#this is just a random ancient

[greenskellyblob]

This is my take on the unmasked Ancients!

[persephonaae]

TERFs die mad: you just reblogged a nasty transgender person with pronouns and all who did this historical look to explore their cultural history as well as express their own nonbinary identity in a way that resonates with them. An edit I wish I didn’t have to make on this post

I’ll try to post the actual pictures I took soon, but I was bored today and wanted to shirk some other responsibilities, so I decided to do some general vague Minoan or Mycenaean look since it’s been on the mind and also my hair was looking really good today and I wanted to take advantage of that haha

[pinkd3mon]

Dedede at the end of revenge of the king

Day 4 of drawing random kirby shitpost for every day of October

[wayward-wren]

I think my favourite part about Tales of the TARDIS is that we get to see companions who have grown old, who are allowed to grow old.

Because in NuWho its become a trend for companions to leave in violent and brutal ways, only leaving because theyre ripped away. But Tales of the TARDIS let us see companions who grew old, lived lives after the Doctor. They get the soft ending of growing old.

Jamie gets to have daughters and grandchildren. Peri becomes a warrior queen. Vicki gets to live with her love. Tegan gets to chase her own adventures. Jo lives a life with her husband.

They get the opportunity to grow old. Leaving the Doctor isn't the end of them, rather it's the start of a different, maybe even better adventure. These shorts hold then companions and say 'it isn't a tragedy' and it's refreshing after the tragic exits of modern companions.

[tickfleato]

hmm it's friday right

[quibbs126]

Also I just think this picture is funny

[softcryz]

I think he would've just changed his entire design for some cycles. Just to fuck with people

[ganondoodle]

wait i just realized... the mastersword isnt even important enough to warrant zelda doing to such extreme lengths to repair it bc its NOT EVEN REQUIRED FOR DEFEATING GANONDORF

idk about you but the mastersword being not just this weak after all this but also not even required is like ... hurting the whole plot SO bad for all that zelda knew she was basically killing herself by doing the dragon thing ONLY for the mastersword, which isnt even needed to reach the end why do the dragon thing at all??? she could have put it in some other divine place for it to recover (she knew where the springs are, she knew where the krog forest is, heck she even knew where the forgotten temple is BC THEY WERE ALL THERE* and im not going to belive any of them came into existence afterwards), in botw it took 'only' a 100 years to regenerate the damage it took in botws past which, while not as extreme as in totk, was pretty bad! yeah it gets outright broken in totk but like ... really? far over 10 000 years to recover it? through ZELDA? one of the most divine being IN THE FORM of one of the most divine beings aside from the very gods themselves?? whats the use of it being able to regernate if it takes THAT long?? feels easier to forge a new one for that matter?? and the excuse that "it needed to be able to resist miasma" is like .. why tho? yeah ok fine i could do the entire bossfight with JUST the mastersword, but again, its not required! i can do it with anything else!! and its doesnt cleanse miasma either, like the sword did in tp when you could do away the twilight stuff when it got the super glow stuff so its really like ... she did that JUST for the sword? really? the fact that her becoming a dragon is the way to get her back into her time isnt something she could have known and it working out like that makes it feel like a massive fail of the writers bc it makes it feel less like an actual decision she made for good reason and more bc its a decision the writers made bc the writers already knew where it would end, the writers knew shed be turned back in the end no problem so they had her do the dragon thing despite it being pretty senseless from her perspective

(wouldnt it have felt more in character and logical to put the mastersword somwhere safe where it can recover over all those centuries and search for a way to return to her time herself? like in these two games ZELDA feels like the more important thing that the sword, -zeldas prone to sacrifice herself for other- WHY! its better for everyone if you are alive rather than dead! you got to this time by yourself and also somehow not jsut shifted the time but also PLACE bc you sure as hell didnt appear in a cavern in the middle of the land, you have wielded incredible magic before and are a researcher, surely theres some way for you to at least TRY to return on your own?? how cool would it have been to find little markers and spots where clearly she has left you some sort of message, maybe like a way for you to do something that helps her in the past, USE THE WEIRD ASS TIME BUBBLES FROM THE TUTORIAL AGAIN!! send back something she needs to return! go and talk with impa and purah to determine what shes trying to tell you, help her along the way and in the end she makes her triumphant return, having grown and learned with what she did instead of regressing her chaarcter to the big eyed maiden that you get as a reward at the end through unsatisfying bs reasons and hurray she doesnt even remember, perfect little fairytale of no consequences wahoo- im salty about this let me be salty-)

you can absolutely combine a free to explore open world with good story without restricting it by much, like locking the bossfight behind aquiring the mastersword doesnt feel like that big of a change and its not making it a whole lot more linear, most people do it anyway right?

