.
* He then explains that Ryan was a late boyfriend of his, one that he had to kill due to him getting bit.
* Jacob shows some sympathy and begins to see Dylan in a new lighting.
(Tinier details)
* Dylan hates how he looks without his walker mask on, and therefore is rarely seen without it. Only Jacob is allowed to see his face.
* Since Jacob was isolated inside a farm house for a while, Dylan has to teach him how to survive properly.
* Dylan doesn’t like talking about his past when he was with the Whisperers, not even with Jacob.
* Dylan frowns upon how Jacob dresses, and always points out that he looks like a wannabe athlete that’s out of touch with reality. Jacob never listens though.
* Dylan has taken Jacob’s cap a couple of times, just to see how it looks on him. He ends up growing quite attached to it and usually steals it when Jacob is sleeping.
* Jacob at one point begs for Dylan to make him a walker mask, similar to the one Dylan carries around/wears. Dylan eventually caves in and makes him one.
(Sleeping habits)
* One of them is always wrapped around the other.
* Jacob keeps his arms wrapped around Dylan firmly at all times whenever it’s his turn to take watch.
* Dylan is far more gentle with the cuddling whenever he’s on watch duty. He usually nuzzles his face against Jacob’s hair whenever he grows tired.
* They’re obviously both touch starved so neither of them care about how close they get during the night.
* “Jacob, let go of me I can barely breathe.”
* “Mm, don’t care. Nighty night.”
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r6eduss · 8 days
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I really wish you’d make up your mind.
•Summary: Daryl comes over for a smoke, who knew things would get so deep? (Fem reader)
•Warnings: 18+, Drug use, a teeny tiny bit suggestive but no smut, mentions of abuse, Stoner!Reader, Angst.
•Word Count: 2.3k.
•Setting: The Commonwealth
•A/N: Heavily inspired by Kimdracula by deftones. I have always thought Daryl is deathly afraid of labels on relationships, so here’s me implementing that into my writing. I love writing for the commonwealth era also let’s also pretend deftones lines up with twd timeline 🫢
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Tension.
Tension was always the main thing between you and Daryl. For the longest time since the farm, you two have had something—something that can’t be explained by just simple words.
The both of you have kissed before, but for some reason never have said anything of it. Most people thought you two were a couple, but you don’t know what you two are. one thing for sure, is that you love each other. Platonic or not, you both have always stuck out for each other and world knows Daryl would fight to the ends of the earth to keep you and the rest of his family alive and safe.
Though right now, you haven’t seen much of Daryl, and that’s surprising considering he was your neighbor. Everyone from Alexandria have still been settling in, and he’s been incredibly busy, so have you with your new job settlement.
Suddenly being employed in the apocalypse definitely left you stoked, but you kind of enjoyed it unlike Daryl and the others. It was a bittersweet feeling, left you thinking maybe the world still does have a chance.
With some of the hard earned money that you managed to work up, you decided to head to town looking for music. It’s always been a huge comfort for you, helping you overcome challenges you had to face even before the fall, and you hoped maybe they had some of your favorite albums. Your eyes were set on the storefront at the end of the block, and you soon approached. A sign hung above it, faded but clear. “The Record Shop” and a faint sound of music leaked through the door. On entering, hearing the door chime you’re greeted with a familiar face.
“Welcome!- Oh shit hey!” It was Princess’ shift today, and honestly it was rather refreshing to see her face, you haven’t seen really anybody else you had known.
Looking around for a moment, you take in the decorations. You soon face Princess, giving her a warm smile.
“Hey! How have you been?”
“It’s been great! It’s been great.. How about you?” She responded, excited to be speaking with you.
“I’ve been good! I’m glad things are going well for you Princess.” You were kind of lying, things weren’t really good for you.. it’s been hard adjusting to this kind of life, you’ve always felt as if the apocalypse saved you in a way.
“I’m happy for you dude! Well did you come here to buy something?”
“Yeah actually, do you guys have deftones?” You were hoping to god they did. You were in such a need to listen to your favorite album, and the last time you did was years ago.
You can see her lips curve into a small smirk, as she points to the left. “Yep! All the way to the last aisle on the left.”
You’ve never felt as happy as you felt now.
“Thanks!” You quickly pick up your feet, rushing to the aisle that Princess pointed to. Upon arrival, you quickly scan the area in attempts to find your favorite album “Saturday Night Wrist”.
All you could spot was Around the Fur and White pony as you sifted through the records, fingers brushing against the glossy covers, the album you were looking for nowhere in sight. To be honest, you were a little disappointed, until you spot that beautiful untouched record hidden behind one of the Metallica covers right next to the ones you were looking through. It was very obviously the last one in stock.
You bit your lip while smirking in happiness, grabbing the album and basking in it, the cover still haunting and beautiful just as you remembered. After about 30 seconds of reminiscing, you head to the checkout where Princess was.
“That all?”
“Yep!”
“That’s 30!”
You hand her a 20 and a 10, and she proceeds to print out your receipt. “It was so good seeing you! And hey, don’t be a stranger!” She hands you what you came there for, and waves you off with a grin. You politely tell her goodnight and make your way to your apartment.
A few days ago you had asked Daryl and Judith if you could borrow that record player he had bought for her, since you were planning on buying some music. Of course they agreed, so you knew exactly what you were doing when you got home.
Just as you got to your destination, you spotted Daryl walking up to his own apartment, quickly taking notice of you. “Hey Daryl.” You already felt a bit tense, Daryl looked incredibly exhausted.
“Hey.”
Well this was kind of awkward, you greeted him but didn’t really know how to continue the conversation, until an idea sprang through you. “I uh, finally bought some music. Wanna join me in listening and have a smoke?” He seems like he could use a get away, and you have just the remedies to relax him.
You watched as he looks down at the floor, biting the inside of his lip before responding while slightly nodding his head. “Yea, Yea sure. Ya stayin’ up?” He started to swirl his thumbs together, you always thought it was really cute when he did that.
“Yeah, for a bit. C’mon I’m so excited to unwrap this.” You used your key to unlock your apartment door and enter, leaving the door open for Daryl as he quickly proceeds behind you.
He closes the door behind you both, locking it and following you to your room. It was dimly lit, bathed in the soft glow of candles around. “Hold this.” You hand Daryl the vinyl, before walking over to your drawer, pulling out rolling paper, an herb grinder, a lighter, and some weed. “Sorry, give me a second to do this, then we can put the album on the record player.” He nods, and goes to sit down on the corner of your neatly folded bed.
You go about crushing the marijuana, feeling the uncomfortableness of the situation seep into you. You and Daryl haven’t seen each other in weeks, now all of a sudden you invited him in for a smoke?
The silence starts becoming painfully sharp, so you begin at your poor attempts at starting conversation. “So how have you been settling in?” He looks up, staring at your figure then at your face, watching your movements as you proceed to add the cannabis onto the rolling paper. “I’ve been ‘Ight.” Wow. Was he normally this bland?
“Hm, that’s good. How are the kids?” Please Daryl, give a response that you can actually open a conversation to.. “They been good. Judith is doin’ better than her whole class.”
Finally, something worth answering. Your heart warms up for a moment, remembering that the kids are finally getting a real experience of what school is. You and Daryl are both incredibly thankful that the children are going to have a chance at a semi normal childhood.
“I’m not surprised at all.. Judith is so smart.” You finished up rolling the joint, sealing it with a lick. You turn to face the man you’ve grown to love, passing it to him while taking the record out of his hands, pulling out the vinyl from its frame and heading to where the record player is. This entire situation has got you feeling excited, being able to finally listen to one thing you missed before the dead rose, and doing it with your favorite person. You carefully place it onto the record player, moving the tonearm and playing it.
The first song that played was Hole in the Earth, and it gave you a type of skin crawling sensation that you just couldn’t explain.
Turning to Daryl, you take back the joint and light it. If you weren’t so focused on what you were doing, you would’ve noticed how he was staring at you, admiring everything you were doing, noticing how you felt when the music started playing, and being so entranced with how your hips swayed.
You took your first hit, soon after passing it to Daryl so he can also take a draw. He grabs the joint but he doesn’t bring it to his lips right away. He keeps his gaze on your face, looking you over before taking a deep inhale. He lets the smoke slowly spill from his mouth, while carefully making sure to blow it away from you. He passes it back to you, still maintaining eye contact. The tension was overbearing, and by the way he was looking at you, it was almost impossible not to feel flutters in your stomach.
The slow, moody guitar riff filling the space between you both accompanied with the scent of burning sage lingering in the air mixing with the sharp tang of weed, was making the tension rise all the more. You took a slow drag from the joint, eyes never leaving his, exhaling lazily and letting the smoke swirl between the two of you.
“You okay?” You ask, your voice light and teasing, catching the twitch of nerves in him. Daryl gave a small grunt, nodding and shifting his weight, his gaze flickering between your lips and the joint. He wasn’t used to moments like this—quiet, intimate.
You smiled gently, a little sly, while slowly leaning closer, feeling buzzed while the drug does its job. “Wanna shotgun it?”
Daryl swallowed hard. He wasn’t expecting something so bold, it’s not like you. But the idea of your lips so close, sharing the smoke between you, sent a ripple of emotion through him. So he gave you a nod, wanting more of this confident side of you.
You took another slow hit, eyes smoldering as you leaned in, lips barely parting. “Come here.” You whispered.
Daryl hesitated for a fraction of a second before leaning forward, feeling the heat of your breath as you exhaled into his mouth, smoke filling his lungs. All he could focus on was how close you were, the smell of your hair, and how beautiful you looked.
Before either of you could stop, the moment stretched, and your lips hovered near his. There was a beat, then two, before instinct took over. You closed the gap, pressing your mouth softly against his. Daryl was left caught off guard, still kissing you back.
The music throbbed around you as the kiss deepened, a mixture of nerves and heat rising. The joint, forgotten and placed onto the ashtray as Daryl’s hand found its way on your back, pulling you closer.
The kiss lingered longer than either of you expected. Your lips were soft and tasted of marijuana. He found himself sinking into the warmth of the moment, the aroma that had been hanging between you dissolving into something he wasn’t sure how to handle. His hands, rough and scarred, tightened around your waist, but there was a gentleness in the way he held you that surprised even him.
You kissed him slowly, as if you had all the time in the world, and Daryl could feel something stir inside him, something unfamiliar, almost unsettling. It wasn’t the impulsive thrill of survival, or the adrenaline of his attempts to protect himself from his father, it was something softer. Something he hadn’t felt in a long time, if ever. His mind was racing, trying to make sense of the warmth spreading through his chest, the vulnerability.
You pulled back just a little, breath still warm on his lips, and your forehead resting lightly against his. You smiled, eyes searching his to try and figure him out.
Suddenly, it hit him.
He wasn’t used to this, wasn’t built for it. The closeness, the intimacy, the unspoken understanding in the way you looked at him. He was a man of instinct, not one for quiet moments that left him raw and uncertain. He wasn’t sure what he expected when your lips first met, but this— whatever this was, was way more than he could handle.
Daryl blinked, pulling back a few inches, breaking the connection between you. His hand, still on your waist, fell away, as if it had become too heavy to hold them there any longer.
“I— I cant.” He muttered, the words rough, barely forming in his throat. He stood up abruptly, moving his wavy locs from his face, stepping back as if the space between you could somehow shield him from the feelings creeping up inside him.
You looked up at him, confused. “What are we Daryl?” He can’t just kiss you then walk away? What was this?
“I don’t know.” He responded low, looking at the ground, anywhere but your face. You could hear your favorite song begin to play on the record player, this is not how you would’ve wanted to enjoy it for the first time in years.
“I should get goin’” he mumbled, already heading for the door.
You didn’t stop him, instead, feeling the tears swell up in your eyes, you responded with a simple “okay”.
He paused at the door, his hand resting at the handle. He could hear the sadness in your voice, but he didn’t look back. He couldn’t. If he did, he might see something in your eyes that would make it even harder to walk away.
“I’ll see ya ‘round,” he muttered, before leaving your room and heading for your front door, exiting your apartment. You began to cry, feeling confused and angry, sitting alone in your room listening to your song, comforting you, just like it did before the fall. As Daryl was still processing it all, the night air hit him, clearing his mind a bit but not enough to shake this unfamiliar weight in his chest.
He wasn’t sure what had just happened, all he knew was that it was too much, too real, and it scared him. He wasn’t the type to let anyone in, and yet, in that small dim lit room, he had felt something that had shook him to his core.
But for now, he pushed it down, like he always did, and walked away.
