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#this is not my ideal setlist
piovascosimo · 11 months
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I've been thinking what a good setlist for wembley would be, keeping the energy up but putting more interesting songs in instead of the hits, and i got here, which is not perfect but i think is better than what they are doing right now. BLUR SETLIST
01 - FOR TOMORROW 02 - GIRLS & BOYS 03 - ADVERT 04 - TROUBLE IN THE MESSAGE CENTRE 05 - STRANGE NEWS FROM ANOTHER STAR 06 - COLIN ZEAL 07 - COFFEE AND TV 08 - BONE BAG 09 - BEETLEBUM 10 - TRIMM TRABB 11 - HE THOUGHT OF CARS 12 - END OF A CENTURY 13 - TO THE END 14 - I THOUGHT I WAS A SPACEMAN 15 - POPSCENE 16 - VILLA ROSIE 17 - CHARMLESS MAN 18 - THERE'S NO OTHER WAY 19 - OILY WATER 20 - THIS IS A LOW
ENCORE
21 - TENDER 22 - THE NARCISSIST 23 - SONG 2 24 - CHEMICAL WORLD 25 - THE UNIVERSAL
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kingpains · 10 months
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got to see the @narcissistcookbook in dallas, thoroughly enjoyed it
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killemwithkawaii · 1 month
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Emotional hangovers are so fucking stupid.
"Oh, you went out and had an especially good time in a highly stimulating environment for a few hours? Nice going, you just cashed in 3 days worth of dopamine. Get Meh, jackass."
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mrschwartz · 1 year
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a realistic, 100% doable setlist that should be the standard for this tour
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carcarrot · 8 months
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daley @bawnjourno tagged me to make my ultimate 20-song sparks setlist and here it is!!! also tagging @ron-do-i-get-to-sing-my-way @whompthatsucker1981 @dinkydiamond @kitclock @nocribdoll @eddie-rifff and anyone else who wants to do it!!
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adolescenceknight · 8 months
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Sega opens the dusty coffin of the Project Diva franchise and makes a new game. Brand new. Soft reboot a-la PD F. No returning modules or songs, just a brand new roster, a breath of fresh air. What would you like to see from it? Songs, gameplay, gimmicks, and module wise (unrealistic is ok)
less miku songs. less miku modules. less miku. less 2d videos. bring back challenges for modules instead of buying them. i'd prefer the module system of X but i'd take F. diva room mechanic needs to come back. altnerate vocals from mirai need to come back too. t-shirt mechanic needs to go, you will not be missed. as few assets from sekai as possible
2020-2024 snow miku modules. racing miku modules for all the years they missed. magical mirai modules for all the years they missed. more hitop songs and modules, gonna need alluring secret, party x party, pirate f, you know the drill. can i say gigantic otn and okosensou as full songs and modules instead of in a medley or does that count as returning. well. who cares. i'm saying it anyway. club majesty, doctor funk beat, fraulein biblioteka(?), i'm gonna need them to at least give ONE of them a module. sisters mercy and vampires pathos modules and songs. i'd accept sekai modules as long as EVERYONE got them. put apocalypse 13th in there too why not fuck it i'm going full delusion. more wanopo, at the VERY LEAST good is yeah with the birthday modules. there WILL be cosmo songs so hey you cowards put i am hungry in there. sick house? them too. reirou would love making modules for them. if i could go full delusion on wanopo like i did for hitoyama, i'd like songs and modules for ksgr, negaposi, twin masters, tokyo zombie land, and niccori. uhhh put magical mirror in there you ducking cowards. oh, king and hero? yeah they need modules. can't believe i forgot about them. who cares about realism anymore just put against the world in there too. probably a lot of deco songs for miku but i'm okay with that. preferably fully modeled. not a devil would be perfect for modules.
and ideally they'd make more figures ^w^.
^ delusional.
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florencewellch · 11 months
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NOT THE STORY OF US
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literaturezombie · 2 years
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MCR LA3 was a fucking gift Just For Me!!!!! oops!all black parade. planetary (go!). BOY DIVISION for the first time in la. vampires will never hurt you??????? my fav black parade b sides. all the angels!!!!!! house of wolves. Gerard rolled around on the ground
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dirt-mccracken · 1 year
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Also thank u Spotify Wrapped artist messages for confirming I will get a new The Used and TBS album next year
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choerrys · 2 years
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everyone complaining about the setlist is pissing me off cause yall do not understand the gravity and the implications of YOU AND ME TOGETHER
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queenofalmosts · 8 months
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Also Justice for It's About Time they could've at least played one song from that album, like please be mine or something... 😔 their set was literally 3 hours long as it was so I guess it makes sense
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merrybloomwrites · 4 months
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I Hear Them Calling (Chapter 1)
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Story Summary: Alpha Harry Styles and omega Y/N Y/L/N meet under less than ideal circumstances. Overtime their paths will cross and they will be drawn to one another in ways they never expected.
Chapter Summary: Y/N attends her first Harry Styles concert and catches the unwanted attention of a knothead alpha. Luckily Harry and his team are able get to you in time, leading to some confusing thoughts about the popstar.
Previous Chapters: Prologue
CW: Attempted assault (nothing too graphic but it is there)
Word Count: 4.7k
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“What do you mean you can’t go?” You ask incredulously. Going to the concert wasn’t even your idea. It was your friend Rachel’s and now she’s ditching you.
There’s a pause on the other end of the call before Rachel says, “It’s my dog. Well, my family dog that we’ve had since I was in middle school. She’s not doing well, and they think she only has a couple days left so now I have to drive back to Delaware to see her and say goodbye.”
“Oh my god, Rach, I’m so sorry!” And now you feel like a jerk for being mad at her canceling.
“Thanks. We knew it was coming but I hoped we had a few more weeks. Uhm, anyway, I need to finish packing and get on the road.”
“Of course, yea, safe trip home,” you quickly reply.
“You better take some videos of the concert and send them to me. Especially if he does something different for night one at MSG!”  
“Rachel, I’m not gonna have any idea if he’s doing stuff different from his last shows, as I have no idea what his shows are like. But I promise to send you a couple videos, okay?”
“Still can’t believe you haven’t watched any videos from tour. What rock do you live under again?” You laugh at her teasing, mostly cause it’s true. The fact that you’ve made it this far without knowing much about Harry Styles surprises even you. “Have fun for both of us tonight,” Rachel says.
“I will, give your dog a belly rub from me. Love you!”
“Love you too, bye!”