(also a thing im doing in my rewrite of it is locking certain things for some parts, it just makes sense if you are trying to tell a story, but its pretty clear now they werent trying to do that, just throw you into a box of virtual toys, and i think thats just sad)

*yeah actually whats up with the sonau/rauru putting their little nuclear super weapon storage room inTO THE ANCIENT RELICT OF THE FORGOTTEN PAST TEMPLE BEHIND THE BIGGEST STATUE OF HYLIA IN EXISTENCE?? you cant tell me all those ancient ruins (springs, forgotten temple) were made AFTER all of the shitshow that went down in totks past; putting it behind that statue? building it into there feels incredibly disrespectful, maybe it makes more sense if you just see it as the devs wanting to put somethign new there, but if you consider it in universe its just ??? also HOW is any of it in such a good shape??, it looks like they buried sonia there a year ago, the structures look like they just came out of a 3d printer despite supposedly being older than their recorded history??

on that note ... how does the room with the order and location of zeldas tears make sense .. are you telling me someone of the past ran around after dragon zelda recording where her fucking tears went down and what markings it made on the ground and then built a room next to the nuclear weapon storage room with the laughably unceremonial grave of the fucking queen just to put all that into statue form? also none of the geographical things changed in ALL that time?? the castle is drawn on there too so i guess that was super fresh then since it "was built above ganondorf as a symbol of royal blahbla" at least in botw you had the photos on your SHIEKAH stone to recover them once you found the place they were taken in, it felt so organically integrated ..

[arty-cakes]

the king had forsaken everything he ever did and fled into his dreams leaving only his dead selfdom and unheard repentance, littering the land in the forms of statues and black eggs and failed tramways and dead children. his corpse somewhere at the end of the world where you can follow his spine to the top and then back, his dreams locked so tightly behind his shame you have to shatter numerous other stories around you just to gain access to his, an act parallel to his reign and his life. you have to fight and you have to demand to get to the pinnacle of what he was so ashamed of and it was love, it stained the sacrifices everyone made in his name, once done with resolution and trust now in vain. the king had a clear beginning, peak, and ending whether in dream or death it wont matter because now he's gone, and the world moved on without him and despite him.

the queen is still there. she imprisoned herself and had a limited view of what was happening on the outside but she knew enough to tell that the plan she played such a big part in has failed. yet somehow, within minutes of meeting you after so long down in her paralyzed kingdom she asks you to do it all over again. the fate of her kingdom is up to you and she makes that clear. she reminisces the past and she does not acknowledge its death. the king's story had an ending, you could argue that he gave it to himself. the queen's is in limbo, she absolutely gave it to herself. you could not change her mind and neither could flowers. and you could not make her face what she has done.

you leave her there.

[acediathemelancholy]

Seems like Elias has somehow gained enough social tact points not to call Chise his wife at the College. Actually, it's kind of hilarious that in a gathering of influential parents, he just decides to say he is also a father. I feel like this lie is going to blow up in their faces later

[pestilentbrood]

Um. One quastion. Looking at the... everything going on with FR's lore situation right now.

W... Why haven't they hired a writer. Why don't they have a dedicated lore writer. Or even just someone for the short stories. Do they not have the money to afford more staff? Because otherwise I cannot wrap my head around why they don't have a dedicated writer.

It would solve ... many of their problems . Lore writing wouldn't have to be passed around haphazardly to all of them. And we could have like... consistent, well put together lore. By people who Can Write

so um. W. Why do they not have a writer. They're supposedly consulting a professional writer for the Auraboa lore rewrite (which has repeatedly had more stuff chucked into it, it seems, which is usually not a great sign for how a story is progressing) so like... why not just. Hire. A writer

Am I missing something .

[weirdly-specific-but-ok]

Because the bedsheet ask was so random, I have another random ask…

When you wash cups, do you let them air dry or dry them with a towel…

How did 2024 get me to this point?

Now, listen up, maggots. Picture this:

There you are, posed in front of the sink (no dishwashers please, I'm too broke to know how dishwashers work, I've only read about them in Drarry fanfics). You stand there, and wipe the sweat from your forehead with the back of your hand.