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@vampiresluv
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slasher-male-wife · 9 months
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TWD characters when you tell them about your assault
This is heavily inspired by the post @slasherhaven that they made awhile ago. I've been hyperfixated on TWD lately and I'm still in the middle of watching it, I'm early in season 9 so sorry if these are kind of OOC. Also I am now writing for Maggie and Glenn.
Rick Grimes, Daryl Dixon, Glenn Rhee, and Maggie Rhee
Warnings: Mentions of past sexual assault no explicit details mentioned, murder, canon typical violence, talk of getting killed by walkers, slight season three spoilers
Rick Grimes
When you tell him about what happened to you his heart breaks and he's immediately filled with rage. He doesn't want to leave you alone after you're so open and vulnerable with him about this but he genuinely has to step away to calm himself down about this.
Once he's calmed himself down he'll be quickly back to help comfort you about what happened. Holding you close and letting you vent as much as you need to. Now that he's here he's going to protect you as much as he can and no one is going to hurt you again.
When you give him information on the person who did it to you he thinks not much of it for the time being but when he runs into the piece of filth that hurt you he's seething. But he'll put on a mask until he can really get close enough to get them back.
He's not going to waste a bullet on this sick son of a bitch. He'll made it slow and painful. He'll beat them bloody and make sure they're eaten by walkers before they die.
Then he'll go back home to you and make sure that you're comforted and know that you're deeply loved and appreciated by him. He'll never tell you that he killed them, but he'll always let you know that they can't hurt you anymore.
Daryl Dixon
He's not exactly sure how to go about helping you when you tell him about your assault. Of course he's upset, he's very outraged, but he's not very in tune with his emotions and obviously he's not going to really know how to handle regulating his emotions and help you.
In a rare moment of vulnerability he'll hold you close to him and let you cry out your feelings. He won't say or do much other than hold you close and promise you that no one is ever going to hurt you again.
You gave him details about your assault but he never actually expected to come across that person, especially given the fact that it's the apocalypse. But when he sees the person that hurt you his immediate reaction is to try and kill them.
But he settles on beating them close to death and berating them the entire time about how much of an awful person they are and just how much they deserve what's happening to them. After beating them close to death he'll leave them there and hope that a walker eats them alive.
Just like with Rick he'll get back home and go to give you a hug, which is rare with Daryl. He'll hover close to you for the rest of the day and will be sure to try and show you just how much he cares about you in his own way. He'll also never tell you what he did, he'll just tell you there's no way in hell they can hurt someone ever again.
Glenn Rhee
He's 100% pulling you into a hug when you tell him about what happened to you. He'll be silent the entire time unless you want him to comfort you verbally which he will do if that's what you need to happen.
He'll spend the rest of the day taking care of you and trying to keep your load relatively light. He'll be close to you for the rest of the day and try to make sure that you're not beating yourself up for what happened to you.
When he finds out he knows the person who assaulted you he's livid. He takes them out to a secluded area and threatens them after beating them for a bit. He swears if they ever come near you again he'll kill them.
He personally watches or makes sure that they're long gone before the comes back home to you where he assures you they'll never hurt you ever again. He won't give details but he'll keep assuring you that they'll never hurt you again.
Maggie Rhee
When you explain your assault to her she's heartbroken, immediately pulling you into a hug and holding you there for as long as you need to be held.
If she feels like it could help you she'll talk about her own experience with what happened with The Governor. She'll appreciate how vulnerable you're being with her and she'll feel like she can be vulnerable with someone again.
If she ever comes across the person who hurt you she's going to be overcome with rage and will have to calm herself down to get him back to Hilltop and keep him there while she talks to you about what you want to do about them.
If you want them dead she's happy to help you with killing them, however you want to kill them she'll help, unless you want to do it yourself. She wants to get you justice and if killing them is justice to you then go ahead.
If you don't want them dead she understands that but she'll eventually to it herself. She can't stand the idea of the person who hurt you so horribly being able to go unpunished for what they did to you. Either way after what happens she's going to comfort you again.
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connorsblog · 3 months
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˙✧˖° YOU'LL BE OKAY 📷 ༘ ⋆。 ˚
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a/n: im currently still working on the spencer fic but i need to rewatch the last half of season 12 to refresh my memory! until then enjoy this :) (also ignore how my format will change a bit here and there, im experimenting with it!)
pairing: rosita espinosa x reader + maggie rhee x reader if you squint !!
warnings: dont read if you havent reached 11x24! spoiler warning. but basic twd gore warning, cussing, character death, etc
loosely inspired by lil jeep by lil peep (specifically the "i'm dyin', i dont think that my bitch know" part)
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me, eugene, gabriel, and rosita finally made it home. it had been one hell of a day — fighting off walkers and the mental strain for rosita of almost losing her kid.
all of us had huddled in the apartment, judith's shoulder in a sling. she'll be fine, though. she's one hell of a damn fighter.
my eyes caught rosita whispering to gabriel about something. he looked crushed — and that didn't occur very often anymore, especially after he hardened over the years.
i decided after a few moments to head over there myself. to my surprise, they didn't stop talking as i made my way over there.
rosita just looked... upset. but light, as well. her face was calm but if you looked deep enough — you'd see her thoughts churning behind her eyes like the rough, dark sea.
"hey," she finally pulled her face away from gabriels ear, his face lightening up but you could see it behind his eyes — something went wrong.
"what's goin' on?" i got straight to the point. i didn't want to twiddle my damn thumbs while something may be happening.
"uh," she pressed her lips together as she began, her demeanor seemed to shake.
she leaned towards me — her scent as intoxicating as it always has been. her soft tone reached my ears, the words slipping my mind until she pulled away.
"you're bit?" i whispered, and my heart seemed to jumpstart itself, pounding annoyingly against my ribcage.
"you'll be okay, you know?" she whispered, her voice cracking so subtly i almost didnt notice it.
"i won't, ro. you know that." this time my voice cracked, tears threatening to spill like the overflowing, hot magma of a volcano — it was hard to hold them back.
she stayed silent this time, moving her hand towards mine. her grey sweater cuff brushed against my skin, tickling me so much i would've laughed if it had been any other day.
i breathed in heavily, my chest expanding so much i thought my heart'd explode any second. it was still pounding unrelentlessly against my ribs, taking my breath away as it did so.
"i love you, ro." i swallowed thickly, pressing her soft hand against my face as my tears threatened to burst once again.
"i love you," she whispered like it was a forbidden phrase, something i'd never not grin about. no matter the day.
like i had predicted — my lips stretched into a small smile, the skin cracking painfully. i didn't wince, though, i had just avoided thinking about any other pain.
after a few minutes of tricking my brain, everything except rosita's presence was a simple background lull, like an old fridge motor, no matter how annoying it got you'd get used to it whether you desired it or not.
the other's chatter had died down slowly, everyone beginning to get tired from the day we all had. judith and daryl looked the most drained, second to connie, magna, and yumiko.
wait, where the hell was luke?
i hadn't known him entirely well, but he made judith laugh. as well as michonne, which had always been difficult to do especially after rick.
rosita's thumb rubbing against my hand snapped my attention back to her, her dark eyes staring at me insistently.
"yeah?" i mumbled, wondering if she had anything else to add to the pile of shit from today.
"nothin' was just wondering where you went," she leaned her chin on my shoulder, her scent filling my nostrils with such strong warmth. i felt safe with her, like always. there was never a moment where i hadn't felt safe around her presence.
"jus' thinking," i wanted to urge her to come closer into my arms, i wanted her beating heart against mine until it couldnt beat any longer. i wanted her against me until i couldn't think of anything else except her.
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after about an hour of me and rosita just talking, her head seemed to become a bit limp. she was dying, but i didn't want to believe that. my brain worked on a way to convince itself she'll just be gone, but not dead. it worked like cogs in a machine but nothing worked.
me and maggie had decided to get her into the bed, watching her chest rise and fall much easier now that she didn't have to hold her body up.
i sat in a plush chair next to the bed, my legs dangling off the arm as i tried to get comfortable. i couldn't, though, my body failing to feel any comfort unless i was in rositas arms, inhaling her sweet scent.
"love, you okay?" rosita asked as if she wasnt laying down, fighting for each breath she took, her lungs burning every minute.
"yeah, sorry. jus' can't get comfortable." i mumble, embarrassment tickling my cheeks as they turned bright red.
"come here," she offered, her hand outstretched for me to grab. i crawled in bed with her, my body fitting into hers like we were pieces of the same puzzle.
"any better?" she asked, pressing a weak kiss to my head.
"yes," i smiled softly against her shoulder blade, somehow forgetting for a moment. forgetting she could die any minute — any second her ever so loving heart could stop. the blood rushing out her body, stopping all movement and short circuiting the brain. all of our memories saved for me, nobody to share them with.
her sharp inhale made my thoughts snap apart, my eyes immediately averting to her. "you okay?"
"yes, sorry. i just —" she grunts, trying to move her shoulder, "shoulder hurts like a bitch." she half-chuckled as i gazed into her dark eyes.
most of my concern dropped from my face, some still lingering in case she needed help to breathe or move or anything.
my mind seemed to race. what if she died and turned immediately? not giving me a chance to lay with her peaceful body before it decomposes, not giving me a chance to be with her.
rosita noticed my thinking, but didnt stop me until i realized her eyes were burning into the side of my face, making me turn half towards her.
"sorry, can't seem to stop thinking today," i try to smile but all efforts fail, a choked sob seeming to come out instead.
she didnt utter a word, just immediately took me into her arms. her scent engulfed my body, my skin melting to hers as if she was a mold.
i had forgot about coco — my mind making her presence slip my memory — her small, sleeping frame moving ever so slightly in the corner of my eye as rosita kept her arms around my body.
i looked back up at rosita, her face peaceful as she struggled to continue breathing. she didn't panic, not at all. she just stayed calm despite her instincts telling her to try to breathe.
i unwrapped her arms from around me, laying her down against her pillow. i gently lifted coco from her once-peaceful sleeping position, pressing their faces together as rositas eyes drifted closed.
our hearts seemed to stop in sync, my heart jumpstarting itself and pounding against my chest as her body became still.
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about a year later,
i was out in alexandria gardening with coco. she babbled incoherently, giggling everytime my too big of a hat for my head kept tilting over, threatening to fall down.
i heard dull footsteps coming from behind me, my late instincts to grab my knife evaporated long ago, just being able to turn around without the consistent fear of dying looming over my head.
"hey," i grinned as i saw maggie walk towards me, taking her into my arms, hershel following right behind her like a lost dog.
"how're you?" she asked gently, taking a loose strand of her messed-up hair and tucking it behind her ear.
"i'm good, how are you holdin' up?" i returned the favor, my mind drifting every few seconds.
i had strangely realized — maggie smelled familiar. like home, but home used to be a person. my person, but that person wasn't here. the last physical reminder of her existence was next to me, gardening like her life depended on it.
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note: i enjoyed writing this so very much ! i miss rosita so dearly
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The devil and I
Tw’s: blood, gore, near SA
Request: hey, I was wondering whether you could do something along the lines of where joes group hold rick at gunpoint but instead of it being michonne and Carl it’s the reader, Carl and rick? And they try to hurt y/n. If you’re comfortable with that? Thank you!
I’m so sorry this took me forever- i binged twd all over again so I’ve got inspiration to write this scene… legit my love for Rick is only growing🥲❤️ note: I am not following the scene so words will not be the same and actions will not be the same. Edit: this has been sat in my drafts for ages I forgot to post it so apologies. (Daryl not included in this version sorry!)
