#this one script im writing I started thinking of the main character with tom in mind and then gradually thinking of josh for al

[spideyhexx]

they’re hot

[bluepluto03]

mcu spiderman rewrite/au i may or may not do

ok so first quick disclaimer! i do not hate the mcu spider man movies in any way!! i actually enjoy them quite a bit and have seen homecoming like 4 times! and i absolutely adore all the actors in the movies, especially tom, zendaya, and jacob 

but the problem w/ the mcu spiderman movies is,,, they’re just not spiderman. at least from a writing/thematic perspective, which sucks bc so much other stuff about them is great! like tom holland is the perfect peter parker, which is why it seems so close to being right, but with the way the script is actually written... it’s just. not spider-man. 

i feel the need to explain all this/my problems w/ the movies b4 i get into the actuall au idea/plot, so please bear with me for a sec

for context, I’ve loved spiderman my whole life. i’d watch the cartoons when i was younger, and then went back and watched them all again when i was a bit older and figured out how to pirate stuff lol. i didn’t really know how to get into the comics, so i just kinda read wikis and got second-hand info from fanfics and the other movies

to me, spiderman, (at least, peter parker spiderman,) was always about like... a kid, who saw the world was broken and fixed it because he could. he had the power to fix stuff, so he did. 

as a kid w/ mental illness and a not so great home life... that was something really really important to me. to see another kid out there, who’s been through some shit, but finally has the power to make stuff better, so he is! and it would make me think, maybe i can change stuff for the better, someday, if i just get my chance

but,,,,, the problem is mcu peter parker isn’t that. 

instead of becoming spiderman bc he knows there’s bad in the world and wants to fix it, suddenly his motivation is impressing tony stark?? and don’t get me wrong i don’t hate tony, but the way they wrote his and peter’s relationship basically trapped peter. he could no longer be his own hero, bc he was tony’s successor. and that's never who peter parker’s spiderman was?? he was never a follower, he was a trendsetter. he didn’t become spiderman for approval, hell he had dozens of newspapers constantly slandering him. 

honestly the following in someone else’s footsteps thing was always a miles morales thing. he had to step up to the plate and fill the shoes of a spiderman who had already existed for years and was beloved by the whole city. obviously thats not all he is and simplifying his character to that is incredibly obtuse, but i bring it up bc tbh alot of stuff w/ mcu peter parker is just straight-up ripped off from miles morales. like how peter now goes to a fancy private school, is no longer poor (which is a huge thing w/ peter parker’s character in like every other incarnation), has a living father figure, and is bffs w/ ned, who is a straight-up rip off of miles’s best friend ganke. (for the record tho i adore ned and jacob i’m def keeping him in my rewrite,,,, also i’m glad he’s in the movie bc having a plus sized poc protagonist thats not constantly mocked is incredible) 

so, i’m complaining about all this stuff lol but ur probably wondering how exactly how i wanna fix it lol,,,, 

first, give peter an arc thats more than just..... i want tony to believe in me. my idea for that is basically a type of thing where he learns to rely on others! bc like... peter isn’t good at working w/ others lol, he’d much rather do it all himself so no one else gets hurt. (like in the andrew garfield movies where he just,,,, webs his gf to a car so she can’t run into danger lmao) 

the plot would start at a similar ish position to homecoming, though tony never recruits peter for civil war. tbh not sure if it even happened but we’ll disscuss that later

peter’s been spiderman for a few months, after a trip to oscorp left him w/ a radioactive spider bite. currently no one knows about it, and he’s doing a pretty ok job of dealing w/ everything on his own. until he takes down a big bad, lets say rhino for now, and gains a ton of publicity. after stooping a hudge disaster he’s suddenly in the limelight, and catches the attention of one norman osborn, aka the green goblin 

now, quick sidenote. green goblin is genreally seen as pretty goofy, but there are comic versions of him that are legit terrifying. if im being honest i didn’t even know about that version until i read aloneintherains fic birds eating other birds so ig thats kinda ish how i’m imagining this version of norman? though alot more composed, like the man who could someday turn into that 

so norman becomes intrested in my boy peter, and starts sending ppl after him. possibly the sinister 6, but uhh maybe not bc tbh i think this “rewrite” needs to be split into 2 “movies”/works and i might wanna save that for the hypothetical pt2 (btw if i write this it won’t b for a while cause i got other stuff going on but ig if ppl are intrested i might write some snippits/make more content for it) 

so basically the main plot is peter dealing w/ all these big bads on his own, doing ok at first but later getting really fucked up, and eventually revealing himself to ned and mj which ends up being the only way he can save the day in the end. by relying on others! yay!! 