Your cup, that you drank tea from but it was actually spiked with alcohol because your third cousin gossiped about your sister's husband to her mother-in-law and you're the go-between, is in your hand. You have just washed it.

The drops of water glisten in the noon sun. You wonder, briefly, why adulthood has you drinking before 1 pm. Then you brush that thought away like you did your sweat. Some things are best ignored.

What is important is the cup. You look at it, so wet and glistening and ready for you, and you wonder how to do it justice. Should you take the towel and gently rub it until it's dry and clean? Surely you should! You look around for the towel.

There hangs the towel, on the hook by the sink. It is coarse, and off-white, like eggified precome. Have you been reading too much fanfiction? No. Anyway, you reach for the towel, but pause midway.

The towel has been hanging there, moist from the last rubbing, fermented with bacteria and protozoans that yearn to feel its wetness and consume it. The fungi have not arrived yet, you take care to wash the towel enough for that. Or do you?

You hesitate, you do not remember the last time you washed the towel. Aftercare is a lost art, fading away like handweaving and ironworking and the knowledge that crumbled in Alexandria.

You look down at your darling cup, cradling so trustingly in the palm of your hand, still wet but not so much anymore, warming in the sunlight.

No, you decide. You will not sully your cup. You lay it aside to airdry, and cast one lingering glance at it before walking away.

The towel still remains on the hook, hanged for its crimes, left to its fate. Always to clean, never to be cleaned.

You have made the right choice. The cup will be pristine. The towel wilts in the noon sun, before hardening like plaster. A statue, a work of permanence, the mortification of the filth in flesh that the first ascetic Christians who settled in Ancient Rome preached.

All is well.

[shadeswift99]

SHADE. Shade I need your minecraft worldbuilding brain.

They introduced a bunch of new shards to 1.20. The one depicting the Warden is called "mourner."

THE POSSIBILITIES?? It's not just guarding these ancient cities, it's mourning what they once were? Maybe it's similar to an iron golem, a construct built to protect and then abandoned? Maybe it caused the ruination and it mourns what it destroyed? Maybe it's just cranky we disturbed it????

I really like all of those ideas! But, as is my duty as Shade, I am going to introduce you to an extra and more horrifying possibility!

So. Sculk. It's a fungus-like corruption that spreads when it's fed by XP, which is essentially souls or life energy in-universe released at the death or breaking of something. No mobs other than the Warden can spawn in the Deep Dark, which to me suggests sculk has a level of toxicity that even the undead can't handle. Except some people - players - seem to be able to withstand it, at least for a short period of time.

There sure is a lot of sculk in ancient cities, isn't there. A whooole lotta sculk. Whole lot of that stuff that duplicates through death of other living things.

Maybe the cities were full, when the first sculk was discovered. Maybe the toxicity claimed the first person to find it and spread as a result of that, the danger growing the more it took, until it was a wave few could escape. Maybe some got away through those odd portals, the ones with higher natural resistances lasting long enough to flee. ...Or, maybe some of them, left alive long enough to watch everyone else die, couldn't bring themselves to leave. Maybe they stayed to mourn the loss, exposing themselves for longer than even they could withstand. Maybe instead of dying, they changed.

The Warden has the same size hitbox as a player. In spite of visually far exceeding that size, it can fit through the same size gaps. Almost as if it outgrew the volume the Universe had calculated for it. And its ribcage, open and filled with sculk-like texture inside, has always read as human-like to me. The sculk controls it, so the body tries to kill living things to fuel the spread. It's only natural.

But maybe, like the cordyceps fungus, the sculk leaves the brain intact while bending the muscles of the body to its own purposes. Perhaps the Warden's eyes are closed because the mourner is still mourning - the loss of their city, still, or what they lost of themselves by not turning away.

[antiquitiesandlabyrinths]

Ramses I

Ramses the I is usually somewhat overlooked, partially due to being overshadowed by his eventual successors and namesakes, Ramses II and Ramses III, the former of which is considered to be 'Ramses the Great', and both of which achieved great things in the realm of battle and buildings. Also unfortunate for Ramses I is the length of his reign, which while disputed, is considered to have been relatively short.

Menpehtyre Ramses, born of Seti, started and was the first Pharaoh of the 19th dynasty of Egypt, and the dates of his reign are generally considered to be around 1292–1290 BC or 1295–1294 BC. However, he was born as a common man, and his father, Seti, was a military commander. Originally, Ramses I's name was Pa-ra-messu, and he eventually grew to succeed his father's rank in the military. Due to this, he became a close confidant with the Pharaoh of the time, the Pharaoh Horemheb.