A/N: literally if Rick protected me like this I would legit fold. 😭
Safety was always something no one took for granted yet whenever you took safety for granted even for a split second everything went terribly wrong… exactly like this moment. You were now stood with your hands up in surrender Rick stood beside you and Carl in the car asleep. You listened to the cruel man as he began talking, blaming Rick— going on a tangent about how Rick was going to pay with his life. It made you feel sick to your stomach your fearful eyes locking onto Rick who was clearly watching you out of his peripheral one of his hands inches away from grabbing his pistol his other hand raised. “You think you’re all that?” His voice was sarcastic “well let me tell you somethin’ you killed our friend! That means we’ve gotta kill you! Start with the girl…” his cold eyes moved to look at you, eyes scanning up and down your body tongue lightly licking against his lower lip as he smirked “then we’ll kill you.” His eyes snapped back to Rick who looked infuriated to say the least. “It was my fault okay? Don’t- don’t get my people involved” he spat out. “Don’t? Oh you should’ve thought about that before killing my men!” He yelled making you flinch, immediately making his attention return to you as he suddenly turned his gun on you ricks eyes narrowing as he clenched his jaw,
“Hey! Keep the gun on me. On me.” Rick demanded, Joe looking at him with annoyance “you think you have fuckin’ control in this situation? Well buddy you’re wrong. You don’t tell me what I can and can’t do!” Jesus Christ this guy needed to take a chill pill. Your body trembled as the gun remained pointed at you, Rick too being held at gun point by another man as the other men in the group began searching around— the chubby one finding Carl, beginning to sniff him out in a crude horrible way your eyes wide as you watched the man do the unthinkable… this was sick! “Leave him be!” Rick yelled referring to Carl, Joe only laughing. He could’ve stopped his men from touching Carl.. pinning him down but he didn’t. He seemed to find it amusing. You watched with wide eyes until eventually you couldn’t cope anymore, making a drastic decision as you attempted to sprint over to Carl only for one of the skinner men to kick out his foot making you trip as you landed face first in the mud. “Well that was a dumb decision wasn’t it sweetheart!” You breathed heavily hearing Rick struggle slightly “don’t do anything to them— fuck! Don’t touch them! They didn’t do anything. It was all me! Leave them be!” Rick raised his voice desperately but despite that Joe didn’t listen, only mocking Rick further.
That’s when you felt a hand grab you, swiftly turning you over as you watched the tall man come down to straddle your waist— grubby hand grabbing your jaw as he got a good look at you. “Joe she’s a pretty one. Might keep her!” The man laughed out evilly Rick’s cold pale blue eyes glaring straight into the back of the man’s head his hands clenched by his side as he tried to breathe normally the fury on his face clearer than anything. He was about to snap… about to do something wrong… but these men couldn’t just do this. His eyes slid to the fat man who was now loosening his belt, ricks heart dropping into his stomach. “Don’t touch me!” You yelled averting ricks gaze back to you, watching you fight the man off attempting to push him away only for him to grab your wrists and pin them above your head “don’t touch her! Get your filthy hands off of her” he demanded, Joe taking that as a advantage more than anything knowing Rick seeing his people being hurt would cause him more pain… but unbeknownst to Joe it would also spur him on to doing something else in retaliation. “Hey— turn her around so he can see her face.” Joe laughed out, the man holding you down quickly obeying a sick grin on his lips as he forced you onto the floor— Rick now stood where you could see him but because you were laying on the ground he was upside down. Tears clung to your eyelashes as you stared at him in fear the terror clear. “You can take what you want! Just stop it. Stop this!” Rick demanded but it fell upon deaf ears. The men didn’t care. Rick watched as the man holding you began cutting your T-shirt off until you were exposed- leaving you in your bra and jeans.
“Well would you look at that… ya convinced yet?” He spoke to Joe as if asking whether they could keep you now. Joe only smirked and you watched in horror as the man began cutting your bra off, ricks eyes fleeing to look at Carl again the man pressing a knife to the young boys skin ricks head aching, his vision spinning, before he acted in complete panic and need to save you both as he abruptly head butted Joe making a bullet fly into the air— hitting one of joe’s men straight in the head knocking him unconscious immediately. The smell of gunpowder swirled in the air and you quickly kicked the man in the balls, watching him attempt to ease the pain only for him to pin you down again as you struggled barely registering what Rick had done, the familiar metallic scent of blood making you look over at him momentarily as your body continued to desperately fight…. Rick had bitten a huge chunk of flesh out of joe’s neck… clearly tearing an artery… your breath hitched as Rick stormed towards the two of you his beard coated in blood before he roughly stood the man up, shoving his gun onto his chin “give me one good fucking reason why I shouldn’t pull the trigger.” Rick growled out, but didn’t even wait as he pulled the trigger— it was violent… vicious… merciless.. you watched with wide eyes as Rick didn’t even tend to you, yet, instead moving toward the fat man who was now up hands raised attempting to desperately save his own life. You weakly scurried towards Carl, grabbing him and holding him close as the boy gripped onto you, a shadow of terror in his eyes… he was traumatised… you knew what Rick was going to do. He was going to end this man’s life in the most horrific way for touching his son and so you quickly but gently helped Carl get into the car, your head turning just in time to watch a sharp hunting knife be shoved into the man’s stomach— the jagged teeth immediately sinking into his flesh as Rick began dragging the knife upwards… literally gutting the man like a fish.
You watched with wide eyes your breath hitching, Rick keeping the man held up as he stared into his eyes watching how the life drained from him little by little and as the man slumped Rick began violently stabbing the man over and over and over again. Your eyes filled with terror. You hadn’t seen Rick like this before… never… he was so composed but obviously and rightfully so he acted like this correctly. You would too if it was your child. But you were also traumatised from also nearly being sexually assaulted. Your brain wasn’t entirely working and so you shakily got into the car and began comforting Carl your face twisted with pain and other emotions that couldn’t quite be deciphered… you were unsure with what you felt… you were confused… desperate for comfort but you knew Carl needed it more than you at the moment. You silently pulled a blanket over him in an attempt to sooth him, your fingers beginning to run through his hair gently.
You weren’t sure how long had passed but it was now daylight, the sun breaking through the clouds. You were sat near the car a numb expression on your face, your head bowed your body covered in blood and dirt hands trembling slightly. You were still shirtless, bra hanging on by only one strap but that was the least of your worries. You barely noticed as the familiar boots came into view, the man soon sitting beside you your eyes catching onto his hands covered in dried blood his wedding ring coated in the crimson liquid your eyes remaining locked on it momentarily before you looked away again. “Are you okay?” Those words left his lips so compassionately yet you could hear the tiredness in his voice. He didn’t need someone else to worry about.
“Fine.” You murmured back tiredly ricks eyes boring into you as he studied you carefully, he was an ex sheriff for gods sake he wasn’t dumb… he could sniff a lie out immediately. But really was anyone okay nowadays? “Hey” he reached his hand out grabbing onto your hand gently his grip tender and you slowly looked at him feeling gross. You could still feel the man’s hands on your body… groping you. “He touched me rick.” You whimpered feeling pathetic but you trusted him. Deeply. You knew you could talk to him without being judged. “I can feel his hands everywhere.” Tears stung your eyes as finally a few trailed down your cheeks leaving pale marks down your mud covered cheeks, Rick didn’t know what to say. What could he say? He however didn’t think much on it, instead giving your hand a squeeze. “I won’t let that happen ever again. Im sorry y/n.” He spoke tenderly and you glanced at him tired eyes locking with his and you only shook your head. “Not your fault.” You assured calmly yet emotionally, Rick didn’t speak for a moment or two before he eventually stood up. You believed he was going to leave but much to your surprise you watched as he removed his jacket, extending a hand out towards you as you slowly and timidly grabbed his hand. He pulled you up carefully before helping you put the jacket on, and once it was over you he leaned down slightly grabbing the ends of the jacket as he zipped it up for you until the zip dangled just below your neck before he stood back up. “We’ll get moving as soon as Carl is awake. Don’t want to risk running into anymore folk like that…” he spoke and you nodded silently, expecting him to walk off which he did at first before pausing turning to look at you “again I’m sorry.” He paused momentarily before walking back to you and much to your gratefulness and surprise he pulled you in for an abrupt hug, holding you for a solid 50 seconds before he pulled away hands resting on your shoulders “we’ll be alright.” He reassured searching your eyes that held doubt and worry and you gulped heavily before nodding. He then pulled away, “Rick” you murmured shakily making him pause as he looked back at you “pinky promise?” You held your pinky out for him watching as he glanced down at your pinky outstretched for his and he smiled slightly before nodding, stepping back towards you his pinky locking with yours “I pinky promise that we’ll be alright y/n.” He spoke whilst looking into your eyes. “I won’t let anything bad happen to you or carl ever again.” The look in his eyes saying that much… he was going to protect you and his family until his last dying breath.
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itsgrimeytime · 1 year
Text
Maneater (Part Two) || Rick Grimes (TWD)
Part One, Two
Taglist: @fuseburner @beltzboys2015-blog @gabrielleisalanastan @starkstiless
AVAILABLE ON AO3
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Inspiration: Christmas Kids by Roar or 'You'll change your name, or change your mind and leave this fucked up place behind. But I'll know, I'll know-'
Summary: You and Rick Grimes had a backstory, one no one knew except you and him. It's one you refused to share, you never really wanted to get into it. All anyone needed to know was you hated the man. When you're in a rough spot, and you could use the shelter the question is... does he hate you?
TWS: Blood, gore, mentions of death, gun violence (just violence in general), family death, identity crisis, a panic attack, disassociation, crying, a touch of abandonment, swearing, grudges, and all things typical of TWD.
[[A/N: THERE WILL BE A PART THREE!! I feel kind of iffy about this one, but I think the story is nice buildup. Just for a more conclusive kind of story. And I tried to make it as realistic as I could.Thanks for reading !!!]]
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You still hadn't cut your hair -it had to be all deadends at this point, no matter how heavily you washed it... it still seemed dirty.
It wasn't not on your mind, but you felt like it was a symbol. The longer hair, the torn clothes, it meant you weren't here for long... it meant you would move on, you wouldn't stay.
And yet, each morning, you woke up and chose to stay.
Part of you would say it was because of Carl, you'd missed out on so much -when was the last time you cared for someone so much?
The rest of you, though, knew it was deeper than that.
That's the thing, when you were abandoned that fateful night you weren't particularly guided. But you were. You wanted to belong -to be somewhere where there was a spot carved out for you, where you were missed.
And here it was.
It was here, as Carol came up to your door with an extra serving -not staying any longer than that, she tried so desperately to be in tune with your feelings. Or Maggie would offer her hand with anything -even offering to go get clothes after finding you didn't have anymore. On her tail, Glenn would offer you a place in whatever would come to mind -dinner parties, game nights, just some sort of campfire, anything. Daryl was the quiet one, simply leaning on the outside your porch as you sat on the steps; he didn't say it, but you always found him nearby when the world was too much.
And you hadn't asked for any of it -hadn't even thought to.
That night you don't know why it happened, but it had. It was like a switch, as you sat up straight in your bed. It wasn't like you could sleep anyway, you'd been particularly stuck that night. Memories flooding through your head of times when safety was so far... you didn't even think that it existed.
You were quick to the bathroom -taking your weapon with you, you wouldn't go anywhere without it. And stared.
The mirror was pristine, in a sort of way that made you wonder if it had ever been used. You had the urge to make it feel more lived in, distant flashes to an apartment. It was the first one you'd ever had, it was messy and colorful, and it was home.
Maybe you could make this house like that.
Your thought process was cut off as you detailed the changes in your face -scars and lines where they hadn't been before. It was odd, looking in the mirror, you'd expressly avoided it upon arriving -a dread of how long it had been inkling up your arms at the mere thought of how you looked.
It was an impulse, as your fingers carded through your longer hair -it didn't feel like you. Looking in the mirror, you didn't recognize yourself.
Maybe that was why, you'd begun chopping. Using your blade, which was covered in something you shouldn't be exposed to, probably, but there was something about you that just couldn't stop.
The hair was falling to the floor -spread all along the tile, and it felt like something you couldn't describe as you watched your appearance change. It was a mix of something you'd yearned to be, yourself, and all at once, everything you'd been through came to the forefront.
Remembering your family, the sad smile, and the thrashing of a jaw in place of you. You'd stepped too close, you hadn't known... The others hadn't lasted much longer, stress and broken hearts sent a sort of emotion that they could never get over. No matter how hard they'd tried.
You didn't know when you started crying, as you cut at the mess of hair on your head. The only way you'd even known you'd started was the blur of your vision -your face getting fuzzier in the reflection but at the same time more familiar.
Your scars weren't clear through your tears, and you saw a face you saw in family photos. In the cheesy school photos, you saw that person -not weighed down by things you'd thought would never come.
And here you were, you stopped. Your hair was shorter than before -littering the floor to prove it, and it looked like you again. Even though it was sloppy and there was a red tint for your poor choice of blade, you found someone familiar staring back.
You thought it would soothe everything -stop the sobs that racked your body, the memories that fluttered behind your eyelids.
And yet, as you played with the crooked ends, it somehow made it much worse.
You don't remember leaving the bathroom, much less the house. Your feet lead themselves, down the street and to the doorstep of an unsuspecting house. Initially, you'd been struck with the idea of Carol -she was kind and would help you with ease. But still, you somehow did not end up there.
You knocked.
Instead, you stood at the door of what you faithfully knew to be the Grimes house. It was easy to know which one it was -people circulating all throughout the day, and even more than often it was left unoccupied. Carl was off somewhere and Rick doing something to help Alexandria -the only one left was... the baby.