The call ends and you sit for a moment. You don’t really want to go to a concert alone, but that’s what your night now has in store. Rachel had tried calling some other people in your friend group, but they were all busy. You’d also texted your two best friends, Amelia and Violet, but it was too last minute for them to change plans and go with you.
So, alone it is.
You look at the outfit you had planned but decide against it. The leather pants and crop top ensemble isn’t exactly in your comfort zone, but Rachel chose it and wanted the two of you to match. Now that you’re on your own you switch to a pair of jean shorts with tights underneath and a flowy top, something you’re much more comfortable with. Harry’s music plays in the background while you get ready. You’d been studying the setlist to make sure you would know at least some of the songs he’ll perform. You’re happy when you find yourself singing along, showing that listening on repeat had worked.
After getting dressed you do your hair and makeup, then drive to your local train station. Living in north Jersey has its perks, and the quick train ride directly to Madison Square Garden might just be the biggest.
You get off the train and follow the trail of feathers from the boas which leads you directly to the venue. You show your ticket and are led to the entrance for the pit.
Being in the pit had also been Rachel’s idea. You’d never done that before, and you would have preferred somewhere with a seat, and honestly a better view from a higher vantage point. But you’d agreed to pit and in the weeks leading to the show you’d actually become excited to experience something new.
But now that you’re alone, you’re a bit overwhelmed. You’re one of the last people to arrive, since it’s only half an hour before the opener is set to start, so you end up hanging in the back. But even then, the large amount of people around you has you on edge.
Being a single female is hard. Guys are always hitting on women, feeling entitled to your company, not taking no for an answer. But being a single female omega is even harder. The way you see it betas have it easy, especially since they’re the majority. And alphas? Well, what do they have to worry about? They’re bigger, they’re stronger, they have their alpha voices that can command you and take away your free will if they want. Plus, they have an unmatched sense of superiority, thinking they’re so special just because of their secondary gender.
But you’re an omega. Often considered to be the weakest gender. Which is stupid. You’re the gender that gives birth, which takes way more strength than alphas could ever possess. And yet you’re still looked down upon by plenty of people in society.
So, you choose to hide your secondary gender. Only your family members plus Ameila and Violet know the truth. You don’t need anyone judging you based on one little trait.
Going out in public, especially at places as crowded as MSG always gives you anxiety. You never know if a knothead alpha is going to be there and literally sniff you out as an omega. But you trust your suppressants and soothers and, most importantly, your scent blockers, to do their jobs and hide your omega status from the strangers around you.
The pills have never failed in you in the eight years since you started taking them. You have no reason to doubt them now.
And yet, you can’t help but feel uneasy about the attention a certain man in the crowd is giving you. He is undoubtedly an alpha, one that for sure does not use scent blockers. In fact, you’re almost convinced he’s doing something to broadcast his scent, somehow make it even stronger. It’s an unpleasant odor, one that practically burns your nose, but you pretend you can’t smell it. Afterall, a beta wouldn’t be able to notice the scent.
But as much as you try to ignore the scent, going so far as to move to the entire other side of the pit, it still lingers. Because you are most definitely being followed. Seemingly casual glances at the crowd around you shows that the man has moved with you.
Going closer to the stage is the last thing you want to do, but getting deeper in the crowd might be what you need to shake off the man. The girls around you gladly welcome you and make space for you to join. A moment later the opening act starts to play, and you no longer smell the alpha. You’re relieved and get into the music for a few minutes.
Then the girls around you start to move, and you hear them say something about the bathroom. You decide to go with them since you could use a bathroom break and there will be safety in numbers. You keep your head down and casually follow, in hopes that the man won’t see you leaving the crowd.
Only once in the bathroom do you lift your head up. There’s a small line since most people are out listening to the first band. A moment later it’s your turn and you enter the stall. After using the restroom, you notice a large rip in your tights. You look at them, hoping they can be considered fashionably torn, but then you see another hole and decide to give up on them altogether.
It takes you a couple minutes to get rid of them, needing basically to fully undress from the waist down to get them off. Finally, you’re put together again, and you exit the stall, throw out the destroyed tights, and wash your hands. You notice that the group you came with is gone. In fact, the entire bathroom is now empty.
You sigh, disappointed that you’re on your own again, but you suck it up and start making your way back to the pit.
The second you walk out the bathroom door you smell it. Him. That acrid, somehow fishy, definitely revolting scent that alerts you that the alpha is nearby.
Before you even see him you hear him say, “Be quiet, and follow me.”
Shit. That’s an alpha command. You’re aware of that fact, but unable to fight it. You want to run, go back to the crowd, but you have no choice but to follow this man deeper into the back hallways. You want to scream, but every time you open your mouth, no sound comes out.
He leads you to a deserted corner, pushing you so your back is against a wall, and says, “Now stay quiet, and don’t move.”
Again, you do as he says, not only because of the command that you have to follow, but also due to the fear paralyzing you to the spot and rendering you silent.
“What a good little omega,” he says as he walks closer. He leans towards your neck, breath ghosting over your mating spot, and a loud whimper escapes you.
Realizing that you don’t need words to call for help, you begin to let out whines and whimpers as well as release distressed pheromones. Sure, you have scent blockers, but they’re not perfect and fear this strong will surely overpower them. You hope it’s enough to alert any other alphas nearby that there is an omega in danger.
You see the anger cross the man’s face, note the furious pheromones he’s releasing, but before he even reacts, your world goes dark.
***
Harry’s stylist is putting the finishing touches on his hair when there’s a knock at the door.
“Come in,” Harry says.
The door opens and he sees his band standing just outside the room.
“Blood Orange is about to start,” his drummer, Sarah, says. “You coming to watch with us?”
“Yea, of course. I’ll join you in a minute.”
As soon as he’s left alone, Harry takes some calming breaths. Night one of fifteen consecutive sold out shows at Madison Square Garden. He can’t believe how far he’s come in his career. He takes another deep breath, reminding himself that he’s worked hard for this, that he’s completely ready.
After spraying one more dose of scent blockers, he walks out of his room and goes through the hallways to find his band. They’re at the end of one hall, standing at the opening they’ll use later to walk to the stage. Harry joins them, making sure they’re all back far enough that they are still hidden from the fans.
Harry mingles with his band while they wait for the opener to start their set. But after a minute, Harry starts to get an uneasy feeling. He himself isn’t nervous or scared, so he really doesn’t understand where this sudden anxiety is coming from.
