it honestly frustrates me when i see people reduce the ericsons cast down to "just some teens in the woods" acting like theyre no different than any other group of lone teenagers from other existing properties and treating them like an overused trope
it is sooo important to acknowledge the "troubled youth" aspect of the whole equation. theyre not just some random teens in the woods clem stumbles across. these kids were abandoned by their families for their various "difficulties" and fucked up by The System before the outbreak even began. and then once zombies started roaming the streets their familes never came back for them and the adults that were in charge of taking care of them just left them there to rot in that old boarding school (except for ms martin who was like their lee 🥺 the only person who ever saw them as the scared traumatized kids they were and died protecting them)
the whole aspect of them already being fucked up by the adults that controlled their lives is like.....kind of important when discussing the whole "delta is stealing kids to force them to fight in a war they have no real part in and want nothing to do with" aspect of the season. and its important when comparing them to clem and her journey of also suffering at the hands of the adults around her forcing her to become self reliant. AND its important when discussing the "just trying to build a safe home (and future) worth fighting for in this world that wants them dead" aspect of the season as well
these kids were forced to come together to survive. and a Lot of them didnt... theyre the only family they have left and you can tell that even when they argue with each other theyre still a close knit group who looks out for each other. theyre a Real family before clem even gets there (and its why what really happened with the twins and brody and marlon hits them all so especially hard)
all of this is what REALLY makes ericsons such a perfect home for clem. its a Real community of her True peers. theyre not Just teens. they mightve had a layer of safety clem never had by at least having walls to keep them safe. and having the benefit of the school being hard to find. its the only reason theyre still alive when clem shows up. but theyre also some of the only people who can Truly understand where clem and aj are coming from. and its why it hurts so much when they vote to kick them out. but its also partially why she merges back into the fold so easily when she returns. plus the fact that shes Really the only one who has any idea what shes doing. shes their rock and she makes them feel safe because underneath it all theyre still just those scared traumatized kids ("EVERYONE is scared, clem..." vi was Definitely including herself in that 'everyone'), and on some level, so is clem
they saved clementines life. and she saved theirs. "the school was supposed to help them with their trauma, now they help each other" its about the LOVE the COMMUNITY the SUPPORT!!!! and thats the shit that makes good zombie media honestly 👌
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Rewatching Season 1, just closed Episode 7 again, and now I'm thinking about Jim.
Jim, who lost their father right in front of them.
Who inherited a legacy of revenge they never wanted.
Who was taught over and over again that life is pain and disappointment and burden.
Who left home all alone in the world to get their vengeance at their Nana's advice.
Who found Oluwande as a way into Spanish Jackie's proximity to get the man who stole their whole life.
Who ran away with Oluwande at their heels, the first time they've run with someone running with them.
Who had to hide and lie and keep their lips sealed to board The Revenge and did so with only a single ally they could trust.
Who had to slowly learn how to talk, not in the literal sense, but metaphorically, to be vulnerable.
Who saw their Nana again and let themselves be sent back to a life of settling a tiresome grudge.
Who had to decide, for the very first time themselves, that they wanted the good out of life.
About Jim who went back home, to The Revenge.
Who got back just in time to kiss Oluwande and hold him close and bed him in their shared room. Who lost him just as quickly. Who was alone again, but in an entirely new way. Who woke up with a pounding headache pinned under glowering eyes. Who's been pushed to the breaking point of killing and raiding without a cause to believe in.
Who still held so much heart and longing for closeness. Who told Fang stories to help him stop crying and laugh, who even did the little wooden boy voice to make sure it worked. Who started to fall for Archie in the middle of all the hurt and cold loneliness that took a hold of their home, of their Revenge, the only one they've ever really cared for.
And then... just when Ed seemed to be getting better than he had in a while, they were in a storm. Surrounded by screaming weather and getting soaked with rain. And as they find themselves staring down the barrel of death, only hours or minutes from complete destruction and erasure, they are commanded to snuff out their recent string of hope.
And Blackbeard cackles as he tells them all love dies, he was just hastening the process.
And it hit them again, with the same force as Archie's fist hits their jaw... it's the same thing.
"Life is pain."
"Life is disappointing."
"Life is pointless if you aren't mad and making a statement."
The world was telling them again, that was how it worked.
And they didn't listen. They didn't bend to the universal law they kept having barked into their face. Instead they reached down, and pulled Archie to her feet. And Jim pressed their forehead into hers. Knowing they were going to die soon. It was just a fact, Blackbeard was always going to blow the mast, no matter if they listened.