You didn't know much about her, and no one had taken it upon themselves to explain, you figured Rick wanted to. If he ever had the chance. You weren't sure you wanted to hear.
It was one thing to be confronted with Rick, but Lori? The woman had been one of the sole reasons you were set off, she'd lied to protect herself.
Well, you assumed she was Lori's. You guessed you truly didn't know, did you... did you want to?
Before you could answer that, the door creaked open and there was some part of you that hoped it was Carl. You'd have to explain much less-
He wasn't who you'd come there for, though. You knew that, deep down you knew that.
"What the hell is-" his voice was groggy and sleep-slurred -a pleasant sort of rough, you thought for a second before pushing that far away.
By the time his eyes connected with yours, he'd abruptly stopped speaking -an unsettled shock bright behind his eyes and a sort of worry in the crease of his brows.
"Y/N?" Rick questioned, his eyes trailing to the red-tipped edges and widening, "-Is everythin' alright?"
His hand was extended out like he wanted to reach out but hesitated. It was terrible to hate a good man.
You'd say that was why you started crying again, but you weren't sure. The tears felt as easy as breathing then, the blood dripping down onto your shoulder -your face was probably scrubbed red, and yet...
Without any more hesitation, his arm wrapped around you -ushering you inside, to safety. You hadn't even realized that you were shivering, the tank top and thicker pants were only really suitable for sleeping.
"Breathe," his voice was slow, and reassuring, and there was a part of you that felt scared (that you should run), but it slipped your mind as his fingertips brushed your shoulder -when was the last time you'd been touched?
"You're freezing."
As soon as it came, the touch left as he disappeared around the corner -muttering something close to stay. You couldn't feel enough to move, your mind anywhere except where you were. You felt like you were somewhere else -your life on the line, knives at your throat, guns at your temple, so close-
"C'mere," Rick spoke, hands on a heavy flannel -one you'd seen him wear a few times before.
For once, you didn't argue. The woodsy smell envelops you in a sort of grounding way -a voice screaming so distantly to get away, not him. Anyone but him.
You didn't listen.
He easily guided you to the couch, the living room.... his living room, and you could tell it. Ever so slightly. There was a worn picture in a too-big frame - a family photo, familiar faces, and on the corner of the rug a few toys. They were washed, but still somehow comfortably used -as if the baby had just been playing.
Rick sat next to you -respectfully, with a questioning look in his eyes that only made you think more about why had you come here of all places. He didn't speak the curiosity, merely brandishing a rag, "You mind if I...?"
You exhaled, your hands shaking at the expense of emotion you'd just been chasing, and shook your head. There was something safe here, in the hushed voices and dead silence of the night -even with Rick.
He was careful, scooting on the couch and decisively running the rag over your cheeks -despite tears following still, he cleared the stains. Thumb trailing after, skin-on-skin contact making you wonder once again how long it'd been. You were breathing deeply, watching the focus of his face -blue eyes intent and lips in a purse of determination. He was so close you could see all the differences, all the wrinkles and the bumps of his skin -it had been so long.
And after being sure he'd done what he could, his fingers moved to your hair. Taking the sections between his fingers and wiping away the red that stained there, still a soft touch that you could barely feel.
"There," he finished, still a little off-center with the fact that you'd come here but sitting back to scan over your face -eyes shining in a way you'd seen a few times, "-you gonna tell me why you're 'ere?"
"I don't know," you answered, wiping away at your eyes, "-I don't know why I came here."
"No, not-" he started, motioning to your tears, "-Although that's a good question, I mean why are you out at all? Why are you... It can't be anything good."
You fell silent, wondering exactly how comfortable you could be telling Rick Grimes what you'd gone through. What he'd inadvertently put you through -if he hadn't sent you away would you still be so-
"Nightmare?" he posed, not intimidating -not expecting an answer, not forcing you to speak a word.
You responded, voice hardly there and a bit curt, "Kind of."
Rick was quiet for a moment, before settling on something -almost a debate in his head, "I... I don't know if this is the right time for this, but... I've been thinkin' about it, and I'd like to hear about after I... After I kicked you out."
"What...?"
"I think," he exhaled, brushing his hand over his forehead -like he was frustrated and you stilled at the idea, "-Well, since ya told me you didn't want an apology, I've been tryin' think of a solution."
You didn't respond, but he apparently didn't need you too.
"For you, not-" he clarified, before sighing -seeming to recenter, "-Let me explain it better. You need closure, I can tell. Your shoulders are always hung so low from how much you carry-"
You softened at the fact he noticed that, against your will. There was still something fiery in the back of your head -clawing up to try and get its opinion back in place.
"-and I just thought... Well, what if I took it?"
"You..." you began, a little stunned at the idea, "-Rick, this isn't. That's not fair to you."
Rick replied, a deep regret seeded in his tone, "I wasn't fair to you that day. You know that."
You hummed in thought, the shaking of your hands slowing, and the blur of the world around you dispersing.
He huffed out a breath, a sort of defeat fizzling onto his tone, "I was the reason you were out there, it comes back on me-"
There it was, the heavy-laden guilt -so deeply rooted that you wondered if it had not shown up exactly when those words came out of his mouth all those years ago. There was a part of you that was glad to see it, a sort of twisted, broken person sat at the base of your stomach -agony for no one to hear. Relentless in the revenge of those who started your downfall.
Had he not lost too?
It wasn't quite like forgiveness, the way your mind settled upon it. It was more so that you were equals, in a sort of pain only this world could deal out. Your eyes flickered to the picture with Lori smilingly as beautifully as ever, and the empty space where you imagined she might be.
And that was only what you could gather. What else had he endured? What else had he lived through?
You thought maybe it was something similar to your own tale.
"Rick," you began, your voice was scratchy and your nose runny, but you remained confident, "-you don't have to do that. I think we've both suffered enough."
He opened his mouth to respond -slow and assured like he was choosing his words ever so carefully, "I want to. Really."
You looked at him then, there was something sincere in those blue eyes -something so honest and open and vulnerable. He really wanted to help.
"Okay, we can-" you started, voice soft against the cool night air, "-We can do that."
"Yeah?" He questioned, careful as if you were an animal who would scamper away and you kind of felt like one then. Afraid of the ginger closeness he was offering you, a listening ear. After he...
You exhaled, a big breath flooding through your chest -it was a peace offering, "Yeah."
The silence there was comfortable like the heaviness had shifted -maybe it was still there, but it was different now. You felt lighter already, even just at the idea.
"Hair looks good," he suddenly muttered, a quirk of a smile on his lips and you couldn't tell if he was teasing. The smile biting at his lip didn't help -it was something casual and friendly, something you yearned for.
It couldn't all be fixed in a night, but you were willing to try.
You rolled your eyes, unconsciously smoothing it on your head -a sort of hesitant grin biting up your lips, "Don't push it, Grimes."
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thosewildcharms · 6 months
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I’m rewatching from the start and forgot how deeply traumatic Rick waking up to the apocalypse was. And when he gets home and cries in the fetal position asking himself “is this real” :(. He went through the worst thing and it’s amazing how finding Michonne builds the other up into the best versions of themselves in spite of that. The way she inspires him to be the best man he wants to be 😌 In light of TWOL heavily leaning into this romantic shit I’m so certain now their souls recognized a kindred spirit as soon as they locked eyes at the prison and it’s why they know how to love each other so right.
anon, this is so beautifully put it made me misty eyed. like, i want to frame this ask. 10/10 no notes!! they are 100% soulmates, and that first meeting at the prison is so intense no matter how you look at it.
this made me think of a separate but related thought though. i was also watching early seasons twd episodes recently and one thing i thought of while watching 1x01 of twd (which, you're absolutely right, is very traumatic) alongside towl is how starkly different it would have been if rick had already been married to michonne at the beginning. we know from twd/towl that she'd have to see proof of his death with her own eyes and she would have stopped at nothing to get to him. would he have still woken up alone? alternatively, what if they had met just a bit sooner? what if rick had been around earlier enough to meet andre? would he still be alive? would rick have had such a rough time on that farm if she had been around? how much of their trauma would have been easier to bear if they had connected sooner? these are all rhetorical questions i already know the answer to lol but it's still interesting to think about what it may have looked like. i really wouldn't change a thing about canon because i think their slow burn is perfect the way it is, but your point about how well they love each other and build each other up makes a part of me wish they had met each other sooner, because they deserved so more time together. but i guess that's what fanfiction is for :)
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duchessonfire · 4 months
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Whatever AU you create I live for it, honestly I'm your biggest fan at this point. Feel free to expand! The abo, supernatural twist, the motherfucking reverse sugar that i did not expect 😂 what kinda dynamic do you envision? Are they overall similar to savior except for some key point or is the energy between cegan completely altered? What are the vibes 🤩
Also! What are you thought on Negan's evolution and can you add your twist as to where do you think Carl can fit in it
(ive never watched dead city and stopped twd years ago coincidentaly right after carl died i keep up a bit with spoilers so i got the gist of it. But from what i can see he's become a fundamentaly different person. Swagger still there but dialed down enough to make me sad 😔 wbu do you keep up? id be impressed if you did cause that's some damn comitmment.
Listen i've been trying to recreate your magic by combining ao3 tags lately but nothing seems to fit! Its the age difference, its the slow burn with what started as someone playing meanly and exerting their power on someone else only to be hit with the feelings 🫢, it's the top tier d/s subtext, its the jealousy and the two step forward one step back, its the smut tbh mostly the smut, simply put it's giving.
And absolutely no rush and dont feel obliged to answer but what kinda irl timeline are you predicting for part 3 and 4 and the neganpov? You've been churning out updates lately (22k high quality chapter within a month; we are spoiled god bless🫂).
I'm frothing at the mouth waiting for your next update. You sincerely bring me joy.
Hi again Cegan lovely! ✨
Thank you so much for this sweet message.
The dynamics of the other Cegan project I have planned will be very much similar to the Savior!Carl universe with Carl and Negan going from enemies to lovers. The only one that is truly different is the reverse sugar daddy AU where I'm going for a Carl that is super shy and vulnerable, really a gifted kid who has trouble connecting with people and who clings to his crush for his former PE teacher for dear life. I'm really excited about those projects even though I have no idea when I'll have time to write them 😅
I am still heavily involved in TWD universe and I have watched the main show until the end, as well as the Daryl Dixon, The Ones Who Live and the Dead City spinoffs. I was very unhappy with Negan's characterization in the last season of TWD but Dead City really brought a breath of fresh air and I'm excited to see what lies in store for Negan in season 2.
So funny thing, part 4 of the Savior!Carl universe will cover Rick's arrival and the war between the Saviors and the other communities, but because I want to stick closely to canon, part 5 will deal with the time Negan spends in the cell and the Whisperer War. So I have in fact plans for Carl and Negan's relationship even after Negan loses his empire. (I'm actually very excited about their new dynamics after that happens ❤️‍🔥 While Negan will go softer, Carl will become a lot harder and more ruthless so that will be pretty amazing to explore...).
I'm so happy that you enjoy the Savior!Carl AU 😍 If you're looking for more Cegan content, I recommend looking at my bookmarks. If you enter Carl Grimes or Negan Smith in the "other work tags to include" section, you will be able to see all my Cegan bookmarks. I especially recommend the fics by Gemjam: Wildflowers and Genesis, which are really the main inspiration behind the Savior!Carl universe, but in my bookmarks you will find loads more of amazing works by amazing writers! Happy reading 📖
So for the time-line, part 3 will finish this summer for sure, hopefully by beginning of July. I will post chapter 10 this week (hopefully today or tomorrow), and then it's only two more chapters to go. The time-line for 4 is a lot blurrier because I still have a lot of brainstorming to do. Same for part 5 and for the Negan's pov. Ideally, I would like the Negan's pov to post at the same time as part 5 because Carl will spend a lot of time away from Negan while he's in the cell, so posting Negan's pov at the same time would still giving readers a healthy amount of Cegan next to the plot of part 5.
Thank you again for such a lovely ask and I hope you have an amazing day 💐😘
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bizlybebo · 5 months
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I AM ASKING YOU ABOUT YOUR ZOMBIE AUS 🤲🤲🤲🤲 I WANT TO HEAR ABOUT THEM !!!!!!!!!!!! i looooove a good zombie au
HOORAYYY !!!!!!!!!!!!!!!!
okok so both my riptide and pd one are heavily inspired by two different zombapoc video games,, being telltale's walking dead video games and the last of us. buuut i've put a lot of original thoughts and ideas into them and i. love them so much ^__^
the riptide one is pretty messy but the PD one is the one im prouder of :D (both AUs have heavy spoilers for both campaigns)
Riptide
-basically, this AU is inspired by the dynamic of Lee and Clementine from the first walking dead game, but it's branched out a lot further than that.