thats it for the main plot, but don’t worry y’all we got other stuff going on too lmao 

so, for one. my boy peter is realizing he has a crush and just,,,, freaking tf out. (i have yet to decide if it’s on ned or mj. or both. sue me) the crush isn’t definitely resolved in p1, but i imagine there’d be some cute thing of him suddenly realizing and freaking out and almost revealing his powers. 

thing 2! tony stark! he is still in here, and still a mentor to peter, but in a pretty drastically different way. one, he doesn't know about peter being spiderman. he doesn't even suspect it lmao. he just gets involved bc of.... some sort of reason bc peter is so smart. do i know why just yet? no. does it matter? probably but i’m writing this pretty late after i had school all day so i’m too tired to care 

bc tony basically gives peter a real internship/mentorship type thing, peter now has access to all this tech!! and all these funds!! fucking lit!! so he changes from his pajama suit to the fancy one, tho he actually built it!! which i feel like him making his suit is a really big really important part of his character. so it doesn't really have all those random things tony added, tho peter might add stuff himself. he gets Karan as a like assistant ai as part of his internship but she never gets put into the suit

for the fist part tony plays a super minor role but like,,,, the first part is about osborn taking an intrest in him, and him confiding in ned and mj. the second part norman is become progressively more dangorus and peter has to fight him and stuff, kinda proving he is strong enough to be spiderman/be trusted to the whole world, beyond just ned and mj. also him actually getting together w/ either one or both of them bc...... bc i want that. 

oh btw idk if tony finds out or not in p2? if he does it’s either at the end or in a scene like the one w/ may bc like. please imagine the shenanigans of peter and ned (who both have high intellegence but low wisdom) in tony’s lab, obviously trying to hide the fact that peter’s spiderman. like he walks in on them and peter looks all frumpy bc he’s been trying to change real fast, and ned’s shirt is messed up bc he just stuffed the mask down the front of it, and mj is just. chilling behing them. so tony just like assumes stuff and is like....aight.... have fun.... 

oh btw the last big change that i didn’t really have anyway to insert natrually into this,,,, so remember how i said ned was kinda a ripoff of ganke? well, the writers claim he’s a “composite character” so i figured, why not give him traits from other famous spiderman side character so he actually is a composite character! 

so like,,,, throughout p1 it’s referenced that ned has a kinda dickish estranged ish dad that he hates and his mom doesn't really like but kinda forces him too... theres some mentions of his dad wanting him to transfer to a private school and being kinda rich, bur he dosen’t want to bc he knows his dad is a total dickead,,,, anyway end of the movie we find out norman osborn is ned’s dad, and ned hates him even fucking more bc it’s like bitch?? u tried to get my (maybe) bf murdered?? tf?? and its lowkey bc he can’t reveal peter’s id, but then in p2 after norman takes matters into his own hands and tries to kill peter on his own ned just fucking yells at him while the man is in jail and is like fuck u lmao 

soooo thats my really messy au idea!! i’m really tired sorry if this is hard to understand or rude! for the record i have nothing against the ppl who adore these movie’s, i just think they could be better! 

[toyfrog]

Spader' Portguese Interview: Planting a Massive Oak Tree and Breaking Away!

Oh, yes he is.

Without a Doubt: Spader isn’t happy. And it seems his own fanbase are out of touch with his true feelings on the subject of fame, and why he just wants a simple work schedule like he had in Season 1?

Is that too much to ask? Apparently so. And because he’s been forced to work all the time, it’s taking him away from his private life.

HES NOT HAPPY.

But those who follow me *know* this already.