Harry looks around and sees a worried look on Sarah’s face. Aside from Harry himself, Sarah is the only other Alpha in the band. So the fact that they both have a sudden bad feeling while the betas around them seem unbothered has Harry on edge.
He begins to look for any type of potential threat. Right away he notices that the two Alpha security guards are scanning the area as well, hinting that they’ve picked up on the same thing. One of them walks away to start looking for anything that could be going wrong.
Blood Orange takes the stage, and that anxious feeling seems to go away. Harry checks with Sarah and she’s feeling better too, so they assume whatever was wrong has been taken care of.
Everyone enjoys the first few songs, and suddenly, the feeling comes back, way stronger than before. Harry’s alpha is immediately alert. He starts moving before he even realizes what he’s doing. He hears footsteps and sees Sarah and a security guard following close behind.
None of them know exactly where the trouble is, they just follow their instincts through the backstage hallways. Suddenly, the feeling of overwhelming terror hits them, and they can faintly hear whimpers coming from a distressed omega.
They start to run in the direction the sounds are coming from. Rounding a corner, they come across a scene that has their blood boiling.
There’s a female omega, seemingly unconscious, being physically held up against a wall by a male alpha.
“Let her go,” Harry growls out using his alpha voice. It’s less effective on the man than it would be on an omega, but his grip on the girl involuntarily loosens. Harry and the security guard move in to pull the alpha off, and Sarah runs forward to catch the girl.
More security guards move in and drag the alpha away to be questioned.
Harry’s focus shifts to the omega now being held in Sarah’s lap on the floor. Adrenaline is still coursing through Harry’s body, but he feels himself relaxing faster than he thought possible. That’s when he realizes Sarah is releasing calming pheromones. He immediately works to do the same, rather than continue to broadcast the anger he’s feeling.
He knows his emotions can affect the vulnerable omega, and the last thing he wants to do is cause her most stress.
His most pressing worry is that she’s dropped. It wouldn’t be all that surprising. Omegas tend to drop during stressful situations. This can be dangerous for a number of reasons, especially if they don’t have a trusted alpha to keep them safe while they’re under.
Not only can they not protect their bodies, but a drop can also be a scary experience mentally. Omegas have described it as feeling untethered, like they’re stuck in darkness, unable to find a way out. There are good drops as well, ones you go into on purpose to give your mind rest. This is always done when there is an alpha there to hold and scent them and keep them safe and grounded throughout.
But if this is a drop, Harry knows it would be a bad one, and they’d need to gently bring her up immediately.
“Sarah?” Harry says to get the other alpha’s attention.
“Yes?” she replies, not taking her eyes off the girl.
“Do you think she’s dropped?”
“No. At least not fully. I can still catch a bit of her scent. If she went fully under it would have disappeared completely.”
There’s movement all around them, members of venue security and Harry’s team all coming and going to ensure everyone is safe. Music and loud cheers can be heard, meaning the opening act if still playing, that the show was not interrupted by what happened backstage.
Harry and Sarah are focused solely on the omega, until they hear a familiar male voice say, “There you guys are. Sarah, you scared the shit out of me running off like that.”
She looks up at her husband, Mitch, and smiles sheepishly before saying, “Sorry, I really didn’t think. We heard her distressed whines and just reacted.”
“Is she okay?” Mitch asks, crouching down to be level with the group on the floor.
“We think so,” Harry answers. “There was an alpha who had her cornered. Not sure what exactly he was planning but it was obviously nothing good. She was unconscious when we got to her. Just wish she’d wake up so we can check that she’s really unharmed.”
“Is she in a drop?” Mitch asks. Being a beta he’s not as knowledgeable about these things but he knows enough to be concerned about the girl.
“No, definitely not a full drop. But I’ve been flooding the area with calming pheromones and she’s still not waking up,” Sarah says worriedly.
“Maybe she just senses unknown alphas around her. Why don’t I try holding her and you guys move away a bit?” He senses how reluctant they are to move away from the omega, but eventually they listen to Mitch.
He settles on the ground and Sarah passes the omega to him before moving to give them space. After another minute the girl begins to stir, groggily at first before her eyes shoot open and she jumps up to move away from all the people around her. They watch cautiously, unsure what to do with the sudden change in the situation.
***
For awhile you’re stuck in the dark. This isn’t a drop, not really. You’ve only ever dropped twice but you can tell there’s a difference this time. You’re still aware of what’s going on around you, even if the details are fuzzy.
The alpha is gone. That you know for sure. The awful smell is gone, replaced by a much more pleasant one. It’s a mix of black tea and maybe the ocean? Whatever it is reminds you of early morning walks on the beach during family vacations. You relax more into this scent, and then notice that fresh laundry smell which always means someone is releasing calming pheromones.
You start to relax, the adrenaline slowly leaving your body. You can still sense multiple alphas, which keeps you a bit on edge. You try to open your eyes, but you’re still in a deep fog, probably due to the mix of intense emotions and the multiple alpha commands you’d been subjected to.
You don’t realize that someone is holding you until they shift and place you in another person’s arms. The alpha scent fades and you know the person now holding you is for sure a beta.
Finally, you manage to open your eyes. It takes a moment for you to get your bearings, but when you do, you’re overwhelmed, and honestly a bit embarrassed. Harry Styles, the Harry Styles, the world-famous popstar you’re here to see, is sitting across the hall from you, studying you closely. Next to him is a woman you recognize as his drummer.
After these discoveries, you fully realize your current position; that you’re being held in someone’s lap. One glance at the man shows it’s Harry’s guitarist. You’re no longer embarrassed. No, now you’re completely mortified. You quickly extract yourself from his hold and stand up, looking at the group, totally speechless.
They slowly stand as well, all looking at you. And not just them, but the other dozen or so people that are still in the hallway. There are so many eyes on you, watching you, and you just want to disappear.
Picking up on your unease, Harry says, “Why don’t we go somewhere less exposed, hm? You can hang in my dressing room and maybe have a medic look you over if that’s alright?”
Without thinking you begin to nod your head, just wanting to get somewhere quiet with less people. He reaches out as though to place his hand on your back and lead you but seems to think again and pulls his arm back. Instead, he walks ahead, and you follow, Mitch and Sarah coming as well.
You arrive at the room, groaning when you see more people waiting there. One’s the medic Harry mentioned, another is obviously a police officer, and the third is a man you don’t recognize.
“Harry, need to you choose your outfit and get dressed. We’ll take care of, uhm, sorry I didn’t catch your name,” says the man.