-at the start of the zombie apocalypse, Arlin teamed up w/Drey and Finn under Captain Rose, and they all formed a lil survivor group (rest of the black rose pirate are there too-- minus chip.)
-when the trio's scavenging through a neighborhood, Chip manages to steal from them, and Arlin's the first one to catch him. Chip, being himself, thinks Arlin is insanely cool and basically makes him adopt him.
-essentially the entire AU follows Arlin trying to find Chip's parents, while Rose is moving the group north through the city to reunite with his lover (and external evidence points to Chip's parents potentially being up North too, in one of the big survivor bases).
-all is fine until, yk. zombies attack them. but these are more distorted, creepier zombies, and they work in more of a coordinated spooky hivemind instead of being the typical braindead zombies as is typical of twd/twd-inspired stuff.
-rest of it vaguely follows the plot of the hole in the sea but. zombies.
-essentially, ten or so years later, Chip appears in Featherbrooke, a navy-ran (the navy still exists here don't ask) base that Jay lives in. And then it's like Origins but. zombies.
-Chip convinces Jay to join him on the road while also talking big about how he's out searching for the old Black Rose group, and is also convinced that Finn Tidestrider could create a cure for the zombies.
-gillion fucking Shows Up.
-etcetc. stuff happens.
-basically, the dynamics here are heavily inspired by the TWDG series, but grew and branched out etc. Chip and Arlin are kind of inspired by Clementine and Lee,, Chip and Ollie are kind of like Clementine and AJ,, etc.
-also. Drey is immune. He gets bit the last time that Chip ever sees him which is why Chip thinks that he's dead, but. nope ^__^ this is also why he's kept in prison by the navy, but also kept largely a secret.
-The Ferins in general in this au are all entirely fucked up and have weird connections to immunity/resistance against. becoming zombies.
^^^- Jay got sent out with Chip as a spy because he kept talking about Finn and finding a cure (+ Jayson also has the knowledge of Drey, etc.) and basically, Jayson thinks that finding a cure could help cure Ava, who died to a zombie bite around 5 years ago.
PD
I ACTUALLY HAVE A LONGFIC OF THIS ONE IN THE WORKS. BUT IT'S TAKING ME A SECOND. it's inspired by TLOU but my TLOU knowledge is actually pretty lackluster </3
-basically, the barebones of this AU is that it's TLOU. Mark is like Joel, Dakota is like Ellie, and Ashe is like Sarah.
-Instead of straight up zombies, it's demons.
-Superpowers and superheroes still exist in this AU, but they are definitely pretty different.
-The apocalypse started when Ashe summoned the trickster, killing their mother etc., but wasn't able to push the trickster back. The chaos zone opened which caused the world to fall to ruin.
-People live in safe zones put together by WATCH, and are all heavily discouraged from leaving due to the. yknow. posessions.
-William is "dead" at the modern day of the AU. He and Ashe were friends before the end of the world, but William was killed by Ashe/The Trickster.
-The closer parallel to Riley is Katori/"rooftop girl",, this part of Dakota's backstory is still pretty similar.
-The AU actually starts when Mark is tasked by Overlord to smuggle "cargo" across Prime, said cargo being Dakota.
- The Overlord is doing all that weird human experimentation shit like in canon, but this time is trying to combine human and demon DNA for the purpose of finding a "cure"/ a way for people to resist being posessed.
-Here's my favorite part of this AU. Dakota is immune to being possessed by demons cause he literally just fucking eats them. This is only possible because of fucking Fartbo i hate it here
-Anyways, William suddenly wakes up alive after being dead for 20 years at the start of the AU. He sees a wisp guiding him and follows it.
-Around the same time, Vyncent still got isekai'd. As one does. Cantrip robbed him on his first day in Prime because I think that's funny.
-Tide is a hero in the Rockfall safe zone, who adopts and mentors Vyncent and William when they first show up.
^^ okok i have. more of the AU planned out from here but since i plan on turning it into a fic pretty soon i dont want to talk more about it past this point cause. i have a really cool plot idea that i dont wanna spoil ^__^
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Note
{🥀🕊️} tldr about me; 24f she/her, novella multi-page writer, fantasy / zombie apocalypse / historical fiction, mxm & mxf and doubles-friendly, nsfw and dead dove friendly but will discuss limits and triggers, eastern time zone, plotting and worldbuilding heavy, discord pinterest and spotify are my best friends!
tldr looking for; heavily literate 18+ long-term rp partner, a lover of fantasy (fae, demons, dragons, chosen ones and dark lords, etc) or open to supernatural historical fiction or dark zombie-centric apocalyptic threads. replies preferably at minimum once a week, and please no ghosting–i am very understanding of real life and burnout so if we need breaks thats okay! discord + pinterest friendly, and must vibe ooc! romance is required, as well as being okay with lgbtq+ characters, dark themes, and nsfw content.
read below for more details if this sounds like your cup of tea~
hi friends, i’m 24f she/her, looking for someone similar in age (18+ required, absolutely no minors, preferably 20+) who loves fantasy, monsters, romance, and loooong lengthy replies. i’ve been writing for the past 15+ years with dreams of one day being published, and have been roleplaying for the past 10+ years, though i’ve been on an extended hiatus. i’m recently quit my job (living in EST) so my schedule is pretty open to start writing together! Even though i have a lot of new free time, i do have a partner and responsibilities, and am also aware of burnout, real life, and mental health so never be afraid to pull the breaks for a few days, weeks, or months if we need to but please communicate that. i almost exclusively write medieval high fantasy, but also enjoy historical fiction (absolutely nothing modern ie. 1930's onward) and lately have been into zombie apocalypses as i’m rewatching twd. i only work with originals, ocxoc, but am open to playing with a canon universe as long as we make it our own! i’m mainly looking for mxm and mxf romance since that’s what i have the most experience with, but i am lgbtq+ friendly. i prefer a partner who is open to writing a wide range of characters, not just female ocs or “submissive” types, just to ensure we keep the threads fresh for both of us. i’m more than happy to double and work on multiple threads as well. i like a heavy emphasis on troubled characters with real flaws, trauma, and their subsequent development, exploring interesting relationship dynamics both healthy and toxic, and extensive worldbuilding + magic systems. customized discord servers, fanart, headcanons, drawn maps of our worlds, couples playlists, pinterest boards–you name it, i love it and am here for it.
concepts in mind; while i don’t have any set plots, characters, or worlds (i generally enjoy figuring this out organically with my partner) there are some things that i like to write and cliches i love to see. Anything with fae, monsters, demons and witches, interesting takes on vampires + werewolves, i’m here for! i love fairytale retellings and mythology, and playing with religious motifs and inspiration (think paradise lost). themes of rebellion, war-torn kingdoms, corrupt monarchies, prophecies, racing against the clock to defeat eldritch world-ending monsters, dark overlords, magic always has a price, everyone is living on borrowed time just to name a few. when it comes to romance tropes, you can never go wrong with enemies to lovers, soulmates, forbidden romance, arranged/forced marriage, hidden identity, the hero falls for the villain. i foam at the mouth for soft ocs that snap and go feral, not a god’s chosen but a god’s cursed, the found family out of a band of ragtag misfits, complex villains who are actual people, i could literally go on for hours.
other tidbits; i don’t write canon characters or with fandoms, but i do enjoy my fair share of shows, books, and video games! i'm open to taking inspiration from any of them, so i’ll list a few if it helps give a better idea of what i’m into and possible interests we might share–
shows/movies: game of thrones + house of the dragon, outlander, the walking dead, pride and prejudice, stranger things, lotr, twilight
books: a court of thorns and roses + throne of glass, six of crows + shadow and bone, the night circus, and many more
games: animal crossing, legend of zelda, the sims, dragon age, stardew valley, the last of us
contact; if you are interested in any of this, like this post and i'll message you or comment with your discord username and i'll add you
Like this post and the asker will reach out!
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findyourrp · 1 year
Note
{🥀🕊️} tldr about me; 24f she/her, novella multi-page writer, fantasy / zombie apocalypse / historical fiction, mxm & mxf and doubles-friendly, nsfw and dead dove friendly but will discuss limits and triggers, eastern time zone, plotting and worldbuilding heavy, discord pinterest and spotify are my best friends.
tldr looking for; heavily literate 18+ long-term rp partner, a lover of fantasy (fae, demons, dragons, chosen ones and dark lords, etc) or open to supernatural historical fiction or dark zombie-centric apocalyptic threads. replies preferably at minimum once a week, and please no ghosting–i am very understanding of real life and burnout so if we need breaks thats okay! discord + pinterest friendly, and must vibe ooc! romance is required, as well as being okay with lgbtq+ characters, dark themes, and nsfw content.
read below for more details if this sounds like your cup of tea~
hi friends, i’m 24f she/her, looking for someone similar in age (18+ required, absolutely no minors, preferably 20+) who loves fantasy, monsters, romance, and loooong lengthy replies. i’ve been writing for the past 15+ years with dreams of one day being published, and have been roleplaying for the past 10+ years, though i’ve been on an extended hiatus. i’m recently quit my job (living in EST) so my schedule is pretty open to start writing together! Even though i have a lot of new free time, i do have a partner and responsibilities, and am also aware of burnout, real life, and mental health so never be afraid to pull the breaks for a few days, weeks, or months if we need to but please communicate that. i almost exclusively write medieval high fantasy, but also enjoy historical fiction (absolutely nothing modern ie. 1930's onward) and lately have been into zombie apocalypses as i’m rewatching twd. i only work with originals, ocxoc, but am open to playing with a canon universe as long as we make it our own! i’m mainly looking for mxm and mxf romance since that’s what i have the most experience with, but i am lgbtq+ friendly. i prefer a partner who is open to writing a wide range of characters, not just female ocs or “submissive” types, just to ensure we keep the threads fresh for both of us. i’m more than happy to double and work on multiple threads as well. i like a heavy emphasis on troubled characters with real flaws, trauma, and their subsequent development, exploring interesting relationship dynamics both healthy and toxic, and extensive worldbuilding + magic systems. customized discord servers, fanart, headcanons, drawn maps of our worlds, couples playlists, pinterest boards–you name it, i love it and am here for it.
concepts in mind; while i don’t have any set plots, characters, or worlds (i generally enjoy figuring this out organically with my partner) there are some things that i like to write and cliches i love to see. Anything with fae, monsters, demons and witches, interesting takes on vampires + werewolves, i’m here for! i love fairytale retellings and mythology, and playing with religious motifs and inspiration (think paradise lost). themes of rebellion, war-torn kingdoms, corrupt monarchies, prophecies, racing against the clock to defeat eldritch world-ending monsters, dark overlords, magic always has a price, everyone is living on borrowed time just to name a few. when it comes to romance tropes, you can never go wrong with enemies to lovers, soulmates, forbidden romance, arranged/forced marriage, hidden identity, the hero falls for the villain. i foam at the mouth for soft ocs that snap and go feral, not a god’s chosen but a god’s cursed, the found family out of a band of ragtag misfits, complex villains who are actual people, i could literally go on for hours.
other tidbits; i do not write canon characters or with fandoms, but i do enjoy my fair share of shows, books, and video games! i'm open to taking inspiration from any of them, so i’ll list a few if it helps give a better idea of what i’m into and possible interests we might share–
shows/movies: game of thrones + house of the dragon, outlander, the walking dead, pride and prejudice, stranger things, lotr, twilight
books: a court of thorns and roses + throne of glass, six of crows + shadow and bone, the night circus, and many more
games: animal crossing, legend of zelda, the sims, dragon age, stardew valley, the last of us
contact; if you are interested in any of this, like this post and i'll message you or comment with your discord username and i'll add you
.
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frangipanilove · 2 years
Text
All Lines Converge …At The Louvre?
A response to THIS post by @angelthefirst1
Thanks @angelthefirst1 for this fun assignment! I love where you are going with this, and I do have thoughts on it. I'll try to relay some of them below, and I'll try to be brief, though I cant' give any guaranties.
(ETA: it was not brief, not at all...)
When we first met Maggie again back in 10x17 Home Sweet Home, we were made aware of the name of her community, Meridian. The name immediately struck me as significant for a couple of reasons. First, "meridian" is a reference to the lines that goes through a map in a north to south direction. It therefore ties into the "navigation" theme, the "map" theme as well as the "North" symbolism. Further, "meridional" is a term that translates to "southern", which further amplifies the symbolical ties to these themes.