James Spader stars in “The Blacklist” since 2013. It’s more of a dark character in his career, the ones he’s drawn to.

[I’VE MENTIONED THIS: WHENEVER A LEAD ACTOR BECOMES FRUSTRATED WITH STORY, OR IN SPADER’S CASE, ADD THE SHOOTING SCHEDULE, THEYRE GOING TO VENT. NOT IN THE STATES BECAUSE THEY ARE PROTESTING IN THEIR OWN WAY THEIR DISTRESS OVER THE CURRENT STORY DIRECTION. ILL EVEN ADD ON THAT THE INTERVIEWEES ARE HAND PICKED BY THE SAME SOFTBALL CREW WHO WILL WRITE JUST ABOUT ANYTHING TO HYPE A BAD SHOW OR INTERVIEW THE SAME ACTOR OVER AND OVER THE ACTOR WHO LOVES TO HEAR HIMSELF TALK, LIVES THE SPOTLIGHT, NILS IS A TERRIBLE DISEASE FOR ROOKIE ACTORS. THEY START BELIEVING THEIR OWN PRESS UNTILL THOSE RATINGS CRASH THEIR Q SCORE]

[SO WHILE AMIR ARISON, AND RE TWEET THEIR ‘LOYALTY’ BECAUSE THEY ARE GETTING THE MOTHERLODE OF AIRTIME AND STORY, OTHER ACTORS REMAIN SILENT AND FOR GOOD REASON. THE SHOW IS ALARMINGLY IMBALANCED.]

James Spader’s debut in the art of representation took place in the cinema in the early 1980s, but in the nearly four decades of his career, the actor stood out as a TV character in “gray” or completely dark. That was the unethical Alan Shore of Fair Cause and Boston Legal or the puzzling Robert California of The Office. But also from Raymond “Red” Reddington from The Blacklist, NBC series issued in Portugal by SIC. Dressing the skin to these villains is not an imposition, but Spader admits in an interview that DN had access that feels “a certain attraction” by them.

“I’ve always found anti-heroes very attractive and of course playing a villain who mixes his evil with humor and irreverence can be a lot of fun,” he explains. [HERES THE DISCONNECT: RED IS A VILLAIN-HIS FANS REFUSE TO SEE THAT. INSTEAD THEY FEEL RED IS THE LONG SUFFERING HERO HOPELESSLY IN LOVE WITH LIZ. YEA. THATS *NOT* WHATS GOING ON HERE AT ALL. IN THE END, “HE MUST PAY.” READ THE FARMER PARABLE AND YOU’LL KNOW THE ENDING. It DOES NOT MATTER WHAT GOOD RED DOES IN THE FIVE YEARS….IN THE END, “HE KNOWS IN HIS HEART THAT HE MUST PAY.”]

In fiction, he believes, tyranny represents “in many respects the extremes of society” and is a “kind of morbid curiosity” in knowing these extremes that impels it.

[DO WE SEE HOW SPADER AND KLATTENHOFF APPROACH THEIR INTERVIEWS? ALL ABOUT THE CRAFT NOT THE STORYLINE. NEVER ABOUT THE STORYLINE BECAUSE PROFESSIONALS LEAVE IT TO THE WRITERS. BUT IF RATINGS SINK BECAUSE OF THOSE CHOICES, THE ACTORS THROW SHADE IN A PASSIVE AGGRESSIVE WAY AND SPADER BROUGHT HIS OAK TREE]

The success of his “Red”, the man most wanted by the FBI - who gave himself on the condition of being released and in turn helping to catch criminals on a blacklist - is also due to “luck” On television had come “at a time when anti-heroes were not plentiful.” “Now there’s probably more, though I do not have time to watch TV. I’m too busy doing it,” stresses the interpreter. [HE DOESNT WATCH TV HE DOESNT WATCH BLACKLIST ITS WHY HES NOT ON TWITTER HE GOES SHOOTS HIS SCENES AND GOES HOME. HE DOES NOT HANG OUT WITH ACTORS OR STAFF HE IS LIKE MANY ACTORS WHO PREFER TO AVOID THE SPOTLIGHT EXCEPT WHEN THE DIRECTOR SHOUTS, “ACTION”]