“Oh, I’m Y/N,” you say immediately, surprised at just how scratchy your voice comes out.
Sarah must pick up on it because she asks you, “Would you like a cup of tea love?”
You can’t help but smile and let out a laugh at that.
“What’s go funny?” she asks, smiling as well.
“It’s just, your scent, it definitely smells like tea. And the first thing you say to me is about tea. Sorry, I know it’s not polite to comment on someone else’s smell,” you finish, head lowering in a new wave of embarrassment.
“Don’t worry about it, I’m not offended,”
“Plus, you’re right,” Harry adds. “Swear I can’t make a cup of tea without thinking of her.”
“Aw, H, you think of me? How sweet,” she says with a joking tone.
“Real sweet,” Mitch says, then adds, “But stay away from my girl.”
You smile watching the easy interaction, happy to be distracted by their banter, sipping on the tea Sarah brings you.
That is until the man, whom you’ve learned is Harry’s manager, Jeff, reminds Harry that he’s supposed to be getting dressed, and the cop and medic walk over to you. There’s a table in one corner of the room and they lead you to it.
“Y/N, I’m Kate, I’m just going to get your vitals and check you over to make sure you’re okay, is that alright with you?”
“Yes, that’s fine,” you reply.
“And I’m Officer Michaels, is it okay if I ask you some questions about the incident tonight?"
“Of course.”
And so, as Kate does a quick exam you tell the whole story to the officer, starting with the uneasy feeling when you first noticed the man, all the way to him using his alpha voice to corner you in a back hallway.
Harry had reentered the room by this point, dressed in his show outfit and looking completely ready to get on stage. But he’s making no moves to leave the room, even though Jeff is reminding him the show is supposed to start in five minutes. Mitch and Sarah leave to finish getting ready themselves.
“Are we all set here?” You ask Kate and Officer Michaels.
“I have everything I need,” he replies. Kate adds, “Everything checks out just fine,” and they both exit the room as well.
This leaves you with just Harry and Jeff.
“Great, so I guess I should go back to the pit then?” You knew you were holding everything up and didn’t want to be more in the way than you already have been.
��Actually, Y/N, it would probably be best if you stay here for the show. Jeff, can you go grab Jada for me?”
The man nods, leaving you alone in the room with Harry. He motions to the couch, inviting you to sit and you do so. He sits on the coffee table facing you.
“I know you want to see the concert, and I know the man is gone, but I have to admit, my alpha is a bit on edge right now. To be completely honest, I don’t know if I could go out there and perform if you’re not completely safe. I would really like it if you stayed in this room and watched the concert on the TV over there. I promise to get you and your friends tickets to another show, alright?”
You’re taken aback by this, surprised by how much he seems to care about you, a random fan he’s never met before. And knowing that his alpha was triggered by what happened to the point where it’s still uneasy is a pretty big deal. That normally doesn’t happen with strangers. Sarah was no longer worried, and the alpha security guards were completely fine the second they caught the man.
So why was Harry’s alpha still calling the shots? It would make sense if you were partners, or at the very least, friends. Maybe Harry does truly care that deeply about all of his fans. That must be it. Because it certainly can’t be you in particular. There’s nothing special about you, other than being a damsel in distress and nearly derailing his show.
He must see the confusion on your face and continues, “Jada will be here in a moment, and she’ll hang out with you. Anything you need, just ask her. I won’t see you after the show, I leave right from the stage, but talk to Jada and Jeff and they’ll make sure you get home safely.”
“Okay, thank you so much for everything,” you reply.
“Of course. It’s the least I can do. Y/N, I am so very sorry something like this happened to you here. I always want this to be a fun, safe place for everyone.”
“It’s not your fault. Please, don’t feel bad. It is completely that knothead’s fault. You guys are the ones that saved me.”
He reaches forward and places his hand on top of yours, just for a second. Your hand tingles as he pulls away, like a bolt of electricity had just gone through it. You meet his eyes, and see he felt it too. You stare at each other, frozen for a moment, until there’s another knock at the door.
Harry stands quickly and introduces you to Jada as she joins you on the couch.
“Okay, I have to go before Jeff kills me. Y/N please give Jada your contact info so we can get those new tickets to you. Get some safe,” he says.
“Thank you, break a leg,” you reply and a second later he’s gone.
You talk to Jada throughout the start of the show, smiling as she lets you in on some behind the scenes info about the tour. After a few songs she asks if there’s anything she can get you.
“I actually have kind of a weird favor. I was supposed to come with a friend, but she couldn’t come at the last minute. I promised to send her videos and she’s going to be suspicious if I don’t have any. Would you be able to take a couple videos from the pit? I just don’t want to have to explain what happened. At least, not yet.”
“Of course, girl, I’ve got you. I’ll go get a couple of the next songs. Are you okay in here? There’s security outside the door so no one will be able to get in.”
“Yea, I’ll be fine,” you reply with a smile.
She walks out and you sink into the couch, grateful for a few minutes alone. Everyone has been so lovely, but it’s been a lot, and you need a minute just to breathe. You close your eyes, relaxing your body, and when you’re fully calm, you smell it.
There’s another alpha scent, but not one of a person nearby. No, it’s in the fabric of the couch. And the blanket next to you. And the shirt draped over the back of the couch.
It’s Harry’s scent. And it’s amazing. So clean, and fresh, with hints of chocolate, and the forest, and something sweet. Maybe roses, you think. Definitely a hint of floral. And once you catch the scent, it’s all you can think about, like it’s wrapped you in a warm hug. You feel better than you have in hours, the stress of the day fully washing away.
Even when Jada comes back, Harry’s smell is what you focus on the most. She notices you’re quieter than before and must assume you’re just tired from everything that has happened. She goes back out towards the end of the show to grab another video and you can’t help yourself. You turn to the side, right where the shirt is, and purposely take a deep breath. It’s almost overwhelming, your omega telling you to steal the shirt so you’ll always have the delicious scent with you.
That snaps you back to reality. You need to get your omega under control. You’re just like every other fan, thirsting for the amazing Harry Styles. Get a grip, you tell your omega. He’ll never be ours, don’t get attached.
Jada comes back, the show ends, and she leads you to a car that will bring you home. She asks for your car keys and ensures someone else will grab it from the station and drop it off at your place. She rides with you back to your home, along with a security guard.
You exchange numbers during the drive and breathe a sigh of relief when your apartment building comes into view. It’s been an exhausting day, and you can’t wait for a hot shower and your comfy bed.