So Jim was going to stop fighting. Stop scrambling desperate and scrappy to survive. They were just going to hold the little bit of love they had within reach, and wait for the Life that's aways been hard to end.
More OFMD
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I’m rewtaching a favorite show of mine - well, up until season 4 favorite - Yellowstone, and I realize that they capitalized on an emotional topic to get out of shoddy writing and what I hate even more is that it worked.
Jamie and Beth have hated one another from the get go, but between season 1 and season 2, it goes from ‘every sibling in this family somewhat hates the other one but they’re still kind of okay to one another’ to there’s a very intense hatred that wasn’t there before between these two specifically.
There’s a few scenes where you can make a guess - Beth as a child is blamed for their mother’s death (by her mom herself) when Beth’s horse spooks into their mom’s and the horse crushes her. Okay, maybe that’s why Jamie doesn’t like Beth, and Beth just hates everyone because that’s pretty traumatic. Nope - you get another flashback where their mom is still alive on a Christmas when they’re all pretty young and you find out Beth has always been dramatic, and Jamie is complaining that they should just start opening presents without her because it will be New Year’s before she comes down. Okay, so they’ve always had issues. Some siblings are like that, I get it, fine. One girl, middle child, in a family of all cowboys and she also hates horses? Makes sense - drama is the only way for her to get attention.
And then comes The Real Issue - some time after their mom dies,I assume Beth is 16 or 15 and Jamie is two years older and about to leave for college, his birthday is in December - so 17 ish. She’s been knocking boots with the other teenage ranch hand (who becomes the love of her life later on) and she winds up pregnant. Rather than go to her father, her older brother, or even the guy she’s been having sex with, she goes to the brother that she doesn’t particularly like, and asks him to take her to a clinic for an abortion. Their family is 6 generation famous - everyone knows this family, their business, etc. John Dutton runs this valley through fear and violence. They founded the town. So they can’t go to a Planned Parenthood, even several towns over, because people will still know and report back to John. So they go to the next door Reservation where Jamie shows his ID while his sister waits in the truck, and the nurse at the desk informs them that a stipulation in getting an abortion there is you’re sterilized. Jamie seems to think about it for a minute, goes back out to the truck with his sister, and tells her it’s okay to come in.
From then on, Beth absolutely despises Jamie for the rest of their lives because ‘he prevented her from ever having kids without telling her about it.’
And this is where I lose it.
I get why they picked it, bodily autonomy is a hot topic and so is the fact that indigenous women were sterilized by white doctors against their knowledge for years in a planned genocide. It made the audience so mad that they just stopped paying attention to the amount of holes in this plot. It might’ve even made this make sense if Beth wasn’t the white daughter of a homicidal white land baron who ran everyone and everything in the state of Montana. Why is the blame put squarely on the 17 year old (or the 15 year old) when clearly multiple adults somehow just....screwed the pooch? If you knew who’s kids those were, if you stopped and sort of paled at their last name, why would you not tell the one getting an abortion ‘hey - you sure about this?’ because that’s just too much WTF to expect a white doctor to recognize the rich white kid and say absolutely nothing - no consent form, no talking to her about it - why would you not question Jamie at that point? Why wouldn’t you question Beth? Is this rape? Is this abuse? YOU DON’T KNOW, THEY JUST DECIDED THE EMOTIONAL REACTION WOULD PREVENT PEOPLE FROM LOOKING TOO CLOSELY. Why would you sterilize the fifteen year old in secret when women who are in their 30′s have to get multiple doctors and a psych eval to get a hysterectomy, or tubes tied when their rationalization is ‘you might want kids some day?’ or ‘what does your husband have to say about it?’
Again, it’d would’ve made perfectly logical sense if it’d been an indigenous woman and a white boyfriend (or no boyfriend, or even her own husband, or literally just by being indigenous). Why does no one question why Jamie was either 1) so angry at his sister that this is some pubescent revenge scheme (except it’s clearly shown that he regrets it - thank you Wes Bentley for caring about your character development when the writers didn’t) or 2) so scared of his dad finding out that his little sister is pregnant that he decides right then and there that getting sterilized is the best course of action? I mean, this is the dad who puts a branding iron to his youngest son (when he’s still a teenager) when he gets a woman from the Rez pregnant and refuses to take her to a clinic for an abortion like his dad tells him to. That’s the son he likes. So the threat is real that something bad would’ve happened if they told their father - bad enough that Jamie and Beth keep it a secret into their 40′s - but AGAIN - why is this on Jamie? And only on Jamie? Is it really that hard to make the leap that Jamie knew what his dad was going to do - drag his sister to a clinic anyways, and then quite probably kill the kid who knocked her up - the kid who winds up being her husband and her father’s favorite son? Why are we not putting the (or any) blame on John Dutton who was apparently so fucking awful at this point that they were scared to go to him and this was the better option?