In Acheron 2 we got a significant addition. Maggie mentioned the word "Meridian" in relation to a reference to a radio tower, I'm borrowing your illustration here.
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This little scene turned out to be a key to further our understanding of the symbolism landscape in TWDU, and it gave us clues into how to interpret it. Let's look at a few of the implications of this new information.
Negan's compass: In Acheron 2 there was a mention of a radio tower and a reference to Meridian. As you explained, @angelthefirst1, Negan was their "DC tour guide" in the Acheron episodes, which calls back to Beth's DC spoon from Still and the general map/compass/navigation/North Star symbolism. I've talked about how I interpret the DC spoon from Still in a "navigation" theme framework, and IMO the "DC tour guide" comment plays into that. We saw Negan being tied to the navigation/North Star symbolism in 9x9, when he stole a compass from Judith. She confronted him with it, but let him keep it, telling him "It will help yoy find your way". In The series finale we saw Judith recieve a package from Negan, returning the compass, admitting it had helped him find his way, confirming what the North Star symbolism is about, and that it's still in play.
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Compasses are part of the North symbolism, and ultimately represent finding your way "home", as explaind by Carl in 6x10.
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We saw this play out in Negan's escape attempt in 9x9. He meant to escape, went away for a while, but eventually returned "home". We also saw Judith shoot at him, but the bullet didn't kill him, which is interesting as well.
Meridian: The word "meridian" after which Maggie's settlement was named, refers to the lines that goes from north to south on a map. They are essentially geographic reference lines we use in relation to navigation.
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The word "meridian" is also used to establish different time zones, and many countries name their timezone as they relate to the Prime Meridian which runs through the Greenwich Observatory on London, England.
The Greenwich Mean Time, or GMT, refers to the time of day when the sun crosses the Greenwich meridian, and timezones will be named for example GMT +1 (Greenwich Mean Time plus one hour).
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Before it was decided that the Greenwich Meridian were to be the Prime Meridian, the French championed on behalf of their own Paris Meridian, but in the end, the Greenwich Meridian prevailed.
Interestingly, the fictional Rose Line from the Da Vinci Code was actually based on the real Paris Meridian.
We've discussed The Da Vinci Code a lot through the years, as it seems like a lot of the symbolism we see in TWD is heavily inspired by various elements of the book. And now, with Maggie's Meridian settlement there's yet another connection to Dan Brown's novel.
In The Da Vinci Code, we saw how Professor Langdon followed the Rose Line, which is based on the real Paris Meridian, through Paris to the glass pyramid outside the Louvre. He realized that the tomb of Maria Magdalena was hidden below the inverted pyramid under the glass pyramid outside The Louvre.
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Inside the hidden tomb lay Maria Magdalena, the mother of Jesus' child, the child that kept the blood line of Jesus alive into our own time.
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For TD, this ties into a multitude of our theories. I've recently talked about Daryl's blood and how his blood saved Judith's life in "Red Is The Living Colour". I've talked about "Trunk" symbolism for years, which ultimately is a reference to the tomb of Christ and how Maria Magdalena one day found it empty. We’ve written numerous theories in which the symbolism from The Da Vinci Code features heavily. In season 5 we saw a plaque on the wall in Father Gabriel's church which was a reference to Da Vinci's fresco "The Last Supper", which we theorize the kitchen scene from 4x13 Alone was modeled after. Furthermore, @wdway has through the years discovered brilliant connections between TWD and The Da Vinci Code that really deserves a post on its own.
"The Holy Grail" in The Da Vinci Code was the tomb of Maria Magdalena, mother of the child that carried the bloodline of Jesus, the ancestral mother of Sophie Neveu, a direct descendant of Jesus. @wdway keeps discovering chevron symbols in TWD, which are identical to the symbolism Robert Langdon explores in his hunt for the true Holy Grail, and there are some truly amazing parallels to TWD.
Greenhouse symbolism: I've always viewed the glass pyramid outside The Louvre and the inverted pyramid below it as potential tie-ins to the broken greenhouse from 4x4 Indifference. That was the episode that put the "Red Controls The Gates" symbolism on my radar, and it also revealed how the greenhouse symbolism is tied into it.
In the episode, Ana mentioned that she had found tomatoes (which are red), inside the greenhouse. They had survived because of a hole through the roof in the greenhouse, which had allowed for rain to come through, providing the plants with water. To me, that strengthens the "Red Controls The Gates" symbolism, and it is also a tie-in to the "red" symbolism around Maria Magdalena which I talked about in "Red Is The Living Colour".
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Therefore, also ties into the Meridian symbolism inherent in the name of Maggie's settlement, because as we've discussed, the Rose Line (based on the Paris Meridian) showed Langdon the way to Maria Magdalena's hidden tomb.
Tomb symbolism: My interpretation of the greenhouse symbolism in TWD is that it represents a tomb. But because we get the story of a hole through the roof that let the tomatoes survive and become red in 4x4 Indifference, the tomb symbolism comes with "emergency exits", meaning a person who is affected by the tomb symbolism has a "way out", an "emergency exit", so to speak. We see this again in The Da Vinci Code, in which the bloodline of Jesus was able to survive through his child, born after his death to Maria Magdalena. The bloodline didn't die with him, it survived.
One thing we have to understand about the TWD references to The Da Vinci Code and Maria Magdalena's tomb below the glass pyramid is that first of all, a pyramid is, by definition, a "tomb".
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That was their original purpose in Ancient Egypt; to be magnificent tombs for the pharaohs. And when we see "tomb" symbolism in TWD, it is, in my opinion, a reference to the tomb of Jesus, the one Mary Magdalene discovered to be empty.
I've always called the "tomb" symbolism in TWD "Trunk" symbolism. We saw in Still how a trunk can be a hiding place and keep you safe, but in 5x10 Them, we saw the flip side to that, a trunk can keep you trapped and become your tomb. There's a duality there. But it is that duality that allows for characters like Rick, Madison and hopefully Beth to "come back" from the dead, to "return", to escape their "tombs".
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Team Violet and the Sirius Piggybank: As I've talked about ad nauseum, "Sirius" symbolism in TWD represents "return". It symbolizes Sirius The Dog Star, that disappears from the night sky for a while, only to reappear one morning before dawn. We saw it around Beth in Alone when Beth and Daryl were visited by the white one-eyed dog.
In Acheron 2 we saw Maggie lead the group towards a radio tower, and the word Meridian was spoken, which makes it a combined Sirius and North Star/navigation theme reference. It also ties into the Maria Magdalena stuff from above because as I've described, the Rose Line from The Da Vinci Code is based on the real Paris Meridian, which really does go through Paris and even The Louvre. And we have been told that the Daryl spin off will involve The Louvre in some way, shape or form.
It is starting to appear as though all lines eventually will converge at The Louvre…
Let's bring in the World Beyond after-credits scene, where we are given serious clues as to where TWDU will be going in the future. We see a lady watch video messages from Dr.Jenner who we met in season one. W hear about Team Primrose and Team Violet. We watch her get interrupted by a French speaking man, who eventually murders her. We watch her quickly turn into a type of ferocious walker we have never before seen on the show, and we understand that this is a new Variant.
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The "violet" reference immediately struck me as important, because we've had a few "violet" references through the years. We remember Violet The Pig from season 3, and then there's the purple/violet blanket Beth had thrown over her prison cell door. There was also a purple fan next to the aforementioned compass Negan stole from Judith. Could it be a nod to Team Violet and how it's related to the compass symbolism?
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Violet is an important clue.
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In 8x11 Dead Or Alive Or we saw Father Gabriel loose sight on one eye. That episode was very symbolism-heavy, and we saw a piggybank, which I like to call the Sirius Piggybank, because it is a reference to the Sirius Piggyback from Alone. I've elaborated on it in the "Backpacks, Back Pockets and the Ass End" posts.
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We've already discussed the radio tower from Acheron 2, and how radios are Sirius symbolism. On the side of the Sirius Piggybank from 8x11, there is an image of a radio tower, and the words "Ham Radio". Ham radio is slang for amateur short band radio, but it is of course also a reference to "pigs"…as in Violet The Pig…
There's a direct link from the radio tower in Acheron 2 to the Sirius Piggybank in 8x11. There are radio towers in both, that's the "Sirius" symbolism. They also both tie into the Sirius Piggyback from Alone, and to Violet the Pig…
…and to Team Violet from the World Beyond coda, which of course is directly tied to why Daryl is going to France in the first place. See how all clues seem to lead to… France, and to Paris, and perhaps even specifically to The Louvre?
The Louvre:
Let's talk about The Louvre for a second. It's undeniably one of the most famous museums on the planet and houses some truly incredible collections of art.
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We've actually had a few interesting references to The Louvre through the years. First of all, let's appreciate that the etymology of the name The Louvre seems to suggest a reliable tie to the french word for "wolf".
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And for TD, that is of course interesting because of the line "there's gonna be a party when the wolf comes home" from the song that plays at the end of Still as we watch Beth and Daryl burn the Moonshine Shack.
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In one of the TWDU spin offs "World Beyond", we saw Percy recreate The Louvre in the back of a truck for a date with Faith. He put up pictures from an art book to make the back of the truck (trunk symbolism) resemble The Louvre. We of course saw the Mona Lisa, probably one of the most famous works of art in the world, as well as other famous pieces, and eagle eyed @wdway also spotted a picture of Venus de Milo, the famous statue which can be found at The Louvre. I'll explain why that is absolutely monumental in a minute.
Percy even took the effort to create a replica of the glass pyramid we see outside The Louvre, the same pyramid under which Professor Langdon, in The Da Vinci Code, found "The Holy Grail", the tomb of Maria Magdalena.
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We watch Faith admire all the artwork, there are a couple of books there, one of which deals with resurrection. We see Faith fall asleep in the back of the truck, directly below the make-shift Louvre pyramid. Then she naps.
Surrounded by wonderful artwork that calls our minds to France, she sleeps. There's a picture with a French flag there...
Just like Princess Aurora in the Fairy Tale about Sleeping Beauty, she sleeps. Just like Princess Aurora, who shares her name with Aurora, the Roman Goddess of Dawn, as well as Aurora Borealis, the beautiful, green Northern Lights...she sleeps...
...then we see her suddenly wake up...from underneath the pyramid...that represents the pyramid outside The Louvre in Paris...
...where according to the novel The Da Vinci Code, the hidden tomb of Maria Magdalena is located...where Maria Magdalena sleeps, so to speak...
we watch Faith sit up...
...behind her face, we see a picture of Venus de Milo...
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(thanks @wdway for always having screenshots at hand)
Venus, Sirius, Morningstar:
I mentioned Venus de Milo above, and there are good reasons for that. Venus De Milo is a famous marble statue believed to depict Aphrodite, the Greek goddess of Love (Venus is her Roman name), and it is one of the most famous works of art found at The Louvre.
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For TD this is particularly interesting because of how prominent the Sirius symbolism on the show has been. Sirius refers to the star Sirius, and it is called The Morningstar because of how it disappears from the night sky for an extended period of time, and then reappears one morning before dawn.
However, Sirius is not the only celestial object referred to as a Morningstar. In ancient times, people believed that the planet Venus was a star, and because it sometimes appeared on the night sky right before dawn, it was referred to as the Morning Star. This name stuck, even when it was later discovered it was in fact a planet, not a star.
And as prominent as the Sirius symbolism has been on the show, the Venus symbolism has also undeniably had a strong presence. I'll name a few of the most important incidences.
In 3x8 When The Dead Come Knocking, we saw a painting of Botticelli's "Birth Of Venus", and interestingly, it was inverted, just like the pyramid under the glass pyramid outside The Louvre, the one that in The Da Vinci Code marked the tomb of Maria Magdalena.
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It's also interesting to note that the painting we saw in 5x4 Slabtown, Caravaggio's "The Denial Of Saint Peter" showed Saint Peter. One of Caravaggio's other famous works also involves Saint Peter, namely "The Crucifiction Of Saint Peter". In fact, an inverted cross has come to be called a "Saint Peter's Cross, after Saint Peter requested he'd be crucified on an inverted cross to distinguish himself from Christ, as he didn't consider himself worthy of dying in the same way Christ did.
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I've talked about my interpretation of the Slabtown clock in previous posts. I won't get into all of that here, but I have to bring it up because it ties into the Venus/Morning Star symbolism. I'll try to keep it brief but I need to mention that the numbers of the time on the clock can be interpreted in many ways. You can say the time shown is 10.10, or ten minutes past ten, but the ten minutes can also refer to "2", which we find references to on for instance Noah's T-shirt (one one).