In his house, he says, “there is not a single television yet.” “I’ll move in soon, who knows if there will not be?” Jokes Spader, 57. “I do not know if this is not a paradox … I spend so much time, so many hours, [NOTICE HE KEEPS BRINGING UP HIS SHOOTING SCHEDULE? TRY MEMORIZING HIS DIALOGUE THE WINTER FINALE SHOWCASED SPADER FOR 21 MINUTES. THATS EXCESSIVE. He’d prefer ten maybe 8. 21 MINUTES LEAVES NO ROOM FOR ANYONE ELSE. FANS MAY BE FINE WITH THAT BUT SPADER ISNT. THATS OVERTIME] so many days, weeks and months to live within the television fiction and within the television drama … [SPADER IS TIRED. SPADER WANTS WHAT HE WAS PROMISED IN SEASON 1.I dedicate so much of my life to television as when I do not I’m working, I do not want to waste time with her, "he explains. [Her AS IN HIS GF? I would assume?]

Incidentally, probably not watching the fiction on the small screen is that James Spader does not have a formed and "objective” opinion on the evolution of the industry. “I do not know if I understand the business, I know it’s changing, it’s getting more involved and growing, it’s expanding in a dizzying way, [AND HERE COMES THE OAK TREE TO PROVIDE ENOUGH SHADE TO REACH LOS ANGELES] but it’s very complicated to be aware of what happens if we spend a lot of time working, [WORKING SHOOTING, NO TIME WITH HIS GF OR FAMILY NO TVS IN THE HOUSE DOESNT WATCH THE SHOW NOT ABSORBED IN RED ITS NOT HIM AND HES TIRED OF THE CHAOS-MY BELIEF, THE BAD WRITING. USING HIM TO FIX THE WRITING. USING HIS CHARACTER TO CARRY THE SHOW AND THE IMBALANCE TO THE SHOW] Which is my case, "he explains.

Compared to other NBC hit series such as This Is Us, Chicago Fire, Chicago Justice, or Timeless, [ALL THESE SHOWS HAVE BETTER RATINGS THAN THE BLACKLIST. THATS HOW BAD THE SHOW IS. WHEN ACTOR DOESNT USE THE EXCUSES OH, THERES MORE SHOWS ON TV, WE HAVE A BAD TIME SLOT, THE LIve 7 PPL WATCH-YEAH NO HE MAKES ZERO EXCUSES BECAUSE HE KNOWS.

ITS THE STORY TIER. HE WANTS IT TO GO BACK TO THE WAY IT WAS WHERE HE HAD LESS OF A SHOOTING SCHEDULE. SO FOR THOSE THAT SCREAM MORE RED AND LIZ AH THATS NOT WHAT SPADER WANTS. HE WANTS LESS.] The Blacklist ranks 13th among the 18 issued by the North American station. But it was once one of the biggest audiences. [BUT IT WAS ONCE ONE OF THE BIGGEST AUDIENCES. RECALL SALKE SAYING THE BLACKLIST IS POPULAR OVERSEAS? RECALL ME SAYING WHAT HAPPENS WHEN THE BAD WRITING SHOWS UP? When PRESS DO INTERVIEWS THEY GET TO VIEW THE SEASON EPISODES. THATS WHY THIS INTERVIEW HAS BLACKLIST ON ITS DEATHBED] The fourth season, currently on display in the US, debuted in September last year with 6397 million viewers. The most recent episodes were below five million. [A BLOW INDEED ALL BECAUSE OF TOM PIMPING, ARAM PIMPING, ELISE PIMPING ALEXANDER KIRK PIMPING, SARAM PIMPING KEEN2 PIMPING AND FINALLY PLOT DRIVEN STORY WITHOUT PIMPING THE THREE MAIN LEADS AS THE SMASH CREDITS INDICATE FOR A REASON: RED/LIZ/RESSLER. NO INTERACTION WITH THE MAIN LEADS REFLECTS THE RATINGS-THE WRITERS KNOW WHAT THEY DID THATS WHY THEY ARE SILENT AND SO DO THE ACTORS. CURRENT STORY DIRECTION SINCE 3B KILLED THE SHOW] A blow that has left the doubt in the air: will NBC cancel or renew the story? [TWO MILLION VIEWERS LOST AND COUNTING. EUROPE SENDING THE SIGNAL TO NBC AND THE SHOW:FIX IT]