You thank Jada for everything and notice them waiting for you to get safely inside before driving away.
You scorch your skin in the shower, put on your comfiest pajamas, and burrow under your covers.
You fall asleep that night not thinking of the horrible alpha, and the horrors of the day, but rather of green eyes, soft hands on yours, and the delicious scent that can only belong to Harry.
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A/N: Thank you so much for reading, I hope you enjoyed! If you have any questions, comments, concerns, (requests), please let me know!
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painted-bees · 7 months
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August 12, 2008.
 Magritte had only ever heard good things about Vancouver's Granville Island and so, naturally, it was the first place she set out to find upon arriving in the city. The Greyhound station her bus pulled into had been only a short walk from the Skytrain that would carry her two minutes to Granville Station. And it was here that Magritte had the good sense to find a nice, unintrusive space to sit cross-legged and lay her old, faithful piano keyboard across her lap.
  The instrument, pulled out of its cozy bed from within her large duffel bag, was a well loved Yamaha PSS-270. Its dull, black, plastic body was covered in ancient, disintegrating stickers, and a generous amount of electrical tape served to hold its batteries in place.
  With an affectionate press of a button, she woke the machine up from its slumber, selected her choice presets and, with no specific setlist in mind, began to improvise a little tune. Something cute and fun, perhaps a little bit like Donkey Kong’s Stickerbrush Symphony in tempo and progression. Or just…”Stickerbrush Symphony”, wholesale, why the hell not? Improvisation melted seamlessly into the classic video game tunes that were fondly familiar to her.
The beloved instrument cradled in Magritte’s lap had been pulled apart and reassembled more times than she kept track of. But still, it held together and played its charming FM sounds dutifully. A tidy row of silver metal switches, lined up along the side of its body, were left carefully undisturbed as her fingers danced across the yellowed plastic keys. Magritte had learned very early in her busking career that the general public did not appreciate the unpredictable discordinance of a bent circuit as much as she did. And so that row of silver little switches connecting the data lines stood stoically in their ‘on’ position, not allowing for any delightful surprises, but also not deteriorating the synth-chip’s sound into glitchy noise on a bad turn. Perfectly vanilla, perfectly agreeable, endearingly nostalgic.
 She had placed an old ball cap upside down infront of her, tossing in a few quarters of her own as a way of inviting more from friendly pockets. Ideally, she’d play an hour or two and leave with enough change to buy a coffee. Not just a Tim’s coffee–no. She wanted a decadent foamy latte from a cute, artsy little cafe she could sit in. She couldn’t bear to walk through the streets of Granville Island without having the spare change to treat herself on an impulse. And so–she’d not leave the train station until the passing public funded her frivolous spending habits.
After all, it was her birthday. She deserved a little gift.
 Busking in a transit station was always a bit of a trade-off. It was a bustling place full of foot traffic but the people here were focused on reaching their destination; busy and preoccupied. In a place like this, Magritte had no expectation to captivate loiterers. Not many transit-goers could spare a minute or two to sit and listen while she hammered out her cheap little tunes on cheap little piano keys. And so, when a well worn pair of tan colored, loose-laced Timberlands entered her field of vision, stopping definitively to stand before her, Magritte turned her gaze upward to welcome the listener with a wide, sloppy smile.
 Without giving her brain time to register the face she was speaking to, Magritte opened her mouth to chime a cheery greeting. She was cut off faster than she could process his expression.
  “You’re in my spot.”
  The man’s voice was curt, and the cold annoyance in his tone was mirrored in the expression on his short, square face. Pale blue eyes looked down a sharp, slightly bent nose at her. His narrow lips were pressed narrower still in a stern line, framed by a full, sandy colored beard and moustache. Atop his head, long hair of the same light color was pulled back into a small, tight bun; more slick and tidy, but far less full than the sloppy bun that Magritte’s unruly mane of curly rust colored hair had been wrangled up into.
 Her dorky smirk dissolved with a few confused blinks into a slack jaw of nervous apology. “O-oh! I uh-s-sorry!” 
Her startled gaze snagged itself on the acoustic guitar slung over his shoulder, and the instrument’s exciting potential made her straighten her back with intent.
 She found her smile again. “What if–maybe we could jam? For a few minutes! And then I can scoot on outta here and leave you to it if you want. It’s been a long time since I’ve had the chance to–”
 “Do you have a permit?” His tone was unchanged by her eager proposition.
 “Huh?” It wasn’t that Magritte didn’t hear him, but she needed a moment to process what was being asked.
 “You can’t be here without a permit. Not the stations, not anywhere in Granville either.” The unaccommodating man took a few steps towards her duffel bag and used the top of his foot to lift and slide it away from where she had safely tucked it. “Get a move on.”
 Magritte protectively reached out to grab her bag as the man carelessly footed it out of ‘his’ space. And in doing so, she caused her keyboard to slide off her lap, forcing her to clumsily abort her duffel-grabbing effort in favor of clutching her instrument before it could somersault over the edge of her knees and land face-down onto hard ground.
 The man, it seemed, was done with words and had already begun moving into the small space that shoving her bag out of the way had created. She felt her face turn hot as she began to gather up her items. Any desire to engage the guy more than she already had was lost along with her nerve.
 As she relented to stowing her keyboard back into her duffel bag, an unfamiliar hand shoved a cold, unopened can of Coke in front of her face.
 “Here you go.” Another man’s voice. A softer one, this time. Magritte glanced up to meet eyes with the stranger who was offering her a free drink, only to gaze into a pair of red, plastic, star shaped dollar store sunglasses.
He gave the soda can a little shake, prompting her to take it into her hands. “Sorry I took long, I had to give someone directions to the aquarium.”
 “Is this…for me?” Holding the can in both hands, Magritte stared at the unopened beverage, unsure what to do with it.
 The new stranger leaned onto his back foot. “You said coke, right?”
 Before Magritte could stammer out a response, the new stranger turned his attention to the man with the guitar. “‘Ey, Kurtis. You mind, dude?”
 The unaccommodating man, ‘Kurtis’, had just started settling in, and looked towards the new stranger with an expression that appeared as perplexed as Magritte herself felt. He turned up both his palms in a slightly contentious gesture. “Didn’t know you were playin’ here again. I’ve had this spot for, like, a year. People don’t usually park here without asking me first.”
 “Okay, but you can’t just kick ‘em out like this, man.”
 “I didn’t know she was with you–”
“Doesn’t matter,” Magritte’s new best friend replied. “Sixty minutes. It’s not a long time to wait if you gotta wait.”