This is a bit complex and it's better suited for a separate post, but for the purposes of this post I'll just mention that we find variations of these numbers throughout the seasons. We find it again in the season 9 episode Scars, where we watch Daryl get tortured with a cattle branding iron. In season 10 we get to see this scars, which reads like "X II". Those are symbols that could be interpreted within the same framework as the Slabtown clock. The X could refer to the Roman Numeral for "ten", and the parallel lines could be read as Roman Numeral for two, it could also be read as 11, and it could be read as "one one", just like on Noah's T-shirt.
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Apologies for this seemingly confusing tangent on numbers, but I'm getting to the point shortly.
When we saw Daryl's scars after the episode Scars, I immediately tied them to episode 10x11, and I knew my intuition touched on something vital when we later learned that season 10 episode 11 were to be called "Morningstar".
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In short; the scars on Daryl's back (remember back is Sirius symbolism, re. the Backpack, Back pocket and the Ass End posts) foreshadowed episode 10x11 Morningstar. The episode name is simultaneously a reference to the Sirius symbolism and the Venus symbolism.
It is also a callback to the Slabtown clock through the interpretation of the numbers on it, and it ties the painting of Saint Peter to the inverted cross of Saint Peter, which in turn ties into the inverted "Birth Of Venus" painting from 3x8 WTDCK, which in turn ties into the inverted pyramid at The Louvre.
The Louvre is the home of Venus de Milo. Daryl will be at The Louvre in his spin off, and we know that in The Da Vinci Code, the hidden tomb of Maria Magdalena were situated below the inverted pyramid under the glass pyramid outside The Louvre. It was the Rose Line that led professor Langdon to her tomb in The Da Vinci Code, and the fictional Rose Line is based on the real Paris Meridian, that does indeed go through the Louvre and were the Frenchmen's preferred choice to become the Prime Meridian.
I wonder if Team Primrose, which we learn about in the World Beyond coda, could in reality be just another reference to the Louvre, through the fact that the fictional Rose Line, is based on the real Paris Meridian, which once were concidered by the French to be the real Prime Meridian?
Rose Line + Primrose = Prime Meridian?
Regardless, it was foreshadowed by the name of Maggie's settlement Meridian.
Which is tied to Beth through a multitude of different theories on a multitude of symbols.
The Sirius Piggyback. The Sirius Piggybank with the radio tower from 8x11 Violet the Pig Team Violet, Team Primrose and the Variant walkers.
The Greenwich Meridian, The Paris Meridian and the Rose Line The French coda from World Beyond.
Sirius is a Morningstar. And so is Venus.
The "Rose Line" in The Da Vinci Code was what led Professor Langdon to the Holy Grail, the tomb of Maria Magdalena. Could Maggie's Meridian settlement be the TWD version of the Rose Line from The Da Vinci Code, the geographical reference line that helps us navigate the map of symbolism we've drawn up through the past eleven seasons of TWD, to help us make sense of the symbolism landscape of the show?
Sirius piggyback. Sirius piggybank. Violet the pig. Team Violet. Variant walkers. Venus de Milo. The Birth Of Venus. Venus the Morning Star. Sirius rising before Dawn. Aurora Borealis, Aurora the Roman Goddess of Dawn…
All the lines seem to converge at The Louvre.
And Daryl wll be there for it...
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tomionefinds · 2 years
Note
hi! do you have any fics where its takes place during an apocalypse like twd kinda apocalypse?
Hey Anon, Not sure if you just sent in another similar ask about specifically Zombie Apocalypse AUs; in any case gonna kind of string these two together.
I'll answer this one with some post-apocalyptic/dystopian setting fics, and then list some specific zombie ones on the other ask. So keep eyes peeled if that wasn't you.
Shout out to Untenable by saintcorvus; that's actually a gift to me from an exchange! -JD
Untenable by saintcorvus T+ | One Shot | 3k Prompt: Sci-fi/Dystopian AU where Tom and Hermione lead two different tribes. Heavily inspired by a lot of Dystopian books that I've read. Some direct usage of themes from The 100.
the price of water by peppershark E/Ma | WIP | 14k After a mishap in the Room of Hidden Things, Hermione finds herself in a barren, post-apocalyptic future where witches are all but extinct. The rare females are prized by desert traders and cloistered under the paternalistic care of the few men evolved for ultimate power. One omega has heard about a special little alpha witch in possession of a power lost to wizarding-kind for centuries. Tom Riddle is going to find her, and claim her. If she won’t give up her secrets, he’ll just have to fuck them out of her.
my (edge) lord by tomioness T+ | WIP | 7k After a fatal virus killed every person older than 21, the world is thrown into absolute chaos. Children and teenagers can only survive by coming together. Gangs of older survivors terrorize them by taking all reserves under control. Hermione, Head of the Mudbloods, puts all her efforts into taking care of her tribe. But everything seems at risk when the self proclaimed Lord of the Death Eater gang takes an interest in her and uses her love for her community to bend her to his will.
A Clockwork Black by ChloeGevaux E/Ma | WIP | 19k No man can describe it to you until you've felt it for yourself. The cry in the dark; the mortal call for meaning - oh, God, please give us some meaning - in this short, sharp life. Does he answer? That absentee father figure... does he answer your prayers? When you hear the crunch of gravel outside as the car pulls up, when you frown in confusion because - wait, but it's too soon for my husband to be home from work - and when you look up, stunned, as the doorbell rings just as the front door itself is kicked in and kicked open- No. The only one who will answer your prayers is me. And then you'll wish you'd never said them. Tomione. 'A Clockwork Orange' inspired AU.
The Heir From District 2 by PenelopeGrace Series: Tomione Hunger Games AU [1] E/Ma | Complete | 16k They thought he would win. Hunger Games AU + District 2!Tom Riddle + District 12!Hermione Granger
Ad Infinitum by Speechwriter T | WIP | 74k As he forges inexorably toward the end of time, he may come to wonder if this is a world worth ruling. Science fantasy.
Behind Death by elude T | WIP | 2k post-apocalypse world In a last ditch attempt to right the wrong, Hermione goes back into the past. But, time refuses to be tamed. Tom/Hermione
Black Mambo by Nekositting M | One Shot | 6k She sprung from where her legs had been rooted on the floor, running to the door at the end of the room. She pounded on its surface, blood rushing up to her ears. The door refused to move. “Open the god damn door,” she shouted, hysteria making her words crack at the end, but still, the guard outside refused to open the door for her. Was he even still out there? “They won’t come for you, you know.”
Entropy by Mechanical_Orange M | WIP | 21k There are holes in the universe and holes in their hearts, but time can heal all wounds. In 1998 Hermione begins her seventh year at Hogwarts. In 1944, Tom Riddle does the same.
Madam Granger by cherry_cup E/Ma | WIP | 45k When Hermione Granger secures the position of librarian at Hogwarts, she becomes the object of fascination for a particular Dark Lord in the making. AU. 1940s (no time-traveling)
Oceanfront View (It’s me and You) by ChaoticBabe T+ | One Shot | 1k This wasn’t how things were meant to go, the world fell before they even found there feet.
Orphea by SallyJAvery M | WIP | 48k "You could not believe I was more than your echo." A spell to sing the dead to life, when the living are lost. Tomione, post-war, dystopian AU.
The Plague by QueenRuby E/Ma | WIP | 17k A plague has hit the wizarding world and the greatest minds alive must get together to find a cure before all is lost. AU/AR
Romanticism by mysterymin M | WIP | 8k In a dystopian world where Voldemort has won the battle of Hogwarts, the purebloods have decided to weed out the weakest of the mudbloods.
Types of Iron by knittedcoffee M | WIP | 1k A magic and sci-fi blend AU. A magical and medieval world is connected to a technologically advanced one run by robots, but they do not coexist under the reign of Lord Voldemort. Warnings: violence, death, language, involuntary self-harm. "As technology advances in complexity and scope, fear becomes more primitive" Don DeLillo. Part 1/?
we'll sing in the sunshine by flosculous M | WIP | 4k Dystopia AU. She was pushed into her cell with only one thought in her mind. Obedience, there's no such thing as love. Was he born normal he would have felt something similar to empathy now, or maybe his chest would convulse with sympathy (...) but Tom was anything but normal. Or Hermione is one of the Hollows and Tom is High General of Grindelwald's Followers.
A Fall Through Time by orphan_account E/Ma | Abandoned | 89k A/U Tomione In a present day dystopian society, muggles and muggleborns are enslaved to their pureblood masters who greedily drain the earth of it's resources resulting in famines and plagues. Hermione, known to her master Draco as Sandy, must do what she does best-survive and adapt. Until that is, she is given an opportunity to go back to when it all started and rewrite history. ~Incomplete~Abandoned~Orphaned~If you are inspired to write something for this story or pick up where I left off--feel free~
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z0mbie02 · 2 days
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| Looking for RP Partners |
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Basic stuff:
She/her
Age: 21 Please be 18+ only; no minors.
Timezone: Eastern
Where I roleplay/contact me:
Discord: zombieology (mainly RP here)
————————————————————What I’m looking for:
So I’m really obsessed with post-apocalyptic settings, mostly similar to the Last of Us type (heavily inspired) apocalypse, where the world is overgrown so if anyone shares my love for the apocalypse stuff I’m right here yo 🙏 and the kind of infected (zombies) would be similar to the last of us infected if so but TWD zombies are fine too I just don’t find that as interesting
And especially when the characters are born into that world with no clue of what the old world was like so maybe they’d be raised inside walls 🧍🏻‍♀️
Some Examples: (I eat this up)
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I also like really angsty stuff; I need that depressing content and for the characters to suffer. But happy moments always mean everything to me, too.
Also complex characters are my favorite just heavily flawed misunderstood characters are my favorites most of my ocs are like this tbh 🚶🏻‍♀️
OCs only. (I can't, for the life of me, do anything canon but that's just me l like playing as my own characters)
No one liners I like long detailed responses since it keeps the story alive. I’ll get bored with short responses especially if I’m the only one writing a bunch
Pairings I’m looking for if romance is to be included:
FXM (I prefer playing the Male since I feel like I write them better)
(And honestly, there doesn’t have to be any romance if not everyone wants that. My favorite duos that are non-romantic and make the perfect target for Angst are parent and kid duos where they’re not related, and are just two strangers who bond over time and become family, or simply just platonic friendships are always fun too maybe even sibling duos as well 🤷🏻‍♀️ I like my family angst especially btw cause I’m evil like that)
IF ROMANCE IS INVOLVED THEN NSFW IS OKAY, as long as that's not the only thing happening, and there's actually a good storyline/plot planned Then, I don't see why not especially if there’s realism involved but it’s not required however I can live fine without it
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I also like making Playlist for my ocs with songs that are similar to them and sometimes boards for fun I feel like it’d be cool to have someone who’s just like that so we can make some together maybe even make playlists for each others characters :))
I use third person pov and try to match my partner's writing length(as long as it’s not one liners and super short). i also love , randomly receiving art of our characters interacting together that’s my favorite thing ever (any fellow artists? 👀), and coming up with headcannon, maybe edits too
I hope we can be friends outside of RP too and just ramble about ocs cause I tend to yap a lot about mine when I have someone returning that energy
Anyways that’s all HMU if interested
Discord: zombieology
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itsgrimeytime · 1 year
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Magnolia in May (Part Two) || Rick Grimes (TWD) x Greene!f!reader Regency AU
Part 1...
AVAILABLE ON AO3
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Inspiration (in honor of Speak Now Taylor's Version): Enchanted by Taylor Swift
Summary: Your town was small, not the smallest you knew, but anyone of high fortune was the gossip of the week. Predictably, Richard Grimes was a thing of whispers -rumors of a search for marriage among the grassy hills. You weren't one to buy into town gossip, but something about him... just seemed a little too intriguing.
TWS: rumors.
[[ A/N: Also, am I so inspired by this concept that I wrote a second part in a day? Maybe so... 👀👀👀 Anyway, thanks for reading!!! ]]
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You realized pretty quickly that you hadn't gotten the man's name, only his daughter's first. It was a bit frustrating, and even more so as your Headmistress continued to ramble on about timeliness and arriving on time.
You knew the lesson, it had been drilled into your head since you'd been late to school once at age six. It only grated on your ears now.
There was a thought there to tell her it was because of a man -she'd be so delighted, her whole rant would be long forgotten. But another part of yourself wished to hold it back -to keep this man and his darling daughter in your brain for no one else to see.
It was a rather selfish thought, but having never seen the two before you assumed they were travelers -they'd be gone soon enough. And without his name, it would be rather difficult to describe to a Headmistress all about social standing. He could be a farmhand for all you knew, an overdressed farmhand, sure, but one no less.