Spader remains optimistic, and believes that what has so far kept this story on air "is a strange mix of things,” [HERE COMES THAT MASSIVE OAK TREE AGAIN JUST PLANT IT IN THE MIDDLE OF THE WRITERS ROOM OR ON TOP OF EISENDRATH'S DESK] including the fact that screenwriters are in Los Angeles [OMG WRITERS YOU ARE OUT OF TOUCH WITH THE MECHANICS OF NEW YORK AND OF COURSE BY THE TIME NY GETS THE SCRIPTS EDITS HAPPEN ADJUSTMENTS HAPPEN REGULARLY] and recordings take place in New York. “We do not even live our lives at the same time … [HE HATES HIS SHOOTING SCHEDULE DID I MENTION THAT? IF LA IS WRITING AT FOUR PM SPADER AND GANG ARE FILMING AT 7 PM OR 9 pm, OR TEN PM OR SIX AM OR 8 AM TO ACCOMODATE LOS ANGELES AND TO ACCOMODATE A SPIN OFF] The series is strange, sometimes surprising [SOMETIMES SURPRISING IOW HELL GET A GOOD SCRIPT LIKE CAPE MAY OR IN S3 IN MARVIN GERARD BUT MOST OF THE TIME ITS STAGNANT, PREDICTABLE AND PLOT DRIVEN] and intense, sometimes irreverent, [OAK TREE] sometimes passive [PASSIVE AGGRESSIVE] and still volatile.” [IOW IF THEY DO A 180 STORY FLIP BACK TO ITS As DIEGO SAID REGARDING S3 A MAGICAL FORMULA, NOT PLOT DRIVEN BS THE SHOW CAN LAST. BUT HE DOESNT WAX POETIC NOR DOES HE SUGARCOAT THE HYPE AND HE BRINGS UP IRREVERENT SOMETIMES? Yeah look it up. HES NOT HAPPY. ]

On the direction he would like to see the plot follow, [MAN I LOVE THIS YES JAMES WHAT PLOTLINE DO YOU WISH FOR BOKENKAMP AND EISENDRATH TO FOLLOW IM GOING TO GUESS ITS NOT KEEN 2 ITS NOT THE BABY, ITS NOT THIS ISOLATION OF THE LEADS AND HE NEVER MENTIONS RED AND LIZ NOTICE THAT?] the actor only says that “the most satisfying is when there is an abrupt change.” [ABRUPT CHANGE OR AS WE SAY IN THE INDUSTRY A 180 STORY FLIP. End KEEN2, SHAKE THINGS UP GO BACK TO RED/LIZ/RESSLER ENOUGH OF ARAM HES HAD THREE STORYLINES IN ONE YEAR AND TOM HAS HAD THE MOST EXPOSURE THAN ANY ACTOR COMBINED AND WHAT DID THEY GET? LOSS OF ADVERTISING 0.7! KEEP IN MIND IF TBL DEBUTS AT 0.8 ITS TOAST. It needs 1.0 TO STAY IN CONTENTION] “I think we’ve already been successful in that aspect and it was precisely these heights I most liked The Blacklist.”

[OY SPADER IS NOT HAPPY. FANS ARE NOT HAPPY ADVERTISERS AND NETWORK ARE NOT HAPPY AND NOW WRITERS ARE SILENT. FOR SPADER, ITS JUST A PAYCHECK NOW. BETTING ON RE WAS STUPID. GO BACK TO ORIGINAL STORY DIRECTION LIKE I SAID-A 180 STORY FLIP…SEEMS THATS EXACTLY WHAT SPADER WANTS: ABRUPT CHANGE AND IF THEY DONT DO IT AND LEAVE IT LIKE IT IS I DONT THINK HE WILL RENEW HIS CONTRACT BUT CONTINUE TO PLANT THAT MASSIVE OAK TREE .]