 Magritte, who had been watching Kurtis’ confidence slowly drain from his body with each passing second, turned to examine the cut of her spontaneous new accomplice. His hair was a shade or two darker than Kurtis’, and trimmed much, much shorter, with longer locks in front that fell in straight tufts over the tops of his ears and just past his thick, blocky eyebrows. His eyes remained obscured by the cheap plastic shades, and their childish novelty paired strangely with the well trimmed goatee that fanned out from under his lip to define the curve of his somewhat long but gentle chin. And he had with him a rectangular instrument case of…some variety. Not big enough for a guitar, not small enough for a flute. It didn’t give away the shape of the instrument inside, but the black oxford cloth and gold colored metallic detailings of its exterior gave it a classy, charming look she had not seen for an instrument case before. It was cute. Magritte wondered if such a style was available for portable keyboards.
 His hands, which wore white fingerless driving gloves, cracked open his can of sprite, and he took a casual sip while waiting for Kurtis to, “Get a move on.”
  Relenting, Kurtis shuffled away from the spot he had been deliberately crowding Magritte out of. With a snort and a nod of his head towards her, Kurtis said, “Can’t exactly play Paganini on a Portasound, Raf. What’s on your setlist?”
  Raf brandished a lopsided smirk and jutted his chin in the direction of Magritte’s upturned hat on the ground. “Put a toonie down and I’ll show you.”
  “Fuck off.” Kurtis’s scoff was accompanied by a laugh–one that sounded surprisingly genuine to Magritte's ear. “I came here to earn change, not spend it. But I’m curious to hear how the Ephrem Classical pairs with Toy Piano.”
 Raf let out a low groan that could have been mistaken for a growl. Moving into the corner that Kurtis had surrendered, he unslung his instrument off his shoulder with a shrug. “There’s plenty you can play on just forty-nine keys.”
 Being very confident about this fact, Magritte couldn’t help but provide her insight on the matter. With an enthusiastic lean-in, she interjected, “Yeah, like Kirby’s Dreamland!”
 Raf’s head flinched in her direction almost imperceptibly, and if she had caught the subtle downward twitch of his eyebrows that betrayed a pang of confusion, she might have felt a bite of embarrassment. But instead, she heard him agree. “Like…Kirby’s Dreamland, yeah.”
 He turned to look over his shoulder at her, his sunglasses mercifully hiding the bafflement in his eyes. Magritte beamed gleefully back up at him.
  “Well, have fun.” Kurtis levelled a stern yet somewhat pleading glance at Raf.” I’ll be back here in an hour. Don’t let anyone else move in if you leave early, please.”
 Raf simply shrugged and sipped loudly from his can of sprite in response.
  As Magritte watched Kurtis disappear into the foot traffic, she began to tentatively scoot back towards where she had previously sat. “I didn’t mind giving that guy his spot back, he was just kinda–”
 “A dick. Nah, I saw that. S’why I stepped in.” Raf had carefully set his instrument case down, and was in the process of zipping it open.
 Leaning slightly to get a peek at what he was playing, Magritte said, “Thanks for the pop, by the way! I can pay you back after. If uh–you’re actually gonna stick around and jam with me.”
 He pulled his instrument out of its protective cradle; a pale varnished wooden violin. “Don’t worry about it.”
Inside the carrying case, Magritte noticed two bows neatly stowed. The bowstrings on the bow Raf selected was a standard white color, but the strings on the one he left in the case were an eye-catching red.
“Truth be told,” tucking the chin rest of the violin beneath his chin, he played one string, and then two experimentally, “I don’t really play anymore.” His fingers closed around one of the tuning knobs at the head of the violin, but if he had tweaked it at all, it wasn't perceptible. “So it’s gonna be pretty rough. But uh…gotta commit to the bit, I guess.”
  Magritte took the moment to open her soda and enjoy a refreshing sip. “What kinda music do you normally play?” 
  “Classical,” he replied almost too quickly. “You?”
  Magritte hesitated for a second. She should have had an easy answer for this by now, but all she could manage was, “a bit of everything. Anything, really!”
  Raf ran his bow over the strings again to hear their tune before turning to look at her. “Yeah?” His eyebrows were raised, and his smirk favored one side of his face; an expression Magritte interpreted as incredulous. He fidgeted with a tiny, lone knob on the violin's body where the strings ended.
  “Y-yeah! I, um…” Settling her keyboard back into her lap, she turned it on. “You can just play whatever, and I can fill it in. I can improvise, I think.”
  Raf paused and stared down at Magritte’s little Portasound with a sigh much heavier than he intended. The thing was lacking, not just in keys, but in sound. It was a struggle to think of something he could play that she’d be able to accompany. The titles which did come to mind where…overplayed and would have to be simplified considerably to suit the keyboard's limitations. Weighing it in his mind, however, he decided that ‘simple’ may benefit not just the limited range of her instrument, but of her musical skill as well.
 He ran the bow over his strings to measure their tune one last time before tentatively, very slowly playing the first few crystalline notes of Für Elise. He felt a tension he didn’t know he was holding melt off his shoulders as he watched Magritte’s face light up. She curled over her little piano in a hurry to play his accompaniment. She knew this one.
  She picked a soft, more ambient sound from the keyboard’s voicebank, electing to quietly cushion the violin’s notes rather than chafe against them. It was…difficult. Her little yamaha and its quaint library of FM chip sounds did not get along nicely with ‘real instruments’ that were being played ‘straight’. It wanted to be weird and annoying, just like her. But the notes Raf played, while simple, were extremely clear in tone; neat and tidy. The bow did not once stutter on the rough strings, it glided with practised ease. And with a great deal of restraint.
  This guy…he was playing beneath his skill level. For her sake, presumably. Like a gentleman.
 As Raf brought Für Elise to a close with the last, steady draw of his bow, Magritte swapped her soft, ambient voicing out with an annoying music box sound, and began hammering out a choice section from the 3rd movement of Appassionata. Her fingers slammed the keys harder than was necessary, solely because she enjoyed the percussive sound it added to each obnoxious, feverish note. 
  Lowering his violin, Raf watched Magritte’s fingers flutter furiously across the mini keys with respectable precision. Holding both the bow and the neck of his violin in one hand, his free hand reached up to remove his sunglasses and he rubbed his eye with the heel of his palm. A humbled snort escaped through his nose. “Yeah, okay.”