There’s too many parts in this story line that make absolutely no sense, or require a lot more guilty adults than just Jamie and Beth (should also note, that for the first season, Jamie and Beth, for having this horrible relationship and skeleton in the closet, still call one another when they’re in trouble - need a ride, need to confess something, try to save the ranch, etc - and then it just vanishes in season 2).
Maybe I give Jamie too much leeway. Maybe it’s because I love Wes Bentley as an actor and keep watching the Behind the Story shorts on the DVDs where he explains Jamie’s motivation. Or maybe because I really fucking don’t like that they’re obviously trying to make Jamie the Bad Guy because he’s the adopted son and clearly, Adopted Kids are always the Bad Guy in media (I have never met a single adopted or foster kid who was like ‘yeah, my loyalty is to my Bio parent despite the fact that they were so fucking awful that I got taken away by the state and put in a much nicer home with people who actually want and love me, let me torpedo my adopted family’s lives straight into the shitter now that I have my bio family again’. But the fact that the entire fandom in a goddamn western has become like Team Iron Man vs Team Captain America because EmOtIoN irritates the fuck out of me because it’s excusing the writers for having absolutely no fucking idea what they’re writing about and just want drama for the sake of drama and never really thought out how this would actually go down.
And this isn’t even touching on the fact that any child that Beth had would be emotionally or physically abused because that’s exactly what Beth does to the teenager she ‘adopts’ in season 4, because having a kid doesn’t automatically make you a better person - which they would know, if they looked at the amount of kids in foster care.
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@allvalley100
Prompt: Wanderlust
Pairing: YasMoon
Set in an alternate timeline Season 2! Goes with my HC that these two had kind of a fwb/"secret dating"-type thing going on behind the scenes during Season 1.
***
Yasmine snaps a selfie of them from the top of the Eiffel tower, Paris and the Seine sprawling behind their grinning faces. She posts it to Instagram, captioning it “My girlfriend’s hotter than yours”.
“Still really happy you could come to France with us,” she says, squeezing Moon’s hand. “Never thought I’d say it, but...I’m actually glad you made out with that mohawk weirdo.”
Moon laughs. “Really? Why?”
“When I almost lost you to him...I realized what’s important. Not popularity. Not money. You.”
Moon melts into her, and Yasmine feels whole.
“I’m sorry I ever tried to hide you, Moon.”
***
@karatecaulfield S2 in a better world </3
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Why have you stopped writing was born to lead?
I… didn’t want to answer this question. But it seems like you misunderstood me a little, because I’ve never said I’m stopping to write WBTL. It’s on hiatus now, it’s not abandoned.
Anyway, I admit I had a lot more dramatic~ answer to this question in my head when I first saw it, but after all I realized the main reason I’m stepping away from publishing the chapters is… life.
There are too many external factors that prevent me from being as productive as I’d like to be and given the fact I’m a lot more emotional than I think I am (damn it), I know I’ll be way too harsh on myself for not updating often (I update almost every month now, which, I think, is often enough, given how long my chapters are).
But I write this fic for joy only. And I want it to bring me joy only. The way to achieve it is to write it for myself. But I want to assure you that the fic is not abandoned. I just stop publishing the chapters until the entire story is finished.
I have no idea when I finish it. But for now, I just hope I’ll manage to do it.
I’m actually on hiatus now (and no, this is not some summer vacation hiatus, as I said I won’t publish the chapters until I finish the story, so it’s going to be quite a long lasting hiatus) and I won’t write anything for at least a month (unless I’ll get hit by some extremely cool idea that I’d want to write down right away), because I have some big plans in terms of outline and editing.
But that’s actually a good thing, because it means WBTL is not escaping from my head. If you want to send me my characters for the OCs ask games, or give me suggestions for the story, or simply talk about it with me, please do. I won’t mind. On the contrary, I’ll be extremely happy to know that any of you are still interested.
I hope it clears things up and you understand why I’ve made this decision.
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