"Y/N," Headmistress pursed her lips -a grainy sort of disgust in her face, "-are you even listening?"
"Yes ma'am," you cleared your throat, moving to cut into your pancake, "-sorry, I was a little distracted, what have you asked?"
Elisa frowned, set deep into her face and you wondered how she'd been so smiley before with how heavily ingrained it looked, "I asked, young lady, what distracted you on your trip? It's not normal for you to take such time! So what happened?"
You paused, quickly eating a bite to buy some time -unsure if you wished to speak the truth. The more you thought about it, you found it rather stupid -the man was surely gone and it wasn't anything to concern them. You were a lady of age, and speaking to a man hardly was anything to talk to your parents about.
"Mrs. Sweets had some new dresses in the window," you lied -carefully dabbing your face with the napkin (you had noticed the new dresses but it had hardly taken any time at all), "-I wanted to look at them closely, and lost track of time, I suppose, I truly apologize."
"Hmm," the Headmistress pursed his lips -seeming to evaluate your words, "-lesson learned, I presume?"
"Very," you replied -simply, wishing for the conversation to navigate elsewhere.
And just as it seemed to (Maggie saying something that the Headmistress just had to dispute), there was a heavy knock on the door.
The room fell abruptly silent, the only noticeable noises being the slight clink of silverware and the creaks of the old chairs. Your father was the first to stand, making his way to the door with a confidence you'd wished you inherited.
The man who stood there was short, a cap situated on his head and a determination in his eyes, "This the Greene residence?"
Your father answered, a little uncertain -blocking the man's eyes from farther into the house, "Yes, I'm Dr. Hershel Greene, is this about work?"
"No sir," he responded -respectful and quite direct before extending a hand forward, a thick piece of paper exchanged between them, "-your family has been invited to the Ball, come next Tuesday. Mr. Grimes personally requested your presence."
Headmistress couldn't hold back a gasp, as Father took the paper -skimming over it with a heavy sort of look, "Personally?"
"Yes, sir. He insisted I bring it to the residence directly."
You thought back to the man, and his insistence on buying you more -just for the lack of one. Poking around the fruit on your plate, you frowned. He was probably married after all, he did have a child -someone as charming as he was most certainly bound to a wife.
Before you could dive further into your sudden despair, your father joined back at the table -slow and sure steps. Opening his mouth to say something, he didn't get very far before the Headmistress snatched the invite out of his hands.
Her lips pressed into a thin line as she skimmed over the words, she seemed to digest it (like it could be a fake).
You furrowed your brows, as she seemed to stall.
"I'll be looking forward to your presence signed Mr. Grimes," the Headmistress read out loud -a grin large and wide, "-he wrote us a note! He must be in search of a wife!"
"Miss Elisa," Father tried to calm her, now sitting back in his spot at the table.
"I'm only thinking optimistically, Hershel," she responded -tone much more controlled but still quite touched in tone, "-wouldn't it be wonderful for the girls to have suitors?"
"I'd rather not discuss speculation," your father leveled with her -eyes set in a certainty that not even the Headmistress could refuse.
And that was where the talk of the invite ended.
Your father was rather stubborn in his restrictions, and starting any sort of rumors about a man he respected was far below his limit. It wasn't even mentioned until that Saturday afternoon at the seamstress.
"Beth, dear," Headmistress hummed -rapting her knuckles on the small room she'd been dressing in, "-how does the blue one fit?"
It was a beautiful blue dress that matched her eyes with pillowing sleeves -layers of fabric heavy on the skirt. The cotton seemed soft to the touch, and you thought it a very good match to your sister -she'd suited it well from what you assumed. Beth hadn't shown the dress to you yet.
"It needs to be tightened," she echoed with a huff -frustrated, "-I can't reach-"
"Alright, alright," your Headmistress responded, her tone calming and direct -as she navigated into the room to help.
With that, you sighed deeply. Rather unamused by the extensive shopping you found yourself currently in, you enjoyed getting new dresses, really. It was just a long process, and for whatever reason, the Headmistress had always focused on you last.
It was rather stuffy in the store, dresses hung up in any corner they could. They were beautiful, truly stunning works of fabric and ribbon -you'd trailed your fingers along some of the layers with keen interest. It was always rather fascinating to study how the dresses were made, each individual stitch had its own purpose and you enjoyed the complexity of it.
Maggie grabbed your attention, motioning to a rather fluffy pink dress -detailed by too many rather large ribbons. She pulled it up to her side, posing like she was prim and proper -a grin biting on her face, "What do you think?"
You smiled, always amused by her antics, "We might need to-"
Your eyes caught on the window framing behind her, and there was someone so familiar there. You'd only seen a glimpse, but it had struck you so intricately, your eyes peered the area looking for whoever you recognized-
And then, you saw him.
He was still rather overdressed, darker button-up detailed by a lovely light blue ascot tied around his neck -it looked satin. Actually, he looked much fancier with a peacoat of a rather deep blue splayed across his shoulders, and hair still a little tussled from the day -brown curls resting still rather perfectly. He seemed content on a bench, Judith not present -as he looked on in front of him, absorbed by something quite heavily. You stilled, he was still here?
With a quick thought, you realized just how close the shop had been to the markets -it was a short walk, and you'd done it often. You had a wonderful view, well... right where he was seated. It was treacherous thought flooding your mind that he might be waiting for you.
"Y/N?" Maggie waved her hands in front of your face, starting to match your eyes towards where yours lay on the window, "What are you looking a-"
She stiffened. You hadn't been quick enough to divert her attention, as her eyes skimmed over the figure without much report. Maggie was a very upfront woman, after all.
"Who-"
"We might need to look elsewhere!" you finished your thought, rather loud and squeaky, as you quickly turned to a few other mannequins, "-what about this one, Maggie? I think the color is exquisite, really-"
"Y/N-" she spoke at full volume before you caught her eyes and made a shush motion -head tilting toward the dressing room.
"Everything alright, girls?" your Headmistress asked, most likely from your tone only a few seconds ago. You'd been thoroughly embarrassed it had even left your lips -so loud and not very graceful.
Maggie, a simple master at her craft, replied -without a flinch, "Yes, ma'am. Y/N just slipped on a skirt."
"Right, yes," you spoke, trying to contain the rather squeaky tone your voice had taken on, "-there are some quite long ones."
Headmistress must've accepted this answer, as she no longer responded -assumedly preoccupied with the dress mechanics, you briefly wondered how it had become so complicated. Before the more pressing matter made itself known.
Maggie was a hair away from jumping up and down right there in the seamstress shop, eager to be in on the loop. She'd gotten that trait from Ms. Elisa, you assumed.
Her voice was much quieter now, "Do you know him?"
"Oh, no-" you answered a little too fast, judging by the mischievous glint in her eyes only gleaming brighter, "-I just think he's rather handsome, that's all."
As if on cue, the man looked in the direction of the window of the shop. You don't know why, maybe the old man on the corner had grabbed his attention or the little boy who was currently chasing a butterfly down the street. It didn't matter, because his eyes neatly settled on you.
As if you were the only one on the street. Your cheeks turned a fantastic crimson at the mere thought-
And then, they shifted -flickering to your side. Where Maggie stood, grinning brightly and waving to the man. You were going to kill her.
With a little questioning look smoothing across his face, he raised his hand and waved back. His right hand, you noticed. (There was no ring.) You bit down the little flutter your stomach had done, bashfully raising your hand to wave as well.
The smile that stretched across his face was incredibly telling.
Maggie grinned even wider, not turning to face you, "You know him, how do you know him?"
"Well-"
Before you could say anything else, the man seemed to falter for a minute -turning to his side and grabbing something you couldn't quite see. He then lifted it, seeming to try and show it to you. It seemed to be a delicately woven basket one with much better craftsmanship than your own. You hadn't known what to expect in it, except-
Oh, he was waiting for you. He had the berries.
Your sister couldn't hold the pose, now fully turning to face you-hands gently taking your arms, "He's got a present."
"It's not quite a present, really-" you started.
Maggie didn't wait, eyes darting to the room where your other sister and Headmistress stayed stationed. Before she seemed to decide something -a familiar determination sparked in her eyes.
"Go," she whispered.
You opened your mouth, "What about-"
"I've got it," she reassured, a sort of warm affection bubbling up her voice, "-I'll lock them in there if I have to."
You rolled your eyes, knowing better than to argue with your sister, "I'll be quick, I promise."
Maggie rolled her eyes and pushed you to the door -scampering off to find whatever distraction she intended on using. God, you truly loved her.
As soon as you exited the shop, the man raised to his feet -almost on instinct. You frantically looked across the street, keeping an eye on oncoming carriages -before hastily making your way to the bench where he now stood.
He was laughing by the time you got there, the sound sent a familiar buzz up your spine, "In a hurry?"
"A bit," you answered -brushing a bit of dirt off your dress at the commotion, "-let's say I'm on borrowed time."
"I could've come to you," he said, so genuinely that you found you had to remember your point of being here. He apparently had a way of making you forget what you were doing.
"You couldn't," you responded, before scrambling to explain, "-wait, that sounded a bit rude. My apologies, it's just my Headmistress would lose it if she saw me so much as speaking to a man. She wants to marry us off, and any living breathing specimen is of enough quality to her."
"I'd hope I was better than a specimen," he smiled, a lilt in his voice that sounded quite close to teasing, "-do you refer to lots of men as specimens, Ms. Greene?"
"Just you," you quipped and he broke out into a sort of laughter -head thrown back, pure joy. You were quite proud of yourself for that one, holding your head slightly higher at the boost -smiling at his contagious one.
"Right, well," he added, clearing his throat to try and regain his composure, "-I'll keep note of 'at. Oh, and before I forget, here's the berries I owe ya."
And then, the basket (which surely was worth more than everything you currently wore) was extended to you. You could already see that it was filled with an assortment of berries, not just the single blueberry Judith had actually eaten.
"Oh, I couldn't, really-"
"I insist," he repeated, familiarly, and you found you couldn't quite fight the man in front of you.
"At least take the basket back, sir," you urged, a bit mesmerized by the handwoven pieces, "-I can't imagine what it's worth."
"Think of it as a gift."
"No," you reiterated, "-this must've cost a fortune. I can't-"
"Ms. Greene," he straightened, blue eyes glazing over your face in a way that almost worsened the crimson stain on your cheeks -something of fond, "-it's a gift, an' I'd be rather honored if ya accepted it."
You sighed, a bit defeated, "Alright, thank you, sir. I have no way of repaying you though-"
"How about a-" he began, fidgetting slightly with his coat -as if he was nervous. Why would he be nervous?
"Y/N," Maggie hissed across the courtyard, a sort of nerves in her eyes -you knew she'd already been cutting it close.
"I'm so sorry," you spoke, trying to genuinely portray it in your voice, "-really. If I see you again, please do approach me. Maybe we can have a complete conversation?"
He smiled, noting before you could leave, "Will do, Ms. Greene, enjoy the fruits. I got quite a wide selection, didn't know what you'd prefer."
"I'm sure they're lovely."
And then, without much of a notice, you rushed back into the seamstress shop -only chancing a look back when you came back inside. When you did, he stood in the same place -eyes intently focused on you, and gently waving his hand.
You laughed, timidly waving back.
Maggie was staring at you as you turned around, the gleam from earlier only sparkling even brighter.
You started, trying to stop the train before it even started, "Maggie-"
"You're telling me everything."
Then, the door creaked open -Beth (still in the dress she came in) as her eyes settled on the basket you held carefully in front of your skirt, and your Headmistress rumbling something about corsets.
"Girls, I think-" she started, before faltering, her own eyes settling on the rather extensive stash of fruit you'd gathered, "Where did you get that?"
The Headmistress was already making her way to you, brushing her fingers over the woven material -much like she had handled the invitation. So delicate as if it was the finest piece of china.
"Just someone repaying a debt," you answered, vaguely.
Ms. Elisa furrowed her brows, glancing at you with a deep, questioning gaze but you refused to break, "An expensive debt, I assume? That craftsmanship could probably pay for three new dresses from scratch, dear."
The Headmistress continued her path to the dresses, calling out to Beth to join her -leaving you stunned in your own path.
"Everything," Maggie reiterated, her tone doused in much of the amazement you'd felt.
"Everything," you agreed.
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mechaknight-98 · 2 months
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The Walking Dead AU
… I am unsure about this one because Gathering is heavily Resident evil inspired, and Diabolos’s first half is all the thing so I feel like the zombie tropes and concepts can be done in those but I don’t want it to do the same thing in TWD, but if it’s really wanted I’ll do it.
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