  “Play any song.” Magritte slowed her fingers to a stop without completing the movement. “Even if I don’t know it, even if it goes beyond the range of my little piano, I can improvise something nice for it, I promise!”
  Fitting his sunglasses back on, Raf let out a tentative hum. “I’m not much of an improviser–”
  “You don’t have to improvise anything! Play whatever you want, however you wanna play it. I will improvise around whatever you give me!” Magritte’s voice had risen to an excited shout, and instinctively, she withdrew into herself just a little bit, as if making herself smaller would also make her voice smaller, too. “It’s my favorite thing to do. It’s a lot of fun.”
  His incredulous smirk returned, but this time his brow furrowed slightly, encouragingly, under his growing sense of intrigue.
  “It’s–” Magritte held up both hands haltingly, “it’s probably not gonna be like how you know it should be. Just…so you know. It might even be…bad? In some parts? But-! Mostly it’ll be neat! I promise!”
  “Neat…” Raf brought the violin up once again to rest under his chin. “Neat’s cool. Alright, let’s see, then.”
  As though he had been inspired by Magritte’s aggressive interpretation of Appassionata, he began with a series of fast, chirpy, clean notes of his own. A wholly different song, but Magritte recognized this one too. She had most often heard it as a phone ringtone, but she couldn’t recall who composed it nor what the song was titled. She provided a jaunty, equally bouncy accompaniment that she’d have described as ‘percussive’. The violin’s unwavering confidence was a delight for Magritte’s deft little fingers to dance around. He never fell out of tempo, and she was able to punctuate his notes with hers in perfect time. Maintaining synchrony for the entire length of the fast paced composition filled her with such satisfying joy, she had failed to properly appreciate an obvious fact about her musical accomplice until he brought the song to a close; he was a skilled musician.
  Staring up at him from her spot on the floor, Magritte’s wide eyes almost sparkled with delight. “You’re like…Concert hall good, aren’t you? Are you part of the local orchestra? Or at least like–aspiring to be?”
  Raf’s gaze hung on her as both his jaw and posture slackened. “Uh…” 
  She didn’t give him enough time to respond, hitting him with another question. “What was the title of that song? I just know it as one of the Nokia ringtones.”
 “P–” Raf’s stunned silence cracked with a laugh that sprang forth from his chest and took him by surprise almost as much as Magritte’s line of questioning had. “Paganini. It’s–it’s Paganini, Caprice number…number 24.” The response was punctuated with warm chuckling. “Or, you know, that one phone ringtone, yeah.” He smirked at her for a moment longer, studying her for any sign that she was putting him on. “How do you…accompany me that well, on that little machine, and not even know the song?”
 Magritte waved her hands in front of her. “No, no, I knew the song! I’ve heard it before, I just didn’t know what it was called.”
 “Yeah, alright.” He snorted one last incredulous laugh and brought his violin back up for another song.
 Magritte stopped him before he could settle on his next pick. “Do you play professionally? I mean, it sounds like it but, like–”
  “No.” Before Magritte could inquire further, the first notes of their next song filled the space between them, drawn out of his violin with long, purposeful strokes of his bow.
  The next several songs, Raf played seamlessly one into the other–without pausing for conversation. That was just as well for Magritte. It had been ages since she was given the chance to play music with someone, and never had she played with someone who was so…solid? Consistent? The real deal. Usually, she had to avoid getting carried away when playing with another person. It was very easy for her to close her eyes and get taken to places that her musical partners could not follow along with. But with Raf, she was finding herself challenged to keep up with him. Most of the songs he had chosen, she had not heard before. And so she needed to keep an attentive ear out if she wanted to pick out repeated phrases, and predict melodic trajectories.
  Finally, they arrived at the end of an especially eclectic piece, and Raf did not immediately follow through into another composition. Instead he lowered his bow, and Magritte took her opening to converse again.
  “I really liked that one. It was super janky, in a fun way.”
  “Yeah,” Raf said. “I was always fond of it, too.”
  “I liked the plucky bits. Did you write it?”
 “Did I–” Raf palmed both his bow and violin in one hand, and massaged his eyes and browline with the other. “No, some guy named Ravel did. Tzigane, that one’s called.”
  Magritte chewed the inside of her cheek. “R-right.”
  He furrowed his eyebrows at her. “You knew that one, though.”
  “I didn’t.”
  “...You just let me solo the first four minutes based on vibes?”
  “I thought I missed the bus on it.”
  “The actual composition has no accompaniment until about half way through, so…bravo.”
  “Wait, really?” Magritte leaned forward eagerly. “Did I play the accompaniment correctly, too?”
  “Not even close.”
  “Drat.” She slumped.
  “Was good, though.” Raf picked up his sprite from where he had placed it, on the ground next to his case, and drained the last bit of its contents.
  Magritte perked up again. “Yeah!?”
  He held the lip of the empty can between his teeth as he began tucking his violin back into its carrying case. “Mmhm.”   
  Magritte watched him pack up for a moment longer than it should have taken her to realise, “Wait, you’re leaving already?”
  Raf zipped his instrument safely away before removing the empty soda can from his mouth. “Yeah, I gotta get going. But look,” He bent over to collect Magritte’s upturned ball cap off the ground. The few quarters she had started with now had a generous handful of friends with them; more quarters, some loonies, a few toonies and–
 Magritte accepted the hat when Raf handed it to her, and pulled a crisp twenty dollar bill out of it. “W-who left this!? I wasn’t even paying attention, I should have said thanks!”
  “A mystery.” He slung his violin case over his shoulder.
  Magritte urged him to wait, fluttering a hand at him. “Half of this is yours!”
  “Nah.” He favored her with a smile. “Genuinely, this was a treat in itself. It’s been a long time since I’ve played for fun like this. It…was fun.” That last part sounded as though it came as a surprise to him.
  Frowning, Magritte pleaded with him. “Okay, okay but–okay. Lemme treat you to a coffee then, at least? If you’re in no real hurry.”
  Raf paused to regard her with a measuring stare. He then sighed and shoved his hands into the pockets of his black denim hoodie jacket, waiting for Magritte to stow her keyboard away into her bag.
  Zipping the duffel closed, she hoisted it with effort over her shoulder and beamed up at her new friendly acquaintance. “If you know any cute, cozy coffee places with a real decadent latte, I’m open to suggestions!”
  “There are…a few.” 
  “I’m Magritte, by the way!” She extended her hand out to him.
  With slight hesitation, Raf shook it. “Rafael.”