You may know Horemheb as being one of the main successors of the throne after Tutankhamun's death which, to my knowledge, is wrapped in a little bit of a mystery, but was likely due to genetic malformations from his many diseases. Ay and Horemheb, the Grand Vizier and the General of Armies (respectively), held the main power of the country while Tutankhamun was Pharaoh. This was a time of turmoil––the country was just recovering from the reign of the heretic Akhenaten, who had banned religious worship of any God but the Aten, and essentially attempted to enforce monotheism upon a culture that had been polytheistic for thousands of years previously. Akhenaten had also severely neglected Egypt's relationship with foreign powers. Obviously, people weren't very happy with Akhenaten, and I think it likely they were not fond of Akhenaten's son, Tutankhamun, either. But Tutankhamun, with the help of his advisors and of Ay and Horemheb, reversed many of his heretic father's commands and laws. But Tutankhamun still sailed to the west at the age of 19. He had two baby girls, but neither of them survived past infancy. He had no successors, so Ay took the throne, and then Horemheb.

Horemheb enacted many more reformations to remove Akhenaten's efforts to change Egypt. He tore down the statues of Akhenaten and his monuments, reusing the stone in monuments and temples of his own. He also reused the monuments built for Ay and Tutankhamun, though this was a common practice in Egypt. But Horemheb had no surviving sons, so when it came time for Horemheb to pass on and appoint a new Pharaoh, his Grand Vizier took his place; Paramessu, who would take the name Ramesses I, meaning "Ra has fashioned Him". Ramses I was nearly 50 years old when he ascended to the throne. It was a remarkable age to become Pharaoh, as at this time, he would've already been considered elderly.

What little he did during his life was later completed by his son and successor, Seti I. He himself accomplished mainly one thing, which was to send additions to the garrison at Aswan, the border between Egypt and Nubia; though he also led a military expedition into west Asia and reopened turquoise mines in the Sinai. But the most remarkable things are the ones he didn't complete himself, such as additions to the Karnak temple complex in east Thebes, known as Waset at the time. He ordered to be carved great reliefs into the second pylon of the Karnak temple, which is a massive gateway that one sees relatively soon upon entering the complex. In Abydos, he began construction of a chapel and a temple, but it would have to be completed by his son, as Menpehtyre Ramses died in either the year of 1290 or 1294. His reign was so short that he had very little time to schedule or complete any great monuments, and even his tomb was rushed to be completed, and he was hastily buried in the Valley of the Kings. This rush unfortunately led to a great deal of errors being made in the paintings upon his sarcophagus. Later, however, Ramses I's son, Seti I, finished the chapel in honor of his father, with beautiful carvings and reliefs at Abydos.

His tomb was robbed thoroughly. By the time archaeologists got to it, all that remained were two six-foot tall (1.8 meters) wooden guardian statues who once had gold-foil skin, statuettes of Gods from the underworld, and the massive granite coffin which no longer carried its' owner. Menpehtyre Ramses had been taken to the Royal Cache, located above Hatshepsut's mortuary temple to the southeast. It was the tomb of the pharaoh Amenhotep II, but repurposed to be a protective place for the mummies of many Pharaohs and Queens, as most of the tombs of the Valley of the Kings had become victims of graverobbers. These protective actions were taken by the High Priest of Amun, Pinedjem II, in the 21st Dynasty.

Unfortunately this did not stop the usurping of Ramses I's body. He was stolen by the Abu-Rassul family of grave-robbers and sold by a Turkish vice-consular agent named Mustapha Aga Ayat in Luxor to a man named Dr. James Douglas. Douglas brought Ramses I to the US around the year of 1860, where he was placed in a museum in Niagara Falls with little information known about him. All that was speculated was that he was 'a Prince of Egypt'. Ownership of the museum, and thus of Ramses I, was passed through several hands, but his importance was only recognized with the help of the Canadian Egyptologist Gayle Gibson. Fortunately, in the year 2003, October 24, Menpehtyre Ramses was returned to his homeland of Egypt, and is now resting in the Mummification Museum in Luxor, Upper Egypt.

[theromaboo]

As the Ides of March approaches, I'd like to remind you that this coin exists.

Brutus issued this denarius to commemorate the assassination of Caesar. I love how the coin is like:

It is time to celebrate the #idesofmarch, guys! #stab #stab #hat

[aiqingdemeimiao]