  As the two of them began to make their way out of the station together, he dared to ask, “Are you here visiting, or..?”
  “Oh!” She bounced on the balls of her feet, “I just came in from Calgary like…two hours ago. Ideally, I’d like to stay until the spring, but that’s gonna depend on things.”
  “Calgary?”
  “Yeah! I was in Edmonton before that, and in Winnipeg before that–but that was mostly a fever dream. I wasn’t there long. Montreal before that, though, was nice..!” She talked the entire walk, and he was content to quietly listen. part ii
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daisyswift3 · 11 months
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You’re Losing Me Analysis
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I wanted to do a short analysis on You’re Losing Me. My first impression of this song is that it’s another breakup song addressed to her fans in allegorical form like high infidelity (see this post). There are multiple lyrics that substantiate this interpretation. It’s horribly ironic that swifties think this is a song abt Joe when it’s really abt them and their refusal to SEE her. I’m more certain than ever now that the eras tour is a goodbye to her fans before she comes out
You say “I don’t understand” and I say “I know you don’t” // This is reminiscent of the bridge of Dear Reader. These desperate prayers of a cursed man spilling out to you for free but darling, darling, please, you wouldn't take my word for it if you knew who was talking. There is a communication issue between her and her fans. Her fans don’t know who she really is and are gonna be really confused when she comes out bc they thought they knew her
We thought a cure would come through in time…Now I just sit in the dark and wonder if it’s time // This parallels the archer. Should she stay in her dark closet or step into the daylight? Dark side, I search for your dark side. But what if I'm alright, right, right, right here? Also the mention of time makes me think of “meet me at midnight” and all the clock/time imagery she’s been using lately alluding to a countdown. Spring breaks loose, the time is near / Are we only biding time 'til I lose your attention? Her Cinderella facade is abt to expire at midnight
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The heartbeat is an obvious callback to wildest dreams which she includes twice in the setlist, once in the 1989 era and once in the seven spoken word poem which again makes use of this Cinderella metaphor. This poem essentially tells her fans “You can cling onto this idealized version of me in my Cinderella dress or you can meet the real me at midnight”
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Do I throw out everything we built or keep it? // Again the archer. Should she come out and potentially ruin her career and her relationship w her fans or stay in the closet? She chose the first option and burned the lover house down. Dear reader burn all the files, desert all your past lives / He's gonna burn this house to the ground…So yeah it’s a fire it’s a goddamn blaze in the dark / 'Cause there were pages turned with the bridges burned. Everything you lose is a step you take. So make the friendship bracelets, take the moment and taste it. You've got no reason to be afraid
You might have just dealt the final blow // Don’t Blame Me transitioning into LWYMMD. Her singing “The old Taylor can’t come to the phone right now. Why? Because she’s dead” while all the glass closets keeping her past selves trapped shatter and they walk out finally freed. The Anti Hero mv where her daughter in law (representing the hardcore swifties) is the person that kills her and the younger son (gaylors) points this out which enrages her and sparks a brawl. Happiness, which includes a reference to the Cinderella/midnight metaphor, being a eulogy to the old Taylor and her relationship w her fans—“dappled with the flickers of light from the dress I wore at midnight, leave it all behind”
These lyrics make it pretty clear who she’s talking to imo. How can you say that you love someone you can’t tell is dying? I sent you signals // Sending signals to be double crossed / You didn’t even hear me out, I gave so many signs so many times
Now you’re running down the hallway // Dear reader, get out your map, pick somewhere and just run
I gave you all my best me’s, my endless empathy // After giving you the best I had, tell me what to give after that
Fighting in only your army, frontlines // Combat, I’m ready for combat / So yeah it’s a war, it’s the goddamn fight of my life
A pathological people pleaser who only wanted you to see her // All of mirrorball and Nothing New. The Dear Reader bridge. They see right through me. Can you see right through me? The delicate mv. Giant Taylor begging the audience to see her in the eras tour Anti Hero performance and storming off after being ignored
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Gif courtesy of @iwanthermidnightz
Lastly this track follows Dear Reader and when read together it sounds like she’s telling her fans goodbye
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florencewellch · 4 months
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If Taylor let go of All Too 10 for the movie and concert (Considering she promoted it for a year) I'd be more keen to go (to either) personally and maybe I'm being a bad fan for thinking that
You're not a bad fan for not liking a song! I get it... I'd rather have the 5 minute version because the production is better, imo and it's the more bulletproof version of the song. Don't get me wrong, there are some great lyrics in the 10-minute version, but there are some very eeehhhhh lines, which makes sense because it's the unedited version. Also.... it's 10 minutes long, and we still have 3 other songs in the Red setlist... so it could've cleared some space for a Debut song, or she could've cut WANEGBT and IKWYT and kept ATW 10 and 22
(Send me unpopular opinions)
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jamesunderwater · 30 days
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since I'm way too awake for 1am and on a Noah Kahan kick anyway, I've decided to construct my Ideal Setlist 🤩 based on what I've seen from his shows so far this tour. there's a good amount of variety between them, so who knows what I'll get! but here's the dream:
OMFG HE PLAYED SO MANY SONGS AT THE LAST THREE SHOWS I'M GONNA FUCKING THROW UP IF HE PLAYS 22 SONGS INCLUDING 'ANYWAY' AND 'GROWING SIDEWAYS'!!!!!!!! okay anyway i'm gonna be incredibly normal about this show, so *clears throat*
Dial Drunk
New Perspective (because he plays it at every show)
Everywhere, Everything (between this and Dial Drunk my voice will be hoarse three songs in)
False Confidence (again, inevitable)
Forever (!!! I can't wait!!)
She Calls Me Back
All My Love
Maine (😭😭😭😭 I WILL DIE HAPPY IF I HEAR THIS LIVE)
Pain Is Cold Water (inevitable, but so excited to hear it for the first time!)
You're Gonna Go Far 💔
Growing Sideways (a spiritual experience if i've ever had one)
Anyway (i'll never recover)
No Complaints
Mess (i'll be healed forever)
Bad Luck (i know there's little chance for this one but i'm putting it out there for the universe to consider)
Carlo's Song
Call Your Mom (if he actually plays both this and Carlo's Song he'll need to pay for my resulting therapy)
Orange Juice
Northern Attitude
ENCORE: The View Between Villages
Stick Season
Homesick (BECAUSE CAN YOU IMAGINE THESE TWO SONGS BACK TO BACK??? MY VOICE WILL BE DONE FOR!!!!)
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